JVC Pro HD GY-HD200B Quick Manual

Compact High Definition Camcorder

GY-HD200B

720p/24, 25, 30, 50, 60
1080i/50, 60

New ProHD — Records 720p and 1080i*

*1080i recording possible only with optional DR-HD100 HDD drive

720p/24, 25, 30,
50, 60 720p/24, 25, 30, 50, 60

720p/24, 25, 30, 50, 60,
1080i/50, 60
.m2t or .mov files

IEEE1394

720p/24, 25, 30, 50, 60, 1080i/50, 60
.mov files

IEEE1394

DR-HD100

BR-HD50M-DV63PROHD

GY-HD200B

ACQUISITION

Native File Recording720p/1080i

720p

1●

JVC’s ProHD —
the evolution continues

With the introduction of JVC’s ProHD, the promise of digital
technology has finally been fulfilled. Equipped with robust
professional features, yet surprisingly affordable and
remarkably compact, ProHD delivers a complete high­definition solution that has been designed to meet the needs
of today’s most demanding professionals, while retaining the
ability to adapt to future requirements. Since 1996, JVC has
continued to develop and diversify its digital video offerings
in response to the rapidly changing environment of visual
communications and production. JVC continues to evolve its
digital cameras and recorders with ground-breaking features
and varied storage options, including full-size DV tape and
Hard Disk Drives.

Now with the production and delivery of video content
shifting to high definition, JVC has combined its expertise in
camera, encoding and storage technologies to create an
advanced yet affordable HD solution. JVC’s ProHD system,
adopting the 720p format, utilizes widely available
nonproprietary technologies such as MPEG-2 compression,
DV recording media and conventional hard disk drives.
Based on input from industry principals and leading end
users, JVC has developed a system with the most sought­after professional features and performance. For example,
the DR-HD100 delivers a unique Direct File Access solution
for Apple FCP, as well as an 1080i recording capability via
an IEEE1394 interface. It can also record 1080i streams.
Simple menu operations allow users to select

1080i60 or 1080i50 as well as
m2t or mov file formats.

Noteworthy ProHD features
include full HD
progressive image
scanning, true 24p
frame capture, and
a dual recording
system using tape
& HDD. As ProHD
evolves, JVC will
continue to pursue
the optimal method
of storage media for
our professional video products.

The latest addition to the ProHD line is the GY-HD200B, a
compact shoulder camcorder featuring improved image
capturing characteristics and full-frame 60p recording for
smooth, continuous images. And, the GY-HD200B offers
many advantages including compact shoulder form factor,
interchangeable lenses, and 720p full raster progressive HD
with a 19 Mbps bit rate.

Designed and built for professionals, ProHD is the fulfillment
of the digital promise, offering true high definition
performance in a compact, affordable system.

720p/25, 30, 50, 60,
1080i/50, 60

720p/25, 30, 50, 60,
1080i50, 60

720p/24

Printer

Apple Mac Pro
Final Cut Pro
Version 6.0.2

EDITING

720p/1080i

720p/1080i

OUTPUT

●2

ProHD — JVC’s Affordable
HD Solution

1. Full Progressive Scanning (720p)

Leading industry professionals told us that

they wanted a full-frame progressive
scanning system that would shoot and
record the highest quality continuous
moving images. ProHD uses the

720/60p progressive format and
produces crisp, native HD images which
perfectly match today’s digital displays

and which can be converted easily,

without degradation, to interlaced

scanning pictures.

2. Time Code

As a professional system, ProHD

products include the facility to record

and display timecode. Convenient menu
operation makes it easy to preset time
code at the beginning of a tape. Simply

select REC RUN or re-generation mode.

User bits are also available.

3. Highly efficient video compression

To provide the highest quality HD

recording, JVC uses the broadcast
industry standard MPEG-2 Main Profile
at H-14. Offering far greater efficiency

than frame-bound systems, ProHD
records at data rates at or above
commercial broadcast rates. Recent

advancements in non-linear editing
have made it possible to edit ProHD

on virtually all popular non-linear editing

systems. Direct digital transfers via IEEE 1394

ensure the quality is maintained throughout the
transfer process.

