iLive AP7141 User Manual

iLive Fixed Format Systems
Getting Started Guide
Publication AP7141
This guide is intended to help the new user quickly learn to configure and operate the fixed format iLive audio mixing system. Fixed format and modular iLive components are fully compatible with each other letting you mix and match any combination of MixRack and Surface according to application and budget.
Safety Instructions
Before starting, read the Important Safety Instructions printed on the sheet supplied with the equipment. For your own safety and that of the operator, technical crew and performers, follow all instructions and heed all warnings printed on the sheet and on the equipment panels.
System operating firmware
The feature set of the iLive is determined by the firmware (operating software) that runs it. Firmware is updated regularly as new features are added and improvements made, and is available for download from the Allen & Heath web site. This guide relates to Version 1.6 firmware. Some of the details shown in this guide may differ from those in the current release of firmware. Refer to the web site for the latest version and read the Release Notes that come with each version of firmware for further details.
Further information
For further information, refer to the iLive Reference Guide and the user guides associated with each system component.
Refer also to the iDR MixRack Getting Started Guide AP7445 which presents further information on the DSP architecture and Port B audio networking options.
Use the HELP MANUAL available from the iLive Surface TouchScreen UTILITY menu and the Editor software.
Refer to the Allen & Heath web site for the latest information on iLive and additional resources for download.
iLive Fixed Format Systems Getting Started Guide AP7141 Issue 2
Copyright © 2010 Allen & Heath. All rights reserved
ALLEN&HEATH
Manufactured in the United Kingdom by Allen & Heath Limited, Kernick Industrial Estate, Penryn, Cornwall, TR10 9LU, UK
http://www.allen-heath.com
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Table of Contents
Introduction ............................................................................................................................................... 5
System components.............................................................................................................................. 6
T Series control layout ......................................................................................................................... 7
R Series control layout......................................................................................................................... 8
Step 1 – Connect and power up....................................................................................................... 9
ACE audio/control link between MixRack and Surface Network settings Booting the system up and powering down, the Status screen
Step 2 - Load a Template Show as a starting point..............................................................11
Choose your console application Load a Template Show and choose your surface type Identify the socket patching and connect the audio
Step 3 – A few things to know before starting ........................................................................12
Become familiar with the operating principles
Step 4 – Name and colour channels ............................................................................................14
Using the virtual write-on strip
Step 5 – Work with the channel processing
One button access to the preamp, dynamics, EQ, delay Preamp Gain Sharing using Trims GEQ on faders
.............................................................................15
Step 6 - Work with the mix................................................................................................................16
One button access to the assignments, pre/post settings and levels The Routing screen Work with the FX DCAs and mute groups Channel Ganging COPY / PASTE /RESET
Step 7 – Patching signals .................................................................................................................19
Input, output and insert patching
Step 8 – Customise your configuration......................................................................................22
Change the strip layout Change the mix bus configuration
Step 9 - Save your settings ..............................................................................................................23
The memories – User Profiles, Libraries, Scenes, Shows
System Example....................................................................................................................................26
FOH/Monitor dual system using digital mic split
Default Template Show Layout ......................................................................................................27
Format, strip layout and socket patching of the FOH_LRSub Show
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Systems
Basic system The MixRack (mix
engine and most of the I/O) can be positioned on stage, and the Surface (control and local I/O) at the FOH mix position. A single CAT5 cable up to 120m long transports control and local audio between them using the ACE port.
Adding more control Plug into a Network port at the MixRack or Surface to add simultaneous control using one or more laptops running iLive Editor software. Use wired or plug in a router for wireless connection. Add the assignable PL Series devices for distributed control, for example personal monitoring. One or more can be daisy chained from the MixRack PL-Anet port, or distributed via a PL-9 hub. Further control is possible via MIDI.
Linked FOH/Monitor system Use the MixRack Port B audio network slot to create a digital mic split between two systems over a single cable, for example using the ACE or EtherSound card option. Add a network link if the two systems are to be accessed over the same network using your laptop. The network link can be tunnelled via the single cable ACE connection.
