iLive AP6526 User Manual

System Reference Guide

January 2008

Publication AP6526

iLive and T Series

System Reference Guide

March 2009

Firmware Version 1.4

Publication AP6526 issue 3

Limited Two Year Warranty

This product has been manufactured in the UK by ALLEN & HEATH and is
warranted to be free from defects in materials or workmanship for a period of two
years from the date of purchase by the original owner.

To ensure a high level of performance and reliability for which this equipment has
been designed and manufactured, read this User Guide before operating.

In the event of a failure, notify and return the defective unit to ALLEN & HEATH or
its authorised agent as soon as possible for repair under warranty subject to the
following conditions:

Conditions Of Warranty

1. The equipment has been installed and operated in accordance with the
instructions in the equipment User Guides

2. The equipment has not been subject to misuse either intended or accidental,
neglect, or alteration other than as described in the User Guide or Service
Manual, or approved by ALLEN & HEATH.

3. This warranty does not cover fader wear and tear.

4. Any necessary adjustment, alteration or repair has been carried out by
ALLEN & HEATH or its authorised agent.

5. The defective unit is to be returned carriage prepaid to ALLEN & HEATH or its
authorised agent with proof of purchase.

6. Units returned should be packed to avoid transit damage.

In certain territories the terms may vary. Check with your ALLEN & HEATH agent
for any additional warranty, which may apply.

The iLive range of products complies with the European
Electromagnetic Compatibility directives 89/336/EEC &
92/31/EEC and the European Low Voltage Directives

73/23/EEC & 93/68/EEC.

Any changes or modifications to the equipment not approved by Allen
& Heath could void the compliance of the product and therefore the
users authority to operate it.

iLive System Reference Guide AP6526 Issue 3

Copyright © 2009 Allen & Heath. All rights reserved

ALLEN&HEATH

Manufactured in the United Kingdom by Allen & Heath Limited

Kernick Industrial Estate, Penryn, Cornwall, TR10 9LU, UK

http://www.allen-heath.com

2 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

Important Safety Instructions

WARNINGS - Read the following before proceeding :

CAUTION

ATTENTION: RISQUE DE CHOC ELECTRIQUE – NE PAS

OUVRIR

Read instructions: Retain these safety and operating instructions for future reference.

Adhere to all warnings printed here and on the equipment. Follow the
operating instructions printed in this User Guide.

Do not remove covers: Operate the equipment with its covers correctly fitted. Refer any

service work on the equipment to competent technical personnel only.

Power sources: Connect the equipment to a mains power supply only of the type

described in this User Guide and marked on the rear panel. Use only
the power cord with sealed mains plug appropriate for your local
mains supply as provided with the equipment. If the provided plug
does not fit into your outlet consult your service agent for assistance.

Power cord routing: Route the power cord so that it is not likely to be walked on, stretched

or pinched by items placed upon or against it.

Grounding: Do not defeat the grounding and polarisation means of the power

cord plug. Do not remove or tamper with the ground connection in
the power cord.

WARNING: This equipment must be earthed.

Water and moisture: To reduce the risk of fire or electric shock do not expose the

equipment to rain or moisture or use it in damp or wet conditions. Do
not place containers of liquid on it which might spill into any openings.

Ventilation: Do not obstruct the ventilation slots or position the equipment where

the air flow required for ventilation is impeded. If the equipment is to
be operated in a flightcase ensure that it is constructed to allow
adequate ventilation.

Heat and vibration: Do not locate the equipment in a place subject to excessive heat or

direct sunlight as this could be a fire hazard. Locate the equipment
away from any devices which produce heat or cause excessive
vibration.

Servicing: Switch off the equipment and unplug the power cord immediately if it

is exposed to moisture, spilled liquid, objects fallen into the openings,
the power cord or plug become damaged, during lightening storms,
or if smoke, odour or noise is noticed. Refer servicing to qualified
technical personnel only.

Installation: Install the equipment in accordance with the instructions printed in this

User Guide. Use the equipment connections for their intended
purpose only.

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 3

Important Mains plug wiring instructions.

The equipment is supplied with a moulded mains plug fitted to the AC
mains power lead. Follow the instructions below if the mains plug has
to be replaced.

The wires in the mains lead are coloured in accordance with the
following code:

L LIVE BROWN BLACK

N NEUTRAL BLUE WHITE

E EARTH GND GREEN & YELLOW GREEN

The wire which is coloured Green and Yellow must be connected to
the terminal in the plug which is marked with the letter E or with the
Earth symbol. This appliance must be earthed.

The wire which is coloured Blue must be connected to the terminal in
the plug which is marked with the letter N.

The wire which is coloured Brown must be connected to the terminal
in the plug which is marked with the letter L.

Ensure that these colour codes are followed carefully in the event of
the plug being changed.

Precautions

TERMINAL

WIRE COLOUR

European USA/Canada

Damage : To prevent damage to the equipment cosmetics, avoid placing heavy

objects on the unit, scratching the surface with sharp objects, or
subjecting the unit to rough handling and vibration.

Environment : Protect from excessive dirt, dust, heat and vibration when operating

and storing. Avoid tobacco ash, smoke, drinks spillage, and exposure
to dust, rain and moisture. If the equipment becomes wet, switch off
and remove power immediately. Allow to dry out thoroughly before
using again.

Cleaning : Avoid the use of chemicals, abrasives or solvents. The equipment is

best cleaned with a soft brush and dry lint-free cloth. If the ventilation
grilles become blocked with dust use a vacuum cleaner to suck the
dirt out. Do not remove the cover to clean the unit.

Transporting : The equipment should be transported in the original packing or

purpose built flightcase to protect it from damage during transit.

Cables: Plan the location of the equipment so that the connecting cables are

not fully extended. Full extension of the cables can stress the
equipment and cables and may result in undesired performance.
Ensure that the cables are located such that they cannot be stood on
or tripped over.

Modules: Do not remove the modules from the equipment while power is

applied.

4 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

This is the iLive System Reference Guide relating to Version 1.4 Firmware. The system firmware is
updated on a regular basis as new features and improvements are added. Some of the screen shots and
details in this guide may differ from those in the current release of firmware. Please refer to the Release

Notes that come with each version of firmware for details of new features.

Table of Contents

Introduction ................................................................................................. 7

iLive System components .......................................................................... 8

iDR10 MixRack............................................................................................ 9

iLive Surface ............................................................................................. 10

T Series System components .................................................................. 11

T Series Control layout............................................................................. 12

Connecting the iLive MixRack and Surface ............................................. 13

Connecting the T Series MixRack and Surface ...................................... 15

Booting up the system .............................................................................. 16

The Status screen...................................................................................... 17

Surface basics – The TouchScreen .......................................................... 19

Surface basics – Fader control strip ......................................................... 22

Surface basics – the SEL key ................................................................... 25

Surface basics – the MIX key.................................................................... 30

Channel and Mix processing .................................................................... 33

Introducing the FX ..................................................................................... 39

Patching the Outputs ................................................................................ 46

Using DCA groups .................................................................................... 48

Creating Mute Groups............................................................................... 48

Channel Ganging ...................................................................................... 49

COPY / PASTE / RESET edit keys ............................................................ 50

The METERS screen ................................................................................. 52

The RTA ..................................................................................................... 52

PAFL monitor system ................................................................................ 53

Solo-in-Place ............................................................................................. 54

Engineer’s Wedge/IEM monitoring........................................................... 57

Talkback system........................................................................................ 58

