Inter-M MX-1646 Specs

MX SERIES

Stereo Mixing Console

MX-24/A EX SERIES

MX-36/EX SERIES

MX-24/A EX

MX-24/A EX

SERIES

SERIES

Professional Stereo Mixer

Professional Stereo Mixer

We have Increased Our Performance, Gradually.

First is the MX-24/A EX, one 14-channel mixer with 6 mono and 4 stereo input channels and another one 18­channel mixer with 10 mono and 4 stereo input channels.
This unit is 4 bus outputs (stereo MAIN MIX and ALT3/4), 2 Aux sends and 2 stereo Aux return.
7 Band graphic equalizer, built in the 24-bit digital signal processing. (Only MX-1424A EX/1824A EX version)

With the MX-24/A EX, Inter-M again delivers the superior performance, versatility, professional demand
feature at affordable price.

MX-24/A EX

SERIES

Professional Stereo Mixer

Size and Features

14, 18 Input Channels

Six mono microphone/line inputs(MX-1424/A EX),

en mono microphone/line inputs(MX-1824/A EX),

t
four stereo line inputs.

Trim (Gain)

All mono and stereo channels are equipped with gain
trim controls with LED peak indicators to facilitate
level matching with wide variety of sources.

24 bit Digital Signal Processing &
7 Band Graphic Equalizer
(MX-1424A EX, 1824A EX)

he on board 24 bit DSP effects range from chorus,

T

range, room and plate to hall and delay.

f
7 Band graphic equalizer allows the fine response
shaping of the main output. Center frequency is 63Hz,
160Hz, 400Hz, 1kHz, 2.5kHz, 6.4kHz and 15kHz.

3-band EQ on mono input channel &
2-band EQ on stereo input channel

3 band graphic equalizer on all mono input channel
and 2 band graphic equalizer on all stereo input
channel.

Channel provides +/-15dB of control over high, low
frequency at 10kHz and 100Hz, and that provides
+/-12dB control over at 2.5kHz.

Two Aux Sends & Stereo Aux Return

Two separate AUX buses can be used as sends for

xternal effectors or a monitor system to offer signal

e

outing flexibility. AUX SEND 1 is pre-fader while AUX

r
SEND 2 allows post fader signal.

Insert I/O

dd compressors, EQ, or other signal-processing gear

A

o the mono channels as required via insert I/O patch

t
points.

Phantom Power

ll mono in puts of th e MX-

A
24/A EX's high-performance
mic preamps feature switchable
phan tom p ower for stud io

single switch turns phantom power on or off for all
mono channels.

cond enser mi croph ones. A

Desktop or Rack Mountable
(only MX-1424/A EX)

Use your MX-24/A EX mixer on a desktop or mounted
in a rack - the rack mount brackets are provided (only
MX-1424/1424A EX).

MX-36/EX

MX-36/EX

SERIES

SERIES

Stereo Mixing Console

We have Increased Our Performance, Gradually.

Second is the MX-36/EX, one 14-channel mixer with 6 mono and 4 stereo input channels, two 18-channel mixer with 10
mono and 4 stereo input channels and three 22-channel mixer with 14 mono and 4 stereo input channels.
This unit is 6 bus outputs (4- Group and ST), 3 Aux Send(AUX1, AUX 2, EFFECT) and 2 stereo Aux Return.
9 Band stereo graphic equalizer, built in the 24-bit digital signal processing. (Only MX-1436EX/1836EX/2236EX version)

With the MX-36/EX, Inter-M again delivers the superior performance, versatility, professional demand feature at
affordable price.

MX-36/EX

SERIES

Stereo Mixing Console

Size and Features

14, 18, 22 Input Channels

ix mono microphone/line inputs(MX-1436/EX), ten

S
mono microphone/line inputs(MX-1836/EX), fourt­een mono microphone/line inputs(MX-2236/EX) and

our stereo line inputs.

f

Phantom Power

All mono inputs of the MX­36/EX's high-performance
mic preamps feature swit-

studio condenser microphones. A single switch turns
phantom power on or off for all mono channels.

chable phantom power for

Six Buses (Four Group Outputs
and Stereo)

he MX-36/EX features individual group buses and

T
outputs that can be used for convenient channel

rouping, in addition to the main stereo bus.

g

3-band Mid-sweep Channel EQ
& HPF

3-band equalizers with a sweepable mid-band on all
mono input channels.
All mono microphone input channels also feature a
switchable high-pass filter that can be used to cut out
unwanted low-frequency noise.