Operating without a Surface Leave your Surface at home and control iLive using just your laptop for compact or discreet mixing situations. You could add one or more PL Series controllers if you want to assign some physical control, for example important channels, DCAs or master levels.
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Introduction
The fixed format iLive is an evolution of the flagship modular iLive digital live mixing range with all the performance and power of its bigger brother in a compact and affordable, easy to use package. It separates the DSP mix engine from the control surface allowing the rack to be positioned on stage and the surface at the FOH (front of house) mix position, linked by a single long distance CAT5 cable carrying control and local FOH audio between them. The fixed format iLive Series comprises 3 sizes of rack and 3 surfaces with non-modular audio I/O giving the user a choice of system according to budget or application. The iLive-R72 Surface can be rack mounted providing all the power of a much bigger system in a compact package. These are also compatible with the modular rack and surface options available within the standard iLive range, perfect for rental companies who may stock both.
Ethernet allows additional or alternative control using wired or wireless laptops running the iLive Editor software. An audio networking slot provides the option to interface with industry standard networks such as EtherSound or MADI, create a digital mic splitter to link FOH/Monitor systems, connect to digital multitrack recorders, personal monitor systems and more. Further control possibilities include MIDI and the Allen & Heath range of PL Series remote controllers. iLive is fully configurable – the 64x32 mix architecture can be assigned as any combination of mono or stereo groups / auxes / FX / main mix / and matrix, the surface fader strips arranged with any channel or master assigned anywhere to suit your way of mixing, channels and masters named and coloured, physical and network sockets patched, soft keys and PL remote devices assigned… In fact, you can design your own mixer! Settings can be stored in various memory types, and transferred between systems or archived to computer using a USB key.
The iLive is the perfect introduction to digital mixing for new users or operators familiar with analogue consoles. Its analogue style control interface and extensive visual feedback make it quick to learn, reduce operator errors, and allow the fast access most important to live sound mixing.
This guide takes you through the quick first steps in learning to use iLive. A little time spent during a quiet moment pressing buttons and navigating through the various screens should help you become familiar with its more advanced features and capabilities. Refer also to our web site and the other user guides and resources available for the iLive family.
Big Surface - iLive-T112 Small Surface - iLive-T80
Big MixRack - iDR-48
Rack mount Surface – iLive-R72
iLive Series
The fixed format iLive is compatible with its bigger brother the fully modular iLive Series. Both run the same operating firmware and their Show data is interchangeable meaning files can be loaded on any system combination using a USB key. Systems and components from each can be interconnected via the network.
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Small MixRack - iDR-32
System components
The MixRack is the heart of the digital audio processing
system, housing the 64x32 DSP mix engine together with control and audio networking interfaces. The 64x32 architecture can be configured for mono/stereo and type of mix (group, aux, mains, matrix). The system provides full dynamics, EQ and delay processing for all inputs and masters, 8 built-in ‘RackExtra’ effects and 16 DCA groups. The FX returns add to the 64 input channels to allow up to 72 sources to the mix. All racks provide the full 64x32 DSP processing and differ only in the number of Mic/Line inputs and XLR line outputs available. The Port B option allows digital mic splitting and system expansion from a choice of audio networking cards.
iDR-48 Biggest rack: 48 Mic/Line inputs 8U
24 XLR line outputs
iDR-32 Mid sized rack: 32 Mic/Line inputs 6U
16 XLR line outputs
iDR-16 Smallest rack: 16 Mic/Line inputs 3U
8 XLR line outputs
The Surface is simply a network controller for the MixRack. It has a built-in interface for local audio which is transported to and from the MixRack via the ACE connection along with the Ethernet control. Each bank of faders has 4 or 6 layers providing a total of 72, 80 or 112 control strips depending on Surface size. These strips are freely assignable as inputs, mix masters or DCAs in any combination. The Surfaces offer the same control, the difference being a reduced rotary control section for the smaller models. All processing is available using the TouchScreen.
