HOTONE Ampero II Stomp hotone_ampero_ii_stomp.pdf

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Page 1

USER'S MANUAL

For FirmwareV1.0.0 / V1.0.1

DE SI GN I NS PI RAT IO N

The contents of this manual are subject to change without notice.

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Welcome Notice Definitions Panel Getting Started Main Display Screen Using the Interface Tools

Tuner Looper Unit Mode Bypass

Customizing Your Ampero II Stomp

EDIT Effects Chains Menu Input Node Setup Output Node Setup Effects Chain Types Using Effects Chain Templates Split/Mixer Node Settings Save Effects Chain Templates Module/Effect Menu Move, Swap, Copy, Paste and Delete Modules Patch Tempo And Patch Volume Tap Tempo And Tap Divide Using FX Loop CTRL/EXP

Current Settings FS Settings Quick Access Para EXP Settings

Calibrate SAVE Patch Management GLOBAL

I/O

USB Audio

Advanced USB Audio Interface Function Guide

Controls

MIDI Settings

Global EQ

Display

About

Factory Reset

Suggested Setups

Using with your instrument and amp Connecting to your amp's RETURN or Power Amp

(Loudster)/FRFR cabinet INPUT

Connecting pedalboards Connecting your mixer, interface, headphones, and

other equipment

Connecting to your computer as an audio interface Using the AUX IN line

The Editor

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Effect List

Effect Models List

MIDI Control Information List

Troubleshooting Technical Specifications

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DYN

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FREQ

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WAH

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DRV

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AMP

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Welcome

Thank you for purchasing a Hotone product. Please read this manual carefully to get the most out of your Ampero II Stomp. Please keep this manual in a safe place for further reference.

Notice

Please read this manual carefully. It contains information regarding the proper use of this product and other important information.

Warning

•Do not open the casing or attempt to modify the product or power supply. Hotone will not be responsible for product damage

or bodily harm should the product be tampered with.

•To reduce the risk of hearing damage, do not use headphones at high volume for an extended period of time. Should you

notice discomfort, discontinue use and see a medical professional immediately.

•Children using this product should be accompanied by an adult.

Environment

Avoid using the unit in any of the following conditions that could cause malfunction:

•Extremely hot or cold places

•Near heaters and other heat sources

•Sandy or dusty places

•Places that are extremely humid or exposed to splashing water

•Places with extreme vibrations

Power Supply Safety

•In most situations, we strongly recommend to use the attached DC 18V center negative adapter.

•Always use an independent or isolated power supply for the unit due to high power consumption. Using daisy chain power

connection for the unit is NOT recommended.

•When using a 3rd party power adapter, please make sure the power adapter fits the unit’s power requirement. Use of an

adapter other than that specified could damage the unit or cause malfunction and pose a safety hazard. Hotone will not be responsible for product damage or bodily harm should the product be tampered with.

•Do not use attached power adapter for other purposes.

•Always connect the adapter to an outlet that supplies the rated voltage required by the adapter.

•When disconnecting the adapter from an outlet, always pull the connector itself. Pulling the cable will cause damage to the

unit. Make sure to separate the power adapter and store in a safe place.

•During lightning storms or when not using the unit for an extended period, disconnect the adapter from the outlet.

•Make sure your hands are dry when plugging in the adapter.

Operation Safety

•Never put objects filled with liquids on the unit as this could cause electric shock.

•Never place candles and other burning objects on top of the unit. Doing so could cause a fire.

•This unit is a precision device. Do not apply excessive force to the switches and other controls. Do not expose the unit to

strong impact or drop it.

•Do not apply excessive force to the touchscreen or casing, which may cause malfunction.

•Do not place foreign objects (liquid or solid) into the product.

•The unit and power supply will become warm with extended use, this is normal.

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Connections and Interference

•Turn off the unit and all other connected devices before connecting any cable to it.

•Disconnect the power supply and other line connections before moving the unit to another location.

•This unit is designed to resist external electromagnetic interference, but may produce static in some cases of strong

electromagnetic interfere (e.g. high power transformers or wireless TV/phone equipment). Turn off any nearby electromagnetic equipment when using, if possible.

•Like all digital devices, this unit may experience malfunction and/or loss of data if exposed to strong electromagnetic

interference. Please use caution.

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Cleaning

Use a soft cloth to clean the panels if they become dirty. If necessary, slightly moisten the cloth. Never use cleansers, wax, or solvents such as paint thinner, benzene or alcohol.

Malfunction

•If the unit should malfunction, disconnect the AC adapter and turn the power OFF immediately.

Then, disconnect all other connected cables. For:

- Power adapter malfunction

- The unit or power supply emits an odor

- Liquids or foreign objects entered the unit

- The unit has other obvious signs of malfunction (e.g. won’t turn on, knobs won’t work, won’t produce sound, etc.)

•Prepare information including the model name, serial number, specific symptoms related to the malfunction, your name,

address and telephone number and contact the store where you bought the unit.

Definitions

Effects Chain

The effects chain (or simply “chain”) shows the current internal signal routing/effect procession including current effects chain type, signal routing, current effects and effects combination, etc. Ampero II Stomp features two effects chains with flexible serial/parallel options.

Effect Slot

Effect slots (or simply “slots”) are spaces located on an effects chain for adding effects. Ampero II Stomp features 6 slots on one effects chain, 12 slots in total.

Module

Ampero II Stomp employs 13 kinds of effects, each kind is called an “effects module,” or simply “module”. There are several effects available in each module. To use an effect, add a module to an empty effect slot, and then pick one effect in the module. There are also some modules used for signal routing only.

Parameter

Variables that determine the application of an effect are called “parameters”. If we imagine each slot as a separate effect pedal, then each parameter would be a knob on that pedal.

Node

The beginning/end of an effects chain or the intersection of two effects chains is called a “node”:

•Input node is the beginning of an effects chain that sets signal input source;

•Output node is the end of an effects chain that determines where the signal goes;

•Split node splits one effects chain into two, sending the signal to two effects chains;

•Mixer node combines two effects chains into one.

Patch

The ON/OFF status and current module/effect of each effect slot, parameter settings and related controller/expression pedal settings are stored in units called “patches”. These are your “tones.” Use patches to recall, edit, and save your favorite tones.

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Bank

A set of 3 patches is called a “bank”. Ampero II Stomp has a total of 100 banks, which means, you have up to 300 fully editable/savable patches. If you made a factory reset, the first 99 patches (factory preload patches) will be restored.

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Panel

1 3

5 5 5

6 6 6

1. VOLUME Knob: Adjusts the overall volume of output and headphones output connections.

2. Display Screen: Displays unit current status. Use the touchscreen to select effects, edit patches, and make tone adjustments.

3. MENU/VALUE Knob (Main Knob): Turning or pressing this knob allows you to change menus and adjust parameters.

4. Screen Lock Button: Used to lock or unlock the touchscreen.

5. Quick Access Knobs 1-3 (left to right) : Use to adjust parameters on the lower part of the screen. Each knob will vary in

function according to the parameter on the display.

6. Footswitch: Use to change patches, turn on/off effects, set tap tempo, etc.

7. EXP/CTRL: 1/4” TRS input, for connecting an external expression pedal/momentary footswitch controller. Perfect for Ampero

Press or Ampero Switch.

8. INPUT: 1/4” unbalanced stereo input connections for guitar or other instrument.

9. BALANCED OUTPUT: 1/4” balanced stereo TRS output connections to instrument amp, effects pedal, mixer, audio interface,

etc. For mono output, use only the left output.

10. POWER Switch: Turns power on/off.

11. Power Supply Connection: Power supply input (9-18V DC center negative). We strongly recommend always use the inclueded genuine power adapter.

8 9 9

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Panel

15 15

16 17

12. MIDI IN: Standard 5-pin MIDI IN for receiving MIDI messages or connecting a MIDI controller. Perfect for Ampero Control.

13. MIDI OUT/THRU: Standard 5-pin MIDI OUT for sending/transferring MIDI messages.

14.USB: USB 2.0 Type-C connects to your computer.

15. STEREO FX LOOP: 1/4” unbalanced stereo TRS input/output connections:

•SEND: 1/4” unbalanced stereo TRS output jack, for feeding signal to other devices

•RETURN: 1/4” unbalanced stereo TRS input jack, for receiving signal from other devices When you need stereo connection,

a Y cable is needed for connector separation/combination:

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To other dev ices (L)

To other dev ices (R)

From other dev ices (L)

From other dev ices (R)

FXLoop send jac k

FXLoop return j ack

16. AUX IN: 1/8” stereo input for connecting external devices (phone, MP3 player) for practice and jamming.

17. PHONES: 1/8” stereo output for connecting headphones.

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Getting Started

1. Connecting your Device

Plug your guitar in to the Ampero II Stomp’s input jack and run a cable from OUTPUT L to your amp. Please remember: (1) Keep your amp and unit volume down. (2) Connect your cable to the amp’s FX Loop Return if it has one (see Suggested Setups section on ).page 37 (3) When using with studio monitors, we suggest to use a stereo pair of monitors for best possible experience. Remember to

turn monitor power off or turn monitor volume down before connection to prevent from possible device damage/hearing loss.

(4) When using with headphones, we suggest to use studio monitor headphones for best possible experience. Headphones

with built-in microphone are not recommended – the TRRS connector may not be correct recognized due to different manufacturers, which may lead to malfunction.

2.Connect the power supply and turn ON.

3. Select GLOBAL to enter Global Menu, select I/O and find Input Mode. Select a correct input mode based on what kind of

instrument you have: E.GT for electric guitar or bass, A.GT for acoustic instruments, Line for keyboards. For stereo inputs, you need to set both L/R inputs. The default is set to E.GT, which means, in most situations/scenarios, you don’t need to change it.

4. Tune your guitar. Press and hold footswitch 1 until the TUNER comes on the display screen (see Tuner section on ). page 8

Pluck each string and tune until the pitch reaches the middle of the screen and turns green, as below:

When finished, tap any footswitch to exit the tuner.

5.Select a patch:

•Tap footswitch 1, 2, or 3 to choose a patch you like.

•Tap footswitches 1 and 2 together to move backward through the banks. Tap footswitches 2 and 3 together to move forward

through the banks.

•In default settings, when switching banks, the unit will stay in the previous patch you’re using (called Wait Mode); you need

to tap one footswitch again to confirm patch selection.

Footswitch 1 Footswitch 2 Footswitch 3

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Main Display Screen

When the unit is turned on,

1. Current patch number; press to enter patch list (see Patch Management section on ) page 28

2. Current patch name; slide on the bar to go through the patches. Current patch number and name may swap depending on your

settings (see Display section on )page 36

3. Patch selection forward/back button

4. Parameter list: This shows current parameters controlled by quick access knobs 1-3. In main menu, this indicates quick access

paras of current patch; hold the parameter name to change the parameter you’re controlling (see CTRL section on )page 24

5. Next page button to go to next page of parameter list: In main menu, this allows you to see current footswitch functions and LED colors:

it will display the main screen, as shown below:

4 4

In Stomp Mode (press to switch between modes), you can use quick access knobs to change footswitch function:

PATCH MODE

Patch Mode

Stomp Mode

6. CTRL/EXP gives you access to control settings (see CTRL/EXP section on )page 24

7. LOOPER gives you access to looper menu (see LOOPER section on )page 9

8. GLOBAL opens the global settings page (see

9. EDIT allows you to edit the current patch (see EDIT section on )page 11

10. Leveling meter that

11. Indicates the current patch tempo; press to enter patch tempo:

indicates current I/O level:

Indicates signal clipping on corresponding channel when lit up

Output level L

Output level R

GLOBAL section on )page 30

Turn quick access knob 1 clockwise by one step to change

footswitch 1 function from “A2 On/Off” to “A3 On/Off”

Input level L

Input level R

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12.Indicates external expression pedal status (lit up when on, gray when off); press to switch pedal status

13. Indicates screen lock status; hold to lock screen

14. Indicates current unit mode; press to switch between PATCH MODE and STOMP MODE (see Unit Mode section on )page 10

Page 9

Using the Interface

Touch operation

Changing patches and editing settings can all be done with the touchscreen:

Sliding on one parameter in parameter list to adjust:

buttons indicates there are more parameters to be shown. Press to go to previous/next page to check them out:

Quick Access Knobs

The quick access knobs allow you to change the values of the three parameters directly above on the touch screen.

Parameter 1-3 (from left to right) are controlled by quick access knobs 1-3

The actual effect depends on displayed parameters

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Main Knob

Turning the main knob lets you select the object you want to control:

The white square indicates current cursor location

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Using the Interface

Then press the knob to confirm the selection:

The gold square indicates the patch number is selected

Turn Main Knob to go through the patches

• If the object selected is a button, it will respond as if you’d touched the button on the touchscreen.

• If the object selected is a parameter, you can use the main knob to adjust the parameter value. Pressing the main knob again

will take you back to selection mode.

Please note:

The details of use and programming may slightly vary under certain operational circumstances. Please read this manual carefully to get all the necessary information.

Tools

In this section you’ll know how to:

• Use Ampero II Stomp’s tuner and looper

• Set a proper unit mode depending on your needs

• Bypass Ampero II Stomp like a pedal

Tuner

Hold footswitch 1 to open the tuner.

Intune

Exittuner

Pitchflat

Adjuststhepitchcalibration

On the upper part is a scale that indicates your pitch. Left of center is flat, and right of center is sharp. As you tune your instrument towards the middle, the color of the scale will change from red (out of tune) to yellow (near pitch) to green (in tune). Quick access knob 1 adjusts the pitch calibration (REF PITCH), ranging from 415Hz to 475Hz. Standard pitch is set at 440Hz. Quick access knob 3 lets you select the tuner mode:

• Thru (for effect signal through)

• Bypass (for dry signal thru)

• Mute (for silent tuning).

Pitchsharp

Indicatesthecurrentnotename

Selectstunermode

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You can exit the tuner either by pressing any footswitch or by pressing the Back button on the touchscreen.

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Operation

Function/S

tatus

LED Color (Rec/Play)

LED Color

(Stop/Clear)

On with no data

Stop

None

Tap Stop/Clear footswitch while

loop is playing

Stop

Flashing green

Flashing

green

Tap Rec/Play footswitch when

there’s no data

Record

Steady red

None

Tap Rec/Play footswitch while

recording, overdubbing, or paused

Play

Steady green

Tap Rec/Play footswitch while

loop is playing

Overdub

Steady blue

Hold Stop/Clear footswitch

Clear

Quickly

flashing green

Quickly

flashing

Each time a recorded loop plays

from the beginning

Play

Single flash

Tap Undo/redo footswitch during

playback

Undo/redo

Steady green

Tools

Looper

Hold footswitch 2 or press LOOPER button in main menu to open the looper menu.

Exit looper menu

Current lopper status

Reverse on/off switch

1/2 speed on/off switch

Rec/play time Record/play progress bar

Clear all recorded data

Current patch name

Looper rec level

The progress bar at the top will be shown in red during recording and overdubbing. It will be shown in green during playing. In default settings, use footswitch 1 to record/play/overdub, footswitch 2 to undo/redo, footswitch 3 to stop/clear all recorded data. Footswitch 1 controls start (yellow LED) and stop (yellow LED) for half speed playback. Footswitch 2 controls the start (magenta LED) and stop (magenta LED) for reverse playback. These footswitch controls correspond with the 1/2 SPD and REV buttons on the touchscreen.

In page 1:

Quick access knob 1 adjusts the loop recording level (0-100). Quick access knob 3 adjusts the loop playback level (0-100).

Go to page 2 for further settings:

Quick access knob 1 selects between setting the loop before (Pre) or after (Post) your effects chains. The maximum recording time is 60 seconds in both modes.

• In Pre mode, the looper will record stereo audio without

any effects

• In Post mode, the looper will record stereo audio with

effects Quick access knob 3 selects between setting the loop in chain A or chain B.

Go to page 3 for further settings:

The FSX FUNC (X=1-3) allows you to assign footswitch functions in looper menu. The functions can be:

• Rec/Play: Tap to recording, then tap again to start

playback

• Stop/Clear: Tap to stop recording and hold to clear

• FX: Tap to toggle 1/2 speed function, hold to toggle

reverse function (violet LED steady)

• 1/2 SPD: On (yellow LED on)/Off yellow LED off)

• REV: On (white LED on)/Off (white LED off)

• Undo/Redo: Tap to undo/redo last overdub phrases (blue

LED steady)

• Looper Exit: Exit looper page

Previous/next patch

NextPage Looper playback level

Exit the looper by pressing BACK on the upper left of the screen. The current looping status won’t be affected.

Looping operation and status modes:

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Please note:

1. When the loop recording reaches it’s time limit, the looper will automatically stop the recording and begin playback.

2. When the looper is in Post mode, changing patches will not change already recorded loop phrases.

3. Half-speed and Reverse functions will affect all recorded loop phrases.

4. If you switch looper between pre/post while it’s running, the loop will automatically stop and be erased; switching A/B won’t affect looping data and status, but the output may differ depending on effects chain and pre/post settings.

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Tools

Unit Mode

Hold footswitch 3 or press button in main display to switch between Patch and Stomp modes.

Patch Mode

• A “classic” mode friendly for most multi-effects users

• Recommended to users who are new to Ampero II Stomp or who prefer classic operations

• In this mode, footswitch function is fixed; one of the footswitch LEDs will be cyan steady to indicate selected patch

• Use footswitch 1-3 to select between patch 1-3 in the current bank

• Press footswitch 1+2 to go to previous bank, footswitch 2+3 to go to the next bank

• In default settings, Ampero II Stomp features Wait Mode when switching banks: in this mode, the unit will stay in the current

patch (footswitch LED will keep flashing) until you choose another by tapping a footswitch

• To change bank select mode, check Controls section ( ) for detailspage 33

Stomp Mode

• Recommended to users who prefer pedalboard-like operations

• In this mode, footswitch function and LED color depend on your footswitch settings (see CTRL section on ); you can page 24

use the footswitches to toggle effects on/off, tap tempo, etc.

• Press footswitch 1+2 or 2+3 to activate bank select status: the bank will remain unchanged, so you can choose another patch

in the same bank

• In bank select status, current patch number/patch name (depending on display mode settings) will be stressed, as shown

below:

PATCH MODE

• In bank select status, press one footswitch to choose a patch, press footswitch 1+2 to go to previous bank, footswitch 2+3 to

go to the next bank; the unit will stay in the current patch (footswitch LED will keep flashing) until you choose another patch by tapping a footswitch

• Choosing a new patch will deactivate bank select status and footswitch functions will go back to normal

Bypass

In Patch Mode, you can press on a footswitch corresponding to the current patch to bypass the unit (e.g. in P00-2, press footswitch 2 to bypass the unit):

When the unit is bypassed, press any footswitch to go back to normal. Ampero II Stomp supports two bypass modes: DSP Bypass and Analog Bypass. You can set unit bypass mode depending on your needs (see GLOBAL section on ). page 30

Please note:

1. Bypassing the unit will also bypass USB Audio.

2. Amepro II Stomp features a hardware true bypass in Analog Bypass mode, which supports mono in/out, stereo in/out configuration only (mono in/stereo out not supported).

3. In Analog Bypass mode, the phones output will be MUTED when bypassed.

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Customizing Your Ampero II Stomp

This section will show you how to customize your Ampero II Stomp’s settings, edit patches, setup the expression pedal, and change other features to your taste.

EDIT

Edit your patches to get the tone you want.

Remember that turning the effect slots on/off and adjusting parameters will change the current patch. If you switch patches or turn the unit off before saving your changes, the changes will be lost. Make sure to press SAVE on the upper right of the display screen to save your settings.

So select a patch first: Select a patch from the main menu by using the forward/backward arrows on the screen. Scroll back (press 1 and 2 together) or forward (press 2 and 3 together) through banks using the footswitches. Enter the patch list menu by pressing patch number in main menu to choose a patch directly.

You can also start with an empty patch (P33-1 to P99-3 in default).

Effects Chains Menu

In main menu, press EDIT to enter the effects chains menu:

Patch tempo

Current patch number

Go back to main menu

Input node

White cursor indicates

this slot is selected

Turn selected slot on/off

Current effect in the selected module

Use quick access knob 2 to change a different

effectin the module

Patch volume

Effects chain templates

To save menu

Indicates the effect slot is on

CAB

Effecton Effectoff

Output node is on

Empty slot Tap to add an effect module

Tap to expand the available parameters of current effect

CAB

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The menu shows how your Ampero II Stomp processes your sound by showing internal signal flow, effect combination, etc.

Now let’s see detailed effects chain info:

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Customizing Your Ampero II Stomp

Effects Chain Basics

The upper effects chain is called effects chain A (or simply “chain A”), the lower chain is called effects chain B (or simply “chain B”):

Chain A

Chain B

Chain A

Chain B

Notice that the upper chain is always chain A, the lower is always chain B, regardless of chain type

The signal flow direction is fixed from left to right:

Nodes

The beginning/end of an effects chain or the intersection of two effects chains is called a “node”:

Chain A

Chain B

InputNode

SplitNode

• Input node is the beginning of an effects chain that sets signal input source

• Output node is the end of an effects chain that determine where the signal outputs to

• Split node separates one effects chain into two and sends separated signals in a certain way that determined by node

settings, appears on chain A only

• Mixer node mixes two effects chains into one and outputs in a certain way that determined by node settings, appears on

chain A only

OutputNode

MixerNode

Effect Slots

Effect slots (or simply “slots”) are spaces located on an effects chain for adding effects. Ampero II Stomp features 6 slots on one effects chain, 12 slots in total. Slot numbering is shown below:

B1 B 2

Number indicates signal flow – 1 is the first and 6 is the last

B5 B6

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Customizing Your Ampero II Stomp

Modules

A blank effect slot is just like a short cable that have no effect on your tone. So, if you want to start your tone sculpting, you need to add an effect module (or simply “module”), and pick one effect contained in the module. Ampero II Stomp features 13 effects modules as listed below:

• DYN: Dynamic effects like compressor, boost, noise gate, etc.

