Dear Homemaker;
You have just invested in a very fine zigzag sewing machine.
Before using your new Kenmore machine, please pause for a
moment and carefully read this booklet which contains instructions
on how to operate and care for your machine.
Specific instructions are given on threading, tension adjustments,
cleaning, oiling, etc. This will help you obtain the best sev/ing
results and avoid unnecessary service expense for conditions
beyond our control.
Advice on the operation and care of your machine is always
available at your nearest Sears Retail Store. Please remember, if
you have questions about your machine, always mention the model
number and serial number when you inquire.
Kenmore Sewing Machine
Record in space provided below the model number
and serial number of this appliance.
The model number and serial number are located
on the nomenclature plate, as identified on Page 3
of this booklet.
Model No.
Retain these numbers for future reference.
Serial No.
YOUR SEWING PLACE IS ALWAYS READY WITH
SEARS KENMORE SEWING FURNITURE
Sewing machine cabinet is available at your
nearest Sears retail store or through our
general catalog. Whenever you're ready to
sew, so is your sewing plage. Another
option... buy a Carrying Case... then your
Kenmore goes anywhere, can be stored
anywhere.
TABLE OF CONTENTS
1. KNOWING YOUR SEWING MACHINE
Machine identification
Setting up your machine......................................................4-5
1. Install your Kenrnore sewing machine in a
Kenmore cabinet, case or set the machine
on. a sturdy flat surface.
2. Your Kenmore sewing machine has been
thoroughly oiled at the factory. Be sure to
wipe off the needle plate area and bed
plate carefully before sewing a garment.
It is wise to practice on a scrap of fabric
so any surplus oil is absorbed.
3. FOOT CONTROL
Your machine is supplied with an
electronic foot control which enables you
to sew very slowly. Even at low speed you
have extra power for the needle to
penetrate through several thicknesses of
fabric. Faster speeds are also easily
controlled.
1. Pull out the foot control from its
storage position under the free arm.
(Fig. 1)
2. Slide pedal lock knob to the right and
the foot pedal will pop up to its
operating position. Push foot control
plug into the cord receptacle on the
foot control. (Fig. 2)
3. Push machine plug into the cord
receptacle at the rear side of the
machine. Then connect power-line
plug into any 110-120 volt A.C. wall
outlet. (Fig. 2)
4. LIGHT/POWER SWITCH
Your machine will not operate unless the
light/power switch is turned on. This
same switch controls the machine power,
sewing light and indicator lights on the
stitch indicator panel and electronic
needle control. If you are interrupted or
stop sewing, turn off the switch.
5. ELECTRONIC NEEDLE CONTROL
Your machine is electronically controlled
to stop with the needle in the up position
every time you remove pressure from foot
control.
NEEDLE UP/DOWN SWITCH
If you wish the machine to stop with the
needle in the down position (as in turning
a corner), push the left switch. A red light
will appear showing you that the machine
is so set. To return to the Needle Up
position push the left switch again and
when the light disappears, machine is
again set to stop with the needle in an up
position each time.
BASTING SWITCH
Tap the foot control with the right switch
pushed and lighted and the machine will
take one stitch only and stop with needle
in the up position. This feature provides
an electronically controlled basting or
tacking to take the chore out of hand
basting.
6. MAXIMUM SPEED CONTROL
You may want to vary the speed of the
machine, sewing slowly in special tight
places or if you are a new seamstress.
This control can be moved to the left to
slow the sewing of the machine. To
increase to the maximum speed, slide the
control to the right.
Electronic needle
control
control
7. ACCESSORY BOX
Accessory box is opened by lifting the lid
up and swinging it toward you as shown.
Inside you will find many of the acces
sories that you use each time you sew.
The box may be fully removed from the
machine to convert it for free arm
stitching. See page 8.
PARTS LIST (Use only genuine Kenmore replacement parts and accessories.)
All parts listed herein may be ordered from
any Sears, Roebuck and Co. store or service
center.
WHEN ORDERING REPAIR PARTS,
ALWAYS GIVE THE FOLLOWING INFOR
MATION;
1. PART NUMBER
2. PART DESCRIPTION
PRESSER FEET
Straight Stitch Standard Zigzag Satin Stitch Plastic Satin "Q FOOT"
3. MODEL NUMBER shown on the nomen
clature plate. (See page 3 for location.)
4. NAME OF ITEM
If the parts you need are not stocked locally,
your order will be electronically transmitted
to a Sears Repair Parts Distribution Center
for expedited handling.
"QSET"
(No. 6858)
BUTTONHOLE ACCESSORIES
Built-in Buttonhole Guide
Foot (No. 43840)
Buttonhole Cover
Plate (No. 58210)
Zipper Foot
(No. 6759)
Buttonhole Foot
Blind Hem Foot Overcasting
(No. 6886) (No. 35094)
Buttonhole Guideplate
(No. 58232)
(No. 41040)
Even Feed Foot
(No. 6888)
Included in the buttonholer box
Buttohole Templates
No. 1 Part 45195
No. 2 Part 45196
N0.3 Part 45197
No. 4 Part 45198
No. 5 Part 45199
Buttonhole Opener
(No. 6830)
OTHER VITAL ITEMS
CS)
Zigzag
Needleplate
(No. 57860)
Narrow Hemmer
(No. 29396)
Bobbin Winder
Rubber Ring
(No. 1913)
Bobbin Winder
Tension Disc
(No. 39619)
OPTIONAL ACCESSORIES
Packet of needles
with your machine
includes a variety of sizes.
Replacement needles
come in packages
of one size only.
Straight Stitch
Needleplate
Edge Stitcher
(No. 29306)
Light Bulb
(No. 6797)
Feed Cover
Plate
Quilting Guide
(No. 35105)
Foot Control
(No. 57544)
Needle Size
No. 9
No. 11
No. 14
No. 16
No. 18
"Q NEEDLE"
Double Needle
2 Spool Pin Caps
Large — No. 55503
Lint Brush
(No. 35848)
Foot Control Cord
(No. 57543)
Part No.
6550
6551
6552
6553
6554
6746
6749
Nylon Disc
(No. 2273)
Small Screw Driver
Mini Screw Driver
Bobbin Box with
10 Metal Bobbins
Plastic Bobbins
Adjustable
Holder
(No. 29308)
(No. 55501)
(No. 55500)
Magnetized
(No. 55499)
(No. 6862)
(No. 6868)
Ruffler/Pleater
(No. 6895)
Hinged Zipper
Foot (No. 6794)
Needle Threader
(No. 43780)
Oiler-brush Combination
(No. 6889)
SPOOL PINS AND CAPS
Swing the Primary Spool Pin into position at
the back of the machine as shown above.
Place a spool of thread on the pin and place
the appropriate size spool cap over the
thread.
CONVERTING TO FREE-ARM SEWING
This machine can be used either as a flatbed
or as a freearm model. With the accessory
box in place, the machine is a flatbed model
with a large working surface, which slopes
gently towards you to help the smooth flow
of fabric.
A second telescoping spool pin is provided
for bobbin winding and for a second thread
when sewing with a double needle. Pull it out
and place a nylon disc over it when using.
