Icon Platform Nano Air operation manual [de]

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Drahtloser MIDI/Audio-Controller mit motorisiertem

Fader für die Musikproduktion

User manual

Page 2

ACHTUNG: Um die Gefahr eines Brandes oder Stromschlags zu verringern, sollten Sie dieses Gerät weder Regen noch Feuchtigkeit aussetzen.Um die Gefahr eines Stromschlags zu verringern, sollten Sie weder Deckel noch Rückwand des Geräts entfernen. Im Innern befinden sich keine Teile, die vom Anwender gewartet werden können. Überlassen Sie die Wartung qualifiziertem Fachpersonal.Der Blitz mit Pfeilspitze im gleichseitigen Dreieck soll den Anwender vor nichtisolierter "gefährlicher Spannung" im Geräteinnern warnen. Diese Spannung kann so hoch sein, dass die Gefahr eines Stromschlags besteht. Das Ausrufezeichen im gleichseitigen Dreieck soll den Anwender auf wichtige Bedienungs- und Wartungsanleitungen aufmerksam machen, die im mitgelieferten Informationsmaterial näher beschrieben werden.

Wichtige Sicherheitsvorkehrungen

1. Lesen Sie alle Anleitungen, bevor Sie das Gerät in Betrieb nehmen.

2. Bewahren Sie diese Anleitungen für den späteren Gebrauch gut auf.

3. Bitte treffen Sie alle beschriebenen Sicherheitsvorkehrungen.

4. Befolgen Sie die Anleitungen des Herstellers.

5. Benutzen Sie das Gerät nicht in der Nähe von Wasser oder Feuchtigkeit.

6. Verwenden Sie zur Reinigung des Geräts nur ein feuchtes Tuch.

7. Blockieren Sie keine Belüftungsöffnungen. Nehmen Sie den Einbau des Geräts nur entsprechend den Anweisungen des Herstellers vor.

8. Bauen Sie das Gerät nicht in der Nähe von Wärmequellen wie Heizkörpern, Wärmeklappen, Öfen oder anderen Geräten (inklusive Verstärkern) ein, die Hitze erzeugen.

9. Setzen Sie die Sicherheitsfunktion des polarisierten oder geerdeten Steckers nicht außer Kraft. Ein polarisierter Stecker hat zwei flache, unterschiedlich breite Pole. Ein geerdeter Stecker hat zwei

ache Pole und einen dritten Erdungsstift. Der breitere Pol oder der dritte Stift dient Ihrer Sicherheit.

Wenn der vorhandene Stecker nicht in Ihre Steckdose passt, lassen Sie die veraltete Steckdose von einem Elektriker ersetzen.

10. Schützen Sie das Netzkabel dahingehend, dass niemand darüber laufen und es nicht geknickt werden kann. Achten Sie hierbei besonders auf Netzstecker, Mehrfachsteckdosen und den Kabelanschluss am Gerät.

11. Ziehen Sie den Netzstecker des Geräts bei Gewittern oder längeren Betriebspausen aus der Steckdose.

12. 12. Überlassen Sie die Wartung qualiziertem Fachpersonal. Eine Wartung ist notwendig, wenn das Gerät auf irgendeine Weise, beispielsweise am Kabel oder Netzstecker beschädigt wurde, oder wenn Flüssigkeiten oder Objekte in das Gerät gelangt sind, es Regen oder Feuchtigkeit ausgesetzt war, nicht mehr wie gewohnt betrieben werden kann oder fallen gelassen wurde.

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Inhalt

Introduction ...............................................................................................4

Was gibt's im Lieferumfang? ....................................................................4

So registrieren Sie Ihr ICON Pro Audio-Produkt in Ihrem

persönlichen Konto ...................................................................................5

Ausstattungsmerkmale .............................................................................6

Layout der Oberseite ................................................................................8

Rear Panel Layout ..................................................................................11

Bluetooth-Dongle ....................................................................................12

Der Einstieg (mit USB-3.0-Kabelverbindung) .........................................13

Der Einstieg(Funkverbindung) ................................................................14

Laden Sie den Windows-Treiber von Ihrer persönlichen

Benutzerseite unter www.iconproaudio.com herunter ............................15

iMap™-Software für Windows installieren ..............................................16

DAW-Modus (Mackie Control/HUI) zuweisen oder mit iMap™

selbst MIDI-Funktionen denieren ..........................................................18

DAW-Modus (Mackie Control/HUI) mit iMap™ zuweisen.......................19

MIDI-Nachricht mit dem benutzerdenierten Modus in

iMap™ zuweisen ....................................................................................21

Konguration von Bedienelementen im benutzerdenierten Modus ......23

Weitere Funktionen in iMap™ ................................................................25

Firmware-Upgrade .................................................................................26

Den Akku auaden ................................................................................30

Cubase ...................................................................................................31

Nuendo ...................................................................................................32

Logic Pro ................................................................................................33

Samplitude..............................................................................................35

Bitwig ......................................................................................................36

Reason ...................................................................................................37

Reaper ....................................................................................................38

Studio One..............................................................................................39

Ableton Live ............................................................................................40

Pro Tools .................................................................................................41

Rückstellung zu den Werkseinstellungen ...............................................43

Hardware Connections ...........................................................................44

Technische Daten ...................................................................................45

Wartung und Reparatur ..........................................................................46

AppendixA ..............................................................................................47

Cubase ...................................................................................................47

Logic Pro X .............................................................................................61

Pro Tools HUI .........................................................................................83

Ableton Live 10 .......................................................................................91

AppendixB ............................................................................................101

Cubase .................................................................................................101

Logic Pro X ...........................................................................................102

Pro Tools HUI .......................................................................................104

Ableton Live 10 .....................................................................................105

AppendixC ............................................................................................107

Cubase .................................................................................................107

Logic Pro X ...........................................................................................108

ProTools HUI ........................................................................................110

Ableton Live 10 .....................................................................................113

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Introduction

Vielen Dank, dass Sie sich für den ICON USB-Audio-Aufnahme-Schnittstelle der

PlatformNano Air

Produkt Ihnen jahrelang zuverlässige Dienste leisten wird. Sollten sie aber aus irgendwelchen Gründen nicht vollauf zufrieden sein, werden wir unser Möglichstes tun, diesen Zustand zu beheben.

Auf den folgenden Seiten nden Sie eine detaillierte Beschreibung des USB-Audio-Aufnahme-

Schnittstelle der der Vorder- und Rückseite des Geräts, eine Schritt-für-Schritt Anleitung für Setup und Betrieb, sowie sämtliche technischen Details.

Bitte registrieren Sie das Produkt unter dem folgenden Link auf unserer Website: www. iconproaudio.com/registration.

Befolgen Sie dazu Schritt für Schritt das Verfahren. Beginnen Sie mit der Eingabe der Seriennummer des Geräts sowie Ihrer persönlichen Daten usw. Indem Sie Ihr Produkt online registrieren, könnenSieunserenServiceundKundendienstdurchunsereKundendienstzentraleüb er unsere Website unterwww.iconproaudio.com in Anspruch nehmen.Außerdem werden alle für Ihr Konto registrierten Produkte auf Ihrer persönlichen Produktseite aufgeführt, wo Sie aktuelle Informationen wie Firmware-/Treiber-Upgrades, Software-Bundles, Benutzerhandbücher usw. für Ihr Gerät herunterladenkönnen.

Wie bei den meisten elektronischen Geräten empfehlen wir Ihnen dringend, die Originalverpackung aufzubewahren. In dem unwahrscheinlichen Fall, dass das Produkt zur Reparatur eingeschickt werden muss, ist die Originalverpackung (oder ein gleichwertiger Ersatz) erforderlich

Baureihe entschieden haben. Wir haben vollstes Vertrauen darin, dass dieses

PlatformNano Air

Baureihe sowie einen Überblick über die Bedienelemente auf

Mit entsprechender Pege und ausreichender Luftzirkulation werden Sie Ihr USB-Audio-

Aufnahme-Schnittstelle der können. Wir empfehlen, dass Sie Ihre Seriennummer in dieser Bedienungsanleitung notieren, um eventuell später darauf zurückgreifen zu können.

PlatformNano Air

Baureihe viele Jahre lang problemlos betreiben

Was gibt's im Lieferumfang?

● PlatformNano Air USB Aufnahme-Schnittstelle

● Die Benutzeranleitung x 1

● USB 3.0 Kabel x 1

● PVC overlays for different DAWs x1

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So registrieren Sie Ihr ICON Pro AudioProdukt in Ihrem persönlichen Konto

1. Überprüfen Sie die Seriennummer IhresGeräts

 Gehen Sie zu http://iconproaudio.com/registration oder scannen Sie den

untenstehenden QR-Code



 Geben Sie die Seriennummer Ihres Geräts und die anderen erforderlichen

Informationen auf dem Bildschirm ein. Klicken Sie auf „Submit“.

  Daraufhin wird eine Meldung mit den Daten Ihres Geräts wie dem Modellnamen und

der Seriennummer angezeigt. – Klicken Sie auf „Register this device to my account“ oder wenden Sie sich unseren Kundendienst, falls eine andere Meldung angezeigt wird



2. Melden Sie sich als bestehender Benutzer bei Ihrer persönlichen Benutzerseite an oder registrieren Sie sich als neuer Benutzer

 Bestehender Benutzer: Melden Sie sich bei Ihrer persönlichen

Benutzerseite an, indem Sie Ihren Benutzernamen und Ihr Passwort eingeben.

  Neuer Benutzer: Klicken Sie auf „Sign Up“ und geben Sie alle

Informationen ein.

3. Laden Sie alle nützlichenMaterialien herunter

 Auf dieser Seite werden alle für Ihr Konto registrierten Geräte angezeigt. Jedes

Produkt wird zusammen mit allen verfügbaren Dateien wie Treiber, Firmware, Benutzerhandbuch in verschiedenen Sprachen sowie Software-Bundles zum Herunterladen aufgeführt. Stellen Sie sicher, dass Sie die erforderlichen Dateien wie zum Beispiel Treiber heruntergeladen haben, bevor Sie mit der Installation des Geräts beginnen.

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Ausstattungsmerkmale

● Integriertes 2,4-GHz-BLE-Funkmodul der 4.0 Generation für eine sehr stabile

Funkverbindung

● Inklusive äußerst kompaktem Bluetooth-USB-Dongle

● Automatische Kopplung zwischen dem Bluetooth-Dongle und dem Funkmodul des

Geräts, keine zusätzliche Bedienung erforderlich

● berührungsempndlicher Motorfader für Master-Kanal mit 10 Bit Auösung.

● Äußerst kompakt, robust und vielseitig.

● Hintergrundbeleuchtetes LCD zur Anzeige von Kanalnamen, Steuerwerten usw.

● 1+4 Drehregler mit dualer Funktion (Eingabe & Drehen)

● LED-Anzeige mit 11 Segmenten um die Drehknöpfe zur Anzeige der Stellung des

Hauptdrehknopfes.

● 12-stelliges LED-Display, welches Informationen zu Ihrem Projekt, entweder im

SMPTE- oder im BBT-Format anzeigt (bars:beats:ticks) format.

● Jog-Rad für schnelles Suchen, Scrubben und Regeln

● 8 LED-farbcodierte Funktionstasten in 5 verschiedenen Farben zum Umschalten

einer Vielzahl von Funktionssteuerungen.

● Beleuchtete Tasten für die Kanalsteuerung wie Stumm, Solo und Aufnahme.

● 6 beleuchtete Transport-Tasten inklusive Wiedergabe, Stopp, Aufnahme, Rücklauf,

Vorlauf und Schleife.

● Beleuchtete „Zoom“-Tasten mit 2 Richtungstasten (Links/Rechts und Auf/Ab), die in

Verbindung mit dem Jog-Rad verwendet werden.

● 2 beleuchtete „Track“-Tasten zur einfachen Auswahl einzelner Kanäle

● 2 beleuchtete „Bank“-Tasten zum gleichzeitigen Umschalten von 8 Kanälen

● Unterstützt Universal Mackie Control- und HUI-Protokolle für eine nahtlose

Integration mit kompatibler Musikproduktionssoftware.

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● Overlays für die gängigsten DAWs sind enthalten – Cubase/Nuendo, Logic Pro

X, Digital Performer, FL Studio, Samplitude, Reaper, Studio One, Bitwig, Reason,

ProTools, Sonar, Audition, Ableton Live und benutzerdenierter Modus.

● Inklusive iMap™-Software für die einfache Zuordnung von MIDI-Funktionen

● USB 3.0 Konnektivität

● Firmware-Upgrade, einfach erhältlich über eine USB-Verbindung und die iMap-

Software.

● 1/4-Zoll-Eingänge zum Anschluss von Fußtastern für Benutzer A und Benutzer

● LCD-Display-Anschluss für Plattform-D3 erhältlich (optional)

● Klassenkonform mit Mac OS X, Windows 10, Windows 8 (32-Bit und 64-Bit),

Windows 7 (32-Bit und 64-Bit), Vista (32-Bit), Windows XP

● Inklusive 3000-mAh-Lithium-Ionen-Polymer-Akku.

● 5–6 Stunden ununterbrochener Akkubetrieb bei Verwendung der Automatisierung

mit angeschlossenem PlatformD3 (Batterie voll aufgeladen)

● 4-farbige Akkustandsanzeige

● Mini-USB-Anschluss zum Auaden des Akkus mit einem Handy-Ladeteil oder

einem Netzteil

● Hervorragende Verarbeitungsqualität und robustes Metallgehäuse mit

Kensingtonschloss-Anschlus

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Layout der Oberseite

Hinweis: Aufgrund der Unterschiede zwischen verschiedenen Digital Audio

Workstations (DAWs) können einzelne Funktionen in jeder DAW etwas anders gestaltet sein. Bitte beachten Sie für jede Funktion Ihr DAW-Handbuch und legen Sie das mitgelieferte Overlay für Ihre DAW auf. Die folgende Beschreibung basiert auf den Funktionen in Apple Logic. Ihre Funktionalität kann geringfügig abweichen.

1. Hintergrundbeleuchtetes LCD-Display

 TDas hintergrundbeleuchtete LCD-Display zeigt die Parameterwerte während

der Einstellung an und gibt Rückmeldung zur Kanalauswahl, zu Betriebsarten und anderem

2. Kanal-/Master-Fader

 Mit dem berührungsempndlichen Motorfader können die Parameter

verschiedener Kanäle eingestellt werden. Drücken Sie die beiden „Fader“Tasten, um zwischen den Kanälen zu wechseln, und drücken Sie die beiden „Bank“-Tasten, um acht Kanäle gleichzeitig zu wechseln. Bei gedrückter „Master“-Taste werden mit dem Fader die Parameter des Master-Kanals

eingestellt.

  Der 100-mm-Motorfader dient im Allgemeinen zur Steuerung der

Spurlautstärke Ihrer DAW. Je nach Ihrer DAW können Sie mit der Taste „Flip“

die Funktion dieses Faders auf eine andere Einstellung umschalten. Er ist

berührungsempndlich, um eine automatische Übersteuerung zu ermöglichen,

sobald Sie einen Fader berühren. Da er motorisiert ist, bewegt er sich

automatisch, um den aktuellen Pegel der ausgewählten Kanäle in Ihrer DAW-

Anwendung anzuzeigen. Alle mit diesen Fadern vorgenommenen Einstellungen

werden direkt auf dem LCD-Display darüber angezeigt.

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3. Doppelfunktionale Drehknöpfe

 Der doppelfunktionale Drehknopf wirkt als Drucktaster und Drehregler.  Durch Drücken eines Drehknopfes können Betriebsarten geändert werden. Durch

Drehen eines Drehknopfes können je nach zugewiesener Funktion die Pan-,

Sendepegel oder Plug-in-Parameter eines Kanals eingestellt werden.

4. Steuertasten

 4a) Aufnahmekanal-Steuertasten

 REC-Tasten-—ktivieren und deaktivieren den Aufnahmestatus des

 zugeordneten Kanals. Die Taste leuchtet rot, wenn der Kanal scharf

ist.

 SOLO-Tasten-—TEin-und ausschalten des Solostatus des zugeordneten  Kanals. Die Taste leuchtet grün, wenn der Solostatus des Kanals

 eingeschaltet ist und andere Kanäle werden stummgeschaltet. Sie

können mehrere Solokanäle einschalten, indem Sie die SOLO-

Tasten anderer Kanäle drücken.

 MUTE-Tasten-—Aktivieren und deaktivieren den Stummschaltstatus des  zugeordneten Kanals. Die Taste leuchtet blau, wenn der Kanal  stummgeschaltet ist. Stummschaltung des Kanals.

  4b) Abschnitt mit den Motorfadertasten

 Fader < Taste-—Den Fader um einen Kanal nach links verschieben  Fader > Taste-—Den Fader um einen Kanal nach rechts verschieben  BANK UP Taste-—„Acht“ Kanäle für alle Fader (außer dem Master-Kanal) nach

oben verschieben

 BANK DOWN Taste-—„Acht“ Kanäle für alle Fader (außer dem Master-Kanal) nach



unten verschieben.

5. Jog-Rad-Abschnitt

 5a) Jog-Rad

spezische Zwecke verwendet, wie Shuttle- und Scrubbing-

Funktionen.