Soft Keys, PL-Anet, MIDI ........................................................................... 60

MIXRACK config and setup....................................................................... 61

Main mix types........................................................................................... 64

Direct output setup.................................................................................... 65

Audio sync / Network setup ...................................................................... 65

Signal generator ........................................................................................ 67

SURFACE setup ........................................................................................ 68

Assigning Surface strips............................................................................ 69

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 5

Assigning SoftKeys ................................................................................... 70

Assigning PL devices ................................................................................ 71

The Surface ALT VIEW key ....................................................................... 72

Setting Surface preferences...................................................................... 73

NAME and COLOUR ................................................................................. 74

User Profiles .............................................................................................. 75

Library memories....................................................................................... 76

Scene memories ....................................................................................... 77

Show memories......................................................................................... 78

Using Template Shows ............................................................................. 82

USB Scene transfer ................................................................................... 83

Working with USB data ............................................................................. 84

The UTILITY screen ................................................................................... 85

Lock the Surface ....................................................................................... 85

Change User ............................................................................................. 85

Help manual .............................................................................................. 85

Power down the TouchScreen.................................................................. 85

Configuration page.................................................................................... 86

Diagnostics page....................................................................................... 86

Firmware versions and update.................................................................. 87

Network setup and connections ............................................................... 88

iLive module options – Analogue inputs and outputs .............................. 89

iLive module options – Digital inputs and outputs.................................... 90

iLive module options – Digital multi-output............................................... 91

iLive module options – System ................................................................. 92

MIDI specification ...................................................................................... 94

Technical specification.............................................................................. 95

Weights and dimensions........................................................................... 98

System block diagrams........................................................................... 101

EtherSound system diagram .................................................................. 103

Application diagrams .............................................................................. 104

6 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

Welcome

Thank you for investing in the Allen & Heath iLive digital mixing system. To get the most from your iLive
please read the Getting Started Guide that comes with your system and refer to this reference guide for
further information.

The Allen & Heath web site provides the latest version of firmware and additional downloadable
information on iLive. To benefit from the latest features and improvements please check that you are
running up to date firmware. Full instructions on downloading and installing the firmware is available on
our web site www.allen-heath.com. If you cannot locate the information you are looking for in the
documentation please contact your local Allen & Heath agent.

Note: iLive is an evolving system. Through firmware upgrades new features and capability

compatible with your existing hardware are scheduled to be added over time.

Read the release notes that come with each new version of firmware. They provide a description and
information relating to new features, details of improvements, and notes about known issues.

Introduction to iLive

iLive and the iLive-T Series provide a modular system for live sound mixing. Allowing distributed control
and audio over CAT5 cable, iLive is well suited to demanding live sound applications such as
FOH/Monitor mixing, live recording and multi-function installed venue sound. It is uniquely flexible with
choice of components, a fully configurable bus architecture and assignable user interface for easy
configuration to match each application.

The standard iLive offers a fully modular construction and feature set suitable for the top end application,
and is available with a touring grade flightcase. The T Series offers an affordable fixed format solution for
the more budget conscious application. Both feature separate MixRack and control Surface with CAT5
digital link. The hardware, firmware and user data is compatible between the two systems.

The MixRack is the heart of the system with choice of modular or fixed I/O, 64 channel x 32 bus DSP
processing and network interfacing in a 19” rack frame. It has plenty of DSP power. All the processing is
available all the time including graphic EQ on all mix outputs, 3 dynamics processors per channel and 8
fully assignable FX racks. Four versions of MixRack are available including a compact MiniRack without
audio I/O for digital split systems.

The Surface is a ‘controller’ that allows remote control of the MixRack and other components in the
system. It has audio I/O built in for local audio signals to connect with the MixRack via CAT5 cable using
EtherSound or the Allen & Heath ACE link. The purpose designed user interface gives you instant access
to all your live mixing functions with plenty of faders, single button access analogue style channel
processing control as well as an intuitive touch screen. Between them iLive and the T Series provide no
fewer than 6 different versions of Surface giving you a choice of number of faders and price point to
match your application.

iLive offers a host of control possibilities including the Surface, networked or wireless laptops or touch
tablets running iLive Editor software, PL Series remote controllers, MIDI and more. You can even leave
your Surface at home and run the show with just a laptop connected to the MixRack. iLive marries a new
generation of digital mixing with the speed of operation and sound quality expected of the best analogue
consoles.

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 7

iLive System components

iDR10 MixRack The MixRack is the heart of

the digital audio processing system. It houses the
DSP mix engine together with control and audio
networking interfaces. The 64 input x 32 bus
architecture is fully configurable for mono/stereo
and type of mix. It is known as the iDR10 because it
has 10 card slots for fitting any combination of input
and output modules.

iDR0 MiniRack The MiniRack is similar to the

iDR10 MixRack except it does not have any card
slots for input or output modules. Instead it gets its
audio via the EtherSound network. It can be used
as the slave mix engine in an FOH/Monitor system
with digital mic split, or as a compact mixer with an
iLive Surface using the audio I/O in the back of the
Surface.

iLive Surface There are 4 sizes of control

surface available with up to 44 faders. These are
arranged in banks with 4 layers each. The surface has
a 4 slot card frame built in to load up to 4x 8 channel
input or output modules for local I/O.

CAT5 Cables iLive is shipped with a pair

of short CAT5 cables with locking Neutrik
connectors to connect the rack and surface,
one for audio, one for control. An optional 80m
(262’) drum of armoured CAT5 cable is
available from Allen & Heath. Two drums are
required for the typical system.

iLive Flightcases iLive systems can be

ordered with touring grade flightcases. These have
wheels with brakes. The MixRack case uses rubber
shock mounts to protect the rack and has front and
rear covers. The surface case is a three part design.
The surface may be operated while in its base.

iPS10 Backup PSU Rack mounted external

power supply to provide redundant backup for the
iLive Surface or iDR0 MiniRack.

LEDlamp 4-pin XLR gooseneck

LED lamp with built-in dimmer. Each
Surface has 3 lamp sockets except the
iLive-80 which has 2.

PL Series Remotes iLive is

designed to work with the Allen & Heath
PL Series remote controllers. Several
different models are available. Each
control and indicator can be
programmed from the Surface or using
the Editor software.

iLive System Manager PC

and MAC software for using a PC,
laptop or touch tablet to control the
iLive system or edit its settings off line.
TCP/IP Ethernet connection allows
wired or wireless control with or
without a Surface connected.

8 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

iDR10

MixRack

CHK indicators

Follow PAFL
selection

DSP ‘RackExtra’ module

The DSP mix engine, the heart
of the iLive mixing system.
64x32 mix architecture plus 8x
internal effects.

REMOTE AUDIO module

With system clock, headphones
and remote audio distribution. Fit
up to 2 audio network option
cards. EtherSound interface is
available here.

CPU module

Manages the MixRack
system and allows remote
control via Ethernet, MIDI
and PL-Anet. Also provides
a lamp socket.

System
modules

Slots K, L, M

Ethernet switch

3x network ports.

PP indicators

Detect phantom
power voltage
on XLR sockets.

MUTE indicators

Display output
mute status.

Audio modules

10 slots available.
Slots A to J

MIC/LINE IN module

8x mic preamps with remote
gain control.

LINE OUT module

8x balanced line out sockets.

Note: You can choose any combination of input, output and blank

modules to load into the 10 available slots. The format above shows all
the options available at the time of print and is not representative of a
typical user setup. The photo below shows a popular configuration with
48 mic inputs and 24 line outputs loaded. Further inputs and outputs
would typically be available at the rear of the surface.