By removing the accessory box, the machine
converts into a slim freearm model for sewing
children's clothes, cuffs, trouser legs,
armholes and other awkward places.
1. To remove the accessory box, take it
firmly with your left hand and lift it up
until it clicks. Your machine is then ready
for free arm sewing.
8
2. To replace, slide the accessory box back
into place until it clicks.
WINDING THE BOBBIN
1.
Place thread on Telescoping Spool Pin.
Draw thread through Rear Thread Guide
and Bobbin Winder Tension Disc as
indicated.
2.
Pull end of thread through any hole in
bobbin; place bobbin on Bobbin Winder
Shaft with end of thread coming from top
of bobbin as shown above.
3. Push Bobbin Winder Latch against bobbin
until it clicks. Then pull Hand Wheel away
from machine to disengage clutch (see
diagram below). Hold end of thread
coming from bobbin (see above) and step
on foot control. After several rotations of
bobbin release thread.
4. When bobbin is full, winding stops
automatically. Push in Hand Wheel.
Remove bobbin from shaft and trim
thread end.
* Treat Hand Wheel as a "clutch"
It controls the needle mechanism so that
when pulled out (disengaged), the rest of
the machine will not operate while the
bobbin is being wound.
For best stitching results use clear plastic
lightweight bobbins when stitching at high
speed with widest and longest stitch
setting.
THREADING THE BOBBIN CASE
1. Remove accessory box.
2. Remove bobbin cover plate by lifting up
the front.
3. Insert bobbin into bobbin case making
sure bobbin rotates counter clockwise.
4. Pull thread through slot (A) and then to
the left.
10
5. Pull thread through slot (B) and leave
about 4 inches of thread.
6. Replace bobbin cover plate allowing
thread to emerge through slot in needle
plate.
THREADING TOP THREAD
Fig. 1
Raise slotted take-up lever to its highest
position.
Place thread spool onto spool pin. Place
appropriate spool cap over the spool of
thread.
Draw thread through rear thread guide
(A) and into threading channel (B) toward
you. (Fig. 1)
Fig. 3
2. Draw thread down and around check
spring (C) and up through slotted take-up
lever (D). (Fig. 2)
3. Draw thread down into thread guides (E)
and (F). Thread needle from front to back
as shown in Fig. 3.
11
PICKING UP BOBBIN THREAD
1. Raise presser foot lever.
Hold needle thread loosely in left hand
and push. peedle up/down switch two
times or rotate hand wheel toward you
one complete turn.
2. Bring bobbin thread up by pulling upper
thread.
3. Pull both threads under and to the back
of the presser foot, leaving 3 to 4 inches
of thread clear.
If ycwj can not pick up bottom thread by
following above steps, then check:
1. Is needle threaded ?
2. Is thread tangled around needle ?
3. Is bobbin case threaded correctly with
thread going through slots A and B as
shown on page 10, Fig. 4 and 5 ?
4. Is there 4 inches of thread coming from
bobbin case and through slot of needle
plate as shown on page 10, Fig. 6 ?
5. Is thread from bobbin case tangled ?
12
CONTROLS
THREAD TENSION CONTROL
STRAIGHT STITCHING
The good looking appearance of your straight
stitching is, mainly determined by the
balanced tension of the top thread and
bobbin thread. The tension is well balanced
when the two threads lock in the middle of
the layers of fabric when straight stitching.
You can achieve balanced tension by
regulating the Top Thread Tension Control.
If the upper thread appears to be too tight,
dial left (lower numbers) to decrease tension.
If the upper thread is too loose, dial right
(higher numbers) to increase tension.
For most fabrics the tension control shuld be
set in the white zone between 3 and 5.
ZIGZAG STITCHING
Always practice stitching on two layers of the
fabric you will be using.
Make sure that you are using the right size
and type of needle for the fabric. See chart
page 19.
Choose a thread of good quality and type for
your fabric. See chart page 19.
Remember — the wider the zigzag setting,
the more chance for puckering. Reduce the
top tension, if puckering occurs.
The top thread will be visible on the bottom
to varying degrees depending on the thread,
fabric, type of stitch being used and speed of
sewing.
The bobbin thread should never be visible on
the top of the fabric.
STRAIGHT STITCH
JUST RIGHT
TOP STITCH
TOO TIGHT
-JLJL-Jci
Decrease tension
TOP STITCH
TOO LOOSE
Increase tension
BOBBIN TENSION
The bobbin tension has been correctly set at
the factory, so you do not need to adjust it.
13
Stitch
selector
STITCH SELECTOR AIMD
INDICATOR
1. To select a stitch, be sure needle is out of
fabric at its highest position. Push the
stitch selector in and out to release the
mechanism.
2. Then turn the selector to left or right until
the required stitch is indicated by the red
light on the indicator panel.
STITCH WIDTH CONTROL
The width of all the stitches produced on this
machine, with the obvious exception of
straight stitch, can be made narrower or
wider by adjusting the stitch width control.
14
To decrease or increase the width of a stitch,
turn the stitch width control dial from 0 - 4.
The higher the number the wider the stitch.
Recommended setting ranges are indicated
and color-coded with patterns on the stitch
indicator panel.
When sewing with a double needle, do not
use a setting above 2, as indicated on the
dial.
STITCH LENGTH CONTROL
The stitch length control regulates the length
of the stitch'you select. THE HIGHER'THE
NUMBER-THE SHORTER THE STITCH.
Turn only the« outer rim of this control to set
the stitch length.
The number on stitch length control indicates
the approximate number of stitches per inch.
The stitch setting you use will be determined
by the thickness of the fabric you are sewing.
A longer stitch setting should be used for
thicker fabric or more layers of fabric. The
middle range of the control is the 12 stitch per
inch range which is the most commonly
used.
Recommended stitch length settings are
indicated in three colors. The colors are
color-coded with the stitches on the indicator
panel.
The red marking between 0 and 1 Is the
setting used for the shortest stitches such as
in satin stitching.
REVERSE STITCH LEVER
Stitch length
control
m
-12
ctronic
Reverse stitch
lever
Stitch modifier
It is best to begin and end seams with a few
stitches taken in reverse. This is called back
tacking. Back tacking fastens the ends of the
seams firmly and prevents raveling.
When reverse stitching is needed, push
down the lever and hold there during sewing.
The fabric will immediately start feeding
backwards and seam will be fastened.
STITCH MODIFIER
When using stretch stitches and making
buttonholes, you may need to make use of
the stitch modifier. This regulates the
movement of the fabric backwards and
forwards to produce perfect stitches on fine
or thick fabrics.
The stitch modifier should be in neutral
notched position for most materials.
15
BUTTONHOLE CONTROL
This control is used in making bar tacked
buttonholes with two control settings.
Detailed instructions are given on page 51.
PRESSURE REGULATOR
Presser foot pressure is vital for straight
seams, uniform stitch length, even handling
of both layers of fabric. To adjust pressure;
use Pressure Regulator which is situated
inside the face cover. Then to increase
pressure, turn the dial clockwise (or vice
versa). Just remember... for lightweight
fabric, more pressure; for heavy fabric, less
pressure. -
16
SEAM GUIDES
Seam guides are printed on needle plate, at
both sides of needle, to help you line up the
fabric and keep it straight. The standard
seam width is 5/8”. So these lines are
emphasized, easy to follow.