• FREQ: Filter-based effects like low/band/high pass filter, envelope/auto filter, pitch shift/detune, octave, etc.

• WAH: Wah pedal

• VOL: Volume pedal

• DRV: Overdrive and distortion

• AMP: Amp modeling effects

• PRE AMP: Preamp effects incl. acoustic/bass preamps

• CAB: Cabinet simulations

• IR: For loading built-in factory IRs (incl. acoustic IRs) and user Irs

• EQ: Equalizers

• MOD: Modulation effects

• DLY: Delay effects

• RVB: Reverb effects

There are also 3 FX Loop related modules:

• FX SND: FX loop send module for sending signal to external devices via unit’s FX loop send jack

• FX RTN: FX loop return module for receiving signal from external devices via unit’s FX loop return jack

• FX LOOP: FX loop module for inserting external effects to an effects chain via unit’s FX loop jacks

Effect Slot Status

There are three slot status shown as below:

DYN

Empty slot Slot off Slot on

• Empty slot - the slot acts like a cable

• Slot off - the slot is bypassed, and the module in the slot doesn’t work

• Slot on - the slot is on, the module in the slot is working

The next texts will show you how to edit an effects chain.

Input Node Setup

Select an input node and the parameters will come up as shown below:

DYN

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SOURCE lets you select an input signal source of current effects chain:

•Input: Sets the effects chain input source to the unit’s input jack

•FX RTN: Sets the effects chain input source to unit’s FX loop return jack

•USB 3/4~7/8: Set the effects chain input source to USB audio output 3/4~7/8, which is convenient for reamping (check USB

Audio section on for details)page 31

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Customizing Your Ampero II Stomp

INPUT CH lets you select the signal input channel:

•L/R: For FX loop return jack, the left channel is connected to tip conductor and the right channel is connected to ring:

FX loop wiring diagram: blue stands for left channel (tip), and red stands for right channel (ring)

For USB outputs, even number stands for left channel (3, 5, 7) and odd number stands for right channel (4, 6, 8)

•Sum: Sums input signal to mono

•Stereo: Receives L/R stereo inputs

There are two selections available for chain B only:

•None: no input, then chain B will turn gray to indicate chain B not working:

•Chain A: Receives outputs from chain A, in this case, the chain A and B connects in series (see Effects Chain Types section

on for details):page 14

LEVEL lets you adjust input level from Mute~-60dB~+20dB. Default is set to 0dB (unity gain).

Output Node Setup

Select an input node and the parameters will come up as shown below:

OUTPUT TO lets you decide where the output signal goes:

•Output: Sets the signal output to unit’s output jacks (and phones jack)

•FX SND: Sets the signal output to unit’s FX loop send jack

•Chain B: For chain A only, which lets you connect chain A and B in series (see Effects Chain Types section on for details) page 14

•None: For chain B only, in this case, chain B’s output node won’t work

OUT LEVEL lets you adjust output level from Mute~-60dB~+20dB. Default is set to 0dB. PAN lets you adjust output signal stereo panning. The range is L50~Center~R50, default is set to Center.

Note: When you set OUTPUT TO to FX SND, the VOLUME knob will not work. In this case, use OUTPUT LEVEL to control the output volume.

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Effects Chain Types

Ampero II Stomp supports various effects chain types:

Parallel

The chain A and B are fully parallel (won’t affect each other), When you load an empty patch, the default effects chain type is a special parallel state that only chain A is working.

Split-Mix

An input signal will be split into two and sent to both chain A and B, then mixed into one and sent to one output:

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Customizing Your Ampero II Stomp

Y-A/B

An input signal will be split into two and routed to two outputs via both chain A and B:

Serial

Chain A and B are connected in series (head to tail):

The touch screen lets you easily change effects chain types within a few taps and drags. Next we’ll take parallel type as an example to show how to change chain types:

Change To A/B-Y

Drag and drop output node of chain B on chain A depending on your needs:

A/B-Y

Two signal inputs will be mixed into one and sent to one output:

Change To Y-A/B

Drag and drop input node of chain B on chain A depending on your needs:

Change To Serial

Drag and drop input node of chain B to the output node of chain A:

Change To Split-Mix

Drag and drop input and output nodes on chain A (between input and output nodes) depending on your needs:

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You can also operate by using Main Knob: Turn Main Knob to a node – hold Main Knob to “pick up” a node – turn Main Knob to move the node to a place on chain A you need – press Main Knob to “put down”

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Customizing Your Ampero II Stomp

Using Effects Chain Templates

You can load built-in effects chain templates for quick setup, or save all your current effects chain settings (incl. chain type and node settings) as a user effects chain template. Press button and the effects chain template menu will appear:

Factory Template submenu lets you choose from one effects chain type mentioned above. In factory templates, all split nodes are set between input node and slot A1, all mixer notes are set between slot A6 and output node; all node settings are set to default. User Template lets you choose from one of five user templates (see Save Effects Chain Templates

section

on page 18):

All templates are global data that won’t change when changing patches. You can load them anytime in any patch.

Split/Mixer Node Settings

When using two chains, for best possible result, you need to carefully setup split and mixer nodes. The texts next will show

Split Node

Select a split node and the parameters will come up as shown below:

MODE lets you select a signal separation mode:

•Mode I

In this mode the split node outputs same signals to both chain A and B as node input signal. If the split node is between slots containing effects with same signal I/O processing (all mono or stereo effects), this mode is recommended. Use

LEVEL TO A/B to set output level to A/B chains from 0~100, default is set to 100.

you how to setup split and mixer nodes.

Notice the parameter difference between Mode I and II

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Please note:

If you’re mixing mono/stereo effects in slots around split node, the actual output may differ from what you expected. For example, use a stereo delay in the slot right before the split node with different delay settings on L/R channels, then use two mono filters in the slots right next to split node on both A/B chains, the result is you can only hear the delay settings on left channel. This is because effects with mono input use left channel of input signal ONLY. For detailed signal I/O processing, please check Effects List ( ). page 41

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Customizing Your Ampero II Stomp

•Mode II

In this mode the split node will convert node input signal into dual mono signal and send it to both chain A and B. If the split node is between slots with mixed mono/stereo effects (e.g. one stereo effect in the slot right before the split node, two mono effects in slots right next to the split node on both chains for processing L/R outputs of the stereo effect), this mode is recommended. Use BALANCE A/B to set output signal content (L/R ratio of node input signal) from L50 ~Center~R50, default is set to Center. Fine tune the parameter depending on your needs:

•BALANCE set to L50/R50 means only left/right channel of input signal will be sent to the slots next to split node

•BALANCE set to a value in between means a mixed signal will be sent to the slots next to split node; the value sets the

mixing ratio, set to Center means mixing ratio=1:1

Use LEVEL TO A/B to set output level to A/B chains from 0~100, default is set to 100.

Please note:

setting split node to Mode II only will NOT lead to a result like “left output is a kind and right is another”, since extra output/mixer nodes settings are needed.

Mixer Node

Select a split node and the parameters will come up as shown below:

Use A/B LEVEL to set input level from A/B chains. The ranges are all 0~100, defaults are all set to 100. Use A/B PAN to set input signal stereo panning from A/B chains. The ranges are all L50~Center~R50, defaults are all set to Center. When you mix A/B chain signals, output may sound very sharp/thin/weak/muddy, even left and right outputs are L/R not balanced, this may be caused by signal phase issue. If mixed output sounds abnormal, you can set B POLARITY to reverse chain B signal phase and see if the problem solved or not. B POLARITY is set to Normal by default. Sometimes reversing chain B’s phase may surprise you. Use MASTER to set output level of mixer node. The range is 0~100, default is set to 50. Turn on MASTER SUM switch to sum mixer node output to a dual mono output. Default is set to Off.

Please note:

1. When using stereo effects, in some cases, turning on MASTER SUM may lead to an abnormal output or even no output, this may be caused by L/R phase cancellation.

2. Please adjust A/B LEVEL and MASTER carefully to prevent signal clipping.

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Customizing Your Ampero II Stomp

Save Effects Chain Templates

You can save a group of effects chain settings (chain type and node settings, slots/modules/effects are not included) as a user effects chain template so that you can recall anytime in any patch. Pressbutton and the save menu will appear:

Select Save Template to save your current effects chain settings as a template:

Cancel saving and exit

Select a location to save

(ranging from 01-05)

Lower/uppercase

Numeric keyboard

Space

Input a template name, confirm, and done

You can find the saved templates by pressing Templates menu ( ) and select User Template

Module/Effect Menu

Module/Effect Settings in Module/Effect Menu

Press any empty effect slot to enter module/effect menu. This lets you add a module to a slot. Select a slot with module, press current effect name to change module/effect type:

Confirm saving

Changes the cursor position

Deletes unwanted characters

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Effect category of selected module

Module Type

As shown above, you can choose an effect by selecting a module - choosing a category – choosing an effect. In this menu, you can directly adjust selected effect parameters and change effects types. Use the three quick adjust knobs to adjust the parameters directly above the knobs. If there are no parameters corresponding to a certain knob, turning that knob will have no effect.

If the selected effect has more than three adjustable parameters, there will be an arrow at the right of the parameter panel. Press the arrow to see the other parameters. In module/effect menu, you can’t turn current slot on/off. For more information on modules, effects, and parameters, refer to Effects List on . page 41

Please note:

Different effects have different processor power requirements. So, as more and more modules/effects are added, some of the module/effect names will turn grey and become unavailable. This indicates remaining processor power is not enough to handle these modules/effects, which is normal.

Effects list shows available effects in selected category

Parameters list

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Customizing Your Ampero II Stomp

Effects Settings in Effects Chains Menu

You can switch effects slots on/off, adjust effect parameters loaded in a slot, change to a different effect in a module loaded in a slot (in this menu you can’t change module).

Select a slot loaded with a module, and parameter list will show as below:

Use quick access knob 1 or press on/off switch to turn the selected slot on/off. Turn quick access knob 2 to switch current effect in this module.

You can press current effect name to enter module/effect menu in anytime:

Press EDIT button to expand available parameters of current effect:

Press EDIT button again to collapse:

Move, Swap, Copy, Paste and Delete Modules

Move

Drag and drop a module on an empty slot (or between slots):

Or you can press and hold a module until module edit menu appear:

Select Move and choose a target slot by touchscreen or Main Knob:

You can delete selected module by moving it

to the red delete area as it appears on the

bottom of the screen

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Customizing Your Ampero II Stomp

Swap

Drag and drop a module on the target module:

Or you can press and hold a module until module edit menu appear:

Select Swap and choose a target module by touchscreen or Main Knob:

Copy/Paste

You can copy a module (incl. current effect and parameter settings) and paste it repeatedly. To copy, press and hold a module until module edit menu

appear, then select Copy:

Please note:

(1) You need to copy before paste. (2) The copied module can be used in different patches. (3) The copied module data will be lost if the unit power is off. (4) If there already exists a module in target slot, pasting will overwrite existing data. A message will come up to indicate:

To paste, press and hold target slot until module edit menu appear, then select Paste:

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(5) If you copied one other module with an existing copy, the previous data will be overwritten.

Delete

Press and hold a module until module edit menu appear, then choose Delete:

When moving/swapping modules, the red delete area also appears. So you can also drop the module to the area to delete the selected module.

In any time, you can press Back button to cancel operation.

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Time Value

Beats

Display

Whole note

1/1

Half note

1/2

Dotted half note

1/2D

Half note triplet

4/3

1/2T

Quarter note (no divide)

1/1

1/4

Dotted quarter note

3/2

1/4D

Quarter note triplet

2/3

1/4T

Eighth note

1/2

1/8

Dotted eighth note

3/4

1/8D

Eighth note triplet

1/3

1/8T

Sixteenth note

1/4

1/16

Customizing Your Ampero II Stomp

When editing modules/effects chains, in some extreme cases the signal processor may become overloaded and display this caution:

If this happens (the effect output is probably abnormal), try changing out some of the effects modules/node positions/chain types, move modules back or to another position, delete unnecessary modules, etc.

Patch Tempo And Patch Volume

In effects chain menu, slide on the patch volume bar (or use Main Knob) to adjust patch volume from 0 to 100:

Slide on the patch tempo bar to adjust patch tempo from 40BPM to 300BPM:

Patch tempo and volume will change depending on patch settings.

Tap Tempo And Tap Divide

If you want a certain effect to be controlled by tap tempo, go into the patch settings, select an effect, then select S8YNC. When you do this, the time will sync to the tap tempo value.

You can also opt to use tap divide rather than time-based tempo. The default tap divide is set to quarter notes (1/4). Set the tempo by repeatedly tapping the footswitch. This tempo will apply to the delay time and other effects with adjustable speed parameters. Tap divide values in relation to their musical beats are shown below:

To use tap tempo function you can:

(1) Switch to Stomp Mode, assign Tap Tempo function to one of footswitch 1-3; when in Tap Tempo, the footswitch LED will

turn blue and will flash with the tempo set (2) Apply a momentary footswitch and assign Tap Tempo function (3) Use MIDI controller (see MIDI Controller Information List on )page 34

To setup built-in footswitches please go to CTRL section ( );page 24 To setup external footswitches, please go to GLOBAL section ( ).page 30

Effects with Tap Tempo support are mostly modulation (MOD module), delay (DLY module) and auto filter (FREQ module) effects. See Effects List ( ) for details. page 41

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Customizing Your Ampero II Stomp

Using FX Loop

To use unit’s FX loop jacks you need to:

(1) Assign input source/output destination to FX loop jacks (see Input Node Settings section on , Output Node Settings page 13

section on and USB Audio section on ) page 14 page 31 (2) Add a FX loop related module (FX SND/RTN/LOOP)

Next we’ll show you how to setup an FX loop related module.

FX SND (FX Loop Send)

The FX SND module will send the received signal from previous slot/node to FX Loop Send jack:

To FX Loop Send jack

Signal from previous slot/node

Available parameters are shown below:

Use Type to select input signal processing type:

•Mono (L): Mono I/O configuration, receives left channel of input signal only

•Mono (R): Mono I/O configuration, receives right channel of input signal only

•Stereo: Stereo I/O configuration

Use Send Level to adjust output level to FX Loop Send jack from Mute~-60dB~+20dB, default is set to 0dB. Use Thru Level to adjust output level to next slot/node from Mute~-60dB~+20dB, default is set to 0dB.

FX SND

To next slot/node depending on FX SND module settings

FX RTN (FX Loop Return)

The FX RTN module will send the received signal from FX Loop Return to next slot/node:

Signal from FX Loop Return jack

Signal from previous slot/node

depending on module settings

FX RTN adjusts

signal ratio

To next slot/node

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Available parameters are shown below:

Use Type to select input signal processing type:

•Mono (L): Mono I/O configuration, receives left channel of input signal only

•Mono (R): Mono I/O configuration, receives right channel of input signal only

•Stereo: Stereo I/O configuration

Use Return Level to adjust input level from FX Loop Return jack from Mute~-60dB~+20dB, default is set to 0dB. Use Mix to adjust signal ratio between signal from previous slot/node and signal FX Loop Return jack. The range is 0~100, default is set to 50. When set Mix to 0, only signal from previous slot/node will be sent. When set Mix to 100, only signal from FX Loop Return jack will be sent (this also means all slots/nodes before FX RTN jack will be disabled).

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Customizing Your Ampero II Stomp

FX LOOP

The FX LOOP module sends signal from previous slot/node to FX Loop Send jack and signal from the FX Loop Return jack to next slot/node. When using with external devices, this module will “insert” the external device connected to FX Loop jacks to an effects chain:

External device

To FX Loop Send jack

From FX Loop Return jack

Signal from previous slot/node

FX LOOP

Available parameters are shown below:

Use Type to select input signal processing type:

•Mono (L): Mono I/O configuration, receives left channel of input signal only

•Mono (R): Mono I/O configuration, receives right channel of input signal only

•Stereo: Stereo I/O configuration

Use Send Level to adjust output level to FX Loop Send jack from Mute~-60dB~+20dB, default is set to 0dB. Use Return Level to adjust input level from FX Loop Return jack from Mute~-60dB~+20dB, default is set to 0dB. Use Mix to adjust signal ratio between signal from previous slot/node and signal FX Loop Return jack. The range is 0~100, default is set to 50. When set Mix to 0, only signal from previous slot/node will be sent. When set Mix to 100, only signal from FX Loop Return jack will be sent.

Mixes internal/

external signal

To next slot/node

Serial And Parallel FX Loop

•A Serial FX Loop means external device is connected to other effects chain in series:

FX LOOP

External device

To FX Loop Send jack

Signal from previous slot/node

•A Parallel FX Loop means external device is connected to other effects chain in parallel:

FX LOOP

External device

To FX Loop Send jack

Signal from previous slot/node

Ampero II Stomp supports both serial and parallel FX loop connection. Fine tune the parameters depending on your needs:

- Use as a serial FX loop

FX SND: Set Thru Level to 0 FX RTN and FX LOOP: Set Mix to 100, and Send Level cannot be muted

- Use as a serial FX loop

Set the parameter values differ from mentioned above; we recommend to keep default settings

From FX Loop Return jack

To next slot/node

From FX Loop Return jack

To next slot/node

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CTRL/EXP

Use the control settings to determine footswitch functions in Stomp Mode and quick access knob targets, setup the expression pedal parameters, and calibrate the expression pedal. Remember that all the control settings will change as you change patches. If you switch patches or turn the unit off before saving your changes, the changes will be lost. Make sure to press SAVE on the upper right of the display screen to save your settings.

Press CTRL on the main menu to enter the control menu.

Current patch number

Exit the menu

Tap to select

Main menu

Option 1

Make selections from the right and left panels. Like the effects module parameter menu, the selection panel features three adjustable options. These options will change according to the current menu option. If the selected menu has more than three adjustable options, there will be an arrow at the right of the selection panel. Press the arrow to see the other options. Use the three quick adjust knobs to adjust the options directly above the knobs. If there are no options corresponding to a certain knob, turning that knob will have no effect.

Option 2 Option 3

Enter save screen Taptoselect

Sub menu

Options panel

Current Settings

Pressing Current Settings allows you to see the footswitch function in Stomp Mode, CTRL footswitch control target, quick access para targets, and the expression pedal target of current patch.

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FS Settings

This menu allows you to set the footswitch functions in Stomp Mode under the current patch.

Function

Under the Function option you can assign a function to footswitch 1-3:

•A1-B6 On/Off: For switching slot A1-B6 on/off. Footswitch

LED color depends on the module you assigned to the corresponding slot.

•CTRL: For using CTRL function, you can use it to switch

multiple slots on/off.

•Tap Tempo: For Tap Tempo function: the footswitch LED will

turn blue and will flash with the tempo set. Set the tempo by repeatedly tapping the footswitch. This tempo will apply to the delay time and other effects with adjustable speed parameters.

•EXP On/Off: For switching external expression pedal on/off.

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Function/Module

Color

DRV, DYN

Red (LED on=slot on, LED off=slot off, same below)

WAH, VOL

Cyan

AMP, PRE AMP

Blue

EQ, FREQ

White

CAB, IR

Yellow

MOD, FX LOOP, FX SND, FX RTN

Green

DLY, RVB

Purple

CTRL

Red/Green

Tap Tempo

Flashing Blue

EXP On/Off

Red (Off)/Green (On)

Customizing Your Ampero II Stomp

Function, module and footswitch color are listed below:

CTRL Target

Use the CTRL Target menu to select which slots of the current patch will be controlled by the CTRL footswitch.

The 12 effects slots are listed in the panel, with yes and no below each module to show if the CTRL footswitch is activated or not:

Slot A1 and A2 are loaded with DYN and WAH modules and

controlled by CTRL footswitch

Slot A3 is loaded with DRV module and not controlled by CTRL

footswitch

Use the quick access knobs to change between yes/no, and press the arrows on the right/left to scroll through the modules.

B2 – NONE indicate slot B2 is empty slot

Quick Access Para

This menu allows you to set the three quick access of current patch available in main menu. The targets can be all effects parameters used in the current patch, patch volume and patch tempo. Use SLOT/FUNC to select a target slot/function. The available selections depend on the modules/effects used in the current patch. If there is no module/effect, the available selections are OFF, Patch Tempo, Patch Volume only.

If you don’t want the quick access knob on, select OFF to turn its function off. When a quick access knob is off, the parameter panel will display the status as shown:

If you select a slot, SLOT FX will show the current effect you’re using in the center of the panel. Use PARA to select the parameter you want to control. The controllable parameters will vary with different effects. Please refer to Effects List (on ) for more info. page 41

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Customizing Your Ampero II Stomp

You can press any quick access para in main menu to assign/set a quick access para as shown below:

EXP Settings

You can connect your own expression pedal to control various effects parameters. To use an expression pedal to control parameters, please set EXP/CTRL jack function to EXP (see Controls section on ), page 24 assign parameters and turn the EXP switch on. If the current patch does not have any effect controllable by expression pedal or the expression pedal switch is off, the pedal will not function. From this menu, you can control the settings of or calibrate your external expression pedal.

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There are three options within this menu: Target, Expression Range, and Calibrate.

Target

Under the Target option, you can set the pedal’s control target. You can set up a maximum of four effects parameters for the built-in expression pedal to control.

Use SLOT/FUNC X (X standing for 1-4 controllable targets) to select a target slot/function. The available selections depend on the modules/effects used in the current patch. If there is no module/effect, the available selections are OFF, Patch Tempo, Patch Volume only. If you select a slot, SLOT FX X will show the current effect you’re using in the center of the panel. Use PARA X to select the parameter you want to assign to the expression pedal. The selectable parameters will vary with different effects. Please refer to Effects List (on ) for more info. page 41 Touch the right or left arrows to flip through the panel. You can also turn the expression pedal off by turning selecting OFF in the settings panel.

