Owner’s Manual
IWS-SYS-1
IWS-SYS-2
IMPORTANT SAFETY INSTRUCTIONS
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE
AMP PANEL OR SPEAKER. NO USER SERVICEABLE PARTS INSIDE. REFER
SERVICING TO QUALIFIED PERSONNEL.
1) Read the Instructions — All safety and operating instructions should be
read before the subwoofer is operated.
2) Retain the Instructions — e safety and operating instructions should be
retained for future reference.
3) Heed Warnings — All warnings on the subwoofer and in the operating
instructions should be followed.
e lightning ash with arrowhead
symbol, within an equilateral triangle, is
intended to alert the user to the presence
of uninsulated “dangerous voltage” within
the product’s enclosure that may be of
sucient magnitude to constitute a risk of
electric shock to persons.
e exclamation point within an
equilateral triangle is intended to alert the
user to the presence of important operating
and maintenance instructions in the
literature accompanying the product.
4) Follow Instructions — All operating and use instructions should
be followed.
5) Water and Moisture — e subwoofer should NOT be used near water – for
example, near a bathtub, washbowl, sink, laundry tub, in a wet basement,
near a swimming pool, etc.
6) Ventilation — e subwoofer amplier should be situated so that its location
or position does not interfere with its proper ventilation. For example,
the subwoofer amplier should not be situated on a bed, sofa, rug, or
similar surface that may block airow over the heatsink ns. If placing the
subwoofer amplier in a “built-in” installation, ensure that airow to the heat
sinks are not impeded. Do not cover the amplier heatsink with tablecloths,
curtains, etc.
9) Heat and Flames — e subwoofer and amplier should be situated away
from heat sources such as radiators, heat registers, stoves, replaces, or other
devices which produce heat. Do not place candles on top of or near the
subwoofer or amplier.
10) Power sources — e subwoofer should only be connected to a power supply of
the type described in the operating instructions or as marked on the product.
11) Power Cord Protection — Power-supply cords should be routed so that they
are not likely to be walked on or pinched by items placed upon or against
them, paying particular attention to cords at plugs, convenience receptacles,
and the point where they exit the subwoofer.
| Fathom IWSPage 2
12) Cleaning — e subwoofer and amplier should be cleaned only as
recommended in the operating instructions.
13) Nonuse Periods — e power cord of the subwoofer amp should be
unplugged from the outlet when the subwoofer is le unused for long periods
of time.
14) Lightning and Power Surges — We recommend that you disconnect the
subwoofer amp from the electrical outlet during electrical storms and/or
recurring power interruptions to prevent damage due to power surges.
15) Object or Liquid Entry — Care should be taken so that objects do not fall
into and liquids are not spilled onto the subwoofer enclosure. Do not expose
the subwoofer to dripping or splashing from liquids. Do not place objects
lled with liquids on top of, or near the subwoofer or amplier. For example:
ower vases, beverages, liquid-fueled lamps, etc.
16) Damage Requiring Service — e subwoofer should be serviced by qualied
service personnel when:
a. the power-supply cord or plug has been damaged
b. objects have fallen or liquid has been spilled into the subwoofer
c. the subwoofer has been exposed to rain
d. the subwoofer does not appear to operate normally or exhibits a marked
change in performance
e. the subwoofer has been dropped or the cabinet has been damaged
f. the subwoofer driver’s cone and/or suspension has been
physically damaged
WARNING
17) Servicing — e user should not attempt to service the subwoofer beyond
what is described in the operating instructions. All other servicing should be
referred to qualied service personnel.
18) Overloading — Do not overload wall outlets, extension cords, or outlet strips
as this can result in a risk of re or electric shock.
19) Grounding — is subwoofer is supplied with a three-prong, grounded
power cord. Precautions should be taken so that the grounding means of the
subwoofer are not defeated. Defeating the grounding prong on the subwoofer
power cord could increase the risk of electric shock and could result in
permanent damage to the subwoofer’s electronics.
THIS SUBWOOFER IS CAPABLE OF PRODUCING VERY HIGH SOUND
PRESSURE LEVELS. PLEASE EXERCISE RESTRAINT IN ITS OPERATION TO
PROTECT YOUR HEARING FROM PERMANENT DAMAGE.
Page 3 | Fathom IWS
FCC COMPLIANCE STATEMENT
NOTE: is equipment has been tested and found to comply with the limits of Part 15 of the FCC
Rules. ese limits are designed to provide reasonable protection against harmful interference in
a residential installation. is equipment generates, uses and can radiate radio frequency energy
and, if not installed in accordance with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that interference will not occur in a particular
installation. If this equipment does cause harmful interference to radio or television reception,
which can be determined by turning the equipment o and on, the user is encouraged to try to
correct the interference by one or more of the following measures:
- Reorient or relocate the receiving antenna.
- Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit dierent from that to which the
receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.
TABLE OF CONTENTS
Important Safety Instructions: ......................................... 2-3
Introduction:. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Product Overview: ...................................................... 5
Placing your Fathom IWS in Your Listening Room: ...................... 6-10
Front Control Panel Layout: ..............................................11
Rear Control and Connector Panel Layout: ................................11
Front Panel Controls in Detail: ........................................12-15
Connecting your Fathom IWS(s): ......................................16-23
Recommended Setup Procedure: ......................................24-28
Frequently Asked Questions: ............................................ 29
Troubleshooting: ...................................................... 30
Limited Warranty / Service Information: ..................................31
Specications: ......................................................... 32
JL AUDIO TECHNOLOGIES INCLUDED
IN Fathom IWS SUBWOOFERS
DMA-Optimized Motor System
DMA is JL Audio’s proprietary Dynamic
Motor Analysis system aimed at
improving dynamic motor behavior. As a
result of DMA optimization, loudspeaker
motors remain linear in force over an
extreme range of excursion and also
maintain a highly stable xed magnetic
eld over a wide power range. is leads
to vastly reduced distortion and faithfully
reproduced transients... or put simply:
tight, clean, articulate bass.
Concentric Tube Suspension
(U.S. Patent #5,734,132 & #6,095,280)
e suspension technology of the Fathom
IWS driver permits high linear excursions
within a very shallow frame design.
Floating-Cone™ Attach Method
(U.S. Patent #6,501,844)
is assembly technique ensures proper
surround geometry in the assembled
speaker for better excursion control and
dynamic voice coil alignment.
Plateau-Reinforced Spider Attachment
(U.S. Patent #6,118,884)
is high-integrity suspension attachment
relieves stress from the spider material at
high-excursions for enhanced reliability.
High-Damping Feedback Circuit
(U.S. Patent #6,441,685)
is proprietary, discrete control circuit
design allows our Class D switching
ampliers to maintain an excellent
damping factor for improved transient
behavior and delity.
INTRODUCTION
Congratulations on your purchase of a JL Audio Fathom powered subwoofer
system. is product has been critically engineered to deliver exceptional
performance in your home theater or audio system for many years to come.
As a company, we are intensely committed to core research into
high-performance loudspeaker and amplier technologies. JL Audio’s long
excursion subwoofer driver designs are widely considered as reference standards for
linear behavior and high output. We have also focused our eorts to create powerful
amplier and signal-processing technologies specically aimed at delivering
exceptional low-frequency performance. Your Fathom combines these core
disciplines within a compact, beautifully craed package to deliver an unparalleled
listening experience.
We sincerely thank you for your purchase and invite you to read this
manual thoroughly in order to achieve the highest level of performance with
your Fathom IWS subwoofer system. Enjoy.
| Fathom IWSPage 4
PRODUCT OVERVIEW
JL Audio Fathom IWS subwoofers combine a state-of-the-art
JL Audio subwoofer driver and electronics/amplier package with a highly
optimized enclosure to deliver an exceptional listening experience in your home
theater or home audio system.
e subwoofer driver in your Fathom subwoofer system is capable of
outstanding linear excursion without distress or audible distortion. is
reference-quality driver enables your Fathom to reproduce powerful low
frequency events with stunning impact and unprecedented accuracy.