Also the cross lines are "cornering guides” to
help when turning a square corner 5/8” from
the fabric edge. (For details on cornering, see
page 30.)
PRESSER FOOT LEVER
Presser foot lever has a two position lift.
In order to place heavy fabric under the
presser foot or to change the presser foot
raise the presser foot lever to its maximum
upward position as shown.
Cornering Guide
17
ACCESSORIES
NEEDLES
I I I
TPI
Use KENMORE needles. The size of the
needle should conform with the size of the
thread and both should be suitable to the
fabric. Kenmore needles are color-coded by
size for your convenience (See chart on
next page).
Never use a bent needle or one with a dull
point.
The exact length of your needle is shown at
left. Be sure you never use one in your
machine that is not this exact length.
You will find among your accessories a
•Q NKKDLK' -with blue shank. This special
needle is to be used when sewing knits and
certain difficult synthetic fabrics. If you
experience skipped stitches in any of your
sewing, use -Q nkkdlK"-and "Q FOOT"..
PLACEMENT OF NEEDLE
you
Raise needle bar to its highest position by
turning the hand wheel toward you. Loosen
the needle clamp screw. Holding the needle
with the flat side away from you, slip the
needle into the needle bar. When it is in as far
as it will go, tighten the needle clamp screw
with small screwdriver provided in the
accessory box.
18
NEEDLE, THREAD AND FABRIC CHART
FABRIC
i
LIGHTWEIGHT; Batiste. Dimity,
Chiffon. Silks. Synthetic Jerseys.
Fine Lace. Organza. Crepe,
Taffeta, Voile, Organdy
Polyester Core/Cotton Wrap
50 Mercerized Cotton
Silk A
Polyester Core/Cotton Wrap
50 Mercerized Cotton
Mercerized Heavy-Duty
Silk A
Polyester Core/Cotton Wrap
Heavy-Duty Mercerized Cotton
Polyester Synthetic
Silk A
Buttonhole Twist
Polyester Core/ Cotton Wrap
50 Mercerized Cotton
RECOMMENDED
STITCH LENGTH
SETTING
12 stitches
per inch
10 to 12 stitches
per inch
8 to 10 stitches
per inch
8 stitches
per inch
6 stitches
per inch
10 for Regular
or ,
6 for Stretch
Stitches
PRESSER FEET
To change presser feet, simply drop Presser
Foot Lock and slip foot away from the
Presser Bar. Raise Presser Foot Lever beyond
the normal up position and place new foot on
presser bar. To lock foot securely, raise
presser foot lock as high as possible.
19
EVEN FEED FOOT
The even feed foot moves top and bottom
material together evenly and enables you to
sew hard-to-sew fabrics without sliding nor
slipping and with perfect matching. Use it for
sewing leather, ultra suede™, shiny fabrics
(vinyls, patents and satins), bonded fabrics,
pile fabrics and matching stripes, plaids and
patterns. It is not recommended for use when
stretch stitching.
To attach the even feed foot;
1. Raise needle to its highest position.
2. Raise presser bar to its highest position
and guide the even feed foot into position
from rear of machine.
3. Attach presser bar clamp to presser bar
and lift presser foot lock as high as it will
go to hold the foot securely.
4. Attach screw (A) provided with the foot
to needle clamp through fork arm and
tighten it.
Note: Attach the foot in exact order of steps
as written.
Thumb
screw
Narrow
hemmer
IMPORTANT:
To prevent friction and wear, put a drop of oil
at each point indicated by arrows in Fig. 2
and set pressure regulator at 2 or 3 before
using this foot.
Oil after 4 or 5 times usage. Be sure to remove
excess oil by wiping foot thoroughly and sewing
on a scrap of fabric.
ADJUSTALBLE HOLDER
Replace the regular presser foot with the
adjustable holder when using narrow hemmer
and edge stitcher attachment.
Loosen thumb screw and press it forward.
Insert the opposite end into the large hole of
the attachment. Slide the attachment to the
left as far as possible. Adjust as necessary to
the correct position for stitching. Tighten the
thumb screw securely.
20
EDGESTITCHER
This one attachment helps you join fabric
edges ...insert lace ...do seam piping ...
simplifies blind hemming as well as "French”
seams. Slots numbered 1 to 5 serve as
sewing guides:
Slot 1 will giiide fabric to be joined to lace.
All you have to do is place the lace in slot 2.
Slot 4 will guide piping being joined to fabric
edges. Place the fabric in slots 2 or 3.
Slot 5 may be used as a guide when sewing
French seams which are stitched twice, once
on right side and once on other side. This is
the classic seam for sheers.
Use slots 1 and 3 to guide
during blind hemming.
fabric with ease
QUILTING GUIDE
This attachment comes in handy whenever
you want several rows of stitches an equal
distance apart —for garment trim as well as
quilts. It consists of a curved prong attached
to a long bar on a holder. The prong is shifted
back and forth on the holder to establish the
distance between rows of stitches.
21
Fig. 1
NEEDLE PLATES
You are provided with two needle plates:
A. Needle plate with wide oval hole for all
zigzag stitching.
B. Needle plate with round hole for regular
straight stitching and straight stretch
sewing.
CHANGING NEEDLE PLATE
1. Raise needle to its highest position and
raise presser foot. .
2. Remove accessory box and bobbin cover
plate.
3. Remove needle plate by placing thumb
under edge of plate and lifting up and out.
(See Fig. 2)
4. Place other needle plate making sure
bobbin case is in proper position as
shown in Fig. 3 by turning it counter
clockwise until it hits bobbin case
stopper. Push down the needle plate with
both hands to lock.
5. Replace bobbin cover plate.
22
IMPORTANT:
Don't turn hand wheel while needle plate is
removed, or needle may hit bobbin case and
cause needle damage.
Don't touch screws on the bobbin case
stopper.
FEED COVER PLATE
There are a few times when you want to
control the feeding of the fabric yourself.
Raise needle to its highest position and raise
presser foot. Place feed cover plate over
needle plate aligning two pins of feed cover
plate with holes of needle plate. You may
then determine the movement of the fabric
yourself.
CARING FOR THE MACHINE
CLEANING THE FEED DOGS
WITH A BRUSH
To insure the best possible operation of your
machine, it is necessary to keep the essential
parts clean at all times.
Remove bobbin cover plate and needle plate.
Using a small brush, remove the lint that
accumulates in and around the feed dogs and
shuttle area.
CLEANING AND OILING
SHUTTLE AREA
On rare occasions, you may want to clean the
shuttle area. Just follow these simple steps.
1. Remove bobbin case by lifting it out from
left side.
2. Clean the shuttle with small brush and put
a drop of oil to the points indicated by
arrows. Don't over-oil. (Reminder: don't
use household oil...use sewing machine
oil.)
REPLACING BOBBIN CASE
1.