DUAL MIC/LINE IN module

Connect 16x inputs on screw
terminal plugs. 8x mic
preamps each with remote
selection of A and B inputs.

ESA

EtherSound digital
snake. Surface
and break out/in
audio.

ESB

EtherSound digital
mic split, system
expansion, record.

PL-Anet

Connect to Allen &
Heath PL-Series
remote controllers.

MULTI DIGITAL OUT module

16x outputs in digital format. ADAT, Aviom,
Hearback, iDR Expander. Uses 2 slots.

DIGITAL OUT module

4x pairs of digital outputs simultaneously
available AES, SPDIF or OPTO.

DIGITAL IN module

4x pairs of digital inputs selectable
either AES, SPDIF or OPTO.

FLIGHT CASE

Touring grade case on
wheels. Shock mounted
rack. Front and rear
covers.

Module extractor tool

To pull out modules if you need
to reconfigure the module
format.

Note: Do not remove or plug

in modules while power is
applied. The iLive system is not
‘hot pluggable’.

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 9

POWER SUPPLY module

Universal mains input. One
required. Fit second as redundant
supply backup.

iLive

Surface

USB and VGA

Two USB ports available
in addition to the two
under the armrest at the
front. Option to connect
a monitor screen to the
VGA output to duplicate
the TouchScreen display.

Internal power supply

Universal mains voltage
power module with IEC
mains connector and
power on/off switch. P­clip for securing mains
cable.

Channel processing block

Analogue style layout with dedicated rotary controls,
switches and meters for the channel/mix preamp,
HPF, gate, PEQ, compressor and limiter/de-esser.
The controls are accessed using the strip SEL keys.
Select the input channel, mix master or FX return.

Control strip

Meter
Status LCD
Encoder
SEL key
PAFL
Mute
MIX key
Fader
Configure as:
Input channel
FX return
FX send
Group
Aux
Main mix
Matrix
DCA master
PAFL master

Fader Banks

Lamp connectors

Accept standard 12V
console lamps. We
recommend using the
Allen & Heath dimmable
LEDlamp.

CPU module

Manages the Surface system
and provides remote control
via Ethernet, MIDI and PL­Anet. The built-in Ethernet
switch allows connection of
several devices to the
network, for example Surface
and a laptop.

Backup PSU input

For connection to the
Allen & Heath iPS10
redundant backup
power supply. DC and
temperature sense

REMOTE AUDIO module

Provides the digital audio
network interface to transport
the Surface audio to/from the
MixRack and other devices.
Not required if audio modules
are not fitted and analogue
connections are used for
Surface headphones and
talkback.

TouchScreen

Used for status display, system setup
and memory management. Also
provides an alternative graphical view
of the channel processing. The screen
may be tilted and dimmed.

Assign, Pre/Post, Rotary shift For current selected MIX Layer A,B,C,D select per bank

Audio connections

XLR sockets for surface Talkback mic
output, PAFL input and local monitor
output. Provides an analogue alternative
for connection to the MixRack when a
digital audio network option is not fitted.

Audio module options

4x card slots A, B, C and D to
fit optional audio input and
output modules. The
REMOTE AUDIO module is
required if audio modules are
fitted. Choose from the same
module types available for the
MixRack.

Soft keys

8x user assignable keys. Up
to V1.2 these are fixed as DCA
group 9-16 mutes, suitable for
use as mute group masters.

Talkback

Talk mic input and
assignment.

Engineer’s monitor

Headphones and
local monitor.

Solo-in-place

PAFL controls

Scene keys

Headphones, USB Freeze, Alt view, GEQ toggle Copy, Paste, Reset

iLive-80

20 faders (80 strips)

10 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

iLive-112

28 faders (112 strips)

iLive-144

36 faders (144 strips)

iLive-176

44 faders (176 strips)

T Series System components

The T Series MixRack is the heart of the digital audio

processing system, housing the DSP mix engine together
with control and audio networking interfaces. The 64x32
architecture can be configured for mono/stereo and type of
mix (group, aux, mains, matrix). The system provides full
dynamics, EQ and delay processing for all inputs and
masters, 8 built-in ‘RackExtra’ effects and 16 DCA groups.
The 8 stereo FX returns add to the 64 input channels to allow
up to 72 sources to the mix. Unlike the standard iLive the
audio connections are fixed format rather than modular. The
racks differ only in the number of Mic/Line inputs and XLR
line outputs available.

iDR-48 the bigger rack: 48 Mic/Line inputs

24 XLR line outputs

iDR-32 the smaller rack: 32 Mic/Line inputs

16 XLR line outputs

The Surface is simply a network controller for the
MixRack. It has a built-in interface for local audio
which is transported to and from the MixRack via the
ACE connection along with the Ethernet control. Each
bank of faders has 4 layers providing a total of 80 or
112 control strips depending on Surface size. These
strips are freely assignable as inputs, mix masters or
DCAs in any combination. Both surfaces offer the
same control, the only difference being that the
smaller 80 does not provide the rotary control section
for the dynamics. These are accessed via the
TouchScreen on this model.

iLive-T112 the bigger surface:

28 faders = 112 strips
16 local line in = 8 TRS, 4 RCA, 2 SPDIF (digital)
14 local out = 8 TRS, 2 RCA, 1 SPDIF, Monitor

iLive-T80 the smaller surface:

20 faders = 80 strips
8 local line in = 4 TRS, 2 RCA, 1 SPDIF
10 local out = 4 TRS, 2 RCA, 1 SPDIF, Monitor

PL-3 PL-4

PL-10
Faders

PL-6
Encoders

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 11

PL-5

PL-9
Hub

PL Series controllers A range of remote controllers
is available with assignable switches, LEDs, encoders
and faders. These connect to the MixRack via the PL­Anet serial port using CAT5 cable and can be
configured using the Surface or laptop. The PL-9 hub
is allows star point instead of daisy chain connection.

More information on the PL Series is available on the
Allen & Heath web site.

T Series Control layout

Channel Processing Strip Analogue style control

section with dedicated rotary controls, switches and
meters for the channel or mix preamp, HPF, gate, PEQ,
compressor and limiter/de-esser. Press the strip SEL
key to access the processing of the channel or master
assigned to it. The controls illuminate when they are
available.

Virtual write-on strip
Name and colour

TouchScreen For status display,
system setup and memory management.
To see an alternative graphical view of
the processing for the channel or master
currently selected make sure none of the
keys below the screen is selected.

Soft Keys 8 user assignable keys

Dimmer

Talkback. Hold
down TB ASSIGN
and press the
master MIX keys
to assign.

PAFL
monitor
and SIP

Copy/Paste/Reset edit keys

Fader Banks Independent groups
of fader strips with 4 layers each.
Provides control of the Input
channel, FX return, Mix master or
DCA assigned to it.

SEL opens the channel processing

for the selected strip.

MIX presents the sends for the

selected strip on faders (or
encoders) and assignments and
pre/post settings in the strip LCD
windows.

Lamp
sockets

ASSIGN and PRE/POST access
keys for the selected mix.

Hold down ASSIGN and press
strip MIX keys to toggle the
assignments on or off.

Hold down PRE/POST and
press strip SEL keys to toggle
pre or post fade.

Hold down ROTARY SHIFT to
access the second encoder
function if it has one.

Hold down ALT VIEW to
view the channel or
socket numbers in place
of the name in the LCD
windows.

GEQ FADER FLIP to
present the GEQ across
the faders.