To get the most from this long excursion driver platform, prodigious amounts
of controlled power are needed. Our electronics engineering team conducted
an intense analysis of typical program material and its dynamic demands in
order to balance current draw and actual output power requirements relative to
the system’s impedance characteristics. Aer careful study, a pair of precisely
engineered switching ampliers employing patented feedback technology
were created. ese advanced designs are capable of unclipped output voltages
equivalent to 1000 watts (System 1) and 2000 watts (System 2) of RMS power
when referenced to the nominal loudspeaker impedance, allowing us to take full
advantage of each driver’s full excursion envelope.
e beautiful cabinet enclosing the workings of your Fathom is also the result
of careful engineering. To contain the pressures created by the Fathom driver,
we utilized CNC-cut, cabinet-grade baltic birch plywood with extensive internal
bracing features and advanced assembly techniques.
Your listening room is the other enclosure that aects the way your bass will
sound. All rooms create a specic sonic signature, which must be eectively
managed to achieve well-balanced low frequency performance. To aid in this
process, the Fathom includes an extensive set of signal processing tools aimed
at optimizing your Fathom’s performance within your listening space. ese
features include JL Audio’s exclusive Automatic Room Optimization system.
As you can see from this brief introduction, there is a lot of technology in
this in-wall subwoofer. e contents of this manual will explain the features,
guide you through the setup and tuning of your Fathom subwoofer and help you
achieve your ultimate low-frequency listening experience.
IMPORTAN T
If you require assistance, we urge you to contact your authorized
JL Audio retailer for expert setup advice and service.
IMPORTANT! IT IS A VERY GOOD IDEA TO READ THE NEXT SECTION BEFORE
UNPACKING YOUR FATHOM IWS. UNPACKING THE SUBWOOFER NEAR ITS
FINAL LOCATION IS RECOMMENDED.
Page 5 | Fathom IWS
PLACING YOUR FATHOM IWS CABINETS IN YOUR LISTENING ROOM:
Your listening room or theater is an integral part of your sound reproduction
system. e physical dimensions of the room and its furnishings, materials,
doors and windows play an important role in dening how your system sounds.
When you place a sound source in an enclosed rectangular space, “standing
waves” are created, resulting from the relationship between the sound’s
wavelength and your room’s dimensions. In other words, standing waves result
from sound energy that is trapped in the room as it bounces back and forth
between opposing walls. Standing waves in the room create acoustic peaks and
dips where the sound is either louder or soer, based solely on your physical
position in the room. Energy also “builds up” at the room’s boundaries, creating
exaggerated bass response at certain frequencies. ese fundamental room
resonances are called room “modes.”
e moral of this mode story is to try and avoid seating positions in standing
wave peak or dip regions. It is highly recommended that you place your listening
chairs in areas where modal peaks and dips are moderate and do not reinforce
one another. e two most obvious areas to avoid are those near the exact center
of the room and those close to any of the room’s walls.
Just as your listening seat can be in a peak or dip region, so can your
subwoofer. When placed in a room corner, a subwoofer maximally excites the
room’s mode structure, creating the strongest output with the fewest dips. When
the subwoofer is pulled away from a corner or wall, the room modes are excited
less, which can alter the sound at your listening seat.
Be sure to experiment with both your listening seat position and subwoofer
position to nd the best solution. Careful experimentation usually leads to a
superior sounding system. Use our setup suggestions (illustrated on the opposing
page and the following pages) to get you started.
If you cannot avoid placing your sofa against the back wall or your
subwoofer in a less than optimal position, all is not lost. Your Fathom IWS’s
Automatic Room Optimization (A.R.O.) System can dramatically improve
these less-than-ideal situations.
We recommend that you begin by placing your Fathom IWS enclosure in
the front of the room, near the front le or right speaker, but not directly in
the corner of the room. Because the IWS enclosures are built into the walls,
you cannot move them later if the corner-loaded bass turns out to be too strong.
Please refer to the following illustrations for further placement ideas.
We recommend that you avoid placing the Fathom IWS enclosures near
windows to prevent rattling and sound transmission to the outside world.
If you are planning to install your Fathom
IWS amplier inside a cabinet, please refer
to the guidelines on page 8.
| Fathom IWSPage 6
Recommended Subwoofer Placement Options for One Fathom IWS Enclosure
MORE INTENSE
AVOID
CORNER
PLACEMENT
SMOOTHER
RECOMMENDED
SUBWOOFER
PLACEMENT
ZONES
(For Single Subwoofer)
MORE INTENSE
SMOOTHER
AVOID
CORNER
PLACEMENT
COMPROMISED SEATING POSITIONS
(Results in weaker, uneven bass performance)
BEST SEATING POSITIONS
(Most accurate bass performance)
COMPROMISED SEATING POSITIONS
(More intense, but less accurate bass performance)
CENTERLINE OF ROOM
APPROX. 1/3 OF TOTAL ROOM
LENGTH AWAY FROM BACK WALL
CLOSE TO BACK WALL OF ROOM
WORST
SEAT
Page 7 | Fathom IWS
SPECIAL AMPLIFIER CONSIDERATIONS FOR RACK MOUNTING
OR CUSTOM CABINET INSTALLATIONS
Fathom IWS ampliers are designed to be “built-in” friendly. All typically
needed controls are located on the front panel. A Fathom IWS amp can be easily
integrated into an equipment rack or custom cabinetry by following a few simple
guidelines.
1) Allow adequate clear space around the Fathom IWS amp’s side-mounted
heatsinks for adequate cooling. Also allow space behind the amp for
connector clearance.
2) e Fathom IWS amp ships ready to be mounted in a standard
equipment rack.
3) e Fathom IWS amplier also includes table-top hardware. Special front-
panel end covers that replace the rack ears and rubber feet are included
with the IWS amp. To use the amp on a table top, simply remove the hex
screws that attach the rack ears and then install the covers. e rubber
feet screw into threaded holes in the bottom of the amplier case.
4) While the Fathom IWS amp generally runs only warm during spirited operation,
we do recommend that adequate heat vents are included in any custom cabinet
which encloses the Fathom IWS amp. A pair of 3 inch (7.5 cm) diameter
vents near the bottom of the cabinet and near the top of the cabinet, will allow
cool air to circulate over the heatsinks of your Fathom IWS amp keeping it cool
and happy.
Rack Ears
End Covers
| Fathom IWSPage 8
Using Two Fathom IWS Enclosures
When using two Fathom IWS
boxes, try placement along the front
wall near the front le and right
speakers, or at the center points of
opposing walls as shown at right.
Experimentation with listener
placement is recommended to
achieve the best results – the
benets can be substantial.
High-resolution measurements
and professional system calibration
are recommended for the best possible
results & system performance.
Recommended Subwoofer Placement Options for Two Fathom IWS boxes
Page 9 | Fathom IWS
Recommended Subwoofer Placement Options for Three Fathom IWSs
1 2
1 2
3
3
Using Three or Four Fathom IWS
boxes
Research indicates that the
smoothest bass response for a large
listening area can be achieved using
four subwoofers, placing one at
the midpoint of each of the four
walls (although using two or three
subwoofers can be almost as good).
Experimentation with
subwoofer and listener
placement is recommended to
achieve the best results – the
benets can be substantial.
High-resolution measurements
and professional system calibration
are recommended for the best possible
results & system performance.
Recommended Subwoofer Placement Options for Four Fathom IWSs
1 2
1
3 4
3
24
1 2
3 4
| Fathom IWSPage 10
Front Control Panel
e labeled Figure below depicts the front control panel of a Fathom IWS subwoofer.
A.R.O.
page 12-13
Power
page 12
Level Mode
Input Mode
page 13
page 13
Master Level
page 14
Lights
page 14
LP Filter
page 14
Rear Controls and Connectors
e labeled Figure below depicts the rear panel of a Fathom IWS subwoofer.
Unbalanced
Inputs
page 17
Isolated/Grounded
Switch
page 18
Input Mode
Switch
page 20
Subwoofer
Output(s)
LP freq. (H z)
page 14
e.l.f. trim (dB)
page 15
phase (deg.)
page 15
Polarity
page 15
IEC-Style AC
Connector
page 19
Balance d
Inputs
page 16
Output to
Slave Connector
page 19
Page 11 | Fathom IWS
FRONT PANEL CONTROLS IN DETAIL
Power Switch
e “Power” switch determines the operational readiness of the Fathom IWS
system and should be the only switch used to turn the Fathom IWS amp on and
o. Do not use a power strip switch, switched outlet or any other external switch as
these may result in undesirable and potentially damaging transient pops. Do not
unplug the Fathom IWS’s AC power cord while the unit is turned on.
e power switch has three positions:
“On”: e Fathom IWS amp is fully powered at all times. Front panel lights are
on unless they have been turned o via the “Lights” switch.
