JL Audio fathom v2 Owner's Manual
Owner’s Manual / Manual del Propietario
IMPORTANT SAFETY INSTRUCTIONS
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE
AMP PANEL OR SPEAKER. NO USER SERVICEABLE PARTS INSIDE. REFER
SERVICING TO QUALIFIED PERSONNEL.
1) Read the Instructions — All safety and operating instructions should be
read before the subwoofer is operated.
2) Retain the Instructions — e safety and operating instructions should be
retained for future reference.
3) Heed Warnings — All warnings on the subwoofer and in the operating
instructions should be followed.
e lightning ash with arrowhead
symbol, within an equilateral triangle, is
intended to alert the user to the presence
of uninsulated “dangerous voltage” within
the product’s enclosure that may be of
sucient magnitude to constitute a risk of
electric shock to persons.
e exclamation point within an
equilateral triangle is intended to alert the
user to the presence of important operating
and maintenance instructions in the
literature accompanying the product.
4) Follow Instructions — All operating and use instructions should
be followed.
5) Water and Moisture — e subwoofer should NOT be used near water – for
example, near a bathtub, washbowl, sink, laundry tub, in a wet basement,
near a swimming pool, etc.
6) Ventilation — e subwoofer should be situated so that its location or
position does not interfere with its proper ventilation. For example, the
subwoofer should not be situated on a bed, sofa, rug, or similar surface
that may block airow over the heatsink ns. If placing the subwoofer in
a “built-in” installation, ensure that airow to the heat sink at the rear of
the subwoofer is not impeded. Do not cover the subwoofer heatsink with
tablecloths, curtains, etc.
9) Heat and Flames — e subwoofer should be situated away from heat
sources such as radiators, heat registers, stoves, replaces, or other devices
which produce heat. Do not place candles on top of or near the subwoofer.
10) Power sources — e subwoofer should only be connected to a power supply of
the type described in the operating instructions or as marked on the subwoofer.
11) Power Cord Protection — Power-supply cords should be routed so that they
are not likely to be walked on or pinched by items placed upon or against
them, paying particular attention to cords at plugs, convenience receptacles,
and the point where they exit the subwoofer.
| Fathom v2Page 2
12) Cleaning — e subwoofer should be cleaned only as recommended in the
operating instructions.
13) Nonuse Periods — e power cord of the subwoofer should be unplugged
from the outlet when the subwoofer is le unused for long periods of time.
14) Lightning and Power Surges — We recommend that you disconnect the
subwoofer from the electrical outlet during electrical storms and/or recurring
power interruptions to prevent damage due to power surges.
15) Object or Liquid Entry — Care should be taken so that objects do not fall
into and liquids are not spilled onto the subwoofer enclosure. Do not expose
the subwoofer to dripping or splashing from liquids. Do not place objects
lled with liquids on top of, or near the subwoofer. For example: ower vases,
beverages, liquid-fueled lamps, etc.
16) Damage Requiring Service — e subwoofer should be serviced by qualied
service personnel when:
a. the power-supply cord or plug has been damaged
b. objects have fallen or liquid has been spilled into the subwoofer
c. the subwoofer has been exposed to rain
d. the subwoofer does not appear to operate normally or exhibits a marked
change in performance
e. the subwoofer has been dropped or the cabinet has been damaged
f. the subwoofer driver’s cone and/or suspension has been
physically damaged
ENGLISH
WARNING
17) Servicing — e user should not attempt to service the subwoofer beyond
what is described in the operating instructions. All other servicing should be
referred to qualied service personnel.
18) Overloading — Do not overload wall outlets, extension cords, or outlet strips
as this can result in a risk of re or electric shock.
19) Grounding — is subwoofer is supplied with a three-prong, grounded
power cord. Precautions should be taken so that the grounding means of the
subwoofer are not defeated. Defeating the grounding prong on the subwoofer
power cord could increase the risk of electric shock and could result in
permanent damage to the subwoofer’s electronics.
THIS SUBWOOFER IS CAPABLE OF PRODUCING VERY HIGH SOUND
PRESSURE LEVELS. PLEASE EXERCISE RESTRAINT IN ITS OPERATION TO
PROTECT YOUR HEARING FROM PERMANENT DAMAGE.
Page 3 | Fathom v2
FCC COMPLIANCE STATEMENT
NOTE: is equipment has been tested and found to comply with the limits of Part 15 of the FCC
Rules. ese limits are designed to provide reasonable protection against harmful interference in
a residential installation. is equipment generates, uses and can radiate radio frequency energ y
and, if not installed in accordance with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that interference will not occur in a particular
installation. If this equipment does cause harmful interference to radio or television reception,
which can be determined by turning the equipment o and on, the user is encouraged to try to
correct the interference by one or more of the following measures:
- Reorient or relocate the receiving antenna.
- Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit dierent from that to which the
receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.
TABLE OF CONTENTS
Important Safety Instructions: ......................................... 2-3
Introduction:. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Product Overview: ...................................................... 5
Placing your Fathom v2 in Your Listening Room: ........................ 6-10
Unpacking your Fathom v2: ............................................. 11
Front Control Panel Layout: ............................................. 12
Rear Control and Connector Panel Layout: .............................12-13
Front Panel Controls in Detail: ........................................14-17
Connecting your Fathom v2(s): ........................................18-25
Recommended Setup Procedure: ......................................26-30
Frequently Asked Questions: ............................................ 31
Cleaning Your Fathom v2: ...............................................31
Troubleshooting: ....................................................32-33
Limited Warranty / Service Information: ................................. 35
Specications: ......................................................... 36
INTRODUCTION
Congratulations on your purchase of a JL Audio Fathom v2 powered subwoofer
system. is product has been critically engineered to deliver exceptional
performance in your home theater or audio system for many years to come.
As a company, we are intensely committed to core research into
high-performance loudspeaker and amplier technologies. JL Audio’s longexcursion subwoofer driver designs are widely considered as reference standards for
linear behavior and high output. We have also focused our eorts to create powerful
amplier and signal-processing technologies specically aimed at delivering
exceptional low-frequency performance. Your Fathom v2 combines these core
disciplines within a compact, beautifully craed package to deliver an unparalleled
listening experience.