FREEZE IN LAYERS to
keep a channel visible
across all layers. Hold
down and press strip

MIX keys.

Scene recall keys.
These can be
disabled.

SCENE SAFES to
prevent selected
channels being
overwritten by the
memories. Hold
down SAFES and
press MIX keys to
toggle on or off.

For future
use…

VGA port for
external monitor
(same view as
TouchScreen).

12 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

2x USB
ports.

Plug in
USB key
here.

Local
PAFL
monitor
output

Assignable local
audio inputs and
outputs.

Rows A and C are
inputs, B and D are
outputs.

Digital is SPDIF.

Audio/control link
between Surface and
MixRack.

ACE (audio and
control over Ethernet)
CAT5 cable up to
120m (400 feet)

MIDI in and out

Additional Ethernet ports
for connecting laptops
and wireless router.

Connecting the iLive MixRack and Surface

The iLive has two main system connections between the Surface and MixRack, both using CAT5 cables.
NETWORK is the control interface to the MixRack. ESA primarily connects audio to and from the Surface

and other EtherSound equipped break in/out devices. The optional ESB port can be used to connect
audio between systems such as FOH/Monitor, broadcast or recording. iLive systems are shipped with 1.8
metre UTP CAT5 cables fitted with EtherCon locking connectors as standard. Allen & Heath can supply
an 80 meter drum of approved cable if the Surface is located remote from the MixRack. Two of these are
required to connect control and audio between the MixRack and the Surface. One is required to connect
audio between the MixRack and another remote rack.

Ethernet (control network) CAT5 cable

A 3 port Ethernet switch is built into the CPU module allowing connection of more than one control
device, for example a Surface and a laptop. Cables up to 100 metres (330 feet) may be used. Plug the
CAT5 cable into any NETWORK port. Standard Ethernet hardware may be used to extend or route this
connection if required.

Note: Plug only one CAT5 cable to connect the NETWORK between the MixRack and Surface.

Plug this into any one of the three network ports available. Do not connect a second cable for
redundancy. Third party systems are available to extend the connection or provide dual redundancy.

EtherSound (audio network) CAT5 cable

Plug the MixRack ESA OUT to the Surface ESA IN to connect the PAFL, talkback and rear panel
input/output signals (ES channels 1 to 32) to and from the Surface. Plug the Surface ESA OUT to external
break in/out device ES IN to route signals to and from further locations if required (ES channels 33 to 62).
For information on using the optional ESB network refer to the application diagrams later in this user
guide.

Note: Connect only one EtherSound cable between two devices. Do not connect both IN to OUT

and OUT to IN. The terminology ‘IN’ and ‘OUT’ refers to the clock master and not direction of audio.
Each EtherSound cable carries 64 channels of audio in both directions.

Note: The EtherSound standard is maintained and licensed by Digigram who recommend that only

the cable types and network components tested and approved for EtherSound are used. This is

most important to ensure reliability when using longer cable lengths approaching the 100 metre (330 feet)
maximum. For further information on compatibility please refer to the EtherSound web site:

www.ethersound.com/technology/compatibility.php

.

NETWORK

CPU
RAB

CONTROL (ETHERNET)

AUDIO (ETHERSOUND)

ESA IN

Connect RACK ESA OUT to SURFACE ESA IN

NETWORK
ESA OUT

ESB OUT

ETHERSOUND MIC SPLIT / SYSTEM EXPAND

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 13

An IEC mains power cord with moulded plug suitable for your territory is provided for
each power supply module within the system. The iLive system uses universal voltage
power supplies that accept world wide mains sources from 100 to 240V.AC 47 to 63Hz.
Make sure the IEC plugs are pressed fully into their panel sockets and the cables are
clipped into the retaining clips to protect them from accidental disconnection.

Note: To ensure operator safety, connect only to an approved and properly

grounded mains source. Do not remove the ground connection in the mains cord.

Note: Read and understand the warnings in the safety sheet supplied with the

equipment and printed on the power unit panels.

Note: It is good practice to connect both the MixRack and the Surface to the same

mains power ring or feed, and to use a UPS (uninterruptible power supply) as a backup
in critical applications where there is any risk of mains or generator power being
interrupted.

MAINS FUSE - In the event of a fuse failure replace only with the correct type and
rating as indicated on the rear panel. If the replacement fuse fails again, switch off and
refer to your Allen & Heath service agent.

ON/OFF switch - Press to switch mains power on or off. Blue status LED indicators
light on the power supplies and modules to indicate that power is present and correct.

iPS10 backup power supply - The optional iPS10 rack mounted power supply unit
may be connected to the Surface or iDR0 MiniRack as a redundant backup if required.
The iDR10 MixRack already has provision for a second backup supply module.

iLIVE SURFACE

INTERNAL PSU

IEC MAINS CABLES

Mains power 100 - 240V AC

MAINS

INTERNAL PSU

Female plug

DC CABLE

10way

Male plug

iDR0 MINIRACK

Female plug

DC CABLE

10way

Male plug

TEMPERATURE MONITOR CABLE

CAT5

iPS10 BACKUP PSU

MAINS

TEMPERATURE MONITOR CABLE

CAT5

iPS10 BACKUP PSU

MAINS

IEC MAINS CABLES

Mains power 100 - 240V AC

14 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

Connecting the T Series MixRack and Surface

The Control Surface

Connect Surface to MixRack

Plug a CAT5 cable up to 120m (400 feet)
between the Surface and MixRack ACE ports.

An 80m drum of suitable cable is available from
Allen & Heath (part number AH7000).

Note: You only need one connection between

the Surface and MixRack. The control network
data is transported with the audio via the single
cable ACE link. You do not need a second
cable for the network link.

ACE

The Mixer

Network settings

iLive-T communicates over a TCP/IP network.
There are 3 main components – the MixRack,
Surface and TouchScreen (built into the surface).
These and any other network devices such as a
wireless router and laptop need compatible
network addresses. Factory defaults are:

MixRack 192.168.1.1 Sub mask 255.255.255.0
Surface 192.168.1.2
TouchScreen 192168.1.3

We recommend you set:

Laptop 192.168.1.10 Sub mask 255.255.255.0
Router 192.168.1.245

If the addresses or unit names have been
changed and your system fails to connect, or you
need to reset the settings, refer to the
Troubleshooting page in the TouchScreen HELP.

NETWORK

PL-ANET

IN OUT IN

Termination

Adding PL Series controllers

Use CAT5 cable to connect the MixRack PL-Anet port to
the PL device IN socket. Daisy chain OUT to the next
unit, or use a PL-9 hub for star connection. Make sure
the terminator provided is plugged into OUT of the last
device in the chain. Once connected, the PL controls
need to be configured. Settings can be saved as library
items.

iLive Editor software.
Download from
www.allen-heath.com

Adding laptop control

Check that your laptop meets the system
requirements for running the iLive Editor
software. Read the Release Notes that
come with the software.

Make sure the laptop and wireless router
have network addresses compatible with
the iLive system.

Plug your laptop or wireless router network
connection into any one of the NETWORK
ports at the Surface or MixRack.

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 15

Booting up the system

Turning on the system

Note: Always turn the MixRack on first, then the iLive Surface.

The iLive system remembers its last settings on power up.

1. First, plug in the mains and CAT5 cables.

2. Next, switch on the MixRack power.

3. Then switch on the Surface power.

While searching for the network connection between the MixRack and Surface after
power up, the NETWORK Lnk/Act indicators flash at a slow rate for a few seconds.
Once connection is successfully made the indicators flash at a steady fast rate. If the
EtherSound option is fitted, their RX and TX indicators should flash at a steady fast rate
soon after boot up.

