junger D*AP4 VAP Edition User Manual

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DAP4-VAP_manual_EN_161219.doc
Hardware Features
•
1RU compact 19" processing device with front side info display
• Dual power supply second power supply for redundancy
• Front panel info display for signal activity, IP address, status alert
• Remote Panel optional X*AP RM1 panel
• Optional mic inputs optional dual high end mic preamp module with phantom power
• Optional AES42 input optional module for digital mic / line input
• Balanced AES I/O AES line input / output for desk inserts or program input
• One interface slot I/O expansion slot for one option board
• 3G / HD / SD SDI module option board with SDI de-embedder / embedder and relay bypass
• 4x AES I/O module option board with 4x AES3id I/Os and relay bypass
• 4Ch analog I/O module option board with 4 analog line I/Os and relay bypass
• RJ45 network connector 100BaseT full duplex Ethernet interface
• USB B connector built in USB < > serial adapter to access the device service port
• 8 GPI/Os 8 balanced inputs, 8 relay closure on 25pin Sub-D
• Aux power supply isolated 5V supply for external wiring
• External sync IN 75Ohm input (Word Clock, AES, Black Burst, Tri-Level)
• Sync OUT 75Ohm Word Clock output
Software Features
•
2
main processing channels chain of processing blocks, mono / stereo operation
• AUX program path extra 2Ch input for a program signal
• Input stage mute, gain, polarity, HPF, LPF
• M/S matrix encode, stereo width, decode
• Phase Rotator corrects imbalanced waveforms
• De-esser frequency, range, type, Q
• Filter spectral signature & 5x full parametric EQs
• Dynamics expander, upward compressor, downward compressor, soft limiter
• Leveler automatic level control for the voice channel
• Voice over stereo or mono voice over extra program input, pan
• LevelMagic™ processor for the program (AUX) path
• Output stage true peak limiter, mute, attenuation
• Monitor output extra feed from the DSP to monitor DSP processing blocks
• SNMP agent SNMP v1, see D*AP4 VAP-MIB
• Remote control l-s-b EmBER plus protocol for VSM integration, 3rd party API
• Mobile user interface graphical operator UI optimized for use on mobile devices
Operating Manual
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D*AP4 VAP
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Content
page
Introduction …………………………………………………………………………………………. 3
D*AP4 VAP front panel view ……………………………………………………………………… 4 D*AP4 VAP rear view ……………………………………………………………………………… 4
Block Diagram ………………………………………………………………………………………. 5 Audio Processing Blocks …………………………………………………………………………. 5 Control, Operating & Event Concept …………………………………………………………….. 6 Getting Started – quick start guide ……………………………………………………………….. 7 Getting Started – IP setup in general ……………………………………………………………. 7 Getting Started – IP setup – via console interface …………………………………………… 7 Getting Started – IP setup – via web browser ………………………………………………… 9 Operating – menu structure of the X*AP remote panel – power up display ………………. 10 Operating – menu structure of the X*AP remote panel – operating displays ……………… 11 Operating – menu structure of the X*AP remote panel – menu tree ……………………….. 13 Setup GUI – connecting with the D*AP4 unit – AUDIO PROCESSOR – Overview ………. 14 Setup GUI – SYSTEM – System Status ………………………………………………………… 15 Setup GUI – SYSTEM – Overview ……………………………………………………………… 16 Setup GUI – SYSTEM – Admin ………………………………………………………………….. 16 Setup GUI – SYSTEM – Setup ………………………………………………………………….. 18 Setup GUI – SYSTEM – Remote Access – X*AP Remote ……………………………………. 19 Setup GUI – SYSTEM – Remote Access – Mobile UI …………………………………………. 21 Setup GUI – SYSTEM – the preset concept in detail …………………………………………. 22 Setup GUI – SYSTEM – Preset Cleanup ……………………………………………………….. 22 Setup GUI – SYSTEM – SNMP …………………………………………………………………… 23 Setup GUI – SYSTEM – Backup / Restore ……………………………………………………. 24 Setup GUI – SYSTEM – Firmware Update …………………………………………………….. 25 Setup GUI – SYSTEM – Reboot …………………………………………………………………. 26 Setup GUI – INTERFACES – AES I/O …………………………………………………………… 27 Setup GUI – INTERFACES – Analog Mic ……………………………………………………… 28
Setup GUI – INTERFACES – SDI I/O Interface – Overview ……………………………........ 29
Setup GUI – INTERFACES – SDI I/O Interface – Local Routing ……………………............ 30
Setup GUI – INTERFACES – SDI I/O Interface – Setup ……………………………………… 31 Setup GUI – INTERFACES – SDI I/O Interface – De-Embedder ……………………………. 31
Setup GUI – INTERFACES – SDI I/O Interface – Embedder ……………………………....... 32
Setup GUI – INTERFACES – SDI I/O Interface – MADI Interface – Status / Setup ……..... 33
Setup GUI – INTERFACES – SDI I/O Interface – MADI Interface – Local Routing ……..... 34
Setup GUI – INTERFACES – DANTE I/O interface – Status ………………………………….. 35 Setup GUI – INTERFACES – DANTE I/O interface – Inputs ………………………………….. 37 Setup GUI – INTERFACES – DANTE I/O interface – Outputs ……………………………….. 38 Setup GUI – INTERFACES – DANTE I/O interface – Network ………………………………. 38 Setup GUI – INTERFACES – 4 Ch Analog I/O Interface ……………………………………. 40 Setup GUI – INTERFACES – AES Interface – Status / Setup ..……………………………… 41 Setup GUI – ROUTING ……………………………………………………………………………. 40 Setup GUI – AUDIO PROCESSOR – Overview ……………………………………………….. 43 Setup GUI – AUDIO PROCESSOR – Setup ……………………………………………………. 45
Setup GUI – AUDIO PROCESSOR – Input ……………………………................................. 45
Setup GUI – AUDIO PROCESSOR
– M/S ……………………………………………………… 46
Setup GUI – AUDIO PROCESSOR – Phase Rotator .......................................................... 46
Setup GUI – AUDIO PROCESSOR – De-Esser .………………………………………………. 47
Setup GUI – AUDIO PROCESSOR – Filter – Spectral Signature …………........................ 48
Setup GUI – AUDIO PROCESSOR – Filter – Equalizer ………………………………………. 51 Setup GUI – AUDIO PROCESSOR – Dynamics ………………………………………………. 53 Setup GUI – AUDIO PROCESSOR – Leveler …………………………………………………. 56 Setup GUI – AUDIO PROCESSOR – Voice Over …………………………………………….. 60 Setup GUI – AUDIO PROCESSOR – Level Magic ……………………………………………. 61 Setup GUI – AUDIO PROCESSOR – Output ………………………………………………….. 62 Setup GUI – AUDIO PROCESSOR – Monitor …………………………………………………. 63 Setup GUI – AUDIO PROCESSOR – On Air / Mobile UI …………………………………….. 64
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Content
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Setup GUI – MEASUREMENT – Loudness ……………………………………………………. 66 Setup GUI – EVENTS – Overview ………………………………………………………………. 67 Setup GUI – EVENTS – Triggers – Sources – Remote Hotkeys ……………………………. 68 Setup GUI – EVENTS – Triggers – Sources – Network ……………………………………… 69 Setup GUI – EVENTS – Triggers – Sources – Parameters ………………………………….. 69 Setup GUI – EVENTS – Triggers – Configuration – Trigger Equation ……………………… 70 Setup GUI – EVENTS – Events
–
Preset Events (Profiles)
………………………………
68
Setup GUI – EVENTS – Events
–
Parameter Events
………………………………….....
71
Setup GUI – EVENTS – Events – Measurement Events
…………………………………
73 Setup GUI – EVENTS – Events – I/O Events ………………………………………………….. 73 Setup GUI – EVENTS – Events – Bypass Events …………………………………………….. 74 Setup GUI – EVENTS – Actions – Event Actions …………………………………………….. 74 Setup GUI – EVENTS – Actions – Bypass Actions …………………………………………... 75 Technical Data – 2 Channel Voice Audio Processor Edition [D*AP4 VAP EDITION] ……… 76 Technical Data – Option Board SDI I/O (3G/HD/SD) [O_DAP_SDI_a] ……………………… 77 Technical Data – Option Board Analog Line-In and/or Mic-In [O_DAP_AMIC_a] ………….. 78
Technical Data – Option Board Analog Out [O_DAP_8DA_a] ………………………….......... 79
Technical Data – Option Board Analog I/O [O_DAP_ADDA_a] …………………………....... 79
Technical Data – Option Board AES/EBU I/O [O_DAP_AES_a] …………………………….. 80 Technical Data – Option Board MADI I/O, BNC [O_DAP_MB_a] ……………………………. 81
Technical Data – Option Board MADI I/O, Optical [O_DAP_MO_MM_a] ............................. 81
Technical Data – Option Board MADI I/O, Optical [O_DAP_MO_SM_a] ……………………. 81 Technical Data – Option Board Audio-over-IP DANTE™ I/O [O_DAP_DANTE_a] ………... 82 Technical Data – Rear Connectors – pin assignment ……………………………………….. 83 Technical Data – Optional Interface Modules – pin assignment ……………………………. 84 Technical Data – GPI wiring ……………………………………………………………………… 85
Safety Information …..……………………………………………………………………………. 86 Warranty …………………………………………………………………………………………….. 86
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D*AP4 VAP
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Introduction
Primarily designed to apply individual processing to voice based applications the 2 channel D*AP4 VAP toolset includes HP/LP filtering, dynamic section, full parametric EQ, and de-essing. A dedicated voice leveler aids the integration of voice programs into loudness based broadcasting. Targeted at radio stations and TV production voice-over applications, this unit will make your daily life easier and let you focus on content.
With Spectral Signature™ dynamic EQ, you will have a tool with automatic and dynamic EQ control to balance spectral differences to one specific voice only when necessary. Spectral Signature™ analyzes incoming audio and compares the spectral structure with individual predetermined voice “footprints”. On this basis, dynamic EQ corrections will be applied only when necessary to achieve consistent results. Spectral Signature™ is a D*AP4 VAP standard feature while a separate program I/O path allows for voice over either in manual controlled or automatic (ducking) mode.
The D*AP4 VAP offers interfaces to allow integration in existing environments via AES insert or with an optional analog board adding 2 high quality mic-preamps. Preset management can be controlled via network integration. The X*AP RM1 provides the ability to control up to 4 units via hardware simultaneously, while D*AP4 VAP’s network interoperability is designed to allow full integration into broadcast scheduling and studio management systems. With this feature, preset changes will take place automatically according to your content schedule.
At the heart of the D*AP4 VAP is a sophisticated audio processor, powered by Analog Devices® Sharc DSPs. These DSPs provide signal processing, audio delays, monitoring facility as well as level measurements.
The AES I/Os on the motherboard may be added to by a variety of interface modules that can be installed as an option into the D*AP4 VAP’s interface slot.
A comprehensive routing matrix allows for almost every combination of audio signal flow from inputs to outputs.
Routing paths, the enabling and disabling of audio processing blocks and the setting of processing parameters can be pre configured by individual presets dedicated to each function block. The content of the presets can be displayed and edited off line while the device is in use. These presets may either be recalled on demand by the operator via the GUI, the X*AP RM
1
remote panel hot keys or external systems, but may also be part of complex scenarios defined by the operator and automatically executed by the event manager of the device.
The D*AP4 VAP provides a web based setup GUI and an X*AP RM
1
remote panel that displays status and
metering information and allows user intervention. Due to the complexity of the device, the features of the
X*AP RM
1
remote panel are limited to operating needs.
Junger Audio’s application manager J*AM is also available as an add on and can be attached by a few simple clicks to the D*AP4 VAP so that users can display level bar graphs.
The availability of an SNMP agent, which provides traps and status polling rounds up the feature set of the D*AP4 VAP.
As with most advanced tools, the D*AP4 VAP can be driven in a variety of ways, depending on requirements and ideas of the user. These can range from the simple and straightforward through to quite complex set ups. Although this manual explains the functions and general operation of the D*AP4 VAP, it does not give detailed scenarios because the operational needs of today's productions vary so widely between organizations and their work flows and cover so many different parameters – from simple editorial work places, to complex database driven shift control for multiples of work places, through to semi-automatic operation controlled by broadcast automation systems.
Junger Audio is more than happy to discuss your particular requirements with you and to convey your ideas and solutions to other users of the Junger Audio Processors community.
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D*AP4 VAP front panel view
The front panel of the D*AP4 VAP has a 3 line status display and two hidden touch buttons ~ 2.5cm left of the display. Button 1 = Home will switch back to the power up display no matter which display level you are in.
Button 2 cycles through the multi level display:
Level 1 Power up display [device type / firmware version]
Level 2 Status [OK / Error] / Device Name / IP address
Level 3 IN / OUT peak meter
Level 4 Monitor M1 / M2 peak meter
Level 5 Program Out short term loudness
Level 6 Program Out integrated loudness and integration time
Display background Green = device status OK color Red = device status ERROR flashing red / green during boot up
The measures of the loudness displays depend on the setup of the respective loudness mode (see AUDIO PROCESSOR > SETUP > Loudness Mode).
D*AP4 VAP rear view
For fail safe operation, the D*AP4 VAP provides two independent power supplies. These power supplies operate in load balance. The status of both PSUs are combined with other status information and displayed as backlight color of the front panel display.
STATUS shows the status of the device controller
INIT / pressing the INIT button briefly will warm start the device controller. RESET Holding down the button until the STATUS LED flashes 5 times will initialize the
D*AP4 VAP to factory default
LAN RJ45 socket for Ethernet connection to a LAN
USB USB 2.0 type B socket to connect the built in USB >> serial converter with an
external PC
ISO-PWR lights up if the isolated 5V power supply for GPI /O application is turned on
GPI/O 25pin Sub-D female connector to interface with the 8 optical isolated general
purpose inputs and 8 solid state relay closure outputs
Interface 1 slot to mount one of the optional interface boards (SDI, AES, analog)
SYNC IN 75Ohm BNC connector to connect with external sync sources
WCLK-OUT 75Ohm BNC connector to synchronize external devices to the D*AP4 VAP
internal word clock
AES / EBU IN AES3 input
AES / EBU OUT AES3 output
Interface 2 slot to mount the optional dual high end microphone pre amp module or the optional dual AES42 module for digital microphones
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D*AP4 VAP
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Block Diagram
The above schematic shows the principal blocks of the D*AP4 VAP.
The core of the unit is the audio processor with 4 inputs, 4 outputs and a 2ch monitor output.
An AES I/O on the motherboard is provided for digital line operation. The respective connectors have relay bypass for power fail operation. The bypass ciruit may be disabled by an internal jumper.
An interface slot is provided to carry optional 3G / HD / SD-SDI, AES I/O / MADI / DANTE or even analog expansion modules. It allows for extremely flexible interfacing of the D*AP4 VAP, especially for video based voice over applications. The above schematic shows a MADI interface installed.
On the rear righthand side is the location for an optional high end dual microphone pre amp with phantom power or an alternative optional dual AES42 input module.
The sync. circuit can deal with all formats to integrate the D*AP4 VAP into digital facilities with a sample rate from 44.1 to 96kHz. Other devices may be synchronized by the word clock output of the D*AP4 VAP.
The D*AP4 VAP has 8 balanced GPIs and 8 relay closure GPO contacts. This enables the user to simply recall presets or call events, change device configurations and report general status information.
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Audio Processing Blocks
Above you see the various function blocks of the audio processor rendered by the DSP engine. Each function block has its representation in the GUI by individual tab sheets. You may simply click on the respective graphical area as an alternative way to navigate through the GUI.
It is important to understand that the physical input interfaces of the device must be routed to the DSP inputs in order to process it. Similarly the DSP outputs must be routed to output interfaces. You will find those settings by clicking on the ROUTING tab.
Control Concept
The communication between external applications or the X*AP RM
1
remote panel, is based on
TCP/IP over Ethernet.
The setup GUI utilizes web technology. At the time of editing this manual the functionality of the web GUI is optimized for Firefox 20.x and higher.
The setup GUI can be complemented by other application programs running on MS Windows® W7/8.1/10 like the Junger Audio Application Manager J*AM. Operator access will also be available for mobile devices running an appropriate browser on iOS or Android.
An SNMP agent is also available on the device and may be incorporated into a monitoring system.