Expression Range

Under the Expression Range option, you can set the expression pedal expression range and sweep curve. There are four adjustable targets to change these settings.

MIN X (X standing for 1-4 controllable targets) represents the lowest range value. This is the value the pedal will have when pushed all the way up.

MAX X represents the highest range value, when the pedal is pushed all the way down. CURVE X represents the curve line the pedal will follow when pushed from all the way up to all the way down.

The MIN and MAX range is the same as corresponding effect parameter, and the MIN value can be greater than the MAX value. There are three CURVE types:

•Line follows a straight line

•Exp follows an exponential line from slow to fast

•Log follows a logarithmic line that changes as the pedal moves

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Customizing Your Ampero II Stomp

MAX

MIN

When MIN < MAX

Touch the right or left arrows to flip through the panel.

Calibrate

The Calibrate option helps you calibrate your expression pedal. It is important to calibrate the expression pedal if you find the sweep has very little or too much change in the effect you’ve set. Press Calibrate on the selection panel, and these instructions will appear:

1. Bring the pedal all the way up (back) and press NEXT.

MAX

MIN

When MIN > MAX

2. Then press the pedal all the way down and press NEXT. The calibration will be set, and this message will appear:

3. Then, strongly press the pedal toe down and press NEXT.

5. If the calibration fails, this message will appear.

Press REPEAT to begin the calibration process again.

Or press BACK to exit the calibration process and return to

the previous menu.

4. The calibration will be set, and this message will appear:

Many of the factory patches have been set up to use with expression pedal. These can be used without any further setup.

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Expression Pedal Switching and Display

You can switch external pedal on/off status by:

•Assign EXP On/Off to any footswitch, then switch to Stomp Mode

•Use an external MIDI controller

•Press button in main menu

When expression pedal is switched on, the expression pedal

indicator ( icon) is on, and a message will come up:

T T

When expression pedal is switched off, the expression pedal

indicator ( icon) is off, and a message will come up:

SAVE

You can save the changes your made to your effects parameters, control information, and other editable targets. It is very important to save the changes you made to your tone and control settings! In effects chain menu, pressbutton and the save menu will appear:

Then select Save Patch to save your tone:

Cancel saving and exit Confirmsaving

Selectapatchlocationtosave

<>：Change Patch

<<>>：Change Bank

Lower/uppercase

Numeric keyboard



Changesthecursorposition

Deletesunwantedcharacters

Space

输⼊名称、点击“确定”以完成存储您可以随时点击“返回”以取消存储

Patch Management

In default settings, press patch number in main menu to enter patch list. The patch list menu shows all patches on your Ampero II Stomp. You can browse through and jump to a patch directly, edit the patch list order, or copy/paste any patch.

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To select a patch, click on a patch name in the patch list.

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Customizing Your Ampero II Stomp

Manage Patch Order

Select a patch, press Manage button and the management menu will appear:

You can sort the list by moving or swapping.

•Move

Press Move in the management menu, select a position, then the patch will be “inserted”:

Rename

Select a patch, press Manage button, then press Rename in the management menu:

•Swap

Press Swap in the management menu, and select a new position you need, then the two patches will be swapped:

Copy And Paste

Select a patch, press Manage button, then press Copy in the management menu to copy a patch:

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Enter a name and click OK to finish.

Please note:

(1) You need to copy before paste. (2) The copied patch data will be lost when you move/swap patches, exit patch list or the unit power is off. (3) If there already exists a patch in the target position, pasting will overwrite existing data. A message will come up to

notice:

(4) If you copied one other patch with an existing copy, the previous data will be overwritten.

Then find a position you need and press Paste to paste the patch you copied.

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Customizing Your Ampero II Stomp

GLOBAL

Use the GLOBAL menu to set Ampero II Stomp’s global functions like I/O, USB Audio, Global EQ and MIDI settings. You can also return to factory settings from this menu. Global settings will affect unit’s overall working status. These will override any other settings made to your patches. Any changes made in Global setting will be automatically saved and immediately operational.

In the main menu, press GLOBAL to enter the global settings menu. The screen will look like this:

Exit the menu

Sub menu

Options panel

You can either use the touchscreen or turn the main knob to scroll through the menu targets. As you select your menu target, buttons will appear in the selection panel.

The selection panel will display the adjustable options of the target you select. These will vary according to the selection. If there are more than three options in the current selection, use the arrows to the right and left to scroll through the options.

Use quick access knobs 1-3 to adjust the options in the selection panel. If there is no option in the panel above a certain quick access knob, moving that knob will have no effect.

I/O

Set the global input/output levels and modes in the I/O menu.

Use INPUT MODE (L)/(R) to select between input modes for individual input jack:

•E.GT: Electric guitar or bass

•GT: Acoustic guitar or other acoustic instrument

•Line: Keyboard or synthesizer

Defaults are both set to E.GT.

Use OUTPUT LEVEL to select between instrument output level (Inst) and line output level (Line) for OUTPUT jacks, default is set to Line. Use the instrument level for connecting to amplifiers or other effects equipment. Use the line level for connecting to mixers or audio interfaces.

Use BYPASS MODE to select between DSP Bypass and Analog Bypass modes. Please remember USB audio will also be bypassed when the unit is bypassed.

•DSP Bypass Default bypass mode featuring digital buffer bypass switching, great for avoiding signal loss that caused by long signal path (long patch cables, too many pedals in the chain, etc.). In most situation, DSP Bypass is recommended. Supports mono in/mono out, mono in/stereo out, stereo in/out configurations. The output jacks and phones jack share the same output.

•Analog Bypass Hardwire true analog bypass mode that keeps your signal path pristine. In this mode, the left input is directly connected to left output, so as the right I/Os. If you’re facing impedance matching issues (e.g. use Ampero II Stomp before fuzz pedals), or want to keep a pure analog signal path, this mode is recommended. Supports only mono in/mono out and stereo in/out configurations. The phones output and effect tail function will be disabled.

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Customizing Your Ampero II Stomp

Use OUTPUT SOURCE and FX SND SOURCE to select from different output signal source for output and FX loop send jacks:

•Normal: Both effect and USB audio output will be sent to the corresponding jack.

•USB Only: Only USB audio output will be sent to the corresponding jack. When Ampero II Stomp is your main USB audio

interface, if you need to monitor a track in a DAW while recording (or software monitoring), this selection is recommended. If not, you’ll hear both unit effect output and a slightly delayed DAW monitor output.

•Dry: Both dry signal and USB audio output will be sent to the corresponding jack.

Please note: (1) When using FX Loop Send jack as a output jack, the output signal may vary from patch settings, such FX SND/FX LOOP module parameter settings and position on effects chains, output node settings, etc. (2) OUTPUT SOURCE option also affects phones output.

USB Audio

Use this menu to set up USB audio settings when using Ampero II Stomp as a USB audio interface. Ampero II Stomp features a 8-in, 8-out USB audio interface with signal routings shown as below:

REC LE VEL(1/ 2) REC LE VEL(3/4) REC L EVEL(5 /6)

0dB

REC LE VEL(7/8) M ONITORL EVEL OUTP UTSOUR CE

0dB

FXSNDS OURCE

USBOU TOFF

0dB 0dB

0dB USBO UT1/2

USB Audio Inputs Routing

Same rule as above: even number stands for left channel and odd number stands for right channel.

•Chain A outputs (after slot A6) are sent to USB Audio Input 1/2

•Chain B outputs (after slot B6) are sent to USB Audio Input 3/4; USB Audio Input 3/4 remains as long as the chain B is

activated (not shown grey; regardless of chain B output node settings)

•When chain A and B are in series, USB Audio Input 1/2 and 3/4 are the same

•FX Loop Return inputs are directly sent to USB Audio Input 5/6 regardless of patch settings

•Input L/R signals (dry signal) are directly sent to USB Audio Input 7/8 regardless of patch settings

USB Audio Outputs Routing

•USB Audio Output 1/2 (the main output) are sent to output L/R and phones jacks

•USB Audio Output 3/4 to 7/8 are reserved for sending different USB outputs depending on your settings of your computer or

DAWs

When recording, adjust the optimal REC LEVEL for each USB Audio Input 1/2 to 7/8 according to the instrument or other input you’re using. Adjustable ranges are all from Mute~-60dB~+20dB, defaults are all set to 0dB. Use MONITOR LEVEL to set a proper monitor level for overall USB audio outputs. Adjustable range is from Mute~-60dB~+6dB, defaults is set to 0dB. Use OUTPUT SOURCE and FX SND SOURCE to determine which USB audio output will be sent to the corresponding jack. In default, the OUTPUT SOURCE is set to USB OUT 1/2, and FX SND SOURCE is set to USB OUT OFF.

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Customizing Your Ampero II Stomp

DetailedHardwareAndUSBAudioRouting

Chain A output (Between

Input Jack

FX Loop Return

jack(Relat ionship

between effe cts

chains may var y from

patch settin gs)

Output/pho nes/

FX Loop send jac ks

(depending o n

global setti ngs)

MONITOR

LEVEL

USBOutput 1/2

（MainUSBoutpu t）

USBOutput 3/4

（Assigned by us er）

USBOutput 5/6

（Assigned by us er）

USBOutput 7/8

（Assigned by us er）

slot A6 and outp ut node A)

Chain B output (Between

slot B6 and outp ut node B)

USB Input 1/2

USB Input 3/4

USB Input 5/6

USB Input 7/8

RECLEVEL

1/2

RECLEVEL

3/4

RECLEVEL

5/6

RECLEVEL

7/8

Advanced USB Audio Interface Function Guide

Next we’ll show you some advanced tricks when using your Ampero II Stomp as a USB audio interface.

Example 1: Monitoring Different Outputs

You can use Ampero II Stomp’s output/phones jacks and FX loop send jack for monitoring different signal sources. In this example, a guitar is connected to unit’s left input, and a bass is connected to the right input. The two instruments will be recorded simultaneously with different effects:

(1) Connect a pair of headphones to phones jack, connect a pair of monitor amps to FX loop send jack via a Y cable (unbalanced

connection);

(2) Launch a DAW and create two mono audio tracks. Set track 1’s input to USB Audio Input 1, output to USB Audio Output 1/2;

set track 2’s input to USB Audio Input 3, output to USB Audio Output 3/4. Then turn on monitor switches on both tracks;

(3) On your Ampero II Stomp, enter USB Audio menu and set OUTPUT SOURCE to USB OUT 1/2, then set FX SND SOURCE to

USB OUT 3/4; (4) Enter I/O menu, set both OUTPUT SOURCE and FX SND SOURCE to USB Only; (5) In the current patch, set the chain A/B to parallel and use mono effects only (e.g. amps and cabs); (6) Set chain A’s input source to Input L and output to output jacks; (7) Set chain B’s input source to Input R and output to FX loop send jack; (8) You’ll hear guitar signal in headphones and bass signal in monitor amps if everything is set. Then record and get individual

guitar and bass tracks.

Example 2: Record Dry/Wet Tracks Simultaneously or Record Dry, Monitor Wet

You can use Ampero II Stomp’s multiple USB audio I/Os for recording multiple dry/wet tracks with DAW. In this example, all global settings are set to default, factory patch P01-1 Ampero Strikes! is loaded:

(1) Connect a pair of headphones to phones jack and connect a guitar to unit’s input L channel; (2) Launch a DAW and create two audio tracks. Set track 1’s input to USB Audio Input 1/2, output to USB Audio Output 1/2; set

track 2’s input to USB Audio Input 7, output to USB Audio Output 1/2. Then keep monitor switches off on both tracks; (3) Still in DAW, set the two tracks can be recorded at the same time; (4) Record both tracks. Then you get a stereo guitar track with effects and a mono dry guitar track.

If no wet signal is needed, in step (2) you only need to create one audio track and set track input to USB Audio Input 7 (or 7/8 depending on your needs).

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Example 3: Reamping or Tone Creation With Dry Tracks

You can route Ampero II Stomp’s USB audio outputs to effects chains for reamping. In this example, all global settings are set to default, and several guitar/bass dry DI tracks are needed:

(1) On your Ampero II Stomp, create a new patch and use chain A only. Set input node Source to USB OUT 3/4, INPUT CH to L, and

keep other parameters as default; (2) Add a AMP and a CAB module in AMP-CAB order; (3) Launch a DAW and create two audio tracks. Set track 1’s input to None, output to USB Audio Output 3/4; set track 2’s input to

USB Audio Input 1, output to USB Audio Output 1/2. Then keep monitor switches off on both tracks; (4) Still in DAW, set only track 2 can be recorded, and import a dry track (Audio Clip A) to track 1; (5) Connect a pair of headphones to phones jack or a pair of monitor amps to output L/R jacks (balanced connection); (6) In DAW, start playback and loop the dry track in track 1, you’ll hear the Audio Clip A with effects (depending on AMP and CAB

settings); (7) Adjust AMP and CAB parameters; (8) Turn off looping switch in DAW. Record on track 2 with track 1 playing simultaneously. Then you get a wet track as you’ve

heard in step (6) (7); (9) Repeat the steps above to get different reamped tracks.

For tone creation, you only need to execute steps (1) to (7).

Controls

Use this Controls menu to set up unit mode, bank select mode, automatic cab match and external controllers.

Use UNIT MODE to switch between Patch Mode and Stomp Mode. This works same as holding footswitch 3 or mode selector in main menu. Use BANK SEL MODE to switch between two bank select modes in Patch Mode: Initial and Wait. This affects both built-in and external footswitches:

•Initial: Ampero II Stomp will jump to a new patch immediately after switching a bank.

•Wait: When switching banks, the patch you’re using won’t be changed (footswitch LEDs on Ampero II Stomp will keep

flashing) until you tap a footswitch again to confirm your selection.

The AUTO CAB MATCH function will automatically help you match a cab when switching amps. Default is set to off:

•Great for patches with only one AMP and CAB module

•The cab will automatically change according to the amp model you choose; matched cab list please check Effects List on page

EXP/CTRL FUNC allows you to set up the working mode of EXP/CTRL jack and the functions of external footswitches. Available selections are EXP (expression pedal), Single FS (single footswitch controller) and Dual FS (dual footswitch controller), default is set to EXP.

•Switching to EXP: No more options available

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•Switching to Single FS: An extra FS4 TAP option appears for selecting external footswitch function:

EXP/FX F UNC

Sing le FS

Fs4 TAP

Tap Tempo

•Switching to Dual FS: Extra FS4 TAP and FS5 TAP options appear for selecting external footswitch function:

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Customizing Your Ampero II Stomp

FS4 TAP and FS5 TAP can be set up as follows:

•Loop Rec/Play: Record/play loop phrases

•Loop Stop: Stops looper playback

•Loop Undo/Redo: Executes undo/redo function

•Loop 1/2 SPD: Switches 1/2 speed record/playback on/off

•Looper Rev: Switches reverse record/playback on/off

•Looper: Enter looper menu

•Looper Exit: Exit looper menu

•Tuner: Enter/exit tuner

•Bank+/Bank-: Change banks by toggling up or down

•Tap Tempo: Tap tempo function

•Patch+/Patch-: Change patches by toggling up or down

•CTRL: CTRL function depending on patch settings

•EXP On/Off: Switching external expression pedal on/off

•Unit Mode: Switches between Patch mode and Stomp mode

•A1-B6 On/Off: Switching corresponding slot on/off

Plus: When set EXP/CTRL FUNC to Single FS, the FS4 TAP defaults to Tap Tempo; When set EXP/CTRL FUNC to Dual FS, the FS4 TAP defaults to Bank- and FS5 TAP defaults to Bank+.

MIDI Settings

This menu allows you to set up Ampero II Stomp’s MIDI input source, MIDI I/O channels, MIDI clock I/O options.

MIDI IN SOURCE lets you decide MIDI input source:

•DIN Only: Receives MIDI messages from MIDI IN jack only

•USB Only: Receives MIDI messages from USB jack only

•Mixed: Receives MIDI messages from both MIDI IN and USB jacks

Default is set to Mixed.

INPUT CH (DIN/USB) and OUTPUT CH (DIN/USB) options are for setting MIDI input/output channels of USB/MIDI jacks. The ranges are all Omni-1-16, defaults are all Omni.

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CLOCK SOURCE lets you choose MIDI clock source for syncing with other devices:

•Internal: Use internal clock only

•DIN Only: Uses only external clock, receives MIDI clock messages from MIDI IN jack

•USB Only: Uses only external clock, receives MIDI clock messages from USB jack

•Mixed: Uses both internal/external clock sources (receives MIDI clock messages from both MIDI IN and USB jacks); later clock

messages will replace previous messages

Default is set to Mixed. If you set clock source to DIN Only or USB only, Ampero II Stomp’s Tap Tempo will not function.

CLOCK OUT (DIN/USB) switches MIDI clock output on/off. Turn on to use Ampero II Stomp as your main MIDI clock. If you’re using clock out, the external clock input will be ignored; if you set CLOCK SOURCE to DIN/USB Only, there will be no MIDI clock output. Defaults are all set to Off.

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Customizing Your Ampero II Stomp

Global EQ

This menu allows you to setup Ampero II Stomp’s global EQ for overall tone sculpting:

Global EQ output

BacktoGLOBALmenu

Current global EQ curve

showing how global EQ affects

your tone

Availlable parameters of current band

This is a 4-band parametric EQ with low/high cut and low/high shelf filters with individual band on/off switches:

•LOW CUT: High pass filter that attenuates low frequency contents under the frequency you set; available parameters are

FREQ and Q

•LOW SHELF: Low shelf filter that boosts/cuts low frequency contents under the frequency you set; available parameters are

FREQ, Q and GAIN

•BAND 1-4: Peak filters that boosts/cuts a certain frequency range; available parameters are FREQ, Q and GAIN

•HIGH SHELF: High shelf filter that boosts/cuts high frequency contents above the frequency you set; available parameters are

FREQ, Q and GAIN

•HIGH CUT: Low pass filter that attenuates high frequency contents above the frequency you set; available parameters are

FREQ and Q

Turn global EQ on/off

Restore all global EQ parameters

Current band name and type

Band switcher On/off switch of current band

Detailed parameter descriptions:

•FREQ: Controls the filter center frequency/cutoff frequency ranging from 20Hz to 20000Hz. The default frequency of each

bands are: LOW CUT and LOW SHELF: 20Hz BAND 1: 100Hz BAND 2: 500Hz BAND 3: 1600Hz BAND 4: 5000Hz HIGH CUT and HIGH SHELF: 20000Hz

•Q: Controls the filter Q (width/sharpness or smoothness for low/high cut filters) from 0.1 to 10. Defaults are all 0.71.

•GAIN: Controls filter gain from -12dB to +12dB. Defaults are all 0dB.

•Volume: Sets the global EQ output from 0 to 100. Default is 50.

Please note:

•Please carefully set global EQ parameters for protecting your devices and ears

•USB Audio will NOT affected by global EQ

•If a band doesn’t work, please check whether the band is on or not

•Reset button will reset ALL global EQ parameters

•If you’re using patches/effects (like reverbs) need a lot of DSP power, in this case, turning on global EQ may cause system

overload

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Display

This menu setup display modes and system UI language.

Use DISPLAY MODE to switch between two display modes:

Mode 1: The default display mode which stresses patch number:

Use LANGUAGE to switch system UI language. Use COLOR to choose from 7 system UI colors. DISPLAY TIME lets you set how long screen display lasts for energy saving. Selections are Always On, 1min, 5min, 10min, 20min, 30min, 40min, 50min, 60min. Default is 30min. When screen display goes out, any operation (e.g. touch the screen, plug in cables, press any footswitch) will wake up the screen.

Mode 2: Stresses patch name:

About

About will show you information about Ampero II Stomp’s firmware and hardware.

Firm wareVer sion：V1 .0.0 Hard wareVer sion：V1 .0.0 ©Hoto ne Audio c o., Ltd . All righ ts reser ved.

Factory Reset

Use this menu to perform a factory reset. Remember, resetting Ampero II Stomp will delete all of your saved changes and personal settings. Once it is executed, it cannot be undone, so please back up your settings before performing a factory reset.

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After pressing Factory Reset, this display will come up with a warning. Pressing YES will perform the factory reset. Pressing NO will return to the previous menu.

After continuing with the factory preset, this screen will appear showing that reset is in progress. Do not disconnect the power supply while the reset is in progress. Disconnecting the power supply may cause Ampero II Stomp to malfunction.

When the factory reset is complete, this message will appear. Press OK to return to the main menu.

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Suggested Setups

Here are some common setups to get the most out of Ampero II Stomp.

Using with your instrument and amp

Plug your instrument into the unit’s input L jack (or L+R if stereo connection is needed), and run a cable (or two) from the output jack(s) to your amplifier(s). If you have one amp, run the cable from the left output. For best results, we recommend not to use AMP and CAB modules. You can add a PRE AMP module if you need more tonal flexibilities. When using with FX Loop jacks, please remember to add FX Loop related modules (FX SND/RTN/LOOP) or setup input/output nodes properly.

Connecting to your amp's RETURN or Power Amp (Loudster)/FRFR cabinet INPUT

Connect the outputs to your amp’s FX Loop Return input or power amp input. If you have one amp, run the cable from the left output. When using with non-FRFR amps, for best results, turn off the CAB module on Ampero II Stomp. Sometimes, the AMP module may sound harsh or boomy when running through FX Loop Return jack on some amps. In this case, use PRE AMP module instead of AMP module.

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Suggested Setups

Connecting pedalboards

Set your Ampero II Stomp into your pedalboard, then connect other pedals/controller depending on I/O configurations. When Ampero II Stomp is used as your core gear, if you’re using FX loop jacks, please make sure FX loop related modules/nodes are properly set. Please adjust patch volume properly or volume drop will occur when bypassing/engaging your Ampero II Stomp like a pedal. Please remember bypass mode (DSP/Analog) may alter the tone a lot (e.g. connected in front of a fuzz pedal). If tonal issue (which may caused by impedance mismatch) occurs, try to switch to a different bypass mode.