4. Dual recording system

Designed to utilize both DV tape and hard disk
drives, ProHD offers the ultimate in media
versatility, maximizing productivity with efficient,
economical editing and low-cost archiving. Now
you can safely archive the original tape cassette
and then plug the hard disk straight into your
NLE. Editing can start right away — no need to
make dubs or transfer data.

5. Real 24p

With ProHD, the dream of creating HD video with
the essence of film has at last been realized. By
capturing and recording at the film frame rate of
24fps, and offering extensive user configurable
settings such as exposure, gamma and detail,
ProHD becomes an important tool for creative
expression. For the ultimate form of display on
the cinema screen, 24 frame
progressive
recordings can be
readily
transferred to 16
mm or 35 mm
film. The optional
HZ-CA13U Film
Lens Adapter further
empowers digital
filmmakers by enabling
the use of 16mm film
mount.

HZ-CA13U
16mm Film Lens
Adapter

1. HD Progressive (720p/60) format for high quality
moving pictures and digital stills

 Progressive scanning

JVC’s ProHD products use the same progressive scanning
system used in high-end HDTV cameras. Because the
GY-HD200B uses a full-frame (60p) progressive scanning system,
it has the unique ability to capture and store full frames of image
information. An added bonus of progressive scanning is that it is
a very simple process to convert a progressive image to
interlaced, but not vice versa. When progressive recordings are
paused or played in slow motion, each individual frame contains
the full detail of the original image — excellent for viewing and
analyzing motion. Stills and prints captured from HD progressive
video look far better than from interlaced video. In any case,
today’s flat panel television displays and fixed matrix projectors,
such as D-ILA, DLP and LCD, all utilize a native progressive
scanning systems. This means that JVC’s progressive recordings
can be displayed without imperfection, because they do not need
to pass through the degenerative process of de-interlacing, prior
to being displayed.

 DV compatibility

The GY-HD200B uses the same recording track pitch (10 µm) as
Professional DV, meaning that it also offers track pitch
compatibility with the DV format and the same recording time.
The remarkable HD recording capability was achieved by
developing a new high-power MPEG codec system capable of
maintaining high-definition pictur

e quality, whilst compressing the
data to 19.7 Mbps bit rate. With its superior resolution and
advanced processing, ProHD delivers top performance in both its
native 16:9 HD mode and in the SD mode, either 16:9 or 4:3.

2. True 24 Frame Capture

24p progressive full HD images are ideal for cinematographic
applications. From shooting to editing and distribution, an HD
system can be established for film-like productions. Unlike 24p
images in standard definition, when real 24p HD video is down­converted to SD, the result is truly film-like DVDs. The camcorder
itself, with its video lens removed and replaced by a film lens
converter system, such as the Mini 35 from P & S Technik,
effectively becomes a digital film camera.

3.JVC’s dual recording system

The optional JVC Hard Disk Recorder DR-HD100 creates a dual
recording system of tape and hard disk. This system is already
utilized by Professional DV users the world over. The many
advantages inherent in JVC’s dual recording system of tape &
hard disk drive are well appreciated. It was only natural that JVC’s
range of ProHD models would include a Hard Disk Drive recorder
and one that can operate equally in DV and HDV modes. The
dual recording system provides fast and efficient HDD-based
editing and cost-effective tape archiving, using low-cost tapes.
Thanks to the newly developed MPEG-2 encoding IC, high­quality pictures can be recorded on readily available compact DV
cassettes, so running costs are minimal. As no special equipment
or exclusive media are required, the operating costs of the total
system can be kept low. The DR-HD100 is mounted at the rear
of the camcorder, utilizing an optional bracket which is provided
by the leading battery systems manufacturers.

