Imagine SEL-2FS1, SEL-1FS1, SEL-1XD1, SEL-2XD1 Installation And Operation Manual

Installation and Operation Manual
SEL-1FS1/SEL-2FS1
and
SEL-1XD1/SEL-2XD1
Single/Dual-Channel Frame Synchronizer Module with Advanced Audio Processing
and
Version 2.8
November 2015
SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual
Publication Information
© 2015 Imagine Communications Corp.
Proprietary and Confidential.
Imagine Communications considers this document and its contents to be proprietary and confidential. Except for making a reasonable number of copies for your own internal use, you may not reproduce this publication, or any part thereof, in any form, by any method, for any purpose, or in any language other than English without the written consent of Imagine Communications. All others uses are illegal.
This publication is designed to assist in the use of the product as it exists on the date of publication of this manual, and may not reflect the product at the current time or an unknown time in the future. This publication does not in any way warrant description accuracy or guarantee the use for the product to which it refers. Imagine Communications reserves the right, without notice to make such changes in equipment, design, specifications, components, or documentation as progress may warrant to improve the performance of the product.
Trademarks
Selenio™ is a trademark of Imagine Communications or its subsidiaries. Microsoft® and Windows® are registered trademarks of Microsoft Corporation. HD-BNC is a trademark of Amphenol Corporation. Manufactured under license from Dolby Laboratories. Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. All other trademarks and trade names are the property of their respective companies.
Contact Information
Imagine Communications has office locations around the world. For domestic and international location and contact information, visit our Contact page (http://www.imaginecommunications.com/company/contact-us.aspx).
Support Contact Information
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care)
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual
Contents
Manual Information ............................................................................................... 8
Purpose ..................................................................................................................................................... 8
Audience ................................................................................................................................................... 8
Revision History ........................................................................................................................................ 8
Writing Conventions ................................................................................................................................. 8
Obtaining Documents ............................................................................................................................... 9
Unpacking/Shipping Information ............................................................................................................. 9
Unpacking a Product ............................................................................................................................ 9
Product Servicing ...................................................................................................................................... 9
Returning a Product ........................................................................................................................... 10
Safety ...................................................................................................................................................... 10
Restriction on Hazardous Substances (RoHS) Compliance ................................................................ 10
Waste from Electrical and Electronic Equipment (WEEE) Compliance .............................................. 11
Safety Terms and Symbols in this Manual ......................................................................................... 11
Installation, Operation, and Specifications ........................................................... 12
Overview ................................................................................................................................................. 12
Main Features..................................................................................................................................... 12
Front Modules ........................................................................................................................................ 15
FS1/XD1 Back Modules ........................................................................................................................... 18
Audio Expansion Back Modules .............................................................................................................. 19
Video Expansion Back Modules .............................................................................................................. 20
Back Module Pinouts .............................................................................................................................. 20
GPI Serial ............................................................................................................................................ 21
Balanced AES ...................................................................................................................................... 22
Analog Audio Expansion ..................................................................................................................... 23
SFP Options ............................................................................................................................................. 24
FS1 Signal Flow ....................................................................................................................................... 25
XD1 Signal Flow ...................................................................................................................................... 27
EES (Electrical/Electrical) Video Expander Signal Flow ........................................................................... 29
Example of EES Video Expander Routing Assignment........................................................................ 30
VEX and DDA Internal Connectivity .................................................................................................... 30
Installing Selenio Modules ...................................................................................................................... 31
Removing the Front Module .................................................................................................................. 32
Removing the Back Module .................................................................................................................... 32
Audio Expansion Modules ...................................................................................................................... 33
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual
Connections to the Analog Audio Expansion Back Module ............................................................... 33
Analog Audio Expansion Module Jumpers ......................................................................................... 34
Audio Expansion Configurations ........................................................................................................ 35
Powering Up a Module ........................................................................................................................... 36
Upgrading Module Firmware ................................................................................................................. 36
Upgrade Failure Instructions .............................................................................................................. 36
License Keys ............................................................................................................................................ 37
Accessing MIBs ................................................................................................................................... 37
Composite Decoder ................................................................................................................................ 38
Video Input ............................................................................................................................................. 38
Input Routing ...................................................................................................................................... 38
Auto Routing....................................................................................................................................... 39
EDH-CRC-SQM 1 and 2 ....................................................................................................................... 39
Audio De-Embedding (DMB) .................................................................................................................. 39
Data De-embedding (DMB) .................................................................................................................... 40
Video Sync and Delay ............................................................................................................................. 40
Video Proc Amp and Color Corrector x .................................................................................................. 40
Proc Amp ............................................................................................................................................ 40
Clip Control ......................................................................................................................................... 40
Color Correction ................................................................................................................................. 41
Gamma Correction ............................................................................................................................. 43
Conversion and Advanced Video Processing (XD1) ................................................................................ 43
Status .................................................................................................................................................. 43
ARC Control (XD1 Versions Only) ....................................................................................................... 44
AFD-VI-WSS Insertion ......................................................................................................................... 45
AFD, VI, WSS Custom Mapping .......................................................................................................... 45
Custom ARC ........................................................................................................................................ 46
Scalar Configuration ........................................................................................................................... 46
General Information on ARC and AFD .................................................................................................... 46
AFD (Active Format Description) ........................................................................................................ 47
AFD/ARC Alignment ........................................................................................................................... 47
AFD, VI, and WSS-Based Aspect Ratio Control ................................................................................... 48
AFD Descriptions .................................................................................................................................... 49
AFD 4:3 ............................................................................................................................................... 50
AFD 16:9 ............................................................................................................................................. 51
4:3 to 16:9 .......................................................................................................................................... 52
4:3 to 4:3 ............................................................................................................................................ 53
16:9 to 4:3 .......................................................................................................................................... 54
16:9 to 16:9 ........................................................................................................................................ 55
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual
Video Processing ................................................................................................................................ 56
Audio Processing ................................................................................................................................ 56
ANC Processing ................................................................................................................................... 56
Other .................................................................................................................................................. 57
AFD-VI-WSS Processing (FS1) ................................................................................................................. 57
Video Selector/TSG-OSD ......................................................................................................................... 57
Test Signal Generators ....................................................................................................................... 57
On-Screen Display (OSD) .................................................................................................................... 58
Logo 1 and 2 ........................................................................................................................................... 58
File Select ............................................................................................................................................ 58
Raster x ............................................................................................................................................... 58
Graphics Storage and Playout Overview ............................................................................................ 58
Basic Steps to Installing Logo Files ..................................................................................................... 59
Step 1: Install LogoCreator Software .................................................................................................. 59
Step 2: Convert Files to the .mg2 Format .......................................................................................... 60
Step 3: Transfer the Logos to the SD/SDHC Card, and to the Module ............................................... 62
Step 4: Set the Parameters and Load the Logo Files .......................................................................... 62
Data Embedding and De-Embedding ..................................................................................................... 62
General ............................................................................................................................................... 63
VBI Transfer ........................................................................................................................................ 63
Closed Captioning/Teletext ................................................................................................................ 64
Timecode ............................................................................................................................................ 65
ARC Code Advanced ........................................................................................................................... 65
Brandnet ............................................................................................................................................. 65
Generic Data Passing .......................................................................................................................... 66
Audio Embedding ................................................................................................................................... 66
Handling of Non-PCM/Compressed Audio Signals ............................................................................. 66
Synchronizing Embedded Non-PCM Audio ........................................................................................ 66
Audio Embedding Control .................................................................................................................. 67
Audio Embedding Modes ................................................................................................................... 67
Embedding Errors ............................................................................................................................... 72
Preventing Embedding Errors ............................................................................................................ 72
Video Output and Routing ...................................................................................................................... 72
Output Format .................................................................................................................................... 72
Output Routing ................................................................................................................................... 73
Operation Mode ................................................................................................................................. 73
Linear Frame Rate Conversion (XD1) ................................................................................................. 76
Audio IO (Input/Output) Assignment ..................................................................................................... 78
Audio Inputs and Outputs .................................................................................................................. 78
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual
Input Control and Status ........................................................................................................................ 80
Audio Processing Symbols in the Parameter Options ........................................................................ 80
AAEX and DAEX Expander Audio Alignment ...................................................................................... 81
Advanced Audio Processing.................................................................................................................... 81
Installing the Advanced Audio Processing Submodule ...................................................................... 81
Software Key License Credits Overview ............................................................................................. 82
Enabling DTS Neural and Dolby Modes .............................................................................................. 84
Dolby Products ................................................................................................................................... 85
Dolby-E Alignment .............................................................................................................................. 86
AAP Internal Metadata ....................................................................................................................... 86
DTS Neural Surround Audio UpMix .................................................................................................... 93
Audio Delay ........................................................................................................................................ 94
DTS Neural Surround Audio DownMix ............................................................................................... 95
DTS Neural Surround Audio MultiMerge ........................................................................................... 97
DTS Neural Loudness Control ........................................................................................................... 101
Audio Input Delay and Sync .................................................................................................................. 105
Synchronization Parameters ............................................................................................................ 106
Audio Proc Amp .................................................................................................................................... 106
Audio Output Routing and Delay .......................................................................................................... 107
Audio Bit Manipulation ........................................................................................................................ 108
Channel Status Bits ........................................................................................................................... 108
Audio Metadata .................................................................................................................................... 110
Audio TSG ............................................................................................................................................. 110
GPI Inputs and Outputs ........................................................................................................................ 111
Writing Custom GPI Scripts .............................................................................................................. 111
GPI Input Script Example .................................................................................................................. 112
GPI Output Script Example ............................................................................................................... 113
Genlock and DARS ................................................................................................................................ 114
Miscellaneous ....................................................................................................................................... 114
Status ................................................................................................................................................ 114
Other ................................................................................................................................................ 115
Preset................................................................................................................................................ 115
Version.............................................................................................................................................. 115
Parameter Control Script .................................................................................................................. 115
License Credit, MCPS Status and MCPS Planner .............................................................................. 117
Green-Power Save ............................................................................................................................ 119
Laser Safety........................................................................................................................................... 120
Precautions for Enclosed Systems .................................................................................................... 120
Precautions for Unenclosed Systems ............................................................................................... 121
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual
Label ..................................................................................................................................................... 121
Inspecting and Cleaning Fiber Optic Connections ................................................................................ 121
Important Points .............................................................................................................................. 122
Inspection and Cleaning Procedure ................................................................................................. 123
Alarm List (Faults) ................................................................................................................................. 124
Specifications ........................................................................................................................................ 126
SDI Input Video Specifications .......................................................................................................... 127
SDI Output Video Specifications ....................................................................................................... 128
SDI Fiber Input Specifications (OP+SFP+RR Dual Input) ................................................................... 129
SDI Fiber Output Specifications (OP+SFP+TT+1313 Dual Output) ................................................... 129
Composite Video Input Specifications ............................................................................................. 130
Serial Data Port Specifications ......................................................................................................... 130
AES Audio Input Specifications ......................................................................................................... 130
AES Audio Output Specifications ...................................................................................................... 131
AES Expansion Module Balanced Input Specifications ..................................................................... 131
AES Expansion Module Balanced Output Specifications .................................................................. 131
AES Expansion Module Unbalanced Input Specifications ................................................................ 132
AES Expansion Module Unbalanced Output Specifications ............................................................. 132
Analog Audio Input Specifications (Audio Expansion Module) ........................................................ 133
Analog Audio Output Specifications (Audio Expansion Module) ..................................................... 133
Graphics Storage Specifications ....................................................................................................... 134
Propagation Delays Specifications ................................................................................................... 134
Power Consumption Specification ................................................................................................... 134
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Manual Information
Manual Information
Purpose
This manual details the features, installation, operation, maintenance, and specifications for the Selenio MCP FS1 and XD1 modules.
Audience
This manual is written for engineers, technicians, and operators responsible for installation, setup, maintenance, and/or operation of the Selenio MCP FS1 and XD1 modules.
Revision History
Table 1: Manual Revision History
Edition Date Revision History
A March 2011 First release
B May 2011 Revised installation procedure
C August 2011 Additional information about AES expansion modules
D November 2011 Addition of frame rate conversion and Dolby Digital
E January 2012 Addition of Dolby features
F March 2012 New loudness control and Dolby E/Dolby Digital features
G September 2013 Corrections to audio specifications
Version 2.8 October 2015 Added audio processing submodule installation instructions
November 2015 Corrected scripting parameter number examples
Writing Conventions
This manual adheres to the following writing conventions.
Term or Convention Description
Bold Indicates dialog box, property sheet, field, button, check box, list box, combo
box, menu, submenu, window, list, and selection names
Italics Indicates email addresses, names of books and publications, and first
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1
instances of new terms and specialized words that need emphasis
Installation and Operation Manual Manual Information
Term or Convention Description
CAPS Indicates a specific key on the keyboard, such as ENTER, TAB, CTRL, ALT,
DELETE
Code Indicates variables or command-line entries, such as a DOS entry or
something you type into a field.
> Indicates the direction of navigation through a hierarchy of menus and
windows
hyperlink Indicates a jump to another location within the electronic document or
elsewhere
Internet address Indicates a jump to a Web site or URL
Obtaining Documents
Product support documents can be viewed or downloaded from our website. Alternatively, contact your Customer Service representative to request a document.
Unpacking/Shipping Information
Unpacking a Product
This product was carefully inspected, tested, and calibrated before shipment to ensure years of stable and trouble-free service.
1. Check equipment for any visible damage that may have occurred during transit.
2. Confirm that you have received all items listed on the packing list.
3. Contact your dealer if any item on the packing list is missing.
4. Contact the carrier if any item is damaged.
5. Remove all packaging material from the product and its associated components before you install the unit.
Keep at least one set of original packaging, in the event that you need to return a product for servicing.
Product Servicing
Except for firmware upgrades, modules are not designed for field servicing. All hardware upgrades, modifications, or repairs require you to return the modules to the Customer Service center.
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Manual Information
Returning a Product
In the unlikely event that your product fails to operate properly, please contact Customer Service to obtain a Return Authorization (RA) number, and then send the unit back for servicing.
Keep at least one set of original packaging in the event that a product needs to be returned for service. If the original package is not available, you can supply your own packaging as long as it meets the following criteria:
The packaging must be able to withstand the product’s weight.
The product must be held rigid within the packaging.