Two Aux Sends, One EFX SEND
& 2 Stereo Aux Return

ach input channel has three auxiliary sends - one

E
post-fader “Effect” send, one switchable for pre- or
post -f ader opera tion, and on e pr e-fad er send -

ffording plenty of flexibility for external signal

a

rocessing and monitoring. A stereo auxiliary return

p
is also provided.

Insert I/O

Add compressors, EQ, or other signal-processing gear

o the mono channels as required via insert I/O patch

t
points.

Desktop or Rack Mountable
(only MX-1436/EX)

Use your MX-36/EX mixer on a desktop or mounted
in a rack - the rack mount brackets are provided(only
MX-1436/EX).

24 bit Digital Signal Processing &
9 Band Stereo Graphic Equalizer
(MX-1436EX, 1836EX, 2236EX)

The on board 24 bit DSP effects range from chorus,
frange, room and plate to hall and delay.
9 Band stereo gr ap hi c equalizer allows the fine
resp onse s hapin g of th e main ou tpu t. Cen te r
frequency is 63Hz, 125Hz, 250Hz, 500Hz, 1kHz, 2kHz,
4kHz, 8kHz and 16kHz.

Application Examples

CD Player

M

icrophone

M

icrophone

Cassette Deck

K

eyboard

R

everbrat or

2

2

R

ec Out

T

ape In

I

nput 3

2

2

2

I

nput 8

S

end

Rtn

I

nput 7

M

AIN MIX

MIXING CONSOLE

Graphic Equalizer

G

raphic Equalizer

S

peaker

Group Out 1

G

roup Out 2

S

peaker

DIGITAL 24 BIT DSP

D

SP

ON

OFF

1. CHORUS

2. FLANGE

3. ROOM 1

4. ROOM 2

5. ROOM 3

6. PLATE 1

7. PLATE 2

8. PLATE 3

9. CHORUS-ROOM 1

10. CHORUS-ROOM 2

11. VOCAL CANCEL

12. ROTARY SPEAKER

13. HALL 1

14. HALL 2
1

5. DELAY 1 

16. DELAY 2

5

13

1

5

12

1

216

3

1

4

4

11

9

810

7

6

Electric Guitar

Electronic Organ

P

A

R

A

L

L

E

L

POWER

S

T

E

R

E

O

B

R

I

D

G

E

D

MODE

PROT30 10 CLIP/LIM30 10 CLIP/LIMPROT

19

17

22

13

10

0

1

229

54

15

11

12

9
8
7

5
4

3

6

19

17

22

13

10

0

1

229

54

15

11

12

9
8
7

5
4

3

6

24002400

POWER

O

FF

ON

PROFESSIONAL POWER AMPLIFIER

P

A

R

A

L

L

E

L

POWER

S

T

E

R

E

O

B

R

I

D

G

E

D

MODE

PROT30 10 CLIP/LIM30 10 CLIP/LIMPROT

19

1

7

22

13

1

0

0

1

229

54

15

11
12

9
8
7

5
4

3

6

19

1

7

22

13

1

0

0

1

229

54

15

11
12

9
8
7

5
4

3

6

24002400

P

OWER

O

FF

O

N

PROFESSIONAL POWER AMPLIFIER

CD Player

Microphone

Microphone

Microphone

Cassette Deck

Wireless Microphone Receiver

Keyboa rd

Reverbrator

Input 1, 2

2

2

2

Rec Out

Tape In

Input 3

2

2

2

Input 8

Send

Rtn

Input 7

MAIN MIX

MIXING CONSOLE

Graphic Equalizer

Graphic Equalizer

Speaker

Speaker

Group Out 1

Group Out 2

Electric Guitar

Electronic Organ

Speaker

P

A

R

A

L

L

E

L

POWER

S

T

E

R

E

O

B

R

I

D

G

E

D

MODE

P

ROT3010CLIP/LIM3010CLIP/LIMPROT

19

17

22

1

3

10

0

1

2

29

54

15

1

1

12

9
8
7

5
4

3

6

19

17

22

1