Insert bobbin case into shuttle from left
side and turn it counter-clockwise until it
hits bobbin case stopper.
2.
Replace needle plate in position.
NOTE: Don't touch screws on the bobbin
case stopper.
Oil and lint brush No. 6889 is available
at most Sears retail stores and
catalog.
24
OILING IN FACE COVER PLATE
Swing face cover plate open and oil points
indicated by arrows in illustration.
OILING IN END COVER PLATE
A drop of oil should be placed through the
hole indicated in the end cover plate.
CHANGING LIGHT BULB
The sewing light is located inside the face
cover plate as shown. To replace the bulb,
push switch to off, unplug machine and
swing the face cover plate open. Push up on
the bulb slightly and turn bulb to the left.
Withdraw bulb from socket. Push in new
bulb and turn to the right.
CHECKING
SUSPECTED PROBLEM
IRREGULAR
STITCHES
BREAKING
NEEDLE
BUNCHING OF
THREAD
PUCKERING
SKIPPING
STITCHES
BREAKING UPPER
THREAD
BREAKING BOBBIN
THREAD
PROBABLE CAUSE
Incorrect size needle.
Improper threading.
■'Loose upper thread tension.
Pulling fabric.
Light pressure on presser foot.
Loose presser foot.
Unevenly wound bobbin.
Nicks or burrs at needleplate opening.
Upper and lower threads not drawn back under presser
foot before starting seam.
Incorrect thread tension(s).
Light pressure on presser foot.
Using two different sizes or kinds of thread.
Bent or blunt needle.
Loose presser foot.
Fabric too sheer or too soft.
Incorrect size needle.
Certain knits and synthetics.
Bent or blunt needle.
Incorrect setting of needle.
Tight upper thread tension.
Light pressure on presser foot.
Starting to stitch too fast.
Improper threading.
Tight upper thread tension.
Incorrect size needle.
Sharp eye in needle.
Nicks or burrs at needleplate opening.
Improper bobbin case threading.
Lint in bobbin case or shuttle.
FABRIC NOT
MOVING
MACHINE JAMMING,
KNOCKING NOISE
MACHINE DOES
NOT SEW
26
Feed cover plate attached.
Light pressure on presser foot.
Thread knotted under fabric.
Thread caught in shuttle.
Damaged needle.
Bent needle plate.
Hand wheel not returned to stitching position.
Power cord not connected.
Power/light switch off.
POSSIBLY EASY CORRECTION
Choose correct size needle for thread and fabric.
Rethread machine; check tension spring threading.
Tighten upper thread tension.
Do not pull fabric; guide it gently.
Increase pressure on presser foot.
Reset presser foot.
Rewind bobbin.
Replace needleplate, or polish off burrs completely.
Do not pull fabric; guide it gently.
Choose correct size needle for thread and fabric.
Reset needle.
Reset presser foot.
When starting a seam be sure to draw both threads under and back of presser foot
about 4” and hold until a few stitches are formed.
Reset thread tension(s).
Increase pressure on presser foot.
Upper thread and bobbin thread should be same size and kind.
Insert new needle.
Reset presser foot.
Use underlay of tissue paper.
Choose correct size needle for thread and fabric.
Use "Q NEEDLE"’” and "Q FOOT"’".
Insert new needle.
Reset needle.
Loosen upper thread tension.
Increase pressure on presser foot.
Start to stitch at a medium speed.
Rethread machine.
Loosen upper thread tension.
Choose correct size needle for thread and fabric.
Insert new needle.
Replace needleplate, or polish off burrs completely.
Check bobbin case threading.
Clean bobbin case and shuttle.
Remove feed cover plate.
Increase pressure on presser foot.
Place both threads back under presser foot before beginning to stitch.
Disassemble and clean shuttle.
Replace needle.
Replace needle plate.
Push in clutch.
Check plug.
Push to on position.
27
2. STARTING TO SEW
Now that you are familiar with the controls
on your machine and with the accessories
provided for the machine, you are ready to
start to sew with your sewing machine.
Below are some good habits to follow each
time you sit down to sew:
1. Check the needle-it should be straight,
properly set and sharp on the point.
It should be the correct size for the fabric
and thread being used. Do not be afraid
to change your needle frequently. Many
of the new fabrics made of synthetic
blends tend to dull the needles more
easily than fabrics made of natural fibers.
2. Before placing the material on the
machine, see that the ends of the threads
have been drawn about 3 - 4 inches to the
rear of the machine. Hold on to threads
during the sewing of the first 3 or 4
stitches of the seam.
3. Test the machine stitch on a scrap of
fabric you plan to use. The fabric should
be double thickness. Adjust the machine
for the length of stitch and tension
suitable to your fabric.
4. Fabric should be placed under the presser
foot with the bulk of the material to the
left of the needle and the right edge of the
material placed on the 5/8” seam marking
on the needle plate when making a simple
seam.
28
5. Run the machine at a slow even speed.
The more pressure you put on the foot
control, the faster the machine will sew.
6. Fasten each seam by back tacking at the
beginning and end of the seam.
7. Always finish sewing each seam with the
needle at its highest point.
8. Guide the fabric gently with your hand in
front of the needle. Never pull or hold the
fabric in such a way that the normal
feeding is altered.
following illustrated charts, select and sew a
variety of stitches shown below...
Elastic blind stitch
Domino
Diamond
Crescent
Scallop
Overcast stretch
Paris point stretch
Arabesque
Tree
Tulip
Swan
29
STRAIGHT STITCHING
O ;
L
'Straight stitch
needle plate
O
Not necessary to
adjust
Any setting but "0"
*You may use zigzag, straight stitch foot or Q foot,
but for best control of fabric, best looking straight
stitches and best feeding of fabric use Straight
Stitch Foot and Needle Plate.
30
FASTENING A SEAM
Be sure both threads are drawn back under
the presser foot. Lower needle into fabric
about 1/2 inch from beginning of seam.
Depress the reverse stitch lever and stitch in
reverse until needle reaches beginning of
seam. Release control and complete seam.
When you reach the end, depress the reverse
stitch lever and sew back (backtack) over 1/2
inch of completed seam.
TURNING A SQUARE CORNER
1. To turn a square corner 5/8" from the
fabric edge, stop stitching when reaching
the cornering guide and push needle up/
down switch to lower the needle into the
fabric.
*2. Raise the presser foot and turn fabric.
New stitching line will align with 5/8"
seam guide on side of needle plate. Lower
the presser foot and begin stitching in
new direction.
REMOVING FABRIC
First turn the handwheel toward you until the
needle is at its highest position, then raise the
presser foot, draw materials to the rear and
cut off excess thread with the thread cutter
located on the presser bar as shown.
TOP-STITCHING
This is a seam you may want to show off! It's
on the front side of the garment, possibly at
the top of a "kick pleat" or on a lapel, both
functional and decorative. Usually, it's a
simple, forward stitch —with an extra-long
stitch length, or with special thread, match
ing or contrasting.