For 3rd party applications, Junger Audio highly recommends using the Ember+ protocol which is widely distributed in the European broadcast industry. The user community is also increasing rapidly world wide. By default, the X*AP RM
1
remote panel and the D*AP4 VAP "talk" Ember natively.
Operating Concept
Further below you will see that the setup GUI for the device is grouped into several parameter areas. One can reach the parameters via a 3 tier navigation by tabs which may have sub tabs, and the sub tabs may have pages embedded or extra soft buttons for groups of parameters.
Each function block (parameter area) has dedicated presets. The presets can be recalled at any time during operation, either by manual intervention via the web technology based GUI, automatically by the internal event manager or by external applications.
For all relevant settings an ON AIR and a PRESET part exists. I.e. you may either edit the parameters ON AIR or offline for the respective part of the D*AP4 VAP.
The presets of the D*AP4 VAP are persistent by nature. You are working directly on the preset memory. I.e. you need not worry about storing such presets, the D*AP4 VAP does it for you.
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D*AP4 VAP
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Event Concept
The D*AP4 VAP incorporates a sophisticated event management system. Events may be combined to perform actions. The D*AP4 VAP offers these event types:
* Preset Events for System set up, Interfaces, Routing, Audio Processing etc. * Parameter Events to control specific parameters of the VAP * Measurement Events to control the loudness measurement * I/O Events for GPOs * Bypass Events for pre-configured bypass scenarios
These events may be combined with Actions which are fired by Triggers.
Triggers are defined by a logical combination (AND, OR, XOR) of two random trigger sources. A trigger source may be GPIs, hotkeys of the X*AP RM
1
remote panel, network commands, parameters,
other active events, other active triggers (nested trigger), or device status information (e.g. sync lost).
Getting Started – quick start guide
Before the D*AP4 VAP can be used, there are some basic configuration steps which must be followed in the order set out below. This example assumes you will process one physical condenser microphone and feed the signal to your digital mixing desk that runs at 96kHz sampling rate.
* Connect the mic to the XLR CHA input of Interface 2 * Connect the XLR AES/EBU OUT connector to your digital desk * Connect the BNC SYNC IN to the Word Clock output of your desk * Hook up the device to your PC network Consult your IT administrator for assistance if you are not sure about this procedure
- Connect it to a switch or hub or directly to a PC / LapTop by an Ethernet cable (some PCs need a cross over cable when connected 1:1)
- Find an unused IP address - ask your administrator!
- Assign it that IP address and set the network mask accordingly, a gateway is optional (see next page for details)
* Open a browser (Latest stable FireFox recommended) and connect with the device
- Type in the IP address as an URL
* Set the sync source
- SYSTEM > Setup > Sync Source Priority > Choice 1=Sync-In WCLK leave all other Choices x=OFF (for the beginning)
- SYSTEM > Setup > System Clock > Sample Rate (kHz) = Follow Source
* Define the program configuration
- SYSTEM > Setup > Voice Channel Mode=2 x Mono
* Setup the microphone input
- INTERFACES > Analog Mic > M1 > Input=Mic, Enable Preamp Gain=On (check box), Preamp Gain=40dB, Pad=OFF, Phantom Power=On (check box)
* Set the routing to the Audio Processor (DSP)
- ROUTING > MIC > MIC 1=DSP 1
* Set the routing from the Audio Processor (DSP)
- ROUTING > DSP > DSP 1=AES 1
Now you should have the mic signal on your desk and you may start experimenting with the various parameters of the audio processing blocks.
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Getting Started – IP setup in general
The process of installing a D*AP4 VAP into an IP network is as follows:
1. Ask the system administrator for two unique IP addresses of the local area network, for the netmask used and if a gateway address is necessary.
2. Assign the D*AP4 VAP an IP address
You have 2 choices to assign the D*AP4 VAP an IP address: * From the serial console interface * Via Web browser
3. Assign the X*AP RM1 remote panel a unique IP address configuration
4. Attach the D*AP4 unit to the X*AP RM
1
remote panel
Important Note! If you are not familiar with setting up devices for IP communication, we highly recommend you consult your system service or IT department to assist you.
Getting Started – IP setup
–
via console interface
The tool to change the IP configuration of the D*AP4 unit can be reached via the console interface. You must connect it with the PC via an USB A to B cable. This will install the driver for the built in USB to serial converter. Now you can open a terminal program. Here you must select the virtual COM port assigned by the OS. The communication parameters are:
115200kBaud, 8, N, 1 no hand shake. Pressing <ENTER> will open the console menu:
Go for item 2:
"Your choice: 2" <ENTER>
"Current network configuration
IP Address: 10.110.88.1 Netmask ...: 255.255.0.0 Gateway ...: 10.110.0.1
You must enter the IP address and the netmask. Here is an an example:
Enter new IP address, press ENTER to cancel: "192.168.176.78" <Enter> Enter new netmask, press ENTER to cancel: "255.255.255.0"
<Enter>
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D*AP4 VAP
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Important Note! The gateway entry is optional but you must ensure that the gateway address matches the network mask related to the device IP address! If you are not sure simply leave it at 0.0.0.0.
Enter new gateway, press ENTER to configure without gateway: <Enter> Changing Network configuration The network configuration has been changed. Please reboot the device to activate the new settings.
Select item 8:
Do you want to reboot the device ? <ENTER>
Press small "y":
Do you want to reboot the device ? y <ENTER>
Rebooting the device ……..
After reboot has finished, the new IP configuration is active and will be displayed at the top of the configuration menu.
Getting Started – IP setup
–
via web browser
* Read the default IP address printed on the label at the rear of the device. * Set up network parameters of your PC to fit the default IP address of the D*AP4 unit
(e.g. default IP +1 and net mask = 255.255.0.0).
* Connect the D*AP4 VAP with the PC either by a Ethernet patch or a cross over cable
(if the PC does not support Auto MDI-X) or via a switch.
* Open a browser and type the IP address of the D*AP4 unit into the URL field and press <ENTER>.
This will open the AUDIO PROCESSOR tab sheet of the GUI.
* Click on <SYSTEM> and afterwards the "Admin" tab:
Enter the desired network configuration and press <apply>
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Afterwards you must reboot the D*AP4 unit in order to activate the new IP configuration.
Important Note! After reboot neither the web browser nor the X*AP RM
1
remote panel may be able to communicate with the D*AP4 device. You must fill in the new IP address in the URL field and change the X*AP RM
1
remote panel settings to attach this device with its new IP address.
Operating - menu structure of the X*AP RM
1
remote panel – power up display
Power up display – may show up to four D*APx which are enabled for remote control via this X*AP RM
1
remote panel. The example below has just one D*AP4 VAP unit [given name "Voiceproc 3"] attached for remote control. The status is "connect" (i.e. you may connect with that device). See X*AP RM1 manual for details.
Pressing that button will connect with the D*AP4 VAP. Now the X*AP RM
1
remote panel will gather all necessary information from that D*AP4 VAP unit (this may take a few seconds). When finished the main operating display opens up. The appearance of that display depends on the setting found in: SYSTEM > Remote Access > X*AP Remote > X*AP Remote Feature Set. If it is set to "Load Profiles [Voice x]" the capabilities are limited to load such profiles, to control the cough cut and to activate the voice over function manually (AUDIO PROCESSOR > Voice Over > Mode = "Manual"):
From here you may fire pre-defined hotkeys and observe the status of both voice channels. "Voice 1" is the default name of the first voice channel. If SYSTEM > Setup > Voice Channel Mode = Stereo, settings will be made in reference to the first voice channel. Because this is the main operating display, the <ESC> button lights
red to indicate that the
power up display is below the main operating display.
Pressing
<ESC> sends you back to the power up display (device selection).
If the X*AP Remote Feature Set "Standard Set" is selected, this main operating display will be shown (example for Voice Channel Mode = Stereo):
Now you may fire the pre-set actions (see EVENTS > Actions > Event Actions) via the hotkeys. You may configure these buttons via: EVENTS > Triggers > Remote Hotkeys and > Trigger Equations.
MENU
ESC
Remote Panel select device to control
Voiceproc 3
10.110.1.55 [Voice1] connect
MENU
ESC
Voiceproc 3
10.110.88.135
Cough Cut
Mic Active
ON AIR
Load Profile _
Voice 1
Voice Over
OFF
MENU
ESC
Voice 1
Voiceproc 3
10.110.88.135
.
Clear Just De-Ess Gentle Radio Normalize Heavy Panic
-
ON AIR
Mic Active
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D*AP4 VAP
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Operating – menu structure of the X*AP RM
1
remote panel – operating displays
When pressing the <MENU> button, the upper operating display opens up:
When pressing the <ESC> button you will return to the main operating display.
Operating display – Analog Mic Interface
Here you can setup both mic preamps.
Operating display – ON AIR profiles
This is the same menu that you will reach if the feature set "Load Profiles" is selected (see previous page). Here you may remote control the cough cut for the respective voice channel and load a pre-defined profile. A profile is a set of audio relevant presets that must be set-up in the: EVENTS > Events > Preset Events section. Pressing the <Load Profile> hotkey will highlight the area above the button (see above – the default display is a dash). You can now select a profile by turning the Rotary Encoder. After the selection you must press the Rotary Encoder or the <Load Profiles> hotkey.
Operating display – Loudness Meter
The meter style (ITU BS.1770-x / ATSC / EBU etc.) is defined by the settings of: AUDIO PROCESOR > Level Magic > Loudness Mode (example is for EBU R12(). The above menu serves as a display of measurement values and offers the metering control buttons (reset & pause / continue).
MENU
ESC
EBU R128 Integrated LRA Time
[LUFS] [LU] hh:mm:ss
Input -19.3 6.4 Output -23.2 5.8 00:12:15
Short-Term TPL Max Momentary [dBTP] Max
-19.7 -6.6 -12.0
-21.3 -5.0 -16.0
reset max
pause
reset
MENU
ESC
Voiceproc 3 10.110.88.135
Gain EnableonGain [dB]10Pad [dB]
OFF
Gain Enable
off
Gain [dB]
10
Pad [dB]
OFF
M1 Preamp M2 Preamp
Phantom
Power
off
Phantom
Power
off
MENU
ESC
Voiceproc 3
10.110.88.135
Analog Mic
Interface
ON AIR Profiles
ITU BS 1770-3
Meter
Audio Processor Monitor Monitor Voice Program 1/2 3/4
MENU
ESC
Voiceproc 3
10.110.88.135
Cough Cut
Mic Active
Voice 1 ON AIR
Load Profile
Radio Voice
Voice Over
OFF
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Operating display – Audio Processor > Voice
This menu gives access to tweak the voice channel(s). The active <Shift> button indicates that there is another page (2/2):
The example below explains how to set parameters via the X*AP. E.g. if you press <Input> all parameters for the Input function block will be accessible (here we assume Stereo mode):
Here you are at the input section of the voice channel. The <Shift> button again toggles between two pages and gains access to the remaining parameters.
Here is the example for page 2/2 after pressing the <Shift> button:
If the voice channels operate in stereo mode: SYSTEM > Setup > Voice Channel Mode = Stereo, you are able to link / unlink the respective processing blocks (see AUDIO PROCESSOR > Input):
The above example shows both voice channels in Linked mode.
MENU
ESC
Audio Processor Voiceproc 3 10.110.88.135 1/2
Input
M/S
Matrix
Phase
Rotator
Equalizer
Voice
Spectral Signature
Dynamics LevelerDe-Esser
MENU
ESC
Audio Processor Voiceproc 3 10.110.88.135 2/2
Voice
Ouput
MENU
ESC
Voice: Input Link On Mute Gain[dB] Polarity 1/2
V2 Linked On off 0.0 Normal
1/2
MENU
ESC
Voice: Input Delay Coarse [ms] Fine [samples] HPF [Hz] LPF [kHz] 2/2
1/2 0 0 OFF OFF
1/2
MENU
ESC
Voice: Input Link On Mute Gain[dB] Polarity 1/2
V2 Unlinked On off 0.0 Normal
1/2
Linked
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D*AP4 VAP
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When you press hotkey #2 you are able to unlink both channels. Now you must simply push the rotary encoder (or turn it counter clockwise / clockwise) to toggle between Linked and Unlinked condition. In case of Unlinked, the display shows two independent parameter sets. By pressing hotkey # 1 you can toggle the voice channel that is under control:
The examples above demonstrates the general way how to setup parameters of the AUDIO PROCESSOR of the D*AP4 VAP: * Select a parameter * Change it by using of the Rotary Encoder.
- Push it to toggle states
- Turn it to increment / decrement values.
Important Note! Not all processing blocks can be linked / unlinked. Carefully compare the settings via the web GUI if you are not certain about individual settings. In general the X*AP RM
1
menus are a duplication of the GUI settings. To access all parameters of a function block you must sometimes use the <Shift> button. E.g. the equalizer has 5 pages for one voice channel!
Operating – menu structure of the X*AP RM
1
remote panel – menu tree
Power up display
<MENU> opens X*AP RM1 remote panel IP setup menu. See X*AP RM1 manual for details.
<Address> setup <Netmask> setup <Gateway> setup <empty> Device 1 setup IP & ON / OFF Device 2 setup IP & ON / OFF Device 3 setup IP & ON / OFF Device 4 setup IP & ON / OFF
<ESC> back to power up display
<connect> will connect with that particular D*AP4 VAP and opens the main operating display:
Hotkey # 1 <Clear> 2 <Just De-Ess> 3 <Gentle> 4 <Radio> 5 <Normalize> 6 <Heavy> 7 <empty> 8 <Panic>
<ESC> will jump back to power up display
<MENU> opens the upper operating displays:
Hotkey # 1 <Analog Mic Interface> 2 <ON AIR Profiles> 3 <not active> 4 <Loudness Meters> 5 <Voice> 6 <Program> 7 <Monitor 1/2> 8 <Monitor 3/4>
<ESC> back to main operating display
MENU
ESC
Voice: Input Link On Mute Gain[dB] Polarity 1/2
1 Unlinked On off 0.0 Normal
V2 Unlinked On off
0.0 Normal
2 Unlinked
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Setup GUI – connecting with the D*AP4 unit – AUDIO PROCESSOR > Overview
You must open a browser and enter the IP address of the D*AP4 unit into the URL field and press <Enter>. The browser will fetch the necessary information and will open the entrance page:
The entrance page is the AUDIO PROCESSOR pane with its sub pane Overview. If you are returning from other pages or if you reload your browser content (by pressing <F5>) it may show a different page due to caching of the browser.
In the top section you see several bar graph displays for signal levels as well as for gain reduction display of several function blocks.
On the following pages we will go through the various panes to perform the basic setup of the device.
You must set up the synchronization source. You may also give the device a name, tell it its location and define an administrative contact which may be used by the monitoring system of your house (e.g. via SNMP).
You must set up the installed interface module and finally set the signal routing. You will find those settings under the SYSTEM link.
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Setup GUI – SYSTEM – System Status
The system status is a special link you can reach independently from where you are:
The System Status page provides a top level view of the various status information available for the device.
Device Status Provides the hardware status of the D*AP4 VAP.
Power 1 Status of the first power supply (left hand side of rear).
Power 2 Status of second power supply (to the right of the first power supply)
Temperature Measured on the surface of the main PCB.
Sync Lock Turns red if the external sync source is lost or unstable.
Processing Status
Bypass Turns red if Bypass is activated.
Interface Status
AES I/O Turns red if an AES input that is internally in use (i.e. you have routed it to
an input of a function block) has detected an error (e.g. no carrier).
Interface 2 Analog Mic Turns red if a problem with the optional mic interface board has been
detected.
System Messages [current / history]
Displays a list of messages produced by the system controller.
System Log The system controller messages will be logged. This log information may
be downloaded from the device and sent to Junger Audio. In case of a problem you can press: <save diagnostics file> from here or from:
SYSTEM > Admin > Diagnostics.
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Setup GUI – SYSTEM – Overview
The graphical overview shows the main building blocks of the device including the options installed, in this example the microphone interface is placed into the INTERFACE 2 (see rear view) and a MADI I/O module is placed into INTERFACE 1 slot.
You may click on the boxes and the respective setup page will open. The navigation is based on URLs so you may use the <Back> navigation button of the browser to return to this page.
Setup GUI – SYSTEM – Admin
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This Device Input fields for information utilized by higher level services.
Serial Number The electronic serial number. It is printed on a label at the rear of the
device.
Name Give the device a meaningful name that may be used by name services
and SNMP management.
Location The place where the D*AP4 VAP is located.
Admin / Contact e-mail address of a person in charge.