There must be at least 2 in. (5 cm) of space between the product and the container.
The corners of the product must be protected.
Ship products back to us for servicing prepaid and, if possible, in the original packaging material. If the product is still within the warranty period, we will return the product prepaid after servicing.
Safety
Carefully review all safety precautions to avoid injury and prevent damage to this product or any products connected to it. If this product is rack-mountable, it should be mounted in an appropriate rack using the rack-mounting positions and rear support guides provided. It is recommended that each frame be connected to a separate electrical circuit for protection against circuit overloading. If this product relies on forced air cooling, it is recommended that all obstructions to the air flow be removed prior to mounting the frame in the rack.
If this product has a provision for external earth grounding, it is recommended that the frame be grounded to earth via the protective earth ground on the rear panel.
IMPORTANT! Only qualified personnel should perform service procedures.
Restriction on Hazardous Substances (RoHS) Compliance
Directive 2002/95/EC—commonly known as the European Union (EU) Restriction on Hazardous Substances (RoHS)—sets limits on the use of certain substances found in electrical and electronic equipment. The intent of this legislation is to reduce the amount of hazardous chemicals that may leach out of landfill sites or otherwise contaminate the environment during end-of-life recycling. The Directive, which took effect on July 1, 2006, refers to the following hazardous substances:
Lead (Pb)
Mercury (Hg)
Cadmium (Cd)
Hexavalent Chromium (Cr-V1)
Polybrominated Biphenyls (PBB)
Polybrominated Diphenyl Ethers (PBDE)
According to this EU Directive, all products sold in the European Union will be fully RoHS-compliant and “lead-free.” (See our website for more information.) Spare parts supplied for the repair and upgrade of
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Manual Information
equipment sold before July 1, 2006 are exempt from the legislation. Equipment that complies with the EU directive will be marked with a RoHS-compliant emblem.
Waste from Electrical and Electronic Equipment (WEEE) Compliance
The European Union (EU) Directive 2002/96/EC on Waste from Electrical and Electronic Equipment (WEEE) deals with the collection, treatment, recovery, and recycling of electrical and electronic waste products. The objective of the WEEE Directive is to assign the responsibility for the disposal of associated hazardous waste to either the producers or users of these products. As of August 13, 2005, the producers or users of these products were required to recycle electrical and electronic equipment at end of its useful life, and may not dispose of the equipment in landfills or by using other unapproved methods. (Some EU member states may have different deadlines.)
In accordance with this EU Directive, companies selling electric or electronic devices in the EU will affix labels indicating that such products must be properly recycled. (See our website for more information.) Contact your local sales representative for information on returning these products for recycling. Equipment that complies with the EU directive will be marked with a WEEE-compliant emblem.
Safety Terms and Symbols in this Manual
WARNING
Statements identifying conditions or practices that may result in personal injury or loss of
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life. High voltage is present.
CAUTION
Statements identifying conditions or practices that can result in damage to the equipment or other property.
SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Installation, Operation, and Specifications
Overview
The SEL-1XD1 and SEL-2XD1 video conversion modules are broadcast-quality up/down/cross converters designed to convert and process signals in both video and audio domains. The SEL-1XD1 and SEL-2XD1 can accept both analog video inputs, and component digital video inputs (SD-SDI, 1.5G HD-SDI, and level A and level B-DL 3G-SDI) with embedded audio and ANC data.
SEL-1FS1 and SEL-2FS1 are auto-timing serial digital frame synchronizers and audio synchronizers.
Functionally, the SEL-1FS1 and SEL-2FS1 are the same as the SEL-1XD1 and SEL-2XD1, but lack the video conversion and advanced video processing capability. Additional audio and video capability is available with expansion modules, which are installed adjacent to FS1 and XD1 modules in a Selenio MCP3 frame.
For information about setting and configuring IP addresses that affect these modules, see the Selenio MCP1 and MCP3 Frame Manuals.
Main Features
The following topics are covered:
Input (on page 12)
Output (on page 13)
Video Processing (on page 13)
Audio Processing (on page 14)
ANC Processing (on page 14)
Other (on page 14)
Software Key Options (on page 14)
Input
Auto-sensing NTSC/PAL-B/PAL-M/SECAM video inputs, and component digital video inputs (SD-SDI,
1.5G HD-SDI, and 1080p level A and 1080p level B-DL 3G-SDI)
Dual-channel independent video input processing, including audio and VANC data such as WSS/VI/AFD, closed captioning, teletext, timecode, Brandnet, and audio metadata
SDI input error monitoring
Main board capacity of two SDI or analog video composite input, with eight configurable AES input
and output
Video input from internal frame controller CXN network
Video expansion board capacity for additional electrical and fiber SDI inputs
AES audio expansion board capacity of 8 unbalanced AES inputs or 8 balanced AES inputs
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Analog audio expansion board capacity of eight balanced inputs
Analog composite genlock input with support for tri-level sync, from external reference
RS-232/422 serial port for external metadata
Four GPI inputs, TTL
Rules engine: custom GPI inputs, GPI outputs, and parameter control scripts
Output
Dual-channel independent video output processing, including audio, VANC data such as WSS/VI/AFD, closed captioning, teletext, timecode, Brandnet, and audio metadata
User-selectable input and output standards/formats
Main board capacity of four SDI outputs, and eight configurable AES input and outputs
Video input from internal frame controller CXN network
Video expansion board capacity for additional electrical and fiber SDI outputs
AES audio expansion board capacity of 16 unbalanced AES outputs or 16 balanced AES outputs
Analog audio expansion board capacity of eight balanced outputs
RS-232/422 serial port for external metadata
Four GPI outputs, TTL
Video Processing
Analog composite color decoder
Legalizer (hard clipping), proc amp and color correction
Frame sync and video delay up to 24 frames for SD/HD-SDI and 9 frames for 3G-SDI
Dual-channel up/down/cross/aspect ratio conversion using advanced 10-bit image processor (SEL-
1XD1 and SEL-2XD1 only)
Basic (frame repeat/drop) frame rate conversion with optional linear frame rate converter (single channel operation)
Test signal generator
Logo generator/inserter
Motion adaptive de-interlacing for exceptional vertical resolution
Video noise reduction and detail enhancement
Color space conversion between analog composite, SD-SDI (601), and HD-SDI (709)
User-configurable picture-resizing aspect ratio conversion (H/V size, H/V position)
Fixed preset aspect ratios that include 16:9 anamorphic, 16:9 middle cut, 14:9, 4:3, etc.
Variable ARC with five user presets
Aspect ratio adjustment according to embedded WSS/VI/AFD information
Advanced cropping with separate controls for top, bottom, left and right
Clean cut transitions during aspect ratio change
SDI video clipping
Eight user-selectable colors for the internally-generated backgrounds
Single- and dual-channel configuration
On-screen display for ten selected status parameter settings
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Audio Processing
Synchronizer, delay, gain, invert, summing of channel pairs, and muting
Test tones
Mono level swapping of audio channels
24-bit processing
Support for compressed and linear PCM in the same audio group
Dual 16-channel audio embedding and de-embedding
Sample rate conversion
Eight configurable AES ports
Plug-in advanced audio submodule option with software license keys for Dolby Digital, Dolby E, DTS®
TM
Neural and DTS® Neural Surround
advanced audio processing
ANC Processing
Full VANC and HANC pass-through for SD-to-SD ARC (when same standard at input and output)
Transcoding of CC for up/down/cross/aspect ratio conversion
Transcoding of Teletext (TT) for up/down/cross/aspect ratio conversion
WSS, VI and AFD detection, insertion, and re-insertion
Audio metadata embedding and de-embedding with serial port input and output
Timecode processing of SMPTE-266M D-VITC, SMPTE-12M-2 (formerly RP-188) ATC, RP-196 VITC,
and RP-196 LTC
Brandnet processing
VBI transfer control
Other
Internal 100BaseT Ethernet connectivity for controller module to conversion
Store and recall AFD presets through CCS-P and SNMP
User-selectable loss of video modes: pass, freeze, black, and test pattern
Clean handling of hot switch on input
Controls and monitoring via Magellan CCS Navigator, Magellan control panels, and web browsers
Store and recall of all control parameters via CCS applications
Software Key Options
SELOPT-SK-DDD Dolby Digital Pro Decoder (5.1 or 2.0) license for one FS1 or XD1 module
SELOPT-SK-DDE Dolby Digital Pro Encoder (5.1 or 2.0) license for one FS1 or XD1 module
SELOPT-SK-DED Dolby E Decoder license for one FS1 or XD1 module
SELOPT-SK-DEE Dolby E Encoder license for one FS1 or XD1 module
SELOPT-SK-DTS DTS® Neural Technologies Advanced Audio Processing* license for one FS1 or XD1
module
SELOPT-SK-FS dual channel upgrade for one FS1 module
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
SELOPT-SK-SC single-channel linear frame rate converter (for a single or dual-channel XD1 module); supports linear frame rate conversion between 25/50 and 29.97/59.94 field/frame rates:
SELOPT-SK-XD dual-channel upgrade for one XD1 module
*Three licenses are required for DTS® Neural Surround licenses are required for DTS® Neural Surround
TM
TM
Upmix and Downmix, or DTS® Neural 5.1 Loudness Control; four
MultiMerge; one license is required for DTS® Neural 2.0 Loudness Control.
Front Modules
Figure 1: Selenio FS1 and XD1 Front Module (XD1 Shown with AAP Submodule)
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Figure 2: Audio Expansion Module (Shown with Optional AES Balanced Submodule)
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Figure 3: Video Expansion Module
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
FS1/XD1 Back Modules
Selenio MCP back modules are color-coded to help you identify different connectors more quickly.
Single-channel versions use the signal from input channel 1 and deliver it to the four outputs. In dual­channel versions, channel 1 input is delivered to outputs 1 and 2; channel 2 input is delivered to outputs 3 and 4.
Figure 4: Selenio MCP FS1 and XD1 Color Scheme and Back Module Swatches
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Audio Expansion Back Modules
Figure 5: Audio Expansion Back Module Swatches
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Video Expansion Back Modules
Figure 6: Video Expansion Back Module Swatches
Back Module Pinouts
The following pinouts are shown:
GPI Serial (on page 21)
Balanced AES (on page 22)
Analog Audio Expansion (on page 23)
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
GPI Serial
To aid in numbering the pins, a key located in the upper right corner of the male connector matches a slot found in the back module GPI/Serial connector.
Figure 7: Pinouts for GPI/Serial Connector on Back Module
Table 2: GPI/Serial Pinouts
Pin Function Pin Function
1 GPI Out 1 11 RS-422 Port 2 Rx+
2 GPI Out 2 12 RS-422 Port 2 Rx-
(RS-232 Port 2 Rx)
3 GPI Out 3 13 RS-422 Port 2 Tx+
4 GPI Out 4 14 RS-422 Port 2 TX-
(RS-232 Port 2 Tx)
5 GPI In 1 15 D-Ground
6 GPI In 2 16 D-Ground
7 GPI In 3 17 RS-422Port 1 Rx+
8 GPI In 4 18 RS-422 Port 1 Rx-
(RS-232 Port 1 Rx)
9 D-Ground 19 RS-422 Port 1 Tx+
10 D-Ground 20 RS-422 Port 1 Tx-
(RS-232 Port 1 Tx)
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Balanced AES
Figure 8: Balanced AES Connector (Back Module)
Figure 9: Balanced AES Connector (Male Cable Connector)
Table 3: Balanced AES Audio Expansion Module Pinouts
Pin Function Pin Function Pin Function
1 D-Ground 22 D-Ground 43 D-Ground
2 AES In 7+ 23 AES In 8+ 44 AES In 6+
3 AES In 7- 24 AES In 8- 45 AES In 6-
4 AES Out 1+ 25 AES Out 4+ 46 AES Out 5+
5 AES Out 1- 26 AES Out 4- 47 AES Out 5-
6 AES Out 2+ 27 AES Out 3+ 48 AES In 5+
7 AES Out 2- 28 AES Out 3- 49 AES In 5-
8 AES In 3+ 29 AES In 2+ 50 AES In 1+
9 AES In 3- 30 AES In 2- 51 AES In 1-
10 AES In 4+ 31 AES Out 7+ 52 AES Out 8+
11 AES In 4- 32 AES Out 7- 53 AES Out 8-
12 AES Out 6+ 33 AES Out 9+ 54 D-Ground
13 AES Out 6- 34 AES Out 9- 55 AES Out 11-
14 AES Out 14- 35 AES Out 10- 56 AES Out 11+
15 AES Out 14+ 36 AES Out 10+ 57 AES Out 13-
16 AES Out 16- 37 AES Out 12- 58 AES Out 13+
17 AES Out 16+ 38 AES Out 12+ 59 AES Out 15-
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Pin Function Pin Function Pin Function
18 D-Ground 39 D-Ground 60 AES Out 15+
19 D-Ground 40 D-Ground 61 D-Ground
20 No Connect 41 No Connect 62 D-Ground
21 No Connect 42 No Connect
Analog Audio Expansion
Figure 10: Analog Audio Expansion Back Module Pinouts (Input and Output)
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SFP Options
Table 4: SFP Options
Available Option Quantity Description
OP+SFP+TT+13+13 2 1310 nm and 1310 nm wavelength dual transmitter with pathological
support for baseband video
OP+SFP+RR 1 Dual PIN receiver with pathological support for baseband video
OP+SFP+TT+27+29 1 or 2 Small Form Factor (SFP) 1270 nm and 1290 nm wavelength dual
transmitter with pathological support for baseband video.
OP+SFP+TT+31+33 1 or 2 Small Form Factor (SFP) 1310 nm and 1330 nm wavelength dual
transmitter with pathological support for baseband video.
OP+SFP+TT+35+37 1 or 2 Small Form Factor (SFP) 1350 nm and 1370 nm wavelength dual
transmitter with pathological support for baseband video.
OP+SFP+TT+43+45 1 or 2 Small Form Factor 1430 nm and 1450 nm wavelength dual
transmitter with pathological support for baseband video.
OP+SFP+TT+47+49 1 or 2 Small Form Factor (SFP) 1470nm and 1490 nm wavelength dual
transmitter with pathological support for baseband video.
OP+SFP+TT+51+53 1 or 2 Small Form Factor (SFP) 1510 nm and 1530 nm wavelength dual
transmitter with pathological support for baseband video.