-—Das Jog-Rad wird für verschiedene, für die DAW-Anwendung

 5b) Abschnitt mit den Zoom-Tasten

 Zoom-AUF/AB-Taste-—Die „Zoom-AUF/AB“-Taste dient zum Aufwärts- oder

Abwärtsnavigieren in der graschen Benutzeroberäche

der DAW-Anwendung. Sie wird in Verbindung mit dem

Jogwheel zum Anheben und Senken der Spurgröße

verwendet.



Zoom-LINKS/RECHTS-Taste-—Die „LINKS/RECHTS“-Taste dient zur Links-/



Rechts-Navigation in der graschen

Benutzeroberäche der DAW-Anwendung. Sie wird

in Verbindung mit dem Jogwheel zum Anheben der

Clip-Größe im Projektfenster und der Kanalgröße

im Mixer-Fenster verwendet.

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6. Transport-Steuertasten

 PLAY-Taste — Aktiviert die Wiedergabefunktion der DAW.  STOP-Taste — Aktiviert die Stoppfunktion der DAW  REC-Taste — Aktiviert die Aufnahmefunktion der DAW.  REWIND-Taste — Aktiviert die schnelle Rücklauffunktion der DAW.  FAST FORWARD-Taste — Aktiviert die schnelle Vorlauffunktion der DAW.

 LOOP-Taste — Aktiviert die Schleifenfunktion der DAW.

7. Zuordnungsabschnitt

 (Hinweis: Die Funktionalität dieser Tasten variiert je nach DAW. Bitte verwenden

Sie für eine korrekte Funktion das richtige Overlay für Ihre aktuelle Digital Audio Workstation. Die nachstehend beschriebene Funktionalität gilt für Apple Logic Pro.)

 TRACK-Taste — Aktiviert die Spurparameter der Software.  PAN/SURROUND/EQ/Send/Plug-in/Instrument-Tasten — Mit diesen Tasten wird

die entsprechende Effektfunktion der DAW aktiviert. Sie werden normalerweise in Verbindung mit den Drehknöpfen verwendet. Drücken Sie die Taste, sie leuchtet dann auf, und drehen Sie dann den Drehknopf, um einen Wert einzustellen. Der aktuelle Einstellwert wird auf dem LCD-Display angezeigt.

8. LED-farbcodierte Funktionstasten

 Die 8 Bedientasten in diesem Abschnitt verfügen über eine LED-Farbcodierung

für die verschiedenen Funktionen auf jeder Ebene. Mit den 5 runden Tasten

oben können Sie zwischen den Ebenen umschalten. Sie sind rot, grün, blau, lila

und gelb. Sie können zwischen den Funktionsebenen umschalten, indem Sie

eine der runden Tasten drücken. Legen Sie das richtige PVC-Overlay für Ihre

aktuelle DAW auf, um die Funktion jeder Taste auf jeder Ebene anzuzeigen.

Weitere Informationen zu den erwähnten Begriffen und Funktionen nden Sie im

Handbuch zu Ihrer DAW.

9. Akkustandsanzeige

 1st Grün — Akkustand zwischen 71 % und 100 %  2nd Grün — Akkustand zwischen 51 % und 75%  Orange — Akkustand zwischen 26 % und 50%  Rot — Akkustand unter 30 %



 Tipp: Die rote LED beginnt während des Betriebs zu blinken, wenn der

Akkuladestand unter 5 % fällt. Den Akku unverzüglich auaden.

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Rear Panel Layout



1. USB-3.0-Anschluss

 Dient als MIDI-Anschluss für Ihren Computer und kompatible Software. Versorgt

darüber hinaus den PlatformNano Air mit Strom.



2. User A / User B Cinch (¼ inch) Buchsen

 Diese ¼ inch-Buchsen können an Fußpedalen oder zur Aktivierung Ihrer  gewählten Funktionen angeschlossen werden. Zur Einstellung ihrer Parameter  wählen Sie im Mackie-Steuermodus USER A und USER B Parameter.

3. USB-Schnittstelle (Mini-USB)

 Wenn der USB-Anschluss Ihres Computers nicht genügend Strom für den

Betrieb des PlatformNano Air liefert, können Sie ein externes Netzteil (5 V DC)

wie etwa ein Handyladegerät als zusätzliche Stromquelle anschließen.

  Dieser Anschluss dient auch zum Auaden des eingebauten Akkus mit einer

externen Powerbank, wenn Sie das Gerät unterwegs verwenden.

4. Anschluss für das PlatformD3-LCD-Modul

 Sie können ein optionales PlatformD3-LCD-Modul mit dem mitgelieferten Kabel

an diesen Anschluss anschließen.

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Bluetooth-Dongle



1. Verbindungs-LED

 Diese LED leuchtet, wenn das Funkmodul

Ihres PlatformNano Air mit dem Bluetooth-

Dongle verbunden ist, andernfalls blinkt sie.

2. MIDI In-LED

 Diese LED blinkt, wenn ein Midi-

Eingangssignal vorhanden ist.

3. MIDI Out-LED

 Diese LED blinkt, wenn ein Midi-

Ausgangssignal vorhanden ist.

1 2

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(1)

MCP

(2)

LogicPro

(3)

HUI

(4)

User-Def

(1)

MCP

(2)

LogicPro

(3)

HUI

Der Einstieg (mit USB-3.0-Kabelverbindung)

 Den PlatformNano Air-Controller anschließen

Esc

Prtsc

pause

F10

F12

F11

Lns

Del

Break

sysrq

！

··

￥

）

Home

—

Backspace

{

}

Tab

(1)

MCP

Nuendo/Cubase; Digital Performer; FL Studio; SamplitudePro; Reaper; Studio One; Bitwig; Reasons; Sonar; Audition; Ableton Live

Logic Pro

ProTools

User self mapping with iMap

1. Schließen Sie den PlatformNano Air über den USB-Anschluss

an Ihren Mac/PC an.

 Wählen Sie einen USB-Anschluss an Ihrem Mac/PC aus und stecken Sie das

breite (ache) Ende des USB-Kabels ein. Schließen Sie das andere Ende

des Kabels an den PlatformNano Air an. Ihr Mac/PC sollte die neue Hardware

automatisch erkennen und Ihnen mitteilen, dass sie verwendet werden kann.

Pgup

]

[

PgDN

CapsLook

Enter

;

End

Shift

Ctrl

Alt AltGr

intel

2. DAW bei der PlatformNano Air auswählen

 Drücken Sie <</>>, um die DAW-Modus-Liste zu durchblättern, und drücken Sie

dann zur Auswahl auf „DAW mode“.



 Tipps: PlatformNano Air speichert den zuletzt gewählten DAW-Modus und

wechselt einige Sekunden nach dem Einschalten des Geräts in diesen

Modus. (Es muss also kein DAW-Modus ausgewählt werden, wenn der zuletzt

verwendete DAW-Modus wieder verwendet wird.)

3. Die DAW kongurieren

 Aktivieren Sie den ICON PlatformNano Air-Controller in Ihrer DAW- oder MIDI-

Software unter „MIDI Setup“ oder „MIDI Devices“.

  Zum Beispiel: Für Logic™, Cubase™ und Nuendo™ wählen Sie Mackie Control in der

Geräteliste.

  (Hinweis: ies stellt sich bei jeder Anwendung etwas anders dar, konsultieren Sie

daher für die Einstellungen das Benutzerhandbuch zu Ihrer Software. )

Page 14

Der Einstieg(Funkverbindung)

(1)

MCP

(2)

LogicPro

(3)

HUI

(4)

User-Def

 Den PlatformNano Air-Controller verbinden

Esc

Prtsc

pause

F10

F11

F12

Lns

Del

Break

sysrq

！

··

￥

）

Home

—

Alt AltGr

Backspace

{

}

Pgup

]

[

PgDN

Enter

;

End

Shift

Ctrl

PAIRED

MCP

(1)

MCP

Nuendo/Cubase; Digital Performer; FL Studio; SamplitudePro; Reaper; Studio One; Bitwig; Reasons; Sonar; Audition; Ableton Live

Logic Pro

Tab

CapsLook

Shift

Ctrl

intel

ProTools

User self mapping with iMap

1. Stecken Sie den Bluetooth-USB-Dongle in einen USB-

Anschluss Ihres PC/Mac und schalten Sie dann den

PlatformNano Air ein.

 Sein Funkmodul stellt automatisch eine Verbindung mit dem Dongle her. Sobald

auf dem Display des PlatformNano Air „Gekoppelt“ angezeigt wird, sind die

Geräte verbunden. Dann sollte Ihr Mac/PC automatisch die neue Hardware

erkennen und Sie darüber benachrichtigen, dass sie einsatzbereit ist.

2. DAW bei der PlatformNano Air auswählen

 Drücken Sie <</>>, um die DAW-Modus-Liste zu durchblättern, und drücken Sie

dann zur Auswahl auf „DAW mode“.



 Tipps: PlatformNano Air speichert den zuletzt gewählten DAW-Modus und

wechselt einige Sekunden nach dem Einschalten des Geräts in diesen

Modus. (Es muss also kein DAW-Modus ausgewählt werden, wenn der zuletzt

verwendete DAW-Modus wieder verwendet wird.)

3. Die DAW kongurieren

 Aktivieren Sie den ICON PlatformNano Air-Controller in Ihrer DAW- oder MIDI-

Software unter „MIDI Setup“ oder „MIDI Devices“.

  Zum Beispiel: Für Logic™, Cubase™ und Nuendo™ wählen Sie Mackie Control in der

Geräteliste.

  (Hinweis: ies stellt sich bei jeder Anwendung etwas anders dar, konsultieren Sie

daher für die Einstellungen das Benutzerhandbuch zu Ihrer Software. )

Page 15

Laden Sie den Windows-Treiber von Ihrer persönlichen Benutzerseite unter www. iconproaudio.com herunter

Nachdem Sie die Treiberdatei heruntergeladen haben, klicken Sie darauf, um den Installationsvorgang zu starten

PlatformNano Air

3D1W51

Platform Nano iMap Mac Setup

Platform Nano iMap Windows Setup

PlatformNano Manual - Caech

V1.0.8

Download The Latest

Download

 Abbildung 1

1. Map™-Software für Mac OS X

Führen Sie die folgenden Schritte der Reihe nach aus, um die iMap™-Software unter Mac OS X zu starten.



QconProG2/QconExG2

iMap

PlatformNano

Firmware iMap.dmg

PlatformNano

Firmware iMap.dmg

 Abbildung 2



 Tipp: Sie können eine „iMap“-Verknüpfung auf dem Desktop Ihres Macs erstellen,

indem Sie das „PlatformNano Air iMap“-Symbol in den Ordner „Applications“

ziehen.

Page 16

iMap™-Software für Windows installieren

Führen Sie die folgenden Schritte der Reihe nach aus, um die iMap™-Software zu installieren.

1. Schalten Sie Ihren PC ein.

2. Laden Sie den Windows-Treiber von Ihrer persönlichen

Benutzerseite unter www.iconproaudio.com herunter

 Nachdem Sie die Treiberdatei heruntergeladen haben, klicken Sie darauf, um

den Installationsvorgang zu starten

3. Der Installationsassistent wird

angezeigt.

 Wenn der Installationsassistent angezeigt

wird, klicken Sie auf „Next“.

4. Wählen Sie den Installationsort

 Wählen Sie Ihren bevorzugten

Installationsort für iMap™ oder verwenden

Sie den Standardinstallationsort und klicken

Sie auf „Next“.

 Abbildung 3

5. Wählen sie die Verknüpfung

 Wählen Sie den Startmenü-Ordner, in

dem Sie die iMap™-Verknüpfung erstellen

möchten. Klicken Sie dann auf „Next“

6. Eine Verknüpfung auf Ihrem

Desktop erstellen

 Deaktivieren Sie das Kontrollkästchen,

wenn Sie keine Verknüpfung für iMap™

auf Ihrem Desktop anlegen möchten;

andernfalls klicken Sie auf „Next“.

 Abbildung 4

 Abbildung 5

Page 17

7. Die Installation von iMap™

beginnt

 Die Installation von iMap™ hat

nun begonnen, warten Sie, bis sie

abgeschlossen ist. Klicken Sie dann auf

„Finish“.

8. Installation abgeschlossen

 Klicken Sie auf „Finish“, um die Installation

von iMap™ abzuschließen.

 Abbildung 6

 Abbildung 7

Page 18

Esc

F10

F11

F12

Prtsc sysrq

pause Break

Lns

Del

Home

Pgup

PgDN

End

！

··

）

—

￥

{

}

: ;

Tab

CapsLook

Shift

Ctrl

Alt AltGr

Ctrl

Backspace

[

]

Enter

Shift

intel

(1)

MCP

Nuendo/Cubase; Digital Performer; FL Studio; SamplitudePro; Reaper; Studio One; Bitwig; Reasons; Sonar; Audition; Ableton Live

Logic Pro

(1)

MCP

(2)

LogicPro

ProTools

(3)

HUI

User self mapping with iMap

(4)

User-Def

DAW-Modus (Mackie Control/HUI) zuweisen oder mit iMap™ selbst MIDI-Funktionen

denieren

 Es gibt zwei verschiedene Verfahren, um den PlattformNano Air nach Ihrem

Bedarf zu kongurieren. Im Allgemeinen können Sie je nach Ihrer DAW das

Gerät viel einfacher und schneller mit dem Mackie Control-, Logic- oder HUI-

Protokoll einstellen.

 Abbildung 8

 Oder Sie können jedem Bedienelement Ihres PlattformNano Air Ihre eigenen

MIDI-Befehle zuweisen, die im Funktions-Pulldown-Menü der iMap-Anwendung bereitgestellt werden. Wenn Sie die MIDI-Struktur Ihrer DAW nicht umfassend verstehen, kann dies jedoch sehr aufwendig sein. Wir empfehlen DRINGEND, den Mackie Control-, Logic- oder HUI-Steuermodus zu verwenden, da diese

im Einklang mit den häugsten Benutzerpräferenzen erstellt wurden und

höchstwahrscheinlich Ihren Bedürfnissen entsprechen.

Page 19

Platform-M/X/M+

PlatformNano V1.00

DAW-Modus (Mackie Control/HUI) mit iMap™ zuweisen

 Abbildung 9

Bedienoberäche der PlatformNano Air-Software iMap™

 Um mit der Einrichtung des DAW-Modus zu beginnen,

verbinden Sie zuerst den PlattformNano Air mit iMap. Führen Sie hierzu die folgenden Schritte aus:

1. Schließen Sie den PlattformNano Air an Ihren Mac/PC an

2. Starten Sie iMap und klicken Sie auf die Schaltäche

 Hinweis: Wenn Ihr PlattformNano Air nicht mit Ihrem Mac/PC verbunden

3. Wählen Sie im Kontextmenü „PlatformNano” als MIDI-Gerät

„Connect Device“.

ist, wird folgende Meldung angezeigt: „There are no MIDI input devices“.

Schließen Sie den PlatformNano Air mit dem mitgelieferten USB-Kabel an

Ihren Mac/PC an.

aus.

 Abbildung 10

Page 20

4. Wählen Sie im „Mode“-Pulldown-Menü den richtigen Modus

für Ihre DAW aus.

 Abbildung 11

 Hinweis: Im DAW-Modus (Mackie Control/HUI) können Sie keine MIDI-

Nachrichteneinstellungen für die Regler des PlatformNano Air ändern.

 Tipp: Sie können auch die Hardware anstelle von iMap verwenden, um den

DAW-Modus auszuwählen. Die Anleitung hierzu nden Sie auf S. 13 .14.

5. Wenn Sie alle Einstellungen vorgenommen haben, klicken Sie

auf „Send Date“.

6. Beenden Sie iMap.

Page 21

MIDI-Nachricht mit dem benutzerdenierten

Platform-M/X/M+

PlatformNano V1.00

Modus in iMap™ zuweisen

 Abbildung 12

Bedienoberäche der PlatformNano Air-Software iMap™



 Um mit dem benutzerdenierten Modus zu beginnen, führen

Sie die folgenden Schritte aus:



1. Schließen Sie den PlattformNano Air an Ihren Mac/PC an.

2. Starten Sie iMap und klicken Sie auf die Schaltäche

„Connect“.

3. Wählen Sie im Kontextmenü „PlatformNano” als MIDI-Gerät

aus

 Abbildung 13

Page 22

4. Wählen Sie „User-Dened Mode“ im „Control Mode“-

Pulldown-Menü. Siehe folgende Abbildung für jede

Bedienelementeinstellung im benutzerdenierten Modus.

 Abbildung 14

5. Wenn Sie alle Einstellungen vorgenommen haben, klicken Sie

auf „Send Date“

6. Beenden Sie iMap.

Page 23

Konguration von Bedienelementen im benutzerdenierten Modus

Bedienoberfläche der PlatformNano Air-Software iMap™

2 1

 Abbildung 15



 Für die Fader, Knöpfe, Tasten und das Jog-Rad des PlatformNano Air können Sie

Ihre eigenen MIDI-Nachrichten kongurieren. Sie können je nach Bedienelement

verschiedene Arten von Nachrichten wie „Pitch“, „Note“, „CC“, „Channel“ und

„Message“ für MCP und „Value 1“, „Value 2“ und „Function“ für HUI einstellen.

Page 24

Wählen Sie außerdem das richtige Steuerungsprotokoll (MCP oder HUI) für Ihre DAW, um die Kommunikation zwischen dem PlatformNano Air und der DAW herzustellen. Empfohlene Steuerungsprotokolle für verschiedene DAW entnehmen Sie bitte der folgenden Tabelle.