Graphical User Interface Defines the appearance of the parameter panes regarding preset editor
and on air parameter visibility (see below – for preset concept).
Startup Page View Defines the appearance of the parameter panes regarding preset editor
and on-air parameter visibility (see below – for preset concept).
Device Time Allows you to set the device clock. At the factory it is set to
UTC (Coordinated Universal Time).
Date If you click into the Date input field, you'll get a calendar tool:
Time If you click into the Time input field,
you will be able to set the device time:
Authentication To prevent non-authorized people from
changing D*AP4 VAP settings the administrator may assign passwords for either the admin and/or an operator
(same applies for talent/artist). While the admin is allowed to set everything,
an operator is just allowed to load presets. Parameters will be reset if the operator attempted to change it.
Enable [enable / disable] The administrator may turn authentication off.
Change Password for [ON / OFF] Select which password you will set / change.
Password Type in a password Default passwords are: admin (for admin) and operator (for operator).
Repeat repeat that password
Important Note! The authentication may be enabled / disabled form the console interface as well
(see page 8 "1: Manage Password") via USB connection but also via Telnet! If you have higher security demands you should turn the Telnet server off. Authentication will be turned off and passwords will be reset if one initializes the device to factory default (see Reboot - page 19, INIT/RESET rear button - page 4).
If there was an authentication failure, the admin will be notified at the next proper login about such conditions. The pop up appears for each login that has failed. It shows the IP address of the device that caused the Authentication failure.
After a correct login the status "who" (e.g. admin) and a <Log Out> button are available from the GUI:
Network IP address setup, see above: getting started – IP setup of the D*AP4 VAP
–
via web browser
IP Address The address of your choice – default [10.110.xxx.yyy]
Netmask The net mask of your network – default [255.255.0.0]
Gateway The optional gateway address – default [0.0.0.0]
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Transmit Metering Data [OFF / ON] Metering data will be streamed via UDP protocol. In order to receive such
data by external applications you must enable it.
Service Options
Maintenance Interface [OFF / ON]] via RPC For administrative use to enable communication with factory tools.
Telnet Server [ON / OFF]
Enables a telnet server to connect the consol interface via IP (port 21).
Diagnostics
<get diagnostics file> Pressing this soft button will start the assembly of a diagnostics file.
The file will be presented in XML format for download. If you experience unexpected behavior of the device you may be asked by the Junger support team to send such file by e-mail for analysis.
Setup GUI – SYSTEM – Setup
Voice Channel Mode [2 x Mono / Stereo] Set according to the type of voice signal. This will automatically
configure all relevant audio processing blocks.
Important Note! If set to "Stereo" all relevant settings will provide an unlink function in case you need to setup both channels differently for any reason. I.e. the layout of several panes and the X*AP RM
1
will differ
depending on this setting. If put into "Stereo" mode the label for Voice 1 (see below) will be used.
Section / Channel Labels Each of the individual voice channels as well as the program path
Voice 1 has a name that will be used as a reference for the display of
Voice 2 parameters and their setup. You may use names of your choice.
Program Default names are Voice 1 / Voice 2 and Program.
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Current Sync Source Status shows the status of the 5 tier sync priority circuit
Source active sync source
Sample Rate measured sample rate
Show Detailed Status [ON / OFF] If you enable the checkbox you will get this additional information:
Sync Source Information
System Clock
Sample Rate (kHz) [Follow Source / 44.1 / 48 / 88.2 / 96]
Fallback Sample Rate (kHz) [44.1 / 48 / 88.2 / 96]
Sync Source Priority
Choice 1 – 4 [OFF / Internal / Sync-In WCLK / Sync-In AES
{or Input AES 1/2 XLR or Input AES 1/2 BNC} / Interface 1 {SDI I/O or AES I/O or non} / Sync-In Black Burst/Tri-Level]
Fallback on Sync Error: Internal If the selected sync source is not available the next source will be
selected. If none of the pre selected sync source is not available, the source will fall back to the internal clock oscillator.
AES Select [OFF / Sync-In AES / Input AES 1/2 XLR]
Accept SDI Generator [ON / OFF] For rare application you may use the SDI generator (if an SDI I/O
interface is installed) as the sync source. In this case downstream equipment must be synchronized to the D*AP4 VAP.
See INTERFACES > SDI I/O interface > Setup for details.
Important note! It is not possible to gen-lock the SDI generator. The generator will run on its own internal 27MHz crystal clock.
Setup GUI – SYSTEM – Remote Access – X*AP Remote
The VAP is designed for multi user applications where users will frequently alternate. Since the VAP has two fully loaded processing channels one may use it for two independent mics from different sound booths. On the other hand the X*AP can control multiple VAPs one by one and a single VAP may be controlled from multiple X*APs. This requires a flexible remote concept that allows you to recall pre­set configurations from the X*AP panel or from the mobile UI. You can control pre-settings of the EVENTS system via remote access from the X*AP remote panel or from a mobile UI on a tablet, a smart phone or even via a browser session from any PC in the network.
To better understand the possibilities of these settings it is recommended to study the comprehensive EVENTS system of the D*AP4 VAP.
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At the moment of connecting a particular X*AP with a VAP the VAP configuration will be transferred to that X*AP. I.e. configuration must take place at the VAP. Which feature set a particular X*AP is allowed to control you must decide here:
Multiple X*AP remote panels may gain access to the VAP. For each X*AP you may pre-set Feature Sets:
Profiles will be set up in the EVENTS > Events > Preset Events (Profiles) area. They combine a number of presets of several processing blocks.
IP Address In the first line you define the access
policy for an "unknown" X*AP that connects with this VAP for the first time. The other lines are used to pre-define features for known X*APs. When enabling an unknown X*AP to connect with this VAP, the respective IP address will be inserted automatically into the next empty line.
When you restore the factory defaults after an update to the latest VAP firmware via SYSTEM > Reboot > Restore Factory Default Settings, you will find a number of factory configured preset events also called profiles:
These profiles are based on factory default presets of various function blocks.
The VAP offers a variety of such pre-configured presets in all relevant function blocks to ease the use of the VAP in most day-to-day applications.
Here are a few examples of factory default presets of the AUDIO PROCESSOR:
> Input: > De-Esser: > Filter > Equalizer: > Level Magic:
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Setup GUI – SYSTEM – Remote Access – Mobile UI
For operator UIs on tablets, smart phones or PCs you can assign the features via its IP address:
IP Address When connecting from a mobile device that is not pre-set, the
respective IP address will be automatically inserted.
Voice Channel [Voice1 / Voice 2 / Voice1, Voice2]
Profiles [ON / OFF] Turn it on if the respective UI should show profiles to load.
Hotkeys [ON / OFF]
Turn it on if the UI should display the hotkeys of the X*AP that is
connected with this VAP.
Actions [ON / OFF] Turn it on if the UI should show actions to trigger from the UI.
Cough Cut [Enable / Display Only / Hide] the <Cough Cut> button of the UI.
Voice Over [Enable / Display Only / Hide] the <Voice Over> button on the UI. It will appear in the UI if manual voice over is selected
(see AUDIO PROCESSOR > Voice Over > Mode = Manual).
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Setup GUI – SYSTEM - the preset concept in detail
The example above shows the preset concept of the D*AP4 VAP. It is a general feature of the device and you will come across it in almost every area. For all relevant settings one set of ON AIR parameters and a practically unlimited number of PRESETS are available. The count depends on the NV memory space left. If you want to load parameters from a preset to the ON AIR area or save parameters from the ON AIR area to a preset, you must press:
<load> or <save>:
A dialog opens to select the desired preset. When you press <ok> the selected action will be executed. When you press the little pencil icon the preset name turns italic and you may edit it.
To generate a new preset offline, you must click into the preset name field below the PRESET headline:
The pull-down offers "Add Preset". If you select this a new entry to the list will be generated. Clicking on the small trash bin symbol will delete that preset. You may change the default name "Preset x" by clicking the small pencil icon. Now the default name becomes italic and you may edit that name.
If you have selected the new preset or one of the existing presets indicated by the name displayed at the top, you may edit the parameter values.
Important Note! The presets of the D*AP4 VAP are persistent by nature. You are working directly on the preset memory, i.e. you need not worry about storing such presets. The D*AP4 VAP does it for you. On the other hand you must be aware that you are overwriting the actual preset settings! If you want to keep original values (e.g. from a factory preset) you must simply copy the content of the existing one to the clip board, add a new preset, name it differently and paste the clip board to it.
At the bottom of the PRESET part you will find the soft buttons to <copy> the content of that preset to the clip board or to <paste> the content of the clip board into another preset which you have selected before pasting.
You may also <export> or <import> the preset content to / from a file.
Setup GUI – SYSTEM – Preset Cleanup
It is sometimes desirable to delete presets which are used by multiple events without stepping through all processing blocks and deleting the respective presets one by one. This pane offers you a tool to remove presets via a central access point:
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You can sort the table by pressing on one of the column headlines. You can qualify your selection by the "Type" selector and / or the "Preset Block", "Linked to Event", "Last Modified" column headlines. The pull down lists allow to reduce the number of presets displayed:
The soft buttons at the bottom left hand side may also be used to search through the table by sorting it by the first letter or leading number. The arrow buttons at the bottom right hand side can be used to scroll through the table if the selection is too big for one page:
A selection is made by clicking on a line to activate the check box. Once you have made your selection (highlighted lines) you can press the <delete> soft button to execute the process. This will remove the selected presets permanently from the device.
Setup GUI – SYSTEM – SNMP
This pane is meant for basic settings of the SNMP Agent of the device. If you don't use SNMP based system monitoring, you should not enable the SNMP agent.
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Setup GUI – SYSTEM – Backup / Restore
Here you can back up the complete device and restore parts or all of it. If you press <back up> the device controller will collect all necessary data and assemble it to an XML file. Finally you will get a pop up message:
You must select: <Save File>. After pressing <OK>, the system file dialog opens:
Select a folder and alter the default file name if needed.
Similar applies to the restore process. You must select the desired backup file which you want to restore and check the necessary option(s) under "Restore Device Configuration".
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25
Setup GUI – SYSTEM – Firmware Update
The files to update the D*AP4 VAP will be available in ZIP format. You must unpack them to your PC in order to access them for the update procedure.
You will find an image file for the D*AP4 VAP core system in the format (example): "rel_vap_1_0_1-26328.img" as well as update files for components, like the optional interface boards in the format: "rsdi150_v51.sdi" or for the X*AP RM
1
remote panel.
To update the D*AP4 VAP, you must <Browse …> to find the respective firmware file (which you have unzipped before) and press <start update>. After finishing the procedure the device will automatically reboot.
You may also update the firmware of an installed SDI board (Interface 1) or an Analog Mic board (Interface 2). The respective file(s) have been uploaded together with the system firmware so you can select an update file form the Update Firmware pull-down box. In case you provide an extra file you must select the option: "Load External File".
Finally you can see the options of your device which you have bought a license for. When you buy a license you must provide the license info file and you in return will get a new license file which you must apply to the device here.
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Setup GUI – SYSTEM – Reboot
Restore Factory defaults Will clean up the parameter and preset memory and will initialize all
parameters to their factory default values and will reset passwords and turn authentication off.
Overwrite Current IP You may exclude the current IP settings from this process IP Configuration to keep your existing settings.
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Setup GUI – INTERFACES – AES I/O
Status [red / green]
Input Signal Status [OK / Fail] Fail = no carrier, unlock, cranky [too much jitter]
Input Signal Type [Mute / PCM / Non PCM] The Non PCM (e.g. Dolby encoded signal) status will be retrieved
from a logical combination of the validity flag and the channel status.
Important Note! The input signal status is logically combined and represented as part of the System Status. If one of the inputs is not assigned by the ROUTING matrix, its status will not be incorporated into the System Status. If non of the inputs is routed the Interface Status > AES I/O status soft LED becomes grey.
Settings
Enable Relay Bypass [ON / OFF] (All Channels) .
Input Sample Rate For asynchronous sources it is possible to turn a SRC on. Converter If a SRC is turned on and the input status becomes Non-PCM, the
SCR will be turned OFF automatically in order to maintain the
original data structure of the encoded bit stream (e.g. Dolby E).
Important note! The AES relay bypass circuit of the AES I/Os may be deactivated inside the VAP. You must open the cover plate from the VAP unit and locate the jumper shown in the schematic below:
You must remove the jumpers to de-activate the AES I/O relay power fail circuit.
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Output Channel Status [Transparent / Prof. PCM / Prof Non-PCM /
Cons. PCM / Cons. Non-PCM]
The channel status can either be
transparent from the input source of the D*AP4 VAP or may be overwritten.
Input Source Select [XLR] The D*AP4 VAP has an XLR input only.
Setup GUI – INTERFACES – Analog Mic
Setup
Input [Mic / Line]
Enable Preamp Gain [ON / OFF]
Preamp Gain (dB) [10 … 65]
Pad (dB) [OFF / -10]
Phantom Power [ON / OFF]
Phantom power is
available when Input = Mic is selected.
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Setup GUI – INTERFACES – SDI I/O interface – Overview
If the D*AP4 is equipped with an optional SDI interface the following settings will be available. This pane has five sub panes embedded:
The overview pane shows all relevant information of that interface:
SDI Status [Locked / Unlocked]
Video Format [SD / HD /3G / N/A]
Video Standard [actual decoded standard (e.g. 1080i50) / No SDI Lock]
Audio De-Embedder [PCM / Dolby E / Dolby Digital / Dolby Digital Plus / MPEG-4 HE AAC / Status MPEG-4 AAC / N/A]
VANC Metadata The respective soft LED will turn green to indicate the SDID found in the stream De-Embedder Status while the angle brackets indicate the SDID one has selected in the de-embedder
set-up as a pre-selected stream.
Audio Embedder [AUTO – Embedding / AUTO – Replace Audio / OFF / Delete] Status
Group 1 – 4 The embedding process distinguishes between 4 different modes for each
group independently:
Embedding – a new group will be built
Replace – the structure of the group from the input is kept and the audio
content is simply replaced
Delete – the group from the input is deleted OFF – the embedder from that group is turned off
VANC Metadata [Enabled / Disabled & selected SDID#] Embedder Status For details see SMPTE 2020-2 standard.
ARIB STD-B39 Meta information standard. Control Data Status
Status [Available / Not Available]
Audio Mode See ARIB Japanese standard "Structure of Inter-Stationary Control Data
Conveyed by Ancillary Data Packets"
http://www.arib.or.jp/english/html/overview/doc/2-STD-B39v1_2.pdf
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Setup GUI – INTERFACES – SDI I/O interface – Local Routing
The SDI interface comes with a local routing matrix to shuffle audio signals from and to the system (device) (i.e. to and from the central device router) and from and to the physical de-embedders / embedders. Below you see an example routing that sends all signals 1:1 from the physical de-embedders [INTERFACE – SDI IN G2 CH3 … SDI IN G4 CH4] to the physical embedders [SDI OUT G2 CH3 … SDI OUT G4 CH4]. The signals from the physical de-embedders [SDI IN G1 CH1 … SDI IN G1 CH4] are sent to the device router [DEM 1 … DEM4] while the device router outputs [SYSTEM – SDI Embedder EMB 1 … EMB 6] are routed to the first 6 SDI channels [SDI OUT G1 CH1 … SDI OUT G2 CH2]:
You must use the scroll bar to navigate through the matrix. In the upper left corner you can select between the ONAIR and the PRESETS view of the matrix. On the ON AIR page you will also see the device signal labels (see ROUTING section further below for details).
Channel Linking [mono / stereo] You can decide if the routing must be performed in mono or stereo mode
(where adjacent odd/even channels are routed at once).
You may select cross points by hovering with the mouse over the little squares and select / deselect cross points with a left mouse button click. The color of the respective squares changes:
Mouse over Color codes of cross points:
dark blue Possible new cross point.
orange You are about to reconnect a cross point.
grey Cross point is not allowed
(i.e. routing will cause a loop and will not therefore be performed).
red You are about to disable a cross point
An animated signal flow will help you when navigating through the matrix.
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Setup GUI – INTERFACES – SDI I/O interface – Setup
SDI Bypass
SDI Relay Bypass Will deactivate the Bypass
Relay. It provides a shortcut from SDI-IN to SDI-OUT1 and
disconnects the de-embedder from the SDI input. This relay also serves as a fail bypass if the power is off. This feature maintains the SDI signal for downstream equipment.