JL AUDIO TECHNOLOGIES INCLUDED
IN FATHOM V2 SUBWOOFERS
DMA-Optimized Motor System
DMA is JL Audio’s proprietary Dynamic
Motor Analysis system aimed at
improving dynamic motor behavior. As a
result of DMA optimization, loudspeaker
motors remain linear in force over an
extreme range of excursion and also
maintain a highly stable xed magnetic
eld over a wide power range. is leads
to vastly reduced distortion and faithfully
reproduced transients... or put simply:
tight, clean, articulate bass.
OverRoll™ Surround
(U.S. Patent #5,687,247 and #5,949,898)
e OverRoll™ surround spans over
the driver’s mounting ange, utilizing
available diameter wasted in conventional
speakers. is allows the use of the wider
roll necessary to control high-excursions
without sacricing precious cone area.
W-Cone™ (U.S. Patent #6,496,590)
e W-Cone™ is a unit-body cone
assembly that delivers astonishing cone
stiness with minimal mass.
Floating-Cone™ Attach Method
(U.S. Patent #6,501,844)
is assembly technique ensures proper
surround geometry in the assembled
speaker for better excursion control and
dynamic voice coil alignment.
Plateau-Reinforced Spider Attachment
(U.S. Patent #6,118,884)
is high-integrity suspension attachment
relieves stress from the spider material at
high-excursions for enhanced reliability.
Elevated Frame Cooling Technology
(U.S. Patent #6,219,431 and #6,229,902)
Delivers cool air, through slots directly
above the top-plate, to the voice coil of the
speaker. is enhances power handling
and sound quality by minimizing
dynamic parameter shis and power
compression.
Radially Cross-Drilled Pole Piece
(U.S. Patent #6,243,479)
is innovative venting system greatly
enhances thermal dissipation and power
handling by directing air ow onto the
voice coil former, working in conjunction
with the Elevated Frame technology.
High-Damping Feedback Circuit
(U.S. Patent #6,441,685)
is proprietary, discrete control circuit
design allows our Class D switching
ampliers to maintain an excellent
damping factor for improved transient
behavior and delity.
| Fathom v2Page 4
We sincerely thank you for your purchase and invite you to read this
manual thoroughly in order to achieve the highest level of performance with
your Fathom v2 subwoofer system. Enjoy.
PRODUCT OVERVIEW
JL Audio Fathom v2 subwoofers combine a state-of-the-art
JLAudio subwoofer driver and electronics/amplier package within
a highly optimized enclosure to deliver an exceptional listening
experience in your home theater or home audio system.
e subwoofer driver in your Fathom v2 subwoofer system is capable of
outstanding linear excursion without distress or audible distortion. is
reference-quality driver enables your Fathom v2 to reproduce powerful
low-frequency events with stunning impact and unprecedented accuracy.
Derived from JL Audio’s legendary W7 design platform, the Fathom v2
drivers oer prodigious peak-to-peak excursion capabilities to comfortably
handle the dynamics of the most demanding program material.
To get the most from this long excursion driver platform, a tremendous
amount of controlled power is needed. Our electronics engineering team
conducted an intense analysis of typical program material and its dynamic
demands in order to balance current draw and actual output power requirements
relative to the system’s impedance characteristics. Aer careful study, precisely
engineered switching ampliers employing patented feedback technology were
created to take full advantage of each driver’s full excursion envelope. Compared
to their predecessors, Fathom v2’s have been improved with all new digital
signal processing and a 20% increase in amplier power, further enhancing their
outstanding dynamic capabilities.
e beautiful cabinet enclosing the workings of your Fathom v2 is also the
result of careful engineering. To contain the pressures created by the Fathom v2
driver, we utilized solid, CNC-cut, MDF material with extensive internal bracing
features and advanced assembly techniques.
Your listening room is the other enclosure that aects the way your bass will
sound. All rooms create a specic sonic signature, which must be eectively
managed to achieve well-balanced low frequency performance. To help properly
integrate your subwoofers with your room’s acoustics, all Fathom v2 subwoofers
employ a powerful, Digital Automatic Room Optimization (D.A.R.O.) system.
is system deploys eighteen bands of digital equalization to tame room
acoustics and deliver spine-tingling sub-bass accuracy.
As you can see from this brief introduction, Fathom v2 subwoofer systems
employ many advanced technologies. e contents of this manual will explain the
features, guide you through the setup and tuning of your Fathom v2 subwoofer and
help you achieve your ultimate low-frequency listening experience.
ENGLISH
IMPORTANT
If you require assistance, we urge you to contact your authorized
JL Audio retailer for expert setup advice and service.
IMPORTANT! IT IS A VERY GOOD IDEA TO READ THE NEXT SECTION BEFORE
UNPACKING YOUR FATHOM v2. UNPACKING THE SUBWOOFER NEAR ITS
FINAL LOCATION IS RECOMMENDED.
Page 5 | Fathom v2
PLACING YOUR FATHOM v2 IN YOUR LISTENING ROOM:
Your listening room or theater is an integral part of your sound reproduction
system. e physical dimensions of the room and its furnishings, materials, doors
and windows play an important role in dening how your system sounds.
When you place a sound source in an enclosed rectangular space, “standing
waves” are created, resulting from the relationship between the sound’s
wavelength and your room’s dimensions. In other words, standing waves result
from sound energy that is trapped in the room as it bounces back and forth
between opposing walls. Standing waves in the room create acoustic peaks and
dips where the sound is either louder or soer, based solely on your physical
position in the room. Energy also “builds up” at the room’s boundaries, creating
exaggerated bass response at certain frequencies. ese fundamental room
resonances are called room “modes.”
e moral of this mode story is to try and avoid seating positions in standing
wave peak or dip regions. It is highly recommended that you place your listening
chairs in areas where modal peaks and dips are moderate and do not reinforce
one another. e two most obvious areas to avoid are those near the exact center
of the room and those close to any of the room’s walls.
Just as your listening seat can be in a peak or dip region, so can your
subwoofer. When placed in a room corner, a subwoofer maximally excites the
room’s mode structure, creating the strongest output with the fewest dips. When
the subwoofer is pulled away from a corner or wall, the room modes are excited
less, which can alter the sound at your listening seat.
Be sure to experiment with both your listening seat position and subwoofer
position to nd the best solution. Careful experimentation usually leads to a
superior sounding system. Use our setup suggestions (illustrated on the opposing
page and the following pages) to get you started.
If you cannot avoid placing your sofa against the back wall, or your
subwoofer in a less than optimal position, your Fathom v2’s Digital Automatic
Room Optimization (D.A.R.O.) System can dramatically improve
these less-than-ideal situations.