“O ”: e Fathom IWS’s power amplier is powered down. In this state, a
negligible current draw will exist for operating the main power relays. All front
panel lights are o .
“Aut o”: e Fathom IWS amp will power up when an audio signal is present at
any of its inputs and will power down the internal amplier if no signal has been
detected at its inputs for thirty (30) minutes. When dormant, the Fathom IWS will
draw a very small amount of current (< 10 watts) to power its signal-sensing circuitry.
Front panel lights will turn o when the Fathom IWS powers down and light when
the Fathom IWS powers up (unless they have been turned o via the “Lights” switch).
In the unlikely event that the Auto feature is not sensitive enough for a particular
system, use a Y-cable adaptor to split the incoming signal into both RCA or XLR
inputs on the Fathom IWS. is will increase the input sensitivity by 6 dB. Please
be aware that if the Auto sensitivity is too high or if there is signicant noise on the
input cable, the Fathom IWS may not turn o as desired. If this happens, remove
the Y-cable adaptor or look for the noise source in the upstream components.
IMPORTAN T
PROCESSOR (BALANCED OUTPUTS) RECEIVER / PROCESSOR (UNBALANCED OUTPUTS)
PRE OUT
REAR CENTER
FRONT
FRONT
L
REAR
SUB
R
OUTPUTS
OR
FATHOM REAR CONTROLS (MASTER)
Automatic Room Optimization (A.R.O.)
A powerful feature of the JL Audio Fathom IWS subwoofers is their innovative
Automatic Room Optimization (A.R.O.) technology. is one-touch system serves
to eliminate the largest acoustic response peaks in your home theater at the main
listening seat, greatly improving the in-room low-frequency response. Calibration of
the A.R.O. system is fully automated. Please consult the next section of this manual
for details on how to use the A.R.O. system.
Using the included JL Audio calibration microphone, the A.R.O. calibration
procedure takes less than three minutes. In brief, you will connect the included
microphone to the “Calibration Mic.” input, press the Calibrate button, and then
hold the microphone at ear height in your main listening seat during the test. A
noise sequence will be played through the Fathom IWS subwoofer, and the room
response will be automatically measured, analyzed and equalized to eliminate
the single largest acoustic room response peak at your listening seat. For detailed
instructions on the A.R.O. setup procedure, refer to pages 29-30.
Calibration Mic. Input
is input is for connecting the supplied JL Audio calibration microphone to the
Fathom IWS subwoofer. Connect one end of the supplied cable to the microphone
and the other end to this jack prior to using the A.R.O. system. e A.R.O. system
is specically calibrated to this microphone and its connection scheme is specic to
the supplied microphone. e calibration sequence will not operate when a dierent
microphone is connected or if no microphone is connected.
| Fathom IWSPage 12
Demo Button
e Demo button triggers a 20 second long tone sequence that briey
demonstrates the sound of the Fathom IWS subwoofer. e Demo function is useful
for showcasing the output capability of the Fathom IWS and to verify that the Fathom
IWS (or multiple Fathom IWSs) are operational during system troubleshooting.
e Demo button is also used (in combination) to clear (return to at) the A.R.O.
equalizer settings. To clear the A.R.O.’s settings & turn o the Calibrate light,
press and hold the Demo button and then press the Defeat button. Please note that
you must perform this button sequence quickly. If you hold the Demo button for
more than 2 seconds without touching the Defeat button, the Demo tones will start.
Should this happen, simply wait for the Demo sequence to end and try again.
Defeat Button
If “Demo” or “Calibrate” is pressed while the defeat function is active, “Defeat”
is automatically canceled. No other front panel controls will alter the A.R.O. Defeat
state. e Fathom IWS’s Defeat setting is stored in non-volatile memory and will not
change even if power is disconnected.
e Defeat button is also used (in combination) to clear (return to at) the A.R.O.
equalizer settings. To clear the A.R.O.’s settings & turn o the Calibrate light,
press and hold the Demo button and then press the Defeat button. Please note that
you must perform this button sequence quickly. If you hold the Demo button for
more than 2 seconds without touching the Defeat button, the Demo tones will start.
Should this happen, simply wait for the Demo sequence to end and try again.
Calibrate Button
During the ARO test sequence the Calibrate button’s green LED will blink quickly
to alert the user to two special conditions:
1. “JL Audio Microphone NOT Connected”: If you forget to connect the mic
before trying to start a Calibration you will get this alert. Press the Calibrate button
once to cancel the alert, connect the A.R.O. microphone, and try again.
2. “Inappropriate Sound Level for A.R.O. Calibration”: Since the A.R.O.
sequence is completely automatic, this alert likely indicates a problem with the
microphone. Press the Calibrate button once to cancel the alert. Ensure that the JL
Audio microphone is properly connected and try again. For further help, please refer
to Troubleshooting on page 33.
Input Mode Indicators
e Input Mode indicator LEDs show the input mode, either “Master” or “Slave”,
selected by the switch on the Fathom IWS’s back panel (unless the “Lights” switch is
set to “o”). For further details, see page 20.
Level Mode
e two-position Level Mode switch allows you to select between
the following modes:
“Reference” - In this mode, the Master Level control knob has no eect on the
Fathom IWS’s output level. Use this setting if you will primarily be controlling the
subwoofer level via your receiver or preamplier/processor. For those of us with
small children or overenthusiastic teenagers, this mode of operation will prevent
direct manipulation of the Master Level.
“Variable” - In this mode, the Master Level control knob determines the output
level of the Fathom IWS subwoofer. is mode is also useful when level matching
the Fathom IWS subwoofer to a pair of stereo speakers in a two-channel system.
Page 13 | Fathom IWS
Master Level Knob
e Master Level Knob is used to control the output level of the Fathom IWS
when the Variable Level mode is selected on the front control panel.
When rotated fully counter clockwise, the Fathom IWS’s output will be fully
muted. When at the “0” or straight up position, the Variable gain level matches
the Reference level setting. When turned fully clockwise, the Fathom IWS’s
output level is 15 dB higher than the Reference setting.
Lights
e “Lights” selector switch allows the user to select one of three indicator
light modes.
“O” turns o all of the front panel LED’s at all times.
“Dim” sets all of the front panel LEDs to a low brightness level when the
Fathom IWS is turned on.
“On” sets all of the front panel LEDs to full brightness level when the Fathom
IWS is turned on.
IMPORTANT: WHEN TROUBLESHOOTING OR CALIBRATING THE A.R.O.
FEATURE, MAKE SURE THAT THE “LIGHTS” SWITCH IS SET TO “DIM” or “ON.”
LP Filter
e Low Pass (LP) Filter selector switch determines the operating mode of the
Fathom IWS’s built-in low pass lter.
“O” defeats the low pass lter, completely removing this circuit from the
signal path.
“12 dB” sets the roll o slope of the low pass lter to a 12 dB per octave slope
(Butterworth alignment).
“24 dB” sets the roll o slope of the low pass lter to a 24 dB per octave slope
(Linkwitz-Riley alignment).
e 24 dB setting more aggressively attenuates high frequencies above the
LP Frequency setting (see below). If you are using the Fathom IWS’s built-in
low pass lter, experiment with the LP Filter slope setting to achieve the best
transition to your satellite speakers. If you prefer to use the lters and bass
management features in your receiver or preamplier, defeat the
on-board lter by selecting the “O” position.
If the Fathom IWS enclosure is placed close to the listening position, it may
be very easy to localize the sub’s output. Experiment with the low pass lter to
make the subwoofer less easy to localize.