3●

The advantages of ProHD

The GY-HD200B “BirnsGear” package with
the HZ-CA13U

New JVC picture quality optimization technology
within GY-HD200B/250

Horizontal resolution and signal-to-noise ratio have been enhanced,
making the already high ProHD picture quality even better. Together
with ProHD’s superior color reproduction, these improvements
ensure true professional quality HD imaging.

a. 14-bit A/D converter

To improve both the S/N ratio and the horizontal resolution, a new
14-bit A/D converter was specially developed by JVC to prevent
signal deterioration and to generate a fourfold increase in
gradations.

b. Wideband front end processing

The ProHD camcorder uses a wideband analog front end to
process its CCD sampling via the 14-bit A/D converter. This further
improves the S/N ratio and horizontal resolution by optimizing the
CCD drive circuitry. The new LVDS (Low Voltage Differential Signal)
interface minimizes any other possible signal degradation and so
contributes to the improved S/N ratio.

c. Newly-developed pixel converter

To enable 720p/60 recording, a new super encoder and a new pixel
converter were developed, incorporating an adaptive filter which
optimizes the scalar performance of cross-converted signals,
including 1080i. The resultant effects are increased resolution and
reduced aliasing. Objects thus have much more natural looking
edges and images are therefore extremely lifelike in appearance.

Designed for news gathering, field production and digital
cinematography, the GY-HD200B offers full-frame 720p/60
image capture and real 24p recording capability. Its high
resolution and smooth motion make it perfect for ENG and
recording sports events, while its HD progressive 24 frames per
second record rate lends itself to cinematic productions, giving
them a very natural and film-like appearance. So whatever your
HD requirements may be, this ProHD camcorder from JVC
provides an affordable HD solution and is designed to meet
your professional application needs.

Professional specifications

Real 24p camcorder

The GY-HD200B also offers real HD 24p recording capability —
previously available on only the most expensive HD cameras. Ideal for
DVD production, HD progressive 24-frame-per-second recording
makes it possible to shoot images with film-like quality and smooth
motion. Once recorded, those images can easily be transferred without
frame rate conversion to 16 mm or 35 mm film with full HD fidelity.
ProHD’s outstanding image quality is supported by a wide range of
powerful features which have great appeal to true film professionals.
These include the image inverse function, as required by certain film
lens adapters, and a menu to select the appropriate combination of
color matrix and film gamma type. Cinema Gamma is deployed to
assist in making video look like film, and Film Out gamma can be used
when the video is to be ultimately transferred to film.
This choice of gamma means that the cinematographer, irrespective of
whether the final production will be presented as film or as video, can
be sure of always getting the best possible image.

Interchangeable HD lenses

The GY-HD200B features a standard professional 1/3" bayonet lens
mount, providing the opportunity to use a variety of other professional
HD lenses. In addition to the standard Th16x Fujinon lens supplied, a

number of other 1/3” bayonet mount zoom lenses is available. Canon
offers a powerful 20x5mm zoom lens and Fujinon similarly an
18x4.2mm, besides a very wide 13x3.5mm lens and 17x5mm lens.
Furthermore, lens mount adapters ACM-12 and ACM-17 convert the
mount to 1/2” and 2/3” bayonet mount respectively, providing cost
savings by way of using existing 1/2” and 2/3” lenses. Also, to enable
the use of film camera lenses, specialist film lens adapters are available.

3-CCD camera system with 720p HD CCDs

JVC ProHD cameras use true native progressive-scan, full-raster 1280
x 720 CCD imagers with micro-lenses that offer pixel-for-pixel HD

compliance. Images captured with progressive CCDS have better
resolution, especially with motion, and are much easier and efficient to
compress than interlaced signals. Pixel-for-pixel compliance in a native
720p workflow environment means that the image will never be scaled
or converted in the production chain, further ensuring the highest
quality HD signal.