OP+SFP+TT+55+57 1 or 2 Small Form Factor (SFP) 11550 nm and 1570 nm wavelength dual
transmitter with pathological support for baseband video.
OP+SFP+TT+59+61 1 or 2 Small Form Factor (SFP) 1590 nm and 1610 nm wavelength dual
transmitter with pathological support for baseband video.
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FS1 Signal Flow
The following signal flow diagrams illustrate two-channel FS1 configurations.
Figure 11: FS1-EES Back Module
Figure 12: FS1-EOS Back Module
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Figure 13: FS1-OES Back Module
Figure 14: FS1-OOS Back Module
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XD1 Signal Flow
The following signal flow diagrams illustrate two-channel XD1 configurations.
Figure 15: XD1 EES Back Module
Figure 16: XD1-EOS Back Module
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Figure 17: XD1 OES Back Module
Figure 18: XD1-OOS Back Module
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EES (Electrical/Electrical) Video Expander Signal Flow
Figure 19: FS/XD-to-EES Video Expander Signal Path
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Example of EES Video Expander Routing Assignment
Table 5: EES Video Expander Routing Example
Parameter
Input Processing Ch 1
Input Processing Ch 2
EXT Out 1-4
CTR SDI Out
VEX EXT Out 1
VEX EXT Out 2
VEX EXT Out 3
VEX EXT Out 4
VEX EXT Out 5
VEX EXT Out 6
VEX EXT Out 7
VEX EXT Out 8
VEX CTR SDI Out
Available Options for Source Assignment
EXT Vid 1/2
CTR SDI
EXP SDI 1
EXP SDI 2
Proc Channel 1
Proc Channel 2
VEX Ext SDI 1
VEX Ext SDI 2
VEX CTR SDI
EXP SDI 1 Out
EXP SDI 2 Out
EXP SDI 3 Out
Available Options for EXP Assignment
n/a
VEX EXT Vid 1
VEX EXT Vid 2
VEX CTR SDI
n/a
n/a
Proc Channel 1
Proc Channel 2
VEX and DDA Internal Connectivity
One Selenio VEX1 video expander module can be connected to either an FS1 or XD1 module. (DDA1 modules also have the capability to operate in the VEX1 video expander mode.) All of these modules have one SDI connection to—and from—every other module in the frame through the controller module. This internal connectivity makes it possible to distribute a non-processed signal to all other modules in the Selenio frame, or provide a distribution function cascading FS1/XD1 output through a maximum of 13 video expanders. Additionally, dual-channel FS1/XD1 modules can provide a 2nd thumbnail/streaming signal.
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Installing Selenio Modules
You can insert a Selenio module into a frame with the power supply turned on or off. Follow this procedure:
1. Remove a blank back module from the frame.
Do not discard the blank back modules and their captive screws. You may need them for future configurations.
2. Attach the new back module to the empty slot, using the mounting screws provided.
Align the back module’s pin into the guide hole, and ensure that the EMI gaskets separating the back modules remain in place during the installation. The EMI gaskets fit tightly. To ease the installation of back modules, gradually press each back module into place from the left side to the right side.
Figure 20: Example of Back Module Installation
3. Apply labels to the back module, if these are supplied separately.
4. Print out this page and write down the placement of the back modules in the diagram below (back modules appear on the reverse side when viewed from the front).
Figure 21: Writing Space for Identifying Back Modules
CAUTION: Do not mix and match back and front modules. The front module must mate with a back module of the same product.
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5. Open the front panel and then slide the correct front modules into the slots that match the back modules.
6. Push the module until it seats properly, ensuring the edge of the module is flush with the edge of the module guides, and the square extractor handle clicks into its slot.
7. Install the remaining back and front modules, make all of the necessary rear connections, and then close the front panel.
CAUTION: To prevent overheating during frame operation, keep the front panel closed and all back module slots covered.
Removing the Front Module
To remove a front module from a Selenio frame, follow this procedure:
1. Open the front panel.
2. Grasp the extractor handle on the module, pulling down slightly.
3. Using the handle, slide the module out of its slot.
Figure 22: Removing a Front Module
4. Close the front panel to ensure proper frame ventilation.
Removing the Back Module
To remove a back module from a video conversion module frame, unscrew the module, and then pull it straight out. Then re-attach a blank back module to ensure proper frame ventilation.
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Audio Expansion Modules
Audio expansion modules increase the number of inputs and outputs, and expand the functionality of the FS1 and XD1 modules. When an expansion module is installed beside an applications module, an automatic connection takes place. The Configuration section of the user interface is updated, giving the user setup, control and monitoring functions. Audio signals are automatically connected internally over bidirectional high-speed buses, eliminating the need for external cables.
Up to two audio expansion modules can be placed beside an XD1 or FS1 application module. (Audio expansion modules are installed to the right—in a higher numbered slot—beside an FS1 or XD1.) The two audio expansion modules may be installed in any of the following configurations:
Analog + Digital
Digital + Analog
Digital + Digital
Analog + Analog
Analog expansion modules use the SEL-BM-AA back module, which connects directly to the front module. However, SEL-BM-AESB AES back modules require an additional submodule, installed at the rear of the front module.
If a SEL-BM-AESB digital back module is installed without this submodule, the expansion module will not be damaged, but it will not provide a signal of any type. On the other hand, if a SEL-BM-AA analog back module is installed with an AES submodule/front module combination, the product will act as an analog expansion module.
For a list of Audio Expansion Configurations, see Table.
Connections to the Analog Audio Expansion Back Module
Figure 23: Weidmuller Analog Audio Connections
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Analog Audio Expansion Module Jumpers
Figure 24: Analog Audio Expansion Jumpers
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Audio Expansion Configurations
Digital and analog audio expansion modules can be added to XD1 or FS1 modules in the following configurations:
Table 6: Audio Expansion Configuration
Audio Expansion Configurations
AES Inputs/ Outputs
AES Inputs
AES Outputs
Analog Inputs
Main Video and Audio Module 8 0 0 0 0
Digital Audio Expander Module 0 8 16 0 0
Analog Audio Expander Module 0 0 0 8 8
Configuration 1
Main Video and Audio Module 8 0 0 0 0
Digital Audio Expander Module 0 8 16 0 0
Digital Audio Expander Module 0 8 16 0 0
8 16 32 0 0
Configuration 2
Main Video and Audio Module 8 0 0 0 0
Analog Audio Expander Module 0 0 0 8 8
Analog Audio Expander Module 0 0 0 8 8
8 0 0 16 16
Analog Outputs
Configuration 3
Main Video and Audio Module 8 0 0 0 0
Digital Audio Expander Module 0 8 16 0 0
Analog Audio Expander Module 0 0 0 8 8
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8 8 16 8 8
SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Powering Up a Module
When an FS1 or XD1 is first powered up, the module outputs a Cross Hatch/Color Bars test pattern within seven seconds. Usable video is available within approximately 30 seconds. The power consumption of an FS1 or XD1 module is 40 W maximum.
Upgrading Module Firmware
All module firmware upgrades are activated in the frame controller section of the Selenio user interface. Follow this path to find the appropriate parameters: Configuration > Frame Controller > Configuration tab > Upgrade Firmware.
See the Selenio MCP frame manual for information on how to upgrade module firmware. In the unlikely event of an upgrade failure on a SELOPT-DDA1 or SEL-VEX1 module, use the Upgrade Failure Instructions of this manual.
Upgrade Failure Instructions
The FS1, XD1, and audio expansion modules include one user-configurable DIP switch array (SW1), located at the card edge next to the extractor. In normal operation, all four switches are in the Off position, set closest to the card edge. In the unlikely event of corrupted software, you may need to temporarily change the setting of Switch 1 for the failsafe mode override. You would be alerted to this problem if a System Recovery Upgrade Required fault was triggered after an upgrade, and the module had finished rebooting.
If a System Recovery Upgrade Required fault is triggered, you should first try using the alternate firmware (see Activating Alternate Firmware in the frame manual) and then attempt the upgrade again. If this second attempt fails, follow these steps to activate the failsafe mode:
1. Remove the front FS1, XD1, or audio expansion module from the frame.
2. Push Switch 1 to the On position.
Figure 25: DIP Switch Setting for Failsafe Mode
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3. Reinsert the module.
4. Install the new module software using the Selenio user interface.
5. Remove the module, and then return Switch 1 to the Off position.
6. Reinsert the module.
The module is now running the new software.
License Keys
To add license keys to an FS1or XD1 module, select the Configuration tab in the user interface, select Frame-Controller, and then click License Key Activation. From the licensing table, select the module you
wish to change, enter the license key, and then click Apply. The new options will be available momentarily. (FS1 and XD1 modules do not require a reboot after a license key installation.)
Accessing MIBs
MIB files for all modules can be downloaded directly from any Selenio frame. MIBs are generated on a per-device basis. For example, if there are seven FS1 modules in a frame, only one of the seven 7 MIBs is required, assuming all of the modules are using the same version of software. If the frame includes multiple modules of the same type, but different software versions, the module with the latest version should be used to generate the MIB.
If an older MIB is used with newer firmware (for example, an older version of firmware was used instead of the latest firmware), the new parameters added to the new version will not be available on the MIB, and thus, will not be accessible via the MIB.
Before downloading module MIBs, you must first download the InfrastructureNetwork.mib file. Copy the following into a browser to access the InfrastructureNetwork.mib:
http://<IP address>/InfrastructureNetwork.mib
<IP address> is that of the primary controller in the frame
Once any MIB file is downloaded from the frame, you should rename it immediately to prevent overwriting.
To download a specific module MIB file, copy this line into a browser:
http://<IP address>/mib/slot<slot#>/snmp.mib
<IP address> is that of the primary controller in the frame
<slot#> is the slot in the frame, as seen from the front
Examples:
http://137.237.173.15/mib/slot0/snmp.mib
Accesses the controller MIB from frame 137.237.173.15.
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http://137.237.173.15/mib/slot7/snmp.mib
Accesses the MIB for slot 7 from 137.237.173.15
Composite Decoder
Analog Input Pedestal disables the input analog video pedestal for Japanese NTSC (default is Yes).
3D Comb Decoding enables 3D comb filtering for composite video inputs (default is On).
Analog TBC enables time base correction for analog video inputs (default is Off).
Note: Selenio accepts PAL-M composite video that complies to ITU-R BT.470-6 standard (with burst
amplitude of 300mV), as well as a variant that is used commonly in Brasil (with burst amplitude of 287mV). Ensure that you select the correct PAL-M standard for detection. An incorrect standard setting will distort the color level of the video. To select the PAL-M standard for detection, follow Misc > Others
> PAL-M Standard, and then select either Brasil (default) or ITU-BT470-6.
Video Input
The following topics are covered in this section:
Input Routing (on page 38)
Auto Routing (on page 39)
EDH-CRC-SQM 1 and 2 (on page 39)
Note: EXT Video inputs and outputs can be disabled by the Green-Power Save control (Misc > Green­Power Save). If an external video control is grayed out in the user interface, check its power save status.
Input Routing
Processing Channel x Source sets the input video source for the selected processing channel. Options
are:
Auto (see Auto Routing (on page 39))
CTR SDI 1 (the currently operating controller)
EXT Vid 1 (default; from external SDI 1 In fiber or HD-BNC connector)
EXT Vid 2 (from external SDI 2 In fiber or HD-BNC connector)
The FS1 and XD1 are available with one of the following back module input configurations:
Two optical SDI SFP inputs
Two SDI or analog (High-Density) HD-BNCTM inputs
These modules also receive inputs from either the primary or secondary controller module.
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Any two of the inputs can be selected as processing channels. The FS1 and XD1 can automatically detect input video formats; error monitoring (EDH) is performed when the input format is SD-SDI. HD-SDI inputs are monitored by Cyclic Redundancy Checks (CRC). For any input video format that is not supported by the module, the video signal is treated as an unknown format and the module switches to LOV (Loss of Video) Mode. You can choose to allow unknown or unstable video to Pass Through, Freeze, or be replaced with Black.
Auto Routing
The FS1 and XD1 make it possible to select three different video sources in descending order of preference. In the event that one source fails, the module switches to the "next best" choice. The options are:
EXT Vid 1 (from external SDI 1 In)
EXT Vid 2 (from external SDI 2 In)
CTR SDI (the currently operating controller)
Using the Auto Switch Delay parameter, you can set the amount of delay before the module switches to the next best video source (default is 2 seconds). If the Primary Choice signal returns after the modules are routed to one of the other inputs, the FS1 and XD1 revert back to the Primary Choice signal. (You must set Auto Fallback to Yes for this to occur.)
If you want to be able to manually return to the Primary Choice (instead of allowing it to happen automatically), leave Auto Fallback set to No, and then manually return to the primary signal by setting Force Fallback to Yes.
When Auto Routing occurs, the module triggers an Input Routing Auto Switched fault.
EDH-CRC-SQM 1 and 2
When enabled, these parameters report EDH/CRC errors. Additional status parameters report low/peak Y and C levels.
Audio De-Embedding (DMB)
DMB 1 and DMB 2 Grp x De-embedding Control parameters provide the ability to either repeat or mute the last audio sample when the de-embedder encounters an error. Using the DMB 1 and DMB 2 Grp x DBN Error Reporting parameters, you can configure the module so that these errors are either ignored
or trigger a fault.
The status of the audio de-embedders is reported in the Audio Input Status block.
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Data De-embedding (DMB)
These parameters operate the de-embedding controls for Closed Captioning, Teletext, Timecode, Brandnet, and generic data passing. For details, see Data Embedding and De-Embedding (on page 62).
Video Sync and Delay
The FS1 and XD1 set the video delay automatically (using the Auto option of the Input Standard Sel parameter) or the modules can use the standard you set manually as the reference. Additionally, you can adjust the timing of the signal using the Frame Delay, Horizontal Phase, and Vertical Phase parameters. The Frame Delay parameter compensates for other external processes by providing a delay of between 0 to 16 frames, in one-frame increments. This delay is in terms of input units. For example, if the input format is SD-SDI, the delay is in terms of 525/625 frames.
On its own, the Sample Rate Conversion block adds delay, relative to the video signal. To correct this synchronization problem, the Video Sync and Delay > Audio/Video Align parameter adds a fixed delay to the video processing path. Select Yes to enable this feature.
