Guidance notes
for setting up a ‘traditional’ multi screw
floating vibrato system.
So, to the set-up.
Before we start, a little history…tremolo or vibrato?
Well of course the guitar playing world tends to refer to this kind of guitar bridge
as a ‘Tremolo’. Here, we say ‘Vibrato’. Why?
Well, ‘Tremolo’, an Italian standard musical term refers to a modulated variation in
amplitude (volume), whereas ‘Vibrato’, another Italian standard musical term,
refers to modulated variations in pitch (the note).
Clearly what we refer to colloquially as a ‘Tremolo bridge’ does not alter amplitude
(volume), but alters pitch (note).
Way back in the day, when these devices were first put on guitars by Paul Bigsby
in the late 1940’s he correctly referred to them as ‘Vibratos’, as they changed the
pitch of the strings when operated. A bit later on, confusion was introduced when
bridges which produced changes in pitch (note), were erroneously referred to as
‘Tremolos’. That confusion was made worse when guitar amplifiers began to
come on the market which had what were referred to as ‘Vibrato’ effects circuits,
which were actually modulating amplitude (volume), i.e. ‘Tremolo’.
Confused; hope not.
Simple really, we fit Vibrato Bridges, ‘cos they change the pitch (note[s]) of the
strings when operated and that’s ‘Vibrato’.
With a standard set of 9-42’s, (our recommended string gauges) at set up, bring
the strings up to concert pitch, stretch them out to full playing tension a couple of
times, then ensure the guitar is fully at concert pitch (the note).
Do the above, whatever the string gauges being used.
Depending upon where the vibrato springs have been tensioned, the bridge will
be wherever it ends up, anywhere from flat against the body, to way too high!
Take the vibrato cavity back plate off of the guitar, and leave just the two outer
springs in place, and adjust the tension of the vibrato springs until the vibrato
base plate is only just flat against the body.