PRO
PRO-
PROPRO
PROFESSIONAL BI-DIRECTIONAL
-DCB
DCB
--
DCBDCB
MIDI-DCB CONVERTER
Operating manual
INTRODUCTION
p
p
C
ongratulations on your purchas e. The
PRO DCB
is much more than just a MIDI to DCB
converter, incorporating a built in LFO as well as filter and arpeggio clock control. Please
take some time out to read through all the manual to avoid any operational difficulties.
CONNECTIONS
To the MIDI In
of your other
MIDI keyboard
MIDI Master
keyboard/computer
MIDI out
Arpeggio Clock
Juno/
Ju
iter
DCB TO
MIDI
MIDI
MIDI
out
MIDI In
Plug your MIDI keyboard or sequencer`s MIDI Out into here.
MIDI Out
Plug this into the MIDI In of your MIDI keyboard, when using the units DCB-MIDI capabilities
MIDI Thru
Plug this into the MIDI In of another piece of your MIDI equipment should it be necessary.
DCB
Plug this into your synth`s input marked DCB. This transmits and receives DCB information.
AUX
Plug this into your synth`s input marked VCF. This controls the filter cutoff via MIDI.
ARP CLOCK
Plug this into your synth`s input marked ARP CLOCK, this controls the speed of the arpeggio clock,
and syncs it to MIDI clock.
9-15V DC
Plug your power adaptor (not supplied) into here. The converter will take an adapter with a range
of 9-15V. We recommend the Kenton power supply which is made especially for the PRO-DCB but
any plug-top supply can be used as long as the output is regulated and is in this voltage range. Do
not use any adaptor which has an output voltage of higher t han 15v. The PRO-DCB must not share
a power adaptor with any other device of any kind as this may damage your unit.
MIDI
Thru
In
PRO DCB
DCB,
and Filter
9-15V external
ower adapter
DCB out
2
EDITING THE
PRO DCB
W
hen the
PRO DCB
Switching On
is switched on, the words
KENTON PRO DCB
scroll across the display.
The Display
There are 3 digits on the 7-segment display. The 1st digit shows which parameter is ready for editing.
The right-hand, 2nd & 3rd digits will then display what the value of the parameter is.
There are also 3 red dots which you may see appear. The 1st dot when lit indicates the
button is in reverse operation (see below), the middle dot when MIDI information is being received
on the selected channel, and the 3rd dot will light when the unit receives DCB information (i.e.
when it is being used in DCB-MIDI mode).
SELECT
SELECT steps
backwards
MIDI
.
info
DCB info.
Stepping through parameters
Each parameter is accessed using the
the next section `Parameters`.
Press the
DEC
If you press and hold the
parameters in the opposite direction. A red LED dot will light up to indicate this. If the
is pressed and held for 1 second again, the direction will return to normal and the red LED dot will
disappear.
SELECT
rement (-) buttons to edit the value.
button to get to the parameter in question, then use the
SELECT
SELECT
button for more than 1 second, you can step through the
button. There are 14 parameters in the menu, listed in
INC
rement (+) and
SELECT
button
Displaying values above 99
When displaying values from 0 to 99, you will see the digits as you would expect.
When displaying values above 99, the following format is used :-
a dash " - " at the bottom of the left-hand display = 100+
a dash " - " in the middle of the left-hand display = 110+
a dash " - " at the top of the left-hand display = 120+
No values above 127 are used.
Speeding up editing
If you press and hold the
press and hold the
DEC
key then also hold the
INC
key, then also hold the
INC
DEC
key, the value will increase faster.If you
key, the value will decrease faster.
Storing Set-ups
The set-ups can be stored in non-volatile memory. To do this, press & hold the
approx. 6 seconds) till the display reads `st`.
SELECT
button (for
3
B
elow is a list of parameters available to edit. The letters in square brackets show
(where applicable) what will be displayed in the parameter 7-segment LED.
PARAMETERS
Menu
number Parameter (default)
0 MIDI receive channel (default: 1)
Range 1 to 16 (and off)
- Sets the MIDI receive channel.
1 MIDI transmit channel (default: 2)
Range 1 to 16 (and off)
- Sets the MIDI transmit channel.
2 AUX controller number (default: 16)
- Sets which MIDI controller will control the auxiliary output.