Control

Protoool

MCP

HUI

DAW

Nuendo/Cubase；Logic Pro；Digital Performer；FL Studio；Reaper；

Reasons SamplitudePro；Studio One；Bitwig；Sonar；Audition；

Ableton Live

ProTools

Page 25

Weitere Funktionen in iMap™

 Abbildung 15

1. Schaltäche „Save le“

 Klicken Sie auf diese Schaltäche, um Ihre aktuellen Einstellungen für den

PlatformNano Air zu speichern. Die Datei ist eine „.imap“-Datei.

2. Schaltäche „Load le“

 Klicken Sie auf diese Schaltäche, um eine zuvor gespeicherte „.imap“-

Kongurationsdatei für den PlatformNano Air zu laden.

3. Schaltäche „Firmware Upgrade“

 Klicken Sie auf diese Schaltäche, um den Firmware-Upgrade-Dialog für den

PlatformNano Air zu öffnen. Nähere Informationen zum Firmware-Upgrade

nden Sie auf S. 26.

Page 26

PlatformNano functional firmware upload procedure

Esc

F10

F11

F12

Prtsc

sysrq

pause Break

Lns

Del

Home

Pgup

PgDN

End

！

··

）

—

￥

{

}

;

Tab

CapsLook

Shift

Ctrl

Alt AltGr

Ctrl

Backspace

[

]

Enter

Shift

Mac/PC

PlatformNano functional firmware upload procedure

Platform M Platform M+

Esc

F10

F11

F12

Prtsc sysrq

pause Break

Lns

Del

Home

Pgup

PgDN

End

！

··

）

—

￥

{

}

: ;

Tab

CapsLook

Shift

Ctrl

Alt AltGr

Ctrl

Backspace

[

]

Enter

Shift

Mac/PC

Firmware-Upgrade

Verfahren zum Hochladen der funktionalen Firmware von PlatformNano Air

Warnung:

Der Firmware-Upload MUSS abgeschlossen sein und darf während

des Datei-Uploads nicht unterbrochen werden, da sonst die Firmware nicht erneut auf das Gerät geschrieben werden kann.

 Abbildung 16

 Abbildung 17

Page 27

Platform Nano V1.00

Schritt 1:

 Schließen Sie den PlatformNano Air per USB an. Klicken Sie auf die

Schaltäche „Connect“ oben, und wählen Sie im Pulldown-Menü den

angeschlossenen PlatformNano Air als „MIDI In and Out“-Gerät aus.

 Abbildung 18

 Abbildung 19

 Hinweis: Wenn der Name Ihrer angeschlossenen „PlatformNano Air“ nicht im

Pulldown-Menü angezeigt wird, wählen Sie „USB Audio“ als MIDI-Eingangs- und Ausgangsgerät.

Schritt 2:

 Klicken Sie auf die Schaltäche „Erase“.

 Abbildung 20

Page 28

Schritt 3:

 Klicken Sie auf die Schaltäche „Activate“ oben, und wählen Sie im

Pulldown-Menü den PlatformNano Air als „MIDI In and Out“-Gerät aus.

 Abbildung 21

Schritt 4:

 Abbildung 22

 Klicken Sie auf „Select Version“, um nach der neuen Firmware-Datei zu

suchen.

 Abbildung 23

Page 29

PlatformNano V1.00

Schritt 5:

 Klicken Sie auf „Upgrade“, um die Firmware-Upgrade.

 Abbildung 24

 Abbildung 25

 Abbildung 26

Page 30

Den Akku auaden

1 2

Die Akkuladestandsanzeige besteht aus vier LEDs.

 1st Grün — Akkustand zwischen 71 % und 100 %  2nd Grün — Akkustand zwischen 51 % und 75%  Orange — Akkustand zwischen 26 % und 50%

 Rot — Akkustand unter 30 %

1 2

Sie können den Akku über die folgende Anschlüsse auaden:

1. USB-3.0-Anschluss

 Wenn das Gerät während des Betriebs mit einem USB-3.0-Kabel mit Ihrem

Mac/PC verbunden ist, wird gleichzeitig der Akku aufgeladen.

2. Mini-USB-Anschluss

 Wenn Sie das Gerät drahtlos verwenden, können Sie den Akku laden, indem

Sie hier eine Stromversorgung wie zum Beispiel ein Handy-Ladeteil oder eine

Powerbank anschließen.

Page 31

Cubase

iCON PlatformNano Air V1.00

Page 32

Nuendo

iCON PlatformNano Air V1.00

Page 33

Logic Pro

Page 34

iCON PlatformNano Air V1.00

Page 35

Samplitude

iCON PlatformNano Air V1.00

iCON PlatformNano Air V1.00 iCON PlatformNano Air V1.00

Microsoft GS Wavetable Synth

5 6

Samplitude

iCON PlatformNano Air V1.00

iCON PlatformNano Air V1.00 iCON PlatformNano Air V1.00

5 6

iCON PlatformNano Air V1.00

Microsoft GS Wavetable Synth

iCON PlatformNano Air V1.00

iCON PlatformNano

Air V1.00

Page 36

Bitwig

iCON PlatformNano Air V1 iCON PlatformNano Air V1

iCON PlatformNano Air V1.00

Page 37

Reason

PlatformNano

iCON PlatformNano

PlatformNano Air V1.00

iCON

Air V1.00iCON

Air V1.00

Page 38

Reaper

Mackie Control Universal

iCON PlatformNano Air V1.00

Page 39

Studio One

iCON Platform Nano V1.00

Page 40

Ableton Live

Input: MackieControl Input(iCON PlatformNano Air V1.00)

Output: MackieControl Output(iCON PlatformNano Air V1.

Output: Microsoft GS Wavetable Synth

Automap Propellerhead

Automap MIDI

PlatformNano Air Mackie Control Platform Nano Air

Page 41

Pro Tools

4 5

iCON Platform

iCON PlatformNano Air V1.00

Automap HUI

Automap MIDI Automap Propellerhead

iCON PlatformNano Air V1.00

Microsoft GS Wavetable Synth

Microsoft MIDI Mapper

iCON Platform iCON Platform

Page 42

Automap HUI

Automap MIDI Automap Propellerhead

4 5

Microsoft GS Wavetable Synth

Microsoft MIDI Mapper

iCON Platform

iCON Platform iCON Platform

iCON PlatformNano Air V1.00

Automap HUI

Automap MIDI Automap Propellerhead iCON PlatformNano Air V1.00

Page 43

Rückstellung zu den Werkseinstellungen

Starten Sie zur Wiederherstellung Ihrer PlatformNano Air-Einstellungen auf die w erksseitigen Standardeinstellungen einfach iMap und importieren Sie auf die ursprünglichen Einstellungen in das Gerät (d.h. ohne Änderungen), indem Sie die folgenden Schritte durchführen.

1. Verbinden Sie mit dem mitgelieferten USB-Kabel den PlatformNano Air starten Sie die iMap-Software.

2. Klicken Sie auf die Taste „MIDI Device“ und wählen Sie „PlatformNano Air“ als MIDIEingabe- und Ausgabegerät aus.

Hinweis: Wenn der PlatformNano Air im Pulldown-Menü nicht angezeigt wird,

wählen Sie USB-Audio als MIDI-Eingabe- und -Ausgabegerät aus.

3. Klicken Sie auf „Send Data“, um die Einstellung zu ihrem PlatformNano Air hochzuladen.

4. Schließen Sie iMap und schalten Sie dann den PlatformNano Air aus und wieder ein.

Page 44

Hardware Connections

Mac

PC/MAC

Platform D2/D3

SPD-01

Page 45

Technische Daten

Verbindung: USB 3.0-Anschluss (Standardtyp) Mini-USB-Anschluss (Mini-Typ)

Stromversorgung: 5V/2A DC

Stromverbrauch: 2A or less

Gewicht: 0.75kg (1.65lb)

Maße: 215(L) x 198(W) x 40(H)mm

”(L) x 7. 8”(W) x0. 2”(H)

8. 5

Page 46

Wartung und Reparatur

Falls Ihr "PlatformNano Air " repariert werden muss, befolgen Sie bitte die nachstehenden Anweisungen.

Besuchen Sie unser Online-Hilfecenter unter http://support.iconproaudio.com/hc/en-us für Informationen, Erfahrungen und Downloads, wie z.B.

1. FAQ

2. Herunterladen

3. Erfahren Sie mehr

4. Forum

Sie werden auf diesen Seiten sehr oft Lösungen nden. Wenn Sie keine Lösung nden, erstellen

Sie mit unserem Online-ACS (Automatische Kundenunterstützung) ein Support-Ticket unter folgendem Link und unser technischer Kundenservice wird Ihnen so schnell wie möglich helfen. Rufen Sie http://support.iconproaudio.com/hc/en-us auf und melden Sie sich zum Einreichen eines Tickets an oder klicken Sie ohne Anmeldung auf „Submit a ticket“. Nachdem Sie ein Anfrageticket eingereicht haben, wird Sie unser Kundendienstteam so bald wie möglich bei der Lösung des Problems mit Ihrem iCON-Pro-Audio-Gerät unterstützen.

Einsenden von defekten Produkten zur Wartung:

1. Stellen Sie sicher, dass das Problem nicht durch einen Anwendungsfehler oder externe Systemgeräte verursacht wird.

2. Bewahren Sie diese Bedienungsanleitung bei sich auf und schicken Sie sie nicht mit, da sie für die Reparatur des Geräts nicht benötigt wird.

3. Packen Sie das Gerät in die Originalverpackung, einschließlich Registerkarte und Versandkarton. Dies ist sehr wichtig. Wenn Sie die Originalverpackung verloren haben, stellen Sie bitte sicher, dass das Gerät ordentlich verpackt ist. ICON übernimmt keine Verantwortung für Schäden, die durch fabrikfremde Verpackung entstehen.

4. Schicken Sie das Gerät an das technische Servicezentrum von ICON oder an die regionale Rücksendeadresse. Suchen Sie unsere Kundendienstcenter und Wartungsstellen der Distributoren unter dem folgenden Link:

  Wenn Sie sich in Hongkong benden  Senden Sie das Produkt an:

 BÜRO ASIEN:  Unit F, 15/F., Fu Cheung Centre,  No. 5-7 Wong Chuk Yueng Street, Fotan,  Sha Tin, N.T., Hong Kong.

  Wenn Sie sich in Europe benden  Senden Sie das Produkt an:

  Wenn Sie sich in North America benden  Senden Sie das Produkt an:

 North America  Mixware, LLC – U.S. Distributor  11070 Fleetwood Street – Unit F.  Sun Valley, CA 91352; USA  Tel.: (818) 578 4030  Contact: www.mixware.net/help

 Sound Service  GmbHEuropean  HeadquarterMoriz-Seeler-Straße  3D-12489 Berlin  Telephone: +49 (0)30 707 130-0  Fax: +49 (0)30 707 130-189  E-Mail: info@sound-service.eu

5. Für zusätzliche Informationen besuchen Sie bitte unsere Webseite unter:

 www.iconproaudio.com

Page 47

AppendixA

Control Surface Functionality Manual

Cubase

QCon Pro X, QCon Pro XS, QCon Pro G2, QCon EX G2 Platform M+, Platform B+, Platform D2, Platform X+, PlatformNano

Revision v0.71

This is a master manual. Specic device manuals can be built from this material

Congratulations on owning an Icon control surface! This manual documents the full range of potential functions when the device is installed in Cubase.

You can extensively controlCubase with an Icon QCon seriescontrol surface or Icon Platform modular control system using standard MackieControl protocol.Expansion bank units can be addedfor more hands-on controls:QCon expansion units for the QCon series and the Platform X+ channel bank expansion. Platform B+ button module is necessary toaccess all functions in this manual with Platform M+, and the D2 display highly recommended.Icon Metal Fader Caps and Icon Metal Knob Caps are available as an aesthetic and haptic upgrade for the best control experience.

The term Mackie Control is used to refer to the control protocol standardto be used withthe QCon and Platform series control surfaces, and is abbreviated as MCP.The

terms , Cubase, and all Cubase-specicterminology belong to Steinberg and has no afliation with Icon Pro Audio.

<<<<< Table of Contents >>>>>

Setup ………………………………………………. -

Getting Started ………………………………………………. -

Mix and Transport ………………………………………………. -

View ………………………………………………. -

Automation ………………………………………………. -

Encoder Knob Assignment ………………………………………………. -

Utilities ………………………………………………. -

Advanced Conguration ………………………………………………. -

Troubleshooting ………………………………………………. -

Page 48

Firmware Update ………………………………………………. -

Fader Calibration ………………………………………………. -

MCP MIDI Implementation Table………………………………………………. -

Renamed Buttons ………………………………………………. -

<<<<<Color Reference Key>>>>>

Control Surface Function

Control Surface Button

DAW Term

ButtonA + ButtonB =hold Button A and press Button B

Button A - Button B = press Button A and then press Button B

<<<<<<<<< Setup>>>>>>>>>

Before you can use your control surface, you will rst need to congure it in Cubase.

Once the setup is successful, by defaultCubase will remember your settings for future

sessions without the need to recongure. For maximum stability, rst boot the control

surface and select the DAW Mode, then start your DAW software.

When your control surface is switched on, it will rst prompt for a DAW Mode selection.

Select the corresponding mode with the illuminated navigation buttons and conrm

selection with the highlighted DAW mode button. On Platform M+, the small channel indicator will light to show the currently selected DAW Mode. If no action is taken after startup, the control surface will select the last used mode after a few seconds.

To c ongure your Icon control surface in Cubase, go to Devices ->Device Setup. Delete

previous Mackie Control congurations, then go to “+”and select Mackie Control.

Finally choose your device name for both the Output Port and Input Port, displayed on the right under“Mackie Control”.

Repeat this process for any expansion modules. The conguration of each device needs to happen corresponding to the physical position of the control surfaces from left to right. You can now use your Icon control surface for transport, mix, and extended control functions. Next up: An overview ofthe fundamental elements for controlling Cubase.

Page 49

<<<<<<<<< Getting Started >>>>>>>>>

When rst opening a blank project inCubase, we are looking at the ProjectWindow.

Add channels to your project here, and you will see the motor faders jump into position. Each Icon control surface has one physical bank consisting of 8 channel strip controls. Each channel strip corresponds to controls for one channel in your DAW. The channel name appears on the display above each channel. Touch a fader and adjust the channel’s volume. Change a channel’s volume in Cubase and the corresponding motor fader will adjust itself. You can balance the volume of multiple faders on the control surface simultaneously – already a huge mixing advantage of using a control surface. Press the Bank up / down buttons to scroll through further channels in the project in

xed blocks of 8.The Channel up / down buttons stepthe currently selected channelone

channel at a time.

The 9th fader on your control surface is the Master Faderand always commands the master level, which engages after the output stage of the project, so after any plugins used on the output sum.This is advantageous for several classic mixing techniques and effectively regulates your monitor volume.

Page 50

The Encoder Knobs edit parameters according to the current Assignment Mode. Turn them to edit a parameter or change a selection.Each knob affects the channel on that channel strip, or in advanced encoder modes, allknobs affect the currently selected

channel. Press the knob to reset to the default value, or conrm a selection depending

on the Assignment Mode.

<<<<<<<<<Mix and Transport>>>>>>>>>

Jog Wheel:

Turn the Jog Wheel to quickly adjust the project cursor position on the grid, visible in the Project

Windowin Cubase. Press Scrub to scrub audio with the Jog Wheel. (On Platform M+, scrub is

activated by pressing down the jog wheel.)

Transport:

The Transport section is used to operate playback.

Play = Begin playback Stop = Stop playback Rec (transport) = Begin recording Audio and MIDI input FastForward= Shuttle the project cursor forwards Rewind =Shuttle the project cursor backwards

Page 51

Stop - Stop = Project cursor jumps to previous play position Shift + FastForward= Project cursor jumps to end of project Shift + Rewind = Project cursor jumps to start of project

Left = Project cursor jumps to left locator Right = Project cursor jumps to right locator Cycle = Toggle playback loop (set between the left and right locators) Shift + Left = Set left locator to project cursor Shift + Right = Set right locator to project cursor

Channel Strip Buttons:

Rec (channel) = Arms the channel strip for recording Solo = Engage Solo for one or multiple channels Mute = Engage Mute for one or multiple channels Select = Focuses and selects the channel, displays the fullchannel name on the LCD display

Solo Defeat = De-solo all channels (default QCon Pro X and B+ only) Shift + Solo Defeat= Un-mute all channels (default QCon Pro X and B+ only)

Shift + ChannelUp/Down= Bank by 1 channel instead of 8 Shift + BankUp/Down= Toggle switch Band/Channel

Monitoring:

In Pan Assignment, press the Encoder Knobs to toggle channel monitoring. This activates input monitoring mixed with audio playback output from Cubase.

Fader Lock:

Press Lock Mix to disable touch sensitive changes to fader position. Automation remains active.

This is useful to secure a nished mix.

Press Motorsto disable all motor fader movement. This is useful to silence the control surface. When motors are disabled, the faders are still touch-responsive and can edit the mix.

Listen Mode:

Shift + Project = activate Listen Mode: Solo = Engage Listen for one or multiple channels Shift + Project = deactivate Listenfor all channels

There are settings in Cubase for Listen in the Control Room, which is found underOutputs in the

Connections Window.