DARNING
SETTINGS
Stitch Length - 8 to 10
Pressure Regulator - 0 (DARN)
Zigzag foot or square automatic buttonhole
foot
Stretch fabric between embroidery hoops
with hole centered. Lower presser bar and
sew at a slow speed moving fabric back and
forth with a steady rhythm to cover darning
area. When it is covered, turn fabric 1/4 a
turn and sew layer of stitching across first
layer.
If fabric is thin or badly damaged in hole area,
you may want to put a separate piece under
the hole for reinforcement.
31
Regular Basting
Free Method
TEMPORARY SEWING BY
MACHINE
Regular basting by machine is easy —simply
use straight stitching with longest available
length setting. And your machine has a free
basting method for very long stitches that
sometimes can be used for "marking”.
FREE BASTING METHOD
SETTINGS
Basting switch - turn on
Pressure regulator - 0 (DARN) or 1
Use feed cover plate.
Tap the foot control and the machine will
take one stitch and stop automatically with
the needle in the up position. Holding the
fabric in both hands, pull it back to the
required stitch length.
Repeat this process, tapping down on the
foot control and guiding the fabric with your
hands.
32
PIN BASTING
You can sew over pins easily (if done
correctly) because your presser feet are
hinged. Pins must be inserted at right angles
to seam line. Tip of pin should just touch
seam line. Sew over tip of pins. Pins must not
come in contact with feed dogs: Never pin on
the under-side of the fabric. Sew slowly. If in
doubt about sewing over pins, remove each
pin as you approach it.
STAY-STITCHING
"Stay-stitching” is a form of temporary
seaming that prevents stretching of curved
edges of garments. Usually this is on a single
layer of fabric, so reduce top thread tension
slightly to prevent puckering. Baste about
Vi" away from intended seamline.
ZIPPER APPLICATION - CORDING
Home-sewn zippers can look as nice as those
on expensive ready-mades. We recomrriend
you follow directions ^ given on zipper
package. There are two basic types: conven
tional, and invisible. Your Zipper Foot will
assist you with any of these installations.
Use these simple settings:
For conventional zippers... Your zipper foot
is adjustable for use on right or left side of
needle. Adjust foot so needle clears side
notch on foot. Then proceed according to
zipper manufacturer's instructions.
Invisible zippers are applied to an open seam,
to seam allowances only; there is no stitch
ing visible , on outside of garment. Adjust
zipper foot so needle is sewing through
center hole of foot and one groove of foot is
riding on teeth of zipper. After zipper
insertion, finish by shifting foot to side
position and sewing through side notch.
Your zipper foot also makes it easy to add
"cording" to garments as well as slip covers,
toss pillows, bedspreads, decorative pieces.
Cut fabric on bias and wrap around cord.
Pin fabric in place so seam edges are even.
With zipper foot to left of needle, stitch close
to cord.
33
' - .S' . c
NARROW HEMMING
Attach the Narrow Hemmer to the adjustable
holder. Make sure that edge of the fabric is
cut straight. Turn a tiny double hem (% inch)
along edge for about two inches. Place end
of this hem under Narrow Hemmer. Hold
thread taut while stitching along inside' edge
of hem. Feed fabric gradually into "scroll" in
hemmer, guiding edge of fabric as shown.
QUILTING
Attach the quilting guide to presser foot as
shown. After completing the first row of
stitching, place the guiding prong on this
Stitched line. The second row then can be
placed at the desired distance from first row.
Continue working in this way for as many
rows as you want.
34
ZIGZAG STITCHING
Simple zigzag stitching enables you to do
many exciting things with your Kenmore
sewing machine. Beyond basics, you'll use
zigzag stitching to applique, embroider and
monogram. Unlike straight stitches, zigzag
stitches have a side-to-side width as well as a
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stitch length. You'll find "recipes" for many
zigzag operations on following pages. You
can create an exciting variety of zigzag
stitches by adjusting stitch width and length
controls (see chart below).
Narrow zigzag for light fabrics, barely
shows — set at 1.
Medium zigzag for most construction
seams — set at 2
Wide zigzag for double layers, like hemm
ing — set at 3.
Extra wide zigzag for heavy fabrics or those
that fray — set width at 4
This is one of the .nnore frequently used
zigzag stitches on garment construction.
You may want to overcast along the raw
edge of each seam allowance or fold the raw
edge toward the garment and stitch.
Stitch so the needle pierces the fabric just
short of the outside edge. Raw or worn edges
of older garments can be overcast to prevent
further raveling.
SATIN STITCHING
Stitch Selector - AAAAA
Stitch Length Dial - Between 0 and 24 (•)
Use metal or plastic Satin stitch foot which is
grooved to permit dense stitching to pass
under it easily.
Satin stitch
foot
Closely spaced zigzag stitches are called satin
stitches. This is an attractive stitch used for
appliqueing, bar tacking.
Whenever you are using this stitch, it is well
to remember to loosen the tension of the top
thread slightly. The wider the stitch you
make, the looser the tension should be.
If you are stitching on a very soft fabric, use a
backing of tissue paper or interfacing for a
well formed stitch. Puckering of the material
will be eliminated and the bobbin thread will
not be visible on the right side of the fabric.
As with all special stitches, it is best to make
a sample design on your fabric before starting
the design on the garment.
BAR TACKING
Settings same as Satin Stitching
This stitch is similar to a very short satin
stitch and is used to reinforce points of strain
such as corners of pockets and straps on
lingerie.
Sew 4 to 6 zigzag stitches.
36
APPLIQUEING
Settings same as Satin Stitching
Select an applique design to be applied to
your garment and baste it in place. Satin
stitch around the raw edge of the applique
completely cóvering the edge. You may want
to do this with a contrasting color of thread.
EMBROIDERY
Settings same as Satin Stitching
Satin stitch can be used to produce many
different designs and patterns. To sew the
flowers illustrated, back the fabric with
interfacing or paper and draw on the design
with tailor's chalk. Turn the stitch width
control from 0-4-0 to from each petal and
leaf. Join the flowers and leaves with straight
stretch stitch. If using paper, carefully
remove it when you have finished sewing.
MONOGRAMMING
Settings same as Satin Stitching
To sew initials, first back the fabric with
interfacing or paper. Draw the initials on to
the fabric with tailor's chalk. Satin stitch,
adjusting the width from 0-4 as you begin
and end the stroke of a letter. Or the same
stitch width can be used throughout. If using
paper, carefully remove it when you have
finished sewing.
37
BUTTON SEWING
Stitch Selector - AAAAA
Stitch Width - Adjust to Button Size
Use Feed Cover Plate and Clear Plastic
Satin Stitch Foot.
1. Position the button on fabric with clear
tape.
2. Center the left hole of button between
straight seamline and the left edge of
needle slot of foot and lower foot to hold
the button securely.
3. Turn hand wheel manually until needle
point is just above button.
4. Adjust stitch width control so needle will
enter right hole of the button.
5. Turn hand wheel again by hand so needle
enters second hole. Readjust stitch width
if necessary. Stitch a number of times.
6. Finish sewing with an extra two inches of
thread remaining. Draw these threads to
reverse side of garment and tie.
When sewing a flat button, place needle or
pin between holes of button as shown to
provide flexibility for buttoning.