The following can be selected;
Off [Of]
Pitch bend [Pb]
Velocity [VL]
Aftertouch [Af]
MIDI controllers 0-120
3 AUX minimum value (default: 0)
Range 0 to 127
Sets the level for the Auxiliary output when the MIDI controller source is at its minimum. 10 units
correspond to approximately 1 volt.
N.B. - the aux minimum can be set above the max, in which case the controller will work in reverse
4 AUX maximum value (default: 90)
Range 0 to 127
- Sets the level for the Auxiliary output when the MIDI controller source is at its maximum.
4
5 AUX reset value (default: 0)
Range 0 to 127
- Sets the level the Auxiliary output will reset to when the
controller reset MIDI command.
PRO DCB
is powered up or receives a
6 LFO to AUX controller (default: 1)
- Sets which Controller will control the LFO depth applied to the auxiliary.
The following can be selected;
Off [Of]
Pitch bend [Pb]
Velocity [VL]
Aftertouch [Af]
MIDI controllers 0-120
7 LFO speed (default: 90)
Range 0 to 127
- Sets the speed of the LFO. This can also be adjusted in real time over MIDI using controller #18
(general purpose controller #3)
NB -
when the unit is receiving MIDI sync, the LFO speed will be directly related to the MIDI clock
rate and the divide ratio. The window will th en say SY until either the speed is edited or the unit is
powered on again. If the unit stops receiving MIDI sync, the LFO will continue to run at the same
speed as when the sync stopped.
8 LFO waveshape (default: TR)
- Sets the LFO waveshape. All waveshapes modulate Aux any value between 0 to a positive value,
except triangle, which modulates positive and negative. The waveshapes can be changed in real
time over MIDI using controller #19 (general purpose controller #4). The following may be selected;
(arrow indicates trigger point for MIDI sync).
Triangle [TR] Sawtooth up [SU]
Sawtooth down [SD] PulseWidth 10% [10]
PulseWidth 20% [20] PulseWidth 30% [30]
PulseWidth 40% [40] Square [50]
Sample + Hold [SH] (Pseudo random)
(actually a new S/H level for each trigger)
5
9 LFO MIDI SYNC (default: off)
Range off [of] and 1 to 96)
- allows the LFO waveform to be synchronised to MIDI clock, with a variable divide ratio. The LFO
waveform will automatically adjust its length so that it fits almost exactly between MIDI clocks, and
last for what ever musical time it is set for (see below for divide ratios).
A divide ratio can be set so the LFO only retriggers every so many MIDI clock messages.
If set to 1, there will be 1 cycle of the LFO for every 1 MIDI clock. (i.e. 24 cycles per quarter note). If
set to 24, there will be 1 cycle of the LFO for every 24 MIDI clocks. (i.e. 1 cycle of the LFO per quarter
note)
Note: MIDI sends 24 clocks per quarter note.
Below is a table of values you can set the divide ratio to to obtain LFO cycles of various musical
lengths:
Note type; Divide ratio;
Semibreve 96
Minim 48
Crotchets 24
Crotchet triplets 16
Quavers 12
Quaver triplets 8
Semiquavers 6
Semiquaver triplets 4
Demisemiquavers 3
Demisemiquaver triplets 2 Note - MIDI sends 24 clocks per quarter note
a Juno/Jupiter Mode (default: Juno)
- Set this to receive optimum performance from your PRO-DCB depending on which synth you use.
However if this is set-up incorrectly it will not cause any problems.
b Clock Divide Ratio (default: 2)
Range 1 to 24
- displays the ratio of MIDI clocks to output pulses from the arp clock jack socket.
If set to " 2" there will be 1 pulse from the arp clock jack socket for every 2 MIDI clocks. (i.e. 12 pulses
per quarter note). If set to "24" there will be 1 pulse from the arp clock jack socket for every 24 MIDI
clocks. (i.e. 1 pulse per quarter note).
N.B. MIDI sends 24 clocks per quarter note.
C Positive / Negative edge clock pulse (default: Positive)
- sets whether the clock pulse train starts with a positive going edge or a negative going edge.
Most synths / sequencers & drum machines will want the Positive edge pulse, (inc. Junos and
Jupiters) but a few require the Negative edge instead. (e.g. Korg Monopoly).
D Continue = start - (values on, off, default = off)
when set to off, MIDI continue messages are ignored. If set to on, then continue messages are
treated as if they were MIDI start messages.
6
MIDI ANALYSER MODE
PRO DCB
The
messages are being transmitted by your master keyboard/sequencer making the
diagnostic tool.