IMPORTAN T
LP Freq
e Low Pass (LP) Frequency selector knob allows the user to choose the
roll-o frequency of the Fathom IWS’s internal low pass lter. e frequency is
variable between 30 Hz (full counter-clockwise) to 130 Hz (full clockwise). is
knob does not aect the input signal in any way if the LP Filter switch is set to
“O”. 80 Hz is a commonly used lter frequency and usually serves as a good
starting point for adjustments.
| Fathom IWSPage 14
E.L.F. Trim
e Extreme Low Frequency (“e.l.f. trim”) knob allows the user to apply a
certain amount of signal equalization at 23 Hertz (extremely low bass). At full
counterclockwise rotation, the signal at 23 Hz is cut by 12 dB. At “0” the equalizer is
set at for zero contribution to the signal. At full clockwise rotation, the signal at 28
Hz is boosted by 3 dB.
e E.L.F. Trim feature is useful for tailoring the Fathom IWS’s very low
frequency output for your particular room. Adding some boost can make certain
material more exciting. Using the cut function can help to compensate for room
or boundary gain in the low frequencies. Room boundaries and the room’s nite
(limited) size naturally cause very low frequencies to be boosted relative to other parts
of the signal. As such, using the E.L.F. Trim feature to cut the lowest frequencies can
help to tame “bloat” or unnatural sounding low bass in small to medium sized rooms
(and can also reduce unwanted vibrations in the room or throughout the house).
e E.L.F. function aects frequencies 2 to 3 times higher than the 23 Hz
specication. is frequency tapering eect may reduce the overall output of the
subwoofer and require the user to increase the Main Level control aer adjusting the
E.L.F. Trim.
Polarity
e Polarity switch allows the user to select between normal (0 deg) and reversed
(180 deg) signal polarity. e Polarity switch will primarily aect the small frequency
range around the crossover point between your subwoofer and satellite speakers.
Unlike the Phase control, which eectively adds time delay, the Polarity switch
produces an instantaneous reversal of the signal’s amplitude peaks. For example, if
at a given reference point a sine wave has an amplitude peak, by ipping the phase
switch you instantly convert that peak into a trough or amplitude dip. Because the
eect of the Polarity switch is immediate, it compliments the operation of the Phase
control and cannot be replaced by it.
When placing your Fathom IWS in the room, experiment with the Polarity switch
before adjusting the “Phase” control. Either position of the Polarity switch may
provide a smoother transition between your Fathom IWS subwoofer and the satellite
speakers. Use source material with good mid and upper bass content for evaluation.
Phase
e Phase control knob allows the user to adjust the “timing” of the subwoofer
output relative to the main speakers. e Phase control will primarily aect the small
frequency range around the crossover point between your subwoofer and satellite
speakers. e Phase control’s labels are referenced to 80 Hz since this is the most
common crossover point between satellite speakers and a subwoofer. Phase settings
between 0 degrees (full counter-clockwise rotation) and 270 degrees (full clockwise
rotation) are possible.
Speaker, subwoofer, and listening seat positions vary greatly in home theater
installations. Since physical positioning of speakers relative to the room boundaries
and each other greatly aects the perceived quality of sound output, sometimes it is
helpful to delay the subwoofer output. is is exactly what occurs when you turn the
Phase control beyond 0 degrees.
Once your Fathom IWS has been placed in your listening room to give you the
smoothest overall sound and aer you have determined the optimum “Polarity”
switch position (see preceding section), experiment with the position of the Phase
control. Using familiar source material with good mid and upper bass content, adjust
the Phase control and listen for better dened mid-bass and a smoother transition
between the subwoofer and satellite speaker systems. If no single setting sounds
better than another, leave the Phase control at 0 degrees.
Page 15 | Fathom IWS
CONNECTING YOUR Fathom IWS
Balanced Inputs
If your home-theater receiver or preamplier/processor provides balanced
outputs, the Fathom IWS amp’s balanced inputs are the preferred connection.
Balanced connections are used extensively in professional studios and sound
reinforcement applications for a number of very good reasons. Besides ensuring
proper grounding between components, balanced signal transmission is designed
to cancel induced cable noise from the surrounding environment (particularly
important with long cable runs). e bottom line is that your system will be far
less likely to exhibit humming or other extraneous noises if you use balanced
connections.
e Fathom IWS subwoofers feature individual le and right balanced
input connections with XLR “combo” jacks. ese special jacks accept either a
three-pin male XLR connector or a “tip-ring-sleeve” (TRS) 1/4-inch (6.3 mm)
connector for compatibility with a wide range of equipment.
For systems with a mono subwoofer or “LFE” channel connection, only the
jack labeled “Le or Mono” will be used. is applies to most modern multichannel receivers and preamplier/processors. Separate le and right input jacks
are provided for systems without a dedicated mono subwoofer connection. is
typically applies to two-channel audio equipment.
Appropriate balanced cables are available from your JL Audio dealer and are
not included with the Fathom IWS.
Technical Notes:
• Do not use the balanced inputs with unbalanced signals via adaptors. e
unbalanced inputs of the Fathom IWS are optically isolated and preferable in
situations where only an unbalanced signal source is available. Balanced input
impedance is 10 kohms.
• Input connectors are congured according to Audio Engineering Society
recommendations for balanced signal cables as follows:
XLR Connection
Pin 1: Shield
Pin 2: Positive
Pin 3: Negative
TRS connection:
Tip: Positive
Ring: Negative
Sleeve: Shield
e Le and Right inputs on the Fathom
IWS are internally summed to a single
mono channel. Since the Fathom IWS
is inherently a “mono” or single channel
device, you can use the Le and Right
inputs for the master Fathom IWS and
then distribute the summed mono signal
to additional slave Fathom IWSs in the
system.
IMPORTANT: IF YOUR RECEIVER OR PREAMPLIFIER/PROCESSOR DOES NOT
HAVE XLR OR 1/4-INCH TRS BALANCED OUTPUTS, PLEASE REFER TO THE
“UNBALANCED INPUTS” SECTION ON PAGE 17 FOR INPUT CONNECTION
INFORMATION. DO NOT ATTEMPT TO CONNECT UNBALANCED OUTPUTS
TO THE Fathom IWS’S BALANCED INPUTS VIA ADAPTORS.
IMPORTAN T
| Fathom IWSPage 16
Unbalanced Inputs
e Fathom IWS subwoofer amp features individual le and right unbalanced
RCA-type input connectors. ese are the most commonly used connectors
for home audio applications and must be used if your receiver or preamplier/
processor does not provide balanced outputs. While unbalanced connections are
not as noise-immune as a balanced connection, Fathom IWS subwoofers employ
optical isolation on the unbalanced inputs to minimize the possibility of noise in
your system.
For systems with a mono subwoofer or “LFE” channel connection, only
the RCA-type jack labeled “Le or Mono” will be used. is applies to most
modern multi-channel receivers and preamplier / processors. Separate le and
right RCA-type input jacks are provided for systems without a dedicated mono
subwoofer connection. is typically applies to two-channel audio equipment.
Technical Notes:
• When balanced outputs are not available on the signal source, you must use
the RCA-type unbalanced inputs. Fathom IWSs feature optical isolation
circuitry on the unbalanced inputs to minimize the likelihood of ground
loop induced noise. Unbalanced input impedance is 10 kohms.
• Connections are industry-standard for unbalanced signal cables as follows:
RCA-type connection:
Tip: Positive
Sleeve: Negative
IMPORTAN T
IMPORTANT: IF NOISE EXISTS AFTER CONNECTION, Fathom IWS AMPS
ALLOW FOR GROUNDING OR ISOLATION OF THE UNBALANCED INPUTS.
PLEASE REFER TO THE “INPUT MODE SWITCHES” SECTION ON PAGE 20 OF
THIS MANUAL FOR FURTHER INFORMATION ON MINIMIZING NOISE.
Page 17 | Fathom IWS
Input Mode Switches:
Two switches are located on the rear panel to control unbalanced signal
grounding and master/slave operation.
“Grounded / Isolated” Switch
e “Grounded / Isolated” Input Mode switch aects only the unbalanced
RCA inputs and is designed to facilitate a quiet, hum-free connection to your
audio or home theater system. is feature is included to deal with the signal
grounding issues oen encountered in home theater systems when several
components from dierent manufacturers are interconnected.
e Fathom IWS ships with this switch in the “Isolated” mode. If, with all
system components connected and turned on (but no source material playing), you
hear a continuous low-frequency hum through your Fathom IWS, ip this switch
to the “Grounded” position and evaluate the dierence in the noise level. Use
whichever switch position provides the least hum or noise.
IMPORTANT: PLEASE NOTE
THAT CHANGING ANY COMPONENT IN THE OPTIMIZED SYSTEM (RECEIVER,
AMPLIFIER, DVD PLAYER, CABLE OR SATELLITE BOX, ETC.) COULD ALTER THE
SIGNAL GROUNDING SCHEM E AND CAUSE HUM TO APPEAR IN YOUR PREVIOUSLY
QUIET SYSTEM. IF YOU ADD OR CHANGE AN UPSTREAM COMPONENT IN YOUR
HOME THEATER SYSTEM, YOU MAY NEED TO REVISIT THIS INPUT MODE SET TING
ON THE Fathom IWS SUBWOOFER FOR OPTIMUM NOISE PERFORMANCE. CABLE
& SATELLITE BOXES ARE PARTICULARLY TROUBLESOME IN THIS WAY.