38
MENDING AND OVERCAST STITCHING (THREE STEP ZIGZAG)
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MENDING A TEAR
Stitch Length - 0-24
Stitch Width- 3-4
To repair a straight or three-cornered tear,
position the tear under the needle in such a
way that the stitching catches both sides of
the tear. When mending a three-cornered
tear, stitch from each end to the center. It is
well to use a piece of fabric under the tear for
reinforcement.
OVERCASTING withmendingstitch
Stitch Length - 24-12
Stitch Width - 3-4
Three-step zig-zag is a strong stitch because,
as its name implies, it takes three short
stitches where normal zig-zag takes one.
For this reason it is highly recommended for
overcasting, i. e. finishing a raw edge, on all
types of fabric.
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39
BOX STITCH
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Stitch Length - 24-12
Stitch Width - 2-4
OVERLAPPED SEAM
Box stitch is ideal for producing fiat
overlapped seams on almost any type of
fabric and a bolder effect will result from
sewing with a contrasting thread.
Overlap the raw edges of two pieces of fabric
2” and pin or tack. Place the fabric right side
up with the middle of the overlap under the
center of the presser foot, so that the stitch
sews just over the top and bottom raw edges.
DECORATIVE EDGING
Turn the raw edge under 2” and press. Place
the fabric right side up with the middle of the
turnover under the center of the presser foot,
so that the stitch sews on to the fold and just
over the raw edge underneath.
40
BUND HEMMING
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Blind hemming is a good technique to use on
garments, and especially on curtains and
drapery hems so that stitches need not show
on the front of the fabric. Because your
Kenmore has two types of blindstitches built
in, blind hemming is easier than you'd
expect. It's just a matter of folding... give it
a try!
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■Regular blind
normal fabrics
- Elastic blind stitch for soft,
stretchable fabrics
stitch for
PROCEDURE
Stitch Length Stitch Width -
Finish raw edge of fabric appropriately. You
may want to use seam tape on woven fabrics.
With knits use a lace seam tape or just use
decorative stretch stitch.
12
VA -2
41
GUIDE
Working on wrong side of fabric, fold hem
up. Press and pin in place. Then fold hem
allowance under... leaving %" of hem edge
extending.
Place garment under blind stitch foot with
the fold of the garment against guide and
slide it by turning screw so that the zigzag
just catches the fold. (Blind hemming can be
simplified by also using the special Kenmore
Edgestitcher-please refer to p. 21 for details.)
Now the right side of your garment will show
only the blind stitches ! Be sure to press both
sides of the finished hem !
42
SHELL STITCHING with blind hem pattern
Stitch Length - 12
Stitch Width - 2-4
This shell-stitched edge is a popular finish for
lingerie and nightgowns. To achieve this
multiple scalloped effect, allow needle to
clear just the left edge of the fabric when it
zigzags.
SCALLOP STITCH
PROCEDURE
1. With right sides of fabric together, sew
near the folded edge with scallop stitch.
2. Trim allowance to 1/8". or less. Notch
curves if necessary. Cut down into points.
3. Turn to right side and push scallops out
evenly. If they do not seem even, be sure
curves are notched similarly. Fig. 2.
Stretch stitches, as their names imply, are
mainly for use on stretch and knit fabrics
such as stretch nylon, stretch towelling,
jersey and cotton jersey; and for sewing
together knitted garments. Stretch stitches
are also often used on non-stretch fabrics.
1. Straight stretch
2. Rick-rack stretch
3. Feather stretch
4. Smocking stretch
5. Elastic stretch
6. Overcast stretch
7. Paris point stretch
ADJUSTING STITCH LENGTH
Depending upon your preference in stitch
patterns, you may make stretch stitches
closer together without changing the balance
of stitches by turning stitch length control to
lower numbers within yellow zone.
Within yellow zone
44
ADJUSTING STRETCH STITCH
BALANCE
Stitch modifier should be in neutral (notched)
position for most materials. Depending upon
the type of fabric used, you may need to
adjust this control to match forward stitches
of stretch sewing with reverse motion
stitches. If the stitches are too open, turn the
control slightly clockwise; if the stitches
overlap, turn the control counter-clockwise.
RECOMMENDATION
1. It is recommended you use the Q set for
sewing knit and woven synthetic fabrics.
2. It may be necessary to use an interfacing
or backing when sewing very soft and
thin knits or woven synthetic fabrics.
STRAIGHT STRETCH STITCH
SETTINGS
Stitch Selector - =====
Stitch Length - Yellow Zone
Stitch Width - Any number (not necessary
to adjust)
You may use either a zig zag or straight stitch
foot BUT-- for best control of fabric, best
looking straight stitches and best feeding of
fabric use Straight Stitch Foot and Straight
Stitch Needle Plate.
Use this stretch stitch with knit or synthetic
fabric. Sew as you do with regular straight
stitch.
This is also a good stitch to use on curved
seams regardless of the type of fabric. Any
seam that will receive a great deal of strain
when worn should be sewn with the stretch
stitch. Use in children's shorts and slacks as
well as adult sports clothes.
< ♦-
Rick - Rack Stretch Smocking Stretch
45
RICKI-RACK STRETCH STITCH
Selector-
stiteb
Stilish
Length- Yellow Zone
Width- Yellow Zone
SeWion stretch fabrics in any area that you
rrtibht use a zig zag stitch. This stitch can be
usfll gs a decorative top stitch as well.
It M
whtete
anothii
ieful also on lapped or abutted seams
you lap one edge of a seam over
ir with seamlines meeting in the center.
HER STRETCH STITCH
Selector Length - Yellow Zone
Stiteh
Width - 2-4
Stitph
This
lingeri
tapei.
a good stitch to use with laces, on
IS
e, bra and girdles; and to apply bias
It's great when quilting.
46
SMOCKING STRETCH STITCH
Selector - 95^5^5^
Stitph
Stitch
Stitch
Length - Yellow Zone
Width - 2-4
T Make a straight line of gathers across the
fabric that you wish to smock.
ith a narrow strip of fabric directly
W
hder the line of gathering, stitch over the
u
athers. The design will be a series of
S
mail diamonds.
s
Notei When smocking a garment, the stitch
ing should be done before the piece is
sewn into the garment.
Use this versatile stitch to insert elastic in
garments. Simply stitch elastic into place,
making sure it is evenly spaced. To do this,
mark the correct length piece into quarters,
then match these markings with center front
and side seams.
This is the same type stitch used by the
garment industry in making sportswear-it
forms and finishes the seam in one operation
(for seams of Vi" to %")• It's very effective
for use in repairing raw or worn edges of
older garments.
PARIS POINT STRETCH STITCH
Stitch Selector
Stitch Length Stitch Width -
Excellent for hemstitching table and bed
covers with a elegant touch. Picot-like stitch
can also be made on sheer materials. Sew
along the raw edge of fabric and trim close to
the outside of the stitching.
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12
2-3
47
GETTING THE MOST FROM FABRICS THAT GIVE
Some stretchy suggestions...
Be sure to use the Q SET'“ with knits and any
synthetic woven fabric — and zigzag or satin
foot as required.