We recommend that you begin by placing your Fathom v2 in the front
of the room, near the front le or right speaker. Placing it directly in the
front corner of the room will produce the maximum number of peaks and
the minimum number of dips in the bass response. is can be advantageous
because the Fathom v2’s D.A.R.O. system can correct the resulting peaks very
eectively, whereas dips in response cannot be corrected via equalization. Dips in
response can only be minimized via careful subwoofer and listener placement.
Placing the Fathom v2 near solid walls will reinforce bass response and
pulling it away from solid walls will decrease bass. Increasing the distance
between the subwoofer and the walls may help to smooth upper bass response in
some rooms.
We recommend that you avoid placing the Fathom v2 near windows to prevent
rattling and sound transmission to the outside world.
If you are planning to install your Fathom
v2 inside a cabinet, please refer to the
guidelines on page 8.
| Fathom v2Page 6
Recommended Subwoofer Placement Options for One Fathom v2
MORE INTENSE
SMOOTHER
SMOOTHER
SMOOTHER
RECOMMENDED
SUBWOOFER
PLACEMENT
ZONES
(For Single Subwoofer)
MORE INTENSE
ENGLISH
SMOOTHER
SMOOTHER
SMOOTHER
COMPROMISED SEATING POSITIONS
(Results in weaker, uneven bass performance)
BEST SEATING POSITIONS
(Most accurate bass performance)
COMPROMISED SEATING POSITIONS
(More intense, but less accurate bass performance)
CENTERLINE OF ROOM
APPROX. 1/3 OF TOTAL ROOM
LENGTH AWAY FROM BACK WALL
CLOSE TO BACK WALL OF ROOM
WORST
SEAT
Page 7 | Fathom v2
SPECIAL CONSIDERATIONS FOR BUILT-IN INSTALLATIONS
Fathom v2 subwoofers are designed to be “built-in” friendly. All typically
needed controls are located on the front panel above the woofer. A Fathom v2 can
be easily integrated into custom cabinetry by following a few simple guidelines.
Rear-view of cabinet install (f110, f112, f113):
1) Allow 4 inches (10 cm) of clear space behind the amplier panel for adequate
cooling and connector clearance.
2) On all other sides (except the bottom), allow at least 2 inches
(5 cm) clearance for adequate ventilation.
3) While the Fathom v2 generally runs only warm during spirited operation, we do
recommend that adequate heat vents are included in any custom cabinet which
encloses the Fathom v2. A pair of 3 inch (7.5 cm) diameter vents near the bottom
of the cabinet and near the top of the cabinet, will allow cool air to circulate over
the amp panel of your Fathom v2 subwoofer system keeping it cool and happy.
4) Your Fathom v2 subwoofer is capable of moving substantial quantities of air. If
the front of the Fathom v2 is covered by a custom grille, the grille size must be
AT LEAST equal to the woofer cone area for each model to ensure the output is
not choked by the custom cabinet. Refer to the chart below for recommended
vent areas for each model.
Model Recommended Custom Grille Vent Area
2
f11 0 v2 ≥ 60 in
f112 v2 ≥ 85 in
f113v2 ≥ 108 in
f212 v2 ≥ 170 in
(386 cm2)
2
(550 cm2)
2
(700 cm2)
2
(110 0 c m2)
2 in. min.
VENT
VENT
Built in USA with Imported and domestic components
Input Modes
F 12A H
250V
Grounded
Slave
S
E
U
F
F
U
E
S
120 V ~ 60 Hz
1200VA
Master
Isolated
Output to Slave
(Balanced)
INPUTS
LEFT
or
MONO
Unbalanced
RIGHT
ONLY
SERIAL NUMBER:
Warranty void if serial number is removed, altered or defaced.
VENT
Balanced
VENT
Rear-view of cabinet install (f212):
2 in. min.
VENT
VENT
VENT
VENT
2 in.
min.
VENT
VENT
Built in USA with Imported and domestic components
INPUTS
Input Modes
F 15A H
250V
Grounded
Slave
S
E
U
F
LEFT
F
U
E
S
or
MONO
120 V ~ 60 Hz
Master
Isolated
Unbalanced
Output to Slave
(Balanced)
RIGHT
ONLY
SERIAL NUMBER:
Warranty void if serial number is removed, altered or defaced.
2 in.
min.
VENT
Balanced
VENT
| Fathom v2Page 8
Using Two Fathom v2s
When using two Fathom v2s, try
placement near the front corners of the
room, at diagonally-opposite corners
of the room, or at the center points of
opposing walls as shown at right.
Experimentation with
subwoofer and listener
placement is recommended to
achieve the best results – the
benets can be substantial.
High-resolution measurements
and professional system calibration
are recommended for the best possible
results & system performance.
Recommended Subwoofer Placement Options for Two Fathom v2s
ENGLISH
Page 9 | Fathom v2
Recommended Subwoofer Placement Options for Three Fathom v2s
Using Three or Four Fathom v2s
Research indicates that the
smoothest bass response for a large
listening area can be achieved using
four subwoofers, placing one at
the midpoint of each of the four
walls (although using two or three
subwoofers can be almost as good).
Experimentation with
subwoofer and listener
placement is recommended to
achieve the best results – the
benets can be substantial.
High-resolution measurements
and professional system calibration
are recommended for the best possible
results & system performance.
Recommended Subwoofer Placement Options for Four Fathom v2s
| Fathom v2Page 10
Unpack this box close to where the
subwoofer will be placed. e subwoofer
is PACKED upside down. is box must be
ipped over CAREFULLY to remove the
subwoofer and minimize eort.
IMPORTANT
UNPACKING YOUR FATHOM v2
Now that you have determined your Fathom v2’s position in the room, you can
proceed with unpacking it near its intended location.
D
C
A
IMPORTANT: DUE TO THE WEIGHT OF THE FATHOM V2 SUBWOOFER,
PLEASE EXERCISE CAUTION WHILE UNPACKING AND POSITIONING IT TO
PREVENT INJURY. IF POSSIBLE, ENLIST THE HELP OF A SECOND PERSON TO
FACILITATE THE PROCESS. TO MINIMIZE THE RISK OF INJURY, BEND YOUR
KNEES AND LIFT WITH YOUR LEGS, NOT YOUR BACK.
Detailed instructions on unpacking the subwoofer:
1. Place the carton on the oor near its intended location in the room.
B
ENGLISH
2. Open the top of the carton (observe markings on carton) and remove the manual,
calibration microphone and power cord.