3

10

0

1

2

29
54

15

1

1

12

9
8

7

5
4

3

6

24002400

POWER

OFF

O

N

PROFESSIONAL POWER AMPLIFIER

P

A

R

A

L

L

E

L

POWER

S

T

E

R

E

O

B

R

I

D

G

E

D

MODE

PROT30 10 CLIP/LIM30 10 CLIP/LIMPROT

19

1

7

22

1

3

1

0

0

1

2

29

54

15

11
1

2

9
8
7

5
4

3

6

19

1

7

22

1

3

1

0

0

1

2

29
54

15

11
1

2

9
8

7

5
4

3

6

24002400

POWER

O

FF

ON

PROFESSIONAL POWER AMPLIFIER

P

A

R

A

L

L

E

L

P

OWER

S

T

E

R

E

O

B

R

I

D

G

E

D

MODE

P

ROT3010CLIP/LIM3010CLIP/LIMPROT

19

17

2

2

1

3

10

0

1

2

29

54

1

5

1

1

12

9
8
7

5
4

3

6

19

17

2

2

1

3

10

0

1

2

29
54

1

5

1

1
12

9
8

7

5
4

3

6

24002400

POWER

OFF

O

N

PROFESSIONAL POWER AMPLIFIER

POWER

ON

OFF

PAN PAN BAL

CONTROL

ROOM

100 8K 100 8K 100 8K 100 8K 100 8K 100 8K

FREQ

HEADPHONE

L/MONO

R

L/MONORL/MONO

R

2014

L/MONO

R

2014

L/MONO

R

2014

L/MONO

R

L

R

INSERT

LR

LR

2014

7/8 9/10 11/12 13/14

3014

6016

PEAK

15

15

15

15

10

10

RL

1

MIC

LINE

TRIM

HIGH

MID

LOW

AUX 2

10

AUX 1

EFX

PAN

1

10

5

0

5

10

15

20

30
40

L/R L/R L/R L/R L/R L/R L/R L/R L/R L/R TO

MIX

T

O
MIX

1-2

PRE

3-4

SOLO

PFL

80

3014

6016

10

10

RL

2

MIC

LINE

TRIM

FREQ

PEAK

15

15

15

15

HIGH

MID

LOW

P

EAK

15

15

1

2

12

15

15

HIGH

HI-MID

12

12

LO-MID

LOW

AUX 2

10

AUX 1

EFX

PAN

2

10

5

0

5

10

15

20

30
40

1-2

PRE

3-4

SOLO

PFL

10

10

RL

AUX 2

1

0

AUX 1

EFX

BAL

13/14

10

5

0

5

10

15

2

0

3

0
40

1

-2

PRE

3

-4

S

OLO
P

FL

P

EAK

15

15

1

2

12

15

15

HIGH

HI-MID

12

12

LO-MID

LOW

10

10

AUX 2

1

0

AUX 1

EFX

PRE

P

EAK

15

15

1

2

12

15

15

HIGH

HI-MID

12

12

LO-MID

LOW

10

10

AUX 2

1

0

AUX 1

EFX

PRE

P

EAK

15

15

1

2

12

15

15

HIGH

HI-MID

12

12

LO-MID

LOW

10

10

AUX 2

1

0

AUX 1

EFX

PRE

10

10

AUX 2

10

AUX 1

EFX

10

AUX 2

10

AUX 1

10

10

TAPE IN

10

MONO

C.R/PHONES

80

3014

6016

3

MIC

LINE

TRIM

80

3014

6016

4

MIC

LINE

TRIM

80

3014

6016

5

MIC

L

INE

TRIM

80

3014

601

6

6

AUX RETURN 2 MAIN OUTAUX RETURN 1

MIC

L

INE

TRIM

80

TRIM TRIM TRIM TRIM

10

10

RL

FREQ

PEAK

15

15

15

15

HIGH

MID

LOW

AUX 2

10

AUX 1

EFX

PAN

3

10

5

0

5

10

15

20

30
40

1-2

PRE

3-4

SOLO

PFL

10

10

RL

FREQ

PEAK

15

15

15

15

HIGH

MID

LOW

AUX 2

10

AUX 1

EFX

PAN

4

10

5

0

5

10

15

20

30
40

1-2

PRE

3-4

SOLO

PFL

10

10

RL

FREQ

P

EAK

15

15

15

15

HIGH

MID

LOW

AUX 2

1

0

AUX 1

EFX

5

10

5

0

5

10

15

20

30
40

1

-2

PRE

3

-4

S

OLO

P

FL

10

10

RL

FREQ

P

EAK

15

15

1515151515151515151515

15

15

15

HIGH

MID

LOW

AUX 2

1

0

AUX 1

EFX

6

10

5

0

5

10

15

2

0

3

0
40

1

-2

PRE