Loosely constructed knits sometimes catch
over toes of presser foot. To remedy this,
wrap short strip of transparent tape around
the foot encasing both toes.
To avoid tangled threads when working with
knits, start seams carefully. Position fabric
WHERE TO USE WHICH STRETCH STITCH: A CHECK-CHART
Specially for Stretch
Use on stretch and knit fabrics and to repair ready made
garments at stress points. Basic stitch for all garment
seams requiring "give” (i.e. armholes, crotch area, etc.).
Use also to sew center seam of men's neck ties and seams
STRAIGHT STRETCH
cut on the bias.
A basic multi-purpose stretch stitch with same usage as
zigzag stitch, especially for lightweight stretch fabrics.
and lower needle before lowering presser
foot.
It is always a good idea to test thread tension
and stitches on a scrap of the fabric being
used.
Knits contain more yarn than woven fabrics,
so you will need to take greater care to keep
your machine clean specially in feed dog and
bobbin case area.
RICK-RACK STRETCH
Use with laces, on lingerie, bra and girdles; and to apply
<<<<<<<<<<<
FEATHER STRETCH
SMOCKING STRETCH
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ELASTIC STRETCH
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OVERCAST STRETCH
1 1 1 1 1 1
PARIS POINT STRETCH
bias tape. It's great when quilting.
A decorative stitch for use on children's clothing, lingerie,
yokes of blouses, dress bodice.
Use to apply elastic to top of lingerie or to repair ready
made lingerie and replace or restitch elastic.
Use on sportswear where 14” seams are required. Makes
and finishes seams at same time.
Use for hemstitching and seam finishes. Also for applique
and other decorative elastic blind hem, hem on knits.
%
48
A/VVWW\
PLAIN ZIGZAG
"Everyday" Stitches with Stretch Applications
Use for all-purpose stretch sewing, seam finishing, edge
finishing, or attaching stretch laces.
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A good shell stitch for nylon tricot lingerie.
BLIND HEM
Can be use for attaching girdle panels and applying stretch
laces.
CRESCENT STITCH
HINTS ON SEWING DIFFERENT FABRICS
The chart below provides many details but
you'll also want to remember...
•Soft fabrics may need backing — especially
where stitches are close together.
•In sewing knits, if you can't match fabric
and thread exactly, use the strongest fine
thread available and use a Q NEEDLE.
FABRICSUSEFUL STITCHES TO USE
Overcast Stretch Feather Stitch
NYLON TRICOT
TERRY CLOTH
REGULAR
CORDUROY
TERRY CLOTH
STRETCH
LEATHERStraight or simple Zigzag
STRETCH KNITS
FOR SWIMWEAR
AND SKIWEAR
OR GIRDLES
Elastic Stretch Blind Hem
Mending Stitch
Crescent Stitch
Paris Point Stretch
Elastic Blind Hem
Mercerized or silk thread
Size 14 needle
Vi pressure on presser foot
Even feed foot
Polyester, nylon or
dacron core thread
Q NEEDLE™
QFOOT™
Lace seam tape
Pre-shrunk zippers
49
BUTTONHOLE MAKING
Your Kenmore brings you two buttonhole
systems along with several special acces
sories that enable you to solve all your
clothes "closing" problems. '
Your built-in system enables you to sew
buttonholes with finished ends (bar-tacked)
by simply turning the stitch selector. Only
two control settings are required. An
important aid is the buttonhole guide foot.
Your buttonhole attachment is a Kenmore
"special" that guides the fabric for you,
eliminates the need to turn fabric by hand.
You will find following parts in your
accessory box:
1. Buttonhole guide plate.
2. Five templates which give you a choice
of buttonhole styles and lengths.
50
3. Cover plate with pinion gear.
4. Buttonhole foot.
TIPS ON BUTTONHOLING
Always make a practice buttonhole on a
scrap of fabric you plan to use. Try the
buttonhole with the button you will use.
Always use an interfacing in area of
garment where buttonholes are placed.
Tissue paper or regular interfacing can
be used. Tear paper away after stitch
ing, if it is used.
For heavier weight fabrics, loosen your
top thread tension slightly.
Buttonhole attachment
BUTTONHOLE MAKING - BUILT-IN SYSTEM
PREPARATION
Carefully mark the buttonhole length on your
garment. Place the fabric with the buttonhole
marked under the buttonhole foot. Puli the
guide foot (A) all the way forward so that the
index mark (B) is aligned with the graduation
(C), with thread to rear. (Reproduction of the
identical size buttonholes is facilitated with
the aid of the graduations on the both sides
of the buttonhole guide foot. These garduations are 1/8" (left side) or 2.5 mm (right side)
apart. Graduations act as reference mark.)
PROCEDURE
1. Switch the control to left. (If it has been
already at left, set it at right, sew several
stitches and switch to left again.) Step on
foot control to form first bartack and left
side of buttonhole.
2. When you reach end of left side, switch
the control to the right and complete the
buttonhole.
Depending upon the fabrics on which you are
sewing, or your own preference in button
holes, you may alter buttonhole stitch density
by varying the original stitch length setting
within the green buttonhole zone.
1. For more density, turn the dial toward
A
"0".
2. For less density, turn the dial toward
"12”.
ADJUSTING STITCH BALANCE
Stitch length differences in forward and
reverse stitches of the buttonhole are
equalized with the stitch modifier.
If the reverse stitches are too far apart, turn
the modifier slightly clockwise; if they are too
close together, turn counter-clockwise.
52
CORDED BUTTONHOLES
Hook filler cord (crotchet thread or button
hole twist) to the spur (A), pull both ends of
cord forward under foot and tie to the spur
(B). Sew buttonhole in such a way that
zigzag stitches cover the cord.
When stitching is completed, release cord
from foot, pull ends of cord and snip off extra
length.
BUTTONHOLE MAKING - USING BUTTONHOLE ATTACHMENT
1 - VA
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REGULAR WORKED BUTTONHOLE
(STRAIGHT, KEYHOLE AND EYE
LET)
until desired size appears in window on
the top side of guide plate.
53
3. Slip guide plate onto machine so it fits in
place with pinion gear in the center of arc
hole of template. Be sure guide block is
inserted in guide slot.
54
Pick up bobbin thread through guide plate
by turning hand wheel. Place fabric
between presser foot and guideplate.
Align marked buttonhole with cut-out of
foot. Line up edge of fabric with markings
on guideplate. If you wish all buttonholes
to be 3/4" from edge of garment, for
example, line up fabric with 3/4" marking
each time you start a buttonhole.
Now you're ready to stitch the shape
you've selected-straight, keyhole or
eyelet. Your template will guide you.
PURL-EDGE BUTTONHOLE
To add a professional touch to your sewing
you will want to make purledged button
holes. These are obtained by sewing a wide
buttonhole over a narrow stitched button
hole. '
Choose the correct size for your button,
insert the template into the guide plate
turning to the narrower of the sizes. Use the
same settings as for regular buttonhole and
adjust stitch width control to 1.