SDI Embedder Will pass the embedded audio Bypass data from the de-embedder to the
embedder 1:1. This function preserves the original ancillary data structure.
Video Delay
Video Delay [0 … 15] (frames) For compensation of any kind of
audio processing delay within the chain of devices you may use a Video Delay. Position “0” turns off the delay function.
3G SDI Mode
Level B Stream A 3G-SDI signal may have two HD sub streams (e.g. for 3-D TV), Select AKN as 3G-B standard select between stream 1 or 2 for embedded
audio. See SMPTE 425M for details.
Test Pattern Generator The interface offers a test generator to either check downstream
connections during installation or for use in case of an input fail but you may also use it to move 16 independent audio channels over a single coax cable from point to point.
Mode [OFF / AUTO (Input Loss) / Always ON]
Video Format [Last valid / one of the defined SD / HD 3G formats (see specs)] [Color Bars / Black Frame]
Setup GUI – INTERFACES – SDI I/O interface – De-Embedder
Audio Sync Source The HD SDI standard allows (Async HD) for asynchronous audio. This is
critical if you have decided to synchronize the device on such signal. Here you find a solution. You may either use the embedded word clock or the SDI carrier itself as a reference.
Embedded Word [Auto / De-Embedder CH1 Clock (DEM 1) / OFF] OFF = synchronized to the
SDI carrier.
Auto = In case of asynchronous audio it is synchronized automatically
to the SDI carrier.
DEM1= From de-embedder group 1 channel 1.
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Setup GUI – INTERFACES – SDI I/O interface – Embedder
Audio Embedder Here you set the general
functions of the embedder
Delete Existing Data [ALL – New HANC Structure
/ OFF]
Group 1 – 4 Mode [OFF / AUTO – Embedding
/ AUTO – Replace Audio
/ Delete] See SDI I/O Interface > Overview for details.
AES Channel [Transparent / Professional] Status If Professional these values are
used:
Format: Professional
Audio Mode: [Audio / Non
Audio] Emphasis: None Freq. Mode: Locked Sample Freq.: 48kHz Channel Mode: Not Indicated User Bits: None Auxiliary Bits: 24Bit Audio Word Length: Not indicated
Important note! If you generate a new AES channel status the Audio Mode will be automatically set to Non Audio (AKA "other") for both channels, if an adjacent pair (1/2, 3/4 …..) carries a Dolby E stream for example.
VANC Metadata The embedder can insert one Embedder Dolby metadata stream into the
Vertical Ancillary Data
Enable [ON / OFF]
Delete Existing [AII / OFF] Metadata
Stream Select [SDID 1 … SDID 9] (SDID)
Video Line [Auto / 9 … 44]
The line number depends on the actual video standard how many VANC lines are available for data insertion.
Embedder Audio Each embedder signal may be delayed independently. This may be useful Delay for Lips Sync alignment if a video delay is used.
Important Note! You must take care that for Dolby encoded signals the adjacent pairs must be set to the
same delay values not to destroy the data structure.
SDI OUT G1 CH1 (ms) [0.0000 … 340.000]
to
SDI OUT G4 CH16 (ms) [0.0000 … 340.000]
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Setup GUI – INTERFACES – MADI Interface – Status / Setup
The implementation of MADI for the V*AP is based on the option module O_DAP_MB (BNC) or O_DAP_MO_MM (MADI optical multi mode fiber) or O_DAP_MO_SM (MADI optical single mode fiber). Since the V*AP is a four channel processing device not all 64 MADI channels are available for device I/O. The first eight channels are available via the MADI local router to the device router. They appear at the device router pane as MDIN 1 .. 8 and MDOUT 1 … 8. These channels can be routed to and from any of the local routing sources MADIRX 1 … 64 and MADITX 1 … 64 respectively.
MADI Receiver
Status [Locked / Locked-Async / Error] The timing of the audio decoding is locked to the MADI clock. If the
internal timing of the VAP is different "Locked-Async" is displayed.
Receiver Sample Rate [44.1 / 32 / 48 / 88.2 / 96Hz / Unknown] The measured sample rate from the received MADI stream.
Receiver Channel Count [32 / 56 / 64] Depends on the upstream MADI transmitter settings.
Input Channel Status (MDIN) [Transparent / Professional] One may overwrite the input channel status by a set of professional
ones.
Channel Mapping @ 96 kHz [Normal]
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MADI Transmitter
Transmitter Channel Count [64 (32) / 56 (28)] Depends on the internal sample rate and the desired number of
MADI channels. The numbers in brackets are valid for 96kHz.
Transmitter Channel Status [Transparent / Professional]
Channel Mapping @ 96 kHz [Normal]
The connection for fiber cable is made by a LC connector. Looking at the rear panel the transmitter is the left one and the receiver the right one.
Setup GUI – INTERFACES – MADI Interface – Local Routing
Below are some excerpts from the local routing pane. Single channels from or to the VAP may be connected with the MADI transmitter or MADI receiver respectively. The example below shows the first 8 MADI channels from the receiver (MADI RX 1 … MADI RX 8) connected with the device inputs SYSTEM MADI INPUT (MDIN 1 … MDIN 8):
The Local Routing pane can also be used to route MADI signals from the receiver directly to the transmitter and vice versa:
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35
You can also assign device outputs (MAOUT 1 … MDOUT 8) to MADI transmitter channels (MADITX 1 … MADITX 8). For better visibility the matrix has been divided by cutting off the middle part:
----------------------------------------------------------------------------------------------------------------------
You must use the scroll bars to navigate through the huge matrix.
Setup GUI – INTERFACES – Dante I/O Interface – Status
The DANTE interface connects a D*AP4 VAP to an audio over IP (AoIP) network. Junger Audio has committed itself to the quasi industry standard DANTE developed by the company Audinate.
"Based on industry standards, Audinate created Dante, an uncompressed, multi-channel digital media networking technology, with near-zero latency and synchronization … One cable does it all. Dante does away with heavy, expensive analog or multicore cabling, replacing it with low-cost, easily-available CAT5e, CAT6, or fiber optic cable for a simple, lightweight, and economical solution. Dante integrates media and control for your entire system over a single, standard IP network."
The network infrastructure for AoIP must be able to handle the IP multicast. The recommendation is to separate the control network from the audio network.
For details pls. refer to the Audinate web-site:
https://www.audinate.com. Here you will find many useful
application videos and FAQs.
To configure such an audio network you need the DanteController software. You can download it from the Audinate web site. If you want to interface a PC or MAC to such an audio network you can use the VirtualSoundcard software from Audinate. It provides standard audio drivers to connect with common sound tools.
We highly recommend reading the Audinate documents to understand how to set-up and operate a real-time AoIP network.
Looking at the rear panel the RJ45 connector on the left is the primary port while the second connector acts either as a redundant or as a switch port. Both RJ45s have built in LEDs. The left one shows network activities (flashing green) while the right one indicates the interface speed, with green=1Gbit/s and off=100MBit/s.
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Below is the Status page of the DANTE interface board:
The parameters you see here must be set via the DanteController software.
Dante
Device Name The name you gave the interface board via the DanteController.
Primary Network Status [Offline / Connected + bandwidth]
Secondary Network Status [Offline / Connected + bandwidth]
Clock Synchronization
Mute Status [OK (Unmuted) / Muted]
Sync Source [Dante Network / DA*P is Master] Here you define the reference clock for this DANTE module.
Important Note! If this parameter is set to "Dante Network", the D*AP must be synchronized to the same
clock as the network clock master (whoever it is). It must be set to "Dante Network" if this module is to become the "Preferred Master" of the network.
Sync Status [Unlocked / Locked / Locked-Async] The sync source for the DANTE interface is the DANTE network.
If no network cable is connected the interface is "Unlocked". If it is
connected to a network it will be "Locked". If the D*AP VAP is set to synchronize to other than the DANTE interface it will show "Locked-Async".
Preferred Master [No / Yes] The Dante algorithm automatically looks for the best clock master
inside the network but one may force a DANTE module to become the clock master.
Network Audio Sample Rate [44.1kHz / 48kHz / 88.2kHz / 96kHz] Depending on the A*P device type the sample rate is limited to the
device specification.
Device Latency Setting [1000 µs] You can allow for a certain transmission latency if you face network
problems of any kind.
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Setup GUI – INTERFACES – Dante I/O Interface – Inputs
The DanteController software gives you an overview of all members of such a DANTE network. You can assign channel labels for the inputs (from the network to the device interface). Those labels will automatically appear in the D*AP VAP and will be displayed there.
Here is a glimpse on the GUI of the DanteController:
As an example you see here a "DAP4-VAP" (name given by the Dante Controller) that has assigned the labels V-Proc 3/1 … 3/8 for both the inputs and the outputs.
Beside a few more devices on that network, we see the unfolded outputs of a DanteVirtualSoundcard (VSC) named "VSC-MARTIN" on the upper right hand side.
The top horizontal area shows the transmitters while the receivers are shown vertically on the left hand side.
The outputs PCM 0 and PCM 1 from the VCS are assigned to the VAP inputs V-Proc 3/1 and 3/2 while two outputs from the "DAP4-VAP" are assigned to the VSC inputs "01" and "02".
We see the labels assigned by the DanteController software in the "Channel" column:
Inputs Eight inputs are pre-defined for the DANTE interface installed in a
D*AP4 VAP. They are organized in pairs and the input status is
shown by soft LEDs (green = PCM audio / yellow = non audio/ grey no audio).
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Channel The labels assigned to that channel by the DanteController
Connected The source of the audio signal.
Status [No Subscription / Subcription Unresolved / Wait / Naming Problem /
Loopback / Idle / Subscription in Progress / Connected (Unicast) / Connected (Multicast) / Manual Config / Format Problem / QoS Problem / Latency Problem / Clock Domain Problem / Link Down / Fail / Unknown]
The DANTE module provides very detailed status information. In
regular operation one will not see much of it.
Setup GUI – INTERFACES – Dante I/O Interface – Outputs
Outputs The signals from the DANTE
board to the network. They will also appear in the device
ROUTING section.
Channel Numeric count of the channels.
Channel Up to eight labels can be Label configured for each stream from
the interface to the network. This allows configuring multi layer routing.
Setup GUI – INTERFACES – Dante I/O Interface – Network
Dante Redundancy The DANTE interface allows redundant network operation.
Pls. refer to manufacturer's documentations of your Ethernet equipment on supported switching configuration and redundant operation.
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Mode [Switched / Redundant]
Redundant – The interface will duplicate the audio traffic to both
Ethernet ports.
Switched – The second port behaves like a standard switch
port allowing daisy-chaining through the interface. I.e. IP configuration is only available for Redundant mode.
Important Note! When set to switched mode, do
not connect both ports to the same network
(same Ethernet switch) if it does not support STP (Spanning Tree Protocol). This is the case for most of the off-the-shelf (office) switches. Doing so will cause a race condition where IP packets are circling around from the external switch to the second Dante (switch) port and back via the first port. This will tear down your network and may create a bunch of new "friends" in your facility.
Primary Address Setup Setup of the primary network interface
Network Status [Offline / Connected + bandwidth]
DHCP – Automatic IP Config. [OFF / ON]
IP-Address
Netmask
DNS Server
Gateway
MAC Address
Secondary Address Setup Setup of the secondary network interface
Network Status [Offline / Connected + bandwidth]
DHCP – Automatic IP Config. [OFF / ON]
IP-Address
Netmask
DNS Server
Gateway
MAC Address [unknown / address]
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Setup GUI – INTERFACES – 4 Ch ANALOG I/O Interface
An additional analog interface can be installed in the Interface slot. It provides 4 additional analog line inputs and outputs on a 25pin D-Sub connector:
Enable Relay Bypass [ON / OFF] (All Channels) Power fail bypass relay that may be activated from the GUI
Analog Input Calibration [0 … 15.0 … 24.0] (dBu)
(level for digital 0dBFS)
A/D conversion parameter. It defines the analog input level indBu to reach a digital full scale signal.
Analog Output Calibration [0 … 15.0 … 24] (dBu)
(level for digital 0dBFS)
D/A conversion parameter. It defines the analog output level indBU for a digital full scale signal.
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Setup GUI – INTERFACES – AES Interface – Status / Setup
An additional AES3 interface can be installed in the Interface slot. It provides 4 additional AES3 inputs and outputs on a 25pin D-Sub connector:
Status
Input Signal Status green [OK] / red [Fail]
Input Signal Type [Mute / PCM / Non PCM]}
Settings
Enable Relay Bypass [ON / OFF] (All Channels) Power fail bypass relay that may be activated by the GUI
Input Sample Rate [ON / OFF] Converter
Output Channel Status [Transparent / Prof PCM / Prof Non-PCM / Cons PCM /
Cons Non-PCM]
Controls the channel status for the AES output. It provides a set of
useful channel status information (e.g. to prevent non audio signals to be fed to speakers).
Important note! The AES relay bypass circuit of the I/Os is activated on the option board. It is possible to deactivate it if necessary. You must open the cover plate of the D*AP4 VAP unit and locate the jumper shown in the schematic below. You must remove the jumpers to de-activate the AES I/O relay power fail circuit.
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Setup GUI – ROUTING
This is the core of the D*AP4 VAP as it defines the audio signal flow inside the device. It appears differently depending on the type of optional interface boards installed.
Example for an analog interface board: example for an AES interface board:
Each functional block of the device has a source label and a destination label. Additional
blue signal
labels give an indication of the type of signal that is expected or issued by the respective function block or I/O interface (e.g.
L/R for AES or 2L/2R for DSP 3/4 and so forth).
Top / horizontal (column headlines) = signal destinations
DSP [DSP 1 … DSP 4] The DSP inputs carrying the signal type labels
V1, V2, 2L, 2R
where
V1/V2 indicate the voice channel input and 2L/2R the program
path input (see AUDIO PROCESSOR > Overview).
AES [AES 1 / AES 2] The AES output of the device.
Left hand / vertical (line headlines) = signal sources
MIC [MIC 1 / MIC 2]
The inputs of the optional mic interface.
AES [AES 1 / AES2]
The AES input.
MON [MON 1 / MON 2] The audio processor (DSP) has an independent monitor output.
It may be connected with the internal processing blocks.
(see AUDIO PROCESSOR > Overview)
DSP [DSP 1 … DSP4] The DSP outputs carrying the signal type labels
V1, V2, 2L, 2R
where V1/V2 indicate the voice channel and 2L/2R the program output.
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The routing example on the left hand side shows both mic inputs connected to the voice channel inputs
V1/V2 of the DSP. The analog input ANL1 / ANL2 is connected to the DSP program input while the DSP
voice channel outputs
V1/V2 are connected to the AES output and the DSP program output 2L/2R and the
DSP monitor output
L/R are connected to the analog outputs ANL 1 … ANL 4.
Important Note! If a different optional interface board is installed the matrix will be expanded by the
pre-defined number of I/Os with their labels:
SDI [O_DAP_SDI_a] DEM 1 … DEM 16 and EMB 1… EMB 16
MADI [O_DAP_MB_a / MDIN 1 … MDIN 8 and MDOUT 1 … MDOUT 8
O_MO_MM_a / _MS_a]
DANTE [O_DAP_DANTE_a] DTIN 1 ... DTIN 8 and DTOUT 1 ... DTOUT 8
4 Ch ANALOG I/O [O_DAP_ADDA_a] ANL 1 … ANL 4 and ANL 1 … ANL 4
AES [O_DAP_AES_a] AES 1 … AES 8 and AES 1 … AES 8
Mouse over Pls. see "Setup GUI – INTERFACES – SDI I/O interface – Local Routing"
for details.
Setup GUI – AUDIO PROCESSOR - Overview
The overview shows the actual signal routing of the audio processor blocks, rendered by the DSPs.
The processing blocks in use, which may be activated from their individual setup panes, will be indicated in green. I.e. blocks shown in grey are not activated by the user.
The order of the blocks depends on the setup of the audio processor (see next page).
To navigate through the various processing blocks you may either click on the graphical block or use the tabs provided in the navigation bars below the bar graph displays.
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Setup GUI – AUDIO PROCESSOR - Setup
Voice Processing Signal Chain Order
The order of the processing blocks can
be re-arranged: De-Esser, Filter, Dynamic Individually to match your preference.
Processing Bypass [ON / OFF] You may turn the bypass ON/OFF from
here by activating the check box. The bypass functionality may be
configured at the EVENTS >Actions
pane where the link will direct you to.