Video Proc Amp and Color Corrector x
This group of parameters includes the following controls:
Proc Amp
Hard Clip Control, Legalizer
Color Corrector
Proc Amp
These parameters make it possible to modify the black level, luma gain, chroma gain, and hue.
Clip Control
Y, composite, and GBR levels are adjustable using the parameters in the Clip Control group.
Y levels are enabled and set using White and Black clipping controls.
In the composite realm, FS1 and XD1 modules do not directly output video signals. However, the following composite parameters make it possible to correct the limits of clip, luma, Cb, and Cr before the signal is converted by a downstream NTSC or PAL device. The following video attributes can be modified:
Cmpst Clip Enable (default is No)
Cmpst Clip Luma Min (-47.9 mV to 47.9 mV, default is 0.0 mV)
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Cmpst Clip Luma Max (636.8 mV to 763.1 mV, default is 700.0 mV)
Cmpst Clip Cb Min (-380.0 mV to -320.0 mV, default is -380.0 mV)
Cmpst Clip Cb Max (320.0 mV to 380.0 mV, default is 380.0 mV)
Cmpst Clip Cr Min (-380.0 mV to -320.0 mV, default is -380.0 mV)
Cmpst Clip Cr Max (320.0 mV to 380.0 mV, default is 380.0 mV)
GBR levels are enabled, and then limited using maximum and minimum settings.
Color Correction
The color corrector changes the following RGB attributes of an input signal:
Gain
Offset
White Slope
Black Stretch
Gamma Correction
These parameters include "lock" options that make it possible for you to adjust all of the options of a particular group in tandem, rather than separately.
White Slope and Black Stretch
The white slope is comprised of G White Knee, B White Knee, R White Knee, and GBR White Knee Lock. Black Stretch includes G Black Knee, B Black Knee, R Black Knee, and GBR Black Knee Lock.
Component knees determine the amount of additional gain applied to segments at the ends of the RGB transfer functions in the look-up tables. The values displayed are a percent of the available correction. A positive white knee increases the slope of the last 15% of RGB values, and decreases the slope of the preceding 15%. A positive black knee parameter will increase the slope of the first 15% of the transfer function by the amount entered and decrease the slope of the next 15%, to return to the unmodified transfer function. Each component knee is added to the total knee (the sum cannot exceed 100%) to produce the correction applied to the respective component.
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Figure 26: Examples of Increased and Decreased White Slope
Figure 27: Increased and Decreased Black Knees
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Gamma Correction
Gamma correction is applied to the RGB as a simple power function, and is applied to each component independently.
Figure 28: Example of Gamma Corrections to R, G, and B
Conversion and Advanced Video Processing (XD1)
Aspect ratio conversion is an important part of video format conversion. The XD1 supports basic pre­defined arcing controls, custom preset arcing control, code-based automatic arc control, and a highly­configurable ARC code-based table. See General Information on ARC and AFD (on page 46) for information about the use of aspect ratio conversion and AFD codes, including graphical representations of ARC and AFD patterns.
Status
These read-only parameters report on the ARC mode, offsets, scale, left and right crop, AFD, and VI of the conversion processing.
AFD Presence and Output
FS1 and XD1 modules have different capabilities for signaling, handling, and insertion of embedded VI, WSS, and AFD.
The FS1 modules can perform two major functions with AFD. They can replace the AFD of an incoming stream with a different set of AFD code generated by the module. Also, FS1 modules can insert new AFD where it currently does not exist, and output a signal that includes newly-created AFD.
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The XD1 modules have many ANC functions, in addition to the AFD capabilities of the FS1. In XD1 modules, if the incoming signal contains AFD, the module can replace the existing AFD code with updated ARC information. XD1 modules also make it possible for you to create custom AFD rules for non-standard aspect ratio changes.
ARC Control (XD1 Versions Only)
You can set the output in a particular conversion mode by selecting either a standard ARC setting, or one of your own customized preset ARC settings, with an automatic ARC that follows the ARC code embedded in the video.
Depending on the current input/output video standard setting, the XD1 operates in one of four modes: upconversion, crossconversion, downconversion, or SD-ARC.
Mode
The current ARC mode is shown in the ARC Mode Fb parameter in the Status menu.
When input video standards or output video standards change, the module may switch to a different conversion mode, and the required ARC setting may be different. For this reason, the XD1 options are set according to the conversion mode, and you can pre-configure the settings for each mode. When mode switching happens, settings will always take effect immediately.
ARC Control
Set ARC Control > ARC Control to one of the following selections:
Anamorphic
4:3 Pillar Box
14:9 Pillar Box
16:9 Cut
4:3->21:9 Ltr
16:9 Letter Box
14:9 Letter Box
4:3 Cut
16:9->21:9 Ltr
Custom Up/Down/Cross ARC 1-5
AFD
AFD-ALTR
AFD-Custom Map
Note: In some regions, SD-SDI normal analog blanking is not part of the 4:3 active video area, causing the 4:3 image to have an active video length of 702 (PAL/625) or 704 (NTSC/525) instead of 720. In these situations, the ARC will need adjustments. Use the SD Width parameter (Conversion and Advanced
Video Processing x > ARC Control) to set the module to either 720 (default) or 702(PAL)/704(NTSC).
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AFD-VI-WSS Insertion
The presence of incoming embedded AFD, VI, and WSS data is shown the Status parameters. AFD, VI and WSS data can be passed from input to output, or it can be generated manually or automatically by the FS1 and XD1 module. This function is controlled by the AFD-VI-WSS Insertion options.
The AFD, VI, and WSS Insert parameters also offer the ability to Remove the code.
Set the Current Mode if you want to work in the current conversion mode that you are already using, rather than setting a specific up, down or cross mode.
AFD/VI/WSS Insert
The Pass option allows the incoming AFD code to be inserted unmodified. This option is only supported in SD-ARC and crossconversion modes. In up- or downconversion modes, the Pass option is equivalent to a loss of code, even when an input code is present. When a loss of code occurs, the module will insert your selection from the AFD/VI/WSS Pass on Loss parameters.
If you select Remove, no code is generated by the module. The original input code is removed, except for the following:
WSS in line 23
All codes in proc bypass mode.
When you select the Auto option, the module generates code automatically and inserts it. The code can be generated in one of the following scenarios:
A standard or custom aspect ratio is selected, and the corresponding AFD, VI, or WSS code is inserted.
The ARC Control parameter is set to AFD, AFD-ALTR, VI, VI-ALTR, WSS, or WSS-ALTR, and the generated output code is based on input code according to the alternate implementations of the standard.
The ARC Control parameter is set to AFD-Custom Map, VI-Custom Map or WSS - Custom Map, and the output code is generated from the custom map settings.
When you select Custom AFD Map, the output code is generated according to the custom map table.
AFD/VI/WSS Pass On Loss
This parameter controls the passing behavior if the AFD, VI, or WSS signal is lost.
AFD, VI, WSS Custom Mapping
Using the controls in AFD-VI-WSS Custom Mapping, you can define a special mapping table other than the one specified by a standard. Given any input AFD, VI or WSS code, you can define the aspect ratio behavior and output AFD, VI and WSS code independently.
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Custom ARC
You can scale and pan the output image to any size and location, using the various parameters of
Custom ARC. These parameters include: Horizontal Offset, Vertical Offset, Horizontal Scale, Vertical Scale, Crop Left, Crop Right, Crop Top, and Crop Bottom. By recalling a standard aspect ratio or a pre-
defined custom aspect ratio preset, you can individually modify—or batch-modify—these parameters.
Live Edit View
The Live Edit View feature makes it possible to visually align various parameters. Select Live Edit View > On to effect immediate ARC output changes.
ARC Mode
Depending on the current input/output video standard setting, the XD1 operates in one of four modes: upconversion, crossconversion, downconversion, or SD-ARC. The current operating mode is shown in the ARC Mode Fb parameter in the Status menu.
When input video standard or output video standards change, the module may switch to a different conversion mode, and the required ARC setting may be different. For this reason, the XD1 options are set according to the conversion mode, and you can pre-configure the settings for each mode. When mode switching happens, settings will always take effect immediately.
Save ARC
Use these presets for saving custom ARC settings. You can save five presets for each type of conversion (up, cross, down, etc.).
Recall ARC
This parameter recalls a pre-existing ARC setting.
Scalar Configuration
These parameters provide a number of controls to optimize your custom ARC settings.
General Information on ARC and AFD
This section includes the following:
AFD (Active Format Description) (on page 47)
AFD/ARC Alignment (on page 47)
AFD, VI, and WSS-Based Aspect Ratio Control (on page 48)
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AFD (Active Format Description)
Active Format Description (AFD) transmits data in the VANC portion of the SDI signal, enabling both 4:3 and 16:9 television monitors to optimally present video with preset ARC and safe area information. Without AFD, converted video may appear distorted or “cut off” when it appears on different monitors. The FS1 and XD1 can encode or decode AFD; it can also encode or decode earlier Video Index (VI) and Wide Screen Signaling (WSS) formats.
AFD/ARC Alignment
When you use AFD to select your aspect ratio, the module ensures that the AFD codes and associated image will remain in sync. For example, during a hotswitch, the new ARC will only be applied to the new image. There are a few cases which could cause AFD/ARC misalignment:
The ARC applied is reducing the image vertically such that the new image is less than 60% of the original image.
The output standard is set to either 1080p/23.98 or 1080p/29.97.
AFD/Non-AFD Comparisons
The figure below shows two comparisons of a signal that is encoded with AFD and without AFD.
Figure 29: AFD/Non-AFD Comparisons
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AFD Block Diagrams
The illustration below shows different applications of AFD insertion and decoding.
Figure 30: AFD Block Diagram
The AFD feature includes SD-SDI and HD-SDI configurations. See AFD Descriptions (on page 49) for details.
AFD Diagram Explanation
In automatic format description, VI provides embedded code in 525-line and 625-line component digital video signals. This code makes it possible for picture and program related source data to be carried in conjunction with a video signal. WSS is embedded code in a 625-line system. It contains information on the aspect ratio range of the transmitted signal and its position as it would appear on a conventional 4:3 display.
AFD, VI, and WSS-Based Aspect Ratio Control
When you set the ARC Control parameter to follow the aspect ratio codes (AFD, AFD-ALTR, AFD-Custom Map, VI, VI-ALTR, VI-Custom Map, WSS, WSS-ALTR, and WSS-Custom Map), the aspect ratio control is based on input AFD, VI, or WSS code. AFD-Custom Map, VI-Custom Map, and WSS-Custom Map make it possible for you to perform automatic aspect ratio conversions based on the custom defined mapping table. The other options set the ARC to an existing standard. When the input code is missing, the ARC behavior is defined by Loss of AFD ARC, Loss of VI ARC or Loss of WSS ARC. Only one of these options is be enabled at any one time.
Though they are not widely used, some AFD, VI or WSS codes recommend cropping part of the image. When this type of cropping is enabled, the module will take longer to change ARC modes. To create
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faster ARC transitions, you can disable the cropping using the AFD Crop Enable parameter in ARC Control. When the ARC is based on AFD, VI, or WSS, and the output standard is SD-SDI, you must set the SD Out Aspect Ratio (either 4:3 or 16:9) to ensure you use the correct mapping table.
AFD Descriptions
The following pages show the different AFD code descriptions. Comparable WSS and VI templates are included in the SD-SDI descriptions.
Figure 31: Explanation of AFD Diagrams
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AFD 4:3
Figure 32: 4:3 AFD Descriptions
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AFD 16:9
Figure 33: 16:9 AFD Descriptions
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4:3 to 16:9
Figure 34: 4:3 to 16:9 Conversion
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4:3 to 4:3
Figure 35: 4:3 to 4:3 Conversion
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16:9 to 4:3
Figure 36: 16:9 to 4:3 Conversion
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16:9 to 16:9
Figure 37: 16:9 to 16:9 Conversion
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Video Processing
Analog composite color decoder
Legalizer (hard clipping), proc amp and color correction
Frame sync and video delay up to 24 frames for SD/HD-SDI and 9 frames for 3G-SDI
Dual-channel up/down/cross/aspect ratio conversion using advanced 10-bit image processor (SEL-
1XD1 and SEL-2XD1 only)
Basic (frame repeat/drop) frame rate conversion with optional linear frame rate converter (single channel operation)
Test signal generator
Logo generator/inserter
Motion adaptive de-interlacing for exceptional vertical resolution
Video noise reduction and detail enhancement
Color space conversion between analog composite, SD-SDI (601), and HD-SDI (709)
User-configurable picture-resizing aspect ratio conversion (H/V size, H/V position)
Fixed preset aspect ratios that include 16:9 anamorphic, 16:9 middle cut, 14:9, 4:3, etc.
Variable ARC with five user presets
Aspect ratio adjustment according to embedded WSS/VI/AFD information
Advanced cropping with separate controls for top, bottom, left and right
Clean cut transitions during aspect ratio change
SDI video clipping
Eight user-selectable colors for the internally-generated backgrounds
Single- and dual-channel configuration
On-screen display for ten selected status parameter settings
Audio Processing
Synchronizer, delay, gain, invert, summing of channel pairs, and muting
Test tones
Mono level swapping of audio channels
24-bit processing
Support for compressed and linear PCM in the same audio group
Dual 16-channel audio embedding and de-embedding
Sample rate conversion
Eight configurable AES ports
Plug-in advanced audio submodule option with software license keys for Dolby Digital, Dolby E, DTS®
TM
Neural and DTS® Neural Surround
advanced audio processing
ANC Processing
Full VANC and HANC pass-through for SD-to-SD ARC (when same standard at input and output)
Transcoding of CC for up/down/cross/aspect ratio conversion
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Transcoding of Teletext (TT) for up/down/cross/aspect ratio conversion
WSS, VI and AFD detection, insertion, and re-insertion
Audio metadata embedding and de-embedding with serial port input and output
Timecode processing of SMPTE-266M D-VITC, SMPTE-12M-2 (formerly RP-188) ATC, RP-196 VITC,
and RP-196 LTC
Brandnet processing
VBI transfer control
Other
Internal 100BaseT Ethernet connectivity for controller module to conversion
Store and recall AFD presets through CCS-P and SNMP
User-selectable loss of video modes: pass, freeze, black, and test pattern
Clean handling of hot switch on input
Controls and monitoring via Magellan CCS Navigator, Magellan control panels, and web browsers
Store and recall of all control parameters via CCS applications
AFD-VI-WSS Processing (FS1)
AFD-VI-WSS processing is performed on both the FS1 and the XD1, although the parameters are slightly different. For AFD-VI-WSS processing on the XD1, read Conversion and Advanced Video Processing (XD1) (on page 43).