To enter analyser mode, you must power on the
display will then show ‘nt’. ‘nt’ means the display will show the MIDI note number of any notes it
receives.
Using the
displayed;
SELECT
Long press [PC] Program change
DEC
Long press [nv] Velocity
INC
Long press [Cv] Controller value
Short press [rC] Receive channel
Short press [Cn] Controller number
For whichever of the above selected, the
selected.
Although pitchbend and after-touch are not controllers, when Controller number is selected, ‘pb’
will be displayed if pitchbend is received, & ‘af’ will be displayed if after-touch is received.
If Controller values is selected, and pitchbend or after-touch are received, their values will be
displayed.
For values over 99 the usual method is employed for displaying large numbers.
The MENU 7-segment LED in this mode operates as a received MIDI message indicator. LED’s will
flash when then following types of messages are received; Note on, Note off, Sysex, Timing clock
(MIDI clock), Start, Stop, Continue.
Any MIDI
message
Note on
To exit MIDI analyser mode, the
also has a MIDI analyser function. This feature allows you to see what types of MIDI
INC, DEC
, and
SELECT
PRO DCB
PRO DCB
buttons, different types of MIDI messages received may be
whilst holding the
SELECT
a useful
button. The
Short press [nt] Note number
PRO DCB
will display the value it receives for the message
Clock start
Sysex
Clock stop
PRO DCB
must be powered off then on again.
Clock
continue
MIDI clock
Note off
7
USING YOUR
PRO-DCB
AS A DCB-MIDI CONVERTER
PRO-DCB
Your
master keyboard so that when you play the Juno/Jupiter itself, the notes will appear at the MIDI
out. In fact due to the way that DCB works, when you play your MIDI master keyboard - the
Juno/Jupiter will echo the notes played straight to the MIDI out. As a result of this it is possible to
play a chord on either the master keyboard or the Juno/Jupiter - and if the arpeggiator is on, the
arpeggiated notes will appear, in sync, at the MIDI out (dependant on the arpeggiator being MIDI
synced of course).
The Juno and Jupiter synths, do not have velocity sensitive keyboards, nor does the DCB protocol
support velocity. So you will not get velocity when using the PRO-DCB - however the aux output
can be set to respond to velocity, in which case the velocity from your MIDI or master keyboard
can be used to control the VCF on a Juno, or VCF/VCA on a Jupiter 8. When a chord is played the
Aux will take the level of the highest velocity note currently being played.
The DCB cable which is suppiled will work in this mode without any change being necessary.
However, you will obviously have to plug the MIDI out from the
sequencer or other MIDI keyboard.
information can only be sent to the Juno).
When using MIDI clock in conjunction with the
First, ensure that the
are a number of reasons why it may not be receiving MIDI clock messages in the first place. If you
are having problems, go into the MIDI analyser mode described on page 13 and see if the
SOLO
is actually receiving the MIDI clock messages. If the
messages, here are a few points to watch for:Some MIDI mergers & patch bays actually remove MIDI clock information from the data stream, or
you may have to enable it for the port you are using.
Users of CUBASE note that the default for MIDI clock is for it NOT to be sent, you will have to go into
the MIDI synchronisation page and select MIDI clock to transmit.
Users of UNITOR/EXPORT on an Atari note that the MIDI clock will only come out of port A, (that is
the Atari’s own MIDI port), unless you can re-assign it.
is bi-directional, ie. it can also be used to effectively turn your Juno or Jupiter into a
PRO-DCB
Filter and arpeggio controls are one way only (i.e. this
PROBLEMS YOU MAY ENCOUNTER WHEN USING MIDI CLOCK
PRO-SOLO
PRO-SOLO
is actually receiving MIDI clock. This is not as silly as it sounds - there
, please note the following.
PRO-SOLO
into the MI DI IN of your
PRO-
is not receiving clock
The Roland Juno 6 while operating in a similar way to the 60, is not usually equipped with a DCB
port. However here at KENTON we can fit one, or sell a kit for you to do it yourself. It will then
operate in exactly the same way as the Juno 60. Contact us here at KENTON for more details.
USING YOUR
PRO-DCB
8
WITH A JUNO 6
PIN-OUT DETAILS OF SUPPLIED DCB CABLE
CONVERTER END
The PRO DCB is supplied with a cable which will connect it to all Juno’s and some Jupiter 8’s. The
pin outs of this cable at the converter end are as follows:
n.b. the receive and transmit wires must be separately screened from each other.