3. Temporarily remove the split-foam packing inserts.
4. Untie and loosen the protective cloth cover to make later removal easier (do
not remove at this time). When you open the cloth cover, you are looking at the
bottom of the subwoofer cabinet.
5. Replace the split-foam inserts to protect the subwoofer’s cabinet
while unpacking.
6. Gently ip the box on its side, folding back the carton aps to the outside.
7. Holding the carton aps back, gently ip the carton onto its top (open end).
8. Pull the carton straight up until it clears the subwoofer and place to one side.
9. Remove the one-piece foam insert and place in the carton.
10. Remove the plastic bag and place in the carton.
11. Tilt the subwoofer forward (toward its grille) to remove the rear split-foam insert
rst. en tilt the subwoofer in the opposite direction (towards its amplier
panel) to remove the remaining split-foam insert. Place both split-foam inserts in
the carton.
12. Remove the protective cloth cover and place in the carton.
IMPORTANT
IMPORTANT! PLEASE RETAIN ALL PACKAGING FOR SAFE TRANSPORTATION
OF THE SUBWOOFER AND FOR ANY FUTURE SERVICE NEEDS.
Page 11 | Fathom v2
Front Control Panel (All Models)
e labeled Figure below depicts the front control panel of a Fathom f113v2 subwoofer.
e controls layout is the same for all Fathom v2 models.
D.A. R.O.
page 14 -15
Power
page 14
Digital Automatic Room Optimization
Power
o | on | auto
calibration mic. demo defeat calibrate
Level Mod e
Input Mode
page 15
Input Mode
master | slave
page 15
Level Mode
ref. | variable
Master Level
page 16
0
max
-∞
Master Level
Lights
page 16
Lights
o | dim | on
LP freq. (H z)
LP Filter
page 16
LP Filter
o | 12dB | 24dB
Rear Controls and Connectors (f112v2, f113v2, f212v2 Models)
e labeled Figure below depicts the rear panel of a Fathom f113v2 subwoofer.
e controls and connectors layout is the same for the Fathom f112v2 & f212v2.
page 16
page 17
e.l.f. trim (dB)
page 17
LP freq. (Hz) e.l.f. trim (dB) phase (deg.)
phase (deg.)
Polarity
page 17
Polarity
0 | 180 de g.
Input Mode
Switches
page 20
Region-
Specic Fuse
page 33
Built in USA with Imported and domestic components
F 12A H
250V
E
S
U
F
120 V ~ 60 Hz
1200VA
Input Modes
Slave
F
U
S
E
Master
Output to Slave
Unbalanced
Inputs
page 19
Grounded
Isolated
Unbalanced
(Balanced)
SERIAL NUMBER:
Warranty void if serial num ber is removed, altere d or defaced.
IEC-Style AC
Connector
page 21-22
Output to
Slave Connector
page 21
INPUTS
LEFT
or
MONO
RIGHT
ONLY
Balanced
Inputs
page 18
Balanced
| Fathom v2Page 12
Rear Controls and Connectors (f110v2 Model)
e labeled Figure below depicts the rear panel of a Fathom f110v2 subwoofer.
*e rear control and connector detail images throughout this manual depict other Fathom v2 models and are not
representative of the arrangement of the f110v2.
ENGLISH
Region-
Specic Fuse
page 33
Output to
Slave Connector
IEC-Style AC
Connector
page 21-22
page 21
S
E
U
F
F
U
E
S
Balanced
Inputs
page 18
Unbalanced
Inputs
page 19
Input Mode
Switches
page 20
Page 13 | Fathom v2
FRONT PANEL CONTROLS IN DETAIL
LP freq. (Hz) e.l.f. trim (dB) phas e (deg.)
Polarity
0 | 180 d eg.
LP Filter
o | 12d B | 24dB
Master Level
max
0
Lights
o | dim | on
-∞
Level Mode
ref. | variable
Input Mode
master | slave
calibration mic. demo defeat calibrate
Power
o | on | auto
Digital Automatic Room Optimization
LP freq. (Hz) e.l.f. trim (dB) phas e (deg.)
Polarity
0 | 180 d eg.
LP Filter
o | 12d B | 24dB
Master Level
max
0
Lights
o | dim | on
-∞
Level Mode
ref. | variable
Input Mode
master | slave
calibration mic. demo defeat calibrate
Digital Automatic Room Optimization
LP freq. (Hz) e.l.f. trim (dB) phas e (deg.)
Polarity
0 | 180 d eg.
LP Filter
o | 12d B | 24dB
Master Level
max
0
Lights
o | dim | on
-∞
Level Mode
ref. | variable
Input Mode
master | slave
calibration mic. demo defeat calibrate
Power
o | on | auto
Digital Automatic Room Optimization
Power Switch
e “Power” switch determines the operational readiness of the Fathom v2
subwoofer and should be the only switch used to turn the Fathom v2 on and o. Do
not use a power strip switch, switched outlet or any other external switch as these
may result in undesirable and potentially damaging transient pops. Do not unplug
the Fathom v2’s AC power cord while the unit is turned on. e power switch has
three positions:
“On”: e Fathom v2 is fully powered at all times. Front panel lights are on
unless they have been turned o via the “Lights” switch.
“O ”: e Fathom v2’s internal power amplier is powered down. In this state,
a negligible current draw will exist for operating the main power relays. All front
panel lights are o .
“Auto”: e Fathom v2 will power up its internal amplier when an audio signal is
present at any of its inputs and will power down the internal amplier if no signal has
been detected at its inputs for thirty (30) minutes. When dormant, the Fathom v2 will
draw a very small amount of current (< 5 watts) to power its signal-sensing circuitry.
Front panel lights will turn o when the Fathom v2 powers down and light when the
Fathom v2 powers up (unless they have been turned o via the “Lights” switch).
In the unlikely event that the Auto feature is not sensitive enough for a particular
system, use a Y-cable adaptor to split the incoming signal into both RCA or XLR
inputs on the Fathom v2. is will increase the input sensitivity by 6 dB. Please be
aware that if the Auto sensitivity is too high or if there is signicant noise on the
input cable, the Fathom v2 may not turn o as desired. If this happens, remove the
Y-cable adaptor or look for the noise source in the upstream components.
IMPORTANT
Digital Automatic Room Optimization (D.A.R.O.)