Latency Management In a latency critical environment it might
be desirable to have the lowest possible
latency. So it is useful to actually bypass
a process that is not in use. In normal
operation, switching audio processing
modules on and off does not result in a
change of latency and thus does not
cause audible glitches or clicks.
Audio Processor Latency (ms)
Voice 1
Voice 2
Program
Latency [ON / OFF] Compensation "vertical" compensation to match two
channels
Latency Mode [Minimal, Nominal] "horizontal" compensation for one
channel. Disabled audio processing
blocks are taken out of the processing
chain and are no longer causing a
delay.
However switching blocks on or off can
cause clicks and glitches, even in
unaffected channels, as the latency
compensation is recalculated.
Limiter Look [1ms, 2ms] Ahead Time Set the True Peak Limiters Look Ahead Time to 1ms to reduce audio
latency. Full True Peak limiting is guaranteed with both settings. The audio quality in most cases will not be affected. However, when in doubt leave it at 2ms for assured maximum sonic performance.
Bit Transparency [OFF / ON / AUTO] You may force the DSP to pass through the audio stream untouched
in case there is encoded audio present.
The AUTO mode is triggered by the AES channel status.
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System Latency:
44.100kHz 48.000kHz 88.200kHz 96.000kHz Base Latency AES IN to AES OUT 3,33
3,06
2,12
2,04
Mic IN to AES OUT 4,25
3,9
2,59
2,44 Additional Latencies Spectral Signature 2,9
2,66
2,9
2,66 Dynamics Look Ahead 2
2 2 2
Limiter Look Ahead Long 1
1 1 1
Base latency consists of 1 ms Limiter Look Ahead Time and all system inherent processing and input/output delays. Activating sample rate converters will add additional latency (< 1ms).
Setup GUI – AUDIO PROCESSOR – Input
You may set the input conditions for both signal paths - voice (V1 / V2) and program (2L / 2R) via the page embedded tab sheets. The layout of the embedded "Voice" pane differs depending on the general setup (see SYSTEM > Setup > Voice Channel Mode):
Voice Channel Mode = "2 x Mono" = "Stereo" (unlinked) Program pane:
Link [Unlinked, Linked] This function will only be available if the voice channel is set for
"Stereo" (see SYSTEM > Setup > Voice Channel Mode).
Input [Enable / Disable] Enables or disables the input section
Mute [ON / OFF]
Input Gain (dB) [-80.0 … 0.0 … 20.0]
Polarity (voice input) [Normal / Inverted]
Mono (program input) [L/R Stereo / L+R Mono / L/L Mono / R/R Mono]
Input HPF (Hz) [OFF / 20 / 40 / 80 / 120]
Input LPF (Hz) [OFF / 15 / 20 / 22]
Input Delay Coarse (ms) [0.0 … 2000.0]
Input Delay Fine (samples) [0 … 2000]
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Setup GUI – AUDIO PROCESSOR – M/S
The M/S block allows for transformation of the voice channel signals from L/R to M/S and vice versa (if you have a M/S mic connected).
The M (mid) and S (side) signals may be processed to change the stereo width from 0% (mono) to100% (stereo) to 200% (excess width). If you want to process a L/R stereophonic signal you must first encode it to M/S and back to L/R after width correction.
M/S [ON / OFF] Turns the M/S block ON and OFF
Swap V1 and V2 [ON / OFF]
M/S Encode [ON / OFF]
Stereo Width (%) [0 … 100 … 200]
M/S Decode [ON / OFF]
Setup GUI – AUDIO PROCESSOR – PHASE ROTATOR
When working with human voice, one regularly experiences issues with imbalanced waveforms. Imbalanced in this context means that the positive or negative half of the alternating signal carries more power than the other. The problematic result of this type of imbalance is unnecessarily applied dynamics processing (e.g. signal limiting) or loss of headroom.
The Phase Rotator detects this type of imbalance and automatically applies a complex phase wrapping filter to restore symmetry.
Please keep in mind that this system is not effective against DC offset. In this case a high pass filter should be applied instead.
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Each microphone channel has an independent Phase Rotator.
Here the display for stereo operation but unlinked
Link [Unlinked / Linked] For stereo operation you may
link the setup parameters of both voice channels.
Phase Rotator [ON / OFF]
Mode [OFF / ON / AUTO]
OFF System is inactive
ON System always applies phase
wrapping
AUTO Unbalanced waveforms are
automatically detected and phase wrapping is applied only if necessary.
Setup GUI – AUDIO PROCESSOR – De-Esser
Link [Unlinked, Linked] For stereo operation you may link the
setup parameters for both voice channels.
De-Esser [ON / OFF]
Frequency (Hz) [1000 … 3000 … 16000]
Range (dB) [-20.0 … 0.0]
Filter Type [Peak / High Shelf]
Q [0.4 … 1.0 … 8.0]
Important Note! For the following explanations we assume that the D*AP4 VAP is set up for
2 x Mono operation mode (see SYSTEM > Setup > Voice Channel Mode). I.e. there are always two voice channels displayed and no link option.
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Setup GUI – AUDIO PROCESSOR – Filter – Spectral Signature
Spectral Signature is a highly sophisticated dynamic multiband filter to boost (or reduce) spectral parts of the processed audio signal dynamically. It punches through a reference spectrum to the processed audio signal.
Program / Section ["Left" / "Right" / Preset] For stereo operation the name assigned to "Voice 1" will be displayed. Selects the source for which Spectral Signature will be displayed.
This selection depends on the Voice Channel Mode (see SYSTEM > Setup > Voice Channel Mode).
Since this view does not allow the display of a preset page side by side
as usual, one must select "Preset" to get to the preset editor.
Channel Applicable only if SYSTEM > Setup > Voice Channel Mode = Stereo.
You can select which channel must actually be displayed (see also LI
Enable [ON / OFF] Enables / disables Spectral Signature for the selected section.
Please note: For convenient operation, this function is also available (in the Expert section, see below) within the web interface.
Graph (upper) The upper graph is a metering window, illustrating the difference
between the input (dotted line) and the output (solid line) signal. This window can be used in two different ways:
Input / Output Spectrum Absolute Gate Threshold [alternative selection] The spectrum is shown in absolute values (related to digital full scale).
This is very helpful to get an impression of the frequency response of the signal. Also, in this mode the absolute gate threshold can be set within the graph by grabbing and dragging the lower transparent sphere.
The gate LED row at the bottom indicates whether the absolute or
relative gate of the band is closed (yellow) or open (green). A gray LED indicates that the band is switched out.
Normalized Gain [alternative selection] This is very useful to see the actual amount of amplification or
attenuation within each band. In this setting the Absolute Gate Threshold cannot be set.
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Link Threshold settings [ON / OFF] The absolute gate threshold can be set individually for every single
band. However, in most cases this is not necessary. Checking this box links all gate thresholds. This connection is absolute, differences between bands will be overwritten. Please note: For convenient operation, this function is also available in the Expert section (see below).
Graph (lower)
Signature / Max Gain (dB) [0 … 12] Spectral Signature does not work with an absolute level reference. Its
frequency response is based on level differences between bands only. Thus a signature is only represented on a relative graph showing the level positions related to the neighboring bands. In consequence, having a straight line does not mean Spectral Signature is not doing anything or is in a 'neutral' status. A straight line would cause Spectral Signature to modify the input signal towards the frequency response of white noise which is, in most cases, not desirable. To change a band, just grab and drag the corresponding sphere. It is recommended to use the 'Learn' function first (see below). Every single band can have an individual max gain value that limits the maximum amplification and attenuation. To set this value, grab and drag the smaller sphere on the bottom of the main sphere. The max gain setting is indicated by the size of the main sphere. The lowest and highest values are indicated by a flashing edge.
Link Max Gain Settings [ON / OFF] Instead of dialing in all max gain settings individually per band, this link
function is a handy tool for basic setup. This connection is absolute, differences between bands will be overwritten.
Enable [ON / OFF] Checkboxes on the bottom of the lower graph can be used to bypass
single bands from processing.
Capture Signature Spectral Signature is a dynamic filter tool to even out differences
between signals of different source or condition. It does not have an absolute reference. Only if the incoming signals frequency response equals the reference response (signature), Spectral Signature will operate in a neutral manner. To create a reference spectrum, which is called 'Signature', start your reference signal and hit the 'Learn' button. After a couple of seconds (see below), the Signature is updated. If the input signal does not change, the upper graph shows that the input and output curves are alike. If the incoming signal spectrum changes, Spectral Signature starts to even out the tonal differences, without destroying the original structure.
<learn> [manual / 1s … 30s / 1min] Determines the time over which the input frequency response is
integrated to create the signature. A shorter time is sufficient for single channel signals, where the content remains stable over time (for example a presenter microphone). Longer time settings are appropriate for mixed content or buses (for example a studio output).
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Graph Permanently [ON / OFF] Visible The color code of the column
headers will change depending on the voice channel selected for display (see upper display).
White color represents the
selected voice channel (Voice 1 for example) while the other channel shows dark green.
Spectral Signature [ON / OFF]
Adaption Speed [0 / 2 Mid / 3 / 4 Fast]
This parameter affects the time taken for the bands to reach their target
values. Fast settings even out differences between sources, but can lead to audible transitions. They are well suited for single channel
signals, for example to even out sound differences due to movement in
front of a microphone. Slower settings remain unobtrusive, but cannot bring down differences very quickly. They are suitable for mixed content or buses with varying content. The overall spectrum remains well balanced without drastic sonic changes.
Adaption Grade / [Soft / Mid / Hard] Response In order to achieve a stable and natural behavior, the intensity of the
gain change needs to process according to a response curve. This curve is defined by a ratio. A high ratio means that a difference of 5dB results in a gain change of almost the same amount. A low ratio means that the actual gain applied is lower. A ratio of 2:1 would bring the amplification up to 2.5dB in this example. The max gain value is applied after the ratio calculation. As these ratios are not static, they have been combined into three preset responses. The average ratio increases from 'soft' to 'hard'.
Low Level Behavior
Relative Gate [-10 …. -14 … -20 / OFF] Threshold (dB) To prevent a band from amplifying noise (especially hum), a relative
gate can be set. If the energy within one band is lower than this gate, no amplification will take place. This is especially useful, when mixed content with highly varying frequency response is processed (for example a radio station output with alternating presenter voice and music).
Below Threshold Mode [Release / Hold]
In continuous operation the 'Below Threshold Mode' should remain in
'release'. In this case the dynamic gain slowly returns to its neutral state in case of signal absence. In this mode a returning signal would start a new processing period with its lead in attack time. This can be undesired, especially in production applications where transport operations introduce unnatural gaps. In those cases setting the 'Below Threshold Mode' to 'hold' will pause the dynamic processing at the last value until the signal returns. Returning signals are treated just like continuous signals. This function has some similarities to the 'Freeze Level' but works with a different designation as it is meant to keep processing fluent over signal loss.
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Spectral Signature Hold <Normal> / <Hold>
Hold freezes the dynamic adaption and preserves the current frequency response curve, for as long as the function is activated. This can be useful for example to prevent adaption to an inserted audio signal (intermission, advertising…).
Expert [ON / OFF] All parameters within the Expert section are duplicated in the Signature
and Spectrum graphs. They can be used to enter numerical values directly. Changes are reflected in the graphs and likewise in reverse.
Link Max Gain Settings [ON / OFF]
Link Threshold Settings [ON / OFF]
Band 1 [ON / OFF]
Normalized [-40.0 … 0 … 40.0] Signature level
Max Gain [0.0 … 12.0
Absolute Gate [-84.0 … 0.0] Threshold
Band 2 … 16 similar parameters as Band 1
Setup GUI – AUDIO PROCESSOR – Filter – Equalizer
The graphical EQ offers 5 bands. The characteristic of each band can be setup either left hand side of the graph or alternatively for each band further below.
Program / Section ["Voice 1" / "Voice 2" / Preset] or ["Voice 1" / Preset] Selects the source for which the curve will be displayed.
This selection depends on the Voice Channel Mode (see SYSTEM > Setup) and whether or not the channels are linked for stereo operation.
Channel Applicable only if SYSTEM > Setup > Voice Channel Mode = Stereo
to select which channel must actually be displayed.
Enable [ON / OFF] Same function as <Equalizer>
further below
Band 1 … 5 filter characteristic will be
selected by this pop up:
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Graph The color code of the column Permanently headers will change depending Visible on the selected voice channel. White color represents the actual
selected channel (Voice 2 for example) while the other channel shows light green.
Equalizer [ON / OFF]
Band 1
Filter Type will be selected by the pop up Above.
Frequency (Hz) [20 … 20000]
Gain (dB) [-20.0 … 20.0]
Q [0.4 … 10.0]
Band 2 … 5 same parameter set as
Band 1.
Important Note! For numeric input double click into the parameter field. You must use the period as a decimal separator. For graphical input use the left mouse button and drag it horizontally to change frequency and vertical to change gain while the mouse wheel will change the Q value.
The EQs offer two different peak modes:
Peak 1: The bell curves of the Peak 1 filter features constant quality (Q) over gain.
Q is defined at -3dB below peak. It does not change when altering gain.
Peak2: The bell curves of the Peak 2 filter also features constant quality (Q) over gain.
But Q is defined at 50 % of gain. Subjectively the bell curve becomes sharper when increasing gain, but this is only true for the lower 6-8dB of gain.
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Setup GUI – AUDIO PROCESSOR – Dynamics
Look Ahead Delay [ON / OFF] (2ms)
Expander [ON / OFF]
Mode [Expander / Gate]
Ratio [0.0 … 0.9]
Range (dB) [0.0 … 40.0]
Threshold (dB) [-80.0 … -10.0]
Release Profile [0 / 1 Live / 2 Speech / 3 Pop / 4 Uni / 5 / 6 Classic
/ 7 / 8 / 9]
Side Chain Filters [ON / OFF]
Side Chain HPF (Hz) [1 … 5000]
Side Chain LPF (Hz) [1000 … 20000]
Compressor [ON / OFF]
Compressor Type [Upward / Downward]
Mix Dry Wet (%) [0 … 100]
Side Chain Filters [ON / OFF]
Side Chain HPF (Hz) [1 … 5000]
Side Chain LPF (Hz) [1000 … 20000]
Make-up [Manual / Auto]
Make-up Gain [-40.0 … 40.0]
Upward Compressor
Reference Level [-60.0 … 0.0] (dBFS)
Range (+/- dB) [0.0 … 20.0]
Ratio [1.1 … 8.0]
Processing Profile [0 / 1 Live / 2 Speech / 3
Pop / 4 Uni
5 / 6 Classic / 7 / 8 / 9]
Downward Compressor
Threshold (dBFS) [-60.0 … 0.0]
Ratio [1.1 … 8.0]
Knee (dB) [0 … 20]
Processing Profile [0 / 1 Live / 2 Speech / 3 Pop / 4 Uni / 5 / 6 Classic / 7 / 8 / 9 /
Manual]
Attack (ms) [1 … 100]
Release (ms) [10 … 1000]
Detector Speed [Peak / RMS / Link to Attack]
Soft Limiter [ON / OFF]
Threshold (dBFS) [-60.0 … 0.0]
Knee (dB) [0 … 20]
Processing Profile [0 / 1 Live / 2 Speech / 3 Pop / 4 Uni / 5 / 6 Classic / 7 / 8 / 9]
Transient Mode [ON / OFF]
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The dynamics section includes some technical features that are explained below:
Look Ahead Delay Traditionally, all Junger Audio dynamics feature a look ahead delay
(LAD) of 2 milliseconds. This allows the system to process fast transients without missing even the steepest peaks. As the live audio signal must be delayed for two milliseconds, this lag needs to be considered when measuring overall latency. The LAD can be disabled, if the advantage of the resulting lower latency prevails. Please keep in mind that disabling LAD in one channel causes an offset between both channels. This can be compensated for by the delay compensation parameter in the Audio Processor Setup, but then again the latency advantage disappears.
Side Chain Filters Some of the processing modules (De-Esser, Compressor,
Expander/Gate) feature Side Chain Filters to shape the audio signal that feeds their detection system. It consists of independent high and low pass filters with tunable cutoff frequencies. Those filters are not audible within the actual signal chain. Its purpose is to make the detection more or less sensitive to certain frequency ranges. As an example to understand the benefits, with live speech the amount of pop noise coming from the microphone varies highly. As it is not advisable to generally reduce the amount of bass to preserve the voice character, it is necessary to at least keep the bass thumps from forcing the Compressor into heavy gain reduction. By reducing the bass in the Compressor side chain, one can keep it from overreacting (it does not 'know' of the thump, thus is not reacting to it) while preserving the original frequency response.