iLive-T112 Biggest surface:
28 faders, 4 layers = 112 strips 16 local line in = 8 TRS, 4 RCA, 2 SPDIF (digital) 14 local out = 8 TRS, 2 RCA, 1 SPDIF, Monitor
iLive-T80 Mid sized surface:
20 faders, 4 layers = 80 strips 8 local line in = 4 TRS, 2 RCA, 1 SPDIF 10 local out = 4 TRS, 2 RCA, 1 SPDIF, Monitor
iLive-T80 Smallest surface:
12 faders, 6 layers = 72 strips 8 local line in = 4 TRS, 2 RCA, 1 SPDIF 10 local out = 4 TRS, 2 RCA, 1 SPDIF, Monitor
PL Series controllers A range of remote controllers is available with assignable switches, LEDs, encoders
PL-3 PL-4
PL-10
PL-6
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PL-5
PL-9 Hub
and faders. A PL-8 4in/4out GPIO controller is also available. These connect to the MixRack via the PL­Anet serial port using CAT5 cable and can be configured using the Surface or laptop. The PL-9 hub is allows star point instead of daisy chain connection. More information on the PL Series is available on the Allen & Heath web site.
T Series Control layout
Channel Processing Strip Analogue style control
section with dedicated rotary controls, switches and meters for the channel or mix preamp, HPF, gate, PEQ, compressor and limiter/de-esser. Press the strip SEL key to access the processing of the channel or master assigned to it. The controls illuminate when they are available.
Virtual write-on strip Name and colour
TouchScreen For status display, system setup and memory management. To see an alternative graphical view of the processing for the channel or master currently selected make sure none of the keys below the screen is selected.
Soft Keys 8 user assignable keys
Dimmer
Talkback. Hold down TB ASSIGN and press the master MIX keys to assign.
PAFL monitor and SIP
Fader Banks Independent groups of fader strips with 4 layers each. Provides control of the Input channel, FX return, Mix master or DCA assigned to it.
SEL opens the channel processing
for the selected strip.
MIX presents the sends for the
selected strip on faders (or encoders) and assignments and pre/post settings in the strip LCD windows.
Lamp sockets
For future use…
VGA port for external monitor (same view as TouchScreen).
2x USB ports.
Plug your USB key in here.
Copy/Paste/Reset edit keys
ASSIGN and PRE/POST access keys for the selected mix.
While a MIX is active
Hold down ASSIGN and press strip MIX keys to toggle the assignments on or off.
Hold down PRE/POST and press strip SEL keys to toggle pre or post fade.
Hold down ROTARY SHIFT to access the second encoder function if it has one.
Local PAFL monitor output
Assignable local audio inputs and outputs.
Rows A, C = inputs Rows B, D = outputs.
Balanced TRS jack RCA phono RCA digital (SPDIF)
Hold down ALT VIEW to view the channel or socket numbers in place of the name in the LCD
:
Surface to MixRack link
ACE (audio and control over Ethernet) CAT5 cable up to 120m (400 feet)
windows.
GEQ FADER FLIP to present the GEQ across the faders.
FREEZE IN LAYERS to keep a channel visible across all layers. Hold down and press strip
MIX keys.
Scene GO recall
keys. These can be disabled.
SCENE SAFES to prevent selected channels being overwritten by the memories. Hold down SAFES and press MIX keys to toggle on or off.
MIDI in and out
Additional Ethernet ports for connecting laptops and wireless router.
IEC mains power input
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R Series Control layout
Soft Keys 8 user assignable keys
Channel Processing Select Press this
key to access the processing for the selected channel using the TouchScreen. Controls for the preamp, EQ, dynamics, delay and insert setup are presented. Use the touch controls and screen rotary to adjust the parameters.
Copy/Paste/Reset edit keys Hold down then press a SEL or MIX key to copy or reset parameters.
Virtual write-on strip Name, colour and mix status
Fader Banks Two independent groups of fader strips with 6 layers each. Provides control of the Input channel, FX return, Mix master or DCA assigned to it.
SEL opens the channel
processing for the selected strip in the TouchScreen.
MIX presents the sends for the
selected strip on faders (or encoders) and assignments and pre/post settings in the strip LCD windows.
