Hughes & Kettner ATTAX 100 Head, ATTAX 100 Combo User Manual

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ATTAX 100 Head ATTAX 100 Combo
Manual 1.2
Foreword
Thank you for choosing a Hughes & Kettner® product. With the ATTAX 100™, you now own a unique guitar-driven sound system that offers everything you need to have a blast at rehearsals and on stage. We factored the wishes and suggestions of many guitarists into the design of the ATTAX 100™, aiming to turn up a modern guitar amp that would stand as a benchmark DFX amp. We accomplished what we set out to achieve. No comparable amp comes close to matching the ATTAX 100™’s sound quality, flexibility, performance and handling convenience.
Your ATTAX 100™’s nerve center is the inno­vative Autostore FX MATRIX™. For the first time, an amp in this class is able to store individual effect settings separately for every channel. And it does this automatically, without requiring additional programming steps. Finally, an ingenious function has arrived that makes the DFX amp a true gigging rig!
The ATTAX 100™ is equipped with a digital multi FX processor offering popular effects such as REVERB, DELAY, CHORUS, FLANGER and TREMOLO in remarkably high quality. Four channels, a Current Feedback power amp and 12" RockDriver Ultra speakers deliver the goods – soul-stirring tone. When you power up and plug in, you’ll hear 20 years of Hughes & Kettner® amp engineering experience reflected in that tone.
Whether you opted for the combo or the head, rest assured that the ATTAX 100™ delivers the kind of inspiring response that is sure to supercharge your playing while practicing and performing on the big stage. You wanted it all – powerful and G-force sound pressure, crystal-clear clean sounds, creamy CRUNCH and lead tones, fire-breathing ULTRA sounds, and authentic effects. Now you got it, in a great, easily handled gigging amp to boot.
Here’s wishing you tons of fun with your new ATTAX 100™!
Table of Content
1
Overview of Control Features and Connectors 9
1.1 Selecting Channels and Effect Parameters 9
1.2 Instrument Inputs, Channels and Master Volume 9
1.3 Mains Switch and Mains Socket 9
1.4 Speaker out 9
1.5 Headphones out 9
1.6 LINE OUT 10
1.7 CD/LINE INPUT 10
1.8 FX SEND/RETURN 10
1.9 FOOTSWITCH 10
1.10 FX ON/OFF 10
1.11 FX-ON/OFF Programming 10
2
The ATTAX 100’s four Channels 10
2.1 CLEAN 10
2.1.1 CLEAN VOL 10
2.1.2 CLEAN Voicing Section 10
2.2 CRUNCH 10
2.2.1 CRUNCH GAIN 11
2. 2.2 CRUNCH VOL 11
2.3 LEAD 11
2.3.1 LEAD/ULTRA-GAIN 11
2.3.2 LEAD VOL 11
2.4 ULTRA 11
2.4.1 ULTRA VOL 11
2.5 CRUNCH, LEAD, ULTRA Voicing Section 11
3
The ATTAX 100’s Effects 11
3.1 MOD FX 11
3.1.1 CHORUS 11
3.1.2 FLANGER 11
3.1.3 TREMOLO 11
3.2 DELAY 11
3.3 REVERB 11
4
Technical Specifications 12
8
ATTAX 100™ Manual
english
1
Overview of Control Features and Connectors
1.1 Selecting channels and effect parameters
Use buttons 1 to 4 to select the ATTAX 100™’s four channels, CLEAN, CRUNCH, LEAD and ULTRA. These buttons correspond to the buttons on the included footswitch. When the footswitch is connected, buttons 1 to 4 serve display purposes only, and the footswitch switches channels.
Use knobs 5 to 8 to adjust the effect for the given channel. The FX MATRIX Autostore function automatically saves the edited effect settings for every channel. You do not need to store settings separately. Even if the amp is suddenly switched off or power fails, the FX MATRIX will recall your settings.
1.2 Instrument inputs, channels and master volume
Connect your guitar to input 9. Please use high-quality shielded cords only.
Use knobs 10 to 21 to shape the sound and determine the volume of individual channels. You’ll find a detailed description of the channels in section 2. Knob 22 determines the amp’s overall volume level. Always turn the MASTER knob all the way down – that is, counterclockwise as far as it will go - before powering your amp up.
Knobs 10 to 22 work in the same tried-and-true manner as the controls on a classic amp. These settings are not stored. This means that the actual position of the knob determines the amp’s sounds.
1.3 Mains switch and mains socket
Use switch 23 to turn the ATTAX 100 on and off. Make a habit of checking to make sure that the switch is set to the OFF position before you connect the power cable to a mains power supply. The ATTAX 100 ships with a separate power cord that connects to socket 24. Please
ensure that the mains voltage matches the value indicated on the back panel of the ATTAX 100™. Get in touch with your Hughes & Kettner® dealer immediately if this is not the case or the included mains cord’s plug does not fit into the wall outlet.
1.4 Speaker out
Use jack or jack pair 25, EXTERNAL SPEAKER or SPEAKERS, to connect speakers. All speakers are connected in parallel for both the combo and the head.
ATTAX 100™ COMBO
EXTERNAL SPEAKER: Connect cabinets with 8 ohms minimum impedance to this jack. The impedance of connected speakers must never be lower than 8 ohms!
ATTAX 100™ HEAD
SPEAKERS: You can connect two cabinets to the head. The minimum impedance is 4 ohms; ensure your rig’s impedance never drops below 4 ohms! If you plug cabs into both jacks, each cabinet’s impedance must be 8 ohms or higher. If you plug a cab into just one jack, its impedance must be 4 ohms or higher.
1.5 Headphones out
Connect standard stereo headphones to jack 26, HEADPHONES. Adjust the volume via the MASTER knob. Always plug in a stereo 1/4" jack when connecting headphones. The headphones output may be damaged if you insert a mono plug into the jack. The ATTAX 100™ speaker output is deactivated when a plug is inserted into this jack.
1.6 LINE OUT
Use jack 27, LINE OUT, (mono 1/4" jack) to patch out the amp’s signal, including all effects, to another power amp or a DI box (for example, the Hughes & Kettner® RED BOX®).
1.7 CD/LINE INPUT
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ATTAX 100™ Combo Rear
ATTAX 100 Head Rear
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ATTAX 100™ Combo/Head Front
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