Uncompressed 720p/60 live output via component

When required, the GY-HD200B can output a live uncompressed
720p/60 signal or 1080i/60 in the form of analog component signal,
making it an excellent choice as a video server feed.
One very important reason why JVC developed the progressive form of
HDV was the ease and speed with which a progressive signal can be
converted to other formats, irrespective of whether the conversion is
up, cross or down. Conversion to 1080i is always performed in real
time because the time-consuming complexity of de-interlacing is not
required.

Professional functions

Compact shoulder mount

JVC’s ProHD camcorders are the first fully professional HD camcorders
to feature a compact design and shoulder mount. Like its
predecessors, the GY-HD200B offers excellent mobility and enhanced
usability, while its flexible range of ergonomic adjustments ensures that
any camera operator, regardless of stature or physique, can support the
camcorder steadily and, above all, comfortably.

Professional functions and switch layout

In addition to the Full Auto Shooting to handle difficult or variable
lighting environments, the GY-HD200B is equipped with an array of
functions that give professionals creative flexibility. These include,
zebra, gain, white balance and full shutter control. Also, the
GY-HD200B’s switches have been positioned where professional
camera operators expect them to be. Shooting is intuitive, precise,
easy, and error-free, because the learning process is minimized
dramatically, making the GY-HD200B the ideal camera for any
assignment.

Detachable 230,000-pixel LCD color viewfinder

The viewfinder’s eyepiece can be moved backwards and forwards and
can also be adjusted laterally for left or right eye shooting, so the
viewfinder can fit any operator comfortably. JVC’s own developed
proprietary and patented Focus Assist control ensures fast and easy
focusing. It has 3 settings, (high, medium & low) depending on the

GY-HD200B GY-HD200B ProHD Compact Shoulder Camcorder

Professional ProHD camcorder with smooth 720p/60 capture
for best quality images for ENG, EFP and digital cinematography

●4

IN (%)

IN (%)

OUT (LSB)

OUT (LSB)

STANDARD
FILM OUT NORMAL
FILM OUT MN

STANDARD
CINEMA NORMAL
CINEMA MN

Cinema Gamma

(for film-like video productions)

Film Out Gamma

(for subsequent transfer to film)

Fujinon HTs18x4.2BRM Canon KT20x5BKRS

5●

GY-HD200B GY-HD200B ProHD Compact Shoulder Camcorder

type of subject in view. To make focusing even easier, a black and
white mode is available. Stronger contrast and reduced color noise
make visualization and composition easier in this mode and put less
strain on the eyes, which allows longer periods of shooting. The
eyepiece viewfinder can be used at same time as the LCD display. If it
is not required, the eyepiece viewfinder may be detached.

3.5" LCD display panel

This 250,000-pixel 3.5" color TFT LCD monitor provides a high­resolution image during shooting and playback. JVC’s own developed
Focus Assist control ensures fast and easy focusing. A push button
selects three display modes:

1. Video only

2. Video images with text information overlay including time, status,
mode and other data are shown on the screen.

3. Only information such as time, status, mode, time code, audio levels
and other data is shown on the screen.

Various audio-related functions

When color bars are output, an audio reference level (test tone) can also
be output if required. This is requested via the menu. The audio reference
level can be set at -12 dB or -20 dB as required. To minimize extraneous
noise picked up by the microphone, a "wind cut" function is provided.

Versatility and flexibility

Camera settings recorded on SD card

Customized settings can be stored on a standard SD memory card and
loaded into another GY-HD200B or changed on site, as required.

IEEE 1394 (FireWire) in/out

A convenient IEEE 1394 interface allows easy direct connection to NLE
systems or to a PC for capturing, editing and archiving.

User-friendly design

Universal ergonomic design

The camcorder adapts to fit any shape of body comfortably because of
the shoulder pad that can be moved back & forth, the left or right eye
viewfinder that can also adjust back & forth, and the padded audio
monitor that slides up & down.