3

-4

S

OLO
P

FL

RL

BAL

11/12

10

5

0

5

10

15

2

0

3

0
40

1

-2

3

-4

S

OLO

P

FL

RL

BAL

9/10

10

5

0

5

10

15

2

0

3

0

40

1

-2

3

-4

S

OLO
P

FL

RL

7/8

10

5

0

5

10

15

2

0

3

0
40

1

-2

3

-4

S

OLO

P

FL

GROUP 1

10

5

0

5

10

15

2

0

3

0
40

GROUP 2

10

5

0

5

10

15

2

0

3

0
40

GROUP 3

10

5

0

5

10

15

2

0

3

0
40

GROUP 4

10

5

0

5

10

15

2

0

3

0
40

MAIN MIX

10

5

0

5

10

15

2

0

3

0

40

SEND RETURN

S

TEREO

MIXING CONSOLE

MX-1436EX

PHANTOMPOWER

PFL SOLO

4

2

0

2

4

6

7

1

5

10

20

T

APE IN

G

ROUP
M

IX

3

/4
1/2

PFL
SOLO

10

10

AUX 2

10

AUX 1

EFX

3

24 DSP

DIGITAL EFFECTS

1.CHORUS-ROOM 1


2.CHORUS-ROOM 2


3.VOCAL CANCEL


4.ROTARY SPEAKER


5.HALL 1

6

.HALL 2


7.DELAY 1


8.DELAY 2

9.CHORUS


10.FLANGE


11.ROOM 1


12.ROOM 2


13.ROOM 3

1

4.PLATE 1



15.PLATE 2


16.PLATE 3

1
216

315

4

14

216

711

612

13 5

9

DSP

OFF

ON

1

KHz500Hz
2

50Hz

1

25Hz

6

3Hz

STEREO GRAPHIC EQUALIZER

2

KHz 4KHz 8KHz 16KHz

GEQ

O

FF

ON

1. A Small Sound Reinforcement System

A sound reinforcement system of about this scale is ideal for small clubs, churches and small live music.

2. A few More Big Sound Reinforcement System

A sound reinforcement system of about this scale is ideal for big clubs and live music concert.

Block Diagram

1. MX-1424/1824(A EX)

2.MX-1436/1836/2236(EX)

Specifications

MX-24/A EX

- GENERAL

Maximum Output Level
(0.5% T.H.D as 1kHz) +24dB(MIX L/R) @600Ω

T.H.D <0.1% @+14dB 20Hz ~ 20kHz

requency Response 20hz ~ 20kHz, +1/-2dB

F

um and Noise -127dB equivalent input noise

H
(Average, Rs=150Ω) -95dB residual noise

Maximum Voltage Gain 84dB MIC IN TO MIX L/R

rosstalk (at 1kHz) -70dB between input channels

C

ain Control(mono ch) 44dB Variable (MIC:-60dB ~ -16dB), (LINE:-30dB ~ +14dB)

G

ain Control(stereo ch) 34dB Variable (-20dB ~ +14dB)

G

nput Channel HIGH: 12kHz shelving, ±15dB

I

Equalization MID: 2.5kHz peaking, ±12dB

LED Meters 10-Segment LED 2

Channel indicators Peak: An indicator for each channel turns on when the

nternal 24-bit DSP effect 16 Program (Only MX-1424A EX/1824A EX version)

I

Phantom Power +48V DC

Power Source/ MX-1424/1424A EX: AC 50/60Hz 120V/230V/240V, 30W
Power Consumption MX-1824/1824A EX: AC 50/60Hz 120V/230V/240V, 30W

Weight MX-1424/1424A EX: 7kg

Dimensions MX-1424/1424A EX: 482(W)×90(H)×354(D)mm

+20dB(ALT 3/4) @600Ω
+20dB(AUX1~2) @600Ω
+20dB(INSERT) @10kΩ
+20dB(CTRL ROOM) @600Ω
More than 100mW(HEADPHONES) @40Ω

(MIX L/R, ALT 3/4, AUX SEND1~2, CTRL ROOM) @600Ω

(MIX L/R, ALT 3/4, AUX SEND1~2, CTRL ROOM) @600Ω

MIX L/R, ALT 3/4, AUX SEND1~2, CTRL ROOM OUT)

(

-88dB (MIX L/R, ALT 3/4, AUX SEND1~2, CTRL ROOM OUT)
Master fader at nominal level and all channel fader Minimum.