Page 52

<<<<<<<<<View>>>>>>>>>

Displays:

The LCD display showschannel names and parameters, plus navigation forAssignment Modes and settings. Press Name/Value to toggleparameter values on the LCDdisplay.

Thedigitaltime displayshows the current project cursor position, either in bars and beats or in SMPTE time code format. Press SMPTE/Beatstotoggle the time display format.

Zoom &Cursor Arrows:

The Cursor Arrows (left, right, up, down)share the functions of the computer keyboard arrow keys. In Assignment Modes they change theEncoder Knob parameter selection and scroll through pages of parameters when editing plug-ins.

In the Project Window, the up/down Cursor Arrows select the previous/next channel. In the Mixer Window, the left/right Cursor Arrows select the previous/next channel.

Press Zoom to activate zoom controls. When the Zoom button is illuminated, press the Cursor

Arrows to adjust the view zoom in various Cubase windows.(On Platform M+, Zoom is managed

by toggling the Zoom buttons and turning the jog wheel.)

Channel Bank Options:

Bank up/down = Scroll through channels in the project in xed blocks of 8 Channel up/down = Step the current bank by onechannel

If expansion units are connected, bank left/right still scrolls by xed blocks of 8 channels.

<<<<<<<<< Automation >>>>>>>>>>

Ease creating and managing automation is a highlight of using a control surface with motor faders. Press the Automation buttons to change the automation behavior of the selected channel. PressShift+ Write and then Playand begin to mix on the knobs and faders in real time with automation.

Read = Set to Read, the channel will respond to existing automation in real time. Any parameters

with automation will jump to existing automated values during playback.

Write = All channel parameters record automation during playback Shift+ Read orWrite = Apply automation mode to all channels

Remember that with Flip, the parameters assigned to the Encoder Knobs can be edited an automated with the faders.

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<<<<<<<<< Encoder Knob Assignment>>>>>>>>>

Press one of the Assignment buttons to select the category of parameters currently assigned to the Encoder Knobs. Assignment modes apply controls to the currently selected channel – with a few exceptions.Use Channelup/down to browse pages of options and parameters.Rotate the

Encoder Knobs to adjust parameters or make a selection from a list.

Assignment Modes:

Pan = Activates Pan Assignment.Edit standard pan or front/rear panning. Inserts = Activates Insert Assignment.Open plug-ins and access plug-in parameters. EQ = Activates EQ Assignment.Opens and editsCubase EQonselected channel. FX Aux = Activates FX Aux Assignment. Open and edit the Channel Strip Rack. Instrument = Activates Instrument Assignment.Open and edit plug-in instruments. SendPage Down = Activates FX Send Assignment.Setup and editFX sends. Master FX = Activates Master FX Assignment.Setup and editFX sends. Page Up, Routing= Activates Routing Assignment.Setup and editFX sends.

Fader Flip:

Press Flip to access the current Encoder Knob parameters on the touch sensitive motor faders. This is great for precise adjustments of multiple channels/parameters and managing automation.

<<<<< Pan >>>>>

Pan Assignment:

Press Pan to adjust stereo panning with the Encoder Knobs on their respective channels. Press

Page Up/Down to choose between Left/Right or Front/Rear panning.

Surround Assignment:

Edit multiple surround parameters for the selected channel. Each Encoder Knob is set to a different function depending on the current channel Panner set in Cubase: Stereo Dual Panner, Stereo Combined Panner, Stereo Balanced Panner, or others.

Parameters: L-R Standard, L-R Panner, Mode

(Pan)

(Shift+Pan)

<<<<<Inserts>>>>>

Insert Assignment Mode:

Press Insertsto open and edit plug-ins on the selected channel. Assign plug-ins on Page 01, and edit on Page 02. PressChannel up/down to browse pages. Plug-In parameters appear on the LCD display and are assigned across the Encoder Knobs.

To quickly insert and edit a plug-in, press Insert, then turn Encoder Knob 3, press Channel down and then edit parameters on all Encoder Knobs.

(Plug-In)

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Page 01 Insert Slot # Insert Bypass SelectPlug-In

Page02+ Insert parameters appear automatically assigned across the Encoder Knobs

<<<<< EQ >>>>>

EQ Assignment Mode: (EQ)

Press EQ to open (or add) theCubase EQ. EQ Assignment Modecan only edit a standard Cubase

EQ. Press Flip to control EQwith the faders, and Channel up/down to browse parameters. Edit

multiple EQ bands at once for the selected channel.Press a Freq knob to change to adjusting Q

and press a Gain knob to toggle bypass.

Band 1 Frequency Band 2 Frequency Band 1 Gain Band 2 Gain Band 3 Frequency Band 4 Frequency Band 3 Gain Band 4 Gain

Advanced EQ Assignment Mode: (Shift + EQ)

Band 1 Gain Band 2 Gain Band 1 Frequency Band 2 Frequency Band 3 Gain Band 4 Gain Band 3 Frequency Band 4 Frequency

Band 1 Q-Factor Band 2 Q-Factor Band 1 Bypass Band 2 Bypass Band 3 Q-Factor Band 4 Q-Factor Band 3 Bypass Band 4 Bypass

<<<<<FX Aux>>>>>

FX Aux Assignment Mode:

In FX Aux Assignment Mode, edit settings forChannel Strip Rack modules. Browse parameters with Channel up/down.

<<<<<Instrument>>>>>

Instrument Assignment Mode:

Press Instrument to open and edit instrument plug-ins on the selected channel. Assign plug-ins on Page 01, and edit on Page 02. PressChannel up/down to browse pages. Plug-In parameters appear on the LCD display and are assigned across the Encoder Knobs.

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To quickly load and edit an instrument, press Instrument, then turn Encoder Knob 3, press

Channel down and then edit parameters on all Encoder Knobs.

Page 01 Instrument Slot# Instrument Bypass Select Instrument

Page02+ Insert parameters appear automatically assigned across the Encoder Knobs

<<<<< Send >>>>>

FX Send Assignment Mode: (Page Up, FX Send)

Use the FX Send Assignment Mode to adjust send amount, bypass, toggle pre/post fader, and set FX channel insert effects.

To quickly create and edit an FX Send, press FX Send, then turn Encoder Knob 3, press Channel down and then edit parameters on all Encoder Knobs.

Page 01 FX Channel # Send Bypass Select Plug-In

Page02+ Insert parameters appear automatically assigned across the Encoder Knobs

Send Focus Mode: (Select a channel - Send - Page Down)

Edit the send parameters of 8 sends at once for the selected channel. Press Channel up/down to browse parameters:

Send Amount Send Bypass

Send Pre/Post Fader Send Bus Destination

Send Mixer Mode:(Send - Select a channel - Shift+ Page Down)

Edit advanced parameters with the Encoder Knobs on their respective channels. Repeatedly press Shift+ Page Down to toggle through FX Send 1-8. Each Encoder Knob is set to a different function. Browse parameters with Channel up/down:

Send Amount Bypass Pre/Post Fader Send Panning Bus Destination Bypass All Sends

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Cue Send Mode: (Shift+ Send)

Access settings for Cue sends with the Encoder Knobs on their respective channels. Press Shift+

Send to toggle through Cue Send 1-8. Browse parameters with Channel up/down:

Send Amount Bypass Pre/Post Fader Send Panning Bypass All Sends

Cue Send Mixer Mode: (Shift+ Send - Select a channel - Shift+ Page Down)

Edit advanced parameters for multiple channels. Repeatedly press Shift+ Page Down to toggle through FX Send 1-8. Each Encoder Knob is set to a different function. Browse parameters with

Channel up/down:

Send Amount Bypass Pre/Post Fader Send Panning Bus Destination Bypass All Sends

<<<<<Master FX>>>>>

Master FX Assignment Mode: (Master FX)

Use the Master FX Assignment Mode to edit and adjust effectsloaded in the master insert slots. To quickly create and edit an FX Send, press Send, then turn Encoder Knob 3, press Channel down and then edit parameters on all Encoder Knobs.

Page 01 Master FX Slot # FX Bypass Select Plug-In

Page02+

Insert parameters appear automatically assigned across the Encoder Knobs

<<<<<Routing>>>>>

Routing Assignment Mode: (Page Down, Routing)

Edit routing parameters with the Encoder Knobs on their respective channels. Browse parameters with Channel up/down:

Output Bus Monitor

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Input Bus Input Gain Input Phase

Direct Routing Assignment Mode: (Shift+ Page Up) (Nuendo only, not Cubase)

Edit routing parameters with the Encoder Knobs on their respective channels.Channel up/down to select direct routing slots 1 to 8. Activate a direct routing slot by turning the corresponding Encoder

Knob. Enable Summing Mode on parameter page 09/09 (reached with the Channel down button)

<<<<<Utilities>>>>>

Project Utilities:

Left= XYZXYZXYZ Right= XYZXYZXYZ

+ Left= XYZXYZXYZ

Shift

+ Right= XYZXYZXYZ

Shift

Undo = Cubase Undo function Redo= Cubase Redo function

+ Undo = Open Undo History

Shift

Save = Save Cubase project

+ Save = Save As: Save project with a new name

Shift

Revert= ?????

Marker:

XYZXYZXYZ

Add = XYZXYZXYZ Prev= XYZXYZXYZ Next = XYZXYZXYZ Shift + Add = XYZXYZXYZ Shift + Prev = XYZXYZXYZ Shift + Next = XYZXYZXYZ

Punch:

Punch is recording which overwrites existing audio or MIDI within a set punch area.Tap Punch to

XYZXYZXYZXYZXYZXYZ. This is a key workow tool because of the time saved by combining

channeling and major edits. Without punch, subsequent takes must be individually edited into

the nal channels. Using Punchkeeps a production moving forward, which boosts creativity and

productivity.

Function Buttons:

The Function buttons, labeled F1 through F8, are to be assigned custom user commands in Cubase -> Device Setup.

Recommended custom user commands:

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F1 = Click On/Off F2 = MagicA F3 = MagicA F4 = MagicA F5 = MagicA F6 = MagicA F7 = MagicA F8 = MagicA

Shift + F1 = MagicA Shift + F2 = MagicA Shift + F3 = MagicA Shift + F4 = MagicA Shift + F5 = MagicA Shift + F6 = MagicA Shift + F7 = MagicA Shift + F8 = MagicA

Channel Visibility Modes: (default Platform B+ only)

Shift + Visibility Modes 1 to 8 view xed preset channel types. Buttons 1 to 8 alone recall custom

channel visibility congurations previously setup in the MixConsole.

Visibility Modes:

Shift + 1 = All Channels Shift + 2 = Audio Channels Shift + 3 = Groups Shift + 4 = FX Channels Shift + 5 = Instrument Channels Shift + 6 = MIDI Channels Shift + 7 = I/O Busses

Shift + 8 = All Channels

Example user visibility modes:

1 = Project channels 1-8 2 = Project channels 9-16 3 = Project channels 17-24 4 = Project channels 25-32 5 = Project channels 33-40 6 = Project channels 41-48 7 = Project channels 49-56 8= Project channels 57-64

External Controls:

On the units QCon Pro X, QCon Pro G2, and QCon Pro, connect a standard momentary foot switch to User A or User B, and then power on the Icon control surface.

User A = Toggle Play/Stop

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User B = Record

<<<<<<<<< Troubleshooting >>>>>>>>>

Strange behavior in the DAW, unexpected functions, device not recognized, orfreezes:

Disconnect all MIDI-USB devices. In Cubase, delete all control surface congurations(including

other MIDI devices) in Controller Assignments and Control Surface Setupand then close Cubase. For testing, connect directly to the computer without a USB hub or USB extension cable. Turn on the Icon control surface and select the MCP Cubase mode.

OSX – Go to Audio-MIDI-Setup, open MIDI Studio, and delete unused congurations and Icon

devices. Restart the Icon control surface to automatically recongure.

Windows –Open the Device Manager in Windows, select the Icon Control Surface, and delete the

device.Now restart the control surface to automaticallyrecongure. If there remain issues related

to the USB connection, a Windows update can repairsome issues.

Windows – If the device does not appear in the Windows Control Panel, you may need to uninstall MIDI devices - you will need a third party utility application to do this easily. Windows has limits on MIDI devices successfully installed in total, and MIDI devices remain installed when disconnected.

Finally, start Cubase and congure the control surface in Devices -> Device Setup. Press “+” and select Mackie Control. Select your device for both Output and Input Port, displayed under “Device: Mackie Control”

Faders are not motorized:

The power source is not connected. Verify the power source by disconnecting USB and turning the control surface on. If power is well connected, it will start up normally.

Faders makenoise or move improperly:

A fader calibration is needed. Please read the section on Fader Calibration below for details.

I want to control and automate certain parameters:

Access parameters via the Assignment Modes and use Automation Modesto begin creating live automation. Press Flipto control these parameters with the faders. UseMIDI Learnto additionally assign parameters or key commands to controls.

I want to change the behavior of a function:

Icon control surfaces with MCP offer deep and complex control options, just please remember that the control surface only sends/receives MIDI messages. The functionality happens in your DAW.

The style and components of a function is xed based on the DAW MCP implementation, and can’t be changed unless specically otherwise stated. The behavior is different in every DAW and

can change with DAW version updates.

I want to see customvalues on the display:

The messages and values on the display are generated from values sent by the DAW as return MIDI. Display readouts in return MIDI are controlled by the MCP implementation in your DAW,

so they are not customizable unless specically otherwise stated. The rate at which the screen

updates certain parameters is controlled by the frequency of the corresponding MIDI messages in the DAW. These update rates have changed with various Cubase updates.

Page 60

I want to adda custom function:

To alter and customize controls beyond standard MCP, please review the DAW developer support on customizing controller assignments in expert view. In Cubase, it is possible to assign Key

Commands (instead of MCP functions) to MIDI Input generated from buttons on Icon control

surfaces. In the typical style of MCP implementation, device-specic MIDI input used by the DAW

for MCP is blocked from other uses.

I want to rescale the faders:

The fader volume curve, zero dB position and value range are preset in the DAW implementation of MCP, and can’t be adjusted. There is variance between different DAWs.

I want to change the Jog Wheel resolution:

The behavior of the Jog Wheel is preset in the DAW implementation of MCP. There is variance between different DAWs. There may be some adjustment for this, at least by changing grid

settings. Pressing Scrub enables ne movement with the Jog Wheel.

<<<<<<<<< Firmware Update>>>>>>>>>

To accommodate future changes to MCP implementation in new DAW versions plus expand on operational features, Icon provides Firmware updates for current production and legacy control surfaces.

Caution:

Please take extra care to follow the correct procedure when performing a rmware update. When performing a rmware upgrade, always connect directly to the computer without a USB Hub or

extension, and only connect one device to the computer during update. Also quit all other software which can access MIDI input/output such as your DAW or utility programs.

Verify the power source is well connected to the control surface. You can check by starting the controller with no USB cable connected. If thedevice startup proceeds normally, external power appears to be ok.

To Update:

OSX – Install and open the device-speciciMap, use “Connect” to select your device, click Update and follow the directions on screen.(For an XS or EX unit, rst switch iMap mode by clicking the

QCon icon in iMap)

Windows / Legacy – Install and open the device-specic iMap, use “MIDI Devices” to select your

device, click Update. Newer iMap releases automatically download the correct rmware online.

!After Firmware Update, reinstall the device in your DAW by deleting the previous device

conguration and repeating the MCP device setup.

!Never attempt to “downgrade” rmware of an Icon control surface.

! Only use the iMap and Firmware versions specic for your hardware version. Also be sure to get the newest iMap on the Icon Pro Audio website.

! Never unpack a .bin rmware le

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<<<<<<<<<Fader Calibration – QCon Series>>>>>>>>>

We recommend that every QCon owner performs a fader calibration. The best values vary according to the DAW of choice and preference. In the digital domain (in your DAW) valuescan move from 0 to 100 in an instant, but physical faders need to actually travel from point A to point B.

Fader Calibration allows ne adjustment to the properties of how each motor fader responds when

commanded to move.

Press and hold the Rec Button on channel two and start the device. Fader Calibration will

display. Turn each Encoder Knob to ne tune the value for each channel. A higher value results in

smoother, quieter response. A lower value results in faster movement speed. Each fader can be

ne tuned individually. To adjust the master fader, use the channel select buttons 7 and 8. To save

the new changes and exit, press Encoder Knob 8.

For Cubase 10, start with values set at 165, evaluate, then adjust individually to personal preference.

<<<<<<<<<Fader Calibration – Platform (v2.00 and up)>>>>>>>>>

We recommend that every Platform owner performs a fader calibration. The best adjustment varies according to the DAW of choice and preference. In the digital domain (in your DAW) valuescan move from 0 to 100 in an instant, but physical faders need to actually travel from point A to point B. Fader Calibration allows adjustment to the properties of how the motor faders respond when commanded to move.

Press and hold the Encoder Knob on channel one and start the device. Turn Encoder Knob 8 to adjust the total fader response. It is also possible to adjust a single fader by now holding down Rec on channel three while adjusting the encoder of each channel. A higher value results in smoother, quieter response. A lower value results in faster movement speed. To save the new changes and exit, press Encoder Knob 8.

I recommend starting with a slower movement, test in your DAW and evaluate, then adjust individually to personal preference.