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Suggested Setups

Connecting your mixer, interface, headphones, and other equipment

Connect Ampero II Stomp’s outputs to your mixer or audio interface’s corresponding inputs. We recommend you use balanced connection (TRS cables or TRS to XLR cables are needed) for optimal signal to noise ratio. If you want to send a mono signal out, use Ampero II Stomp’s left output channel. To prevent damage to your equipment, make sure the mixer or interface channel’s volume is muted before making any connections. Turn the output volume all the way down before connecting headphones to prevent harm to your ears. Ampero II Stomp’s headphones out comes with hi-fi stereo sound. For best results, please use AMP/PRE AMP and CAB modules.

Connecting to your computer as an audio interface

Connect a USB cable from Ampero II Stomp to your computer. For PC systems, you’ll need to set up the driver. Ampero II Stomp is plug and play for macOS. Run line out cables to your monitors, or use headphones.

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Suggested Setups

Using the AUX IN line

Connect a male-to-male 1/8” stereo cable from your audio source (phone or music player) to Ampero II Stomp’s AUX IN jack. This line will be unaffected by Ampero II Stomp’s internal effects and USB audio. Note: if you are running a mono line out, you will only hear a mono version of your AUX source.

The Editor

Connect Ampero II Stomp to your computer and access the free software to manage your device, adjust tonal settings, transfer files, update firmware, and upload third party IR files. Ampero II Stomp editor is compatible with Windows and macOS platforms. Log on to www.hotoneaudio.com/support to download the free software--it’s easy to install and comes with a user manual.

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Effect List

FX Title

Description

Parameters & Ranges

Compressor(4)

Comprosso

The Holy Grail of compressor pedals is here. Comprosso is based on the legendary Ross™ Compressor* pedal, which is unarguably the

compressor of compressors. We carefully

recreated the sonic character to get the

same colorful, bouncy, natural compression

as the original pedal.

Sustain: Controls the compression amount

Output: Controls the effect output

Comparoma 4

The wonderful aroma of compression. Based

on the famous Keeley® C4 4-knob

compressor* pedal, the Comparoma 4

delivers a silky, bouncy, studio grade

compression sound.

Sustain: Controls the compression amount

Attack: Controls how soon the compressor starts to

process the signal

Output: Controls the effect output

Clipping: Controls the input sensitivity

Blue Sustainer

The Blue Sustainer is based on the legendary

3-knob compressor/sustainer pedal, which

produces warm, natural compression with

long sustain and some gentle clipping.

Sustain: Controls the compression amount

Attack: Controls how soon the compressor starts to

process the signal

Output: Controls the effect output

Squeezer

A compressor effect reduces thedynamic

range of your signal and makes your sound

much stronger. The Squeezer is a fully-

functional compressor with lots of tonal

flexibility. A Tone knob is specially designed

for further tone shaping.

Threshold: Controls the compression trigger level

Ratio: Controls the amount of compression when the

compressor is triggered

Output: Controls the output volume/makeup amount

Attack: Controls how soon the compressor starts to

process the signal Release: Controls how soon the compressor starts to release the signal level back to normal after the

level drops below the threshold

Tone: Controls the effect tone

Blend: Controls the wet/dry signal ratio

Boost(10)

Affinity Boost

The Affinity Boost pumps up that sweet

sound you’ve found in your amp. Based on

the famous Xotic® AC Booster* pedal, it serves up a wide ranged sound character

with power and sensitivity. Or use it as an

overdrive to get a sweet, classic tube-like

drive with a “wide open” feel.

Gain: Controls the gain amount

Volume: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect tone

Beefy Boost

If you’re going to have a steak, you want it

big and juicy. The Beefy Boost is based on the

classic Xotic® BB Preamp* pedal. It serves

up a wide ranged sound character, giving you

a boost of encouraging lows and inspiring

highs. Or use it as an overdrive to get a thick,

juicy “overdriven steak” with a little

compression.

Effect Models List

DYN(17)

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*The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners. The trademarks were used merely to identify the sound character of the products.

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Pristine

Boost

The Pristine Boost features a unique “no character” character.

Based on the famous Xotic® RC Booster* pedal, it offers a

super transparent clean boost and a powerful active 2-band EQ

so you can maintain your original tonal flavor. Simply put it in

your pedal chain, tune up, and leave it on!

Gain: Controls the gain amount

Volume: Controls the effect output

Bass/Treble: 2-band EQ that controls the

effect tone

Forest

Boost

The Forest Boost is based on the Fortin® Grind* booster

pedal, providing a max. +20dB boost amount. It helps tighten

up your tone while adding some aggressive edges.

Gain: Controls the effect output/boost

amount

Treble

Ranger

This model is based on one of the world’s most iconic effect

units: the Dallas Rangemaster™* Treble Booster. Born in 1965,

the unit was intended to work as a preamp to get the guitarist

more gain and treble. Connect it to a dark UK-style amp, plug

in an LP-style guitar, and you get the magical tone the 1960s

UK guitar heroes depended on.

Gain: Controls the gain amount

Gated Boost

Our Gated Boost is designed for modern Dentlemen and

metalheads who need huge gain buy not noisy artifacts.

A built-in noise gate reduces hum and keeps your palm muting

tight. Use the Low Cut knob to get your tone where you want it.

Boost: Controls the boost amount

Gate: Controls the noise gate threshold

Low Cut: Cuts the low frequency signal

Micro

Boost

The Micro Boost is based on the legendary MXR® M133 Micro

Amp* pedal. Providing up to 20dB of gain, the Micro Boost

elevates your amp sound without changing its tonal character.

Gain: Controls the gain amount

Creamy

This is a special tone simulator that simulates the legendary

“Woman Tone” created by Eric Clapton during his Cream years.

The tone is thick, sustaining, kazoo-like but maintaining note

definition and enough attack.

Gain: Controls the thickness

FET

Boost

Based on the legendary FET-based belt clip preamp, this FET

boost is a clean volume machine. Use this pedal to get a huge

amount of gain without any distortion, tone sculpt with the

flexible 2-band EQ. Onboard you’ll also find a handy low cut

filter for tone shaping and eliminating low frequency

feedback.

Volume: Controls the effect output

Bass/Treble: 2-band EQ that controls the

effect tone

Low Cut: Switches the low cut filter (-

6dB/oct @200Hz) on/off

The Enhancer is based on the Xotic® EP Booster* pedal. This

pure booster is the key to unlocking MASTER sounds. With expanded frequency response and increased dynamic range, this pedal enhances the vitality of everything you run into it.

Gain: Controls the effect output/boost

amount

+3dB: Selects the minimum boost amount

from 0dB (off) to +3dB (on)

Bright: Selects the sound character from

vintage (Bright off) to flat (Bright on)

NoiseGate(3)

AI Gate

This model is based on the famous ISP® Decimator™* noise

gate pedal. Like the original, the extremely easy-to-use noise

gate gets you smooth, ripple-free noise tracking and keeps

your signal pristine.

Threshold: Controls the gate trigger level

Side Chain: Selects side chain key input

source:

-Input L/R: Input jacks

-FX RTN L/R: FX Loop return jack

-Prev FX: Output signal of previous effect

slot; if you select this, we recommend you to

place the gate before amp/drive effects

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Fast Gate

This is a 2-mode noise gate with fast

response, which is great for modern

Djentlemen and metalheads.

Threshold: Controls the gate trigger level

Mode: Selects from two modes: I (responds faster)/II (responds

smoother)

Side Chain: Selects side chain key input source:

-Input L/R: Input jacks

-FX RTN L/R: FX Loop return jack

-Prev FX: Output signal of previous effect slot; if you select this, we recommend you to place the gate before amp/drive effects

Custom

Gate

This is a fully-functional noise gate

with detailed control. The individual

Attack and Release controls play nice

with amps and other pedals.

Threshold: Controls the gate trigger level

Attack: Controls how soon the gate starts to process the signal

Release: Controls the noise fade-out duration time after the

level drops below the threshold

Side Chain: Selects side chain key input source:

-Input L/R: Input jacks

-FX RTN L/R: FX Loop return jack

-Prev FX: Output signal of previous effect slot; if you select this, we recommend you to place the gate before amp/drive effects

FREQ(44)

Acoustic (2)

Acoustic

Refiner

Enjoy acoustic refinement: This one-

knob tool enhances all that is good in

acoustic guitars. It gives a more

natural, “woody” tone to your plugged-

in acoustic sound, doing wonders for

piezo pickups! One knob makes it

simple.

Shape: Controls the detailed effect character

AC Sim

This is an acoustic simulator designed

for electric guitars that provides an adjustable range wide enough to give an ordinary electric guitar a variety of

natural and realistic acoustic tones.

Body: Controls the “body resonance” (low frequency response)

Top: Controls the upper harmonics (high frequency response)

Volume: Controls the effect output level

Mode: Selects from 4 different sound characters:

-Standard: Simulates the tonal characteristics of a standard acoustic guitar

-Jumbo: Simulates the tonal characteristics of a jumbo acoustic guitar

-Enhanced: Simulates the tonal characteristics of an acoustic guitar with enhanced attack

-Piezo: Simulates the sound of a piezo pickup

Filter(11)

Low Pass

This is a low pass filter that lets the

lows go and attenuates the highs.

Gain: Controls the filter gain by ±12dB

Frequency: Controls the filter center frequency

Q: Controls the filter Q

Level: Controls the effect output

Band Pass

This is a band pass filter that lets a

selected frequency range go and

attenuates others.

High Pass

This is a high pass filter that lets the

highs go and attenuates lows.

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Notch

This is a notch filter that boosts/cuts selected frequency

range. The filter shape is very narrow so you can use it to

accurately eliminate unwanted feedback or fine tune your

tone.

Gain: Controls the filter gain by ±12dB

Frequency: Controls the filter center

frequency

Q: Controls the filter Q

Level: Controls the effect output

Peak

This is a peak filter that boosts/cuts a certain frequency

range. Like a frequency band on a parametric EQ, this

model is great tool for tone shaping.

Low Shelf

This is a low shelf filter that boosts/cuts signal below a set

frequency which is great for effectively

boosting/eliminating low ends.

High Shelf

This is a high shelf filter that boosts/cuts signal above a

set frequency which is great for effectively

boosting/eliminating low ends.

Tilt EQ

This is a tilt filter, a quick tool for tone sculpting. Like a

seesaw, it boosts the signal above a set frequency and cuts

the signal below it, or vice versa.

Moo VCF LP

This is a low pass filter that lets the lows go and attenuates the highs. Inspired by the legendary Moog® VCF*, it gives you a lot of fun to use with synths, and it’s

also great on guitar/bass to create something synth-y.

Cutoff: Controls the cutoff frequency

Reso: Controls the filter resonance

Level: Controls the effect output

Moo VCF BP

This is a band pass filter that lets a selected frequency

range go and attenuates others. Inspired by the legendary

Moog® VCF*, it gives you a lot of fun to use with synths,

and it’s also great on guitar/bass to create something

synth-y.

Freq: Controls the filter center frequency

Reso: Controls the filter resonance

Level: Controls the effect output

Moo VCF HP

This is a high pass filter that lets the highs go and

attenuates the lows. Inspired by the legendary Moog®

VCF*, it gives you a lot of fun to use with synths, and it’s

also great on guitar/bass to create something synth-y.

Cutoff: Controls the cutoff frequency

Reso: Controls the filter resonance

Level: Controls the effect output

Envelope Filter(4)

Toucher G

Toucher G is an envelope filter designed for guitars,

offering you a wide range of tonal variety. Set the Sense,

Range, and Q parameters to fit your instrument and playing

style.

Sense: Controls the effect sensitivity

Range: Controls the filter frequency range

Q: Controls the filter sharpness

Level: Controls the output level

Toucher B

Toucher B is an envelope filter designed for basses,

offering you a wide range of tonal variety. Set the Sense,

Range, and Q parameters to fit your instrument and playing

style.

Sense: Controls the effect sensitivity

Range: Controls the filter frequency range

Q: Controls the filter sharpness

Level: Controls the output level

Moo VCF Env

This is an envelope filter inspired by the legendary Moog®

VCF*. This is a lot of fun to use with synths, and it’s also

great on guitar/bass to create something synth-y.

Sens: Controls the sensitivity

Mode: Controls the filter mode

Freq: Controls the filter center frequency

Q: Controls the filter Q

Dry Level: Controls the dry signal amount

Level: Controls the effect output

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Envelope

This is a highly customable envelope filter.

Fine tune the knobs onboard to make your

creations: Funky wah, synth-y vibe, robot

talk, cyber voice sweep – You decide!

Sweep: Selects filter sweeping direction

Sens: Controls the sensitivity

Spread: Controls the filter stereo separation

Mode: Controls the filter mode

Range: Controls the filter frequency range

Freq: Controls the filter frequency range midpoint

Q: Controls the filter Q

Dry Level: Controls the dry signal amount

Level: Controls the effect output

AutoFilter(7)

Crier G

The Crier G is a controllable band pass filter

which delivers a variety of auto-wah effects.

Designed for guitars, this model has many

parameters for shaping the tone of your wah

sound. Start with the frequency range

adjustment to decide the basic flavor of your

wah-wah.

You can use Tap Tempo function to control

the effect speed by turning on the Sync

switch. When the Sync switch is on, turn the

Rate knob to set a proper tap divide value.

The default value is 1/4 (no division).

Wave Shape: Selects the LFO modulation waveform

applied to the filter

Rate: Controls the effect speed

Range: Controls the filter frequency range

Level: Controls the output level

Q: Controls the sharpness of the filter

Sync: Switches Tap Tempo sync on/off

Crier B

The Crier B is a controllable band pass filter

which delivers a variety of auto-wah effects.

Designed for basses, this model has many

parameters for shaping the tone of your wah

sound. Start with the frequency range

adjustment to decide the basic flavor of your

wah-wah.

You can use Tap Tempo function to control

the effect speed by turning on the Sync

switch. When the Sync switch is on, turn the

Rate knob to set a proper tap divide value.

The default value is 1/4 (no division).

LFO Filter

This is a highly customable LFO-based auto

filter. Fine tune the knobs onboard to make

your creations.

You can use Tap Tempo function to control

the effect speed by turning on the Sync

switch. When the Sync switch is on, turn the

Rate knob to set a proper tap divide value.

The default value is 1/4 (no division).

Wave Shape: Selects the LFO modulation waveform

applied to the filter

Phase: Controls the LFO modulation L/R phase offset

Rate: Controls the LFO speed (effect speed)

Mode: Controls the filter mode

Range: Controls the filter frequency range

Freq: Controls the filter frequency range midpoint

Q: Controls the filter Q

Dry Level: Controls the dry signal amount

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

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Vocal Filter

Note: This is a stereo effect with independent L/R

signal processing.

This is a highly customable special auto filter

providing a human-like tone with two voices. Fine

tune the knobs onboard to make your creations. You can use Tap Tempo function to control the effect speed by turning on the Sync switch. When the Sync

switch is on, turn the Rate knob to set a proper tap

divide value. The default value is 1/4 (no division).

Wave Shape: Selects the LFO modulation

waveform applied to the filter

Vowel 1/2: Selects the filter type (vowel)

Phase: Controls the LFO modulation L/R phase

offset

Depth: Controls the effect depth

Rate: Controls the LFO speed (effect speed)

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Path Filter 4

This model is a 4-step filter machine for creating

synth-like sounds. Each step features an individual

frequency control, and a rate control sets the

sequencing speed. You can use Tap Tempo function to control the effect speed by turning on the Sync switch. When the Sync

switch is on, turn the Rate knob to set a proper tap

divide value. The default value is 1/4 (no division).

Step 1-4: Controls the filter center frequency of

each step

Rate: Controls the sequencing speed

Sync: Switches Tap Tempo sync on/off

Path Filter 8

This model is a 8-step filter machine for creating

synth-like sounds. Each step features an individual

frequency control, and a rate control sets the

sequencing speed. You can use Tap Tempo function to control the effect speed by turning on the Sync switch. When the Sync

switch is on, turn the Rate knob to set a proper tap

divide value. The default value is 1/4 (no division).

Step 1-8: Controls the filter center frequency of

each step

Rate: Controls the sequencing speed

Sync: Switches Tap Tempo sync on/off

Pattern

Filter

This model is a pattern filter machine for creating

synth-like sounds. It provides max. 8 steps and 8

different patterns. A rate control sets the sequencing

speed. You can use Tap Tempo function to control the effect speed by turning on the Sync switch. When the Sync

switch is on, turn the Rate knob to set a proper tap

divide value. The default value is 1/4 (no division).

Step: Selects the numbers of steps

Patten: Selects from 8 different sequencing

patterns

Rate: Controls the sequencing speed

Shape: Controls the filter width

Reso: Controls the filter resonance

Sync: Switches Tap Tempo sync on/off

Pitch(14)

Analog Octa

This model is a monophonic octaver that creates

notes one octave lower and two octaves lower.

Single note processing and individual wet/dry signal

control recreate the vintage “dirty” analog octave

pedal sounds.

Oct 1: Controls the volume of lower octave (1 oct

down)

Oct 2: Controls the volume of higher octave (1 oct

up)

Dry: Controls the dry signal level

Analog Octa

This model is a monophonic octaver that creates

notes one octave lower and two octaves lower.

Single note processing and individual wet/dry signal

control recreate the vintage “dirty” analog octave

pedal sounds.

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Digital Octa

Note: This is a stereo effect with independent L/R

signal processing.

This model is a polyphonic octaver that creates notes

one octave higher and one octave lower. Individual

octave voice control and dry signal control can bring you

lots of fun, and polyphonic processing support means

playing chords is absolutely no problem.

Hi Level: Controls the volume of higher octave

(1 oct up)

Low Level: Controls the volume of lower octave

(1 oct down)

Hi/Lo Pan: Controls the higher/lower octave

signal L/R panning

Tone: Controls the effect tone

Mix: Controls the wet/dry signal ratio

Dual Pitch

Note: This is a stereo effect with independent L/R

signal processing.

This model is a polyphonic 2-voice pitch shifter with

max. 2 octaves pitch shifting range. Detailed pitch

shifting settings can bring you lots of fun.

Pitch 1/2: Controls the voice 1/2 pitch shifting

range by ±24 semitones

Detune 1/2: Fine tunes the pitch correction by

±50 cents

Delay 1/2: Controls the time between dry and

wet signals

Pan 1/2: Controls the wet signal L/R panning

Tone: Controls the effect tone

Mix: Controls the overall dry/wet signal ratio

Level 1/2: Controls the effect output

Output: Controls the overall output

Quad Pitch

Note: This is a stereo effect with independent L/R

signal processing.

This model is a polyphonic 4-voice pitch shifter with

max. 2 octaves pitch shifting range. Detailed pitch

shifting settings can bring you lots of fun.

Pitch 1-4: Controls the voice 1-4 pitch shifting

range by ±24 semitones

Detune 1-4: Fine tunes the pitch correction by

±50 cents

Delay 1-4: Controls the time between dry and

wet signals

Pan 1-4: Controls the wet signal L/R panning

Tone: Controls the effect tone

Mix: Controls the overall dry/wet signal ratio

Level 1-4: Controls the effect output

Output: Controls the overall output

Classic PS

This model is a monophonic pitch shifter with max. 2

octaves pitch shifting range, simulating the classic

Whammy®* tone.

Assign the Position parameter to your expression pedal,

turn the expression pedal on, and you can bend the pitch

by moving the pedal back and forth.

Range: Selecs the pitch shifting range

Position: Controls the pedal position (min=0,

max=100)

Tone: Controls the effect tone

Level: Controls the effect output

Pitch Shift

This model is a polyphonic pitch shifter with max. 2

octaves pitch shifting range. Individual mix/max pitch

range settings can bring you lots of fun.

Assign the Position parameter to your expression pedal,

turn the expression pedal on, and you can bend the pitch

by moving the pedal back and forth.

Min/Max Pitch: Controls the low/high pitch

shifting range by ±24 semitones

Position: Controls the pedal position (min=0,

max=100)

Tone: Controls the effect tone

Level: Controls the effect output

Detune

This is a detune model which combines a slightly pitch

shifted signal with the original signal, producing a lush,

chorus-like sound. Use the Dry, Wet and Detune knobs

to expand your sonic dimensions.

Dry/Wet: Controls the dry/wet signal level

Detune: Controls the detune amount by ±50

cents

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Dual

Detune

Note: This is a stereo effect with independent

L/R signal processing.

This is a dual-voice detune effect combines

two slightly pitch shifted voices with the

original signal, producing a lush, chorus-like

sound. Use the control knobs to expand your

sonic dimensions.

Detune 1/2: Controls the detune amount by ±50 cents

Delay 1/2: Controls the time between dry and wet signals

Pan 1/2: Controls the wet signal L/R panning

Tone: Controls the effect tone

Mix: Controls the overall dry/wet signal ratio

Level 1/2: Controls the effect output

Output: Controls the overall output

Quad

Detune

Note: This is a stereo effect with independent

L/R signal processing.

This is a quad-voice detune effect combines

four slightly pitch shifted voices with the

original signal, producing a lush, chorus-like

sound. Use the control knobs to expand your

sonic dimensions.

Detune 1-4: Controls the detune amount by ±50 cents

Delay 1-4: Controls the time between dry and wet signals

Pan 1-4: Controls the wet signal L/R panning

Tone: Controls the effect tone

Mix: Controls the overall dry/wet signal ratio

Level 1-4: Controls the effect output

Output: Controls the overall output

80s Detune

This is a detune effect simulates the detune

effect coming from THAT legendary 1980s red

pitch bend pedal. Great for producing 1980s

tone.