Patented “FOCUS ASSIST” function

A JVC patented device, Focus Assist, turns focusing into a fast, easy
and accurate process. When Focus Assist is activated, the picture in
the viewfinder becomes monochrome and all objects which are in focus
take on a colored fringe. In addition to the factory default Middle
position, Low and High positions are available. In the Low position, you
can limit the area in focus for more precise focusing. This is particularly
helpful when using the technique of pulling focus. Focus Assist works
equally in the 0.44" viewfinder and the 3.5” LCD panel. There are two
Focus Assist buttons, one for each of handheld and shoulder operation.

Connect to optional external HDD

The camcorder has a hard disk drive accessory option, DR-HD100,
which connects via the IEEE 1394 port. Footage captured on the hard
disk can be edited immediately without having to wait for data
to be transferred.

Connects to GY-HD200B camcorder

The DR-HD100 has been designed specifically to attach to the GY-HD200B
camcorder. Interlocked to the camcorder’s record trigger, HD and SD images can
be recorded together with audio and time code. It is powered by either a built-in
rechargeable or an external battery. The DR-HD100 is supplied with its own
cradle, from which it is detached detaches easily. Optional brackets are available
for mounting the HDD recorder at the rear of the camcorder. And, to provide
flexibility during the media transition period, JVC has added an 1080i recording
capability using a IEEE1394 interface with the DR-HD100.

Compatible with popular NLE systems for HD and DV editing

Native File Recording technology permits the DR-HD100 recording data in HD
and DV to be set to the NLE’s native file format. This means that no time is lost
to the lengthy processes of file transfer and rendering. Use DR-HD100 instantly
with the most popular applications from Adobe, Apple, Avid, Canopus and many
more. As new application support is released, the DR-HD100 can be updated in
the field with new system software, by an easy process using the disk drive itself.

Native File Recording, when used with Apple FCP, is the fastest and easiest HD
workflow in the industry. While using the DR-HD100 menu, m2t or mov file

formats can be selected.

Integrated with camcorder and disk drive operation

Attached to the GY-HD200B, the DR-HD100’s record and record/pause functions
are controlled from the camcorder. Time code generated by the camcorder is
recorded to files on the DR-HD100. The status of the DR-HD100 and other vital
information appears in the camcorder’s viewfinder and LCD display.

Long record times

This hard disk drive option extends uninterrupted record time by hours.
For example, an 100GB FireWire drive can store 8 hours of DV and HD1080i
video and 10hours of HD video (at 720p). It is possible also to daisy chain up to
four external drives of different capacities to the DR-HD100, enabling
uninterrupted recording of incredibly long durations.

LCD display and playback modes

The DR-HD100 features a detailed LCD that displays system mode, time code and
disk space remaining. When used with the GY-HD200B camcorder, clips can be
reviewed on the viewfinder, LCD panel or external monitor, by using DR-HD100’s
playback mode. Functions include record, play, pause, stop, forward index, back
index and multi speed fast forward and rewind.

䡵 Two XLR audio inputs
䡵 Full Auto Shooting
䡵 Adjustable color matrix
䡵 LCD mirror mode
䡵 Two-mode composite out

䡵 Color bars
䡵 The “heel” with the KA-V100 being

the “toe” for tripod based
attachment

佡

佡

Out-of-focus image In-focus image

The edge of the in-focus subject is
shown in color, telling the operator that
the subject is in-focus. A major benefit of
this system is that it operates in real time.