IMPORTAN T
Master / Slave Switch
e Fathom IWSs are designed to easily accommodate the implementation
of multiple subwoofers in your home theater system through a Master/Slave
connection chain. is method allows you to utilize the signal processing
features of one Fathom IWS to centrally control multiple Fathom IWSs in the
room. Master/Slave functionality also makes it possible for the A.R.O. system to
optimize the response of a multiple subwoofer installation.
e Fathom IWS ships with this switch in the “Master” position. If you are
using a single Fathom IWS you will use the “Master” position and you need not
concern yourself with this section any further.
If your installation incorporates two or more Fathom IWS ampliers, you will
designate one Fathom IWS as the “Master” and all others in the system as “Slave”
via the “Master/Slave” switch on the rear amplier panel of each Fathom IWS.
LED’s on the front panel of the Fathom IWS are provided to indicate whether the
“Master” or “Slave” mode is selected for a given subwoofer.
From the Fathom IWS operating in “Master” mode, the “Output to Slave”
signal carries any signal processing selected on the Master Fathom IWS
(including the Master Level setting and A.R.O. processing) to further Fathom
IWSs operating in “Slave” mode. “Slave” subwoofer signal processing and level
controls will be inoperable. In this mode, the user does not have to worry about
level, crossover, and other settings for the slave subwoofers.
Technical Notes:
• Selecting the “Slave” position defeats all user-denable signal processing and
the master level control. Because of this, there are some special situations
in which you may want to operate a single Fathom IWS in “Slave” mode. If
you are utilizing outboard signal processing and level-matching controls,
activating the “Slave” mode will prevent anyone from aecting system
parameters with the manual controls on the Fathom IWS.
| Fathom IWSPage 18
IMPORTAN T
IMPORTANT: PLEASE REFER TO THE “SYSTEM CONNECTION DIAGRAMS”
ON PAGES 26-29 FOR MORE INFORMATION ON USING THE INPUT / OUTPUT
CONNECTIONS.
“Output to Slave” Connector
If you are operating more than one Fathom IWS subwoofer in one home
theater system, you will designate one Fathom IWS as the Master (see page 20),
and then feed signal from it to the remaining “Slave” Fathom IWSs via this
balanced XLR output. e “Output to Slave” cable can be connected to the “Le
or Mono” balanced XLR input on the next Fathom IWS. When a Fathom IWS is
in “Slave” Mode, its “Output to Slave” connection can be used to pass signal to
further Fathom IWSs operating in “Slave” mode.
e “Output to Slave” connector is designed to be used as follows:
1) From the “Master” Fathom IWS’s “Output to Slave” connector to the rst
“Slave” Fathom IWS’s “Le or Mono” XLR balanced input.
2) From the rst “Slave” Fathom IWS’s “Output to Slave” connector to the
second “Slave” Fathom IWS’s “Le or Mono” XLR balanced input.
3) From the second “Slave” Fathom IWS’s “Output to Slave” connector to
the third “Slave” Fathom IWS’s “Le or Mono” XLR balanced input. Etc,
etc. (up to ten Fathom IWSs may be connected in this conguration).
Appropriate balanced cables with XLR terminations are available from
your JL Audio dealer and are not included with the Fathom IWS.
Technical Notes:
• e “Output to Slave” signal carries any signal processing selected on
the Master Fathom IWS (including the Master Level setting and A.R.O.
processing) to further Fathom IWSs operating in “Slave” mode.
• From Fathom IWSs operating in “Slave” mode, the “Output to Slave”
signal is an exact, buered replica of the balanced input signal, making this
method of signal distribution preferable to using
Y-adapters or splitters.
• Use only shielded, connection cables with high quality
XLR connectors for Master/Slave connection. Never use unbalanced cables
with adaptors.
IEC-Style AC Connector
e IEC-style AC cord receptacle receives the heavy-gauge, 6 . (1.8 m) long,
power cord included with your Fathom IWS subwoofer. Your Fathom IWS should
only be powered from a 120 V AC, 60 Hz outlet. Do not use any AC power cord
other than the one supplied with the Fathom IWS.
e Fathom IWS subwoofer is a very powerful device and can draw a lot of
current. If too many components are connected with a Fathom IWS subwoofer
to one electrical outlet, you risk tripping a household circuit breaker during
very demanding program material. If this happens, split the Fathom IWS and
other components between two AC electrical circuits. If possible, for maximum
performance, dedicate an AC circuit to each Fathom IWS.
Page 19 | Fathom IWS
PROCESSOR (BALANCED OUTPUTS) RECEIVER / PROCESSOR (UNBALANCED OUTPUTS)
OUTPUTS
OR
FATHOM REAR CONTROLS (MASTER)
FRONT
FRONT
PRE OUT
REAR CENTER
L
REAR
R
SYSTEM CONNECTION DIAGRAM 1:
One Fathom IWS to
Home Theater Receiver or
Home Theater Preamp/Processor
Most home theater receivers and
SUB
preamp/processors provide a single
(mono) subwoofer output. When
connecting a mono subwoofer output
to your Fathom IWS, you will only use the
Fathom IWS’s “Le or Mono” input.
Two connection types are available
for connecting the Fathom IWS to your
home theater system: balanced (XLR or
1/4-inch TRS connector) and unbalanced
(RCA-type connector). Balanced
connections provide superior noise
rejection and ensure proper grounding
between components. If your receiver or
processor has balanced outputs, we highly
recommend that you use them.
In the connection diagram at le,
balanced connections are shown as solid
lines, unbalanced connections are shown
dotted. You will only use one of these
input connection methods (not both).
WARNING! TURN OFF THE Fathom IWS AND ALL OTHER EQUIPMENT IN
THE SYSTEM BEFORE MAKING OR CHANGING ANY CONNECTIONS!
WARNING
| Fathom IWSPage 20
SYSTEM CONNECTION DIAGRAM 2:
PROCESSOR (BALANCED OUTPUTS) RECEIVER / PROCESSOR (UNBALANCED OUTPUTS)
Multiple Fathom IWSs to
Home Theater Receiver or
Home Theater Preamp/Processor
To greatly simplify using multiple
subwoofers in a single home theater
system, Fathom IWSs incorporate a
“Master/Slave” signal distribution system.
is allows control of all the Fathom IWSs
in a system from a single “Master” unit.
First, you will select one of the Fathom
IWS subwoofers as the “Master” via its
upper “Input Mode” switch. Generally,
you will designate the Fathom IWS closest
to the receiver/preamp as the master. In
some cases; for example, when the control
panel of certain units is dicult to access,
you may prefer to designate the one which
is easiest to access as the master.
Two connection types are available
for connecting the master Fathom IWS
to your home theater system: balanced
(XLR or 1/4-inch TRS connector) and
unbalanced (RCA-type connector).
Balanced connections provide superior
noise rejection and ensure proper
grounding between components. If
your receiver or processor has balanced
outputs, we highly recommend that you
use them to connect to the Fathom IWS
designated as the master.
In the connection diagram at right,
balanced connections are shown as solid
lines, unbalanced connections are shown
dotted. You will only use one of these
input connection methods for the Fathom
IWS designated as the master (not both).
e remaining Fathom IWSs in the
system will be congured as “Slave” units
via their “Input Mode” switches. Using
balanced XLR cables, you will connect
the master Fathom IWS’s “Output to
Slave” to the “Le or Mono” balanced
input of the rst slave Fathom IWS. at
slave unit’s “Output to Slave” connector
will feed the “Le or Mono” input of
the next slave unit via another balanced
XLR cable. Subsequent slave units will
be connected in the same manner.
OUTPUTS
OR
FATHOM REAR CONTROLS (MASTER)
FATHOM REAR CONTROLS (SLAVE)
TO ADDITIONAL FATHOMS
(IF APPLICABLE)
FRONT
FRONT
PRE OUT
REAR CENTER
L
REAR
R
SUB
IMPORTAN T
Connections between the “Master”
and “Slave” Fathom IWSs and
between “Slave” Fathom IWSs are
via balanced XLR cables ONLY.