Mode: Selects from two detuning modes

String

Shifter

This model is a polyphonic pitch shifter. You

can use it as a virtual capo, or use it to simulate down tunings on your guitar.

Shift: Controls the pitch shifting range by ±12 semitones

Detune: Fine tunes the pitch correction by ±50 cents

Volume: Controls the effect output

Harmonizer

This model is a monophonic single voice

automatic harmonizer with max. one octave

pitch shifting range. Detailed Key, Scale and

Interval settings can bring you lots of fun.

Mix: Controls the wet/dry signal ratio of the effect

Key: Selects the chord key according to your music

Mode: Selects the scale mode according to your music Interval: Selects the interval between wet and dry signal Smooth Mode: Switch on to get a smooth note transition

Harmonizer

This model is a monophonic dual voice

automatic harmonizer with max. one octave

pitch shifting range. Detailed Key, Scale and

Interval settings can bring you lots of fun.

Mix: Controls the wet/dry signal ratio of the effect

Key: Selects the chord key according to your music

Mode: Selects the scale mode according to your music

Interval 1/2: Selects the interval between wet and dry

signal

Smooth Mode: Switch on to get a smooth note transition

Special(6)

12-Stringer

This model makes an ordinary guitar play like a

12-string guitar. One knob makes it easy to

use.

Output: Controls the effect output

Bit Krusher

This model is a sweet-sounding

bitcrusher/sample rate reducer with full

control over the bit resolution and sample rate.

Use the low pass filter and high pass filter onboard to get your own sound variations.

Mix: Controls the wet/dry signal ratio of the effect

Krush: Controls the sample rate of the effect

Bit: Controls the bit resolution of the effect

Hi Cut: Controls the cutoff frequency of the high cut filter

Lo Cut: Controls the cutoff frequency of the low cut filter

Ring Mod

This is a ring modulator which produces

interesting inharmonic frequency spectra. The

Freq, Tone and Mix controls are tweak up

unique bell and chime effects, and a Fine knob

gives you extra control over the frequency.

Mix: Controls the wet/dry signal ratio

Freq: Controls the overall modulation frequency

Fine: Fine tune the modulation frequency by +/- 50Hz

Tone: Controls the effect tone

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Telephone

Line

This special filter makes you sound like you’re

playing over an old phone. Tweak the Noise and

Shake knobs to get a seriously iffy connection.

Noise: Controls the background noise amount

Shake: Controls the sound vibration

Satisfaction

Can’t get no satisfaction! This model is a tape saturation simulator that simulates the sound

character of a vintage reel-to-reel tape recorder,

bringing you unbeatable analog warmth and

natural distortion.

Saturation: Controls the effect gain

Mix: Controls the effect wet/dry signal ratio

Output: Controls the effect output volume

High Cut: Cuts the effect high frequency signal

Mic Lab

This filter is a vintage microphone simulator that

makes you sound like you’re rocking through a

pre-war microphone. Use the Mic Type knob to

pick the sound you like best.

Mic Type: Selects from three different sound

characters

Gain: Controls the output level

WAH(13)

Assign the Position parameter to your expression pedal, turn the expression pedal on, and you’ll hear the difference by

moving the pedal back and forth.

Clay Wah

This model is based on the legendary vintage

VOX® Clyde McCoy®* wah pedal, reproducing

the voice-y expressive wah tone.

Range: Controls the wah filter frequency range

Q: Controls the wah resonance (filter Q)

Volume: Controls the effect output

Position: Controls the wah pedal position

(min=fully heel, max=fully toe)

Voxy Wah

This model is based on the VOX® V845* wah

pedal, bringing you the heart and the soul of the

golden wah-wah tone.

Voxy Wah+

This model is based on the vintage VOX® V846*

wah pedal, bringing you the heart and the soul of

the golden wah-wah tone.

Color Wah

This model is based on the vintage Colorsound®

Wah-Wah* pedal, bringing you the heart and the

soul of a golden British wah-wah tone.

Funky Wah

This model is inspired by the legendary “Shaft”

sound, which is great for funky music.

Magic Wah

This model is based on the Morley® Power

Wah*, bringing you the iconic Morley®* wah

tone that was popular since 1970s.

Soul Press

This model is based on the WAH mode of our

best-selling 3 in 1 mini pedal: Soul Press.

Bass Press

This model is a bass wah that based on the WAH

mode of our best-selling 3 in 1 pedal: Bass Press.

Cry Wah

This model is based on the legendary Dunlop®

CryBaby®* wah pedal, bringing you the iconic

deep, rich tonal sweep.

Cry Wah+

This model is based on the legendary Dunlop®

CryBaby® 535Q* wah pedal, a versatile wah

with detailed tone control.

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Petrus Wah

This model is based on the Dunlop® JP95 John Petrucci CryBaby®* wah pedal that customized on John Petrucci’s demonds. The built-in EQ is fixed to

default.

Range: Controls the wah filter frequency range

Q: Controls the wah resonance (filter Q)

Volume: Controls the effect output

Position: Controls the wah pedal position

(min=fully heel, max=fully toe)

EQ: Switches built-in EQ on/off

Sandman Wah

This model is based on the Dunlop® KH95 Kirk

Hammett CryBaby®* wah pedal that customized on

Kirk Hammett’s demands.

Range: Controls the wah filter frequency range

Q: Controls the wah resonance (filter Q)

Volume: Controls the effect output

Position: Controls the wah pedal position

(min=fully heel, max=fully toe)

Chili Wah

This model is based on the Ibanez® WH-10* wah

pedal, producing a creamy 80’s wah tone that

beloved by RHCP’s John Frusciante.

Range: Controls the wah filter frequency range

Q: Controls the wah resonance (filter Q)

Volume: Controls the effect output

Position: Controls the wah pedal position

(min=fully heel, max=fully toe)

Mode: Switches between guitar and bass

modes

Depth: Controls the wah filter intensity

DRV(33)

Overdrive(17)

Green Drive

This model is based on the legendary Ibanez® TS-808 Tube Screamer®*. Featuring a warm, juicy overdriven

sound, this Green Drive is the incomparable vintage

overdrive model you’ve always been hoping to find.

Gain: Controls the overdrive amount

Tone: Controls the effect tone

Volume: Controls the effect output

Green 9

This model is based on the legendary Ibanez® TS-9 Tube Screamer®*, which was originally designed to simulate

the sound of a vintage tube amplifier. Like the original,

the Green 9 model has a rich, smooth and natural

overdriven sound, and it won’t lose any detail of your

playing.

Yellow Drive

Based on pretty much the first overdrive pedal the world

ever saw, Yellow Drive brings you the iconic beefy, cream-

like overdriven sound with pronounced details and a wide

dynamic response range. NO TONE CONTROL – YOU

WON’T NEED IT!

Gain: Controls the overdrive amount

Volume: Controls the effect output

Swarm Drive

Based on the Providence® SOV-2 Stampede OD* pedal,

this model delivers the natural overdrive tone without

affecting the inherent sound character of your guitar. No

matter what you need – from crunchy rhythms to singing

solos, the Swarm Drive will never let you down.

Gain: Controls the overdrive amount

Tone: Controls the effect tone

Volume: Controls the effect output

Super Drive

This Super Drive is based on a classic, widely used

overdrive which features a unique asymmetric overdrive

circuitry. Delivering a rich, authentic-sounding tube-

driven overdrive effect with wide tonal range, it’s one of a

must-have overdrive model in your effect chain.

Gain: Controls the overdrive amount

Tone: Controls the effect tone

Volume: Controls the effect output

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Screamood

The Screamood model is a classic overdrive inspired by

the evergreen TS-style overdrive served with its most

enduring modification. Use the two onboard switches to

find your favorite screaming mood.

Gain: Controls the overdrive amount

Volume: Controls the effect output

Tone: Controls the effect tone

Fat: Switches extra resonance on/off

Air: Switches extra presence on/off

Dr. Blues

Based on the widely used blues overdrive (and the

famous PHAT-modified version), Dr. Blues is a roadmap

of classic bluesy textures to take you from sweet Tennessee to screaming Texas. Turn up the GAIN knob to get a warm distortion with tons of sensitivity and a wide

frequency response.

It works great on bass too!

Gain: Controls the distortion amount

Tone: Controls the effect tone

Volume: Controls the effect output

Force Drive

Based on the legendary Fulltone® OCD®* overdrive

pedal, this model gives you that great amp-like flavor of

a cranked up vintage amp. Get wild with this

responsive, super powerful overdrive monster!

Gain: Controls the distortion amount

Tone: Controls the effect tone

Volume: Controls the effect output

Mode: Selects from two different sound

characters: HP (High Peak mode with more

bottom end and distortion), LP (Low Peak

mode without changing your original tone)

Tube Clipper

The Tube Clipper is based on the legendary B. K.

Butler® Tube Driver®*, the REAL TUBE overdrive with a

12AX7 tube inside. Famous for the violin-like “Cliffs of

Dover” tone, it sits atop many a studio pro and live

musician’s wish list.

Gain: Controls the distortion amount

Volume: Controls the effect output

Bass/Treble: 2-band EQ that controls the

effect tone

Blues Butter

This Blues Butter overdrive model recreates the magic

of the classic Bluesbreaker®* sound for you. Based on

the Marshall® Bluesbreaker®* overdrive pedal, this low-mid-gain overdrive will add sweetness (and a little wildness) to your guitar sound. You can use it as a clean

boost too!

Gain: Controls the gain amount

Tone: Controls the effect tone

Volume: Controls the effect output

Grand Driver

Based on the legendary Marshall® Drive Master*

overdrive pedal, the Grand Driver model offers a 3-band

tone control. It is like adding an extra amp with classic

British overdrive tone to your set up. This will push your

performance to an even higher level!

Gain: Controls the gain amount

Volume: Controls the effect output

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Zen Garden

This model is a touch-sensitive overdrive with wideranged dynamics. Based on the legendary Hermida®

Zendrive®*, the Zen Garden delivers an overdriven tone

associated with some of the finest, most costly

amplifiers on the market. With the four knobs onboard,

you can easily touch the soul of ZEN

Gain: Controls the overdrive amount

Tone: Controls the effect tone

Volume: Controls the effect output

Voice: Controls the upper harmonics

character

Direct Touch

Direct Touch is based on the famous Barber® Direct

Drive* overdrive pedal. Delivering sparking tube style

overdrive with great clarity, you’ll hear every note

singing with pride and joy – just like a real vintage tube

amp does!

Gain: Controls the distortion amount

Tone: Controls the effect tone

Volume: Controls the effect output

Harmonics: Switches extra harmonics

on/off

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Faun

Drive

Based on the legendary Klon® Centaur*, this overdrive

model gives you an authentic amp-in-a-box feel with full,

rich sound character that is not harsh or boomy at all.

Turn Gain knob to minimum you get a superb clean boost.

Gain: Controls the gain amount

Tone: Controls the effect tone

Volume: Controls the effect output

Amore Eterno

This model is based on the famous Lovepedal® Eternity* overdrive pedal, a Screamer-inspired overdrive that goes

beyond the green machine. Same as original, the unique

Glass control makes it work great as both overdrive and

clean boost. Jump in to that eternal sound beloved by

Police’s Andy Summers and GNR’s Richard Fortus.

Precise

Attack

Precise Attack is a modern booster/overdrive model

based on the famous Horizon Devices® Precision Drive*.

solution for progressive musicians. Plug in an extended range guitar, or run into a high gain amp to find the prog

magic. Special designed Attack control tightens the low

ends and makes your sound prog-y. A built-in smart noise

gate reduces hum and keeps your palm muting tight.

Gain: Controls the overdrive amount

Tone: Controls the effect tone

Volume: Controls the effect output

Attack: 6-mode selector; dial clockwise for a

tighter, more aggressive sound

Gate: Controls the built-in noise gate threshold

Magic T

Magic T is an overdrive model based on the legendary

Paul Cochrane Timmy®* overdrive (V2) pedal – one of the

first transparent overdrive pedals. Like the original,

Magic T pushes your amp/guitar to the limit while

maintaining the original flavor and dynamics.

Gain: Controls the overdrive amount

Volume: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect

tone (counterclockwise, same as original) Mode: Selects from three clipping modes:

-I: asymmetrical clipping

-II: symmetrical clipping

-III: symmetrical clipping with more compression feel

Big Pie

Many dirt pedals released throughout the 1970s began to

blur the lines between fuzz and distortion. The Big Pie is

one of them. Based on the legendary Big Muff Pi®*, this

model is a fresh take on the fuzz tone territory. You get a

wide-ranged sound character using the TONE knob – from

creamy overdrive-like sound to really aggressive fuzzy

tone.

Sustain: Controls the gain amount

Tone: Controls the effect tone

Volume: Controls the effect output

Face Fuzz

This model is based on the legendary Dallas-Arbiter®

Fuzz Face®*. Featuring a unique, unmistakable creamy

sound with incredible dynamics, the pedal remains a

favorite among many rock stars – Hendrix, Gilmour,

Townshend and more!

Fuzz: Controls the gain amount

Volume: Controls the effect output

Bend

Fuzz

This model is based on the legendary Sola Sound® Tone

Bender Mk II®* fuzz pedal – the legend of the legends.

We reproduced the smooth, honey-like tone that was

beloved by Page and many more professional musicians.

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Page 55

Distortion(10)

Plustortion

This little yellow box has produced lots of great

soundings in countless classic studio albums. Yeah,

we’re talking the legendary MXR® M104 Distortion +*,

and this M104-based Plustortion. The Plustortion

recreated the Germanium-powered soft clipping

distortion, like what Randy Rhoads and other hard

rockers do!

Gain: Controls the distortion amount

Volume: Controls the effect output

Smooth Dist

Based on the famous late-70’s distortion pedal that is a

favorite among pro guitarists and pedal modifiers, the

Smooth Dist is truly a classic distortion model. It

produces a distortion sound ranging from screaming loud

to whisper soft. Of course, it faithfully reproduces the

dynamics of your playing style.

Gain: Controls the distortion amount

Tone: Controls the effect tone

Volume: Controls the effect output

Black Tail

Here is another dirt pedal that changed the rules.

Based on the ProCo™ RAT2* distortion pedal (early

LM308 op-amp version), Black Tail brings you the real

underground rock scene. Sweet overdrives, grinding

rhythms, roaring solos – Black Tail cashes in with

authority and power.

Same as the original, Black Tail features the legendary

FILTER control: Turn it clockwise to cut off the high end,

turn it counterclockwise to allow the natural brightness

of your instrument through.

Gain: Controls the distortion amount

Filter: Counterclockwise controls the effect

tone

Volume: Controls the effect output

Governor

Based on the legendary Marshall® The Guv’Nor*

distortion pedal which was well known for its high

quality and iconic British distortion tones, it recreated

the world-famous drive sound of a classic Marshall®

stack at full tilt.

Gain: Controls the distortion amount

Volume: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Shredder

The Shredder is based on the legendary Marshall® Shred

Master* distortion pedal, the one well known for used by

Radiohead’s Jonny Greenwood to create his twisted

distortion walls.

Gain: Controls the distortion amount

Volume: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Crunchist

Based on the MI Audio® Crunch Box®*, this model

brings you high-gain British amp distortion in a

stompbox. Simple and straightforward, with just gain,

tone, and volume control, the Crunchist distortion easily

recreates the huge crunch of a British amp.

Gain: Controls the distortion amount

Tone: Controls the effect tone

Volume: Controls the effect output

Metaland

Metaland Distortion provides an insanely heavy

distortion with edgy highs, powerful mids and heavy lows. Inspired by the world’s most popular heavy metal distortion pedal, the Metaland is definitely an extreme

“dirt wall” creator.

Gain: Controls the distortion amount

Volume: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Mid Freq: Controls the range of middle

frequency

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Rebel

Go and get your riot gear! Rebel is based on the famous

Suhr® Riot Distortion™* pedal, characterized

bymassive distortion that maintains touch sensitivity.

Now you’ve got an authoritative shredding and riffing

machine just a kick away!

Gain: Controls the gain amount

Tone: Controls the effect tone

Volume: Controls the effect output

Voice: Selects from three different sound

characters:

-Natural: Neutral sound

-Tight: A tighter, more aggressive sound

-Vintage: A smoother, warmer sound

Pleximaker

Here’s another great 80s lead sound: Based on the famous Wampler® Plexitortion* pedal, this Pleximaker does exactly what you think: kick it on to get hot-rodded

British lead amp tone.

Gain: Controls the distortion amount

Mode: Selects from two different sound

characters: Vintage/Modern

Volume: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Panama

Lead

The Panama Lead is a distortion model inspired by the

legendary “brown sound” amp. This distortion takes your

brown lead all the way from raw to relentless.

Gain: Controls the distortion amount

Tone: Controls the effect tone

Volume: Controls the effect output

Tight: Controls the low bottom resonance

BassDrive(3)

Solid Steel

Solid Steel is a flexible drive pedal designed for bass.

We voiced this one to deliver a rich driven bass sound.

Use the Mode knob to select from 3 unique sound

characters.

Gain: Controls the overdrive amount

Tone: Controls the effect tone

Volume: Controls the effect output

Mode: Selects from 3 different sound

characters: Normal (neutral sound), Scoop

(mid-scooped sound), Edge (edgy sound)

Blend: Controls the wet/dry signal ratio

Bass OD

If you’re looking for an all-around bass driver, this is the

one. Based on the widely used yellow bass driver, the

Bass OD gives you a massive bass sound with super wide

tonal flexibility.

Gain: Controls the distortion amount

Blend: Controls the wet/dry signal ratio

Volume: Controls the effect output

Bass/Treble: 2-band EQ that controls the

effect tone

Behemoth M

The Behemoth M is based on the famous Darkglass®

Microtubes B7K Analog Bass Preamp* pedal. This pedal

can turn your whispering bass into a growling monster,

all while preserving the clarity. Onboard EQ gives you

wide tonal flexibility.

Gain: Controls the overdrive amount

Blend: Controls the wet/dry signal ratio

Volume: Controls the effect output

Low/Low Mid/High Mid/Treble: 4-band EQ

that controls the effect tone

Attack: Boosts/cuts high frequency amount

AMP(87)

Clean(36)

Tweed Chap

The Tweed Chap is an amp simulator based on the sound

characteristics of the legendary Fender® Tweed Champ*

amp (5F1 version), an awesome little “practice amp” with huge tone. Crank it up you get the sweet “boxy”

sound which made it popular in studios.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

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Tweed Lux

The Tweed Lux is an amp simulator based on the sound

characteristics of the legendary Fender® Tweed

Deluxe* amp (5E3 version, BRIGHT channel). Featuring rich, singing clean and juicy, luscious overdrive, the mysterious DELUXE amp with the

TWEED cover can be found everywhere from studios to

bedrooms.

Volume: Controls the effect output and gain

amount

Tone: Controls the effect tone

Output: Controls the effect output

Tweed Prince

The Tweed Prince is an amp simulator based on one of

the legendary studio combo amps: Fender® Tweed

Princeton Amp* (5F2-A version), another “huge tone in

a small box” masterpiece which remains popular

among players, builders and collectors. A Tone knob

makes it more versatile.

Baseman Norm

This model is an amp simulator based on the sound

characteristics of the legendary Fender® Bassman®*

amp (5F6-A version, Normal channel), the American

legend with a twangy top and fat bottom end.

Originally designed for bass, it soon became popular

among guitar players.

Volume: Controls the effect output and gain

amount

Presence: Controls the effect headroom

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Black Twin

The original clean sound.

The Black Twin is based on the legendary Fender® ’65

Twin Reverb®* amp. It provides a super clean,

crystal-like sound with scooped mids, popularly

known as the “Blackface Sound”.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Bright: Switches extra brightness on/off

Black Deluxe

The Black Deluxe is an amp simulator based on the

legendary Fender® Blackface Deluxe Reverb®* amp

(Normal CH), providing you a more scooped

“blackface” sound with chime-y highs. Plus, it’s easier

to crank up too!

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the

effect tone

Black Deluxe+

The Black Deluxe+ is an amp simulator based on the

Fender® Blackface Deluxe Reverb®* amp (Vibrato CH

– the most popular channel among musicians),

providing you a more scooped “blackface” sound with

chime-y highs. Plus, it’s easier to crank up too!

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the

effect tone

Black Prince

The Black Prince is an amp simulator based on the

Fender® Blackface Princeton®* amp (AA964

version). Push it to the verge of breakup you’ll find the

fantastic tone beloved by lots of musicians.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the

effect tone

Black Super

The Black Super is an amp simulator based on the Fender® Blackface Super Reverb®* amp (AB763

version), a huge sounding amp delivering you the

lovely “blackface” chimes with enhanced treble and

bass.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Bright: Switches extra brightness on/off

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Black Vibra

The Black Vibra is an amp simulator based on

the Fender® Blackface Vibroverb®* amp

(AA763 version), which contributed a lot on

SRV’s iconic colossal tone. Plug in a classic ST-

type guitar and you’ll feel your Texas blood

flooding!

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect tone

Bright: Switches extra brightness on/off

Brown King

Clean

The Brown King Clean is an amp simulator

based on the Fender® Brownface Vibro-

King®* amp (FAT switch off), one of Gary Clark

Jr.’s favorite. It gives you a beautiful

shimmering clean when turned down, and a

serious touch-sensitive dirt when cranked up.

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Brown Vibra

The Brown Vibra is an amp simulator based on

the Fender® Brownface Vibrolux®* Amp

(6G11 version), giving you a warmer, slightly

dirtier Fender®* tone. It became a rock legend

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect tone

Brown Concert

The Brown Concert is an amp simulator based

on the Fender® Brownface Concert®* Amp

(6G12 version, Vibrato input), one of the crown

jewels of vintage amps. The sound is pure, shimmering with lots of headroom. Of course you can also push it to the edge to get a mild,

brown-ish overdrive.