The MixRack and Surface audio outputs are isolated from the connected equipment
during boot up using protection relays to prevent power up thumps. The connector
MUTE indicators light while the outputs are isolated. After around 15 seconds the
relays switch in and audio is presented to the outputs with the settings as they were the
last time the system was powered down.

The yellow Lnk/Act LEDs for connected sockets
flash at a steady rate once the link is established.

If one or more pulse at a slow rate or the red Err
LED remains lit then check that the cables are
correctly plugged in and are not faulty.

At the MixRack: Indicates that the
audio is sync locked to the
selected clock source.

At the Surface: Indicates that the
surface audio is sync locked to
the MixRack.

Boot up time

MixRack It takes around 15 seconds for the DSP to start passing audio with the same

settings current at last power down.

Surface In just over 1 minute the strip LCD displays turn on and the Surface is ready
to take control of the mix. If a password is required for log in then surface operation is
not available until after the TouchScreen has finished booting.

TouchScreen It takes a little longer for the TouchScreen to complete its boot up
process during which time you will see its BIOS load the LINUX operating system and
then the iLive application. In around 2 minutes the screen is ready and the system fully
booted.

Note: If your system fails to connect please refer the section on Network Settings.

Turning off the system

To shut down the system, first power down the TouchScreen using the button in the

UTILITY / Configuration screen. Then switch off both units at their respective power

switches. The system shuts down safely after the current settings have been stored to a
battery backed memory.

Note: Make sure you archive your settings regularly to reduce the risk of losing

or overwriting your data. If power is lost while moving data to or from a USB memory

stick on the console, there is a possibility that your files may become corrupted. It is
good practice to use a UPS (uninterruptible power supply) for mains backup during
important shows.

16 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

The Status screen

The TouchScreen ‘Status’ page is displayed when the fader strip SEL keys and the keys below the screen
are all off. It is the default view when nothing is selected. It provides display of a real time clock, system
status and access to the user assignable custom meters and the RTA display.

For normal operation green ticks should be present. A red cross means a problem has
been detected and should be checked.

Firmware Displays the current firmware version loaded. A green tick means the

system firmware is operating correctly. A red cross warns that an error has been
detected and has been logged in the system Event Logs. A yellow triangle also
displays in the lower toolbar to alert you if you are in another page. Go to the UTILITY /

Diagnostics / Event Logs page to view the error. The Event Log can be copied to USB

key to be reported to Allen & Heath if required. After viewing the error log the green tick
is restored. For the latest version of iLive firmware please refer to the Allen & Heath web
site.

Temperature The iLive monitors its temperature at several places within the

MixRack, Surface and power supplies. If it exceeds a maximum threshold then a red

cross displays to warn you. Go to the UTILITY / Diagnostics / Temperature page to

view the current temperatures.

MixRack System Lock A green tick displays that the MixRack is sync locked to

the selected audio clock source. If a red cross appears then check the Audio Clock
Source setting in the MIXRACK / Mixer Pref / Audio Sync Networks page.

Port A, Port B These boxes display status information for the digital audio network

options fitted, for example EtherSound or ACE. A green tick next to Surface Lock
indicates that the Surface audio is sync locked to the MixRack.

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 17

Clock Displays the TouchScreen CPU real time clock. The time may be changed

from the UTILITY / Configuration / Date Time page.

Current User The current User name is displayed here. To log in as a different

user go to the UTILITY / Change User page. Up to 8 User Profiles may be set by the
Administrator using the UTILITY / Configuration / Edit User Profiles page.

Last Show Recalled Displays the name of the last Show memory recalled. To

recall a different show go to the UTILITY / Configuration / Show Manager page.

Lower Status bar

Current Mix The left of this toolbar always displays the active fader strip mix type

and number as currently selected using the MIX keys. For example ‘Input 9’ indicates
that the input channel 9 MIX key is selected and the master strips display the
assignments and sends from that input. ‘Mono Aux 1’ indicates that the mono Aux 1
master strip MIX key is selected and the inputs strips display the assignments and
levels to that master. Deselecting a MIX key returns the strips to the Main mix if one is
configured. This is the recommended default mode for FOH mixing. ‘Main’ displays on
the toolbar to indicate you are in the default mix. If there is no main mix, for example a
monitor mix configuration, then the left of the toolbar remains blank when the MIX key is
deselected.

Current and Next Scene The right of the lower toolbar displays the name and

number of the last Scene memory recalled during the session, and the name and
number of the Scene currently highlighted in the SCENES page. The highlighted Scene
is the next that would be recalled when you press the GO key to the right of the faders,
for example for use as scene recall during a theatre production. To enable these keys
go to the TouchScreen SURFACE SETUP / Preferences page.

Note: To avoid accidentally overwriting your current settings make sure the

Surface Scene Keys are disabled if you are not using them.

Status information The lower toolbar also displays useful information while

operating the console. For example, it shows you what parameters are held in the copy
buffer while the COPY or PASTE keys are held down.

USB symbol Displays when the system recognises a USB memory key plugged

into one of its USB ports.

Yellow warning triangle Displays when a system error has been detected.

Return to the Status page for further information.

18 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

Surface basics – The TouchScreen

The TouchScreen provides a graphical display of the parameters and assignments, allows configuration
of the system, and management of the memories and data. Unlike many other digital consoles it is not
essential to the live mixing operation. iLive avoids fiddly screen and menu based mixing by providing a
large analogue style channel processing interface with dedicated rotary controls, switches and indicators.
Although the screen can give you an alternative graphical view of these parameters, its main function is
for system setup and data management.

Work area

Status bar

Title bar

Return button

Data entry box

Data entry encoder Screen keys

Title bar Displays the name and information about the currently selected screen or

channel.

Return button Touch this button to return to the previous or top level page. The

TouchScreen remembers the last page opened for each screen selected. For example,
if the Compressor was the last item viewed in the channel processing screen, it will
open in the Compressor view again when another channel is selected. Touch Return to
return to the top level ‘thumbnail’ view.

Status bar Displays various status information, the currently selected mix type and

number, and the previous and next scene recall.

Data entry encoder Touch a data display box to select a parameter to adjust.

The box turns orange to show it is selected. The data entry rotary encoder lights
orange to show it is available for updating the value. Change the highlighted parameter
value by scrolling up or down through its range.

Screen keys Press one of these keys to change the screen function. The green

indicator lights to show which is active. With none of these selected the screen shows
either the Status page (no channel selected) or a channel processing view (channel
selected using its green SEL key).

Note: To display the status or channel processing pages make sure the screen

keys are turned off. Selecting one of these keys overrides the status or selected

channel view with the function indicated above the key.

Note: Do not leave the screen in NAME&COLOUR or SURFACE SETUP mode as

these change the strip SEL key function. These modes are used during system

configuration.

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 19

All screen keys turned off – STATUS With all the screen

keys and strip SEL keys turned off the TouchScreen displays the
Status page. This shows system status including firmware,
temperature, audio system lock and digital audio network status. A

red cross means a problem is detected. The page also displays the

time, current user and last Scene recalled name. The lower part of
the screen can be used to select one of the four custom user meter
views or the RTA display.