8 pin plug (viewed from terminals).
1 Busy (transmit to Juno)
2 Data (transmit to Juno)
3 Clock (transmit to Juno)
1 2 4 Common Ground
3 4 5 5 Busy (receive from Juno)
6 Data (receive from Juno)
7 Clock (receive from Juno)
6 7 8 8 No connection
SYNTHESIZER END
Juno 60 (and some Jupiter 8s) connector
14 way IEEE plug (viewed from terminals).
1234567
8
91011121314
PIN 1 - Busy (rx) PIN 2 - Data (rx)
PIN 3 - Clock (rx) PIN 4 - Ground(common)
PIN 5 - Busy (tx) PIN 6 - Data (tx)
PIN 7 - Clock (tx)
No other pins connected. Insulate the screen at this end.
USING YOUR
PRO-DCB
WITH NON-STANDARD JUPITER 8’S
Some Jupiter 8’s are fitted with 20 pin sockets rather than the standard 14 pin version included with
PRO-DCB
your
own, wiring is as follows. Note that Kenton cannot be held responsible for any problems caused by
leads not supplied by us.
These are available from us here at Kenton, alternatively it is possible to make your
Other Jupiter 8s connectors
20 pin bump polarised socket (viewed from terminals).
123
4
5678910111213
14
20
1516171819
PIN 1 - Clock(tx) PIN 3 - Data (tx)
PIN 5 - Busy (tx) PIN 7 - Clock (rx)
PIN 9 - Data (rx) PIN 10 - Ground
PIN 11 - Busy (rx)
9
Controller Number Control Function
Decimal Hex
0 00H Bank switch MSB
1 01H Modulation wheel/lever
2 02H Breath controller
3 03H Undefined
4 04H Foot controller
5 05H Portamento time
6 06H Data entry MSB
7 07H Main volume
8 08H Balance
9 09H Undefined
10 0AH Pan
11 0BH Expression controller
12-15 0C-0FH Undefined
16-19 10-13H General purpose controllers (1-4)
20-31 14-1FH Undefined
32-63 20-3FH LSB for values 0-31
64 40H Damper pedal (sustain)
65 41H Portamento
66 42H Sostenuto
67 43H Soft pedal
68 44H Undefined
69 45H Hold 2
70-79 46-4FH Undefined
80-83 50-53H General purpose controllers (5-8)
84-90 54-5AH Undefined
91 5BH External effects depth
92 5CH Tremolo depth
93 5DH Chorus depth
94 5EH Celeste (detune) depth
95 5FH Phaser depth
96 60H Data increment
97 61H Data decrement
98 62H Non-registered parameter number LSB
99 63H Non-registered parameter number MSB
100 64H Registered parameter number LSB
101 65H Registered parameter number MSB
102-120 66-78H Undefined
121-127 79-7FH Reserved for channel mode messages
CONTROLLER NUMBERS
10
RESETTING THE
Turning the
default values. `Fd` will momentarily be displayed when this has been done.
PRO DCB
on whilst holding down all three push buttons will return the unit`s settings to
PRO DCB
TO FACTORY DEFAULTS
Power on the PRO DCB whilst holding the INC and DEC buttons pressed and the software revision
[43xx] and build number [0xxx] will be displayed. Releasing the buttons will revert to the normal
operational mode.
DISPLAYING THE SOFTWARE VERSION
SPECIFICATIONS
Power Input 9-15V DC (regulated supply required) (not supplied)
Power 100mA, 2.1mm plug (centre negative)
MIDI In, Out, Thru
Digital Input/output DCB (In and Out)
Analogue outputs Clock (0-5v)
Aux (0-12.5v)
Weight 600g
Dimensions 167 x 97 x 40 mm
Non-volatile memory EEPROM (no back-up battery required)
WARRANTY
PRO DCB
The
must arrange and pay for carriage to and from Kenton Electronics).
comes with a 12 month (from purchase date) back to base warranty, (i.e. customer
Brookfarm House,Station Road, South Wimbledon, London,SW19 2LP, UK
Tel: +44 (0)20 8544 9200 Fax: +44 (0)20 8544 9300
e-mail : sales@kenton.co.uk www : http://www.kenton.co.uk/
rev# 4300_730 e. & o. e. 4TH February 2002
11
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