Control Surface Functionality Manual

Logic Pro X

QCon Pro X, QCon Pro XS, QCon Pro G2, QCon EX G2 Platform M+, Platform B+, Platform D2, Platform X+, PlatformNano

Revision v1.13

This is a master manual. Specic device manuals can be built from this material.

Congratulations on owning an Icon control surface! This manual documents the full range of potential functions when the device is installed in Logic Pro X.

Page 62

You can extensively control Logic Pro X with an Icon QCon seriescontrol surface or Icon Platform modular control system using standard MackieControl protocol. Expansion bank units can be addedfor more hands-on controls:QCon expansion units for the QCon series and the Platform X+ channel bank expansion. Platform B+ button module is necessary toaccess all functions in this manual with Platform M+, and the D2 display highly recommended.Icon Metal Fader Caps and Icon Metal Knob Caps are available as an aesthetic and haptic upgrade for the best control experience.

The term Mackie Control is used to refer to the control protocol standardto be used withthe QCon and Platform series control surfaces, and is abbreviated as MCP. Logic

and its terminology belongs to Apple and has no afliation with Icon Pro Audio

<<<<< Table of Contents >>>>>

Setup ………………………………………………. -

Getting Started ………………………………………………. -

Mix and Transport ………………………………………………. -

Group ………………………………………………. -

View ………………………………………………. -

Encoder Knob Assignment ………………………………………………. -

Automation ………………………………………………. -

Advanced Encoder Assignment Modes………………………………………………. -

User Assignments ………………………………………………. -

Advanced Utilities ………………………………………………. -

Advanced Conguration ………………………………………………. -

Masterclass ………………………………………………. -

Troubleshooting ………………………………………………. -

Firmware Update ………………………………………………. -

Fader Calibration ………………………………………………. -

MCP MIDI Implementation Table ………………………………………………. -

Device Diagnostic ………………………………………………. -

Page 63

<<<<<Color Reference Key>>>>>

Control Surface Function

Control Surface Button

DAW Term

ButtonA + ButtonB =hold Button A and press Button B

Button A - Button B = press Button A and then press Button B

<<<<<<<<< Setup>>>>>>>>>

Before you can use your control surface, you will rst need to congure it in Logic Pro

X.Once setup,Logic Pro X will remember your settings for future sessions without the

need to recongure. For maximum stability, rst boot the control surface and select the

DAW Mode, then start your DAW software.

When the control surface is switched on, it will rst prompt for a DAW Mode selection.

Select the corresponding mode with the illuminated navigation buttons and conrm

selection with the highlighted DAW mode button. On Platform M+, the small channel indicator will light to show the currently selected DAW Mode. If no buttons are pressed, the control surface will select the previously used mode after a few seconds.

In the latest device Firmware version (may require Firmware update):

1: MCP General 2: Logic Pro 3: Pro Tools HUI 4: User Dened

In Logic Pro X, advanced conguration needs to be enabled. Open Logic Pro X -> Preferences -> General -> Advanced, select Show Advanced Tools, and verify that all additional options are checked. (Audio, Surround, MIDI, Score, Control Surface, Advanced Edit)

To c ongure your Icon control surface, go to Logic Pro X -> Control Surfaces -> Setup.

Delete previous Mackie Control congurations, then go to New -> Install, select Mackie

Control, and click Add. Finally choose your device name for both the Output Port and Input Port, displayed under “Device: Mackie Control”.

Repeat this process for any expansion modules, then click and drag the console

graphics left/right to match the physical conguration of your control surface fader

banks. You can now use your Icon control surface for transport, mix, and extended control functions. Next up: An overview ofthe fundamental elements for controlling Logic Pro X.

Page 64

<<<<<<<<< Getting Started >>>>>>>>>

When rst opening a blank project in Logic Pro X, we are looking at the Arrange

Window. Add tracks to your project here, and you will see the motor faders jump into

position. Each Icon control surface has one physical bank consisting of 8 channel strip controls. Each channel strip corresponds to controls for one track in your DAW. The track name appears on the display above each channel.Touch a fader and adjust the track’s volume. Change a channel’s volume in Logic Pro X and the corresponding motor fader will adjust itself. You can balance the volume of multiple faders on the control surface simultaneously – already a huge mixing advantage of using a control surface. Press the Bank up / down buttons to scroll through further channels in the

project in xed blocks of 8.The Channel up / down buttons stepthe focus of the current

bankone channel at a time.

The Encoder Knobs edit parameters according to the current Assignment Mode. Turn them to edit a parameter or change a selection.Each knob affects the track on that channel strip, or in advanced encoder modes, allknobs affect the currently selected

track. Press the knob to reset to the default value, or conrm a selection depending on

the Assignment Mode.

Page 65

<<<<<<<<<Mix and Transport>>>>>>>>>

Jog Wheel:

Turn the Jog Wheel to quickly adjust the playhead position on the grid, visible in the Arrange Window in Logic Pro X.

Scrub= Toggle Scrub: appliesto the Jog Wheel Shift + Scrub = Toggle Shuttle: turn the Jog Wheel to adjust playback speed Play - Scrub = Pause playback

There are options in Logic Pro X for scrubbing: Preferences -> Audio -> Editing To enable audio scrub in Logic Pro X, select “Scrubbing with audio…”

(On Platform M+, scrub is activated by pressing down the jog wheel.)

Transport:

The Transportsection is used to operate playback.

Play = Begin playback Stop = Stop playback

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Rec (transport) = Begin recording Audio and MIDI input FastForward= Shuttle forward. Press again to increase forward speed Rewind =Shuttle reverse. Press again to increase backward speed

Stop - Stop = Playhead jumps to beat 1 bar 1 or active cycle position Play - Play = Playhead jumps back to the nearest bar or active cycle position

Shift +Play = Pause playback

Channel Strip Buttons:

Rec(channel) = Arms the channel strip for recording Solo = Engage Solofor one or multiple tracks

Mute = Engage Mute for one or multiple tracks Select = Focuses and selects the track, displays the full track name on the LCD display Shift + Select = Set the channel volume fader to 0 dB Option + Select =Add Slave Track: Extra track with shared channel strip – for tracking/editing Shift + Option + Select = Createnew track (Uses track type of selected track)

Option + Rec (channel strip) = Arm/disarm all channel strips Option + Solo (channel strip) =Toggle Solo Scenefor all channel strips:

(Press once to disable Solo, press again to restore all previously soloed tracks)

Option + Mute = DisableMute for all channel strips

Cycle:

The Cyclebuttontoggles the playback loop cycle on/off. Hold Cycleand turn the Jog Wheel to

quickly dene the cycle area. Hold Cycle and turn the Jog Wheel backwards to dene a skip

area.0

Cycle+ Rewind = Set cycle start to the playhead position Cycle+ FastForward= Set cycle end to the playhead position

PressShift+Cycleto display the cycle edit menu. The Encoder Knobs adjust the cycle area:

Press Encoder Knob 2 = Set cycle area to selected regions in Arrange Window Turn Encoder Knob 3 = Move the cycle area by bar Press Encoder Knob 5 = Set cycle start to the playhead position Turn Encoder Knob 5 = Move cycle start in bars Turn Encoder Knob 6 = Move cycle start in beats Press Encoder Knob 7 = Set cycle end to the playhead position Turn Encoder Knob 7 = Move cycle end in bars Turn Encoder Knob 8 = Move cycle end in beats

Fader Lock:

Press Lock Mix to disable touch sensitive changes to fader position. Automation remains active.

This is useful to secure a nished mix.

Press Control + Flip to set all faders to zero and disable all motor fader movement. This is useful to silence the control surface. (Platform B+ only)

Page 67

<<<<<<<<< Group>>>>>>>>>

Press Group to manage group membership. Press the channel Select buttons to add tracks to the selectedgroup. Illuminated Select buttons indicate group membership for the selected group. The up/down Cursor Arrows change the currently selected group.

The left/right Cursor Arrows browse the group parameters assigned to the Encoder Knobs. Toggle whether these parameters are linked to thegroup using the knobs:

Group Active, Editing (Selection), Automation, Volume, Pan, Mute, Solo, Input, Record Arm, Send 1-8, Color, Track Zoom, Hide, Phase-Locked Audio (Quantization), Track Alternatives

Hold Control to make mix changes bypassing group settings.(default Platform B+ only)

<<<<<<<<<View>>>>>>>>>

Displays:

The LCD display shows tracknames and parameters, plus navigation forAssignment Modes and settings. Press the Name/Value button to toggleparameter titleson the LCDdisplay.

Thedigitaltime displayshows the current playhead position, either in bars and beats or in SMPTE time code format. Press SMPTE/Beatstotoggle readoutformats on the time display.

Function Buttons:

The Function buttons, labeled F1 through F8, recall user dened Screensets1 through 8. To setup a useful example, press F1 and then open the Arrange Windowin Logic Pro X. Now press F2 and open the Mixer Window. Now you can switch between these views with F1 and F2.Window

congurations plus the view options for each Screenset are saved with the Logic Pro X project. It

is advisable to save useful Screensetsinto your template projects.

Recommended Screensets for a studio with two display monitors:

F1 = Primary display:Arrange Window, Secondary display: Mixer Window F2 = Primary display:Mixer Window, Secondary display: Arrange Window F3 = Primary display:Audio Editor Window, Secondary display: Arrange Window F4 = Primary display:Score Editor, Secondary display: Arrange Window F5= Primary display:Piano Roll, Secondary display: Arrange Window F6= Primary display: Arrange Window, Secondary display: Piano Roll F7= Primary display:Arrange Window (alternate settings), Secondary display: Mixer Window F8= Primary display:Arrange Window, Secondary display: Tempo ListEditor

Open Windows:

Shift + F1 = Open Arrange Window Shift + F2 = Open Mixer Window Shift + F3 = Open Event Editor Shift + F4 = Open Score Editor Shift + F5 = Open Step Editor Shift + F6 = Open Piano Roll

Page 68

Shift + F7 = Open Transport Window Shift + F8 = Open List Editors

Zoom &Cursor Arrows:

The Cursor Arrows (left, right, up, down) change selections or modify zoom in the ArrangeWindow. In Assignment Modes they change theEncoder Knob parameter selection and scroll through pages of parameters when editing plug-ins.

Press Zoom to activate zoom controls using the Cursor Arrows. Zoom controls only work in the

Arrange Window. When the Zoom button is illuminated, press Option + Cursor Arrows to adjust

individual track zoom.

In the Arrange Window, the up/down Cursor Arrows select the previous/next channel. In the Mixer Window, the left/right Cursor Arrows select the previous/next channel. (On Platform M+, Zoom is managed by toggling the Zoom buttons and turning the jog wheel.)

Channel Bank Options:

Bank up/down = Scroll through tracks in the project in xed blocks of 8 Channel up/down = Step the current bank by onetrack Option +Bank up/down = Scroll bank to rst or last track Option +Channel up/down = Scrollbank to rst or last track

If expansion units are connected, bank left/right scroll by the total number of fader banks.

Global View:

While in the Mixer Window, press Global View. Now use the Function buttons to display channel strips in the project by category. Hold multiple Function buttons to display multiple types of channel strips. Press Global View to restore normal view.This is useful for mixing or editing large sessions, for example projects with complex signal routing or advanced MIDI setups.

F1 = Midi Tracks F2 = Inputs F3 = Audio Tracks F4 = Instrument Plug-ins F5 = Aux F6 = Bus F7 = Outputs

<<<<<<<<< Encoder Knob Assignment>>>>>>>>>

Press one of the Assignment buttons to select the category of parameters currently assigned to the Encoder Knobs. Use the Cursor Arrows left/right to select a parameter and up/down to navigate the channel strip position. When the Encoder Knobs make a selection from a list, such

as plug-in or send destination, press the encoder to conrm the selection.

Assignment Modes:

Track = Activates Track Assignment, view and edit one selected parameter:

Volume, Pan, Format, Input, Output, Automation, Group, Custom (Automation Parameter)

Page 69

Pan = Activates Pan Assignment, edit stereo pan, or surround panning parameters

Surround Channels: Angle, Diversity, LFE Level, Spread

EQ = Activates EQ Assignment, opens and editsLogic Channel EQonselected channel

Parameters: Frequency, Gain, Q-Factor, Band Bypass

Cursor Arrows up/down select EQ Band

Send = Activates Send Assignment, adjust bus send levels and routing parameters:

Send Destination, Send Level, Pre/Post, Bypass

Plug-in = Activates Plug-in Assignment, open plug-ins and access plug-in parameters

Instrument = Activates Instrument Assignment, open and control instrument plug-ins

Fader Flip:

Press Flip to access the current Encoder Knob parameters on the touch sensitive motor faders. This is great for precise adjustments of multiple channels/parameters and managing automation. Press Shift+ Fliptoswap encoder assignments with the fader assignments.

Cmd+ turnEncoder Knob=Fine parameter adjustment(only high resolution parameters) Option + turn Encoder Knob= Toggle min, max, default value Cmd+ Cursor Arrows left/right = Browse pages by single parameters Option + Cursor Arrows = Skip to rst/last selection

<<<<<<<<<Automation>>>>>>>>>>

Ease creating and managing automation is a highlight of using a control surface with motor faders. Press the Automation buttons to change the automation behavior of the selected channel. Press Play and begin to mix on the knobs and faders in real time with automation. Begin adopting

automation into your workow starting with Touch automation.

Option + Read, Write, Touch, or Latch =Apply automation mode to all tracks

Main Automation Modes:

Read = Toggle between Read and Off:

Set to Read, the channel will respond to existing automation in real time. Any parameters with automation will jump to existing automated values during playback.

Set to Off, the channel will ignore all automation.

Write = All channel parameters record automation during playback. This overrides and replaces all

automation. This is for tracking an unassisted mixdown performance.

Touch = The channel reads existing automation, plus writes automation for specic parameters

adjusted during playback. This only creates automation while parameters are being edited.

Latch = Reads existing automation, plus writes automation for specic parameters adjusted during

playback. This continues to write automation for any parameters which have been changed during

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playback.

Trim Automation:

Trim = Toggle Trim behavior on a channel armed with Touch or Latch automation. When active,

Trim allows automation to be modied instead of overwritten. Adjusting knobs and faders during

playback will make a change relative to existing automation.

Touch + Trim = T-Touch: Adjust automation momentarily while parameters are being edited Latch + Trim = T-Latch: Adjust automation continuously by changing a parameter

<<<<<<<<< Advanced Encoder Assignment Modes>>>>>>>>>

Every Assignment Modehas multiple modes of control. Theseare specialized control modes

advantageous for specic tasks andproject styles.

<<<<<<<<< Track>>>>>>>>>

Track Assignment Shortcuts:

Hold Trackto display the shortcut menu. Here you can select which parameter will appear on the LCD displayand can be edited by the Encoder Knobs in Track Assignment Mode.

Encoder Knob 1 or F1= Volume Encoder Knob 2 or F2= Pan Encoder Knob 3 or F3= Input format(Mono, Stereo, L/R, Surround) Encoder Knob 4 or F4= Input assignment Encoder Knob 5 or F5= Output assignment Encoder Knob 6 or F6= Automation mode Encoder Knob 7 or F7= Custom(Select a channel automation parameter in Logic Pro X) Encoder Knob 8 or F8= Activates Setup Focus Mode

Track + Group =Group Assignment

Track Focus Mode: (Track- Track)

Press Tracktwice. This allows you to edit multiple channel strip parameters for the selected channel. Parameters appear across the LCD display andeach Encoder Knobis set to a different function. Press a channel Select button to choose that track to edit.

Encoder Knob 1 = Volume Encoder Knob 2 = Pan Encoder Knob 3 = Software Instrument Encoder Knob 4 = Edit Plug-In on slot 1. Press Shift + Mute 4 to toggle bypass. Encoder Knob 5 = Edit Plug-In on slot 2. Press Shift + Mute 5 to toggle bypass. Encoder Knob 6 = Level of Send 1. Press Shift + Mute 6 to toggle bypass. Encoder Knob 7 = Level of Send 2. Press Shift + Mute 7 to toggle bypass. Encoder Knob 8 = Level of Send 1. Press Shift + Mute 8 to toggle bypass.

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Setup Focus Mode:(Track+F8)

Encoder Knob 1 = Channel strip format (Mono, Stereo, L/R, Surround) Encoder Knob 2 = Spread parameter (Surround channels only) Encoder Knob 3 = Channel strip input assignment Encoder Knob 4 = Channel strip output assignment Encoder Knob 5 = Automation mode Encoder Knob 6 = Quick-edit group membership. ChooseGroup1 to 32 or Off

<<<<<<<<< Pan>>>>>>>>>

Pan Assignment Shortcuts:

Hold Pan to display the shortcut menu. Here you can select which parameter will appear on the LCD display and can be edited by the Encoder Knobs in Pan Assignment Mode.

Encoder Knob 1 or F1 = Angle Encoder Knob 2 or F2 = Diversity Encoder Knob 3 or F3 = LFE Level Encoder Knob 4 or F4 = Spread Encoder Knob 5 or F5 = Encoder Knob 6 or F6 = ActivatesSurround Focus Mode Encoder Knob 7 or F7 = Activates Angle/DiversityMixer Mode Encoder Knob 8 or F8 = Activates X/Y Mixer Mode

Surround Focus Mode: (Pan - Pan)

Press Pan twice to enter Surround Focus Mode, and edit multiple surround parameters for the selected channel. Each Encoder Knob is set to a different function. Stereo channels are always assigned the parameter Pan.