DR-HD100 Hard Disk Drive incorporating the latest
Native File Recording technology

Other features

䡵 DV and HDV recording
䡵 Multi-format output and cross-

converter function

䡵 HDV 60Hz and 50Hz compatibility
䡵 Standard DV & Mini DV compatible

mechanism

䡵 DVCAM playback capability
䡵 Auto error correction system
䡵 Sweeper heads
䡵 HDMI OUT
䡵 RS-422A interface
䡵 IEEE 1394 interface
䡵 Versatile analog connectors

BR-HD50 ProHD Recorder/Player

●6

Focus Manual Control

HZ-FM13 (for FUJINON lens)

(Cannot be used for Th16x5.5BRMU or S14x7.3B12U)

HZ-FM15 (for CANON lens)

1/3" Zoom Lens

Th16x5.5BRMU
Fujinon

Wide Converter

WCV-82SC (for Th16x5.5BRMU)

1/2" Zoom Lenses

S17x6.6BRM Fujinon
S20x6.4B12 Fujinon

YH16x7K12 Canon
YH19x6.7K12 Canon

Tripod

1/3" Zoom Lenses

Th13x3.5BRMU Fujinon
Th17x5BMD Fujinon

Th17x5BRM Fujinon
HTs18x4.2BRM Fujinon

KT20x5BKRS Canon

Microphone

Microphone Holder

GY-HD200

SD Memory Card

V-wedge tripod adapter

Headphone x2

Zoom Servo Control

HZ-ZS13B

Focus Manual Control Unit
(for Th16x5.5BRMU)

FMM-8, CFH-3, CFC-12-990 Fujinon

Monitor

Component Cable

BNC

Composite Cable

RCA Pin

Audio Cable

RCA pin

View Finder Padded Ear Monitor

Switcher, VCR etc

Mount Converter

(2/3" 1/3")

ACM-17

Remote
Control Unit

RM-LP55/57

AC Adaptor

VL-2 PLUS, IA-60a (IDX),
Titan70 (Anton Bauer)

Battery Charger

(Anton Bauer)

Battery

Dionic

90 (Anton Bauer)

Accessory Mount

Hard Disk Recorder

DR-HD100

(Focus Enhancements)

IEEE1394

(Anton Bauer
battery
plate)

Cable

Battery

Endura-7S (IDX)

Shoulder Belt

HD Video Cassette Recorder

BR-HD50U

Battery Charge

r

(IDX)

2/3" Zoom Lenses

A17x9BRM Fujinon A20x8BRM Fujinon YJ19x9KRS Canon

Battery Mount

(JVC-PV)

←

Mount Converter
(1/2" 1/3")

ACM-12

←

Tripod base
KA-551U

System configuration

 HZ-ZS13BU

Cannot be used for HTs18x4.2BRM lens.
Use Fujinon ZMM-6: Module unit/CZH-14:
Grip/CFC-12-990: Cable/MCA-7: Mounting clamp

 HZ-ZS100U (Handle zoom)

Manual zoom control

Manual focus control

 HZ-FM13U* (Fujinon)
 HZ-FM15U (Canon)

*The HZ-FM13 cannot be used for S14 and Th16 lenses.
Use Fujinon FMM-8: Module unit/CFH-3:
Grip/CFC-12-990: Cable

(Fujinon)

 Th13x3.5BRMU

1/3" Wide zoom lens

 Trimpac 14 (Battery)
 Tandem 70 (Adapter)

Anton Bauer battery

 WCV-82SC

for use with the Th16x5BRMU

Wide converter

Optional accessories & related equipment

CAMCORDER OPTIONS

 Th17x5BMD  KT20x5BKRS

(Fujinon)

(Fujinon)

(Fujinon)

 HTs18x4.2BRM
 HTs18x4.2BERM (2x extender)

1/3" High quality zoom lens

1/3" High quality zoom lens

 ACM-17 (2/3"→ 1/3")
 ACM-12 (1/2"→ 1/3")

Lens mount converter

1/3" MD Zoom lens
for video conferencing

 Th17x5BRM

1/3" Zoom lens

 MV-P615U

Microphone

Remote control units

6-pin DIN

 RM-LP55U

(Handheld)

 RM-LP57U

(Desk mount)

(Fujinon)

(Fujinon)

(Canon)

 VL-2PLUS (Charger)
 Endura E-7S (Battery)
 JVC-PV (Battery plate)

