HPA SA104, SA126, SA158 Owner's Manual

Owner’s Manual
LINE INPUT
LINE
MIC
MIC/LINE INPUT
PROT
CLIP
DO NOT EXPOSE THIS EQUIPMENT TO RAIN
OR MOISTURE
CAUTION
FOR CONTINUED PROTECTION AGAINST RISK OF FIRE, REPLACE
ONLY SAME TYPE FUSE
AVIS
RISQUE DE CHOC ELECTRONIQUE NE
PAS OUVRIR
ATTENTION
UTILISER UN FUSIBLE DE RECHANGE MEME
TYPE
SA158
MADE IN CHINA
ON
OFF
010
5LEVEL
010
5LEVEL
LINK
MIX
MIX / LINK OUTPUT
SPEECH
JAZZDANCE
HIP-HOP ACOUSTIC
LOW CUT
ROCK
FLAT
DSP
POWER
SA104
SA126
SA158
WARNING
SA series
SA104 – 400 W active 10" (250 mm) 2-way loudspeaker system
SA126 – 600 W active 12" (300 mm) 2-way loudspeaker system
SA158 – 800 W active 15" (380 mm) 2-way loudspeaker system
LINE INPUT
LINE
MIC
MIC/LINE INPUT
PROT
CLIP
WARNING
DO NOT EXPOSE THIS EQUIPMENT TO RAIN
OR MOISTURE
CAUTION
FOR CONTINUED PROTECTION AGAINST RISK OF FIRE, REPLACE
ONLY SAME TYPE FUSE
AVIS
RISQUE DE CHOC ELECTRONIQUE NE PAS OUVRIR
ATTENTION
UTILISER UN FUSIBLE DE RECHANGE MEME
TYPE
SA158
MADE IN CHINA
ON
OFF
0 10
5 LEVEL
0 10
5 LEVEL
LINK
MIX
MIX / LINK OUTPUT
SPEECH
JAZZDANCE
HIP-HOP ACOUSTIC
LOW CUT
ROCK
FLAT
DSP
POWER
SA104 / SA126 / SA158
2
Features
1. ABS enclosure
2. Steel grille
3. Front power LED
4. handles
5. Power module
6. installation points
7. yoke attachment points
8. Slip-resistant feet
LINE INPUT
LINE
MIC
MIC/LINE INPUT
PROT
CLIP
WARNING
DO NOT EXPOSE THIS EQUIPMENT TO RAIN
OR MOISTURE
CAUTION
FOR CONTINUED PROTECTION AGAINST RISK OF FIRE, REPLACE
ONLY SAME TYPE FUSE
AVIS
RISQUE DE CHOC ELECTRONIQUE NE PAS OUVRIR
ATTENTION
UTILISER UN FUSIBLE DE RECHANGE MEME
TYPE
SA158
MADE IN CHINA
ON
OFF
010
5LEVEL
010
5 LEVEL
LINK
MIX
MIX / LINK OUTPUT
SPEECH
JAZZDANCE
HIP-HOP ACOUSTIC
LOW CUT
ROCK
FLAT
DSP
POWER
1
8
7
4
6
5
4
3
2
Features
SA104 / SA126 / SA158
3
Applications
The following guidelines will help you achieve optimum sound wherever you use your HPA loudspeakers:
*Raise the speakers as high as possible.
For best results try to get the high frequency horn at least 2 to 4 feet above the heads of the audience. If the speakers are too low, the people in the back of the audience will not receive the best quality sound.
*Place the speakers between the microphones and the audience.
Feedback occurs when the microphones pick up sound from the speak­ers and “feed” the sound back through the sound system. If space is lim­ited, point the speakers away from the microphones to reduce feedback.
*Locate the speakers away from turntables. Low-frequency feedback occurs when the output of the speaker is picked up by the tone arm of the turntable and is re-amplified. A heavy, solid turn­table base and shock mounting can also reduce this type of feedback in DJ applications.
Applications
SA104 / SA126 / SA158
4
Applications
*Use more speakers in large or highly reverberant spaces.
Spreading speakers throughout these spaces will produce much better sound than trying to compensate with loudness level or equalization. For very long distances, the use of another set of speakers with time delay is recommended.
*Stand speakers upright for PA - Tilt the speakers back on the side for stage monitoring. Upright stance provides even coverage over a wide
area.
*SA speakers are also designed with two slanted positions for stage monitoring applications.
Applications
SA104 / SA126 / SA158
5
Using the suspension points
CAUTION: Suspension of SA speakers should be done by qualified persons. following safe rigging standards and practices. Unsafe mounting or overhead suspension of any heavy load can result in serious injury and equipment damage.
CAUTION: When suspending this product carefully follow HPA instruc- tions and local ordinances. Do not attempt to use unless you have read and understood all instructions including the HPA User’s Guide.
CAUTION: Do not suspend speaker from pull-back point.
Before suspending the system, inspect all components involved for cracks, deformations, corrosion and/or missing or damaged parts that could reduce strength and safety of the installation.
1. Remove suspension point caps
2. Insert load rated shoulder eyebolt with washer and tighten appropri­ately
Never suspend more than one SA system from it’s suspension points.
Using the suspension points
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