Volume: Controls the effect output and gain amount

Presence: Controls the effect headroom

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect tone

Brown Super

The Brown Super is an amp simulator based on

the Fender® Brownface Super-Amp* (6G4

version), one of the first twin-speaker

“professional” amp, delivering a touch

sensitive, sweet Brownface-era tone.

Silver Twin

The Silver Twin is based on a 1970’s Fender®

Silverface Twin Reverb®* amp (AC568 circuit,

Vibrato input), giving you a different sculpting

of the classic “Fender®* Tone” – a crystal-like

sound with scooped mids and great headroom.

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Silver Master

The Silver Master is based on the legendary

Fender® Silverface Bandmaster®* amp (early

AB763 version), which was treated as the

“holy grail of Fender®* tone”. Not much

tweaking is needed - Just plug in, turn up the

volume and feel the magic.

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect tone

Bright: Switches extra brightness on/off

Superb Dual

Clean

SUPERB retro tone.

The Superb Dual Clean is based on the famous

Supro® Dual-Tone 1624T* combo (CH 1). It

produces the sweet 60s “stairway” scene

replica, from bell-like cleans to gritty blues.

Volume: Controls the effect output and gain amount

Output: Controls the master output

Tone: Controls the effect tone

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Effect Models List

after Mark Knopfler used it to record the

famous song: Sultan of Swing.

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Voxy 15 TB

This model is an amp simulator based on the

sound characteristics of a vintage VOX®*

AC15* combo (with Top Boost), the little

brother of the legendary VOX® AC30*, giving

you the same British Invasion sound.

Volume: Controls the effect output and gain amount Tone cut: Counterclockwise controls the effect tone

Master: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect tone

Voxy 30HW

Norm

This model is an amp simulator based on the

sound characteristics of the VOX®* AC30HW*

combo (Normal channel). As the UK music

scene grew out of small pubs to later cross the

Pond, almost everyone was using the combo

amp covered with a diamond grill cloth, the

legendary VOX® AC30*. This became the

British Invasion sound.

Volume: Controls the output volume (post gain)

Tone cut: Counterclockwise controls the effect tone

Output: Controls the effect output

Bright: Switches extra brightness on/off

Hiway 103

Norm

This model is an amp simulator based on the

sound characteristics of the legendary Hiwatt® DR103* amp head (NORMAL

channel), which has proved itself through

decades of rock history (think Gilmour,

Townshend, et al.). Set it up for pure, powerful,

transparent tone or crank it to get some rich

British overdrive – you decide!

Volume: Controls the effect output and gain amount

Presence: Controls the effect headroom

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Watchman

This is an amp simulator based on the Gibson®

Scout* amp, a rare vintage amp with a smooth

vintage clean sound.

Volume: Controls the effect output and gain amount Output: Controls the effect output

Jazz Clean

The legendary Solid sound.

Our Jazz Clean is based on the immaculate “JC

clean” 2x12 solid-state jazz-amp combo. The

pure transparent clean sound has ruled for

more than four decades and remains

incontestably reliable among pro musicians.

Volume: Controls the effect output

Bright: Switches extra presence on/off

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Emperor Clean

Meet the Emperor of Tone! Based on the

Matchless™ Chieftain 212 combo* (clean

sound), the Emperor features the rich

harmonics and matchless sensitivity that made

this amp a Class A legend.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Match 30 Clean

Match 30 Clean is based on the unbeatable

Matchless™ DC-30 combo* - one of the

earliest boutique amps, which takes the

legendary UK-style Class A sound to a new

level.

Volume: Controls the effect output and gain amount Tone cut: Counterclockwise controls the effect tone

Master: Controls the effect output (post gain)

Bass/Treble: 2-band EQ that controls the effect tone

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Page 60

Tang A30 Clean

Marshell SLP Jump 1 is an amp simulator based on

the sound characteristics of the legendary Marshall® Super Lead 1959* amp head with “Jump” connection. No explanation necessary — The tone is

as legendary as the music it helped to create. Since it

has an extreme output (demanded by Pete

Townshend!) , we added a Output knob so you can

take control.

Volume 1/2: Controls the effect output and

gain amount

Presence: Controls the effect headroom

Output: Controls the effect output Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Superstar

Clean

The Superstar Clean is based on the clean channel of

the famous Mesa/Boogie® Lone Star®* combo,

bringing you a punchy, shimmering twang with love

and joy.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Glacian Clean

Glacian Clean is based on the clean channel of the famous Bogner ® Shiva* combo (20th anniversary

version). Our replica reproduces the glassy hi-fi clean

sound powered by a pair of KT88 power tubes. This is

a super wide-open sound with immerse headroom,

sensitive moods, and great low end response.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Treble: 2-band EQ that controls the

effect tone

Bright: Switches extra brightness on/off

Dr. 38 Clean

This model is based on one of Dr. Z®*’s most

enduring designs: the famous Dr. Z® Maz 38 Sr.*

combo (clean sound). This amp has the kind of clean

headroom that makes it a great pedal platform, yet as

a standalone it is incredibly versatile, granting

access to both American twang and UK Class A

chime.

Gain: Controls the output volume (pre gain)

Tone cut: Counterclockwise controls the

effect tone

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Dr. 66

This model is based on a famous Dr. Z®* model: the simple-but-powerful Dr. Z® Route 66* amp. Thanks

to a pair of KT66 power tubes in the power amp, this

amp can bring you an adorable creamy thick sound

with lots of dynamics and definition.

Volume: Controls the effect output and gain

amount

Output: Controls the master output

Bass/Treble: 2-band EQ that controls the

effect tone

Pendragon

Clean

The Pendragon Clean is based on the Normal channel

of the famous Grindrod® Pendragon PG20C* combo

(bright off), a masterpiece designed by tube amp guru

Steve Grindrod, ex-chief designer of VOX®* &

Marshall®*. Delivering you an authentic British tone

that is warm and expressive, with some simple

dialing you’ll get in touch with the legendary UK

rock’n’roll scenes. Turn up, stand back and you’re

ready to rock!

Gain: Controls the gain amount (pre gain)

Volume: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Pendragon

Clean+

The Pendragon Clean+ is based on the Normal

channel of the famous Grindrod® Pendragon PG20C*

combo (bright on), a masterpiece designed by tube

amp guru Steve Grindrod, ex-chief designer of

VOX®* & Marshall®*. Delivering you an authentic British tone that is warm and expressive, with some simple dialing you’ll get in touch with the legendary

UK rock’n’roll scenes. Turn up, stand back and you’re

ready to rock!

Gain: Controls the gain amount (pre gain)

Volume: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

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Page 61

Press Wrecker

The Press Wrecker is based on the legendary

Trainwreck® Express* amp, a super-rare

boutique amp created by Ken Fischer, brings

you a high end Plexi-style sound that reacts

extremely faithful to your fingers.

Volume: Controls the effect output and gain amount

Presence: Controls the effect headroom

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Bright: Switches extra brightness on/off

Pool Wrecker

The Pool Wrecker is based on the legendary

Trainwreck® Liverpool* amp, a super-rare

boutique amp created by Ken Fischer that

reacts extremely faithful to your fingers. It

creates a sound that mixes Plexi-style crunch

with some Class-A chimes.

Volume: Controls the effect output and gain amount

Presence: Controls the effect headroom

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Bright: Switches extra brightness on/off

Hot Kitty Clean

Based on the 1st channel of the famous Bad

Cat® Hot Cat 30* amp, the Hot Kitty Clean is a

total Class A clean machine. The unique tone

finds itself somewhere between British and

USA territories with rich upper harmonics.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Soloist 100

Clean

This model is an amp simulator based on the

sound characteristics of the legendary

Soldano® SLO100* amp head (NORMAL

channel, clean sound), which set a benchmark

for modern amps. The reason you find the sound so familiar is because you’ve been

hearing it on gold records since 1987.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Dumbell ODS 1

Here comes the THE LEGEND! The Dumbell

ODS 1 is based on the legendary Dumble®

Overdrive Special* amp head (Overdrive

section off), providing THAT tone created by

lots of legendary jazz/blues/fusion musicians.

Gain: Controls the gain amount

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Bright: Switches extra brightness on/off

Fat: Switches extra mids/gain on/off

Deep: Switches extra depth on/off

Voice: Selects from 2 voicings: Rock/Jazz (cuts some

high frequency comparing to Rock)

Drive(28)

Baseman

Bright

This model is an amp simulator based on the

sound characteristics of the legendary

Fender® Bassman®* amp (5F6-A version,

Bright channel), the American legend with a

twangy top and fat bottom end. Originally

designed for bass, it soon became popular

among guitar players.

Volume: Controls the effect output and gain amount

Presence: Controls the effect headroom

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Brown King

Drive

The Brown King Drive is an amp simulator

based on the Fender® Brownface Vibro-

King®* amp (FAT switch on), one of Gary Clark

Jr.’s favorite. It gives you a beautiful

shimmering clean when turned down, and a

serious touch-sensitive dirt when cranked up.

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

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Page 62

Voxy 30HW TB

This model is an amp simulator based on the

sound characteristics of the VOX®* AC30HW*

combo (Top Boost channel). As the UK music

scene grew out of small pubs to later cross the

Pond, almost everyone was using the combo

amp covered with a diamond grill cloth, the

legendary VOX® AC-30*. This became the

British Invasion sound.

Volume: Controls the effect output and gain amount Tone cut: Counterclockwise controls the effect tone

Master: Controls the effect output (post gain)

Bass/Treble: 2-band EQ that controls the effect tone

Char: Selects from two sound characters: Cool

(lower gain)/Hot (higher gain)

Superb Dual

Drive

SUPERB retro tone.

The Superb Dual Drive is based on the famous

Supro® Dual-Tone 1624T* combo (CH 1+2,

means the two preamp channels are linked in

parallel). It produces the sweet 60s “stairway”

scene replica, from bell-like cleans to gritty

blues.

Volume 1/2: Controls the effect output and gain

amount

Tone 1/2: Controls the effect tone

Output: Controls the master output

Marshell Blues

This model is an amp simulator based on the

sound characteristics of the legendary

Marshall® 1958* combo nicknamed “18

Watter” or “Mini Bluesbreaker®*” amp, a

serious blues engine with incredible smooth, fat sound and great dynamics. A must-have in

your armory!

Volume: Controls the effect output and gain amount

Tone: Controls the effect tone

Output: Controls the effect output

Marshell 45

This Marshell 45 is an amp simulator based on

the sound characteristics of the legendary

Marshall® JTM 45* amp head (NORMAL

channel). Born in 1962, it soon became popular

among countless stars and quickly defined the

‘60s rock & blues sound.

Volume: Controls the effect output and gain amount

Presence: Controls the effect headroom

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Marshell 45+

This Marshell 45+ is an amp simulator based on

the sound characteristics of the legendary

Marshall® JTM 45* amp head (HIGH TREBLE

channel). Born in 1962, it soon became popular

among countless stars and quickly defined the

‘60s rock & blues sound.

Marshell 45

Jump

This Marshell 45 Jump is an amp simulator

based on the sound characteristics of the

legendary Marshall® JTM 45* amp head with

“Jump” connection. Born in 1962, it soon

became popular among countless stars and

quickly defined the ‘60s rock & blues sound.

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Marshell 50

This is an amp simulator based on the sound

characteristics of the legendary Marshall®

JMP 50* amp head (NORMAL channel). No

explanation necessary — The tone is as

legendary as the music it helped to create.

Volume: Controls the effect output and gain amount

Presence: Controls the effect headroom

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Marshell 50+

This is an amp simulator based on the sound

characteristics of the legendary Marshall®

JMP 50* amp head (HIGH TREBLE channel). No

explanation necessary — The tone is as

legendary as the music it helped to create.

Marshell 50

Jump

This is an amp simulator based on the sound

characteristics of the legendary Marshall®

JMP 50* amp head with “Jump” connection. No

explanation necessary — The tone is as

legendary as the music it helped to create.

Volume 1/2: Controls the effect output and gain

amount

Presence: Controls the effect headroom

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Marshell SLP

Marshell SLP is an amp simulator based on the

sound characteristics of the legendary

Marshall® Super Lead 1959* amp head

(Normal channel). No explanation necessary —

The tone is as legendary as the music it helped

to create. Since it has an extreme output

(demanded by Pete Townshend!) , we added a

Output knob so you can take control.

Volume: Controls the effect output and gain

amount

Presence: Controls the effect headroom

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Marshell SLP+

Marshell SLP+ is an amp simulator based on the

sound characteristics of the legendary

Marshall® Super Lead 1959* amp head (Bright

channel). No explanation necessary — The tone

is as legendary as the music it helped to create.

Since it has an extreme output (demanded by

Pete Townshend!) , we added a Output knob so

you can take control.

Marshell SLP

Jump

Marshell SLP Jump 1 is an amp simulator based

on the sound characteristics of the legendary

Marshall® Super Lead 1959* amp head with

“Jump” connection. No explanation necessary

— The tone is as legendary as the music it

helped to create. Since it has an extreme output

(demanded by Pete Townshend!) , we added a

Output knob so you can take control.

Volume 1/2: Controls the effect output and gain

amount

Presence: Controls the effect headroom

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Marshell 800

This model is an amp simulator based on the

sound characteristics of the legendary

Marshall® JCM800* amp head. Just think

about the golden 1980’s – a decade of heavy

metal and THAT iconic, aggressive, crunchy

BRITISH LEAD sound. Now the legend is back!

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

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Pendragon

Drive

The Pendragon Drive is based on the Boost

channel of the famous Grindrod® Pendragon

PG20C* combo, a masterpiece designed by tube

amp guru Steve Grindrod, ex-chief designer of

VOX®* & Marshall®*. Delivering you an

authentic British tone that is warm and

expressive, with some simple dialing you’ll get in

touch with the legendary UK rock’n’roll scenes.

Turn up, stand back and you’re ready to rock!

Gain: Controls the gain amount (pre gain)

Volume: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Messe IIC+

The California Dream.

This model is based on the legendary

Mesa/Boogie® Mark II C+™* amp head (LEAD

channel). Now you have one of the hottest amp

tones: Tight, focused rhythm riffs and the

legendary “liquid lead” tone. This amp gets the

aeons of sustain Metallica and Dream Theater bet

their lives on.

Gain: Controls the gain amount

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Bass/Treble Shift: Switches extra bass/treble

on/off

Deep: Switches extra low end on/off

Bright: Switches extra brightness on/off

Glacian Drive

Glacian Drive is based on the drive channel of the

famous Bogner ® Shiva* combo (20th anniversary

version). Our replica reproduces the glassy hi-fi

driven sound powered by a pair of KT88 power

tubes. This is a super wide-open sound with

immerse headroom, sensitive moods, and great

low end response.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Tang A30 Drive

The Tang A30 Drive is based on the famous

Orange® AD30* amp head (CH 2), a 30-watt,

vintage modern Class A model with Orange®*’s

famous “juicy” sound. Adjust the GAIN knob to get

the magic: glassy boutique chime with the gain

low, and roaring British chomp with the gain up.

Gain: Controls the gain amount (pre gain)

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Fryman B

Fryman B is based on a famous UK-style boutique amp head (BE channel). This is an incredible tone

machine based on the classic hot British amps.

But this amp is extremely versatile: with some

knob tweaking, you’ll be amazed by the super tight

low ends, sweet mids and rich harmonics.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Voice/Fat/C45: Adjusts overall tonal characters

Boger XT Blue V

This model is based on the 2nd channel (the blue

channel) of the famous Bogner ® Ecstasy* head

(vintage sound character), which has been a

favorite for every style and genre of music since

1992.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Bright: Controls the effect brightness

Plexi Mode: Switches Plexi Mode on/off; in Plexi

Mode the amp performs like a plexi-style amp

Boger XT Blue

This model is based on the 2nd channel (the blue

channel) of the famous Bogner ® Ecstasy* head

(modern sound character), which has been a

favorite for every style and genre of music since

1992.

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Soloist 100

Crunch

This model is an amp simulator based on the sound

characteristics of the legendary Soldano® SLO100*

amp head (NORMAL channel, dirty sound), which set

a benchmark for modern amps. The reason you find

the sound so familiar is because you’ve been hearing

it on gold records since 1987.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Emperor Drive

Meet the Emperor of Tone! Based on the Matchless™

Chieftain 212 combo* (driven sound), the Emperor

features the rich harmonics and matchless

sensitivity that made this amp a Class A legend.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Dr. 38 Drive

This model is based on one of Dr. Z®*’s most

enduring designs: the famous Dr. Z® Maz 38 Sr.*

combo (drive sound). This amp has the kind of clean

headroom that makes it a great pedal platform, yet as

a standalone it is incredibly versatile, granting

access to both American twang and UK Class A

chime.

Gain: Controls the output volume (pre gain)

Tone cut: Counterclockwise controls the

effect tone

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Superstar Drive

The Superstar Drive is based on the drive channel of

the famous Mesa/Boogie® Lone Star®* combo,

bringing you that well-balanced, smooth American-

style drive with a rich combination of both vintage

and modern tones.

Input: Controls the input sensitivity

Gain: Controls the gain amount

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Hot Kitty Drive

Based on the 2nd channel of the famous Bad Cat®

Hot Cat 30* amp, the Hot Kitty Drive is a total Class A

drive machine. The unique tone finds itself

somewhere between British and USA territories with

complex mids, tight lows and rich upper harmonics.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Edge: Controls the high and high-mid tone

character

Bass/Treble: 2-band EQ that controls the

effect tone

Dumbell ODS 2

Here comes the THE LEGEND! The Dumbell ODS 2 is

based on the legendary Dumble® Overdrive Special*

amp head (Overdrive section on), providing THAT

tone created by lots of legendary jazz/blues/fusion

musicians.

Input: Controls the input sensitivity

Gain: Controls the gain amount

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Bright: Switches extra brightness on/off

Fat: Switches extra mids/gain on/off

Deep: Switches extra depth on/off

Voice: Selects from 2 voicings: Rock/Jazz

(cuts some high frequency comparing to Rock)

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HiGain(17)

Marshell 900

This model is an amp simulator based on the sound

characteristics of the legendary Marshall® JCM900

(model 4100, CH B)* amp head. Released in 1990, it

was designed to produce more gain, less noise and

stainless Marshall® tone.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Tang R100

The Tang R100 is based on the famous Orange®

Rockerverb 100™* amp head, Orange®*’s first high

gain amplifier. Its unique thick voice has become

eternally linked with hard rock/stoner rock.

Gain: Controls the gain amount (pre gain)

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Messe IV Lead

The classic Boogie Lead sound...and beyond.

This model is based on the legendary Mesa/Boogie®

Mark IV™* amp head (LEAD channel). This massive

lead tone is one of the most beautifully voiced tones

that can always be heard in a mix.

Gain: Controls the gain amount

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Fat: Switch on to get a fatter sound

Bright: Switches extra brightness on/off

Voicing: Selects from two voicings: Mid Gain

(a punchier sound with more mids and

distortion)/Harmony (a more balanced sound)

Soloist 100

Lead

This model is an amp simulator based on the sound

characteristics of the legendary Soldano® SLO100*

amp head (OVERDRIVE channel), which set a

benchmark for modern amps. The reason you find the

sound so familiar is because you’ve been hearing it

on gold records since 1987.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Eddie 51

The Eddie 51 is based on a heavy rock legend: the Peavey® 5150®* (LEAD channel). The original is

famous for its raw tone and relentless power. Our

Eddie 51 gives you the “brown metal” sound heard on

legendary heavy metal records.

Fryman HB

Fryman HB is based on a famous UK-style boutique amp head (HBE channel). This is an incredible tone

machine based on the classic hot British amps. But

this amp is extremely versatile: with some knob

tweaking, you’ll be amazed by the super tight low

ends, sweet mids and rich harmonics.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Voice/Fat/C45: Adjusts overall tonal

characters

Engle Saga 1

The Engle Saga 1 is based on the famous ENGL®

Savage 120 E610* amp head (Channel 4, contour off).

This replica reproduces the iconic modern German

rock sound featuring fast response, enhanced

headroom and punchy dynamics.

Input: Controls the input sensitivity

Gain: Controls the gain amount

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Voice: Selects overall sound character from

Rough to Smooth

Depth Boost: Switches extra resonance

on/off

Engle Saga 2

The Engle Saga 2 is based on the famous ENGL®

Savage 120 E610* amp head (Channel 4, contour on).

This replica reproduces the iconic modern German

rock sound featuring fast response, enhanced

headroom and punchy dynamics.

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Powerengle

Lead

The Powerengle Lead is based on the lead channel

(Channel 4) of the famous ENGL® Powerball II E645/2*

amp head. Truly ideal for modern rock and metal, it

features a tight low end, a huge amount of gain, sharp

clarity, and great dynamics.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post

gain)

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Dizzle VH B

The Dizzle VH B is based on the 3rd channel of the famous

Diezel® VH4* amp head. Born in 1994, the VH4 set an incredibly high benchmark for boutique multi-channel

amps, quickly making it a stage and studio standard.

“B” stands for “blue panel” version.

Dizzle VH S

The Dizzle VH S is based on the 3rd channel of the famous

Diezel® VH4* amp head. Born in 1994, the VH4 set an incredibly high benchmark for boutique multi-channel

amps, quickly making it a stage and studio standard.

“S” stands for “silver panel” version.

Rector Dual V

The Rector Dual V is based on an enduring rock’ n’ roll

icon: the legendary Mesa/Boogie® Dual Rectifier® amp

head (CH3, vintage). Music industry genres and scenes

have come and gone since its first release in early 1990’s,

but this amp’s monolithic heavy sound continues to be the

standard for modern heavy rock.