WARNING
WARNING! TURN OFF THE Fathom IWS(S) AND ALL OTHER EQUIPMENT IN
THE SYSTEM BEFORE MAKING OR CHANGING ANY CONNECTIONS!
Page 21 | Fathom IWS
STEREO ACTIVE CROSSOVER (BALANCED OUTPUTS)
LOW OUT
(SUB OUT)
FATHOM REAR CONTROLS (MASTER)FATHOM REAR CONTROLS (MASTER)
STEREO ACTIVE CROSSOVER (UNBALANCED OUTPUTS)
LOW OUT
(SUB OUT)
OR
SYSTEM CONNECTION DIAGRAM 3:
One Fathom IWS in Mono to
Two-Channel Audio System
When connecting a Fathom IWS (or
RIGHTLEFT
multiple Fathom IWSs) in mono to a twochannel audio system you will use both
the “Le or Mono” and the “Right” inputs.
Summing circuitry in the Fathom IWS’s
input section will sum the stereo signals
to mono.
We strongly recommend that you
use a high-quality active crossover to
divide your preamplier’s signals prior
to connection to the Fathom IWS and
to the amplier driving your main
speakers. is will allow you to lter low
frequencies out of the signals driving
the main speakers, resulting in better
performance.
If you are not using an active crossover
and are comfortable running your main
speakers full-range, you can split your
preamplier’s output signals using
appropriate Y-connectors in place of the
active crossover shown in the diagram.
Two connection types are available
for connecting the Fathom IWS to your
two-channel audio system: balanced
(XLR or 1/4-inch TRS connector) and
unbalanced (RCA-type connector).
Balanced connections provide superior
noise rejection and ensure proper
grounding between components. If your
preamplier or active crossover oers
balanced outputs, we highly recommend
that you use them.
In the connection diagram at le,
balanced connections are shown as solid
lines, unbalanced connections are shown
dotted. You will only use one of these
input connection methods (not both).
NOTE: If desired, additional Fathom
IWSs can be connected in “Slave” mode to
the Fathom IWS connected as shown on
this diagram. See “Connection Diagram
2” on page 23 for slave connection
explanation.
WARNING! TURN OFF THE Fathom IWS AND ALL OTHER EQUIPMENT IN
THE SYSTEM BEFORE MAKING OR CHANGING ANY CONNECTIONS!
WARNING
| Fathom IWSPage 22
SYSTEM CONNECTION DIAGRAM 4:
Two Fathom IWSs in Stereo to
Two-Channel Audio System
When connecting two Fathom IWSs
in stereo to a two-channel audio system
you will only use the “Le or Mono”
inputs of each Fathom IWS. e “Input
Mode” switch on each Fathom IWS will
be set in the “Master” position.
We strongly recommend that you
use a high-quality active crossover to
divide your preamplier’s signals prior
to connection to the Fathom IWS and
to the amplier driving your main
speakers. is will allow you to lter low
frequencies out of the signals driving
the main speakers, resulting in better
performance.
If you are not using an active crossover
and are comfortable running your main
speakers full-range, you can split your
preamplier’s output signals using
appropriate Y-connectors in place of the
active crossover shown in the diagram.
Two connection types are available
for connecting the Fathom IWSs to your
two-channel audio system: balanced
(XLR or 1/4-inch TRS connector) and
unbalanced (RCA-type connector).
Balanced connections provide superior
noise rejection and ensure proper
grounding between components. If your
preamplier or active crossover oers
balanced outputs, we highly recommend
that you use them.
In the connection diagram at right,
balanced connections are shown as solid
lines, unbalanced connections are shown
dotted. You will only use one of these
input connection methods (not both).
NOTE: If desired, additional Fathom
IWSs can be connected in “Slave” mode to
each Fathom IWS connected as shown on
this diagram. See “Connection Diagram
2” on page 23 for slave connection
explanation.
STEREO ACTIVE CROSSOVER (BALANCED OUTPUTS) STEREO ACTIVE CROSSOVER (UNBALANCED OUTPUTS)
LOW OUT
(SUB OUT)
OR
FATHOM REAR CONTROLS (MASTER)
FATHOM REAR CONTROLS (MASTER)
LOW OUT
(SUB OUT)
RIGHT LEFT
WARNING
WARNING! TURN OFF THE Fathom IWS(S) AND ALL OTHER EQUIPMENT IN
THE SYSTEM BEFORE MAKING OR CHANGING ANY CONNECTIONS!
Page 23 | Fathom IWS
RECOMMENDED SETUP PROCEDURES
1) Preparation for Setup Process: ..................................... 24-25
2) Apply A.R.O: .................................................... 26-27
3) Level Setting: ....................................................... 27
4) Polarity/Phase Adjustment: ........................................... 28
5) Adjust E.L.F. Trim: .................................................. 28
PREPARATION FOR SETUP PROCESS:
Please conrm the following system settings before beginning the setup
process. is will ensure a neutral starting point and an eective setup of your
subwoofer system.
On your Home Theater Receiver or Preamp/Processor:
Before beginning setup of your Fathom IWS subwoofer system we
recommend that you set your receiver or preamp/processor as follows:
1. Speaker Size
In the speaker setup menu of your receiver or preamp/processor, set up all of
your high-frequency speakers as “small” with a crossover point of 80 Hz. is
will send ALL bass to the Fathom IWS(s).
2. Speaker Distance
In the speaker setup menu, properly set all speaker distances to the primary
listening seat, including the subwoofer’s distance. Use a tape measure to
determine these distances (time coherence is important.) If multiple Fathom
IWSs are being used, average their distances to the primary listening seat and
use that number to set the subwoofer distance.
3. Subwoofer Level
Set the subwoofer level in the receiver or preamp/processor “0” or its
middle position.
4. Tone Controls / Equalizers
Set all tone controls to “0” and defeat all equalizer features.
On your Active Crossover or Bass Management Processor:
If you are using an active crossover or bass-management processor, we
recommend that you set it as follows before beginning setup of your Fathom IWS
subwoofer system (please turn o all Fathom IWSs in the system prior to making
these adjustments):
1. Low-Pass Filter Frequency
Select a low-pass lter frequency of 80 Hz (12dB/octave slope)
2. High-Pass Filter Frequency
Select a high-pass lter frequency of 80 Hz (12dB/octave slope)
3. Low-Pass (Subwoofer) Output Level
Set the subwoofer output level to “0” or its middle position.
| Fathom IWSPage 24
On the Fathom IWS’s Front Panel:
Please turn o the home theater receiver or preamp/processor to make these
adjustm ents.
1. “Power” Switch
Flip each Fathom IWS’s “Power” switch to the “On” position.
2. “Lights” Switch
Flip each Fathom IWS’s “Lights” switch to the “On” position. If you don’t see
any lights on the front panel, you may have forgotten to plug the Fathom IWS
in or there may be a problem with the electrical circuit.
3. “Input Mode” Indicator Lights
If you are using a single Fathom IWS, conrm that its “Input Mode” indicator
light is on the “Master” position. If not, you will need to access the “Input
Mode” switch on the rear panel of the Fathom IWS.
If you are using multiple Fathom IWSs in a Master/Slave conguration,
conrm that the unit connected directly to your receiver or preamp/processor
is indicating “Master” on its “Input Mode” lights and that all other units are
indicating “Slave” on their “Input Mode” lights. If not, you will need to access
the “Input Mode” switches on the rear panels of the Fathom IWSs.
3. “Level Mode” Switch
Flip the master Fathom IWS’s “Level Mode” switch to the “REF” position.
4. “LP Filter” Switch
If your home theater receiver/processor is handling bass management
(speakers set on “small”) or if you are using an outboard crossover/bassmanagement processor, ip the master Fathom IWS’s “LP Filter” switch to
“OFF.” If not, select the “12 dB” position.
5. “LP Freq. (Hz)” Knob
Rotate the “LP Freq.” knob to the “80 Hz” position.
6. “e.l.f. trim (dB)” Knob
Rotate the “e.l.f. trim” knob to “0”
7. “Polarity” Switch
Flip the “Polarity” switch to “0”.
8. “phase (deg.)” Knob
Rotate the “phase” knob to “0” degrees
9. A.R.O. Defeat Switch
Press the A.R.O. defeat switch so that the red light in the
switch remains lit.