*

4dB MIC IN TO ALT3/4

8
76dB MIC IN TO AUX 1(PRE)

6dB MIC IN TO AUX 2(REV)

8
90dB MIC IN TO CONTROL ROOM L/R

2.2dB MIC IN TO REC L/R

6
54dB LINE IN TO MIX L/R

4dB LINE IN TO ALT3/4

5
46dB LINE IN TO AUX 1(PRE)
56dB LINE IN TO AUX 2(REV)
60dB LINE IN TO CONTROL ROOM L/R

4dB ST IN TO MIX L/R

4

4dB ST IN TO ALT3/4

4

6dB AUX RETURN IN TO MIX L/R

1

7.8dB TAPE IN TO MIX L/R

2

70dB between output channels

-

LOW: 80Hz shelving, ±15dB

*Turnover/roll off freq: located 3dB below maximum boost/cut

MIX L/R, ALT 3/4

pre-channel fader signal is 3dB below clipping.

MX-1824/1824A EX: 8kg

MX-1824/1824A EX: 556(W)×90(H)×354(D)mm

- INPUT

Input Connector Input Impedance Nominal Impedance Input Level Connector Type

CH Mic 4kΩ 50 ~ 600Ω -60dB XLR 3-31 Type

CH Line 10kΩ 600Ω -20dB Phone Jack (TRS)

Stereo Input 5kΩ 600Ω -10dB Unbalanced

Aux Return 1~2 10kΩ 600Ω +4dB Unbalanced

Mono Channel 10kΩ 600Ω 0dB Phone Jack(TRS)
Insert Input T = Out

Main Stereo 10kΩ 600Ω 0dB Phone Jack
Insert Input T = Out

Tape in 10kΩ 600Ω -10dBv RCA Pin Jack

- OUTPUT

Output Connector Output Impedance Nominal Impedance Output Level Connector Type
MIX Out L/R 150
ALT 3/4 75

CTRL Room Out 75

Aux Send 1~2 75

Mono Channel 600
Insert Input T = Out

Main Stereo 10k
Insert Input T = Out

Rec Out 600
Phones Out 100

Ω
Ω

Ω

Ω

Ω

Ω

Ω
Ω

600
600

600

600

10k

600

10k

Ω
Ω

Ω

Ω

Ω

Ω

Ω

40

Ω

*0dB=0.775Vrms, 0dBV=1VrmS

Balanced

T = Hot
R = Cold
S = GND

Phone Jack

Phone Jack

R = In

S = GND

R = In

S = GND

+4dB XLR 3-32 Type
+4dB Unbalanced

+4dB Unbalanced

+4dB Unbalanced

0dB Phone Jack (TRS)

0dB Phone Jack (TRS)

-10dBv RCA Pin Jack
3mW Stereo Phone Jack

Phone Jack

Phone Jack

Phone Jack

R = In
S = GND

R = In
S = GND

(TRS)

MX-36/EX

- GENERAL

Maximum Output Level
(0.5% T.H.D as 1kHz) +24dB(MIX L/R) @600Ω

T.H.D <0.1% @+14dB 20Hz ~ 20kHz

Frequency Response 20Hz ~ 20kHz, +1/-2dB

Hum and Noise -127dB equivalent input noise
(Average, Rs=150Ω) -95dB residual noise

aximum Voltage Gain 84dB MIC IN TO MIX L/R

M

Crosstalk (at 1kHz) -70dB between input channels

Gain Control(mono ch) 44dB Variable (MIC:-60dB ~-16dB), (LINE:-30dB ~+14dB)

ain Control(stereo ch) 34dB Variable (-20dB ~ +14dB)

G
Input Channel HIGH: -15dB, at 12kHz shelving

Equalization MID: -12dB, from 100Hz to 8kHz , (sweepable peaking)

LED Meters 10-Segment LED 2, MIX L/R, GROUP 1 ~ 4

hannel indicators Peak: An indicator for each channel turns on when the

C

nternal 24-bit DSP effect 16 Program (Only MX-1436EX/1836EX/2236EX version)