All screen keys turned off – Strip SEL selected If you

press a strip SEL key while the screen keys are turned off then the
TouchScreen displays the processing view for that channel. This can
provide additional graphical information for the parameters shown on
the controls to the left of the screen, for example an EQ or dynamics
curve. Some channel and mix parameters are only available via the
screen, for example delay, insert assignment, name and colour.

Screen key selected:

METERS Select from several pages of audio meters showing

input channels, effects and mix masters. Includes 4x user custom
meter views. You can name each view and configure any
combination of up to 16 meters and spaces per view. The screen
also lets you view the RTA display. The custom views and RTA can
also be selected from the default Status page.

PAFL Set user preferences for the PAFL engineer’s monitoring

system. Choose between additive and auto-cancelling operating
mode, adjust the AFL trim to avoid big level differences between PFL
and AFL, set main mix to monitor level when no PAFL is selected, and
choose to link the SEL and/or MIX keys with PAFL key presses. You
can turn on and select the External Input to PAFL source for reverse
talkback, and set delay to time align the monitor to the acoustic
sound from the stage.

ROUTING This screen displays the routing and DCA

assignments, direct out trim, send levels and preferences for the
channel currently selected using the SEL key. For the Aux masters it
lets you select the channel send source and choose to have the
sends on faders or rotaries. The screen can provide an alternative to
adjusting the mix sends and assignments on the fader strips using the

MIX keys.

OUTPUTS Map signals to the physical sockets and audio network

channels. Touch tabs let you select the MixRack, Surface, Port A and
B patch bays. Assign single or a range of sockets from a choice of
mixes, direct outs, insert sends and other sources.

20 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

FX Access the FX rack. Provides 8 virtual ‘rack positions’ for

loading your choice of processing from a library of effects devices
including reverbs, delays, modulators and more. A Front Panel view
presents a familiar control interface for parameter data entry. A Rear
Panel view lets you ‘patch’ the device into the signal path either as a
‘mix>return’ or ‘insert’. Choose the input to the device from a mix or
direct output, and its output to an FX (short) return or full channel.

SCENES Access the Scene memories for storing and recalling all

or selected processing, mix and setup parameters. Scenes can be
named, copied and edited. These are typically used for theatre show
cues, multiple band music festival recall, event changes and so on.
Console parameters may be added to a Scene, or the existing
contents updated with the current console settings.

NAME&COLOUR Enters a setup mode to use the strip SEL

keys to choose the input, mix and DCA master colours and enter 5
character names for each. Choose from a swatch of 6 colours plus
off (no colour) for a single or range of channels. The colour is
displayed on the Surface strip LCDs. You can also store up to 48
custom names in a ‘Quick Menu’ for instant recall of commonly used
names. Note that name and colour may also be set individually for
the inputs and mixes from their normal processing views.

MIXRACK SETUP View and configure the MixRack architecture.

Configure the 32 mix buses from a choice of mono/stereo Group,
Aux, Main and Matrix mix types. Choose from a list of 9 main mix
types such as none, M, LR, LCR, LR+Sub and more. Other pages let
you configure the digital audio networks, Direct Out source, Talkback
source, channel ganging and provide access to the onboard signal
generator.

SURFACE SETUP Enters a setup mode to use the strip SEL

keys to assign the Surface strips as input channels, mix masters, DCA
masters and more in any combination. You can assign single strips
or a range of strips within a fader bank. Other pages let you
configure the SoftKey functions, PL devices, the ALT VIEW key, and
Surface preferences.

UTILITY Manage the Show and Library memories and User

Profiles here. Factory default ‘Template’ Show memories let you load
from a choice of standard configuration to give you a quick starting
point. Save your customised configurations as User Shows. You can
access the USB port for file transfer and archiving as well as updating
the system with the latest firmware available from the Allen & Heath
web site. This screen also provides access to many additional
facilities including TCP/IP network setup, system diagnostics,
changing user, locking the surface, reading the onboard Help manual
and powering down the TouchScreen before switching the system off.

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 21

Surface basics - Fader control strip

A

The Fader Control Strip is the primary user interface for mixing with iLive. It provides a familiar analogue
console layout and is arranged in banks across the surface. The smallest iLive-80 surface has two banks
of faders (12 and 8), the larger models have three (up to 24, 12 and 8). Each fader bank has 4 layers A,
B, C, D providing the largest surface with 176 strips, and even the smallest with as much as 80. Any
input, mix or DCA can be mapped to any strip on any layer. You can map these to multiple strips letting
you arrange different combinations of channels across the layers, or the same across several layers and
banks. With thoughtful choice of colour and strip assignment you can create an intuitive console layout
that suits the way you want to work. You can save this layout in the Scene and Show memories for future
recall or transfer to other iLive systems.

Meter Displays audio signal activity for the channel or mix master. Input

channel metering is post-processing, pre-fader. Mix master metering is post­fader, post-mute so you can check the signal present at the output. The red
PK! indicator lights to warn that the signal is within 5dB of clipping. It is multi­point sensing which means it detects peak activity at several points in the
signal chain and can therefore keep a check on signal activity throughout the
channel path.

Note: If the top red LED lights before the rest of the meter, or while the

channel fader is down, this means that the signal is peaking earlier in the
channel path. Press SEL to open up the channel processing and check

signal activity.

Note: iLive meters are digital absolute peak response meters. This

ensures you keep control and avoid digital clipping of signals including those
with very fast dynamics. It does mean the iLive meters may read hotter than
those on other consoles you are used to.

Strip LCD The LCD strip spans the fader bank and is the digital equivalent

of the traditional console write-on strip. It displays information about the
channel assigned to the control strip – Channel type, name or number, rotary
encoder function and setting, channel status, and information about the
current mix. A 6 colour backlight displays the user assigned channel colour.
The LCD switches to display the related EQ frequency while in GEQ on faders
mode.

DCA status

On = The channel is assigned to one or more DCA groups.
Flashing = Channel is muted by DCA groups.

Strip type

Mono or stereo
IP = Input channel
IP FX = FX ‘short’ return
GP = Group master
AUX = Aux send master
MAIN = Main mix
MTX = Matrix master
DCA = DCA master
WDG = Wedge master
IEM = IEM master

Rotary setting

Normal = PAN (fader mix), LEV (rotary mix)
Shifted = LEV, PAN, BLEND, SUB or M

SAFE status

STEREO

IP

DCA

NAME

PAN

LR

LEV

CH
FADER

AUX

PRE

Normal mode = SCENE safe
Solo-in-place mode = SIP safe

Name

5 character, user defined name.
Shows DSP channel number,
socket position or dB value in

LT VIEW

Current MIX status

Indicates currently selected
fader or rotary mix.
GP, FX, AUX, MTX

CH FADER

Turns on when the strip fader is
the channel or master fader.
Turns off when the fader is a
send level control.

22 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

ON

The channel is assigned
to the current mix or
DCA.

PRE

The channel AUX or MTX
send is pre-fader. Off =
post-fader.

PAFL

ACTIVE

OUTPUT AFL

INPUT AFL

CLEAR ALL

SEL

PAFL

MUTE

MIXMIX

Rotary encoder This control lights up when it has a function assigned. It

is used as a send level, PAN or image control depending on the type of mix
currently selected with the MIX key and whether it is a fader or rotary mix. If
the mix has two image functions, for example, PAN and SUB level when
configured as an LRSub main mix, or Aux SEND and PAN for a stereo Aux mix
on rotaries, then the LCD displays two dials, one for each function. To access
the upper dial function hold down the ROTARY SHIFT key while turning the
encoder.