Page 25 | Fathom IWS
RECOMMENDED SETUP PROCEDURES (continued)
Subwoofer System Setup:
Once you have set the controls on your home theater receiver or preamp/
processor and on your Fathom IWS(s) to the settings recommended on pages
24-25, you are ready to begin setting up your Fathom IWS for optimum
performance.
In some systems, the Fathom IWS amplier will be installed away from the
listening environment. For these cases, the ARO microphone cable will not be
long enough to perform the Calibration.
To facilitate Calibration with the Fathom IWS amplier in the listening
room, the Fathom IWS subwoofer enclosure includes front-mounted speaker
terminals (standard banana jacks - see gure). ese terminals will allow the
user to temporarily connect the amplier to the enclosure for Calibration,
even aer the enclosure is permanently installed in the wall cavity.
If your system has a Master / Slave conguration, you only need to have the
amplier designated as Master located in the listening room. You must run a
temporary XLR cable to the remotely located Slave unit(s).
1) Applying Automatic Room Optimization (A.R.O.)
You are now ready to apply the power of JL Audio’s exclusive Automatic Room
Optimization system. is system will measure the response of the subwoofer at
your primary listening seat and apply a powerful equalizer to tame the peaks caused
by room modes, resulting in smoother, more accurate bass performance. If you are
using multiple Fathom IWSs in a master/slave conguration, you will only need to
address the unit designated as “Master” to perform A.R.O. calibration for the entire
subwoofer system. Note that all front-panel signal processing is defeated during
A.R.O. calibration, regardless of the knob settings. Normal operation is restored
once calibration is complete.
IMPORTAN T
a) Set the Main Power switch to the “ON” position and be sure the Fathom IWS’s
indicator lights are switched “ON” via the “Lights” switch.
b) Remove the calibration microphone from its protective pouch and connect its
cable to the mini-XLR jack on the Fathom IWS’s front control panel.
NOTE: A.R.O. Calibration is only possible when the included JL Audio test
microphone is plugged in to the Fathom IWS front panel. e “Calibrate” feature
is disabled with no microphone plugged in to prevent accidental loss of settings.
c) Connect the microphone to the other end of the mic cable and temporarily place
the mic in the primary listening seat. If you have a microphone stand, you can
place the microphone at head height and position in the primary listening seat.
d) On the Fathom IWS’s control panel, press the “Calibrate” button. e green light
on the “Calibrate” button will ash slowly, indicating that calibration will begin
in 5 seconds.
| Fathom IWSPage 26
IMPORTAN T
IMPORTANT! MAKE SURE THE ROOM IS QUIET DURING A.R.O.
CALIBRATION! TURN OFF ANY NOISY APPLIANCES NEAR THE LISTENING
ROOM (DISHWASHERS, WASHING MACHINES, ETC.)
IT IS PARTICULARLY IMPORTANT TO TURN OFF AIR CONDITIONERS OR HEAT
PUMPS DURING CALIBRATION. THESE FORCED-AIR-TYPE HVAC SYSTEMS
CAN CREATE MODERATE LEVELS OF 15 – 20 HZ NOISE THAT MAY INTERFERE
WITH CALIBRATION.
e) Within 5 seconds of pressing the “Calibrate” button, return to your primary
listening seat and hold the microphone in your normal, seated head position at
the approximate height of your ears.
f) A noise sequence will be played through the Fathom IWS that sounds like hashy
static (like when your old FM radio was between stations). e sequence will
last approximately 3 minutes. During this process, the A.R.O. system is taking
a frequency response measurement at your seat and correcting the problems it
nds. e A.R.O. system also compensates for any before & aer level dierences
so that your subwoofer will have a similar perceived loudness aer the calibration
process. When A.R.O. is nished calibrating, the “Calibrate” button will light and
stay on, indicating a successful calibration.
Should you wish to run a new calibration, simply repeat the steps above.
To clear the A.R.O.’s settings (i.e., return them to at) & turn o the
Calibrate light, press and hold the Demo button and then press the Defeat
button. Please note that you must perform this button sequence quickly. If
you hold the Demo button for more than 2 seconds without touching the Defeat
button, the Demo tones will start. Should this happen, simply wait for the Demo
sequence to end and try again. You can perform a new calibration by following
the normal procedure outlined above.
2) Level Setting
Using familiar music or movie material with deep bass content, adjust the
subwoofer level to blend with the other speakers using your receiver or preamp /
processor’s subwoofer level control. is method is more immune to tampering
than using the Fathom IWS’s “Master Level” knob (think toddlers or curious
visitors).
In the unlikely event that the subwoofer level control in your receiver or
preamp/processor cannot be turned up enough to level match the Fathom IWS,
return that control to “0”. en, ip the Fathom IWS’s “Level Mode” switch to
“Variable” and with “0” as your reference point (REF mode gain and Variable “0”
gain are identical) use the “Master Level” control to level match the subwoofer
with the other speakers. MAKE NOTE OF THIS SETTING FOR FUTURE USE.
For more detailed information on your Fathom IWS’s level setting controls, please
refer to the “Level Mode” and “Master Level” sections on pages 15 - 16 of this manual.
Page 27 | Fathom IWS
3) Polarity and Phase Adjustment
It is oen helpful to have a second person operating these controls so that you
can easily hear the changes from the primary listening seat.
Listening to familiar source material (preferably music with good upper bass
and midbass response), ip the “Polarity” switch from “0” to “180” and listen for
dierences. e correct setting will sound most natural with the best upper bass
punch and articulation. If both sound similar, choose “0”.
Once Polarity is set, use the same music material to audition dierent “Phase”
control settings and choose the one that further enhances the upper and midbass
response. If you can’t hear a dierence, set the control to “0.”
4) Extreme Low Frequency (e.l.f.) Trim
Use the “e.l.f. trim” control to adjust the extreme low bass extension of the
Fathom IWS. is control allows -12 dB of cut or +3 dB of boost at 28 Hertz and is
particularly useful when using a Fathom IWS (or two) in a small to medium sized
home theater. Since smaller enclosed spaces help to boost the level of the lowest bass
frequencies, smaller theaters can be overwhelmed by the strong low-bass output of
the Fathom IWS subwoofer. is can create a “thick” or “bloated” character in the
lower bass region. Turning down the “e.l.f. trim” knob cuts the extreme low bass
level and alleviates this condition. Feel free to experiment and listen to a variety of
demanding material until you nd the best match for your room and your tastes.
Your Fathom IWS is now optimized for maximum bass performance at your
listening seat. Congratulations!
IMPORTANT! WRITE DOWN ALL SETTINGS PERFORMED IN STEPS 2-4 FOR
FUTURE REFERENCE.
IMPORTANT! IF YOU MOVE YOUR PRIMARY LISTENING SEAT IN THE
FUTURE, YOU WILL NEED TO RUN A.R.O. AGAIN. ANY PARTICULAR
CALIBRATION IS UNIQUE TO THAT PARTICULAR SUBWOOFER POSITION
AND LISTENING SEAT POSITION COMBINATION. SIMPLY FOLLOW THE
STEPS ABOVE TO CREATE A NEW CALIBRATION CURVE.
IMPORTAN T
IMPORTAN T
| Fathom IWSPage 28
FREQUENTLY ASKED QUESTIONS
Is the Fathom IWS magnetically shielded?
Fathom IWS subwoofers are not magnetically shielded. To avoid magnetic
distortion with certain television types, place the Fathom IWS at least 3-4 feet (1
- 1.5m) from your screen.
Will my electric bill be high if I leave the Fathom IWS in “Auto” mode?
When in “Auto” mode, the Fathom IWS amplier is only powered up when
a signicant signal is detected on the inputs. When powered down, only
“housekeeping” circuits remain on, which draw negligible amounts of power
from the wall (less than 10 watts).
Should I unplug my subwoofer during a thunderstorm or extended absence?
YES. You should unplug your Fathom IWS during (or before) thunderstorms.
is will prevent any possible damage from voltage spikes due to lightning. In
these conditions, it’s a good idea to unplug all of your audio / video components.
If you are going to be away from home for several days, it is also a good idea to
unplug your home theater components to prevent damage from unexpected
storms or power line conditions.
Page 29 | Fathom IWS
TROUBLESHOOTING
No sound from subwoofer.
1. Verify that Fathom IWS amp is plugged in, turned “ON” & that
front panel lights are “ON”. If the Fathom IWS amp will not
power up, check the circuit breaker that feeds its outlet.