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Expander
Mode The Expander can be switched to either working as an Expander or a
Gate. Both modes differ in two parameters:
Mode=Gate Fixed reduction ratio of infinite to one. All signals below threshold are
muted. No range available. Hard knee response at threshold.
Mode=Expander Selectable reduction ratio of 0:1 up to 0.9:1 with a selectable
maximum reduction of down to -40dB. Soft knee response with a transition range of 6dB above and below threshold
Ratio Expansion ratio from 0:1 (heavy
reduction) up to 0.9:1 (slight reduction). A ratio of 0.5:1 means that an input level of 1dB below threshold will result in an output level of 2dB below threshold. In the same way an input level of 4dB below threshold results in an output level of 8dB below threshold and so on.
Range Maximum reduction range. Its value
determines the maximum reduction of the input signal. This parameter is sometimes called 'floor', but differs in terminology. A floor level is defined as an absolute value in dBFS, no matter where the threshold is set. Range defines the relative range of reduction in dB below threshold and is thus independent from absolute values.
Threshold Signals below threshold are processed,
signals above pass unaffected. Please be aware that this is only true in Gate mode, as the Expander mode features soft knee characteristics.
Release profile The release profile controls the timing of the closing of the
Gate/Expander. Release profile 0 is a very fast profile and even short gaps or signal intermissions lead to gain reduction. At the other end of the scale, 9 is a very slow profile with a relaxed handling of gaps and low level periods. All profiles feature the same super fast opening when the signal returns above threshold.
Compressor (general parameters)
Compressor Type The compressor features two different approaches to dynamic
processing. In Upward mode all signals below reference level are amplified according to the ratio and range settings, all signals above reference level are reduced in the same way. This is the 'classic' approach of earlier Junger Audio compressor designs. The Downward mode is the more common way of dynamic range compression. Here all signals above threshold are reduced according to the ratio while all signals below threshold remain untouched.
Mix Dry...Wet In most settings, the full signal is fed to a compressor to achieve a
certain level of gain reduction. Sometimes it is useful to add a portion of the original, uncompressed signal to the output to restore some micro dynamics. This technique is called 'parallel compression'. The ratio of dry (unprocessed) and wet (compressed) signal can be dialed in with this Mix parameter.
output
gate
e
x
p
a
n
d
e
r
input
soft knee
threshold
range
Jünger Audio – Expander/Gate
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Make-Up To set up the desired output level of the compressor, Make-Up Gain
(or attenuation) needs to be applied. This is a simple and static output level adjustment without any dynamic content. In Auto mode the amount of Make-up Gain is automatically determined depending on the threshold and ratio settings. When set to manual, its value can be set in steps of 0.1dB.
Upward Compressor
Reference Not to be confused with threshold, this Level parameter defines the turning point of the
response curve from upward to downward compression (see picture). When set to 0dBFS, the signal is amplified according to the ratio and range settings.
Range This defines the range over which
dynamic compression is applied as defined by the ratio setting. Signals outside this range are still reduced or amplified but not altered in their dynamic structure.
Ratio Determines the amount of gain reduction
by a selectable ratio. Although the same in mathematical terms, understanding is easier when differentiating between upward and downward compression:
Downward An example ratio of 2:1 means that an input level of 4dB above compression ratio threshold will result in an output level of 2dB above threshold. In the
same way an input level of 8dB above threshold results in an output level of 4dB above threshold and so on.
Upward compression ratio A ratio of 2:1 means that an input level of 4dB below reference level
will result in an output level of 2dB below reference level. In the same way an input level of 8dB below reference level results in an output level of 4dB below reference level and so on.
Processing Profile The timing characteristics of the compressor are generated adaptively
according to the incoming signal structure. The overall timing can be set up from fast and responsive settings (lower numbers) to relaxed settings (higher numbers) without detailed access to the actual micro timings. The names behind some of the numbers may help to easily find adequate values to your content. For profile "Manual" one may set "Attack", "Release" and "Detection Speed".
Downward Compressor
Threshold Signals above threshold are processed, signals below pass
unaffected. Please be aware that this is only true when Knee is set to '0'.
Ratio Please see ratio description in Upward Compressor section.
Knee The Knee parameter allows the user to decide whether the transition
from linear to processed happens immediately at threshold (so called hard knee) or if a transition range (soft knee) is applied in which the ratio is steadily raised from 1:1 at the lower knee end up to the defined ratio at the upper range (see picture).
output
input
reference
level
compression ratios
range
range
Jünger Audio – Upward Compressor
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Processing The timing characteristics of the Profile compressor are generated adaptively
according to the incoming signal structure. The overall timing can be set up from fast and responsive settings (lower numbers) to relaxed settings (higher numbers) without detailed access to the actual micro timings. The names behind some of the numbers may help to easily find adequate values to your content. Alternatively the timings of Attack and Release (return to neutral) can be set up manually. In this case they are not adaptive to the input.
Attack Settling time after exceeding threshold.
Defined as the time period to achieve 63% of full reduction according to signal level.
Release Time constant for the process to return to zero after signal fallback
below threshold. The system returns with 8.6dB per time constant.
Detector Speed The internal level detector of the compressor is configurable with three
settings [Peak / RMS / Link To Attack]:
Peak the system detects every single signal peak and reacts accordingly
with fast and appropriate gain reduction.
RMS Instead of 'riding on peaks' the detector analyses the energy of the
signal and reacts with a more moderate and more 'musical' reduction.
Link To Attack The length of analysis is coupled to the setting of Attack. With a slower
attack the RMS analysis is based on a longer portion of the signal. On the other hand a fast Attack setting brings the analysis very close to the Peak behavior.
Soft Limiter When working in a non-loudness based audio environment, it became
common practice to use the output limiter (typically set to -9dBFS) as a creative tool for compression. In a modern, loudness based studio this option got lost. As a substitute, the new Soft Limiter brings back the option of using a dedicated sample peak limiter with soft knee characteristics for the microphone processing chain.
Threshold Signals above threshold are processed, signals below pass
unaffected. Please be aware that this is only true when Knee is set to '0'.
Knee The Knee parameter allows the user to decide whether the transition
from linear to processed happens immediately at threshold (so called hard knee) or if a transition range (soft knee) is applied in which the ratio is steadily raised from 1:1 at the lower knee end up to the defined ratio at the upper range (see picture).
Processing Profile The timing characteristics of the Soft Limiter are generated adaptively
according to the incoming signal structure. The overall timing can be set up from fast and responsive settings (lower numbers) to relaxed settings (higher numbers) without detailed access to the actual micro release timings. The names behind some of the numbers may help to easily find adequate values to your content.
Transient Mode With the transient mode enabled the response curve of the Soft
Limiter is reduced down to infinity to one. This is useful in settings where a wide knee may not have run out fully before full scale is reached.
output
input
soft knee
compressor
threshold
soft limiter
threshold
soft knee
compressor soft limiter
transient mode
Jünger Audio – Downward Compressor and
Soft Limiter
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Setup GUI – AUDIO PROCESSOR – Leveler
The new Leveler is optimized for single channels. Its main purpose is to balance an already processed signal to a certain target level.
Leveler [ON / OFF]
Input Trim (dB) [-80.0 … 0.0 …. 20.0] Simple input level trim to
prevent the Leveler from reducing static offset. Hint: To use the Input Trim without the Leveler, simply reduce its Max Attenuation and Max Gain down to 0.
Max Attenuation [0.0 … 10.0 … 40.0] (dB) Defines the maximum
attenuation or damping of the Leveler process for signals that exceed the target level.
Target (dBFS) [-50.0 … -24.0 … 0.0]
This is the balance point of the Leveler. Signals that exceed the
target are reduced, signals below target are amplified to bring the overall level to this center of gravity.
Max Gain (dB) [0.0 … 10.0 … 40.0] Defines the maximum amplification of the Leveler process for signals
that are below the target level.
Time (s/min) [1s … 30s … 2min] This defines the timing for the
Leveler to reach target. Of course this is not an absolute value as it depends on the input level, signal structure, ratio and necessary amount of gain change.
Ratio [1 … 10 … 40] As opposed to a classic
compressor, the Leveler ratio is normally fixed to infinity to one. With this Leveler you can bring down the ratio to a much lower value to achieve a more relaxed compensation instead of heavy steering towards target. Setting it to 1:1 disables the leveling process.
Freeze Threshold [-60.0 … -50.0 … 0.0] (dBFS)
output
input
target
leveler ratios
max gain
max
attenuation
freeze range
full freeze
Jünger Audio – Leveler
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Detector Weighting [Full Range / Proximity / Loudness] The Leveler features a Side Chain Filter with special characteristics to
adapt the leveling process to three major applications.
Full Range The Side Chain is not filtered and the Leveler is running on full
bandwidth detection.
Proximity The Side Chain uses a low shelf filter to compensate for microphone
proximity effects.
Loudness
In modern broadcast production environments the final product is played out in accordance with current loudness standards. Those standards and recommended practices always refer to the output signal and do not consider the condition of the source channels. This is correct, but never the less, it can be very useful to consider loudness for these single channels. With this loudness filtering you can bring the output to a consistent level, based on modern loudness recommendations. The output will integrate seamlessly into your loudness normalized product. In many situations, no additional loudness correction is necessary. This approach is compatible with all international loudness recommendations.
Technical remark: K-Filtering is used as described in
ITU-R BS 1770-3.
Low Level Behavior
Processing Threshold [-80 … -70 … -20]
Below Threshold Mode [Release / Hold] In continuous operation the 'Below Threshold Mode' should remain in
'Release'. In this case the dynamic gain slowly returns to its neutral state in case of signal absence. In this mode a returning signal would start a new processing period with its lead in attack time. This can be undesired. In those cases setting the 'Below Threshold Mode' to 'hold' will pause the dynamic processing at the last value until the signal returns. Returning signals are treated just like continuous signals. This function has some similarities to the 'Freeze Level' but works with a different designation as it is meant to keep processing fluent over signal loss.
Leveler Hold [Normal / Hold]
Leveler Hold freezes the levelers dynamic gain and preserve its current state, for as long as the hold function is activated. This can be useful for example to prevent loud sounds like sneezing or coughing from causing leveler action.
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Setup GUI – AUDIO PROCESSOR – Voice Over
The voice over section allows for manual (mixing) / automatic (ducking) of a voice channel over the program feed. The dynamic schematic in the top of the pane shows the signal flow. (SYSTEM > Setup > Voice Channel Mode = Stereo).
Voice Over
Mode [OFF / Always ON /
AUTO / Manual]
Manual Activation [ON / OFF]
Attenuation (dB) [-40 … 0]
Timing
Fade In Time (ms) [10 … 20 … 1000]
Hold time (s) [0.0 … 2.0 … 10.0]
Fade Out Time (s) [0.0 … 2.0 … 10.0]
Voice 1 [ON / OFF]
Pan [-50 … 0 … 50]
Gain (dB) [-80.0 … 0.0 … 20.0]
Threshold (dBFS) [-60.0 … -50.0 … 0.0]
Voice 2 [ON / OFF]
Pan [-50 … 0 … 50]
Gain (dB) [-80.0 … 0.0 … 20.0]
Threshold (dBFS) [-60.0 … -50.0 … 0.0]
The Pan values represent the direction of the voice over signal in the program output from left [-50] over mid [0] to right [50].
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Setup GUI – AUDIO PROCESSOR – Level Magic
This function block is used for loudness control of the program path. It can be used to control an independent program signal or a program signal including voice over (see Overview diagram).
Loudness Mode [Level / ITU BS.1770-1 / -2 / -3 EBU R128 / ARIB TR-832 / ATSC A/85 (2011) / ATSC A/85 (2013) / Free TV OP-59 / Portaria 354)
Link [Linked, Unlinked] The program path may be
unlinked for dual mono operation.
Leveler [ON / OFF]
Processing Profile [Live / Speech / Pop / Uni /
Classic]
Loudness Target (LUFS) [-50 … 0]
Time (s/m/h) [10, 20, 40 / 1, 2, 5, 10, 20 40 /
1, 2]
Max. Gain (dB) [0 … 10 … 40]
Freeze Level (dBFS) [-60 … -50 … -20]
Transient Processor
Max. Gain (dB) [0 … 10 … 15]
Response [Soft / Mid / Hard]
Expert [ON / OFF]
Clear Processing History <clear>
Initial Dynamic Gain (dB) [-40 … 0 … 15]
AGC Recovery [Normal / Fast]
Low Level Behavior
Processing Threshold (dBFS) [-80 … -70 … -20]
Below Threshold Mode [Release / Hold]
For details regarding LevelMagic parameters see the bulletin: "Junger_LevelMagic-Leveler­Dynamics_Parameters_161128.pdf" on the Junger web site
http://junger-audio.com/downloads.
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Setup GUI – AUDIO PROCESSOR – Output
The Output block allows you to use a True Peak limiter, Mute and Attenuate the output signals from the DSP, do a mono conversion for stereo channels and add delay. This may be set independently for both the voice and the program channel.
Link [Unlinked / Linked]
For voice channel only available if it is in stereo mode.
Limiter [ON / OFF]
Max True Peak (dBTP) [-20.0 … 0.0]
Processing Profile [0 / 1 Live / 2 Speech / 3 Pop / 4 Uni 5 / 6 Classic / 7 / 8 / 9]
Output [ON / OFF]
Mute [ON / OFF]
Attenuation (dB) [-80.0 … 0.0]
Mono [L/R Stereo / L+R Mono / L/L Mono / R/R Mono]
Output Delay Coarse (ms) [0 … 2000]
Output Delay Fine (samples) [0 … 2000]
If the voice channel mode is set to stereo (see SYSTEM > Setup > Voice Channel Mode = Stereo) a mono circuit will be available for the voice channel as well.
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Setup GUI – AUDIO PROCESSOR – Monitor
As seen on the AUDIO PROCESSOR > Overview page the D*AP4 VAP provides two monitor facilities which may be connected to the function blocks of the audio processor (DSP).
For the example below (see SYSTEM > Setup) the VAP is in Voice Channel Mode = "Stereo". The first monitor is connected to the Input section of the voice channels in Stereo [V1/V2 Stereo] while the second monitor is connected to the Leveler output of the Program path in L+R Mono [Program L+R Mono] (see AUDIO PROCESSOR > Overview):
The settings must be done on the Monitor pane:
Source
Section / Channel [V1/V2 Stereo / V1+V2 Mono / Program Stereo / Program L/L Mono
Program R/R Mono / Program L+R Mono]
Processing Block Select here which processing block should be monitored
Monitor Output
Mute [ON / OFF]
Attenuation (dB) [-80.0 … 0.0]
Delay Coarse (ms) [0 … 2000]
Delay Fine [0 … 2000] (samples)
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Setup GUI – AUDIO PROCESSOR – On Air / Mobile UI
The V'*AP provides an operator UI for live application that may be used on tablets or mobile phones but may also be displayed on a PC's web browser. When you click on the <Mobile> soft button in the upper right area of the GUI above the <Help> button, a new tab in your current browser will open up.
But you can also use the URL: "<IP-address>/mobile" to open the operator UI elsewhere (in a browser of a different PC or a mobile phone or a tablet). For mobile devices it requires wireless accessibility of the D*AP4 VAP via a WLAN.
If the device is setup for two independent voice channels (see SYSTEM > Setup Voice Channel Mode = 2 x Mono) you must select one of the two voice channels firstly.
In case of Voice Channel Mode = Stereo both channels will be controlled via Voice 1 channel. Keep in mind that you may assign meaningful names to the voice channels (see SYSTEM > Setup > Section / Channel Labels). For this explanation we named them "Left" and "Right".
The appearance of the mobile UI may be configured at SYSTEM > Remote Access > Mobile UI.
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The content of this operating UI duplicates useful controls of the V*AP. You may activate Hotkeys which are assigned to the X*AP RM
1
remote panel which in turn maybe setup for trigger actions of the event manager (see EVENTS > Triggers > Remote Hotkeys) for details).
But you may directly trigger Actions or Preset Events at the bottom of the screen as well. The mobile UI will only display preset events which contain processing relevant parameters called "Profiles". I.e. you can not reconfigure the VAP from here.
On a touch screen (or via left mouse button) you may simply press the icons (if enabled via SYSTEM > Remote Access > Mobile UI) in the middle of the screen to temporarily mute that channel for a cough cut function or to turn voice over on / off.