A powerful feature of the JL Audio Fathom v2 subwoofers is their innovative
Digital Automatic Room Optimization (D.A.R.O.) technology. is one-touch
system includes 18 bands of digital equalization to eliminate the largest acoustic
response peaks in your home theater at the main listening seat, greatly improving
the in-room low-frequency response. Calibration of the D.A.R.O. system is fully
automated. Please consult the next section of this manual for details on how to use
the D.A.R.O. system.
Using the included JL Audio calibration microphone, the D.A.R.O. calibration
procedure takes less than three minutes. In brief, you will connect the included
microphone to the “Calibration Mic.” input, press the Calibrate button, and then
hold the microphone at ear height in your main listening seat during the test. A
noise sequence will be played through the Fathom v2 subwoofer, and the room
response will be automatically measured, analyzed and equalized to eliminate
the single largest acoustic room response peak at your listening seat. For detailed
instructions on the D.A.R.O. setup procedure, refer to pages 29-30.
Calibration Mic. Input
is input is for connecting the supplied JL Audio calibration microphone to the
Fathom v2 subwoofer. Connect one end of the supplied cable to the microphone and
the other end to this jack prior to using the D.A.R.O. system. e D.A.R.O. system
is specically calibrated to this microphone and its connection scheme is specic to
the supplied microphone. e calibration sequence will not operate when a dierent
microphone is connected or if no microphone is connected.
| Fathom v2Page 14
LP freq. (Hz) e.l.f. trim (dB) phas e (deg.)
Polarity
0 | 180 d eg.
LP Filter
o | 12d B | 24dB
Master Level
max
0
Lights
o | dim | on
-∞
Level Mode
ref. | variable
Input Mode
master | slave
LP freq. (Hz) e.l.f. trim (dB) phas e (deg.)
Polarity
0 | 180 d eg.
LP Filter
o | 12d B | 24dB
Master Level
max
0
Lights
o | dim | on
-∞
Level Mode
ref. | variable
|
slave
Demo Button
LP freq. (Hz) e.l.f. trim (dB) phas e (deg.)
Polarity
0 | 180 d eg.
LP Filter
o | 12d B | 24dB
Master Level
max
0
Lights
o | dim | on
-∞
Level Mode
ref. | variable
Input Mode
master | slave
Digital Automatic Room Optimization
LP freq. (Hz) e.l.f. trim (dB) phas e (deg.)
Polarity
0 | 180 d eg.
LP Filter
o | 12d B | 24dB
Master Level
max
0
Lights
o | dim | on
-∞
Level Mode
ref. | variable
Input Mode
master | slave
LP freq. (Hz) e.l.f. trim (dB) phas e (deg.)
Polarity
0 | 180 d eg.
LP Filter
o | 12d B | 24dB
Master Level
max
0
Lights
o | dim | on
-∞
Level Mode
ref. | variable
Input Mode
master | slave
e Demo button triggers a 20 second long tone sequence that briey
demonstrates the range of the Fathom v2 subwoofer. e Demo function is useful
for showcasing the output capability of the Fathom v2 and to verify that the Fathom
v2 (or multiple Fathom v2s) are operational during system troubleshooting.
e Demo button is also used (in combination) to clear (return to at) the
D.A.R.O. equalizer settings. To clear the D.A.R.O.’s settings & turn o the Calibrate
light, press and hold the Demo button and then press the Defeat button. Please note
that you must perform this button sequence quickly. If you hold the Demo button
for more than 2 seconds without touching the Defeat button, the Demo tones will
start. Should this happen, simply wait for the Demo sequence to end and try again.
Defeat Button
If “Demo” or “Calibrate” is pressed while the defeat function is active, “Defeat” is
automatically canceled. No other front panel controls will alter the D.A.R.O. Defeat
state. e Defeat setting is stored in non-volatile memory and will not change even if
power is disconnected.
e Defeat button is also used (in combination) to clear (return to at) the
D.A.R.O. equalizer settings. To clear the D.A.R.O.’s settings & turn o the Calibrate
light, press and hold the Demo button and then press the Defeat button. Please note
that you must perform this button sequence quickly. If you hold the Demo button
for more than 2 seconds without touching the Defeat button, the Demo tones will
start. Should this happen, simply wait for the Demo sequence to end and try again.
ENGLISH
Calibrate Button
During the D.A.R.O. test sequence, the Calibrate button’s green LED will blink
quickly to alert the user to two special conditions:
1. “JL Audio Microphone NOT Connected”: If you forget to connect the mic
before trying to start a Calibration you will get this alert. Press the Calibrate button
once to cancel the alert, connect the D.A.R.O. microphone, and try again.
2. “Inappropriate Sound Level for D.A.R.O. Calibration”: Since the D.A.R.O.
sequence is completely automatic, this alert likely indicates a problem with the
microphone. Press the Calibrate button once to cancel the alert. Ensure that the JL
Audio microphone is properly connected and try again. For further help, please refer
to Troubleshooting on page 33.
Input Mode Indicators
e Input Mode indicator LEDs show the input mode, either “Master” or “Slave”,
selected by the switch on the Fathom v2’s back panel (unless the “Lights” switch is
set to “o”). For further details, see page 20.
Level Mode
e two-position Level Mode switch allows you to select between
the following modes:
“Reference”: In this mode, the Master Level control knob has no eect on the
Fathom v2’s output level. Use this setting if you will primarily be controlling the
subwoofer level via your receiver or preamplier/processor. For those of us with
small children or overenthusiastic teenagers, this mode of operation will prevent
direct manipulation of the Master Level.
“Variable”: In this mode, the Master Level control knob determines the output
level of the Fathom v2 subwoofer. is mode is also useful when level matching the
Fathom v2 subwoofer to a pair of stereo speakers in a two-channel system.
Page 15 | Fathom v2
Master Level Knob
LP freq. (Hz) e.l.f. trim (dB) phas e (deg.)
Polarity
0 | 180 d eg.
LP Filter
o | 12d B | 24dB
Master Level
max
0
Lights
o | dim | on
-∞
LP freq. (Hz) e.l.f. trim (dB) phas e (deg.)
Polarity
0 | 180 d eg.
LP Filter
o | 12d B | 24dB
max
Lights
o | dim | on
LP freq. (Hz) e.l.f. trim (dB) phas e (deg.)
Polarity
0 | 180 d eg.
LP Filter
o | 12d B | 24dB
|
on
LP freq. (Hz) e.l.f. trim (dB) phas e (deg.)