Encoder Knob 1 = Angle Encoder Knob 2 = Diversity Encoder Knob 3 = LFE Level Encoder Knob 4 = Spread Encoder Knob 5 = Surround X Encoder Knob 6 = Surround Y

Angle/Diversity Mixer Mode:(Pan +

Create dramatic polar-style surround panning for many tracks at once. This style of surround control is best for creating deep immersive surround and automating smooth circular movements. Turning anEncoder Knob changes the surround angle, and the Fadersedit surround diversity.

Angle and Diversity work together to set the virtual position of a sound. Angle is the position of the sound source relative to the listener in 360 degrees. Diversity is like the distance of the source from the listener, where lower values are farther away.

)

X/Y Mixer Mode:(Pan + F8)

Create dramatic grid-style surround for many tracks at once. This style of surround control is best for placing sounds on a virtual stage, or for automating sound objects that will move on mostly linear paths relative to the listener. Turning anEncoder Knob changes the surround X value, and the Faders edit surround Y.

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The X/Y parameters are like the coordinates of a sound source relative to the listener, where 0, 0 is centered and coordinates can be set between +/-1000on the grid.

<<<<<EQ>>>>>

EQ Assignment Mode:(EQ)

Press EQ to open (or add) theLogic Channel EQ. EQ Assignment Modecan only edit a standard

Logic Channel EQ or Logic Linear Phase EQ. Press Shift+Muteto toggle EQ band bypass.Press

Flip to control EQwith the faders and toggle band bypass with Mute.

EQ Assignment Shortcuts

HoldEQto display the shortcut menu. Here you can select which parameter will appear on the LCD display and can be edited by the Encoder Knobs in EQ Assignment Mode.

Encoder Knob 1 or F1 = Frequency Encoder Knob 2 or F2 = Gain Encoder Knob 3 or F3 = Q-Factor Encoder Knob 4 or F4 = Band Bypass Encoder Knob 5 or F5 = -Encoder Knob 6 or F6 = Activates EQ Focus Mode Encoder Knob 7 or F7 = Activates Freq/Gain Mixer Mode Encoder Knob 8 or F8 = Activates Freq/Gain Channel Mode

EQ Focus Mode:

Press EQa second time to open the Logic Channel EQand editmultiple EQ parametersfor the selected channel. The left/right Cursor Arrows browse pages of EQ bands.

Encoder Knob 1 = Band 1 Frequency Encoder Knob 2 = Band 1 Gain Encoder Knob 3 = Band 1 Q-Factor Encoder Knob 4 = Band 1 Bypass Encoder Knob 5 = Band 2 Frequency Encoder Knob 6 = Band 2 Gain Encoder Knob 7 = Band 2 Q-Factor Encoder Knob 8 = Band 2 Bypass

Freq/Gain Mixer Mode:(EQ+ F7)

This is the place to efciently manage frequency separation between instruments for a mixdown. After the rough mix, use this mode to quickly assign tracks appropriate real estate on the sonic stage. The LCDdisplay shows channel strip names andfrequency of the selected EQ band. The

Encoder Knobschange the EQ frequency, and the faders adjust EQ Gain.Mute toggles bypass of

the selected EQ band. Cursor Arrows up/down select the EQ band.

(EQ- EQ)

Freq/Gain Focus Mode:(EQ+ F8)

Edit frequency and gain for all 8 EQ bands on the selected channel strip. This offers very quick access to powerfully adjust the frequency content of a track, optimal for rough mix. Turning anEncoder Knob changes the EQ frequency, and the faders adjust EQ Gain. Each channel Mute

toggles bypass of its EQ band. Press channel Select to edit the EQ on that track.

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<<<<<Send>>>>>

Send Assignment Mode:(Send)

Use the Send Assignment Mode to set send destinations and adjust send amounts for the selected channel.Cursor Arrows up/down change the selected send slot number.Cursor Arrows left/right select a parameter.Press Shift+Mute to toggle send bypass. Press Flip to control the selected parameters on the faders, and while Flip is engaged, pressMute to toggle send bypass. Press Solo (channel) to toggle send Pre/Post.

Send Focus Mode:(Send- Send)

Press Sendtwice to enter Send Focus Mode, and edit multiple parameters for the selected channel. Each Encoder Knob is set to a different function. The left/right Cursor Arrows browse

pages of send slots. The rst page displays send slot 1 & 2, page 2 displays send slot 3 & 4, and

so on.

Send 1: Encoder Knob 1 = Select send destination Encoder Knob 2 = Adjust send amount Encoder Knob 3 = Set send pre/post fader Encoder Knob 4 = Toggle send bypass

Send 2: Encoder Knob 5 = Select send destination Encoder Knob 6 = Adjust send amount Encoder Knob 7 = Set send pre/post fader Encoder Knob 8 = Toggle send bypass

Send Assignment Shortcuts:

Hold Send to display the shortcut menu.Here you can select which parameter will appear on the LCD display and can be edited by the Encoder Knobs in Send Assignment Mode.

Encoder Knob 1 or F1 = Send destination Encoder Knob 2 or F2 = Send amount Encoder Knob 3 or F3 = Send pre/post fader Encoder Knob 4 or F4 = Toggle sendbypass Encoder Knob 5 or F5 = ActivatesSend Focus Mode Encoder Knob 6 or F6 = Activates Multiple SendFocus Mode Encoder Knob 7 or F7 = Activates Destination/Level Mixer Mode Encoder Knob 8 or F8 = Activates Destination/Level Focus Mode

Multiple Send Focus Mode:(Send+ F6)

This mode is forintegrating complex bus routing during the rough mix or production, adjusting bothvolume balance and complex sends at once.

Encoder Knobs 1 to 8 edit the selected send parameter for sends 1 to 8 on the selected track.The

left/right Cursor Arrows change the selected parameter:

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Send Destination, Send Level, Pre/Post, Bypass

In an analog/digital hybrid setup making use of I/O Utilityon busses, manage signals to outboard gear without touching manual routing. Once prepared, turn a knob on the control surface to send a track through your outboard gear. The template tracks using hardware would be set to no

output, only reaching output through bus sends.This requires rendering the nal mix through the

hardware: Logic Pro X -> Bounce -> Mode:select“Realtime”

Example: Tracks have no output and have sends ready with Bus 10 – 12 assigned. Bus 10 = Dry output to digital sum Bus 11 = I/O plugin (with latency offset) to hardware 1, DAW output 1-2 Bus 12 = I/O plugin (with latency offset) to hardware 2, DAW output 1-2

Destination/Level Mixer Mode:(Send+ F7)

Use this mode to mix send amount and select busses for multiple tracks. With prepared effect busses,this is the place to create an entire effects mix for mixdown.

TheEncoder Knobsselect a send destination, and the faders adjust the send amount. Mute toggles send bypass, and Solo toggles pre/post. Cursor Arrows up/down select the send slot.

Destination/Level Focus Mode:(Send+ F8)

Use this mode to mix the bus effects balance for single complex tracks. This is the optimal tool for making a deep effects mix on prominent tracks such as main vocals and lead sounds. With this mode plus automation, you can use the faders to paint with an artistic pallet of 8 effects to create color, size, dynamics, and complexity. Edit send destination and send level for 8 send slots on the selected channel strip. The Encoder Knobsselect a send destination, and the faders adjust the send amount. Each channel Mute toggles send bypass. Press channel Solo to toggle pre/post.

<<<<<Plug-In>>>>>

Plug-In Assignment Mode:(Plug-In)

Press Plug-In to open and edit plug-ins on any track. To quickly edit an existing plug-in, press the

Encoder Knob to the corresponding plug-in namevisible on the LCD display. Plug-In parameters

appear on the LCD display and are assigned across the Encoder Knobs. Press Cursor Arrowsleft/ right to view and edit further pages of parameters. Press Plug-In to exit. Press Shift + Muteto bypass the plug-in. Turn an Encoder Knob to select a plug-in and press to conrm and edit. The up/downCursor Arrows change the selected slot number.

Plug-InFocusMode: (Plug-In -Plug-In)

Press Plug-In again to view and edit plug-ins in the rst 8 slots of the selected track. Press

Shift + Muteto bypass a plug-in. Turn and press an Encoder Knob to select a plug-in for the

corresponding slot number. Adjust parameters with the knobs and use the left/right Cursor Arrows to view and edit further pages of parameters.

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<<<<<Instrument>>>>>

Instrument Assignment Mode:

Press Instrumentto open and edit instrument plug-ins on MIDI software instrument tracks. Turn and press an Encoder Knob to select an instrument. Parameters appear across the LCD display and can be edited with the Encoder Knobs. Use the left/right Cursor Arrows to view and edit further pages of parameters. Press Plug-In to exit. Press Shift + Muteto bypass the plug-in.

<<<<<User Assignments>>>>>

MIDI Learnis to be used on the Encoder KnobswhileUser Assignments are activated. After

parameter assignment, press Flip to adjust and automate with the motor faders. Any automatable parameter can be mapped to the control surface using MIDI Learn in Logic Pro X. Fiveindividual

User Assignmentsetups can be used for unique sets ofMIDI Learn assignments.

Shift +Track= User Assignments 1 Shift +Pan = User Assignments 2 Shift +EQ = User Assignments 3 Shift +Send = User Assignments 4 Shift +Plug-in = User Assignments 5 Shift +Instrument = Smart Controls

To create an assignment in one of the User Modes, useMIDI Learn in Logic Pro X to map parameters to the Encoder Knobs:

1. Enter a User Assignment mode –the LCD display is blank

2. Move the parameter you want to assign with the mouse in Logic Pro X

3. Press the keyboard shortcut “Command + L”, the Controller Assignments Window appears.

4. Turnthe Encoder Knob to assign.

5. Move the next parameter with the mouse in Logic Pro X.

6. Turn the next Encoder Knob to assign.

7. Click the Learn button in the Controller Assignments Window to nish. Now the User

Assignment can be used and recalled later.

Parameter names and values set with MIDI Learn in User Assignments appear on the LCD display.Press Flip to access these custom parameters on the faders.This way the motor faders will also follow automation.

<<<<<Advanced Utilities>>>>>

The Utilities buttons access additional workow operations, and many button combinations access

extended functionality and options.

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Click:

Click = Activate/deactivate metronome click (separate for playback and record) Shift + Click = Activate/deactivate external sync and the transmission of MMC

(MMC is for controlling compatible tape machines from the DAW)

The metronome click is a tempo reference for production and recording. There are options and settings in Logic Pro X for the click: File ->Project Settings -> Metronome

Solo:

Solo (transport) = Activate Solo Regions: selected regions in the Arrange Window are solo Shift + Solo = SetSolo Lock: selected regions solo, regardless of subsequent selections

Solo Regions is a useful evaluation tool for production, plus aids in audio editing. This allows

efcient techniques exclusive to a digital setup. Use the Solo (channel) buttons to solo by track in

the more traditional method.

Marker:

UseMarker to manage markers in the Arrange Window. Press Marker +Nudge to create a marker at the playhead. Use Rewind or FastForwardto move the playhead and the cycle to the previous/ next existing marker.

Press Shift + Marker to displaythe marker menu, or just hold Marker. The Encoder Knobs have the following commands:

Encoder Knob 1 = Jump to marker 1 Encoder Knob 2 = Jump to marker 2 Encoder Knob 3 = Jump to marker 3 Encoder Knob 4 = Jump to marker 4 Encoder Knob 5 = Jump to marker 5 Encoder Knob 6 = Create marker at the playhead Encoder Knob 7 = Create marker at the nearest bar Encoder Knob 8 = Deletes marker at the playhead

Markershortcuts:

Marker+ F1 = Jump to marker 1 Marker+ F2 = Jump to marker 2 Marker+ F3 = Jump to marker 3 Marker+ F4 = Jump to marker 4 Marker+ F5 = Jump to marker 5 Marker+ F6= Jump to marker 6 Marker+ F7= Jump to marker 7 Marker+ F8= Jump to marker 8

Nudge:

Press Nudge to move audio or MIDI regions and events. With nudgeactive, the left/right Cursor

Arrowsselect regions. Press Rewind or FastForwardto nudge the selected region. Use nudge to

adjust timing, or select multiple regions and organize the arrangement.

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Press Shift +Nudge to displaythe nudge menu, or just hold Nudge. Each Encoder Knob has a different nudge command for the selected region:

Encoder Knob 1 = Set nudge amount forRewind and FastForward Encoder Knob 2 = Move to the playhead Encoder Knob 3 = Move by bar Encoder Knob 4 = Move by beat Encoder Knob 5 = Move by divisions Encoder Knob 6 = Move by ticks Encoder Knob 7 = Move by 1 frame Encoder Knob 8 = Move by ½ frame

Nudge settings for Rewind and FastForward:

Nudge + F1 = Ticks Nudge + F2 = Divisions Nudge + F3 = Beats Nudge + F4 = Bars Nudge + F5 = Frames Nudge + F6 = Half Frames

Drop – Autopunch:

Drop toggles Autopunch. Autopunch is recording which overwrites existing audio or MIDI within a

set punch area. This is a key workow tool because of the time saved by combining tracking and major edits. Without Autopunch, subsequent takes must be individually edited into the nal tracks.

Using Drop keeps a production moving forward, which boosts creativity and productivity.

Hold Drop and turn the Jog Wheel to quickly dene the punch area.

Drop + Rewind = Set punch-in location to the playhead position Drop + FastForward= Set punch-out location to the playhead position

PressShift+Drop to display the punch edit menu. The Encoder Knobs adjust the punch area:

Turn Encoder Knob 3 = Move the selected punch area by bar Press Encoder Knob 5 = Set punch-in locator to the playhead position Turn Encoder Knob 5 = Move punch-in locator in bars Turn Encoder Knob 6 = Move punch-in locator in beats Press Encoder Knob 7 = Set punch-out locator to the playhead position Turn Encoder Knob 7 = Move punch-out locator in bars Turn Encoder Knob 8 = Move punch-out locator in beats

Replace:

PressReplaceto enable overwriting recordings, like recording on tape. Replace is not destructive, but it does inspire productivity through simplicity and maintain a clean project Arrange Window. When Replace is disabled, recording over existing regions creates a take folder. If enabled, new overlapping audio recordings cut existing regions.

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Settings forReplaceare in Logic Pro X ->Preferences -> Recording -> Replace: Region Erase = Cut MIDI and audio regions when recording Region Punch = Cut MIDI and audio regions when recording with input Content Erase = Overwrites MIDI and audio inside regions when recording Content Punch = Overwrites MIDI and audio inside regions when recording with input

Region Operations:

Use Cmd+ Function buttons to manage audio and MIDI regionsin the Arrange Window.

Cmd +F1 = Cut Cmd +F2 = Copy Cmd +F3 = Paste Cmd +F4 = Clear Cmd +F5 = Select All Cmd +F6 = Select All Following Cmd +F7 = Select Similar Regions/Events Cmd +F8 = Select Inside Locators

Settings Mode:(Cmd+ Name/Value)

Encoder Knob 5 = Toggle track number on the main LCD display = Option +Name/Value Encoder Knob 6 = Engages Channel Focus Lock: in Focus Modes, the selected track remains on

the encoder knobs even after subsequent channel selections.

Encoder Knob 7 = Toggle the main LCD display style =Name/Value Encoder Knob 8 = Toggle the digital time display =SMPTE/Beats

Additional Functions:(default QCon Pro X, Platform B+ only)

Save = Save Logic Pro X project Option + Save = Save As: Save project with a new name Cancel = Cancel preselection, Close track folder Enter = Execute, OK, Open selected track folder Undo = Logic Pro X Undofunction Shift +Undo = Redo Option + Undo = Open Undo History

External Controls:

On the units QCon Pro X, QCon Pro G2, and QCon Pro, connect a standard momentary foot switch to User A or User B, and then power on the Icon control surface.

User A = Toggle Play/Stop

User B = Record

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<<<<<<<<< Advanced Conguration >>>>>>>>>

After successful control surface setup with your Icon control surface and expansion banks, go to

Logic Pro X ->Control Surfaces -> Setup for manual conguration.

Touch Fader to Select Track:

Check “activate touch faders activates track” to enable instant track selection when touching a fader. By default this feature is off, and the Select buttons are used to select a channel.

Fader Touch Sensitivity:

In the setup window under “Mackie Control” is a settingfor fader touch sensitivity. 0 makes the faders slightly less responsive and 5 is the maximum sensitivity.

Control Surface Group Parameters:

These settings impact all fader banks.This is the recommended default setup:

Flip Mode: Off(“Mute”disables motor faders. Press Flip to restore) Display Mode: Value Clock Display: SMPTE Channel Strip View Mode: Arrange Fader Bank for Tracks View: 0 Fader Bank for All View: 0 Channel Strip Parameter: Automation Surround Parameter: Angle EQ Band: 3 EQ Parameter: Gain All EQs Parameter Page: 0 Send Slot: 1 Send Parameter: Destination All Sends Parameter Page: 0 Split: no. of upper parameters: 0 Instrument Parameter Page: 0 Inst Param Page (Split Lower): 0 Insert Type: Audio (“MIDI” changes Plug-In Assignment to instead access MIDI FX) Insert Slot: 1 Insert Type (Split Lower): Audio Plug-in Parameter Page: 0 Channel Strip Track: 262145 Channel Strip Track (Split Lower): 262145 Track Lock: (No) Track Name Format: Name Parameter Page Shift Mode: By Page (“By Parameter”changes Cursor Arrows menu style) Relative Change Mode: Coarse (“Full”, “Fine”changes Encoder Knobs edit style) Mix Group: 1 Group Parameter Page: 0

Page 80

<<<<<<<<< Troubleshooting >>>>>>>>>

Strange behavior in the DAW, unexpected functions, device not recognized, orfreezes:

Disconnect all MIDI-USB devices. In Logic, delete all control surface congurations andzones

(including other MIDI devices) in Controller Assignments and Control Surface Setupand then close Logic. For testing, connect directly to the computer without a USB hub or USB extension cable. Turn on the Icon control surface and select the MCP Logic Pro X mode.