Drop the guide plate over the pinion gear and
sew around the buttonhole once. (STEP 1)
To sew wider outer buttonhole, lift the guide
plate from the pinion gear and turn the
template to wider size. Adjust stitch width
setting to 1.5. and sew around buttonhole
again. (STEP 2)
STEP1
ADJUSTING STITCH DENSITY
Depending upon the fabrics on which you are
sewing, or your own preference in button
holes, you may alter buttonhole stitch density
by turning stitch density control knob.
1. For more density, turn the knob,toward
you.
2. For less density, turn the knob away from
you.
STEP 2
(D
55
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0C5
BOUND BUTTONHOLE
A template had been provided so that you
may sew perfectly sized rectangles each time
you make a bound buttonhole. Just follow
the directions given below.
SETTING
Stitch Width - 0 or Stitch Selector
Pressure Regulator - 1 or 2
Other settings same as regular worked
buttonhole ,
1. Space buttonholes on garment-mark
length on right side of fabric with pins.
Place patch of fabric over each button
hole and mark ends of buttonhole with
chalk or pencil. Baste patch into place.
Using template similar in size to button
hole, stitch rectangle on patch and
garment. Do not sew over pins. (Fig. 1)
2. Slash through patch and garment to
within 1/4” of ends of rectangle. Carefully
cut diagonally into corners as shown.
(Fig. 2)
-------------------
56
Fig. 2
3. Turn patch to wrong side through slash.
Press as shown. (Fig. 3, 4)
Fig. 3
Fig. 4
4. Fold patch forming lips of buttonhole.
Press and baste lips together. (Fig. 5)
5. Stitch across pleats formed by lips of
patch. (Fig. 6)
Fig. 5
Fig. 6
6. After buttonhole has been pressed, baste
facing of garment around buttonhole and
slash opening in facing same length as
buttonhole. (Mark ends of buttonhole
with pins for guides). Turn under facing
edges and hem to buttonhole carefully.
(Fig. 1, 8)
7. Remove all bastings and press. (Fig. 9)
FACING SIDE
I fl
I 64
Slash Opening in Facing
FACING SIDE
.........
Hem to Buttonhole
RIGHT SIDE
Fig. 7
—'■>
Fig. 8
Complete Bound Buttonhole ^^'9- 9
57
CHOOSING BUTTONHOLE STYLE AND SIZE
Each buttonholing situation will be different
so you will want to experiment with your
garment, considering fabric and placement of
button. Here are some basic applications:
Built-in buttonholes (described previously)
are ideal for one or two buttons used on
waistband or cuff, or for "belt slots.”
Straight buttonholes are most popular for
everyday sewing — for series of buttons on
dress, blouse, vest, jacket or coat.
Keyhole buttonholes are a variation of the
above, with an enlarged opening at one end
to allow more room for button shank. These
are normally used in tailored vests, jackets,
coats.
Template
Straight
buttonhole
Keyhole
buttonhole
Eyelet buttonholes (another variation of
"straight”) most often are used for studs on
skirts or holes for tongues of belt buckles.
Purl-edge buttonholes are made by stitching
a larger straight buttonhole on top of a
narrow one — for a unique look.
Bound buttonholes — made with extra fabric
"hemming” the hole — provide "professional
look" to dresses, jackets, coats and for
contrasting, decorative buttonholes.
Purl-edge
and eyelet
buttonhole
Bound
buttonhole
O
45195
45196
45197
45198
45199
1'/4--1’/2"
%"-r/i6" -
V/4"-V/e"
A WORD ABOUT BUTTONHOLE WIDTH
The width indicated for each operation in this
section is an approximate setting. You may
need to adjust width to suit your fabric...
experiment!
58
Eyelet
DECORATIVE EMBROIDERY DESIGNS
4- 1
See next page.
-A
____
T ree
O I - ! C
. '<J u
c=> ,
^1 J /-
Zigzag needle plate
Donnino
Diamond
Crescent
Arabesque
Tulip
*1-6
u
Green Yellow
patterns patterns
You may get the look and feel of hand
embroidery infinitely faster and easier by your
machine.
Just choose which of the designs you want
to sew alone or in combination with each
other.
TIPS ON DESIGN STITCHING
1. Always make a practice design on a scrap
of the fabric you plan to use.
2. Start with a full bobbin and plenty of
thread on the spool to avoid running out
of thread in the middle of your design.
3. Reduce the top therad tension slightly.
4. On a very soft fabric you may want to use
a tissue paper backing or organdy that
can be cutaway.
iy^ iy^ Swan
59
APPLICATIONS
ADJUSTING STITCH BALANCE OF
YELLOW PATTERNS
When sewing yellow patterns, you may need
to make slight adjustment to the stitch
modifier to produce perfect designs.
If the stitches are too far apart, turn the
control slightly clockwise; if they are closer
together, turn counter-clockwise.
Create the loveliest of custom designs-your
own personal touch. There is much you can
do by adjusting stitch width or length. Below
Crescent pattern on collar Diamond on narrow hem
Tulip on pocket
Arabesque on pillow case
you see some applications and variations.
You'll find many more design ideas as you
become more expert.
Domino on bias tape
Crescent and diamond in
combination
60
Variation of width of
diamond pattern
Variation of both width and
length of swan pattern
WARRANTY
FULL 30-YEAR WARRANTY ON SEWING MACHINE HEAD
For 30 years from the date of purchase, Sears will, free of charge,
repair defects in material or workmanship which appear in the sewing
machine head.
FULL TWO YEAR WARRANTY ON ELECTRICAL EQUIPMENT OF
SEWING MACHINE
For two years from the date of purchase. Sears will, free of charge,
repair defects in material or workmanship which appear in the
electrical equipment of the sewing machine, including motor, wiring,
switch and speed control.
FULL 90-DAY WARRANTY ON ALL PARTS AND MECHANICAL
ADJUSTMENTS
For 90 days from the date of purchase. Sears will, free of charge,
replace any parts and provide mechanical service necessary for proper
operation of the sewing machine, except for normal maintenance.
To obtain warranty service described above, SIMPLY CONTACT THE
NEAREST SEARS STORE OR SERVICE CENTER IN THE UNITED
STATES. This warranty applies only while this product is in use in the
United States.
This warranty gives you specific legal rights, and you may also have other
rights which vary from state to state.
SEARS, ROEBUCK AND CO., Dept. 698/731A, Sears Tower, Chicago, IL 60684
Now that you have purchased your Kenmore Sewing Machine,
should a need ever exist for repair parts or service, simply contact
any Sears Service Center and most Sears, Roebuck and Co.
Stores. Be sure to provide all pertinent facts when you call or
visit.
The model number of your Sewing Machine will be shown on
your nomenclature plate on the back of your Sewing Machine.
See page 3 for location.
WHEN ORDERING REPAIR PARTS, ALWAYS GIVE THE
FOLLOWING INFORMATION:
*MODEL NUMBER *NAME OF ITEM »PART DESCRIPTION
If the parts you need are not stocked locally, your order will be
electronically transmitted to a Sears Repair Parts Distribution
Center for handling.
SEARS, ROEBUCK AND CO., Chicago, IL 60684 U.S.A.
S - 158
Printed in Japan
Part No.55079 dD
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