Polarity
0 | 180 d eg.
|
24dB
e Master Level Knob is used to control the output level of the Fathom v2
when the Variable Level mode is selected on the front control panel.
When rotated fully counter-clockwise, the Fathom v2’s output will be fully
muted. When at the “0” or vertical position, the Variable gain level matches the
Reference level setting. When turned fully clockwise, the Fathom v2’s output level
is 15 dB higher than the Reference setting.
Lights
e “Lights” selector switch allows the user to select one of three indicator
light modes.
“O” turns o all of the front panel LED’s at all times.
“Dim” sets all of the front panel LEDs to a low brightness level when the
Fathom v2 is turned on.
“On” sets all of the front panel LEDs to full brightness level when the Fathom
v2 is turned on.
IMPORTANT: WHEN TROUBLESHOOTING OR CALIBRATING THE D.A.R.O.
FEATURE, MAKE SURE THAT THE “LIGHTS” SWITCH IS SET TO “DIM” or “ON.”
LP Filter
e Low Pass (LP) Filter selector switch determines the operating mode of the
Fathom v2’s built-in low pass lter.
“O” defeats the low pass lter, completely removing this circuit from the
signal path.
“12 dB” sets the roll o slope of the low pass lter to a 12 dB per octave slope
(Butterworth alignment).
“24 dB” sets the roll o slope of the low pass lter to a 24 dB per octave slope
(Linkwitz-Riley alignment).
e 24 dB setting more aggressively attenuates high frequencies above the LP
Frequency setting (see below). If you are using the Fathom v2’s built-in low pass
lter, experiment with the LP Filter slope setting to achieve the best transition
to your satellite speakers. If you prefer to use the lters and bass management
features in your receiver or preamplier, defeat the on-board lter by selecting
the “O” position.
LP Freq
e Low Pass (LP) Frequency selector knob allows the user to choose the rollo frequency of the Fathom v2’s internal low pass lter. e frequency is variable
between 30 Hz (full counter-clockwise) to 130 Hz (full clockwise). is knob does
not aect the input signal in any way if the LP Filter switch is set to “O ”. 80 Hz
is a commonly used lter frequency and usually serves as a good starting point
for adjustments.
IMPORTANT
| Fathom v2Page 16
E.L.F. Trim
Polarity
0 | 180 d eg.
Polarity
0 | 180 d eg.
Polarity
0 | 180 d eg.
e Extreme Low Frequency (“e.l.f. trim”) knob allows the user to apply
a certain amount of signal equalization at 24 Hertz (extremely low bass). At
full counter-clockwise rotation, the signal at 24 Hz is cut by 12 dB. At “0” the
equalizer is set at for zero contribution to the signal. At full clockwise rotation,
the signal at 24 Hz is boosted by 3 dB.
e e.l.f. trim feature is useful for tailoring the Fathom v2’s very low frequency
output for your particular room. Adding some boost can make certain material
feel more exciting. Using the cut function can help to compensate for room or
boundary gain in the low frequencies. Room boundaries and the room’s nite
(limited) size naturally cause very low frequencies to be boosted relative to
other parts of the signal. As such, using the e.l.f. trim feature to cut the lowest
frequencies can help to tame “bloat” or unnatural sounding low bass in small to
medium sized rooms (and can also reduce unwanted vibrations in the room or
throughout the house).
Polarity
e Polarity switch allows the user to select between normal (0 deg) and
reversed (180 deg) signal polarity. e Polarity switch will primarily aect the
small frequency range around the crossover point between your subwoofer and
satellite speakers.
Unlike the Phase control, which eectively adds time delay, the Polarity
switch produces an instantaneous reversal of the signal’s amplitude peaks.
For example, if at a given reference point a sine wave has an amplitude peak,
by ipping the phase switch you instantly convert that peak into a trough
or amplitude dip. Because the eect of the Polarity switch is immediate, it
compliments the operation of the Phase control and cannot be replaced by it.
When placing your Fathom v2 in the room, experiment with the Polarity switch
before adjusting the “Phase” control. Either position of the Polarity switch may
provide a smoother transition between your Fathom v2 subwoofer and the satellite
speakers. Use source material with good mid and upper bass content for evaluation.
ENGLISH
Phase
e Phase control knob allows the user to adjust the “timing” of the
subwoofer output relative to the main speakers. e Phase control will primarily
aect the small frequency range around the crossover point between your
subwoofer and satellite speakers. Phase settings between 0 degrees (full counterclockwise rotation) and 270 degrees (full clockwise rotation) are possible. e
Phase control’s labels are referenced to a frequency of 80 Hz since this is the most
common crossover point between satellite speakers and a subwoofer.
Speaker, subwoofer, and listening seat positions vary greatly in home
theater installations. Since physical positioning of speakers relative to the room
boundaries, and each other, greatly aects the perceived quality of sound output,
sometimes it is helpful to delay the subwoofer output. is is exactly what occurs
when you turn the Phase control beyond 0 degrees.
Once your Fathom v2 has been placed in your listening room to give you the
smoothest overall sound and aer you have determined the optimum “Polarity”
switch position (see preceding section), experiment with the position of the Phase
control. Using familiar source material with good mid and upper bass content,
adjust the Phase control and listen for better dened mid-bass and a smoother
transition between the subwoofer and satellite speaker systems. If no single
setting sounds better than another, leave the Phase control at 0 degrees.
Page 17 | Fathom v2
CONNECTING YOUR FATHOM v2
LEFT
or
MONO
RIGHT
ONLY
INPUTS
Balanced
Unbalanced
Balanced Inputs
If your home-theater receiver or preamplier/processor provides balanced
outputs, the Fathom v2’s balanced inputs are the preferred connection. Balanced
connections are used extensively in professional studios and sound reinforcement
applications for a number of very good reasons. Besides ensuring proper grounding
between components, balanced signal transmission is designed to cancel induced
cable noise from the surrounding environment (particularly important with long
cable runs). e bottom line is that your system will be far less likely to exhibit
humming or other extraneous noises if you use balanced connections.
e Fathom v2 subwoofers feature individual le and right balanced input
connections with XLR “combo” jacks. ese special jacks accept either a
three-pin male XLR connector or a “tip-ring-sleeve” (TRS) 1/4-inch (6.3 mm)
connector for compatibility with a wide range of equipment.