Video Selector/TSG-OSD
This section includes:
Test Signal Generators (see "On-Screen Display (OSD)" on page 58)
On-Screen Display (OSD) (on page 58)
Test Signal Generators
The FS1 and XD1 include two video test signal generators (one for each conversion channel) that will provide the following:
75% Color Bars Signal
Horizontal Frequency Sweep
Horizontal Frequency Sweep (Y-Only)
Cross Hatch
Black
White
During firmware upgrades, the test signal generator automatically outputs color bars.
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On-Screen Display (OSD)
Both the FS1 and the XD1 have the capability to provide an output with or without on-screen display (OSD). You can select up to ten read-only parameters to appear, using the OSD Sel x parameters. The on-screen read-only values appear when OSD Enable is activated.
Logo 1 and 2
The FS1 and XD1 provide on-screen static logo generation capability, using logos that you store on an SD/SDHC micro memory card. For information on the creation and storage of logo files, see Graphics Storage and Playout Overview (on page 58).
File Select
The Scan Files parameter loads the next set of filenames onto the SD/SDHC micro memory card. Options are Next and Previous. The read-only File x parameters display the available logo files. Use the Select File control to choose the file you need, and the Select Raster parameter to determine the raster size required for the logo.
Raster x
Within the raster sizes of 1080, 720, 625, and 525, you can set the Transparency, X Position, and Y Position.
Graphics Storage and Playout Overview
The MCP FS1 and XD1 store logos on an SD/SDHC micro memory card. (The card must be formatted to FAT 32.) The following memory cards are recommended:
1 GB SanDisk
4 GB Kingston (SDC4/4GB Class 4)
4 GB Lexar (LSDMI4GBASBNA Class 4)
4 GB SanDisk (SDSDQM-004G-B35SA Class 4)
To load the graphics, you will need to use the slot located on the card-edge of the FS1 and XD1 module. Logos used by the FS1 and XD1 must be created or saved in the .mg2 file format, and initially stored on an SD or SDHC micro memory card at your PC workstation in the /logos directory. You can remove the micro memory card at any time a logo is being displayed by the module, unless the file is being loaded.
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Use the LogoCreator software utility (provided on our website) to convert graphics files to the .mg2 format.
Figure 38: Progression of Logo to On-Air Signal
The files that you use as logos must be selected according to the video output standard set on the module's SDI 1 (or SDI 2) Output format. When the output standard changes on the module, the FS1 and XD1 automatically loads files that use the selected output standard.
Basic Steps to Installing Logo Files
If you are starting with existing graphics files, these basic steps are described in the following pages:.
Step 1: Install LogoCreator Software (on page 59)
Step 2: Convert Files to the .mg2 Format (on page 60)
Step 3: Transfer the Logos to the SD/SDHC Card, and to the Module (on page 62)
Step 4: Set the Parameters and Load the Logo Files (on page 62)
Step 1: Install LogoCreator Software
All logos used by the FS1 and XD1 must be either generated as .mg2 files, or converted to that format. LogoCreator software is contained in the Icon application, found on our website.
For best results, LogoCreator requires a PC with the following system specifications:
Intel Pentium III processor at 500 MHz or faster
512 MB or more of physical memory (RAM)
®
Microsoft
If a version of LogoCreator already exists on the PC, ensure that you first uninstall the program and restart the computer. Then proceed with the steps below:
1. Close all other software applications running on the PC and then insert the IconTools CD-ROM into the computer’s CD-ROM tray.
2. Using Windows Explorer, browse to the CD-ROM contents, and then double-click the LogoCreator folder.
3. Double-click Setup.exe.
4. When the IconTools 3 Setup box appears, click Next, and then follow the on-screen installation instructions.
Windows® XP, Windows 2000, Windows Vista, or Windows 7
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Step 2: Convert Files to the .mg2 Format
Using LogoCreator, you need a source image file for the fill portion of your logo, and a source image file for the key portion. The fill is the picture or image you want to overlay onto the program output. The key is the cutout or shape of the desired logo, which may or may not be the same shape as the fill. Using LogoCreator, you will set the fill and key images to the same size (resolution) as the standard of the FS1 and XD1 output. LogoCreator infers the key from the alpha channel in a targa (.tga) file.
After you save the logo, the logo displays in your LogoCreator workspace. To save your logo files using LogoCreator, follow these steps:
1. In LogoCreator, open the Logo Set-Up dialog box.
When you first open LogoCreator, the Logo Set-Up dialog box opens automatically. If the Logo Set-
Up dialog box is closed, select File > New to open the dialog box.
Figure 39: LogoCreator Setup Dialog Box
Note: If you click the Open button directly in the Logo Set-Up box, the program will only launch files
with a .mg2 prefix. If you attempt to open a file with any other prefix, the program will generate error messages.
2. Click the Logo button to open the Static Logo dialog box.
3. Use the Logo ID box to assign the logo to a specific slot on your IconLogo system.
4. Enter a name for the logo in the Name box.
5. Click the Open button below the Logo Image Preview window.
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The Open dialog box displays.
6. Select your existing logo file and click the Open button to open the logo in the Static Logo dialog box.
Figure 40: Static Logo Dialog Box
A preview of the composited logo displays in the Logo Image Preview area. A preview of the image alpha displays in the Logo Alpha Preview area if the file contains alpha.
7. Select a file to use as the alpha channel for your logo.
You must select a file before you can save the logo.
To use the original image’s alpha channel, select the Use the alpha key found with image check
box.
To use a different image for the alpha channel, clear the Use the alpha key found with image
check box, and then click the Open button to select a new file for your alpha channel.
Note: An alpha channel is an 8-bit layer in a graphics file format that is used for expressing
translucency (transparency). Typically, you define the alpha channel on a per-object basis. Different parts of an object will have different levels of transparency depending on how much background you want to show through.
8. Click the Save button in the Static Logo dialog box.
The Save Logo File dialog box opens where you can save your logo as a .mg2 file. Once you save the logo as a .mg2 file, the logo displays in the LogoCreator workspace.
Note: The Logo Position and Opacity controls on the LogoCreator software are not active. These features are controlled by the X Position, Y Position, and Transparency parameters found in the FS1 and XD1 parameter list at Video > Processing Channel 1 and 2 > Logo 1 and 2 > Raster x.
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Step 3: Transfer the Logos to the SD/SDHC Card, and to the Module
When your logos have been created or converted to the .mg2 format, save them to your computer hard drive before saving them to the SD/SDHC card. Then insert the card into the slot located on the left side of the FS1 and XD1 module.
The Scan Files parameter (Video > Processing Channel x > Logo x > File Select) loads the next set of filenames onto the module for use. From here, you can search for the appropriate file for the video standard you are using.
There are four sets of logo parameters specific to groups of output standards having equivalent raster dimensions. For example, the logo for 1080i59, 1080p25, and 1080p59DL output standards would be configured under the 1080 Raster group.
Step 4: Set the Parameters and Load the Logo Files
Using the FS1 and XD1, you can preset a logo filename and its settings for each output standard. The preset logo will automatically load when the corresponding output standard is selected and becomes the active Output Format (Video > Video Output and Routing).
All of the settings that control and monitor the logos are found at Video > Processing Channel 1 and 2 >
Logo 1 and 2 > Raster x.
Typical Card-to-FS1 and XD1 Logo Loading Times
Content Format
Approximate Load Time from Card to Module
Bug logo, 1/16 screen 720p 5 seconds
Detailed 500 Kb image,
720p 30 seconds
1/4 screen
Full screen, 8 Mb 1080p 3 minutes
Data Embedding and De-Embedding
At this time, Bar Data and Pan-Scan for VI and AFD are not supported in data embedding and de­embedding.
XD1 modules support closed captioning, Teletext (OP-47), and timecode. Other ancillary data will be stripped from the output stream, except when the module is in frame sync mode.
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General
The following topics are covered in this section:
Source Link and Destination Link (on page 63)
VPID (Video Payload Identifier) Enable (on page 63)
VANC Packet Delete Method (on page 63)
Source Link and Destination Link
The Source Link and Destination Link parameters select which link to de-embed and embed, respectively, when the input video is dual-link standard. When the input video or output video is dual­link standard, the FS1 and XD1 can only de-embed from—or embed into—one of its links. Although data is normally embedded into Link A, a control is provided to select the link. For input video, the parameter is located at: Data DMB x > General > Source Link. For output video, the data path is Data EMB x > General > Destination Link.
Link selection affects all de-embedded and embedded data, including Closed Captioning, Teletext, Timecode, AFD, generic VANC data, and audio metadata.
VPID (Video Payload Identifier) Enable
When you set VPID Enable to No, the packet descriptor from the input will be stripped out, and not passed to the output.
VANC Packet Delete Method
When you set an FS1 or XD1 module to Proc Bypass mode, the AFD packet and audio metadata packet from the input are preserved in the output. If new AFD packet or audio metadata is inserted into the output, the original packet can be replaced with black pixels, or it can be converted into a Mark for
Deletion packet by changing the original DID/SDID with 80h/00h.
Mark for Deletion is the default setting.
VBI Transfer
The VBI Transfer parameter controls whether to enable VBI Transfer when input and output video standards are the same. The VBI data is transfered in the active horizontal region, not in the HANC of the VBI. For XD1 modules, when the card is not in Proc Bypass mode, VANC data are all stripped out by the processing blocks. The VBI Transfer parameter controls whether to enable VBI Transfer when input and output video standards are the same. When VBI Transfer is enabled, all the VANC data is transferred transparently from input to output. The control is located at: Data EMB x > General > VBI Transfer.
VBI transfer is disabled when the XD1 is in 3D mode and frame rate converter modes.
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Closed Captioning/Teletext
Based on input and output video standards, an XD1 module performs the following closed captioning transcoding:
If the input and output video standards are the same, the module de-embeds the CC data and then re-embeds the data on the output program stream without any transcoding.
If the input format is SD-SDI and the output format is HD-SDI, the module transcodes the analog CC waveform, based on the EIA 608 standard from the SD input stream to ancillary packets based on the EIA 708 standard.
If the input format is HD-SDI and the output format is SD-SDI, the module transcodes the CC ancillary packets based on the EIA 708 standard from the HD input stream to analog waveform based on the EIA 608 standard.
Although North America has dedicated standards for closed captioning of video (EIA-608 and 708), many countries in Europe and elsewhere have not yet adopted formal standards. For these countries, closed captioning is part of the DVB Teletext System as described in ITU-R BT-653-3. These specifications define all Teletext Systems (A, B, C, D) used in the world and are also known as the World System Teletext (WST). A Teletext system is made of several pages of various data information and CC data is described in one these pages. System B is used in Australia, the UK, and Germany, among other countries.
Australian closed captions are inserted on line 21/334 in analog PAL broadcast signals, as per the ITU-R BT-653-3. When analog PAL is produced or converted to SDTV (625 digital), a digitized version of the closed captioning appears on line 21/334 (in the same way line 21 on NTSC signals is digitized and appears on the line 21 of SD-SDI signals). The ITU-R BT-653-3 document proposed by Free TV Australia indicates how to carry this CC data into the VANC area of SD-and HD-SDI signals by use of the SMPTE 334M VANC embedding protocol. For digital broadcasting, Australia intends to use the ETSI EN 300 472 standard that specifies the conveyance of ITU-R System B Teletext in DVB bit streams.
Setting Closed Captioning and Teletext
To make changes to the default CC and Teletext settings, use the CC/TT Embed and CC/TT Embed Line parameters from Data EMB x > Closed Captioning/Teletext. To verify the presence of embedded CC and TT, see Data DMB x > Closed Captioning/Teletext > CC/TT Present.
An XD1 performs the following Teletext transcoding:
If the input and output video standards are the same, the module de-embeds the TT data and then re-embeds the data on the output program stream without any transcoding.
If the input format is SD-SDI and the output format is HD-SDI, the module transcodes the analog TT waveform based on ITU-R BT.653-3 standard (system B only) from the SD input stream to ancillary packets based on the Free TV Australia OP47 standard.
If the input format is HD and the output format is SD, the module transcodes the TT ancillary packets based on Free TV Australia OP47 standard from the HD input stream to analog waveform based on the ITU-R BT.653-3 standard (system B only).
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Timecode
The FS1 and XD1 support the following types of timecode:
D-VITC in SD formats (SMPTE-266M)
ATC in SD formats (SMPTE-12M-2, formerly RP-188)
ATC in HD formats (SMPTE-12M-2, formerly RP-188)
RP196 VITC (RP-196)
RP196 LTC (RP-196)
The FS1 provides passthrough for timecode; the XD1 supports ancillary timecode insertion to video output, extraction from video input, and conversion between D-VITC and ATC.
The parameters ATC (VITC) Present, ATC (LTC) Present, D-VITC Present, RP196 VITC Present and RP 196
LTC Present in Data DMB x > Timecode indicate the presence of different types of input timecode. In Data DMB x, use the Timecode Input Select parameter to select which detected timecode gets passed to the video output. To translate the input timecode to a specific output timecode, use the Timecode Output Select parameter.
Note: Since RP196 timecode is embedded in the HANC space (as well as ATC timecode if chosen to
embed in HANC), enabling ADS clean in Audio > Embedding > Embedding x > Control will remove all packets in the entire HANC space of the corresponding processing channel. In the XD1 (when in proc bypass mode) and in the FS1 module, this will strip out all HANC timecode packets. The XD1 is not affected by this limitation when it is in conversion mode, since timecode packets are re-embedded to the video after the conversion.
If HANC timecode is to be preserved in proc bypass mode, set the Emb x ADS Clean control to No, and the Emb x Group x Embedding Mode to OverWrite. This will produce the same result as if ADS Clean is enabled.
ARC Code Advanced
Most of the ARC code de-embedding, processing and embedding control can be found at the following locations:
XD1: Video > Processing Channel x > Conversion > Advanced Video Processing x
FS1: Video > Processing Channel x > AFD-VI-WSS Processing
The controls related to WSS, VI de-embedding line and WSS, VI and AFD embedding line are located at
Data DMB x > ARC Code Advanced and Data EMB x > ARC Code Advanced.