OSX – Go to Audio-MIDI-Setup, open MIDI Studio, and delete unused congurations and all Icon

devices. Restart the Icon control surface to automatically recongure.

Finally, start Logic Pro X and congure the control surface in Control Surfaces -> Setup.

Go to New -> Install – select Mackie Control – click Add Select your device for both Output and Input Port, displayed under “Device: Mackie Control”

Faders are not motorized:

The power source is not connected. Verify the power source by disconnecting USB and turning the control surface on. If power is well connected, it will start up normally.

Faders makenoise or move improperly:

A fader calibration is needed. Please read the section on Fader Calibration below for details.

I want to control and automate certain parameters:

Use the User Assignments 1-5 andMIDI Learnto assign parameters to controls. PressShift +Track to activate User Assignment 1, and use MIDI Learnin Logic Pro X to map parameters to the

Encoder Knobs. Now, pressFlipto control these parameters with the faders.

Scrubplays no Audio:

In Logic Pro X, by default scrub does not play audio. To enable audio scrub go toPreferences -> Audio -> Editing, and select “Scrubbing with audio…”

I want to change the behavior of a function:

Icon control surfaces with MCP offer deep and complex control options, just please remember that the control surface only sends/receives MIDI messages. The functionality happens in your DAW.

The style and components of a function is xed based on the DAW MCP implementation, and can’t be changed unless specically otherwise stated. The behavior is different in every DAW and

can change with DAW version updates.

I want to see customvalues on the display:

The messages and values on the display are generated from values sent by the DAW as return MIDI. Display readouts in return MIDI are controlled by the MCP implementation in your DAW,

so they are not customizable unless specically otherwise stated. The rate at which the screen

updates certain parameters is controlled by the frequency of the corresponding MIDI messages in the DAW. These update rates have changed with various Logic Pro X updates.

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I want to adda custom function:

It is possible to use User Assignment Modes with MIDI Learn to freely assign parameters to the encoder knobs, and pressFlip to apply these controls to the faders. To alter and customize controls beyond standard MCP, please review the DAW developer support on customizing controller assignments in expert view. In many DAWs, it is possible to assign Key Commands (instead of MCP functions) to MIDI Input generated from buttons on Icon control surfaces. In the typical style

of MCP implementation, device-specic MIDI input used by the DAW for MCP is blocked from

other uses.

I want to rescale the faders:

The fader volume curve, zero dB position and value range are preset in the DAW implementation of MCP, and can’t be adjusted. There is variance between different DAWs.

I want to change the Jog Wheelresolution:

The behavior of the Jog Wheel is preset in the DAW implementation of MCP. In Logic Pro X, its movement resolution is linked to the grid in the Arrange Window. There is variance between different DAWs.There may be some adjustment for this, at least by changing grid settings.Pressing

Scrub enables ne movement with the Jog Wheel.

<<<<<<<<< Firmware Update >>>>>>>>>

To accommodate future changes to MCP implementation in new DAW versions plus expand on operational features, Icon provides Firmware updates for current production and legacy control surfaces.

Caution:

Please take extra care to follow the correct procedure when performing a rmware update. When performing a rmware upgrade, always connect directly to the computer without a USB Hub or

extension, and only connect one device to the computer during update. Also quit all other software which can access MIDI input/output such as your DAW or utility programs.

To U pdate:

QCon icon in iMap)

Windows / Legacy – Install and open the device-specic iMap, use “MIDI Devices” to select your

device, click Update. Newer iMap releases automatically download the correct rmware online.

!After Firmware Update, reinstall the device in your DAW by deleting the previous device

conguration and repeating the MCP device setup.

!Never attempt to “downgrade” rmware of an Icon control surface.

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! Only use the iMap and Firmware versions specic for your hardware version.Also be sure to get the newest iMap on the Icon Pro Audio website.

! Never unpack a .bin rmware le

<<<<<<<<<Fader Calibration – QCon Series>>>>>>>>>

Press and hold the Rec Button on channel two and start the device. Fader Calibration will

display. Turn each Encoder Knob to ne tune the value for each channel. A higher value results in

smoother, quieter response. A lower value results in faster movement speed. Each fader can be

ne tuned individually. To adjust the master fader, use the channel select buttons 7 and 8. To save

the new changes and exit, press Encoder Knob 8.

For Logic Pro X, start with values set at 190, evaluate, then adjust individually to personal preference.

<<<<<<<<<Fader Calibration – Platform (v2.00 and up)>>>>>>>>>

Start with a slower movement, test in your DAW and evaluate, then adjust individually to personal preference.

Page 83

Control Surface Functionality Manual

Pro Tools HUI

QCon Pro X, QCon Pro XS, QCon Pro G2, QCon EX G2 Platform M+, Platform B+, Platform D2, Platform X+, PlatformNano

Revision v1.00

This is a master manual. Specic device manuals can be built from this material.

Congratulations on owning an Icon control surface! This manual documents the full range of potential functions when the device is installed in Pro Tools.

You can extensively controlPro Tools with an Icon QCon seriescontrol surface or Icon Platform modular control system using standard MackieControl protocol.Expansion bank units can be addedfor more hands-on controls:QCon expansion units for the QCon series and the Platform X+ channel bank expansion. Platform B+ button module is necessary toaccess all functions in this manual with Platform M+, and the D2 display highly recommended.Icon Metal Fader Caps and Icon Metal Knob Caps are available as an aesthetic and haptic upgrade for the best control experience.

The terms Mackie Control and HUIare used to refer to the control protocol standard to be used with the QCon and Platform series control surfaces. Pro Tools and all DAW-

specic terminology belong to their copyright holders and has no afliation with Icon

Pro Audio.

<<<<< Table of Contents >>>>>

Setup ………………………………………………. -

Getting Started ………………………………………………. -

Mix and Transport ………………………………………………. -

View ………………………………………………. -

Encoder Knob Assignment ………………………………………………. -

Utilities ………………………………………………. -

UserFunctions ………………………………………………. -

Troubleshooting ………………………………………………. -

Firmware Update ………………………………………………. -

Fader Calibration ………………………………………………. -

MIDI Implementation Table ………………………………………………. -

Renamed Buttons ………………………………………………. -

Page 84

<<<<<Color Reference Key>>>>>

Control Surface Function

Control Surface Button

DAW Term

ButtonA + ButtonB =hold Button A and press Button B

Button A - Button B = press Button A and then press Button B

<<<<<<<<< Setup>>>>>>>>>

Before you can use your control surface, you will rst need to congure it in Pro Tools.

Once setup,Pro Tools will remember your settings for future sessions without the need

to recongure. For maximum stability, rst boot the control surface and select the DAW

Mode, then start your DAW software.

When your control surface is switched on, it will rst prompt for a DAW Mode selection.

Select the corresponding mode with the illuminated navigation buttons and conrm

selection with the highlighted DAW mode button. On Platform M+, the small channel indicator will light to show the currently selected DAW Mode.If no buttons are pressed, the control surface will select the previously used mode after a few seconds.

In the latest device Firmware version (may require Firmware update):

1: MCP General 2: Logic Pro 3: Pro Tools HUI 4: User Dened

In Pro Tools, go to Setup ->Peripherals ->MIDI Controllers. In row #1, select Type:HUI, and choose your device name for both Receive From and Send To, and select # Ch’s: 8.

In addition, go to Setup -> MIDI, Input Devices. Set a check mark next to the Icon control surface and click OK.

<<<<<<<<< Getting Started >>>>>>>>>

When rst opening a blank project inPro Tools, we are looking at the Edit Window.

Add Tracks to your project here, and you will see the motor faders jump into position. Each Icon control surface has one physical bank consisting of 8 channel strip controls. Each channel strip corresponds to controls for one track in your DAW. The track name appears on the display above each channel strip. Touch a fader and adjust the track’s volume. Change a track’s volume in Pro Tools and the corresponding motor fader will adjust itself. You can balance the volume of multiple faders on the control surface simultaneously – already a huge mixing advantage of using a control surface. Press the

Bank up / down buttons to scroll through further tracks in the project in xed blocks of

8.The Channel up / down buttons stepthe focus of the current bankone track at a time.

Page 85

The 9th fader on your control surface is the Master Fader. Pro Tools does not support any use of the master fader or master meter with HUI.

Track. Press the knob to reset to the default value, or conrm a selection depending on

the Assignment Mode.

<<<<<<<<<Mix and Transport>>>>>>>>>

Transport:

Play = Begin playback Stop = Stop playback Rec (transport) =Arm recording FastForward = Shuttle forward in Edit Window Rewind =Shuttle backwards in Edit Window Cycle = Toggle the playback loop on/off

Channel Bank Options:

Channel up/down = Step the current bank by one track Bank up/down = Scroll through tracks in blocks of 8

Page 86

Channel Strip Buttons:

Rec (channel) = Arms thetrack for recording. Solo = Engage Solo for one or multiple tracks Mute = Engage Mute for one or multiple tracks Select = Focuses and selects the track

Jog Wheel:

Press Scrubto toggle the Jog Wheel function between scrub and off. Then turn the Jog Wheel to adjust the playhead position, visible in the Edit Windowin Pro Tools.(On Platform M+, scrub is

accessed by pressing down the jog wheel.)

Fader Lock:

Press Lock Mix to disable touch sensitive changes to fader position.

<<<<<<<<<View>>>>>>>>>

Time Display:

Thedigitaltime displayshows the current play position in Bars|Beats, Min:Secs, SMPTE Timecode, Feet+Frames, or Samples, depending on the current selection in the Pro Tools transport window.

Window Shortcuts:

Edit= Toggle Edit Window Mix= Toggle Mix View Transport= Show/hide Transport Window Mem Lock= Show/hide Memory Locations Window

Zoom &Cursor Arrows:

The Cursor Arrows (left, right, up, down) change selections in both Mix View and Edit Window, or modify zoom in the Edit Window.Press Zoom to activate zoom controls using the Cursor Arrows. Zoom controls only work in the Edit Window.

(On Platform M+, Zoom is managed by toggling the Zoom buttons and turning the jog wheel.)

<<<<<<<<< Encoder Knob Assignment>>>>>>>>>

Press the Assignment buttons to select the category of parameters currently assigned to the

Encoder Knobs. Press or turn the Encoder Knobs to edit parameters.

Pan Assignment:

Pan = Activates Pan Assignment, view and edit routingfor each track. Press Panagain to toggle

panning left/right on stereo tracks.

Routing Assignment: (QCon Pro X and Platform B+ only)

Assign + Input = Activates I/ORouting, edit inputrouting for each track with the Encoder Knobs.

Press Assign to conrm.

Assign + Output = Activates I/ORouting, edit outputrouting for each track with the Encoder Knobs.

Press Assign to conrm.

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Plug-In Assignment:

Plug-In = Select a channel, then press Plug-In. Next press Plug-In Assign to view the selected

channel’s inserts 1-4 on the LCD Display.Turn the Encoder Knobs to add/select plug-in effects. Press Plug-In Assign to conrm. Turn Encoder Knob 5 to access insert 5 on knob 1. Press an

Encoder Knob 1-4 to edit the selected plugin. Parametersappear on the LCD Display above track

1-4. Turn the Encoder Knobs to edit the lower parameter, press the Encoder Knobs to toggle the upper parameter. Turn Encoder Knob 5 to access further pages of parameters on knobs 1-4. Press Encoder Knob 5 to return to viewing inserts for the selected channel.

While a plugin is open:

Bypass = Toggle Plug-In Bypass Compare = Toggle previous plugin parameter settings

Send Assignment:

Assign + Send A-E = Activates Send Routing, edit send destination for each track with the Encoder Knobs. Press Assign to conrm.

Send A-E = Activates Send Assignment, Turn the Encoder Knobs to adjust the send level to the

corresponding send destination for eachtrack.

Press Flip to access the currentSend Faders on themotor faders.

<<<<<<<<<Automation>>>>>>>>>>

Ease creating and managing automation is a highlight of using a control surface with motor faders. Press the Automation buttons to change the automation behavior of the selected track.

Automation Modes:

Read = Toggle between Read and Off:

Set to Read, the channel will respond to existing automation in real time. Any parameters with automation will jump to existing automated values during playback.

Set to Off, the channel will ignore all automation.

Write = All channel parameters record automation during playback. This overrides and replaces all

automation. This is for tracking an unassisted mixdown performance.

Touch = The channel reads existing automation, plus writes automation for specic parameters

adjusted during playback. This only creates automation while parameters are being edited.

Latch = Reads existing automation, plus writes automation for specic parameters adjusted during

playback. This continues to write automation for any parameters which have been changed during playback.

Trim = Trim allows automation to be modied instead of overwritten. Adjusting knobs and faders

during playback will make a change relative to existing automation.

Off= Disable track automation. Set to Off, the channel will ignore all automation.

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Suspend= Disable automation on all tracks

<<<<<<<<<Utilities>>>>>>>>>

In=Set the left locator at the playhead position Out= Set the right locator at the playhead position Punch= Activate Quick Punch: during playback, tap Record to track and Play to punch out

Undo = Pro ToolsUndo function Shift +Cmd + Undo = Pro ToolsRedofunction Save= Pro ToolsSaveproject Enter= Pro ToolsEnterfunction Esc/Cancel= Pro ToolsCancelfunction

<<<<<<<<<Modiers>>>>>>>>>

Thefour Modier buttons can be held to alter the function of other commands as dened with Pro

Tools keyboard shortcuts. Some applications for the four modier buttons:

Option + Cursor Arrows =Scrollwindow view in Edit Windowor Mix View Shift + Cursor Arrows = Extend selection in Edit Window Control= Clutch: hold bypass grouping for track levels (faders) Option+ Cursor Arrows(left/right) =Centersselection in Edit Window Option + Cursor Arrows(up/down) =Subtract track selection in Edit Window

<<<<<<<<< Troubleshooting >>>>>>>>>

Strange behavior in the DAW, unexpected functions, device not recognized, orfreezes:

Disconnect all MIDI-USB devices. In Pro Tools, remove all control surface congurationsin

Setups -> Peripherals -> MIDI Controllers andclose Pro Tools. For testing, connect directly to the computer without a USB hub or USB extension cable. Turn on the Icon control surface and select the HUIPro Tools mode.

First check that the specied USB cable is in good condition and well connected. For testing, connect directly to the computer without a USB hub or USB extension cable.

OSX – Go to Audio-MIDI-Setup, open MIDI Studio, and delete unused congurations and Icon

devices. Restart the Icon control surface to automatically recongure.

Windows –Open the Device Manager in Windows, select the Icon Control Surface, and delete the device.Now restart the control surface to automaticallyrecongure. If there remain issues related to the USB connection, a Windows update can repairsome issues.

Finally, start Pro Tools and recongure the control surface in Setups -> Peripherals -> MIDI Controllers.

Page 89

Faders are not motorized:

The power source is not connected. Verify the power source by disconnecting USB and turning the control surface on. If power is well connected, it will start up normally.

Faders make noise or move improperly:

A fader calibration is needed. Please read the section on Fader Calibration below for details.

I want to control and automate certain parameters:

Access parameters via the Assignment Modesand use Automation Modesto begin creating live automation.PressFlipto control these parameters with the faders.

I want to change the behavior of a function:

Icon control surfaces with MCP offer deep and complex control options, just please remember that the control surface only sends/receives MIDI messages. The functionality happens in your DAW.

The style and components of a function is xed based on the DAW MCP implementation, and

can’t be changed unless specically otherwise stated. The behavior is different in every DAW and can change with DAW version updates.

I want to see customvalues on the display:

The messages and values on the display are generated from values sent by the DAW as return MIDI. Display readouts in return MIDI are controlled by the MCP implementation in your DAW,

so they are not customizable unless specically otherwise stated. The rate at which the screen

updates certain parameters is controlled by the frequency of the corresponding MIDI messages in the DAW. These update rates have changed with various Pro Tools updates.

I want to adda custom function:

To alter and customize controls beyond standard MCP, please review the DAW developer support on customizing controller assignments in expert view. In some DAWs, it is possible to assign

Key Commands (instead of MCP functions) to MIDI Input generated from buttons on Icon control

surfaces. In the typical style of MCP implementation, device-specic MIDI input used by the DAW for MCP is blocked from other uses.

I want to rescale the faders:

The fader volume curve, zero dB position and value range are preset in the DAW implementation of MCP, and can’t be adjusted. There is variance between different DAWs.

I want to change the Jog Wheel resolution:

The behavior of the Jog Wheel is preset in the DAW implementation of MCP. There is variance between different DAWs. There may be some adjustment for this, at least by changing grid

settings. Pressing Scrub enables ne movement with the Jog Wheel.