I
Phantom Power +48V DC

ower Source/ MX-1436/1436EX: AC 50/60Hz 100V/120V/230V/240V, 40W

P
Power Consumption MX-1836/1836EX: AC 50/60Hz 100V/120V/230V/240V, 40W

Weight MX-1436/1436EX: 7kg

Dimensions MX-1436/1436EX: 482(W)×90(H)×354(D)mm

+24dB(MONO) @600Ω

20dB(GROUP1~4) @600Ω

+

20dB(AUX1~2, EFX) @600Ω

+

20dB(INSERT) @10kΩ

+

20dB(CTRL ROOM) @600Ω

+
More than 100mW(HEADPHONES) @40Ω

(MIX L/R, GR1~4, AUX SEND1~2, EFX, CTRL ROOM) @600Ω

(MIX L/R, GR1~4, AUX SEND1~2, EFX, CTRL ROOM) @600Ω

MIX L/R, GR1~4, AUX SEND1~2, EFX, CTRL ROOM)

(

-85dB

(MIX L/R, GR1~4, AUX SEND1~2, EFX, CTRL ROOM OUT)

*Master fader at nominal level and all channel fader Minimum.

4dB MIC IN TO GROUP 1~4

8
80dB MIC IN TO MONO
76dB MIC IN TO AUX 1, AUX2(PRE ON)
86dB MIC IN TO AUX2(PRE OFF), EFX
90dB MIC IN TO CONTROL ROOM L/R

62.2dB MIC IN TO REC L/R
4dB LINE IN TO MIX L/R

5

4dB LINE IN TO GROUP 1~4

5
50dB LINE IN TO MONO

6dB LINE IN TO AUX 1, AUX 2(PRE ON)

4

6dB LINE IN TO AUX 2(PRE OFF), EFX

5
60dB LINE IN TO CONTROL ROOM L/R
44dB ST IN TO MIX L/R

0dB ST IN TO MONO

4
44dB ST IN TO GROUP 1~4
16dB AUX RETURN IN TO MIX L/R

27.8dB TAPE IN TO MIX L/R

-70dB between output channels

OW: -15dB, at shelving

L
*Turnover/roll off freq.: located 3dB below maximum boost/cut

re-channel fader signal is 3dB below clipping.

p

MX-2236/2236EX: AC 50/60Hz 100V/120V/230V/240V, 40W

MX-1836/1836EX: 8kg
MX-2236/2236EX: 10kg

MX-1836/1836EX: 556(W)×90(H)×354(D)mm

MX-2236/2236EX: 672(W)×90(H)×354(D)mm

- INPUT

Input Connector Input Impedance Nominal Impedance Input Level Connector Type

CH Mic 4kΩ 50 ~ 600Ω -60dB XLR 3-31 Type

CH Line 10kΩ 600Ω -20dB Phone Jack

Stereo Input 5kΩ 600Ω -10dB Unbalanced

Aux Return 1~2 10kΩ 600Ω +4dB Unbalanced

Mono Channel 10kΩ 600Ω 0dB Phone Jack
Insert Input T = Out

Main Stereo 10kΩ 600Ω 0dB Phone Jack
Insert Input T = Out

Tape in 10kΩ 600Ω -10dBv RCA Pin Jack

- OUTPUT

Output Connector Output Impedance Nominal Impedance Output Level Connector Type
MIX Out L/R 150Ω 600Ω +4dB XLR 3-32 Type
GROUP 1~4 150Ω 600Ω +4dB Unbalanced

MONO Out 150Ω 600Ω +4dB XLR 3-32 Type
CTRL Room Out 75Ω 600Ω +4dB Unbalanced

Aux Send 1~2, 75Ω 600Ω +4dB Unbalanced
EFX Send Phone Jack

Mono Channel 600Ω 10kΩ 0dB Phone Jack
Insert Input T = Out

Main Stereo 10kΩ 600Ω 0dB Phone Jack(TRS)
Insert Input T = Out

Rec Out 600Ω 10kΩ -10dBv RCA Pin Jack
Phones Out 100Ω 40Ω 3mW

* Specifications and design subject to change without notice for improvements.

*0dB=0.775Vrms, 0dBV=1VrmS

Balanced

(TRS)

T = Hot

R = Cold

S = GND

Phone Jack

Phone Jack

(TRS)

R = In

S = GND

(TRS)

R = In

S = GND

Phone Jack

Phone Jack

(TRS)

R = In
S = GND

R = In
S = GND

Stereo Phone Jack

March 2004

OFFICE : 653-5 BANGHAK-DONG, DOBONG-KU, SEOUL, KOREA

TEL : [phone]~8 FAX : [phone] E-mail : [e-mail]