Brandnet
For XD1 modules, Brandnet transcoding is supported in 525, 720p59 and 1080i59 standards.
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Generic Data Passing
On XD1 modules, VANC data are removed when video is being processed. The Generic VANC data passing function makes it possible to select one kind of VANC data (identified by its DID/SDID) and pass it from input to output. This requires the configuration of the following parameters: Data DMB x > Generic Data Passing > Data DID (hex) and Data SDID (hex). Field information for the VANC data is also required for the system to understand the nature of the VANC data and pass it properly.
The default value for DID/SDID is ARIB data. When generic data passing is configured to pass ARIB data, the current audio mode is reported, and the output current audio mode is configurable.
Audio Embedding
The following topics are included in this section:
Handling of Non-PCM/Compressed Audio Signals (on page 66)
Synchronizing Embedded Non-PCM Audio (see "Audio Embedding Control" on page 67)
Audio Embedding Control (see "Audio Embedding Modes" on page 67)
Audio Embedding Modes (on page 67)
Embedding Errors (on page 72)
Preventing Embedding Errors (on page 72)
Handling of Non-PCM/Compressed Audio Signals
The FS1 and XD1 modules automatically detect input non-PCM audio signals, such as compressed Dolby E audio, even without the proper C/V bits set (the C/V bits are corrected in this situation). Detected non­PCM audio inputs then automatically bypass the sample rate converter and are embedded in the output SDI stream unprocessed.
You can also manually bypass sample rate conversion using the SRC control parameters located at Audio
> Sync and Delay.
Synchronizing Embedded Non-PCM Audio
Non-PCM embedded audio sources such as Dolby E or Dolby Digital will automatically bypass the audio synchronization feature. When the video frame synchronizer is active, this can cause misalignment of the video-to-audio timing. To resolve this problem, the non-PCM audio sources should pass through the video frame synchronizer—which will automatically add an equal amount of audio delay and video delay. This can be accomplished by simply disabling the audio embedder at the output stage for the associated audio pair. The following conditions apply:
The ADS Clean feature must be disabled.
The FS1 module is supported, but the XD1 module must have its processing channel output set to
Proc Bypass.
Remapping of the embedded audio to different output pairs is not supported.
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Example
Dolby E is present in input processing channel 1, embedded audio channels 2A and 2B (or, Group 1 Pair
2). To pass this audio pair through the system while maintaining synchronization with video, set the
EMB 1 Grp 1 Pair 2 Embed Control parameter to Disable. This will leave the original embedded audio in this pair intact and not overwritten. Set the EMB 1 ADS Clean parameter to No. For an XD1 module, set the Proc Ch 1 Out Format to Proc Bypass.
Audio Embedding Control
The FS1 and XD1 makes it possible to embed audio on a pair-by-pair basis. Each embedder has four groups, with two pairs in each group. Using the EMB x Grp x Pair x Embed Control parameters, you can embed a single pair of audio at any one time.
Audio Embedding Modes
The audio embedder component in the FS1 and XD1 is composed of several smaller subcomponent blocks:
One ancillary data stripper (ADS)
Four audio embedding subcomponents
The first subcomponent is an ancillary data stripper (ADS). This block removes all ancillary data packets in the input SDI stream, prior to embedding.
Following the ADS block are four separate audio-embedding subcomponents. Each subcomponent has the ability to operate on only one audio group, either appending or overwriting a predetermined group onto the SDI stream.
The table below briefly describes the Append, OverWrite, and Auto options available from each of the embedding modes.
Table 7: Embedding Mode Options
Options Description
Append Attempts to insert the audio data and control packets immediately
following the last existing audio data/control packet in the horizontal ancillary region (see Append Embedding (on page 68))
OverWrite Attempts to overwrite existing audio data and control packets of the
same group number with the new audio data (see Overwrite Embedding (on page 70))
Auto Attempts first to overwrite existing audio data and control packets of
the same audio group number; failing that, it appends the new audio data and control packets immediately following the last existing audio data/control packet.
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Append Embedding
When you select Append embedding, the FS1 and XD1 attempt to insert the audio data and control packets immediately following the last existing data/control packet in the horizontal ancillary data space (ADS). Append embedding is only valid if the audio group to be embedded does not already exist.
The figure below shows how append embedding appears in the ancillary data space when there is no previous audio or other data.
Figure 41: Append Embedding Mode; Adding Group 1 When No Other Data is Present
When ancillary data exists in the ancillary data space, appended audio appears following that data.
Figure 42: Append Embedding Mode; Adding Group 1 When Ancillary Data is Present
If you attempt to insert audio into Group 1 when Group 1 audio data already exists in the ancillary data space, an error is returned, as shown below.
Figure 43: Append Embedding Mode; Adding Group 1 When Group 1 Already Exists
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If you insert Group 2 audio when there is pre-existing Group 1 audio in the ancillary data space and no Group 2 audio, the Group 2 audio is inserted following the Group 1 audio.
Figure 44: Append Embedding Mode, Adding Group 2 Following Group 1
If you insert Group 1 audio when there is pre-existing Group 2 audio in the ancillary data space and no Group 1 audio, the Group 1 audio is inserted following the Group 2 audio.
Figure 45: Append Embedding Mode, Adding Group 1 Following Group 2
An audio group cannot be divided. In Append embedding, the audio group is always added following the last block in the ADS. If there is not enough room to append the audio group following the last block of ancillary data or audio in the ADS, the attempt results in an error.
Figure 46: Append Embedding Mode Failure
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Overwrite Embedding
When you select Overwrite embedding, the module attempts to overwrite any existing audio data and control packets of the same group number with the new audio data. This setting is valid only if the audio group to be embedded already exists. If the new sample distribution does not exactly match the existing audio data packet sample distribution, the embedder marks some audio data packets for deletion (DID word is set to 180h).
Note: To avoid sample distribution issues, activate the ADS Clean feature in the Control section of the Audio Embedder.
When you attempt Overwrite embedding and there is no previous audio (as below), it returns an error because there is nothing to overwrite.
Figure 47: Overwrite Embedding Mode When There is No Pre-existing Audio
The figure below shows how overwrite embedding appears in the ancillary data space when there is ancillary data but no pre-existing group 1 audio.
Figure 48: Overwrite Embedding Mode Failure
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The figure below shows how overwrite embedding appears in the ancillary data space when there is pre­existing Group 1 audio. This operation is successful.
Figure 49: Overwrite Embedding Mode When There is Group 1 Audio in the Group 1 Space
Audio Embedding Errors
Table 8: Audio Embedding Error Descriptions
Error Description
Group (1–4) Append Embedding Error
This error occurs if the embedder is set to Append mode for a particular audio group, but that audio group already exists in the incoming SDI signal.
In this case, the embedder does not embed another audio data and control packet of the same audio group, as this results in incorrect audio sample distribution.
Group (1–4) Overwrite
This error occurs if the embedder is set to Overwrite mode for a particular audio group, but that audio group does not exist in the incoming SDI signal.
Embed Error
To avoid embedding errors, follow these guidelines:
Set the embedding mode to Auto.
If the group is present, it will be overwritten; if it is not present, it will be appended. The overwrite and append errors are actually warnings that the operation is not being performed.
In SD-SDI mode, do not overwrite embedded groups of 20-bit audio samples with groups of 24-bit audio samples.
The required extended data packet information appended to that group may overwrite a pre­existing audio group. For 24-bit audio embedding, use the ADS Clean feature provided (see details below).
ADS Clean
Enabling the ADS Clean parameter removes all the audio groups presently embedded in the input SDI stream. This process leaves the ADS region clean prior to audio embedding.
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By enabling the ADS Clean parameter, you will remove all ancillary data packets in the Horizontal Ancillary data space (HANC). If there are data packets other than audio in the HANC space (for example, RP196 or SMPTE-12M-2 ATC HANC timecode), this data will also be removed along with the audio data.
Therefore, before enabling the ADS Clean parameter, ensure there are no pre-existing non-audio data packets in the HANC space. To overwrite pre-existing audio groups instead of wiping out pre-existing audio data, use the Overwrite embedding feature (page 57 (see "Overwrite Embedding" on page 70)).
Embedding Errors
During the embedding operation, errors may arise for the following reasons:
An attempt is made to append a group when it is already present
An attempt is made to overwrite a group when it is not present
An attempt is made to overwrite a group composed of 20-bit audio samples with a group composed
of 24-bit audio samples
There is an overflow condition in the ancillary data space
There is an overflow or underflow of the internal buffer
Preventing Embedding Errors
To avoid embedding errors, follow these guidelines:
Set the embedding mode to Auto. If the group is present, it will be overwritten; if it is not present, it will be appended. The overwrite and append errors are warnings that the desired operation is not being performed.
Don’t overwrite embedded groups of 20-bit audio samples with groups of 24-bit audio samples. The required extended data packet information appended to that group may overwrite a pre-existing audio group. For 24-bit audio embedding, use the ADS Clean feature provided.
Use the ADS Clean feature to avoid ADS overflow situations
Note: The ADS Clean feature has limitations. See page 58 (see "ADS Clean" on page 71
) for details.
Video Output and Routing
The following topics are included in this section:
Output Format (on page 72)
Output Routing (on page 73)
Operation Mode (on page 73)
Output Format
The Output Format controls cover these areas:
Proc Ch 1 and 2 Out Format (on page 73)
Output Frame Rate (XD1) (on page 73)
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Proc Ch 1 and 2 Out Format
Use these controls to select the output video format for processing channel outputs. The Proc Bypass option bypasses the scalar and all processing (noise reduction, detail enhancement, color correction, etc.) but is downstream of the frame synchronization. The default is Follow Ref.
The SEL-1XD1 and SEL-1FS1 have one processing channel. The SEL-2XD1 and SEL-2FS1 have two independent processing channels. All outputs can select the output of one processing channel. The following outputs are available:
Four main board outputs
One output to primary and secondary controller modules
All outputs carry the converted program signal (XD1) or a frame sync signal (XD1 and FS1). The converted program signal carries embedded audio, VANC data (WSS/VI/AFD) and CC/TT, Brandnet, and timecode. Conversion is automatic, based on your selected output video standard.
Note: If the output is SD-SDI, AFD and VI cannot be embedded into the same line.
Output Frame Rate (XD1)
The SEL-1XD1 and SEL-2XD1 provide basic automatic frame rate conversion (FRC). (A higher quality linear frame rate converter is also available, with the SELOPT-SK-SC license key option. See Linear Frame Rate Conversion (XD1) (on page 76).
Using the basic automatic FRC, audio/video alignment is variable ±1 frame. There must be a valid reference available for the selected output standard, and you must set the Output Frame Rate in Output Format and Mode. If the input signal has a different frame rate from the output frame rate, the FRC is enabled automatically. In this mode, two independent channels are operating at the same time. One or both of the channels can be used for frame rate conversion.
Output Routing
These controls assign the SDI outputs to their processing channels.
Note: EXT Video inputs and outputs can be disabled by the Green-Power Save control (Misc > Green­Power Save). If an external video control is grayed out in the user interface, check its power save status.
Operation Mode
The following topics are included in this section:
Dual Channel Operation (on page 74)
Live I-Wings Mode (on page 74)
Converter Fast Switch (XD1) (on page 75)
3D Modes (on page 76)
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Dual Channel Operation
In the two-channel versions of the FS1 and XD1, both channels are completely independent except for frame genlock reference. There is one frame reference, and it is shared by all of the modules in each frame.
Live I-Wings Mode
The Live I-Wings mode displays video or graphics on the two "wings" on either side of an SDI signal located within a larger aspect ratio signal (requires the SELOPT-SK-XD dual-channel upgrade license key).
Figure 50: I-Wings Mode
Live I-Wings integrated content insertion keys HD- or SD-SDI content into the sidebar portion of the
output image raster using the module’s internal keyer. This option is useful, for example, in applications where upconversion of SD-SDI 4:3 content is being performed, and insertion of additional content is required in the 16:9 upconverted image raster's sidebars.
To set up the Live I-Wings feature, follow these steps:
1. Ensure that SDI 1 and SDI 2 inputs have compatible frame rates.
An SDI 1 Standard Mismatch or SDI 2 Standard Mismatch alarm is activated if the two inputs are not compatible. In that event, the module automatically generates a black background, replacing the SDI 2 input until a valid input is received.
2. Set the ARC parameters as required.
Live I-Wings will only appear in the background area. Therefore, ARC settings that are anamorphic will block I-Wings from appearing.
3. Select Live I-Wings in the Operation Mode parameter of Output Format and Mode.
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Figure 51: Creating the Live I- Wings Effect
Converter Fast Switch (XD1)
The Converter Fast Switch mode makes it possible to switch between an HD-SDI signal and an SD-SDI signal without sync problems. To enable this feature, select Operation Mode > Converter Fast Switch. Then select your input standards in Fast Switch Input HD Std Sel and Fast Switch Input SD Std Sel. (HD­SDI is always on channel 1; SD-SDI is always on channel 2.)
Once the standards are selected, switching can only happen between these two channels. Depending on the input standard that's feeding into the system, use the corresponding channel parameters for status and controlling. On the output side, there is no additional routing selection. Switching between two processing channels occurs automatically, based on the input standard feeding into the system.
When the XD1 module is in Converter Fast Switch mode, the Frame Delay, H-Phase, and V-Phase for processing channel 2 must follow the Frame Delay, H-Phase and V-Phase settings of processing channel
1. Once enabled, Converter Fast Switch takes effect in 150 ms.
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3D Modes
You will need to set the following options when using the 3D feature (XD1 only):
3D Left/Right
3D Top/Bottom
The following parameters can be used to adjust the left and right images that have been captured from a beam splitter camera setup:
3D Horz. Flip (1st channel flip)
3D Horz. Flip (2nd channel flip)
3D Vert. Flip (1st channel flip)
3D Vert. Flip (2nd channel flip)
When the card is in 3D operation mode, the Frame Delay, H-Phase, and V-Phase for processing channel 2 has to follow the Frame Delay, H-Phase, and V-Phase settings for processing channel 1.
The XD1 reports any delay between the two video input channels when 3D is enabled. The module also compensates for this delay so that frame sync drop/repeat operations are synchronized. The read-only 3D Alignment Status parameter (Video Output and Routing > Operation Mode) indicates whether the second channel is ahead of the first channel. 3D Alignment V Offset indicates the amount of vertical delay in lines; 3D Alignment H Offset indicates the amount of horizontal delay in pixels. The maximum number of delay is 3 lines; any delay greater than this amount is out of range and is not compensated by the XD1.