The text at the top of the button(s) can be defined via the web GUI. The system distinguishes between two possible texts.
On Air Indication [OFF AIR / ON AIR]
turns that mic channel permanently
on or off
On Air Text will be displayed if the mic is on air (Mobile UI)
Off Air Text will be displayed if the mic is off air (Mobile UI)
Reset Text will restore the default text for both
the on air and the off air display
Cough Cut temporary mic mute button.
It works in parallel to the mobile UI's <Mic Active> button.
The option menu at the upper left hand side offers some additional settings from the mobile GUI:
You can set the browser to full screen or call the setup GUI via <Desktop Version>.
Finally you may change the voice channel that is under control from the mobile UI.
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Setup GUI – MEASURMENT – Loudness
The D*AP4 VAP offers a sophisticated loudness measurement tool for the input and output of the program path of the device. The three control buttons <pause>, <reset>, <reset max> may be used to manually control the actual measurement.
Loudness Mode Defined at the Level
Magic setup pane.
Current Measurement [hh:mm:ss]
Integrated Loudness (LUFS)
Loudness Range (LU)
Short Term Loudness (LUFS)
Momentary Loudness (LUFS)
Short Term Max (LUFS)
Momentary Max (LUFS)
True Peak Max (dBTP)
Resent Measurement
Integrated Time (hh:mm:ss)
Integrated Loudness (LUFS)
Loudness Range (LU)
Short Term Max (LUFS)
Momentary Max (LUFS)
True Peak Max (dBTP)
For the terms and details of loudness measurement we would ask you to consult the respective standards like EBU R128 issued by the EBU (EBU_tech3341, 3342, 3343, 3344). You will also find explanations here: "Junger_LevelMagic-Leveler-Dynamics_Parameters_161128.pdf " on the Junger web site
http://junger-audio.com/downloads.
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Setup GUI – EVENTS – Overview
The D*AP4 VAP offers a sophisticated event management system. The event system performs Actions. These Actions are built from Events.
Actions may be triggered manually (via the X*AP RM
1
remote panel Hotkeys or from the operator UI), semi-automatically (triggered by network commands or GPIs) and automatically (triggered by changes of parameters and/or the internal status) or as a combination of all three.
The overview shows the building blocks of the action management of the D*AP4 VAP. The examples further below are taken from the actual set of factory pre-set events based on a number of useful presets:
A trigger is subdivided into a trigger type and a trigger source. E.g. a GPI is a trigger type while its number (the physical input) represents the trigger source. Other trigger types have sources which must be configured, like the names of X*AP Hotkeys or network triggers.
Hotkey Sources You may assign hotkeys of the X*AP remote and / or the
mobile UI to become a trigger source.
Network Sources Received via the EmBER+ protocol.
Parameter Sources Device parameters / status information grouped into
systems and Interfaces.
The triggers will finally be defined by a trigger equation that may be the logical combination of two trigger sources.
The D*AP4 VAP knows five different event types:
Preset Events (Profiles) System / Interfaces / Routing / Audio Processor /
Voice / Program / Monitor
Parameter Events System / Audio Processor / Measurement
Measurement Events Pause / Continue / Reset / Reset Max / Start / Pause / Stop
I/O Events GPOs
Bypass Events Voice / Program
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The D*AP4 VAP has two different action types:
Event Actions executes the predefined events
Bypass Actions executes pre-defined bypass scenarios, independent on
the bypass events
An action runs like a flip-book inside the D*AP4 VAP. This powerful technology spans from simply recalling a certain parameter over narrator specific parameter combinations (household name: "Preset") to the complete reconfiguration of the D*AP4 VAP including all signal routing, processing parameters and so forth. It also allows you to create your own snap shots where you decide what is part of it and what is not! But it also enables several fail over scenarios where the D*AP4 VAP will automatically react to the system and/or parameter status.
The steps to set up the EVENTS system are as follows:
1.
Define - trigger sources
2. Configure - triggers by logical combination of pre defined trigger sources
3. Set up events - by selecting presets for function blocks
4. Create actions - what will happen - which trigger will launch which event? Or what will happen in case of some one presses the <BYPASS> button at the X*AP RM
1
or is engaging the <Force Trigger Active> check box or ignite an action from the mobile UI.
Setup GUI – EVENTS – Triggers – Sources – Remote Hotkeys
Hotkeys are the 8 buttons of an X*AP RM1 remote panel. You may give them names and enable them to become active on the X*AP RM
1
remote panels main operating menu:
<add trigger> You can add lines here.
# The number of the Hotkey on the
X*AP RM
1
remote panel, counting
from left to right.
Label Each Hotkey may have a label that
appears in the display of the
X*AP RM
1
remote panel above that
button.
Enable [ON / OFF]
If you turn it off the respective Hotkey on the X*AP RM
1
remote panel becomes inactive - no label is displayed and the button background light turns off.
<remove> will remove a line from the list. This
will automatically disable the respective front panel button.
The number of hotkey triggers is not limited. You may also add virtual hotkeys which can be used by a graphical UI for example that may have more than 8 compared to the X*AP RM
1
.
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Setup GUI – EVENTS – Triggers – Sources – Network
Network triggers are based on the EmBER+ protocol. See
code.google.com/p/ember-plus/ for details.
The D*AP4 VAP receives such triggers over the TCP/IP network. The triggers are issued by a remote device or a broadcast automation system. You may assign these triggers to virtual panels, physical buttons or play list events of Ember+ enabled control instances.
# The number of the network trigger.
Label Label of that network trigger.
It appears on the Configuration pane as well as in the EmBER+ tree of the setup interface of a control instance.
<remove> will remove a line from the list.
Below is a screen shot of the EmBER viewer tool:
In the EmBER+ tree you go to: "Device" > controller_dsp > network_trigger > parameters > e.g. "idx_1" As a value you will receive the trigger name from the D*AP4
VAP. In this example it is the first trigger named: "Movie".
Setup GUI – EVENTS – Triggers – Sources – Parameters
Above is an example of parameter trigger sources. <multiple values> indicates that more than one value of the parameter "Status" is bound to that trigger source:
If you click into the "Expression 1" field you see two entries marked greenish, i.e. if one of these values is true, "Expression 1" is true. You must uncheck both in order to select a different setting afterwards.
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Setup GUI – EVENTS – Triggers – Configuration – Trigger Equation
To form a trigger you may logically combine two trigger sources:
Trigger Here you define a name for the trigger (Trigger 1).
Source 1 The first source of a logical combination of two trigger sources.
Invert [ON / OFF]
If the type of trigger allows an inverted operation it can be defined here.
Type [GPI / Hot Key, Network / Parameter / Event active / Trigger effective/
Bypass / Sync Lock]
Source [e.g. for GPIs it will be 1 … 8] It acts like an index for the trigger type (In case of GPI it is the physical
GPI number or in case of X*AP Hotkeys the key number (1 of 8)
Logic Kind of logical operation [and, or, xor].
Source 2 Second source for the logical combination of two trigger sources. If only
one source exists, you may leave it unassigned [-].
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Setup GUI – EVENTS – Events – Preset Events (Profiles)
A preset event is a group of presets you may load on one occasion to the On Air parameters of function blocks. When executing such an event you may for example change the De-Esser, compressor and EQ settings, by simply assigning the individual preset of your choice to the processing block or the system, to an interface, to the routing, to the program path or even to the monitor output:
The example shows that the factory default profile CLEAR is selected. It will load the presets CLEAR for each function block of the voice channel. I.e. each function block has a preset with the name CLEAR. Don't be confused by the same name of the presets!
This is the tool to reconfigure the D*AP4 VAP completely, partially or to change a few audio parameters marginally. At the top of the page you see the button <create event>. It may save all actual parameters in presets of the respective function block and assigns it the same name as the event itself.
Pull down list of all factory default presets of the Filter­Equalizer section where CLEAR is one of it
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You are able to create a new preset event by pressing <create event>:
Event name [John Wayne] A unique name to address this preset
event later in the action manager.
.
Use Settings from [ON Air / Existing Event / Empty]
On Air The events manager will copy
all
On Air parameters to new presets
in all function blocks (that have been selected via the "Include these Blocks" check boxes).
.
Existing Event The presets of the selected event will
be copied to the new event and may be marginally tuned afterwards to form a slightly different event.
Empty Creates a set of empty fields where you may select the preset of
your choice for the respective function block or leave it empty if no changes are needed …
Include these Blocks [System / Interface / Routing / Audio Processor / Voice 1 / Voice 2 /
Program / Monitor]
You can tell the event manager which function blocks must be
included in this event (or not).
Important note! This is the way to create your own
snap shot. The new presets will be automatically
given the name of this event! So be careful to select meaningful names. You will find them later on in your function blocks!
Setup GUI – EVENTS – Events – Parameter Events
Parameter events are designed to change parameters when executing an action. You define the parameter here:
Category [Audio Processor / Measurement]
Subcategory [in case of Category = Audio Processor >> On Air Tools]
[in case of Category = Measurement >> Loudness]
Parameter depending on the pre-selected Subcategory you may define the
relevant parameter which you want to set.
Expression If applicable, the value of the parameter that will be set if the
parameter event is triggered during an event action.
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Setup GUI – EVENTS – Events – Measurement Events
Measurement events can be used to control the integrated loudness measurement of the program path of the D*AP4 VAP:
For each measurement event you can assign one of the possible control functions from the pull-down.
Setup GUI – EVENTS – Events – I/O Events
At the moment I/O events are restricted to control the GPOs of the D*AP4 VAP:
Each GPO (when incorporated into that I/O event) can be set to the behavior as follows:
Clear Turns a GPO off that was previously turned on.
Set Turns a GPO on.
Follow The GPO follows the state of the trigger.
Toggle The trigger will toggle that GPO Be careful because it needs a definite known starting condition to work
properly.
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Setup GUI – EVENTS – Events – Bypass Events
The D*AP4 VAP allows you to bypass some or all of the function blocks. This can be used for A/B comparison for all or for e subset of function blocks:
Setup GUI – EVENTS – Actions – Event Actions
This is the point where all previously defined sub functions will be combined:
You should give actions a meaningful names, select a trigger (from one of the trigger equations) and select the respective type of events you need to perform the desired action.
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Setup GUI – EVENTS – Actions – Bypass Actions
The bypass action is bound to the <BYPASS> button of the X*AP RM
1
remote panel.
You must simply select "follow" or "-" for the setup field.
But it also allows you to turn the bypass on of one, some or all function blocks by simply enabling the check boxes in the right hand panel:
Trigger
Source "X*AP Remote Bypass Button"
Lock Source [ON / OFF] The X*AP RM
1
remote panel <BYPASS> button may be
disabled / enabled here.
Force Trigger Active [ON / OFF] Force the bypass function from the GUI instead of the
X*AP RM
1
remote panel <BYPASS> button.
Bypass Event "2 x Mono / Stereo"
This is a generic setup page where both modes (2x Mono / Stereo)
can be pre-set.
Voice Audio processing blocks of the voice path.
Input … Output [follow / -]
Define the voice function block that is part of the bypass action.
Program Audio processing blocks of the program path.
Input … Output [follow / -] Define the program function block that is part of the bypass action.
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Technical Data - 2 Channel Voice Audio Processor Edition [D*AP4 VAP EDITION]
General
• 2 channel voice processor (mono or stereo)
• 2 channel program path processing
• 2 channel monitor output
• Expandable by hard and software options
Audio Sample Rate 44.1, 48, 88.2, 96kHz, (32 … 196kHz @ input with SRC)
±150ppm sync input capture, ±25ppm master-sync stability
Relevant specifications comply with AES3-X-2009, IEC 60985 and AES11-2009
2 channels (1 stereo input), XLR-3 connector
24bits, transparent forwarding of PCM and compressed audio (w/o SRC) 24bits, PCM, sample rate converter (SRC) activated
Impedance 110Ohm, differential
Input level 0.3 … 5Vpp @ 110Ohm differential
AES/EBU Input
Sample Rate Converter (SRC)
THD+N -120dB @ 0dBFS, 1kHz Latency < 0.3ms
Relevant specifications comply with AES3-X-2009, IEC 60985 and AES11-2009
2 channels (1 stereo output), XLR-3 connector
24bits, transparent forwarding of PCM and compressed audio
Impedance 110Ohm, differential
Output voltage 3Vpp (typ.) @ 110Ohm differential
AES/EBU Output
Power fail relay bypass between AES/EBU input and output (can be deactivated by jumper)
Multi-standard synchronization interface for AES/EBU, wordclock or video­sync (black burst, tri level), complies with AES11-2009 and relevant audio or video standards
Connector type BNC
AES/EBU input 0.3 … 5Vpp @ 75Ohm single-ended
Wordclock input 1 … 5Vpp @ 75Ohm single-ended
1Vpp (nom.) @ 75Ohm single-ended Video-sync input
Rates supported: 23.975, 24, 24.975, 25, 29.97, 30, 49.95, 50, 59.94, 60fps (SD and HD)
Sync Input
On-board audio ports and master-sync capable option boards may also be selectable as sync source.
Word clock output, complies with AES11-2009
Connector type BNC
Sync Output
Wordclock output 2.4V (typ.) @ R = 75Ohm single-ended
Network Interface RJ45 connector, 10/100Mbit Ethernet auto sense, full duplex, auto MDI/X
USB Interface USB 2.0 connector to internal console interface
GPI Signals 8 general purpose inputs (GPI), divided into 2 groups with separate
common signal, isolated
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Connector type D-Sub25 connector female, same for GPO
Input conditions 3 … 24Vdc, < 5mA
Auxiliary supply 5V (nom.), 200mA (max.), isolated
8 general purpose outputs (GPO), SPST, divided into 2 groups with separate common signal, isolated
Connector type D-Sub25 connector female, same for GPI
GPO Signals
Output conditions 24Vac/dc (max.), 120mA (max.)
Expansion Slots 1 general purpose expansion slot for option boards,
1 dedicated expansion slot for 2 microphone inputs [O_DAP_AMIC_a]
Power Supply Dual power supply, automatic fail over,
85 … 264Vac, 50 … 60Hz, 58W (max.)
Environmental Operating temperature 0 … 50ºC, fan cooled,
Non-operating -20 … 70ºC, Humidity < 90%, non-condensing
Physical 19", 1 RU, 27 cm depth, net weight ca. 5kg, shipping weight ca. 7.5kg
Technical Data – Option Board SDI I/O (3G/HD/SD) [O_DAP_SDI_a]
Standards Video complies with SMPTE 424/425M (3G, Level A and B), SMPTE 292M
(HD) or SMPTE 259M (SD). Automatic format detection. Audio embedding and de-embedding complies with SMPTE 299M (3G, HD) or SMPTE 272M-AC (SD). Metadata embedding and de-embedding complies with SMPTE 2020-2.
Video Data Rate 2970/2967Mbps (3G), 1485/1483.5Mbps (HD), 270Mbps (SD)
Video Formats 1080p23.975, 24, 25, 29.97, 30, 50, 59.94, 60
1080i50, 59.94, 60 720p23.975, 24, 25, 29.97, 30, 50, 59.94, 60 625i50, 525i59.94, …
Video Delay User selectable 0 …15frames, can be disabled
Audio 24bits, transparent forwarding of PCM and compressed audio
Audio Channels 16 inputs and 16 outputs (4 groups with 4 channels each)
Audio Sample Rate 48kHz (SDI compliant)
Audio Delay Embedder audio delay selectable 0 … 320ms per channel
Metadata (RDD6) 1 channel input and 1 channel output, SDID selectable
Impedance 75Ohm
Return loss > 15dB, 5 … 1485MHz
> 10dB, 1485 … 2970MHz
BNC Input
Cable length (max.) 250m @ SD for Belden 1694A cable
230m @ HD for Belden 1694A cable 140m @ 3G for Belden 1694A cable
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Jitter tolerance > 0.7UI (Alignment)
Impedance 75Ohm
Output voltage 0.8Vpp (typ.)
Return loss > 15dB, 5 … 1485MHz
> 10dB, 1485 … 2970MHz
BNC Output
Output jitter < 0.2UI (Alignment), < 0.5UI (Timing)
Audio Latency Input to Output Embedder and de-embedder combined
HD, 3G < 0.6ms SD typ. 1.5ms (< 2ms)
General Features
• Power fail relay bypass (may be activated via GUI)
• Lip-Sync compensation for processed and non-processed audio
signals
• Dedicated routing for non-processed channels, all channels (max. 16) can be routed to/from the device or looped through
• Test pattern generator
• Master-sync capable
• ITU-R BT.1685 / ARIB STD-B39 metadata support
Technical Data – Option Board Analog Line-In and/or Mic-In [O_DAP_AMIC_a]
Audio 24bit sigma-delta A/D-converter
Audio Sample Rate 44.1, 48, 88.2, 96kHz
2 channels, selectable for microphone or line level
Connector type XLR-3
Input level (max.) (0dBFS equiv.)