Rector Dual M

The Rector Dual M is based on an enduring rock’ n’ roll

icon: the legendary Mesa/Boogie® Dual Rectifier® amp

head (CH3, modern). Music industry genres and scenes

have come and gone since its first release in early 1990’s,

but this amp’s monolithic heavy sound continues to be the

standard for modern heavy rock.

Dizzle VH+ B

The Dizzle VH+ B is based on the 4th channel of the famous

Diezel® VH4* amp head. Born in 1994, the VH4 set an incredibly high benchmark for boutique multi-channel

amps, quickly making it a stage and studio standard.

“B” stands for “blue panel” version.

Dizzle VH+ S

The Dizzle VH+ S is based on the 4th channel of the famous

Diezel® VH4* amp head. Born in 1994, the VH4 set an incredibly high benchmark for boutique multi-channel

amps, quickly making it a stage and studio standard.

“S” stands for “silver panel” version.

Boger XT Red

This model is based on the 3rd channel (the red channel) of

the famous Bogner ® Ecstasy* head (vintage sound

character), which has been a favorite for every style and

genre of music since 1992.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post

gain)

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Bright: Controls the effect brightness

Plexi Mode: Switches Plexi Mode on/off;

in Plexi Mode the amp performs like a

plexi-style amp

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Boger XT

Red M

This model is based on the 3rd channel (the red

channel) of the famous Bogner ® Ecstasy* head

(modern sound character), which has been a favorite

for every style and genre of music since 1992.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Bright: Controls the effect brightness

Plexi Mode: Switches Plexi Mode on/off; in Plexi

Mode the amp performs like a plexi-style amp

Bass(5)

Ampage

Classic

The original rock bass sound.

The Ampage Classic is based on the legendary

Ampeg® SVT* bass amp head. Born in 1969, the rich

sounding all-tube monster basically defined the

bass sound of rock and roll from then on. We

modified the Frequency switch with a modern

Ampeg®* design for more tonal flexibility.

Gain: Controls the gain amount

Frequency: Selects the center frequency of

Midrange control: 220Hz/450Hz

/800Hz/1.6kHz/3kHz

Master: Controls the effect output

Bass/Midrange/Treble: 3-band EQ that controls

the effect tone

Ampage Flip

The legendary Flip Top is here! Our Ampage Flip is

based on the legendary Ampeg® B-15* bass amp

head. Originally designed by Jess Oliver, the easyto-use amp produces incredible round, full-figured

tone for which many have deemed it the holy grail of

bass amps. Now it’s finally within reach!

Volume: Controls the output volume (post gain)

Bass/Treble: 2-band EQ that controls the effect

tone

Voxy Bass

The British Invasion bass sound is now available.

Voxy Bass is an amp simulator based on the sound

characteristics of the legendary VOX®* AC-100*

amp head, the amp that McCartney was using in

1965. The operation is simple: just treble, bass, and volume controls. Using a violin bass with this amp

will totally get you THAT vibe.

Tang Bass

The Tang Bass is based on the famous Orange®

AD200B* bass amp head, a straight forward amp

with huge power. The four 6550 power tubes ensures

a ground shaking tone with lots of dynamics.

Volume: Controls the effect output and gain

amount

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Messe Bass

400

This model is based on the famous Mesa/Boogie® Bass 400* bass amp head, one of Mesa/Boogie®’s

rare bass products. As one of the most classic most

classic and sought-after tube bass amps in history,

the amp will never let you down.

Volume: Controls the gain amount (pre gain)

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

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PowerAmp（1）

Power Amp

This model is a tube power amp simulator with

various tonal controls.

Tube Type: Selects from different power tube types:

-6L6: Commonly found in many US style amps

-EL34: Commonly found in many UK style amps

-EL84: Commonly found in some classic Class-A amps

-6V6: Commonly found in some legendary low powered US combo amps

-Kt66: Commonly found in early UK Plexi-style amps and some boutique amps

-KT88: Commonly found in boutique/modern hi gain

amps and bass amps

-6550: Commonly found in bass amps Depth: Controls the effect depth

Presence: Controls the effect headroom

Sag: Turn up to reduce power supply voltage to

create a compression feel

B+ Response: Controls the B+ voltage for a looser

(turn up)/faster (turn down) picking response

Negative FB: Controls the negative feedback

amount; turn up to get a quieter tone

Output: Controls the effect output

PRE AMP(88)

Clean(36)

Tweed Chap

The Tweed Chap is a preamp simulator based on

the sound characteristics of the legendary

Fender® Tweed Champ* amp (5F1 version), an

awesome little “practice amp” with huge tone.

Crank it up you get the sweet “boxy” sound which

made it popular in studios.

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Tweed Lux

The Tweed Lux is a preamp simulator based on the

sound characteristics of the legendary Fender®

Tweed Deluxe* amp (5E3 version, BRIGHT

channel). Featuring rich, singing clean and juicy,

luscious overdrive, the mysterious DELUXE amp with the TWEED cover can be found everywhere

from studios to bedrooms.

Volume: Controls the effect output and gain amount

Tone: Controls the effect tone

Output: Controls the effect output

Tweed

Prince

The Tweed Prince is a preamp simulator based on

one of the legendary studio combo amps: Fender®

Tweed Princeton Amp* (5F2-A version), another

“huge tone in a small box” masterpiece which

remains popular among players, builders and

collectors. A Tone knob makes it more versatile.

Baseman

Norm

This model is a preamp simulator based on the

sound characteristics of the legendary Fender®

Bassman®* amp (5F6-A version, Normal channel),

the American legend with a twangy top and fat

bottom end. Originally designed for bass, it soon

became popular among guitar players.

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

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Black Twin

The Black Twin is a preamp simulator based on the legendary Fender® ’65 Twin Reverb®* amp. It provides a super clean, crystal-like sound with

scooped mids, popularly known as the

“Blackface Sound”.

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Bright: Switches extra brightness on/off

Black

Deluxe

The Black Deluxe is a preamp simulator based on

the legendary Fender® Blackface Deluxe

Reverb®* amp (Normal CH), providing you a

more scooped “blackface” sound with chime-y

highs. Plus, it’s easier to crank up too!

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect tone

Black

Deluxe+

The Black Deluxe+ is a preamp simulator based

on the Fender® Blackface Deluxe Reverb®*

amp (Vibrato CH – the most popular channel

among musicians), providing you a more scooped

“blackface” sound with chime-y highs. Plus, it’s

easier to crank up too!

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect tone

Black

Prince

The Black Prince is a preamp simulator based on

the Fender® Blackface Princeton®* amp

(AA964 version). Push it to the verge of breakup

you’ll find the fantastic tone beloved by lots of

musicians.

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect tone

Black Super

The Black Super is a preamp simulator based on

the Fender® Blackface Super Reverb®* amp

(AB763 version), a huge sounding amp delivering

you the lovely “blackface” chimes with

enhanced treble and bass.

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Bright: Switches extra brightness on/off

Black Vibra

The Black Vibra is a preamp simulator based on

the Fender® Blackface Vibroverb®* amp

(AA763 version), which contributed a lot on

SRV’s iconic colossal tone. Plug in a classic ST-

type guitar and you’ll feel your Texas blood

flooding!

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect tone

Bright: Switches extra brightness on/off

Brown King

Clean

The Brown King Clean is a preamp simulator

based on the Fender® Brownface Vibro-King®*

amp (FAT switch off), one of Gary Clark Jr.’s

favorite. It gives you a beautiful shimmering

clean when turned down, and a serious touch-

sensitive dirt when cranked up.

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Brown Vibra

The Brown Vibra is a preamp simulator based on

the Fender® Brownface Vibrolux®* Amp (6G11

version), giving you a warmer, slightly dirtier

Fender®* tone. It became a rock legend after

Mark Knopfler used it to record the famous

Volume: Controls the effect output and gain amount

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect tone

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Brown Concert

The Brown Concert is a preamp simulator based on

the Fender® Brownface Concert®* Amp (6G12 version, Vibrato input), one of the crown jewels of vintage amps. The sound is pure, shimmering with

lots of headroom. Of course you can also push it to

the edge to get a mild, brown-ish overdrive.

Volume: Controls the effect output and gain

amount

Presence: Controls the effect headroom

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect

tone

Brown Super

The Brown Super is a preamp simulator based on

the Fender® Brownface Super-Amp* (6G4 version),

one of the first twin-speaker “professional” amp,

delivering a touch sensitive, sweet Brownface-era

tone.

Volume: Controls the effect output and gain amount Output: Controls the effect output Bass/Treble: 2-band EQ that controls the effect tone

Silver Twin

The Silver Twin is a preamp simulator based on a

1970’s Fender® Silverface Twin Reverb®* amp

(AC568 circuit, Vibrato input), giving you a different

sculpting of the classic “Fender®* Tone” – a

crystal-like sound with scooped mids and great

headroom.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Silver Master

The Silver Master is a preamp simulator based on

the legendary Fender® Silverface Bandmaster®*

amp (early AB763 version), which was treated as

the “holy grail of Fender®* tone”. Not much tweaking is needed - Just plug in, turn up the

volume and feel the magic.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect

tone

Bright: Switches extra brightness on/off

Superb Dual

Clean

SUPERB retro tone.

The Superb Dual Clean is a preamp simulator based

on the famous Supro® Dual-Tone 1624T* combo

(CH 1). It produces the sweet 60s “stairway” scene

replica, from bell-like cleans to gritty blues.

Volume: Controls the effect output and gain

amount

Output: Controls the master output

Tone: Controls the effect tone

Voxy 15 TB

This model is a preamp simulator based on the

sound characteristics of a vintage VOX®* AC15*

combo (with Top Boost), the little brother of the

legendary VOX® AC30*, giving you the same

British Invasion sound.

Volume: Controls the effect output and gain

amount

Master: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect

tone

Voxy 30HW

Norm

This model is a preamp simulator based on the

sound characteristics of the VOX®* AC30HW*

combo (Normal channel). As the UK music scene

grew out of small pubs to later cross the Pond,

almost everyone was using the combo amp covered

with a diamond grill cloth, the legendary VOX®

AC30*. This became the British Invasion sound.

Volume: Controls the output volume

Output: Controls the effect output

Bright: Switches extra brightness on/off

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Hiway 103

Norm

This model is a preamp simulator based on the

sound characteristics of the legendary Hiwatt®

DR103* amp head (NORMAL channel), which has

proved itself through decades of rock history (think

Gilmour, Townshend, et al.). Set it up for pure,

powerful, transparent tone or crank it to get some

rich British overdrive – you decide!

Volume: Controls the effect output and gain

amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Watchman

This is a preamp simulator based on the Gibson®

Scout* amp, a rare vintage amp with a smooth

vintage clean sound.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Jazz Clean

The Jazz Clean is a preamp simulator based on the

immaculate “JC clean” 2x12 solid-state jazz-amp

combo. The pure transparent clean sound has ruled

for more than four decades and remains

incontestably reliable among pro musicians.

Volume: Controls the effect output

Bright: Switches extra presence on/off

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Emperor Clean

Meet the Emperor of Tone! This is a preamp

simulator based on the Matchless™ Chieftain 212

combo* (clean sound), gives you the rich harmonics

and matchless sensitivity that made this amp a

Class A legend.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Match 30 Clean

Match 30 Clean is a preamp simulator based on the unbeatable Matchless™ DC-30 combo* - one of the

earliest boutique amps, which takes the legendary

UK-style Class A sound to a new level.

Volume: Controls the effect output and gain

amount

Master: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect

tone

Tang A30 Clean

The Tang A30 Clean is a preamp simulator based on the famous Orange® AD30* amp head (CH 1), a 30-

watt, vintage modern Class A model with

Orange®*’s famous “juicy” sound. Adjust the GAIN

knob to get the magic: glassy boutique chime with

the gain low, and roaring British chomp with the

gain up.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Superstar

Clean

The Superstar Clean is a preamp simulator based

on the clean channel of the famous Mesa/Boogie®

Lone Star®* combo, bringing you a punchy,

shimmering twang with love and joy.

Gain: Controls the gain amount

Presence: Controls the effect headroom

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Glacian Clean

Glacian Clean is based on the clean channel of the

preamp section of the famous Bogner ® Shiva*

combo (20th anniversary version), providing a

super wide-open sound with immerse headroom,

sensitive moods, and great low end response.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect

tone

Bright: Switches extra brightness on/off

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Dr. 38 Clean

This model is a preamp simulator based on one of Dr.

Z®*’s most enduring designs: the famous Dr. Z®

Maz 38 Sr.* combo (clean sound). This amp has the

kind of clean headroom that makes it a great pedal

platform, yet as a standalone it is incredibly

versatile, granting access to both American twang

and UK Class A chime.

Gain: Controls the output volume (pre gain)

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Dr. 66

This model is a preamp simulator based on a famous

Dr. Z®* model: the simple-but-powerful Dr. Z® Route 66* amp. Thanks to a pair of KT66 power tubes in the power amp, this amp can bring you an adorable

creamy thick sound with lots of dynamics and

definition.

Volume: Controls the effect output and gain

amount

Output: Controls the master output

Bass/Treble: 2-band EQ that controls the

effect tone

Pendragon

Clean

The Pendragon Clean is a preamp simulator based on

the Normal channel of the famous Grindrod®

Pendragon PG20C* combo (bright off), a masterpiece

designer of VOX®* & Marshall®*. Delivering you an

authentic British tone that is warm and expressive, with some simple dialing you’ll get in touch with the legendary UK rock’n’roll scenes. Turn up, stand back

and you’re ready to rock!

Gain: Controls the gain amount (pre gain)

Volume: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Pendragon

Clean+

The Pendragon Clean+ is a preamp simulator based

on the Normal channel of the famous Grindrod®

Pendragon PG20C* combo (bright on), a masterpiece

designer of VOX®* & Marshall®*. Delivering you an

authentic British tone that is warm and expressive, with some simple dialing you’ll get in touch with the legendary UK rock’n’roll scenes. Turn up, stand back

and you’re ready to rock!

Press Wrecker

The Press Wrecker is a preamp simulator based on

the legendary Trainwreck® Express* amp, a super-

rare boutique amp created by Ken Fischer, brings you

a high end Plexi-style sound that reacts extremely

faithful to your fingers.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls

the effect tone

Bright: Switches extra brightness on/off

Pool Wrecker

The Pool Wrecker is a preamp simulator based on the legendary Trainwreck® Liverpool* amp, a super-rare

boutique amp created by Ken Fischer that reacts

extremely faithful to your fingers. It creates a sound

that mixes Plexi-style crunch with some Class-A

chimes.

Hot Kitty Clean

Based on the preamp section of 1st channel of the

famous Bad Cat® Hot Cat 30* amp, the Hot Kitty

Clean is a total clean machine. The unique tone finds

itself somewhere between British and USA

territories with rich upper harmonics.

Gain: Controls the gain amount

Master: Controls the effect output

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Soloist 100

Clean

This model is a preamp simulator based on the

sound characteristics of the legendary Soldano®

SLO100* amp head (NORMAL channel, clean

sound), which set a benchmark for modern amps.

The reason you find the sound so familiar is

because you’ve been hearing it on gold records

since 1987.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Dumbell ODS 1

Here comes the THE LEGEND! The Dumbell ODS 1

is a preamp simulator based on the legendary

Dumble® Overdrive Special* amp head

(Overdrive section off), providing THAT tone

created by lots of legendary jazz/blues/fusion

musicians.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Bright: Switches extra brightness on/off

Fat: Switches extra mids/gain on/off

Deep: Switches extra depth on/off

Voice: Selects from 2 voicings: Rock/Jazz (cuts

some high frequency comparing to Rock)

Drive(28)

Baseman

Bright

This model is a preamp simulator based on the

sound characteristics of the legendary Fender®

Bassman®* amp (5F6-A version, Bright channel),

the American legend with a twangy top and fat

bottom end. Originally designed for bass, it soon

became popular among guitar players.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Brown King

Drive

The Brown King Drive is a preamp simulator based

on the Fender® Brownface Vibro-King®* amp

(FAT switch on), one of Gary Clark Jr.’s favorite. It

gives you a beautiful shimmering clean when

turned down, and a serious touch-sensitive dirt

when cranked up.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Voxy 30HW TB

This model is a preamp simulator based on the

sound characteristics of the VOX®* AC30HW*

combo (Top Boost channel). As the UK music scene

grew out of small pubs to later cross the Pond,

almost everyone was using the combo amp

covered with a diamond grill cloth, the legendary

VOX® AC-30*. This became the British Invasion

sound.

Volume: Controls the effect output and gain

amount

Master: Controls the effect output

Bass/Treble: 2-band EQ that controls the effect

tone

Char: Selects from two sound characters: Cool

(lower gain)/Hot (higher gain)

Superb Dual

Drive

SUPERB retro tone.

The Superb Dual Drive is a preamp simulator

based on the famous Supro® Dual-Tone 1624T*

combo (CH 1+2, means the two preamp channels

are linked in parallel). It produces the sweet 60s “stairway” scene replica, from bell-like cleans to

gritty blues.

Volume 1/2: Controls the effect output and gain

amount

Tone 1/2: Controls the effect tone

Output: Controls the master output

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Marshell Blues

This model is a preamp simulator based on the

sound characteristics of the legendary Marshall®

1958* combo nicknamed “18 Watter” or “Mini

Bluesbreaker” amp, a serious blues engine with

incredible smooth, fat sound and great dynamics.

A must-have in your armory!

Volume: Controls the effect output and gain

amount

Tone: Controls the effect tone

Output: Controls the effect output

Marshell 45

This Marshell 45 is a preamp simulator based on

the sound characteristics of the legendary

Marshall® JTM 45* amp head (NORMAL channel). Born in 1962, it soon became popular among countless stars and quickly defined the

‘60s rock & blues sound.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Marshell 45+

This Marshell 45+ is a preamp simulator based on

the sound characteristics of the legendary

Marshall® JTM 45* amp head (HIGH TREBLE channel). Born in 1962, it soon became popular among countless stars and quickly defined the

‘60s rock & blues sound.

Marshell 45

Jump

This Marshell 45 Jump is a preamp simulator

based on the sound characteristics of the

legendary Marshall® JTM 45* amp head with

“Jump” connection. Born in 1962, it soon became

popular among countless stars and quickly

defined the ‘60s rock & blues sound.

Volume 1/2: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Marshell 50

This is a preamp simulator based on the sound

characteristics of the legendary Marshall® JMP

50* amp head (NORMAL channel). No explanation

necessary — The tone is as legendary as the

music it helped to create.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Marshell 50+

This is a preamp simulator based on the sound

characteristics of the legendary Marshall® JMP

50* amp head (HIGH TREBLE channel). No

explanation necessary — The tone is as

legendary as the music it helped to create.

Marshell 50

Jump

This is a preamp simulator based on the sound

characteristics of the legendary Marshall® JMP

50* amp head with “Jump” connection. No

explanation necessary — The tone is as

legendary as the music it helped to create.

Volume 1/2: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Marshell SLP

Marshell SLP is a preamp simulator based on the sound characteristics of the legendary Marshall® Super Lead 1959* amp head (Normal channel). No

explanation necessary — The tone is as

legendary as the music it helped to create. Since

it has an extreme output (demanded by Pete

Townshend!) , we added a Output knob so you can

take control.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

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Marshell

SLP+

Marshell SLP+ is a preamp simulator based on the sound

characteristics of the legendary Marshall® Super Lead

1959* amp head (Bright channel). No explanation

necessary — The tone is as legendary as the music it

helped to create. Since it has an extreme output

(demanded by Pete Townshend!) , we added a Output knob

so you can take control.

Volume: Controls the effect output and gain

amount

Output: Controls the effect output

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Marshell

SLP Jump

Marshell SLP Jump 1 is a preamp simulator based on the sound characteristics of the legendary Marshall® Super

Lead 1959* amp head with “Jump” connection. No

explanation necessary — The tone is as legendary as the

music it helped to create. Since it has an extreme output

(demanded by Pete Townshend!) , we added a Output knob

so you can take control.

Marshell

800

This model is a preamp simulator based on the sound

characteristics of the legendary Marshall® JCM800* amp

head. Just think about the golden 1980’s – a decade of

heavy metal and THAT iconic, aggressive, crunchy BRITISH

LEAD sound. Now the legend is back!

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Pendragon

Drive

The Pendragon Drive is a preamp simulator based on the

Boost channel of the famous Grindrod® Pendragon

PG20C* combo, a masterpiece designed by tube amp guru

Steve Grindrod, ex-chief designer of VOX®* &

Marshall®*. Delivering you an authentic British tone that

is warm and expressive, with some simple dialing you’ll

get in touch with the legendary UK rock’n’roll scenes. Turn

up, stand back and you’re ready to rock!

Gain: Controls the gain amount (pre gain)

Volume: Controls the effect output (post

gain)

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Messe IIC+

The California Dream.

This model is a preamp simulator based on the legendary

Mesa/Boogie® Mark II C+™* amp head (LEAD channel).

Now you have one of the hottest amp tones: Tight, focused rhythm riffs and the legendary “liquid lead” tone. This amp gets the aeons of sustain Metallica and Dream Theater bet

their lives on.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Bass/Treble Shift: Switches extra

bass/treble on/off

Deep: Switches extra low end on/off

Bright: Switches extra brightness on/off

Glacian

Drive

Glacian Drive is based on the drive channel of the preamp

section of the famous Bogner ® Shiva* combo (20th anniversary version). providing a super wide-open sound with immerse headroom, sensitive moods, and great low

end response.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Tang A30

Drive

The Tang A30 Drive is a preamp simulator based on the

famous Orange® AD30* amp head (CH 2), a 30-watt,

vintage modern Class A model with Orange®*’s famous

“juicy” sound. Adjust the GAIN knob to get the magic:

glassy boutique chime with the gain low, and roaring

British chomp with the gain up.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

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Fryman B

Fryman B is a preamp simulator based on a famous UK-

style boutique amp head (BE channel). This is an incredible

tone machine based on the classic hot British amps. But

this amp is extremely versatile: with some knob tweaking,

you’ll be amazed by the super tight low ends, sweet mids

and rich harmonics.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Voice/Fat/C45: Adjusts overall tonal

characters

Boger XT

Blue V

This model is a preamp simulator based on the 2nd channel

(the blue channel) of the famous Bogner ® Ecstasy* head

(vintage sound character), which has been a favorite for

every style and genre of music since 1992.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Bright: Controls the effect brightness

Plexi Mode: Switches Plexi Mode on/off; in

Plexi Mode the amp performs like a plexi-

style amp

Boger XT

Blue M

This model is a preamp simulator based on the 2nd channel

(the blue channel) of the famous Bogner ® Ecstasy* head

(modern sound character), which has been a favorite for

every style and genre of music since 1992.