Page 90

<<<<<<<<< Firmware Update>>>>>>>>>

To accommodate future changes to MCP implementation in new DAW versions plus expand on operational features, Icon provides Firmware updates for current production and legacy control surfaces.

Caution:

Please take extra care to follow the correct procedure when performing a rmware update. When performing a rmware upgrade, always connect directly to the computer without a USB Hub or

extension, and only connect one device to the computer during update.Also quit all other software which can access MIDI input/output such as your DAW or utility programs.

To Update:

OSX – Install and open the device-specic iMap, use “Connect” to select your device, click Update

and follow the directions on screen.(For an XS or EX unit, rst switch iMap mode by clicking the QCon icon in iMap)

Windows / Legacy – Install and open the device-specic iMap, use “MIDI Devices” to select your

device, click Update. Newer iMap releases automatically download the correct rmware online.

!After Firmware Update, reinstall the device in your DAW by deleting the previous device

conguration and repeating the MCP device setup.

!Never attempt to “downgrade” rmware of an Icon control surface.

! Only use the iMap and Firmware versions specic for your hardware version. Also be sure to get the newest iMap on the Icon Pro Audio website.

! Never unpack a .bin rmware le

<<<<<<<<< Fader Calibration – QCon Series >>>>>>>>>

Fader Calibration allows ne adjustment to the properties of how each motor fader responds when

commanded to move.

Press and hold the Rec Button on channel two and start the device. Fader Calibration will

display. Turn each Encoder Knob to ne tune the value for each channel. A higher value results in

smoother, quieter response. A lower value results in faster movement speed. Each fader can be ne tuned individually. To adjust the master fader, use the channel select buttons 7 and 8. To save the new changes and exit, press Encoder Knob 8.

Start with values set at 185, evaluate, then adjust individually to personal preference.

Page 91

<<<<<<<<<Fader Calibration – Platform (v2.00 and up)>>>>>>>>>

Start with a slower movement, test in your DAW and evaluate, then adjust individually to personal preference.

Control Surface Functionality Manual

Ableton Live 10

QCon Pro X, QCon Pro XS, QCon Pro G2, QCon EX G2 Platform M+, Platform B+, Platform D2, Platform X+, PlatformNano

Revision v0.81

This is a master manual. Specic device manuals can be built from this material.

Congratulations on owning an Icon control surface! This manual documents the full range of potential functions when the device is installed in Ableton Live.

You can extensively controlAbleton Live with an Icon QCon seriescontrol surface or Icon Platform modular control system using standard MackieControl protocol. Expansion bank units can be addedfor more hands-on controls:QCon expansion units for the QCon series and the Platform X+ channel bank expansion. Platform B+ button module is necessary toaccess all functions in this manual with Platform M+, and the D2 display highly recommended.Icon Metal Fader Caps and Icon Metal Knob Caps are available as an aesthetic and haptic upgrade for the best control experience.

The term Mackie Control is used to refer to the control protocol standard to be used with the QCon and Platform series control surfaces, and is abbreviated as MCP.

Ableton Live and all DAW-specic terminology belong to their copyright holders and has no afliation with Icon Pro Audio.

Page 92

<<<<< Table of Contents >>>>>

Setup ………………………………………………. -

Getting Started ………………………………………………. -

Mix and Transport ………………………………………………. -

Group ………………………………………………. -

View ………………………………………………. -

Encoder Knob Assignment ………………………………………………. -

Utilities ………………………………………………. -

UserFunctions ………………………………………………. -

Troubleshooting ………………………………………………. -

Firmware Update ………………………………………………. -

Fader Calibration ………………………………………………. -

MCP MIDI Implementation Table ………………………………………………. -

Renamed Buttons ………………………………………………. -

<<<<<Color Reference Key>>>>>

Control Surface Function

Control Surface Button

DAW Term

ButtonA + ButtonB =hold Button A and press Button B

Button A - Button B = press Button A and then press Button B

<<<<<<<<< Setup>>>>>>>>>

Before you can use your control surface, you will rst need to congure it in Ableton

Live.Once setup,Ableton Live will remember your settings for future sessions without

Page 93

the need to recongure. For maximum stability, rst boot the control surface and select

the DAW Mode, then start your DAW software.

When your control surface is switched on, it will rst prompt for a DAW Mode selection.

Select the corresponding mode with the illuminated navigation buttons and conrm

selection with the highlighted DAW mode button. On Platform M+, the small channel indicator will light to show the currently selected DAW Mode.If no buttons are pressed, the control surface will select the previously used mode after a few seconds.

In the latest device Firmware version (may require Firmware update):

1: MCP General 2: Logic Pro 3: Pro Tools HUI 4: User Dened

In Ableton Live, advanced conguration needs to be enabled. Open Ableton Live -> Preferences -> General -> Advanced, select Show Advanced Tools, and verify that all additional options are checked. (Audio, Surround, MIDI, Score, Control Surface, Advanced Edit)

To congure your Icon control surface, go to Ableton Live -> Control Surfaces -> Setup.

Delete previous Mackie Control congurations, then go to New -> Install, select Mackie

Control, and click Add. Finally choose your device name for both the Output Port and Input Port, displayed under “Device: Mackie Control”.

Repeat this process for any expansion modules but us Mackie Control XT. You can now use your Icon control surface for transport, mix, and extended control functions. Next up: An overview ofthe fundamental elements for controlling Ableton Live.

<<<<<<<<< Getting Started >>>>>>>>>

When rst opening a blank project inAbleton Live, we are looking at the Session View.

Add tracks to your project here, and you will see the motor faders jump into position. Each Icon control surface has one physical bank consisting of 8 channel strip controls. Each channel strip corresponds to controls for one track in your DAW. The track name appears on the display above each channel. Touch a fader and adjust the track’s volume. Change a channel’s volume in Ableton Live and the corresponding motor fader will adjust itself. You can balance the volume of multiple faders on the control surface simultaneously – already a huge mixing advantage of using a control surface. Press the Bank up / down buttons to scroll through further channels in the project in

xed blocks of 8.The Channel up / down buttons stepthe focus of the current bankone

channel at a time.

Page 94

track. Press the knob to reset to the default value, or conrm a selection depending on

the Assignment Mode.

<<<<<<<<<Mix and Transport>>>>>>>>>

Jog Wheel:

Turn the Jog Wheel to quickly adjust the play position on the grid, visible in the

ArrangementViewin Ableton Live.Scrubtoggles the Jog Wheelbehavior. (On Platform M+,

scrub is activated by pressing down the jog wheel.)

!! By default in Ableton Live, scrub is disabled in the arrangement. To enable Scrub in

Arrangement View, in Ableton Live go to Preferences -> Look/Feel and activate “Permanent

Scrub Areas”.

Transport:

Play = Begin playback

Stop = Stop playback

Rec (transport) = Begin recording Audio and MIDI input

Page 95

FastForward= Shuttle forward in Arrangement View

Rewind =Shuttle backwards in Arrangement View

Cycle = Toggle the playback loop cycle on/off

Channel Bank Options:

Bank up/down = Scroll through tracks in the project in xed blocks of 8

Channel up/down = Step the current bank by one track

Shift + Bank up/down = Scroll bank to rst or last track

Shift + Channel up/down = Scroll bank to rst or last track

Channel Strip Buttons:

Rec (channel) = Arms a singletrack for recording.

!! To allow multiple track recording, in Ableton Live go to Preferences ->Misc and deactivate

“Exclusive Track Arming”

Solo = Engage Solo for a singletrack

!! To allow multiple tracks insolo, in Ableton Live go to Preferences ->Misc and deactivate

“Exclusive Track Soloing”

Mute = Engage Mute for one or multiple tracks

Select = Focuses and selects the track

Fader Lock:

Press

Lock Mix

to disable touch sensitive changes to fader position. Automation

remains active. This is useful to secure a nished mix.

<<<<<<<<<View>>>>>>>>>

Time Display:

Thedigitaltime displayshows the current play position, either in bars and beats or in SMPTE time code format. Press SMPTE/Beatstotoggle readoutformats on the time display.

View Shortcuts:

Session/Arrange= Toggle Arrangement View and Session View

Track/Clip = Toggle Clip View and Track View

Browser = Show/hide the Browser

Clip Detail = Show/hide the Clip/Track View

Page 96

Follow = Activate Follow Mode to auto-scroll during playback in Arrangement View

Zoom &Cursor Arrows:

The Cursor Arrows (left, right, up, down) change selections or modify zoom in the

Arrangement View.In Assignment Modes they change theEncoder Knob parameter selection

and scroll through pages of parameters when editing plug-ins.

Press Zoom to activate zoom controls using the Cursor Arrows. Zoom controls only work in the Arrangement View. When the Zoom button is illuminated, press Option + Cursor Arrows to adjust individual track zoom.

(On Platform M+, Zoom is managed by toggling the Zoom buttons and turning the jog wheel.)

Show Return Tracks:

Activate showingReturn Tracks to display and control return tracks on the channel strips.

(On QCon Pro G2: Shift + F8)

(Returns)

<<<<< <<<< Encoder Knob Assignment >>>> >>>>>

Press one of the Assignment buttons to select the category of parameters currently assigned to the Encoder Knobs. Turn the Encoder Knobs to edit parameters, and press to toggle selection from a list. Pressing a knob when editing a parameter restores the default value. Use Previous / Next to browse pages of parameters.

Assignment Mode s:

/O = Activates Routing Assignment, view and edit routing for each track. Press I/O to toggle

viewing Input Type, Input Channel, Output Type, Output Channel

Send = Activates Send Assignment, adjust multiple send levels for the selected track

Pan = Activates Pan Assignment, edit stereo pan for each track

Rack = Activates Rack Assignment, create and adjust plug-in effects and instruments: Press Rack to display devices for the currently selected track. Use Page up/down to browse pages of

devices and press an Encoder Knobs to select a device. Parameters appear across the LCD display over the Encoder Knobs to be edited.

Fader Flip :

Press Flip to access the current Encoder Knob parameters on the touch sensitive motor faders. Channel volume can then be adjusted using the Encoder Knobs. This is great for precise parameter adjustments and managing automation.

Page 97

<<<<< <<<< Utilities >>>> >>>>>

Use Marker to create a locator at the play position. Press Stop, then Marker to delete a currently selected locator. Press Next / Previous to jump between set locators.

Press Draw Mode to create automation in Arrangement View. Use the Faders to automate volume and the Encoder Knobs to automate the parameters currently assigned to.

Undo = Ableton Live Undo function Redo = Ableton Live Redo function

Shift + Session/Arrange = Set focus to Arrangement View or Session View

Shift + Track/Clip = Set focus to Track View or Clip View

Shift + Browser = Set focus to Browser

<<<<<<<<< User Functions >>>>>>>>>

The eight Function buttons, F1 through F8, are to be assigned custom user commands using MIDI map mode in Ableton Live. MIDI mappings are saved in projects and your favorite setup should best be saved in your template project.

Recommended custom user commands:

F1 = Play all clips in Scene 1 (Master, Session View)

F2 = Play all clips in Scene 2

F3 = Play all clips in Scene 3

F4 = Play all clips in Scene 4

F5 = Play all clips in Scene 5 F6 = Play all clips in Scene 6

F7 = Play all clips in Scene 7

F8 = Play all clips in Scene 8

In Ableton Live, assigning MIDI mappings overrides control surface functions. This allows that in addition to the Function buttons, other buttons can be assigned useful functions as well. MIDI mappings are saved in projects and you favorite setup should best be saved in your template project.

Additional recommended user commands:

G2 and Pro X

Page 98

(Name/Value) = Tap Tempo- Press repeatedly to set project BPM

(DAWmode1) = Punch In- start recording at the loop start position

(DAWmode2) = Punch Out - stop recording at the loop end position

(DAWmode3) = Capture- Create a clip from the last given MIDI input

(2ndBot-Left) = Metronome-(On/Off)

Additional for Pro X

(AssignmentRight) = MIDI Arrangement Overdub- Recording MIDI adds to existing clips

(MarkerFarRight1) = NEW - Opens new scene for all record armed tracks

(MarkerFarRight2) = Automation Arm - enables automation recording

Shift + F1 to F8 = User Functions F9 to F16(Verify in new rmware)

External Controls:

On the units QCon Pro X, QCon Pro G2, and QCon Pro, connect a standard momentary foot switch to User A or User B, and then power on the Icon control surface.

User A and User B = Can be assigned a function with MIDI Mapping

<<<<<<<<< Troubleshooting >>>>>>>>>

Strange behavior in the DAW, unexpected functions, device not recognized, orfreezes:

Disconnect all MIDI-USB devices. In Logic, delete all control surface congurations andzones

First check that the specied USB cable is in good condition and well connected. For testing, connect directly to the computer without a USB hub or USB extension cable.

OSX – Go to Audio-MIDI-Setup, open MIDI Studio, and delete unused congurations and Icon devices. Restart the Icon control surface to automatically recongure. Windows –Open the Device Manager in Windows, select the Icon Control Surface, and delete the

device.Now restart the control surface to automaticallyrecongure. If there remain issues related

to the USB connection, a Windows update can repairsome issues.

Windows – If the device does not appear in the Windows Control Panel, you may need to uninstall MIDI devices - you will need a third party utility application to do this easily.Windows has limits on MIDI devices successfully installed in total, and MIDI devices remain installed when disconnected.

Finally, start Ableton Live and congure the control surface in Control Surfaces -> Setup.

Go to New -> Install – select Mackie Control – click Add

Select your device for both Output and Input Port, displayed under “Device: Mackie Control”

Repeat the process for extensions, but instead select Mackie Control XT.

Faders are not motorized:

The power source is not connected. Verify the power source by disconnecting USB and turning

the control surface on. If power is well connected, it will start up normally.

Page 99

Faders make noise or move improperly:

A fader calibration is needed. Please read the section on Fader Calibration below for details.

I want to control and automate certain parameters:

Access parameters via the Assignment Modes and use Automation Modes to begin creating live automation. Press Flipto control these parameters with the faders. Additionally, useMIDI Learnto assign parameters to free user controls.

I want to change the behavior of a function:

Icon control surfaces with MCP offer deep and complex control options, just please remember that the control surface only sends/receives MIDI messages. The functionality happens in your DAW.

The style and components of a function is xed based on the DAW MCP implementation, and can’t be changed unless specically otherwise stated. The behavior is different in every DAW and

can change with DAW version updates.

I want to see customvalues on the display:

The messages and values on the display are generated from values sent by the DAW as return MIDI. Display readouts in return MIDI are controlled by the MCP implementation in your DAW,

so they are not customizable unless specically otherwise stated. The rate at which the screen

updates certain parameters is controlled by the frequency of the corresponding MIDI messages in the DAW. These update rates have changed with various Ableton Live updates.

I want to adda custom function:

To alter and customize controls beyond standard MCP, please review the DAW developer support on customizing controller assignments in expert view. In some DAWs, it is possible to assign

Key Commands (instead of MCP functions) to MIDI Input generated from buttons on Icon control

surfaces. In the typical style of MCP implementation, device-specic MIDI input used by the DAW

for MCP is blocked from other uses.

I want to rescale the faders:

The fader volume curve, zero dB position and value range are preset in the DAW implementation of MCP, and can’t be adjusted. There is variance between different DAWs.

I want to change the Jog Wheel resolution:

The behavior of the Jog Wheel is preset in the DAW implementation of MCP. There is variance between different DAWs. There may be some adjustment for this, at least by changing grid

settings. Pressing Scrub enables ne movement with the Jog Wheel.

<<<<<<<<< Firmware Update>>>>>>>>>

To accommodate future changes to MCP implementation in new DAW versions plus expand on operational features, Icon provides Firmware updates for current production and legacy control surfaces.

Caution:

Please take extra care to follow the correct procedure when performing a rmware update. When performing a rmware upgrade, always connect directly to the computer without a USB Hub or

extension, and only connect one device to the computer during update. Also quit all other software

Page 100

which can access MIDI input/output such as your DAW or utility programs.

To Update:

QCon icon in iMap)

Windows / Legacy – Install and open the device-specic iMap, use “MIDI Devices” to select your device, click Update. Newer iMap releases automatically download the correct rmware online.

!After Firmware Update, reinstall the device in your DAW by deleting the previous device

conguration and repeating the MCP device setup.

!Never attempt to “downgrade” rmware of an Icon control surface.

! Only use the iMap and Firmware versions specic for your hardware version. Also be sure to get

the newest iMap on the Icon Pro Audio website.

! Never unpack a .bin rmware le

<<<<<<<<< Fader Calibration – QCon Series >>>>>>>>>

Fader Calibration allows ne adjustment to the properties of how each motor fader responds when

commanded to move.

Press and hold the Rec Button on channel two and start the device. Fader Calibration will

display. Turn each Encoder Knob to ne tune the value for each channel. A higher value results in

smoother, quieter response. A lower value results in faster movement speed. Each fader can be

ne tuned individually. To adjust the master fader, use the channel select buttons 7 and 8. To save

the new changes and exit, press Encoder Knob 8.

For Live 10, I recommend starting with values set at 185, evaluate, then adjust individually to personal preference.

<<<<<<<<<Fader Calibration – Platform (v2.00 and up)>>>>>>>>>

Press and hold the Encoder Knob on channel one and start the device. Turn Encoder Knob 8 to adjust the total fader response. It is also possible to adjust a single fader by now holding down

Rec on channel three while adjusting the encoder of each channel. A higher value results in

100