Mic: 14dBu @ 0dB gain Line: 22dBu @ 0dB gain, pad attenuation -10dB
Impedance Mic: 9kOhm (typ.), differential
Line: 20kOhm (typ.), diff., pad attenuation -10dB
THD+N -88dB @ -1dBFS, 1kHz, 0dB gain
Dynamic range > 110dB (RMS)
Crosstalk attenuation > 110dB @ 1kHz (typ.)
CMRR > 60dB @ 1kHz (typ.)
Equivalent input noise -126dBu (RMS) (typ.) @ 65dB gain
Frequency response 20Hz … 22kHz (< ±0.1dB) @ 48kHz
20Hz … 43kHz (< ±0.1dB) @ 96kHz
Preamp gain 0dB, 10 … 65dB in 1dB steps
Inputs
Pad attenuation -10dB
Phantom Power 48V (nom.) enable per input channel, individual short-circuit protection
General Features
• Floating, balanced analog inputs
• Electrical isolation between both channels and device
• Digitally controlled input gain 0 … 65dB
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Technical Data – Option Board Analog Out [O_DAP_8DA_a]
Audio 24bit D/A-converter
Audio Channels 8 output channels (e.g. for speakers)
Audio Sample Rate 44.1, 48, 88.2, 96kHz
8 channels
Connector type D-Sub25 connector female
Output Level (max.) (0dBFS equiv.)
0 … 24dBu, adjustable in 0.5dB steps
Impedance 50Ohm (typ.), differential
THD+N -91dB @ 0dBFS = 15dBu, 1kHz
Dynamic range > 103dB (RMS)
Crosstalk attenuation > 103dB @ 0dBFS = 15dBu, 1kHz
Analog Outputs
Frequency response 20Hz … 22kHz (< ±0.3dB) @ 48kHz
20Hz … 43kHz (< ±0.3dB) @ 96kHz
General Features
• Power fail glitch prevention
• Balanced analog outputs
• Electrical isolation between outputs and device
Technical Data – Option Board Analog I/O [O_DAP_ADDA_a]
Audio 24bit sigma-delta A/D-converter, 24bit D/A-converter
Audio Channels 4 input channels, 4 output channels
Audio Sample Rate 44.1, 48kHz
4 channels
Connector type D-Sub25 connector female, same for outputs
Input Level (max.) (0dBFS equiv.)
0 … 24dBu, adjustable in 0.5dB steps
Impedance 20kOhm (typ.), differential
THD+N -93dB @ 0dBFS = 15dBu, 1kHz
Dynamic range > 110dB (RMS)
Crosstalk attenuation > 93dB @ 0dBFS = 15dBu, 1kHz
Analog Inputs
CMRR > 71dB @ 0dBFS = 15dBu, 1kHz
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Frequency response 20Hz … 22kHz (< ±0.1dB) @ 48kHz
20Hz … 43kHz (< ±0.1dB) @ 96kHz
4 channels
Connector type D-Sub25 connector female, same for inputs
Output Level (max.) (0dBFS equiv.)
0 … 24dBu, adjustable in 0.5dB steps
Impedance 50Ohm (typ.), differential
THD+N -91dB @ 0dBFS = 15dBu, 1kHz
Dynamic range > 103dB (RMS)
Crosstalk attenuation > 103dB @ 0dBFS = 15dBu, 1kHz
Analog Outputs
Frequency response 20Hz … 22kHz (< ±0.3dB) @ 48kHz
20Hz … 43kHz (< ±0.3dB) @ 96kHz
General Features
• Power fail relay bypass between inputs and outputs
• Balanced analog inputs and outputs
• Electrical isolation between inputs, outputs and device
Technical Data – Option Board AES/EBU I/O [O_DAP_AES_a]
Standards Relevant specifications comply with AES3-X-2009, IEC 60985 and
AES11-2009
Audio 24bits, transparent forwarding of PCM and compressed audio (w/o SRC)
24bits, PCM, sample rate converter (SRC) activated
Audio Sample Rate 44.1, 48, 88.2, 96kHz, (32 … 196kHz @ inputs with SRC)
8 channels (4 stereo inputs)
Connector type D-Sub25 connector female, same for outputs
Impedance 110Ohm or 75Ohm, jumper selectable
(110Ohm default)
Input level 0.3 … 5Vpp @ 110Ohm differential
0.3 … 5Vpp @ 75Ohm single-ended
Inputs
Sample Rate Converter (SRC)
THD+N -120dB @ 0dBFS, 1kHz Latency < 0.3ms
8 channels (4 stereo outputs)
Connector type D-Sub25 connector female, same for inputs
Impedance 110Ohm or 75Ohm, jumper selectable
(110Ohm default)
Outputs
Output voltage 3Vpp (typ.) @ 110Ohm differential
1Vpp (typ.) @ 75Ohm single-ended
General Features
• Power fail relay bypass (can be deactivated by jumper)
• Input sample rate converters (SRC)
• Electrical isolation between inputs, outputs and device (if
configured for differential mode, 110Ohm)
• AES3 channel status management, non-audio detection
• Master-sync capable
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Technical Data – Option Board MADI I/O, BNC [O_DAP_MB_a]
Standards Relevant specifications comply with AES10-2008 and AES11-2009.
Audio 24bits, transparent forwarding of PCM and compressed audio
Audio Sample Rate 44.1, 48, 88.2, 96kHz, (88.2, 96kHz short framing)
64/56 channels @ 44.1 and 48kHz, 32/28 @ 88.2 and 96kHz Processable by D*AP8: 16 channels @ 44.1, 48kHz Processable by D*AP4: 8 channels @ 44.1, 48, 88.2, 96kHz
Impedance 75Ohm
Input level 0.15 … 0.8Vpp @ 75Ohm
BNC Input
Cable length (max.) 150 m (Belden 1694A)
64/56 channels @ 44.1 and 48kHz, 32/28 @ 88.2 and 96kHz Processable by D*AP8: 16 channels @ 44.1, 48kHz Processable by D*AP4: 8 channels @ 44.1, 48, 88.2, 96kHz
Impedance 75Ohm
BNC Output
Output voltage 0.6Vpp (typ.) @ 75Ohm
General Features
• Input cable equalizer for extended range and robustness
• Reference grade word clock recovery, master-sync capable
• Dedicated routing for non-processed channels, all channels
(max. 64) can be routed to/from the device or looped through
• AES3 channel status management, non-audio detection
Technical Data – Option Board MADI I/O, Optical [O_DAP_MO_MM_a, O_DAP_MO_SM_a]
Standards Relevant specifications comply with AES10-2008 and AES11-2009.
Audio 24bits, transparent forwarding of PCM and compressed audio
Audio Sample Rate 44.1, 48, 88.2, 96kHz, (88.2, 96kHz short framing)
64/56 channels @ 44.1 and 48kHz, 32/28 @ 88.2 and 96kHz Processable by D*AP8: 16 channels @ 44.1, 48kHz Processable by D*AP4: 8 channels @ 44.1, 48, 88.2, 96kHz
Connector type LC (IEC 61754-20)
Center wavelength 1310nm (typ.), 1270 … 1360nm
Optical Input, LC
Input optical power [O_DAP_MO_MM_a]:
-31 … -8dBm, OM2 multimode (50/125µm) [O_DAP_MO_SM_a]:
-23 … -8dBm, singlemode (9/125µm) (standard values, others on request)
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Cable length (max.) [O_DAP_MO_MM_a]: 1.5km, OM2 multimode
[O_DAP_MO_SM_a]: 2km, singlemode (standard values, others on request)
64/56 channels @ 44.1 and 48kHz, 32/28 @ 88.2 and 96kHz Processable by D*AP8: 16 channels @ 44.1, 48kHz Processable by D*AP4: 8 channels @ 44.1, 48, 88.2, 96kHz
Connector type LC (IEC 61754-20)
Center wavelength 1310nm (typ.), 1270 … 1360nm
Optical Output, LC
Output optical power [O_DAP_MO_MM_a]:
-23 … -14dBm, OM2 multimode (50/125µm) [O_DAP_MO_SM_a]:
-15 … -8dBm, singlemode (9/125µm) (standard values, others on request)
Optical and BNC output carry the same signal.
Impedance 75Ohm
BNC Output
Output voltage 0.6Vpp (typ.) @ 75Ohm
General Features
• Field-replaceable optical module (SFP)
• Reference grade word clock recovery, master-sync capable
• Dedicated routing for non-processed channels, all channels
(max. 64) can be routed to/from the device or looped through
• AES3 channel status management, non-audio detection
• Parallel outputs (BNC/LC) for media conversion
Technical Data – Option Board Audio-over-IP DANTE™ I/O [O_DAP_DANTE_a]
Standards Audio-over-IP by Dante™ Digital Audio Networking Standard
Audio 24bits, transparent forwarding of PCM and compressed audio
Audio Sample Rate 44.1, 48, 88.2, 96kHz
Inputs and Outputs 2 x Gigabit Ethernet RJ45 connectors (100M/1Gbit),
primary and secondary port
Inputs Processable by D*AP8: 16 channels @ 44.1, 48kHz
Processable by D*AP4: 8 channels @ 44.1, 48, 88.2, 96kHz
Outputs Processable by D*AP8: 16 channels @ 44.1, 48kHz
Processable by D*AP4: 8 channels @ 44.1, 48, 88.2, 96kHz
General Features
• AES67 compliant (when available)
• Network master-sync can be provided by D*AP device
• Master-sync capable (for D*AP device)
• Non-audio detection for input channels
• Glitch-free Dante™ audio redundancy using dual Ethernet
networks
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connector:
GPI/O
female 25-pin D-Sub
1 GPI_1, 2, 3, 4 common 2 GPI_1 3 GPI_2 4 GPI_3 5 GPI_4 6 GPI_5, 6, 7, 8 common 7 GPI_5 8 GPI_6
9 GPI_7 10 GPI_8 11 12 13
Isolated 5V
+
14 GPO_1, 2, 3, 4 common 15 GPO_1 16 GPO_2 17 GPO_3 18 GPO_4 19 GPO_5, 6, 7, 8 common 20 GPO_5 21 GPO_6 22 GPO_7 23 GPO_8 24
Isolated 5V
-
25
Isolated 5V
-
Technical Data - Rear Connectors - pin assignment
8x GPI/O Mic / Line IN
connector:
Mic / Line input
female XLR
1 GND 2 IN + 3 IN -
Shield Virtual GND
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connector: 4 x analog I/O
female 25-pin D-Sub
1 OUT-4 + 2 GND 3 OUT-3 ­4 OUT-2 + 5 GND 6 OUT-1 ­7 IN-4 + 8 GND
9 IN-3 ­10 IN-2 + 11 GND 12 IN-1 ­13 14 OUT-4 ­15 OUT-3 + 16 GND 17 OUT-2 ­18 Out-1 + 19 GND 20 IN-4 ­21 IN-3 + 22 GND 23 IN-2 ­24 IN-1 + 25 GND
Technical Data - Optional Interface Modules – pin assignment
4x analog I/O [O_DAP_ADDA_a] 4x AES I/O [O_DAP_AES_a] 8x analog out [O_DAP_8DA_a]
connector:
4x AES I/O
female 25-pin D-Sub
1 OUT-4 + 2 GND 3 OUT-3 ­4 OUT-2 + 5 GND 6 OUT-1 ­7 IN-4 + 8 GND
9 IN-3 ­10 IN-2 + 11 GND 12 IN-1 ­13 14 OUT-4 ­15 OUT-3 + 16 GND 17 OUT-2 ­18 OUT-1 + 19 GND 20 IN-4 ­21 IN-3 + 22 GND 23 IN-2 ­24 IN-1 + 25 GND
connector: 8 x analog out
female 25-pin D-Sub
1 OUT-8 + 2 GND 3 OUT-7 ­4 OUT-6 + 5 GND 6 OUT-5 ­7 OUT-4 + 8 GND
9 OUT-3 ­10 OUT-2 + 11 GND 12 OUT-1 ­13 14 OUT-8 ­15 OUT-7 + 16 GND 17 OUT-6 ­18 OUT-5 + 19 GND 20 OUT-4 ­21 OUT-3 + 22 GND 23 OUT-2 ­24 OUT-1 + 25 GND
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Technical Data - GPI wiring
The device offers a unique circuitry to save GPI setups from hum and noise influence in complex installations. Here the principle circuit of one of the eight GPI inputs:
At the GPI input is a bridge rectifier I.e. you do not need to care about the polarity of the input voltage. A constant current source in line with the optical coupler limits the current. You must simply provide a voltage in the range from 5V to 30V to activate a GPI.
If you have open collector outputs or simple relay closures as the driving GPOs (this technique is commonly known as "low active" and will be found in most legacy equipment), you must wire up an auxiliary voltage supply.
The device provides such auxiliary power supply. It offers a balanced 5V source that you can imaging as a battery.
Here an example how to wire up GPI #4:
We strongly recommend to spent a wire for ground connection instead of using the chassis common grounds of an installation.
GPI common
GPI_x
5 V balanced
1324 25
1
GPI 1, 2, 3, 4
common
GPI 1
2
GPI 4
5
GPO
relay or open collector
25 pin GPI/O connector
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Safety Information
Electrical
Safety classification: Class 1 – grounded product / Schutzklasse 1 Corresponding to EN 60065:2002
Power connection: The device must be connected to a power socket that provides a
protective earthing conductor.
Power switch: The power switch is a toggle switch placed at the rear of the device. The ON / OFF position is indicated by engravings [I] / [o] on the lever. It must be
reached without difficulty. The devices may be equipped with dual power supply, in this case it will have two power cords and switches. You must inform yourself about the location and assignment of the switches.
Water protection: The device must not be exposed to splash or dripping water. It is permitted to place a container filled with liquids (e.g. vases) on top of the device.
Service safety Only qualified personnel should perform service procedures.
Do not service alone: Do not perform internal service or adjustments of the device unless another
person capable of rendering first aid and resuscitation is present.
Disconnect power: To avoid electrical shock, switch off the device power, then disconnect the
power cord from the mains power. Do not block the power cord; it must remain accessible to the user at all times
To avoid fire or personal injury
Mounting: It must be placed on a flat surface or must be mounted into an 19" rack.
It is recommended to use metal brackets (sheet steel angle) to support the device.
Provide proper this case and if the device has a built in fan, a gap of at least 1cm must be Ventilation left between the device edge and the steel angle. It is highly recommended to
leave a gap of at least 1RU above and below the device.
Use proper power cord Use only the power cord specified for this product and certified for the country of
use.
Do not operate Do not operate this product with covers or panels removed. without covers
Do not operate If you suspect that there is damage to this product, have it inspected with suspected failures by qualified service personnel.
Risk of explosion: The device contains a lithium battery. If replaced incorrectly or by a different or
inadequate type an explosion may occur.
Warranty
Standard Junger Audio one-year warranty on parts and labor.
Specifications are subject to change without notice
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SLIM LINE
Headquarters
Jünger Audio GmbH Sales • Service & Support Justus-von-Liebig-Str. 7 12489 Berlin, Germany phone +49 30 677 721 0 fax +49 30 677 721 46 [email protected] [email protected] www.jungeraudio.com
Jünger Audio Asia
Junger Audio Pte. Ltd. Sales • Service & Support 33, Ubi Ave 3, no. 06-62 Vertex 408868 Singapore phone +65 6509 8171 fax +65 6748 1740 [email protected]
Jünger Audio (China Office)
Junger (Beijing) Technology Ltd. Sales • Service & Support Unit 068, 2nd Floor, No. 38 GuangQu Road, ChaoYang District, 100021 Beijing, China phone +86 137 0102 6664 [email protected]
Jünger Audio USA
Service & Support 2100 B2 Walsh Ave Santa Clara, CA 95050-2590, USA phone +1 408 330 9215
© 2017 Jünger Audio GmbH All rights reserved. All trademarks are the property of their respective owners. Product specifications are subject to change without notice. This material is provided for information purposes only; Jünger assumes no liability related to its use
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