ASSIGN and PRE/POST access keys for the selected mix.
While a MIX is active
Hold down ASSIGN and press strip MIX keys to toggle the assignments on or off. To assign all use the master MIX key.
Hold down PRE/POST and press strip SEL keys to toggle pre or post fade. To assign all use the master SEL key.
Hold down ROTARY SHIFT to access the second encoder
TouchScreen keys When these keys are off the screen displays system status. When these keys are off and a strip SEL is active the screen presents the associated channel processing. Use these keys to access system setup and memory management. These override the channel processing view.
Dimmer
Hold down ALT VIEW to view the channel or
:
socket numbers instead of name in the LCDs. You can choose to access GAIN using the strip rotaries while the key is pressed.
GEQ FADER FLIP to present the GEQ across the faders.
FREEZE IN LAYERS to keep a channel visible across all layers. Hold down and press strip
MIX keys.
Talkback Mic Input and level trim.
Recessed switch to select 48V phantom power.
Headphones level control
TouchScreen rotary control. Illuminates orange when it is active.
CLEAR ALL PAFL Press once to clear any active Input PAFL. Press again to clear Output PAFL. Input PAFL overrides Output PAFL.
Talkback Hold down TB ASSIGN and press master MIX keys to assign.
Scene GO recall keys. These are disabled by default. Use the SURFACE Preferences option to enable.
SCENE SAFES to prevent selected channels being overwritten by the memories. Hold down SAFES and press MIX keys to toggle on or off.
VGA port for external monitor (same view as TouchScreen).
For future use…
2x USB ports. Plug your USB key in here.
Surface to MixRack link
ACE (audio and control over Ethernet) CAT5 cable up to 120m (400 feet)
Additional Ethernet ports for connecting laptops and wireless router.
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Local PAFL monitor output
MIDI in and out
System hard reset jumpers
Assignable local audio inputs and outputs.
Row A = inputs. Row B = outputs.
Balanced TRS jack line level RCA phono line level SPDIF digital (2 channel)
IEC mains power input. Plastic clip to secure power cable.
Lamp socket
Step 1 – Connect and power up
The Control Surface
Connect Surface to MixRack
Plug a CAT5 cable up to 120m * (400 feet) between the Surface and MixRack ACE ports.
An 80m drum of suitable cable is available from Allen & Heath (part number AH7000).
Note: You only need one connection between
the Surface and MixRack. The control network data is transported with the audio via the single cable ACE link. You do not need a second cable for the network link.
Note *: Maximum cable length depends on
cable type. Refer to the Allen & Heath web site for information on recommended cables.
ACE
The Mixer
Network settings
iLive communicates over a TCP/IP network. There are 3 main components – the MixRack, Surface and TouchScreen (built into the surface). These and any other network devices such as a wireless router and laptop need compatible network addresses. Factory defaults are:
MixRack 192.168.1.1 Sub mask 255.255.255.0 Surface 192.168.1.2 TouchScreen 192168.1.3
If you use static IP addressing for your laptop we recommend you set:
Laptop 192.168.1.10 Sub mask 255.255.255.0 Router 192.168.1.245
If the addresses or unit names have been changed and your system fails to connect, or you need to reset the settings, refer to the Troubleshooting page in the TouchScreen HELP.
NETWORK
PL-ANET
IN OUT IN
Termination
Adding PL Series controllers
Use CAT5 cable to connect the MixRack PL-Anet port to the PL device IN socket. Daisy chain OUT to the next unit, or use a PL-9 hub for star connection. Make sure the terminator provided is plugged into OUT of the last device in the chain.
Note: Once connected, the PL controls need to be
configured. Settings can be saved as library items.
iLive Editor software. Download from www.allen-heath.com
Adding laptop control
Check that your laptop meets the system requirements for running the iLive Editor software. Read the Release Notes that come with the software.
Make sure the laptop and wireless router have network addresses compatible with the iLive system.
Plug your laptop or wireless router network connection into any one of the NETWORK ports at the Surface or MixRack.
Start the iLive Editor program and connect online.
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