For systems with a mono subwoofer or “LFE” channel connection, only the
jack labeled “Le or Mono” will be used. is applies to most modern multichannel receivers and preamplier/processors. Separate le and right input jacks
are provided for systems without a dedicated mono subwoofer connection. is
typically applies to two-channel audio equipment.
Appropriate balanced cables are available from your JL Audio dealer and are
not included with the Fathom v2.
Technical Notes:
• Do not use the balanced inputs with unbalanced signals via adaptors. e
unbalanced inputs of the Fathom v2 are optically isolated and preferable in
situations where only an unbalanced signal source is available. Balanced input
impedance is 10 kohms.
• Input connectors are congured according to Audio Engineering Society
recommendations for balanced signal cables as follows:
XLR Connection
Pin 1: Shield
Pin 2: Positive
Pin 3: Negative
TRS connection:
Tip: Positive
Ring: Negative
Sleeve: Shield
e Le and Right inputs on the Fathom
v2 are internally summed to a single mono
channel. Since the Fathom v2 is inherently
a “mono” or single channel device, you can
use the Le and Right inputs for the master
Fathom v2 and then distribute the summed
mono signal to additional slave Fathom v2s
in the system.
IMPORTANT: IF YOUR RECEIVER OR PREAMPLIFIER/PROCESSOR DOES NOT
HAVE XLR OR 1/4-INCH TRS BALANCED OUTPUTS, PLEASE REFER TO THE
“UNBALANCED INPUTS” SECTION ON PAGE 19 FOR INPUT CONNECTION
INFORMATION. DO NOT ATTEMPT TO CONNECT UNBALANCED OUTPUTS
TO THE FATHOM V2’S BALANCED INPUTS VIA ADAPTORS.
IMPORTANT
| Fathom v2Page 18
Unbalanced Inputs
LEFT
or
MONO
RIGHT
ONLY
INPUTS
Output to Slave
(Balanced)
Balanced
Unbalanced
Input Modes
Grounded
Isolated
e Fathom v2 subwoofer features individual le and right unbalanced RCAtype input connectors. ese are the most commonly used connectors for home
audio applications and must be used if your receiver or preamplier/processor
does not provide balanced outputs. While unbalanced connections are not as
noise-immune as a balanced connection, Fathom v2 subwoofers employ optical
isolation on the unbalanced inputs to minimize the possibility of noise in your
system.
For systems with a mono subwoofer or “LFE” channel connection, only
the RCA-type jack labeled “Le or Mono” will be used. is applies to most
modern multi-channel receivers and preamplier / processors. Separate le and
right RCA-type input jacks are provided for systems without a dedicated mono
subwoofer connection. is typically applies to two-channel audio equipment.
Technical Notes:
• When balanced outputs are not available on the signal source, you must
use the RCA-type unbalanced inputs. Fathom v2s feature optical isolation
circuitry on the unbalanced inputs to minimize the likelihood of ground
loop induced noise. Unbalanced input impedance is 50 kohms.
• Connections are industry-standard for unbalanced signal cables as follows:
RCA-type connection:
Tip: Positive
Sleeve: Negative
ENGLISH
IMPORTANT
IMPORTANT: IF NOISE EXISTS AFTER CONNECTION, FATHOM V2s ALLOW
FOR GROUNDING OR ISOLATION OF THE UNBALANCED INPUTS. PLEASE
REFER TO THE “INPUT MODE SWITCHES” SECTION ON PAGE 20 OF THIS
MANUAL FOR FURTHER INFORMATION ON MINIMIZING NOISE.
Page 19 | Fathom v2
Input Mode Switches:
LEFT
or
MONO
RIGHT
ONLY
INPUTS
Output to Slave
(Balanced)
Balanced
Unbalanced
Input Modes
Slave
Master
Grounded
Isolated
U
S
E
1200 VA
Built in USA with Imported and domestic components
LEFT
or
MONO
RIGHT
ONLY
INPUTS
Output to Slave
(Balanced)
Balanced
Unbalanced
Input Modes
Slave
Master
Grounded
Isolated
F 12A H
250V
120 V ~ 60 Hz
F
U
S
E
F
U
S
E
Two switches are located on the rear panel to control unbalanced signal
grounding and master/slave operation.
“Grounded / Isolated” Switch
e “Grounded / Isolated” Input Mode switch aects only the unbalanced
RCA inputs and is designed to facilitate a quiet, hum-free connection to your
audio or home theater system. is feature is included to deal with the signal
grounding issues oen encountered in home theater systems when several
components from dierent manufacturers are interconnected.
e Fathom v2 ships with this switch in the “Isolated” mode. If, with all system
components connected and turned on (but no source material playing), you hear
a continuous low-frequency hum through your Fathom v2, ip this switch to the
“Grounded” position and evaluate the dierence in the noise level. Use whichever
switch position provides the least hum or noise.
IMPORTANT: PLEASE NOTE THAT CHANGING ANY COMPONENT IN
THE OPTIMIZED SYSTEM (RECEIVER, AMPLIFIER, DVD PLAYER, CABLE OR
SATELLITE BOX, ETC.) COULD ALTER THE SIGNAL GROUNDING SCHEME
AND CAUSE HUM TO APPEAR IN YOUR PREVIOUSLY QUIET SYSTEM. IF YOU
ADD OR CHANGE AN UPSTREAM COMPONENT IN YOUR HOME THEATER
SYSTEM, YOU MAY NEED TO REVISIT THIS INPUT MODE SETTING ON THE
FATHOM V2 SUBWOOFER FOR OPTIMUM NOISE PERFORMANCE. CABLE &
SATELLITE BOXES ARE PARTICULARLY TROUBLESOME IN THIS WAY.
IMPORTANT
Master / Slave Switch
e Fathom v2s are designed to easily accommodate the implementation
of multiple subwoofers in your home theater system through a master/slave
connection chain. is method allows you to utilize the signal processing
features of one Fathom v2 to centrally control multiple Fathom v2s in the room.
Master/Slave functionality also makes it possible for the D.A.R.O. system to
optimize the response of a multiple subwoofer installation.
e Fathom v2 ships with this switch in the “Master” position. If you are using
a single Fathom v2 you will use the “Master” position and you need not concern
yourself with this section any further.
If your installation incorporates two or more Fathom v2s, you will designate
one Fathom v2 as the “Master” and all others in the system as “Slave” subwoofers
via the “Master/Slave” switch on the rear amplier panel of each Fathom v2.