3D Channel Mix provides a frame compatible side/side or over/under (half resolution) 3DTV signal.
To activate the 3D feature, you must first purchase the SELOPT-SK-XD dual-channel upgrade license key.
Note: The VBI transfer feature is disabled when the module is in 3D and frame rate converter modes.
When the conversion involves increasing the frame rate, frames are repeated as required; when converting to a lower frame rate, frames are dropped. All of the frames at the output are identical to the input frames with two exceptions: sometimes a frame is repeated a second time, and sometimes a frame is dropped. If there is a lot of motion in the video, a jerky motion (called judder) may appear when converting from one frame rate to another. This is a normal artifact of basic frame rate conversion. Closed captioning and Teletext are not supported when the FRC is in use.
Linear Frame Rate Conversion (XD1)
The Linear FRC mode on the XD1 provides high video quality frame rate conversion.
To enable this feature, you must install both the dual channel license key and the linear FRC license key. When the module is in Linear FRC, it is reduced to single path functionality; channel 2 processing is disabled. (A block diagram with a single processing channel will appear in the user interface.)
To enable or disable linear frame rate conversion, you must reboot the frame. While the module is in Linear FRC mode, the same frame rate video can continue to pass through.
The following video formats are supported in Linear FRC mode for inputs and outputs:
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59Hz: 525, 720p59, 1080p29, 1080i59, 1080p59, 1080p59DL
50Hz: 625, 720p50, 1080p25, 1080i50, 1080p50, 1080p50DL
60Hz: 720p60, 1080p30, 1080i60, 1080p60, 1080p60DL
Audio/Video Delay in Linear FRC Mode
When the input and output frame rates are different, the audio and video delay cannot be perfectly matched to achieve proper lip sync. However, because of the nature of FRC, there are worst-case boundaries for the audio/video delay. The worst-case audio delays relative to the video are the following:
5 ms of leading audio
15 ms of lagging audio
These worst-case boundaries cover all of the supported video format conversions.
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Audio IO (Input/Output) Assignment
Figure 52: FS1 and XD1 Audio Routing
Audio Inputs and Outputs
The following topics are covered in this section:
Inputs (on page 79)
Audio Expansion Modules (on page 79)
Outputs (on page 79)
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Inputs
FS1 and XD1 modules support embedded-audio input, AES audio input, and analog audio input (when using an analog audio expansion module). In addition, they process embedded audio from the SDI video input in SD, HD, or 3G (Level A and Level B-DL) formats, and include two independent audio de­embedders—each supporting sixteen mono channels. Any de-embedded group may contain compressed audio, linear PCM, or a combination of both.
When used separately, the XD1 supports up to eight AES inputs.
Note: AES inputs can be disabled by the Green-Power Save control (Misc > Green-Power Save). If an AES input is grayed out in the user interface, check its power save status.
Audio Expansion Modules
Optional analog and AES expansion modules are available to provide additional audio capacity. The AES SELOPT-DAEX-AESCS and SELOPT-AAEX-AABS expansion module supports eight AES inputs, and the analog SELOPT-AAEX1-AABS audio expansion board supports four channel pairs of analog input. Each of the sixteen mono audio channels can be swapped.
In the parameter lists of the FS1 and XD1, expansion module options appear with the prefix Exp. When expansion modules are not installed, these parameters are not visible.
CAUTION: Audio expansion modules and application modules such as the XD1 work as a system. To prevent audio "pops," ensure that you do not perform the following actions when using a live application module:
Insert or remove an expansion module
Change the power status of an expansion module
Outputs
The FS1 and XD1 outputs up to 72 audio channels, including the following:
16 embedded channels from Embedder 1
16 embedded channels from Embedder 2
16 channels for up to 8 AES inputs
16 channels for up to 8 AES inputs from the optional AES expander module
8 analog mono inputs from the optional analog expander module
Additionally, up to 32 channels are available from the optional Advanced Audio Processing block.
Any of these source channels can be routed to any destination.
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Input Control and Status
The following topics are covered in this section:
Audio Processing Symbols in the Parameter Options (on page 80)
AAEX and DAEX Expander Audio Alignment (on page 81)
Audio Processing Symbols in the Parameter Options
Figure 53: Audio Status Parameters
Two audio expansion modules can be added alongside the FS1 and XD1 (any combination of balanced AES, unbalanced AES, or analog). An audio expansion module increases the capability of the FS1 and XD1 as follows:
Eight additional AES inputs and sixteen AES outputs per expansion module
Four analog channel pair inputs and four analog channel pair outputs (eight mono in each direction)
per expansion module
To obtain balanced input signals, the SEL-AESB Balanced AES balanced audio expander is recommended.
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AAEX and DAEX Expander Audio Alignment
By default, when an audio expander is installed beside an FS1 or XD1 module, 6 ms of audio delay is added to the non-expander audio channels to provide alignment with expander audio output. This additional delay can be removed using the Expander Audio Align parameter (set to No). When you change the setting in this parameter, there is a brief audio disturbance, during which time audio output from the FS/XD will not be aligned with the expander output.
Advanced Audio Processing
Advanced audio processing is available on the XD1 module.
The following items are included in this section:
Installing the Advanced Audio Processing Submodule (on page 81)
Software Key License Credits Overview (on page 82)
Advanced Audio Processing Modes, Latency, MCPS, and Credit Cost (on page 83)
Enabling DTS Neural and Dolby Modes (on page 84)
Dolby Products (on page 85)
Dolby-E Alignment (on page 86)
AAP Internal Metadata (on page 86)
DTS Neural Surround Audio UpMix (on page 92)
Audio Delay (on page 94)
DTS Neural Surround Audio DownMix (on page 95)
DTS Neural Surround Audio MultiMerge (on page 96)
DTS Neural Loudness Control (on page 101)
Installing the Advanced Audio Processing Submodule
To se advanced audio processing feature, you must install the SELOPT-ADVAUD audio submodule and purchase the appropriate software license keys. The audio submodule kit includes the submodule board, two short screws, one longer screw, and one standoff.
Follow these steps to install the audio submodule:
1. Remove the FS1/XD1 module from the MCP frame.
2. Position and align the audio submodule over the three standoffs located between the two silver­colored heatsinks on the FS1/XD1 module.
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Figure 54:
3. Gently press the submodule into place.
The audio submodule will lock into place as it is inserted into its connector.
4. Insert the three M3X6 mm screws into the standoff holes and lightly tighten all three screws.
5. Slide the FS1/XD1 module back into the frame.
Software Key License Credits Overview
To use the Advanced Audio Processing option, you will need to purchase the SELOPT-ADVAUD audio submodule, and a number of SELOPT-SK-DTS or SELOPT-SK-DDD, or SELOPT-SK-DDE Software Key License Credits. The number of license credits that you need depends on which audio functions you select for DTS Neural, Dolby Digital (AC-3) Decoder, Dolby Digital (AC-3) Encoder, Dolby E Decoder, or Dolby E Encoder.
The DTS Neural UpMix mode, for example, requires three license credits, while the MultiMerge mode requires four. These credits are transferable across different DTS Neural options, and can be used for any combination of DTS Neural Loudness Control, or DTS Neural Surround UpMix, DownMix, and
MultiMerge. However, they can only be used in the FS1 or XD1 module for which they were purchased.
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Different AAP options require different amounts of MCPS usage (Million Calculations Per Second). The FS1 and XD1 monitor both license credits and MCPS usage, preventing you from enabling too many DTS Neural or Dolby Digital processes at one time (see the table below).
You can perform an offline test to make sure you have the right number of license credits and enough MCPS capacity. Select your proposed options at Miscellaneous > Licensing and MCPS Planner. Then, in the MCPS Usage and Credit Cost field, you can see how many credits and how much MCPS usage you are testing. The AAP MCPS and Credit Remaining fields show how many license credits and how much MCPS capacity are still available. If you exceed your limits, the planner will display a negative number. (In actual use, if you exceed your credits and MCPS limits, the options will not be enabled.)
Table 9: Advanced Audio Processing Modes, Latency, MCPS, and Credit Cost
Mode Latency MCPS (%) Credit Cost
M1: UpMix (low/high latency) 64.2 ms (low) / 85.53 ms (high) 38 3 DTS
M2: DownMix 48.2 ms 13 3 DTS
M3: MultiMerge (low/high latency) 64.2 ms (low) / 85.53 ms (high) 50 4 DTS
M4: Loudness Control 2.0 96.2 ms 14 1 DTS
M5: Loudness Control 5.1 96.2 ms 25 3 DTS
M6: Loudness Control 4x2.0 96.2 ms 44 4 DTS
M7: Dolby Digital Decode with Downmix 66.58 ms 22 1 DDD
M8: Dolby E Decode 2 frames 35 1 DED*
M9: Dolby E/Digital Decode with Downmix 2 frames (Dolby E or Dolby Digital) 35 1 DED, 1 DDD
M10: Dolby Digital Encode 100.23 ms 44 1 DDE
M11: Dolby E Encode 2 frames 46 1 DEE
M12: MultiMerge, Loudness Control (low/high latency)
M13: UpMix, Loudness Control (low/high latency)
M14: DownMix, Loudness Control 96.2 ms 19 4 DTS
M15: Loudness Control 5.1+2.0 96.2 ms 34 4 DTS
M16: Loudness Control 2x1.0 96.2 ms 20 1 DTS
M17: Loudness Control + Dolby Digital Encode 5.1 148.23 ms 57 1 DDE, 3 DTS
112.2 ms (low) / 133.53 ms (high) 71 8 DTS
112.2 ms (low) / 133.53 ms (high) 50 4 DTS
M18: Loudness Control + Dolby E Encode 5.1+2.0 2 frames + 48 ms 77 1 DEE, 4 DTS
M19: Loudness Control + Dolby E Encode 4x2.0 2 frames + 48 ms 88 1 DEE, 4 DTS
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Enabling DTS Neural and Dolby Modes
Follow these steps to enable the DTS Neural and Dolby Modes:
1. Select one of the four slots in the Advanced Audio Processing (AAP) block.
2. Select General > Processing Mode.
3. Select the processing mode you need.
4. In the drop down box at the top of the column, change your selection from General to the mode you selected in step 3.
5. Wait several seconds for the fields to refresh.
6. Configure the parameters that are available in your mode (parameters that are not applicable are grayed out).
Once you have selected your DTS Neural modes, the Selection Status parameter (AAP x > General) displays one of the following:
Good Not Enough License Credit Not Enough MCPS Not Enough MCPS and License Credit
7. From the main section of the Advanced Audio Processing (AAP) block, (select AAP x Input Routing and then select your audio sources.
8. In the Audio Output Routing block, select the destinations for your audio.
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Dolby Products
The diagrams below show how Dolby is used in typical FS1 and XD1 applications. Dolby Digital (AC-3) and Dolby E decoding takes place at ingest for voice-over.
Figure 55: Dolby Digital Block Diagrams
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Figure 56: Dolby E Block Diagrams
Dolby-E Alignment
It is important to maintain a proper timing relationship between the Dolby-E header and the first line of video especially when recording video with embedded audio on tape transports. This is commonly known as the guard band. On the FS1 and XD1, the Dolby-E alignment timing is determined by the value of the SDI 1 or SDI 2 Dolby E Start Line embedder controls in EMB x >Controls.
Note: If Dolby E is embedded, the module’s output frame rate must match the frame rate of the Dolby E stream.
AAP Internal Metadata
The following items are covered in this section:
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Dolby Digital (on page 87)
Dolby E (on page 87)
Dolby Audio Metadata (on page 87)
Dual-Input Dolby Decoder (on page 87)
Decoder Behaviour (on page 88)
Important Notes (on page 89)
DTS Neural Products (on page 90)
Dolby Digital
When using Dolby Digital encoding, if you select AAP Internal metadata generator as the Metadata Source one program is available (the Metadata Index parameter is disabled). However, all other
metadata sources have up to eight programs available. Use the Metadata Index parameter to select the program you wish to encode.
Dolby E
Using Dolby E encoding, up to eight metadata programs may be encoded, depending on the setting of the Program Configuration parameter. For example, if you set Program Configuration to 5.1+2, two sets of metadata are encoded (one for 5.1, one for 2). If Program Configuration is set to 8x1, eight sets of metadata are encoded. To configure the metadata settings for each program, navigate to the AAP Internal Metadata menu and select the desired program from the Program Select parameter. Then configure the metadata settings as required.
Note: Dolby E is always in sync with the frame rate of the video. To ensure downstream decoders work correctly, you must make the correct settings in Dolby E Sync Select (default is Processing Ch 1 Output).
Dolby Audio Metadata
When you apply external metadata to the FS1 and XD1, the metadata properties persist even after you remove the external metadata from the module. Performing a Factory Default of the user settings does not clear the metadata properties that were received when external metadata was present. After you remove the external metadata, you must restart the module to clear the metadata properties.
For general information about the use of audio metadata in professional video applications, visit the Dolby Web site at www.dolby.com.
Dual-Input Dolby Decoder
The dual-input Dolby Decoder feature is available for all of the Dolby Decoder modes: Dolby Digital Decoder (M7), Dolby-E Decoder (M8) and Dolby E/Dolby Digital Decoder (M9). Once an AAP is configured in one of the Dolby decoder modes, the Dual-Input function can be activated in the menu (AAP-X Input Routing > AAP-X Dolby Source Select) by selecting the appropriate source into AAP-X Secondary Dolby Source Select (the default is None).
This feature is useful for cases where a PCM program is available on one audio pair and a Dolby program is available on a different audio pair. In such cases, the PCM pair needs to be routed into the primary
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input, and the Dolby pair into the secondary input. The decoder will automatically switch to PCM bypass (from the primary input) whenever the Dolby stream stops.
Ensure that you check the read-only Bitstream Format parameter in the Dolby Decoder menu (within the AAP block) to determine whether PCM input (Non-Dolby) or one of the Dolby inputs is being processed.
The table illustrates the behavior of the decoder. See the additional notes at the bottom of the table.