IDX V-mount battery

16mm film lens adapter

 HZ-CA13U

Tripod base

 KA-551U

 M-DV63PROHD

ProHD tapes (miniDV size)

 M-DV12CL

MiniDV cleaning tape

ProHD TAPES MiniDV HD MONITORS

 DT-V1710CG (17")
 DT-V100CG (10")

 DT-V24L1D (24")  DT-V20L1D (20")  DT-V17L2D (17")  DT-V9L1D (9")

HARD DISK DRIVES



DR-HD100-100

(

100GB capacity

)

CRT HDTV monitor

LCD HDTV monitor

[General]

Power requirement: DC 12 V (10.5 — 17 V)
Power consumption: Approx. 23 W (in Record mode)
Dimensions (W x H x D): 8-7/8 x 9-9/16 x 15-13/16 inches (224 x 242.3 x 401 mm)
Mass: 8.0 lbs. (3.6 kg) (including viewfinder, microphone and tape)
Temperature:

䡲 Operating: 32°F to 104°F (0°C to 40°C)
䡲 Storage: -4°F to 140°F (-20°C to 60°C)

Humidity:

䡲 Operating: 30% to 80% RH
䡲 Storage: 85% RH or less

[Camera section]

Image pickup device: 1/3" interline-transfer CCDs
Color separation optical system: F1.4, 3-color separation prism
Number of pixels: Total: Approx. 1,110,000 pixels
Color system: PAL (wide band R-Y, B-Y encoder)
Color bars: SMPTE HDTV color bars/EBU color bars
Sync system: Internal sync (built-in SSG)
External sync:BB, VBS, signal or HD tri-sync signal
Lens mount: 1/3" bayonet system
ND filter: +1/4ND, +1/16ND
Gain: 0, 3, 6, 9, 12, 15, 18 dB,ALC
Electronic shutter:

䡲 Standard value: 59.94 Hz
䡲 Fixed values: 7.5-10,000 Hz, 11 steps (HDV HD60P/HDV HD30p/DV 60i) 6.25-

10,000 Hz 11 steps (HDV HD50p/HDV HD25p mode), 6-10,000Hz, 12 steps (HDV
HD24p/DV 24p)

䡲 Variable scan: about 60 to 10,000Hz (HDV HD60p/HDV HD30p/DV 60i)/ about 50

to 10,000 Hz (HDV HD50p/HDV HD25p mode), about 24-10,000Hz (HDV 24p;
DV24p)

[VTR section]

Video:
Recording format: 720/24p, 720/25p, 720/30p, 720/50p, 720/60p, 480/24p, 480/60i
Video Format:
[HDV]

䡲 Video signal recording format: HDV1 format, 8-bit, 19.7 Mbps
䡲 Compression: MPEG-2 video (profile & level: MP@H-14)
䡲 Sampling frequencies: 720/60p: 74.25/1.001 MHz (4:2:0 component), 720/50p:

74.25 MHz (4:2:0 component), 1080/60i: 74.25/1.001 MHz (4:2:0 component,
cross conversion only), 1080/50i: 74.25 MHz (4:2:0 component, cross conversion
only)

[DV]

䡲 Video signal recording format: DV format, 8-bit, 25 Mbps
䡲 Compression: DV compression, 4:1:1

Audio:
[HDV]

䡲 Audio signal recording format: MPEG1 Audio Layer II

[DV]

䡲 Audio signal recording format: 16-bit (locked audio), 48 kHz PCM for 2 channels or

12-bit, 32 kHz PCM for 4 channels

䡲 Usable tape: Mini DV tape
䡲 Tape speed: 18.831 mm/sec.
䡲 Record/play time: 63 minutes (with an M-DV63PROHD tape)

[Connectors]

Analog composite output: 1.0 V (p-p), 75 ohms, unbalanced (RCA)
Analog component output:

䡲 Y: 1.0 V (p-p), 75 ohms, unbalanced (BNC)
䡲 R-Y/B-Y: 0.7 V (p-p), 75 ohms, unbalanced (BNC)

Audio inputs:

䡲 Mic: -60 dBs, 3 kohms, balanced (XLR), +48 V output for phantom power supply
䡲 Line: +4 dBs, 10 kohms, balanced (XLR)
䡲 Audio outputs: -8 dBs, low impedance, unbalanced (RCA)
䡲 Earphone jack: -18 dBs to -60 dBs, 8-ohm impedance (stereo mini-jack x2)
䡲 IEEE1394 connector: 6-pin
䡲 Remote connector: DIN 6-pin

[Accessories provided]

Viewfinder x 1, Lens (Th16x5.5BRM) x 1, Microphone x 1, SD memory card x 1, V­wedge tripod adapter (KA-V100) x 1

Printed in Japan

KCS-8391 CEHD200NPKN0611

“JVC” is the trademark or registered trademark of Victor Company of Japan, Limited.

DISTRIBUTED BY

䡲 Hachioji Business Center of Victor Company of Japan, Ltd. has received ISO14001 and

ISO9001 Certifications under the global standard for environmental management.

JQA-0288

* Tapes recorded in HDV 1080i format cannot be played back by GY-HD200B/250 nor by BR-

HD50.

* HDVTMand HDVTMlogo are trademarks of Sony Corporation and Victor Company of Japan, Limited (JVC).
* DVCAMTMis a registered trademark of Sony Corporation.
* DTETM(Direct to EditTM) is a registered trademark of Focus Enhancements.
* Product and company names mentioned here are trademarks or registered trademarks of their respective owners.

SPECIFICATIONS

Recording
(Shooting)

HD

(HDV)

HD

DV

HDV

DV

720/60p

720/30p

720/50p

720/25p

720/24p

720/60p

720/50p

480/60i

480/60i (24p)

Playback

720/60p

720/30p

720/50p

720/25p

720/24p

480/60i

480/60i (24p)

Component (EE out)

Component

←

720/60p

←

720/50p

720/60p

1080/60i

1080/50i

←

←

Composite out

Composite out

480/60i

480/60i

576/50i

576/50i

480/60i

480/60i

576/50i

←

←

Rec

on tape

←

←

←

←

←

N/A

N/A

←

←

1394

out

←

←

←

←

←

N/A

N/A

←

←

1394

out

←

←

←

←

←

←

←

←

←

←

←

480/60i

576/50i

←

←

←

←

←

←

480/60i

1080/60i

1080/50i

1080/60i

720/60p

720/50p

720/60p

←←

480/60i

576/50i

480/60i

HDV

DV

Recording

(1394 in)

720/60p

720/30p

720/50p

720/25p

720/24p

480/60i

480/60i (24p)

Component

Composite out

Rec

on tape

←

←

←

←

←

←

←

←

←

←

←

480/60i

576/50i

←

←

←

←

←

←

480/60i

1080/60i

1080/50i

1080/60i

720/60p

720/50p

720/60p

←←

480/60i

576/50i

480/60i

RECORDING FORMATS & LIVE SIGNAL OUTPUTS

GY-HD200B

The values for weight and dimensions are approximate.

E & O E. Design and specifications subject to change without notice.

DIMENSIONS

Unit: inches (mm)

11-3/4 (297) for ANTON BATT.

12-1/4 (310) for IDX BATT.

8-5/16 (211)

S. PAD

MOVE

1

(25)

9-5/16 (235)

8-13/16 (224)

3-1/4 (82.3)

3-1/4 (82.3)

9-9/16 (242.3)

8-7/8 (225)

2 (50)

2-3/16 (55)

VF MOVE

5-1/8 (129)4-3/8 (110)

2-3/8 (59)

7-7/8 (200) X16 LENS

10-1/4 (260) X13 LENS

4-1/8 (104)

1-5/8 (40) 3-1/2 (88)

VF MOVE