ROTARY SHIFT

Normal and shifted rotary functions

SEL key This green key provides access to the channel processing. The

current settings for the selected channel are displayed in the large processing
control section above the strips. Associated information is also displayed in
the TouchScreen if none or the ROUTING screen key is selected. The
controls illuminate when they are active. Press another SEL key to access the
processing for a different channel, or press the key again to turn it off. With no
processing selected the control section turns off.

Note: The SEL keys do not access the channel processing if the console

is in a setup mode (NAME&COLOUR, MIXRACK or SURFACE SETUP). In

this case they are used to select strips for the related setup mode. To avoid
operator confusion do not leave the screen in one of these setup modes.

PAFL key Selects either the PFL (pre-fade listen) or AFL (after-fade listen)

signal to the engineer’s headphones / local monitor depending on the setting
of the AFL keys below the PAFL meters. Press PAFL keys to toggle them on or
off, or use the CLEAR ALL key in the master section to turn off the current
selection. The associated yellow CHK indicators light on the iDR10 MixRack
and iLive Surface audio modules while PAFL is active. The T Series does not
provide these indicators.

Operating preferences may be set using the PAFL screen:

Auto-cancel or additive mode
AFL level trim
Link SEL key to PAFL key
Link MIX key to PAFL key (separate options for Input and Mix)

MUTE key Turns off the channel, mix or DCA as it would on a traditional

analogue console. It mutes the pre and post fade signals. The associated red
MUTE indicators light on the audio output modules in the MixRack or Surface
while mute is active.

Note: As standard, MUTE always affects the whole channel. It does not

provide individual send muting while in AUX or MTX mix mode. The ability

to quickly mute the whole channel while in any mix mode is important for live
sound mixing. To switch individual Aux or Mtx sends on or off use the ASSIGN
function.

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 23

Fader The fader is motorised and automatically changes position when you

select different fader layers or change the mix using the MIX keys. They also
change to show the mix master GEQ (graphic EQ) settings when in GEQ
FADER FLIP mode.

Freeze

FREEZE IN LAYERS

ALT VIEW

GEQ FADERS OFF

Change fader function

10

10

10

10

10

10

5

5

0

0

5

5

10

10

20

20

30

30

40

40

10

5

5

0

0

5

5

10

10

20

20

30

30

40

40

5

5

0

0

5

5

10

10

20

20

30

30

40

40

10

5

5

0

0

5

5

10

10

20

20

30

30

40

40

BANK

3

A

B

C

D

Working with Layers Each bank of faders has 4 layers. Therefore a

bank with 8 faders can control up to 32 channels or masters. The largest
surface with 44 faders can control up to 176 of these, while the smallest with
20 faders can control up to 80.

A, B, C, D keys Press to select the layer you want to work with. The faders
move, encoders, LCDs and meters change to show the current settings of the
assigned channels and masters. The layer keys affect each bank
independently by default, but can be linked so that all are affected if preferred.
To change this user preference go to the SURFACE SETUP / Preferences
screen and touch the Link Fader Banks button.

PK! indicators The red PK! indicator next to each Layer key lights when a
signal associated with the layer is approaching its peak level. This helps you
keep a check on all system signal peak activity even when you do not have
those channels in view. A peak anywhere in the channel signal path is
detected. If a layer PK! indicator flashes, switch to that layer, check the meter
activity to find the peaking channel, select it and reduce its gain or level.

Layers

PK!

PK!

PK!

PK!

Peak

FREEZE IN LAYERS key Lets you ‘freeze’ a selected strip across all

layers so the assigned channel, master or DCA remains in view when you
change between layers. This is intended as a temporary measure while mixing
live, for example if a problem is suspected with a radio microphone and you
want to keep a check on it. Note that channels you normally want to keep in
view at all times can be assigned to the same strip across all or more than one
layer using the SURFACE SETUP screen. To freeze or unfreeze strips hold
down the FREEZE IN LAYERS key and press the strip MIX keys. While the key
is held down, the blue indicators display which strips are frozen.

ALT VIEW key Hold down this key to temporarily overwrite the user

assigned names displayed on the strip LCDs with alternative information.
Depending on your setting in the SURFACE SETUP / Alt View Setup screen
this can be the physical socket number, DSP channel number or associated
dB value. This is useful when you want to check channel numbers, for
example when checking the patching or assigning strips and sockets.

GEQ FADER FLIP key Flips the fader function to show the graphic EQ

frequency settings while a master SEL key is active. Press the key to toggle
back to normal fader mode.

24 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

Surface basics – The SEL key

The primary function of the fader control strip SEL keys is to access the signal processing and routing for
the channels, FX, mix or DCA masters. These keys are also used while in system setup mode to
configure the strip functions, names and colours. They are also used to access different processing
blocks when copying or resetting parameters. The CHANNEL PROCESSING BLOCK presents all the live
mix processing controls for instant access in a familiar analogue layout. It is the primary interface for live
mixing. The TouchScreen provides additional graphical and setup information but is not integral to the
live mixing function.

Processing block

TouchScreen view (with none or ROUTING screen key active)

Note: For access to the channel processing using the SEL keys

make sure the TouchScreen is not in SURFACE, MIXRACK or
NAME&COLOUR mode.

SEL

PAFL

MUTE

MIXMIX

Rotary Controls These controls illuminate when they are

available. For example, the GATE controls turn off while a mix master
is selected. LED dials display the current setting for each control
when different channels are selected.

Peak and signal meters Peak indicators and signal meters are

presented throughout the signal path. The three dynamics processor
THRESHOLD controls feature signal meters that display beneath the
pointer on the LED dial so you can quickly see where to set the
control.

Note: iLive peak indication is multi-point sensing. If any part of

the signal chain peaks then the top PK! indicator of the control strip
meter illuminates. The red PK! indicator next to the associated
LAYER select key also lights.

Processing block IN keys Switch the processing in each

section in or out. The green indicator lights when the processing is
switched in. Metering including gain reduction remains present so
you can check the effect of a processor before switching it in.

Processing block SEL keys While the TouchScreen is in the

channel processing view pressing a processing section SEL key
opens its screen view. This is an alternative to touching the screen to
open a processing view such as PEQ or Compressor.

If you press and hold down a processing section SEL key you can
listen to the signal at that point in the signal chain using the
headphones and local monitor. The PAFL meters display the signal
level while pressed.

These SEL keys are also used for to copy/paste and reset sections of
the channel signal processing.

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 25

Using a SEL key to access Input Channel Parameters

Insert bypass

Preamp

Gate

PEQ

CHANNEL PARAMETER CONTROLS

Mono Input
Stereo Input
FX return via Input

Limiter / De-esser

Compressor

CH fader, pan, mute
Main mix assign
Group assign
Aux sends
FX sends
DCA assign
Direct Out level

Input socket patch

Delay HPF

Name and Colour Insert

PROCESSING VIEW

ROUTING VIEW

SEL

PAFL

MUTE

MIXMIX

PARAMETER CONTROLS - Press an IP (Input) channel SEL

key to access the parameters for that channel using the analogue
style controls in the processing block to the left of the screen. Every
input channel has preamp control, a HPF, gate, PEQ, compressor,
limiter/de-esser, delay and insert capability.

PROCESING VIEW - With all TouchScreen keys off, the

screen top view shows ‘thumbnails’ for each signal processor within
the channel. Touch the screen or press a processing block SEL key
to open the associated screen view. This gives you an alternative
graphical display and control of the signal processing, for example an
EQ or dynamics curve. Setup functions such as Input socket patch,
Insert, Delay, Name and Colour are accessed using the screen only.
Touch the Return button at the top right of the screen to return to the
top view. Each processing section includes a library for storing and
naming your favourite settings. These can be recalled into other
channels and transferred to another iLive or PC via USB key from
within the UTILITY/Configuration page.