LED’s on the front panel of the Fathom v2 are provided to indicate whether the
“Master” or “Slave” mode is selected for a given subwoofer.
From the Fathom v2 operating in “Master” mode, the “Output to Slave” signal
carries any signal processing selected on the Master Fathom v2 (including the
Master Level setting and D.A.R.O. processing) to further Fathom v2s operating
in “Slave” mode. “Slave” subwoofer signal processing and level controls will be
inoperable. In this mode, the user does not have to worry about level, crossover,
and other settings for the slave subwoofers.
Technical Notes:
• Selecting the “Slave” position defeats all user-denable signal processing and
the master level control. Because of this, there are some special situations
in which you may want to operate a single Fathom v2 in “Slave” mode. If
you are utilizing outboard signal processing and level-matching controls,
activating the “Slave” mode will prevent anyone from aecting system
parameters with the manual controls on the Fathom v2.
| Fathom v2Page 20
IMPORTANT
1200 VA
Built in USA with Imported and domestic components
LEFT
or
MONO
RIGHT
ONLY
INPUTS
Output to Slave
(Balanced)
Balanced
Unbalanced
Input Modes
Slave
Master
Grounded
Isolated
SERIAL NUMBER:
Warranty void if se rial number is remove d, altered or deface d.
F 12A H
250V
120 V ~ 60 Hz
F
U
S
E
F
U
S
E
1200 VA
Built in USA with Imported and domestic components
LEFT
or
MONO
RIGHT
ONLY
INPUTS
Output to Slave
(Balanced)
Balanced
Unbalanced
Input Modes
Slave
Master
Grounded
Isolated
SERIAL NUMBER:
Warranty void if se rial number is remove d, altered or deface d.
F 12A H
250V
120 V ~ 60 Hz
F
U
S
E
F
U
S
E
IMPORTANT: PLEASE REFER TO THE “SYSTEM CONNECTION DIAGRAMS”
ON PAGES 22-25 FOR MORE INFORMATION ON USING THE INPUT /
OUTPUT CONNECTIONS.
“Output to Slave” Connector
If you are operating more than one Fathom v2 subwoofer in one home theater
system, you will designate one Fathom v2 as the Master (see page 20), and then
feed signal from it to the remaining “Slave” Fathom v2s via this balanced XLR
output. e “Output to Slave” cable can be connected to the “Le or Mono”
balanced XLR input on the next Fathom v2. When a Fathom v2 is in “Slave”
Mode, its “Output to Slave” connection can be used to pass signal to further
Fathom v2s operating in “Slave” mode.
e “Output to Slave” connector is designed to be used as follows:
1) From the “Master” Fathom v2’s “Output to Slave” connector to the rst
“Slave” Fathom v2’s “Le or Mono” XLR balanced input.
2) From the rst “Slave” Fathom v2’s “Output to Slave” connector to the
second “Slave” Fathom v2’s “Le or Mono” XLR balanced input.
3) From the second “Slave” Fathom v2’s “Output to Slave” connector to the
third “Slave” Fathom v2’s “Le or Mono” XLR balanced input. Etc, etc. (up
to ten Fathom v2s may be connected in this conguration). Appropriate
balanced cables with XLR terminations are available from your JL Audio
dealer and are not included with the Fathom v2.
Technical Notes:
• e “Output to Slave” signal carries any signal processing selected on
the Master Fathom v2 (including the Master Level setting and D.A.R.O.
processing) to further Fathom v2s operating in “Slave” mode.
• From Fathom v2s operating in “Slave” mode, the “Output to Slave” signal is
an exact, buered replica of the balanced input signal, making this method
of signal distribution preferable to using Y-adapters or splitters.
• Use only shielded, connection cables with high quality XLR connectors for
Master/Slave connection. Never use unbalanced cables with adaptors.
ENGLISH
IEC-Style AC Power Connector
e IEC-style AC cord receptacle receives the heavy-gauge, 6 . (1.8 m) long,
power cord included with your Fathom v2 subwoofer. Fathom v2s sold in dierent
parts of the world are congured for each market’s electrical system and include
appropriate plugs on their power cords. Please note the voltage markings next to
the AC connector and make sure you are only powering your Fathom v2 from
a receptacle that matches these markings. Do not use any AC power cord other
than the one supplied with the Fathom v2. For information about the Main Fuse
Holder, please see the Troubleshooting section of this manual.
e Fathom v2 subwoofer is a very powerful device and can draw a lot of
current. If too many components are connected with a Fathom v2 subwoofer
to one electrical outlet, you risk tripping a household circuit breaker during
very demanding program material. If this happens, split the Fathom v2 and
other components between two AC electrical circuits. If possible, for maximum
performance, dedicate an AC circuit to each Fathom v2.
Page 21 | Fathom v2
1200VA
LEFT
or
MONO
RIGHT
ONLY
INPUTS
Output to Slave
(Balanced)
Balanced
Unbalanced
Input Modes
Slave
Master
Grounded
Isolated
SERIAL NUMBER:
Warranty void if serial number is removed, altered or defaced.
F 12A H
250V
F
U
S
E
F
U
S
E
FRONT
PROCESSOR (BALANCED OUTPUTS)
RECEIVER / PROCESSOR (UNBALANCED OUTPUTS)
FRONT
PRE OUT
REAR CENTER
L
REAR
R
OR
SUB
Slave
Master
FATHOM REAR CONTROLS (MASTER)
OUTPUTS
SYSTEM CONNECTION DIAGRAM 1:
One Fathom v2 to
Home Theater Receiver or
Home Theater Preamp/Processor
Most home theater receivers and
preamp/processors provide a single
(mono) subwoofer output. When
connecting a mono subwoofer output
to your Fathom v2, you will only use the
Fathom’s “Le or Mono” input.
Two connection types are available
for connecting the Fathom v2 to your
home theater system: balanced (XLR or
1/4-inch TRS connector) and unbalanced
(RCA-type connector). Balanced
connections provide superior noise
rejection and ensure proper grounding
between components. If your receiver or
processor has balanced outputs, we highly
recommend that you use them.
In the connection diagram at le,
balanced connections are shown as solid
lines, unbalanced connections are shown
dotted. You will only use one of these
input connection methods (not both).
WARNING! TURN OFF THE FATHOM v2 AND ALL OTHER EQUIPMENT IN
THE SYSTEM BEFORE MAKING OR CHANGING ANY CONNECTIONS!
WARNING
| Fathom v2Page 22
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