2. Test subwoofer using DEMO button on front panel of amp– if sub emits demo
tones the subwoofer’s internal circuitry is ne and an input problem is likely. Check
the input cable connections at the Fathom IWS amp and at the receiver/preamp/
processor.
3. Verify that your receiver’s subwoofer settings have not changed.
4. If your other speakers play, but the Fathom IWS does not, try changing the cable
that connects the Fathom IWS to the system.
5. If the problem persists, call your dealer or JL Audio Technical Support
for assistance.
e bass level has changed.
1. Make sure your level settings (on the Fathom IWS amp and in your receiver/
preamp/processor) have not changed.
2. If you are using the Fathom IWS’s “Master Level” knob to set the subwoofer level,
conrm that the “Level Mode” switch is set to “Variable”.
3. Verify the position of the ELF Trim knob.
Hums or other unusual noises from your Fathom IWS
1. See Input Mode discussion on page 20 of this manual, especially if any upstream
components, cables, etc., have recently changed.
2. Turn o the Fathom IWS, disconnect all its input and output signal cables, turn the
Fathom IWS back on. If the noise disappears, the noise is being caused elsewhere
in your system - reconnect cables one at a time to help locate the problem.
Bass sounds “muddy” or “too heavy”.
1. Try decreasing the 23 Hertz level using the ELF Trim control. Muddy bass can
sometimes be caused by too much low frequency output in a moderately sized
room.
2. Decrease the overall subwoofer level.
3. Verify your receiver’s subwoofer settings.
4. Try a dierent main listening seat location. Changing your seating location can
have a HUGE eect on how your system sounds. See the placement discussion on
pages 6-10 of this manual.
A.R.O. Calibration attempt gives fast blinking Calibrate light
1. Be sure that the included JL Audio Microphone is properly plugged into the
front panel jack. Calibration will ONLY proceed with the JL Audio microphone
connected. Connecting any other mic will cause the calibration to fail.
2. If calibration fails with the JL Audio microphone properly connected, try running
calibration again with the microphone placed ~ 6 feet away from the Fathom IWS
speaker enclosure. If calibration fails again, the microphone or microphone cable
is bad and will need to be replaced. Contact JL Audio Customer Service.
| Fathom IWSPage 30
LIMITED WARRANTY / SERVICE INFORMATION
JL AUDIO warrants this product to be free of defects in materials and
workmanship for a period of three (3) years from the original date of purchase.
Damage caused by the following is not covered under warranty: accident,
misuse, abuse, product modication or neglect, failure to follow installation
instructions, unauthorized repair attempts, misrepresentations by the seller. is
warranty does not cover incidental or consequential damages and does not cover
the cost of removing or reinstalling the unit(s) or shipping the unit(s) to JL Audio
for service. Cosmetic damage due to accident or normal wear and tear is not
covered under warranty.
is warranty is not transferable and applies only to the original purchaser
of the product from an authorized JL AUDIO dealer. Warranty is voided if the
factory-applied product serial number is removed or defaced.
Should service be necessary under this warranty for any reason due to
manufacturing defect or malfunction, JL AUDIO will, at its discretion, repair or
replace the defective product with new or remanufactured product at no charge.
Any applicable implied warranties are limited in duration to the period of
the express warranty as provided herein beginning with the date of the original
purchase at retail, and no warranties, whether express or implied, shall apply
to this product thereaer. Some states do not allow limitations on implied
warranties, therefore these exclusions may not apply to you. is warranty gives
you specic legal rights, and you may also have other rights which vary from
state to state.
WARNING
WARNING: THIS PRODUCT CONTAINS NO USERSERVICEABLE PARTS.
PRODUC T IN WHICH DISASSEMBLY, REPAIR AND/OR MODIFICATION HA S
BEEN ATTEMPTED BY UNAUTHORIZED PARTIES WILL NOT BE COVERED
UNDER WARRANTY.
If you need service on your JL AUDIO product:
All warranty returns should be sent to JL AUDIO freight prepaid through
an authorized JL AUDIO dealer and must be accompanied by proof of purchase
(a copy of the original sales receipt.) Direct returns from consumers or nonauthorized dealers will be refused unless specically authorized by JL AUDIO
with a valid return authorization number. Warranty expiration on products
returned without proof of purchase will be determined from the manufacturing
date code. Coverage may be invalidated as this date is previous to purchase date.
Return only defective components. Non-defective items received will be returned
freight-collect. Customer is responsible for shipping charges and insurance in
sending the product to JL AUDIO. Freight damage on returns is not covered
under warranty. Always include proof of purchase (sales receipt).
For Service Information in the U.S.A. please call:
JL Audio customer service:
(954) 443-1100 during normal business hours (Eastern Time)
JL Audio, Inc • 10369 North Commerce Parkway, Miramar, FL 33025
International Warranties:
Products purchased outside the United States of America are covered only by that
country’s distributor and not by JL Audio, Inc.
Page 31 | Fathom IWS
FE ATURES
Unbalanced Inputs:
Stereo or Mono (two RCA jacks -
Input Impedance of 10k Ohms)
Balanced Inputs:
Stereo or Mono (two female XLR jacks -
Input Impedance of 10k Ohms)
Output To Slave:
Balanced (one male XLR jack)
Input Modes:
Master or Slave
Level Modes:
Reference (xed gain) or Variable from
full mute to +15dB over reference gain
Power Modes:
O, On or Automatic Signal-Sensing
Light Modes:
O, On or Dim
Low Pass Filter Mode:
O, 12 dB per octave or 24 dB per octave
Low Pass Filter Cuto Frequency:
Variable from 30 Hz – 130 Hz
Polarity:
0 or 180 degrees
Phase:
Variable from 0 – 270 degrees
E.L.F. Trim:
Variable from –12 dB to +3 dB at 23 Hz
Automatic Room Optimization (A.R.O.)
with included laboratory-grade
calibration microphone, defeatable.
TOP VIEW
BACK PANEL
FRONT PANEL
Specifications
Enclosure Type: Single Sealed Enclosu re Two Sealed Enclosures
Driver(s):
Frequency Response (anechoic):
Effective Piston Area:
Effective Displacement:
Amplifier Power: 1000 watts RMS sh ort-term 2000 wat ts RMS short-term
Grille Dimensions: (H) Height x (W) Width x (D) Depth
Wall Opening Dimensions: (W) Width x (H) Height
Amplifier Dimensions: (H) Height x (W) Width x (D) Depth
Height Dime nsions DO NOT include f eet.
Amplifier Net Weight: 35 lbs. (15.9 kg) 43 lbs. (19.5 kg)
Cabinet Finish:
Grille Finish:
IWS-SYS-1
Fathom IWS home subwoofer
13.5-inch
(nominal diameter)
26 Hz - 101 Hz (+/- 1.5 dB)
-3dB at 25 Hz / 112 Hz
-10dB at 22 Hz / 150 Hz
98.26 sq. i n. / 0.0634 sq. m. 196.51 sq. in. / 0.1268 sq. m.
147. 3 cu. in. (2.41 liters) 294.6 cu. in . (4.82 liters)
17. 25 inches x 20 inches
14.5 inches x 17.25 inches
3.5 in. x 17.4 in. x 17.9 in.
89 mm x 442 mm x 455 mm
Black Texture- Coated Black Texture- Coated
White (paintabl e)
IWS-SYS-2
Fathom IWS home subwoofer
13.5-inch (nominal diameter)
in each of tw o enclosures
26 Hz - 101 Hz (+/- 1.5 dB)
-3dB at 25 Hz / 112 Hz
-10dB at 22 Hz / 150 Hz
438 mm x 508 mm
368 mm x 438 mm
“JL Audio”, “Fathom IWS” and the JL Au dio logo are registered t rademarks of JL Audi o, Inc., “Ahead of the Curve” is a tr ademark of JL Audio, Inc. D ue to continuous
product development, all specifications are subject to change without notice.
Printed in USA • ©2010 JL Audio, Inc. • U.S. PATENTS: #5,734,734 #5,949,898 #6,118,884 #6,229,902 #6,243,479 #6,294,959 #6,501,844 #6,496,590 #6,441,685 #5,687,247
#6,219,431 #6,625,292 #D472,891 #D480,709 Other U.S. & Foreign patents pending. For more detailed information please visit us online at www.jlaudio.com.
10369 North Commerce Parkway • Miramar, Florida • 33025 • USA
SKU-011310-04-2010
WALL OPENING
Loading...