Table 10: Decoder Behaviour
Mode Input #1 Input #2 Output Notes
[M7] DD Decoder
[M8] DE Decoder
PCM - PCM
AC3 - DEC
DE - MUTE
PCM PCM PCM #1
PCM AC3 DEC #2
PCM DE PCM #1
AC3 PCM DEC #1
DE PCM MUTE
AC3 AC3 DEC #? Undetermined: one of the
streams gets decoded
AC3 DE DEC #1 Undetermined: DEC #1 or MUTE
DE DE MUTE
DE AC3 DEC #2 Undetermined: DEC #2 or MUTE
PCM - PCM
AC3 - MUTE
DE - DEC
PCM PCM PCM #1
PCM AC3 PCM #1
PCM DE DEC #2
AC3 PCM MUTE
DE PCM DEC #1
AC3 AC3 MUTE
AC3 DE DEC #2 Undetermined: DEC #2 or MUTE
DE DE DEC #? Undetermined: one of the
DE AC3 DEC #1 Undetermined: DEC #1 or MUTE
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streams gets decoded
SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Mode Input #1 Input #2 Output Notes
[M9] DD/DE Decoder
PCM - PCM
AC3 - DEC
DE - DEC
PCM PCM PCM #1
PCM AC3 DEC #2
PCM DE DEC #2
AC3 PCM DEC #1
DE PCM DEC #1
AC3 AC3 DEC #? Undetermined: one of the
streams gets decoded
AC3 DE DEC #? Undetermined: the DE stream
may get decoded
DE DE DEC #? Undetermined: one of the
streams gets decoded
DE AC3 DEC #? Undetermined: the DE stream
may get decoded
Notes:
1. PCM = PCM audio or mute
2. AC3 = Dolby Digital stream
3. DE = Dolby-E stream
4. Avoid combinations shown with a gray background in this table. The decoder searches both input streams and locks to the
first stream detected; the search order is input #1, then input #2. As such, the output depends on the alignment of the two input streams relative to each other.
Important Notes
The following important notes apply to the operation of the Dual-Input Dolby Decoder feature:
The Dual-Input feature is available for all Dolby Decoder modes.
In Dual-Input mode, inputs may come only from the same audio de-embedder.
In Dual-Input mode, the secondary input is dedicated for Dolby-only streams.
Based on its intended use, in Dual-Input mode the primary input is normally PCM.
In Dual-Input mode, combinations where both inputs are Dolby should be avoided.
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
DTS Neural Products
The following block diagrams illustrate the uses of the different DTS Neural Software Key License Credits.
Figure 57: Block Diagrams for Single DTS Neural Audio Options
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Figure 58: Block Diagram for Multiple DTS Neural Options
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Figure 59: Block Diagrams for Multiple DTS Neural Options
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
DTS Neural Surround Audio UpMix
This section includes the following:
Overview (on page 93)
Channel Configurations for DTS Neural UpMix (on page 93)
Overview
The DTS Neural Surround UpMix renders any two channel audio source (stereo, matrix encoded stereo, LtRt, or DTS Neural Surround LwRw) as surround sound. The DTS Neural Surround UpMix can simultaneously position individual elements within the surround field, creating high levels of image stability and granularity. The UpMix technology avoids taking "artistic license" with content by placing audio exactly where it would be heard in a professional LEDE (Live End Dead End) listening environment. For example, mono or pan-pot stereo will image in front of the listener, whereas stereo containing depth information will surround the listener. You can use the DTS Neural Surround UpMix as a stand­alone unit to monitor stereo production, or you can use it in tandem with the DTS Neural Surround DownMix as a complete 5.1 transport solution. The table below shows an UpMix taking a two-channel audio source (stereo, matrix encoded stereo, LtRt or DTS Neural Surround LwRw) and rendering a 5.1 multi-channel mix.
Table 11: UpMix Block Diagram
Table 12: Channel Configurations for DTS Neural UpMix
Input Routing
Channel Name 2.1 3.1 4.1 5.1 6.1 7.1
1 Left (L) Yes Yes Yes Yes Yes Yes Yes Yes
2 Right (R) Yes Yes Yes Yes Yes Yes Yes Yes
3 Center (C) Mute Yes Mute Yes Yes Yes Mute Mute
4 Low Frequency
Effects (LFE)
5 Left Surround (Ls) Mute Mute Yes Yes Yes Yes Yes Yes
6 Right Surround (Rs) Mute Mute Yes Yes Yes Yes Yes Yes
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Phantom
6.1
Phantom
7.1
Yes Yes Yes Yes Yes Yes Yes Yes
SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1
Not Running
2.1
Phantom 7.1
0 Hz
Installation and Operation Manual Installation, Operation, and Specifications
Input Routing
Channel Name 2.1 3.1 4.1 5.1 6.1 7.1
7 Left Back (LB) or
Center Back (CB)
Mute Mute Mute Mute Yes
(CB)
Yes (LB)
Phantom
6.1
Yes Yes
Phantom
7.1
8 Right Back (RB) Mute Mute Mute Mute Mute Yes Mute Yes
Audio Delay
Table 13: DTS Neural Surround Audio UpMix Parameters
Parameter Name Function
UpMix Status Indicates the state of the AAP mode
Channel Config Controls the output channel configuration
Options
Uninitialized
Running
Not Running
(bypassed)
3.1
4.1
5.1
6.1
7.1
Phantom 6.1
Latency Specifies the latency profile of the up-mix
Low
High
DICE Processing Level Specifies the amount of DICE processing to perform
Depth Specifies the amount of front-to-back bias to apply to
the standard soundstage
Front Width Specifies the amount of narrowing or widening to
perform on the front channels
Surround Width Specifies the wideness of the surround channels
0 to 100
-100 to 100 (0)
-100 to 100 (0)
-100 to 0 (0)
LFE Cutoff Specifies the low-pass cutoff frequency of the LFE
channel (0 specifies no LFE channel)
60 Hz
80 Hz
100 Hz
120 Hz
140 Hz
Final Limiter Ceiling Specifies the threshold where final limiting on the up-
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mixed output occurs
-12 to 0
SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
DTS Neural Surround Audio DownMix
The following topics are covered in this section:
Overview (on page 95)
DTS Neural Surround Audio DownMix Parameters (on page 96)
Overview
The DTS Neural Surround DownMix enables 5.1 surround sound to be transported through any stereo infrastructure. The DownMix process is based upon the principle that both natural stereo and 5.1 content are two-dimensional; both contain width and depth spatial attributes.
The DTS Neural Surround DownMix can represent six channels of discreet audio sources in a stereo DownMix by transforming the sources into pure intensity and coherence encoding. By correcting overlaps of the signal sources in intensity, time, coherence, polarity, and phase before the six channels are combined, the DTS Neural Surround DownMix accounts for the problems suffered in traditional matrix encode systems—such as comb filtering, spatial location distortion, etc.
The proprietary DTS Neural Audio "watermark process" faithfully reproduces surround information when it is rendered by the DTS Neural Surround UpMix or any LtRt system. In brief, the DTS Neural Surround DownMix produces a stereo DownMix that accurately represents the original content whether monitored in mono, stereo, matrix or DTS Neural 5.1 Surround Sound.
The diagram below below shows a DownMix taking a multi-channel audio source. The DownMix creates two-channel audio source using the DTS Neural Audio approach of embedding a watermark signal within the stereo audio signal patch. The watermark signal contains spatial and steering positioning information. The resulting stereo audio signal is also known as LwRw.
Figure 60: DownMix Block Diagram
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Table 14: DTS Neural Surround Audio DownMix Parameters
Parameter Name Function
DownMix Status Indicates the state of the AAP mode
Channel Config Controls the input channel configuration
L/R Encoding Mode Specifies the encoding mode for the left and right channels
LFE Cutoff Specifies the low-pass cutoff frequency of the LFE channel (0
specifies no LFE channel)
Final Limiter Ceiling Specifies the threshold where final limiting on the down-
mixed output occurs (0 indicates no final limiting)
Options
Uninitialized
Running
Not Running
(bypassed)
Not Running
5.1
7.1
Phantom Center
Hard Center
0 Hz
60 Hz
80 Hz
100 Hz
120 Hz
140 Hz
-20 dB to 0 dB
Active Correction Specifies correction to the DownMix ICLD, ICPD and spectrum
Off
On
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
DTS Neural Surround Audio MultiMerge
The following topics are covered in this section:
Overview (on page 97)
DTS Neural Surround Audio MultiMerge Parameters (on page 98)
Input Selection Mode Option Descriptions (on page 100)
Overview
The DTS Neural Surround MultiMerge enables broadcasters to transition from stereo to 5.1 surround sound, providing viewers with a 24/7 surround sound experience. With MultiMerge in line, 5.1 original content is passed unaffected to the viewer while original stereo content is UpMixed to a 5.1 surround sound image. This provides the viewer with a consistent surround experience.
The transition between 5.1 and stereo occurs seamlessly without the need of operator intervention. By offering a 24/7 5.1 signal, AC3 metadata does not transition between 2/0 and 3/2 mode. This prevents audio clicks, pops, and dropouts. The process also avoids taking "artistic license" with content by placing audio exactly where it would be heard in a professional LEDE (Live End Dead End) listening environment. For example, mono or pan-pot stereo will image in front of the listener, whereas stereo containing depth information, or LtRt encoding, will surround the listener.
You can use the MultiMerge in combination with the DTS Neural Surround DownMix device to pass 5.1 through stereo-only facilities and therefore eliminate the need for costly master control upgrades.
The diagram below shows how the MultiMerge takes a two-channel audio source (stereo, matrix encoded stereo, LtRt or DTS Neural Surround LwRw) and render a 5.1 multi-channel mix; in combination with taking original multi-channel content and creating a stereo DownMixed signal, depending on the input configuration and content source used.
Figure 61: MultiMerge Block Diagram
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Table 15: DTS Neural Surround Audio MultiMerge Parameters
Parameter Name Function
MultiMerge Status Indicates the state of the AAP mode
Input Selection Mode Specifies how input channels are selected.
Detected Input [RO] Reports the current inputs that are included
in the output
Input Noise Floor Threshold
Specifies the amount of signal required when detecting active inputs
Options
Uninitialized
Running
Not Running (bypassed)
Not Running
Mix
Multi
Stereo
Aux
Multi Detect
Stereo Detect
Aux Detect
Multi Aux Stereo
Unknown
Mix
Multi
Stereo
-80 dB to -50 dB (-60 dB)
Input Crossfade Time Specifies the transition time between inputs
when switching due to detected level changes
MultiMerge Mode The operation mode for MultiMerge
Latency Specifies the latency profile of the
MultiMerge
Noise Floor Threshold Specifies the signal level that must be
detected on any of the C, LFE, Ls or Rs for the content to be considered surround
Crossfade Time Specifies the transition time between up-mix
and passthrough when in auto mode
Upmix Depth Specifies the amount of front-to-back bias to
apply to the standard soundstage
Upmix Front Width Specifies the amount of narrowing or
widening to perform on the front channels
Upmix Surround Width Specifies the wideness of the surround
channels
50 ms to 750 ms (200 ms)
Auto
Pass Through
Up Mix
Low
High
-80 dB to -50 dB (-60 dB)
50 ms to 750 ms (200 ms)
-100 to 100 (0)
-100 to 100 (0)
-100 to 100 (0)
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Parameter Name Function
Upmix LFE Cutoff Specifies the cutoff frequency for the
generated LFE channel
Downmix L/R Encoding Mode
Specifies the encoding mode for the left and right channels
Downmix LFE Cutoff Specifies the cutoff frequency of the input
LFE channel
Multi Final Limiter Ceiling
Stereo Final Limiter Ceiling
Specifies the threshold where final limiting on the surround output occurs
Specifies the threshold where final limiting on the auxiliary stereo output occurs
Options
0 Hz
60 Hz
80 Hz
100 Hz
120 Hz
140 Hz
Phantom Center
Hard Center
0 Hz
60 Hz
80 Hz
100 Hz
120 Hz
140 Hz
-20 dBFS to 0 dBFS
-20 dBFS to 0 dBFS
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SEL-1FS1/SEL-2FS1 and SEL-1XD1/SEL-2XD1 Installation and Operation Manual Installation, Operation, and Specifications
Table 16: Input Selection Mode Option Descriptions
Option Notes
Mix
Multi
Stereo
Aux
This option sums the Aux input to the L/R of the 5.1 input.
The AES1, AES2, AES3 inputs are 5.1 (L/R, C/LFE, Ls/Rs) in.
The AES4 input is 2.0 in (L/R) in.
The AES1 output is a sum of AES 1 and AES 4 (AES1L + AES4L, AES1R + AES4R).
The AES2 output is C/LFE.
The AES3 output is LsRs.
This option only sources audio from the 5.1 input.
Inputs are AES1 (L/R), AES2 (C/LFE), AES3 (Ls/Rs).
Outputs are AES1 (L/R), AES2 (C/LFE), AES3 (Ls/Rs).
AES4 is not used
Audio is sourced from only the L/R pair, while simultaneously muting the C/LFE and
Ls/Rs pairs of the 5.1 input (used in situations where there is information on the other inputs that you would want to ignore).
Input is AES1 (L/R)
Output is AES1 (L/R)
AES2, AES3, AES4 are not used
This option only sources audio from the Aux input.
Input is AES4 (L/R).
Output is AES4 (L/R).
AES1, AES2, AES3 is not used
Multi Detect
If audio is present on the 5.1 input, the Aux input is overridden.
Inputs are 2.0 on AES1 (L/R) or 5.1 on AES1 (L/R), AES2 (C/LFE), AES3 (Ls/Rs) or 2.0 on
AES4 (L/R).
Outputs are 5.1 on AES1 (L/R), AES2 (C/LFE), AES3 (Ls/Rs) and 2.0 on AES4 (L/R)
Stereo Detect If audio is present on the L/R pair of the 5.1 input, the Aux input is overridden.
Information on the C/LFE and Ls/Rs pairs of the 5.1 input is ignored.
Aux Detect
If audio is present on the Aux input, the 5.1 input is overridden.
This is an EAS application mode.
Inputs are 5.1 on AES1 (L/R), AES2 (C/LFE), AES3 (Ls/Rs), and EAS input on AES4
(L/R).
Output is 5.1 on AES1 (L/R), AES2 (C/LFE), AES3 (Ls/Rs).
When EAS appears on AES4 input, the output becomes EAS output on AES1 (L/R).
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