ROUTING VIEW - With TouchScreen ROUTING page on, the

assignments and send levels for the selected channel are shown.
This gives you an alternative for controlling the mix using the screen
instead of the Surface MIX keys.

Note: Unlike several other digital mixing systems, the screen is

not an essential part of live mixing with iLive. Channel parameters

are adjusted using the analogue style rotary controls, switches and
displays within the processing block. Mix assignments, pre/post
settings, fader and send levels are adjusted using the Surface fader
control strips.

26 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

Using a SEL key to access Mix Master Parameters

Insert bypass

Ext Input Preamp

PEQ

CHANNEL PARAMETER CONTROLS

Mono,
stereo
Group
Aux
Main mix
Matrix

Limiter

Compressor

Master fader, pan, mute
Main mix assign
CH Aux sends
CH pre/post
FX sends
DCA assign

Sends on faders or rotaries
CH send source

Ext Input preamp

Name and Colour

PROCESSING VIEW

ROUTING VIEW

Delay

Insert

GEQ

SEL

PAFL

MUTE

MIXMIX

PARAMETER CONTROLS - Press a GP, AUX, FX, MAIN or

MTX (Mix) master SEL key to access the parameters for that master

using the analogue style controls in the processing block to the left of
the screen. Every mix master has both a PEQ and a third octave GEQ
as well as compressor, limiter, delay, external input and insert
capability.

PROCESING VIEW - With all TouchScreen keys off, the

screen top view shows ‘thumbnails’ for each signal processor within
the master. Touch the screen or press a processing block SEL key to
open the associated screen view. This gives you an alternative
graphical display and control of the signal processing, for example an
EQ or dynamics curve. Setup functions such as External input
source, Insert, Delay, Name and Colour are accessed using the
screen only. Touch the Return button at the top right of the screen to
return to the top view. Each processing section includes a library for
storing and naming your favourite settings. These can be recalled
into other channels and transferred to another iLive or PC via USB key
from within the UTILITY / Configuration page.

ROUTING VIEW - With TouchScreen ROUTING page on, the

assignments and send levels feeding the selected master are shown.
This gives you an alternative for controlling the mix using the screen
instead of the Surface MIX keys.

Note: Unlike several other digital mixing systems, the screen is

not an essential part of live mixing with iLive. Processing

parameters are adjusted using the analogue style rotary controls,
switches and displays within the processing block. Mix assignments,
pre/post settings, fader and send levels are adjusted using the
Surface fader control strips.

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 27

Using a SEL key to access Short FX Return Parameters

CHANNEL PARAMETER CONTROLS

FX short return

SEL

PAFL

MUTE

MIXMIX

PEQ

PROCESSING VIEW

ROUTING VIEW

CH fader, pan, mute
Main mix assign
Group assign
Aux sends
FX sends
DCA assign

The iLive ‘RackExtra’ DSP module provides a virtual rack to load up to
8 effects devices such as reverbs, delays and modulators. An FX
‘short return’ is a stereo input channel that returns the output of the
device to the mix. In addition to the parameters available within the
FX screen, a 4-band PEQ is provided on each. These returns add to
the channel count. You get 64 full channels plus 8 short stereo
returns, the equivalent of using an 80 channel analogue console.

PARAMETER CONTROLS - Press an IP FX channel SEL key

to access its PEQ settings using the analogue style controls in the
processing block to the left of the screen, and its processing
parameters and routing using the screen view.

PROCESING VIEW - With all TouchScreen keys off. Touch

the Front Panel button to display the parameter settings view, as if
you are working with a traditional rack mounted effects unit. Touch
the value boxes or controls to highlight them and use the screen
encoder to adjust the settings. Touch the Back Panel button to
display a ‘virtual’ view of the rear connectors. Use the drop down
menus to use the device in a Mix/Return loop (system effect such as
reverb) or inserted into a channel. You can feed a system effect from
a mono or stereo mix bus or direct output, and return it via a short
return or full channel. The screen also displays the send/return levels,
mutes and PAFL, and provides access to a library to recall factory
presets or store your own settings.

ROUTING VIEW - With TouchScreen ROUTING page on, the

assignments and send levels for the selected device are shown. This
gives you an alternative for controlling the FX mix using the screen
instead of the Surface MIX keys.

28 ALLEN&HEATH iLive Reference Guide AP6526 iss.3

Using a SEL key to access DCA Settings

Assign from:
Input channels
FX return channels
Group masters
Aux masters
Main mix masters
Matrix masters

DCA master

With all TouchScreen keys off press a DCA master strip SEL key to
open its assignment view. Touch the screen buttons to toggle the
assignments on or off. The screen provides an alternative to using
the MIX keys to view and change DCA assignments.

SEL

PAFL

MUTE

MIXMIX

ALLEN&HEATH iLive Reference Guide AP6526 iss.3 29

Surface basics – The MIX key

The primary function of the fader control strip MIX keys is to access the routing and levels for the different
mixes, and to assign the DCAs. This is fundamental to mixing with iLive giving you quick access with full
fader or rotary encoder control of every mix. The active MIX determines the function of the fader/encoder
area of the Surface. You can view the mix from the master (all sources to a mix) or from the channel
(sends to all the mixes). When you turn off a MIX key the default main mix (if configured) is automatically
selected. The blue LED indicators and strip LCDs display the current mix status. These keys are also
used to copy or reset mix levels and assignments, and for other functions including the assignment of
channel safes and talkback destinations. Assignment functions require a press and hold operation which
avoids mistakes through leaving the console in a setup mode.

Note: It is important that the operator becomes familiar with the

function of the SEL and MIX keys. These make mixing with iLive

very quick and intuitive once learned.

Note: To avoid mistakes while mixing we recommend that you

return to your main mix after making changes to your Groups,
Auxes, FX sends, Matrix or DCAs. Do this by pressing the currently

active MIX key to turn it off, or selecting the main mix again, or
pressing any MIX key on then off.

The TouchScreen lower status toolbar displays which mix is currently
active.

SEL

PAFL

MUTE

MIXMIX

Three ways to work with the mix:

All sends feeding one mix - Press a master MIX key.

1

IP

1

PAN

LR

AUX

IP

IP

3

2

PAN

PAN

LR

LR

AUX

PRE

IP

4

LR

AUX

PRE

PAN

AUX

PRE

IP

IP

6

5

PAN

PAN

LR

LR

AUX

IP

LR

AUX

PRE

7

PAN

IP

LR

AUX

PRE

8

PAN

AUX

PRE

All sends from one channel - Press a channel MIX key.

2

Input

IP

1

PAN

LR

CH
FADER

MIXMIX

GP

1

PRE

FADERCHFADER

TouchScreen ROUTING view - Press a channel or master SEL key

3

while the TouchScreen ROUTING page is active.

STEREO

STEREO

GP

AUX

2

IEM1

PAN

PAN

LR

LR

CH

PRE

STEREO

AUX

IEM2

CH
FADER

MIXMIX

STEREO

AUX

IEM2

PAN

LR

PRE

Master

AUX

WDG1

PRE

AUX

AUX

WDG2

WDG3

PRE

PRE

AUX

WDG4

PRE

PRE

TouchScreen

30 ALLEN&HEATH iLive Reference Guide AP6526 iss.3