Soloist 100

Crunch

This model is a preamp simulator based on the sound

characteristics of the legendary Soldano® SLO100* amp

head (NORMAL channel, dirty sound), which set a

benchmark for modern amps. The reason you find the

sound so familiar is because you’ve been hearing it on gold

records since 1987.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Emperor

Drive

Meet the Emperor of Tone! This is a preamp simulator

based on the Matchless™ Chieftain 212 combo* (driven

sound), gives you the rich harmonics and matchless

sensitivity that made this amp a Class A legend.

Dr. 38 Drive

This model is a preamp simulator based on one of Dr.

Z®*’s most enduring designs: the famous Dr. Z® Maz 38

Sr.* combo (drive sound). This amp has the kind of clean

headroom that makes it a great pedal platform, yet as a

standalone it is incredibly versatile, granting access to

both American twang and UK Class A chime.

Superstar

Drive

The Superstar Drive is a preamp simulator based on the

drive channel of the famous Mesa/Boogie® Lone Star®*

combo, bringing you that well-balanced, smooth

American-style drive with a rich combination of both

vintage and modern tones.

Input: Controls the input sensitivity

Gain: Controls the gain amount

Presence: Controls the effect headroom

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Hot Kitty

Drive

Based on the preamp section of 2nd channel of the famous

Bad Cat® Hot Cat 30* amp, the Hot Kitty Drive is a total

drive machine. The unique tone finds itself somewhere

between British and USA territories with complex mids,

tight lows and rich upper harmonics.

Gain: Controls the gain amount

Master: Controls the effect output

Edge: Controls the high and high-mid tone

character

Bass/Treble: 2-band EQ that controls the

effect tone

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Dumbell

ODS 2

Here comes the THE LEGEND! The Dumbell ODS 2 is a

preamp simulator based on the legendary Dumble®

Overdrive Special* amp head (Overdrive section on),

providing THAT tone created by lots of legendary

jazz/blues/fusion musicians.

Input: Controls the input sensitivity

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Bright: Switches extra brightness on/off

Fat: Switches extra mids/gain on/off

Deep: Switches extra depth on/off

Voice: Selects from 2 voicings: Rock/Jazz (cuts

some high frequency comparing to Rock)

Hi gain(17)

Marshell

900

This model is a preamp simulator based on the sound

characteristics of the legendary Marshall® JCM900 (model 4100, CH B)* amp head. Released in 1990, it was designed to produce more gain, less noise and stainless

Marshall® tone.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Tang R100

The Tang R100 is a preamp simulator based on the

famous Orange® Rockerverb 100™* amp head,

Orange®*’s first high gain amplifier. Its unique thick

voice has become eternally linked with hard rock/stoner

rock.

Messe IV

Lead

The classic Boogie Lead sound...and beyond.

This model is a preamp simulator based on the

legendary Mesa/Boogie® Mark IV™* amp head (LEAD

channel). This massive lead tone is one of the most

beautifully voiced tones that can always be heard in a

mix.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Fat: Switch on to get a fatter sound

Bright: Switches extra brightness on/off

Voicing: Selects from two voicings: Mid Gain (a

punchier sound with more mids and

distortion)/Harmony (a more balanced sound)

Soloist

100 Lead

This model is a preamp simulator based on the sound

characteristics of the legendary Soldano® SLO100*

amp head (OVERDRIVE channel), which set a benchmark

for modern amps. The reason you find the sound so

familiar is because you’ve been hearing it on gold

records since 1987.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Eddie 51

The Eddie 51 is a preamp simulator based on a heavy

rock legend: the Peavey® 5150®* (LEAD channel). The

original is famous for its raw tone and relentless power.

Our Eddie 51 gives you the “brown metal” sound heard

on legendary heavy metal records.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Fryman

Fryman HB is a preamp simulator based on a famous UK-

style boutique amp head (HBE channel). This is an

incredible tone machine based on the classic hot British

amps. But this amp is extremely versatile: with some

knob tweaking, you’ll be amazed by the super tight low

ends, sweet mids and rich harmonics.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Voice/Fat/C45: Adjusts overall tonal characters

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Engle

Saga 1

The Engle Saga 1 is a preamp simulator based on the

famous ENGL® Savage 120 E610* amp head (Channel 4,

contour off). This replica reproduces the iconic modern

German rock sound featuring fast response, enhanced

headroom and punchy dynamics.

Input: Controls the input sensitivity

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Voice: Selects overall sound character from

Rough to Smooth

Depth Boost: Switches extra resonance on/off

Engle

Saga 2

The Engle Saga 2 is a preamp simulator based on the

famous ENGL® Savage 120 E610* amp head (Channel 4,

contour on). This replica reproduces the iconic modern

German rock sound featuring fast response, enhanced

headroom and punchy dynamics.

Poweren

gle Lead

The Powerengle Lead is a preamp simulator based on

the lead channel (Channel 4) of the famous ENGL®

Powerball II E645/2* amp head. Truly ideal for modern

rock and metal, it features a tight low end, a huge

amount of gain, sharp clarity, and great dynamics.

Gain: Controls the gain amount (pre gain)

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Dizzle VH

The Dizzle VH B is a preamp simulator based on the 3rd

channel of the famous Diezel® VH4* amp head. Born in

1994, the VH4 set an incredibly high benchmark for

boutique multi-channel amps, quickly making it a stage

and studio standard.

“B” stands for “blue panel” version.

Dizzle VH

The Dizzle VH S is a preamp simulator based on the 3rd

channel of the famous Diezel® VH4* amp head. Born in

1994, the VH4 set an incredibly high benchmark for

boutique multi-channel amps, quickly making it a stage

and studio standard.

“S” stands for “silver panel” version.

Rector

Dual V

The Rector Dual V is a preamp simulator based on an

enduring rock’ n’ roll icon: the legendary

Mesa/Boogie® Dual Rectifier® amp head (CH3,

vintage). Music industry genres and scenes have come

and gone since its first release in early 1990’s, but this

amp’s monolithic heavy sound continues to be the

standard for modern heavy rock.

Gain: Controls the gain amount (pre gain)

Presence: Controls the effect headroom

Master: Controls the effect output (post gain)

Bass/Middle/Treble: 3-band EQ that controls the

effect tone

Rector

Dual M

The Rector Dual M is a preamp simulator based on an

enduring rock’ n’ roll icon: the legendary

Mesa/Boogie® Dual Rectifier® amp head (CH3,

modern). Music industry genres and scenes have come

and gone since its first release in early 1990’s, but this

amp’s monolithic heavy sound continues to be the

standard for modern heavy rock.

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Dizzle VH+ B

The Dizzle VH+ B is a preamp simulator based on the 4th

channel of the famous Diezel® VH4* amp head. Born in 1994,

the VH4 set an incredibly high benchmark for boutique multi-

channel amps, quickly making it a stage and studio standard.

“B” stands for “blue panel” version.

Gain: Controls the gain amount (pre gain)

Master: Controls the effect output (post

gain)

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Dizzle

VH+ S

The Dizzle VH+ S is a preamp simulator based on the 4th

channel of the famous Diezel® VH4* amp head. Born in 1994,

the VH4 set an incredibly high benchmark for boutique multi-

channel amps, quickly making it a stage and studio standard.

“S” stands for “silver panel” version.

Boger XT

Red V

This model is a preamp simulator based on the 3rd channel

(the red channel) of the famous Bogner ® Ecstasy* head

(vintage sound character), which has been a favorite for every

style and genre of music since 1992.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Bright: Controls the effect brightness

Plexi Mode: Switches Plexi Mode on/off; in

Plexi Mode the amp performs like a plexi-

style amp

Boger XT

Red M

This model is a preamp simulator based on the 3rd channel

(the red channel) of the famous Bogner ® Ecstasy* head

(modern sound character), which has been a favorite for every

style and genre of music since 1992.

Ampage

Classic

The original rock bass sound.

The Ampage Classic is a preamp simulator based on the

legendary Ampeg® SVT* bass amp head. Born in 1969, the

rich sounding all-tube monster basically defined the bass

sound of rock and roll from then on. We modified the

Frequency switch with a modern Ampeg®* design for more

tonal flexibility.

Gain: Controls the gain amount

Frequency: Selects the center frequency of

Midrange control: 220Hz/450Hz

/800Hz/1.6kHz/3kHz

Master: Controls the effect output

Bass/Midrange/Treble: 3-band EQ that

controls the effect tone

Ampage

Flip

The legendary Flip Top is here! Our Ampage Flip is a preamp

simulator based on the legendary Ampeg® B-15* bass amp

head. Originally designed by Jess Oliver, the easy-to-use amp

produces incredible round, full-figured tone for which many

have deemed it the holy grail of bass amps. Now it’s finally

within reach!

Volume: Controls the effect output

Bass/Treble: 2-band EQ that controls the

effect tone

Alchemy

Pre

Alchemy Pre is based on the legendary Alembic™ F-2B* rackmount bass preamp. It recreates the rich, magical tube sound

that made the F-2B* a classic. This treatment is not just for

bass– it’s awesome on guitars (think Gilmour) and more!

Volume: Controls the effect output

Bright: Switches extra brightness on/off

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Voxy Bass

Voxy Bass is a preamp simulator based on the sound characteristics of the legendary VOX®* AC-100* amp head, the amp that McCartney was using in 1965. The operation is simple: just treble, bass, and volume controls. Using a violin

bass with this amp will totally get you THAT vibe.

Volume: Controls the output volume

Bass/Treble: 2-band EQ that controls the

effect tone

Tang Bass

The Tang R100 is a preamp simulator based on the famous

Orange® AD200B* bass amp head, a straight forward amp

delivering a ground shaking tone with lots of dynamics.

Gain: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

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Messe

Bass 400

This model is a preamp simulator based on the famous

Mesa/Boogie® Bass 400* bass amp head, one of

Mesa/Boogie®’s rare bass products. As one of the most

classic most classic and sought-after tube bass amps in

history, the amp will never let you down.

Volume: Controls the gain amount

Master: Controls the effect output

Bass/Middle/Treble: 3-band EQ that

controls the effect tone

Acoustic(1)

Acoustic

Pre

This model is an acoustic preamp based on the famous AER®

Colourizer 2*, which makes dull sounds come alive by

enriching your acoustic sound with full dynamics and

harmonics.

Volume: Controls the effect gain amount

Volume: Controls the effect output

Tone Mix: Controls the tone control balance;

set to 0 to disable tone control

Tone Depth: Controls the tone brightness

EQ Freq: Controls the EQ center frequency

EQ Q: Controls the EQ bandwidth

EQ Gain: Controls the EQ boost/cut amount;

set to 50 to keep neutral

EQ Freq: Selects from two EQ ranges: f1

(90Hz to 1.6kHz)/f2 (680Hz to 11kHz)

Enhancer: Controls tone enhancement

amount; turn to minimum (off) to disable

enhancer

CAB(68)

Guitar Cab

Mic Type: Selects from different microphone simulations*:

-Dyn 57: Based on Shure® Sm57

-Dyn 421: Based on Sennheiser® Md421

-Rib 121: Based on Royal® R121

-Rib 160: Based on Beyerdynamic® M160

-Con 87: Based on Neumann® U87

-Con 414: Based on AKG® C414

-Mix 1: Shure® SM57+Sennheiser® MD421 combo

-Mix 2: Shure® SM57+ Royal® R121 combo

-Mix 3: Sennheiser® MD421+Royal® R121 combo

-Mix 4: Multi-mic combo

Volume: Controls the output volume

Low Cut/High Cut: Cuts the low/high frequency

Position: Selects from 6 microphone positioning variations

(-Center/Near Center/Cap Edge/Cone/Near Edge/Edge)

Guitar Cab S(30)

Voxy 1x10 A

This model is a cabinet simulator based on the sound characteristics of a VOX®* 1x10” combo

cabinet.

Voxy 1x10 B

This model is a cabinet simulator based on the sound characteristics of a vintage VOX®* 1x10”

combo cabinet.

Voxy GRN 1x10

This model is a cabinet simulator based on the sound characteristics of a VOX®* 1x10” combo

cabinet with a 10-inch Celestion® Greenback* speaker.

Voxy Custom

1x10

This model is a cabinet simulator based on the sound characteristics of a custom VOX® AC4*

combo cabinet.

TWD 1x10

This model is a cabinet simulator based on the sound characteristics of a vintage Fender® Tweed*

1x10” combo cabinet.

TWD VN 1x10

This model is a cabinet simulator based on the sound characteristics of a custom Fender® Tweed*

1x10” combo cabinet with a 10-inch Celestion® G10 Vintage* speaker.

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Golden 1x10

This model is a cabinet simulator based on the sound characteristics of a vintage Gibson®* 1x10”

combo cabinet.

UK Custom 1x12

This model is a cabinet simulator based on the sound characteristics of a custom Marshall®*

1x12” cabinet.

TWD 1x12

This model is a cabinet simulator based on the sound characteristics of a vintage Fender® Tweed*

1x12” combo cabinet.

TWD Dlx 1x12

This model is a cabinet simulator based on the sound characteristics of a Fender® Tweed Deluxe*

1x12” combo cabinet with a 12-inch Jensen® P12R* speaker.

Black 1x12

This model is a cabinet simulator based on the sound characteristics of a Fender®* 1x12” combo

cabinet with a 12-inch Celestion® Vintage 30®* speaker.

Black Dlx 1x12 A

This model is a cabinet simulator based on the sound characteristics of a vintage Fender® Deluxe

Reverb* 1x12” combo cabinet.

Black Dlx 1x12 B

This model is a cabinet simulator based on the sound characteristics of a Fender® Deluxe Reverb*

1x12” combo cabinet with a Jensen® C12R* speaker.

Black Dlx 1x12 C

This model is a cabinet simulator based on the sound characteristics of a Fender® Deluxe Reverb*

1x12” combo cabinet with a custom speaker.

Golden 1x12

This model is a cabinet simulator based on the sound characteristics of a vintage Gibson®* 1x12”

combo cabinet.

Boger 2x12 A

This model is a cabinet simulator based on the sound characteristics of a Bogner®* 2x12” cabinet

with two 12-inch Celestion® Greenback* speakers.

Boger 2x12 B

This model is a cabinet simulator based on the sound characteristics of a Bogner®* 2x12” cabinet

with two 12-inch Celestion® Vintage 30®* speakers.

Glacian 2x12 A

This model is a cabinet simulator based on the sound characteristics of a Bogner® Shiva* 2x12”

cabinet.

Glacian 2x12 B

This model is a cabinet simulator based on the sound characteristics of a Bogner® Shiva* 2x12”

cabinet with Celestion® Alnico Gold* speakers.

Tang 2x12 A

This model is a cabinet simulator based on the sound characteristics of a custom Orange®

PPC212* 2x12” cabinet.

Tang 2x12 B

This model is a cabinet simulator based on the sound characteristics of an Orange® PPC212*

2x12” cabinet.

Messe 2x12

This model is a cabinet simulator based on the sound characteristics of a custom Mesa/Boogie®*

2x12” cabinet.

Rector 2x12 A

This model is a cabinet simulator based on the sound characteristics of a Mesa/Boogie®

Rectifier®* 2x12” cabinet with two 12-inch Celestion® Vintage 30®* speakers.

Rector 2x12 B

This model is a cabinet simulator based on the sound characteristics of a Mesa/Boogie®

Rectifier®* 2x12” cabinet with two 12-inch Celestion® G12H-30®* speakers.

Rector 2x12 C

This model is a cabinet simulator based on the sound characteristics of a modified Mesa/Boogie®

Rectifier®* 2x12” cabinet with two 12-inch Celestion® G12M®* speakers.

Voxy 2x12 A

This model is a cabinet simulator based on the sound characteristics of a VOX® AC30* combo

cabinet with two 12-inch Celestion® Alnico Blue* speakers.

Voxy 2x12 B

This model is a cabinet simulator based on the sound characteristics of a VOX® AC30* combo

cabinet with two 12-inch Celestion® G12H-30* speakers.

Voxy Cream 2x12

This model is a cabinet simulator based on the sound characteristics of a VOX® AC30* combo

cabinet with two 12-inch Celestion® Alnico Cream* speakers.

Voxy Green 2x12

This model is a cabinet simulator based on the sound characteristics of a VOX® AC30* combo

cabinet with two 12-inch Celestion® Greenback* speakers.

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Voxy Gold 2x12

This model is a cabinet simulator based on the sound characteristics of a VOX® AC30* combo

cabinet with two 12-inch Celestion® Alnico Gold* speakers.

Guitar Cab L(30)

Boger 4x10 A

This model is a cabinet simulator based on the sound characteristics of a Bogner®* 4x10” cabinet.

Boger 4x10 B

This model is a cabinet simulator based on the sound characteristics of a modified Bogner®*

4x10” cabinet.

Super 4x10 A

This model is a cabinet simulator based on the sound characteristics of a Fender® Super Reverb*

4x10” cabinet with four 10-inch Jensen®* speakers.

Super 4x10 B

This model is a cabinet simulator based on the sound characteristics of a vintage Fender® Super

Reverb* 4x10” cabinet with Fender®* speakers.

Boger 4x12 A

This model is a cabinet simulator based on the sound characteristics of a Bogner®* 4x12” cabinet

with four 12-inch Celestion® G12T-75* speakers.

Boger 4x12 B

This model is a cabinet simulator based on the sound characteristics of a Bogner®* 4x12” cabinet

with four 12-inch Celestion® Vintage 30®* speakers.

Dizzle 4x12 A

This model is a cabinet simulator based on the sound characteristics of a Diezel®* 4x12” cabinet

with four 12-inch Celestion® G12K-100* speakers.

Dizzle 4x12 B

This model is a cabinet simulator based on the sound characteristics of a Diezel®* 4x12” cabinet

with four 12-inch Celestion® Vintage 30®* speakers.

Eddie 4x12 A

This model is a cabinet simulator based on the sound characteristics of a EVH® 5150III®* 4x12”

cabinet.

Eddie 4x12 B

This model is a cabinet simulator based on the sound characteristics of a modified EVH®

5150III®* 4x12” cabinet.

Engle 4x12 A

This model is a cabinet simulator based on the sound characteristics of a ENGL®* 4x12” cabinet

with four 12-inch Celestion® Vintage 30®* speakers.

Engle 4x12 B

This model is a cabinet simulator based on the sound characteristics of a ENGL®* 4x12” cabinet

with four 12-inch Celestion® Greenback* speakers.

Fryman 4x12 A

This model is a cabinet simulator based on the sound characteristics of a boutique UK-style brand

4x12” cabinet with four 12-inch Celestion® Greenback* speakers.

Fryman 4x12 B

This model is a cabinet simulator based on the sound characteristics of a boutique UK-style brand

4x12” cabinet with four 12-inch Celestion® Vintage 30®* speakers.

UK Cream 4x12

This model is a cabinet simulator based on the sound characteristics of a Marshall®* 4x12”

cabinet with four 12-inch Celestion® G12H-30* speakers.

UK Check 4x12

This model is a cabinet simulator based on the sound characteristics of a vintage Marshall®*

“Checkboard” 4x12” cabinet.

UK Green 4x12

This model is a cabinet simulator based on the sound characteristics of a vintage Marshall®*

4x12” cabinet with four 12-inch Celestion® Greenback* speakers.

UK Custom 4x12

This model is a cabinet simulator based on the sound characteristics of a custom vintage

Marshall®* 4x12” cabinet with four 12-inch Electro-Voice® EVM12L* speakers.

UK Vintage 4x12

This model is a cabinet simulator based on the sound characteristics of a vintage Marshall®*

4x12” cabinet with four 12-inch Marshall®* speakers.

UK Black 4x12

This model is a cabinet simulator based on the sound characteristics of a vintage Marshall®*

4x12” cabinet with four 12-inch Celestion® Blackback* speakers.

UK 82 4x12

This model is a cabinet simulator based on the sound characteristics of a Marshall® 1982B* 4x12”

cabinet.

Tang 4x12 A

This model is a cabinet simulator based on the sound characteristics of an Orange® PPC412*

4x12” cabinet.

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Tang 4x12 B

This model is a cabinet simulator based on the sound characteristics of a vintage Orange®*

4x12” cabinet.

Tang 4x12 C

This model is a cabinet simulator based on the sound characteristics of a custom vintage

Orange®* 4x12” cabinet.

Messe 4x12 A

This model is a cabinet simulator based on the sound characteristics of a Mesa/Boogie®*

4x12” cabinet with “Vintage Black Shadow” speakers.

Messe 4x12 B

This model is a cabinet simulator based on the sound characteristics of a Mesa/Boogie®*

4x12” cabinet with four 12-inch Celestion® Vintage 30®* speakers.

Rector 4x12 A

This model is a cabinet simulator based on the sound characteristics of a custom

Mesa/Boogie® Rectifier* 4x12” cabinet with four 12-inch Eminence®* speakers.

Rector 4x12 B

This model is a cabinet simulator based on the sound characteristics of a Mesa/Boogie®

Rectifier* “Traditional” 4x12” cabinet.

Rector 4x12 C

This model is a cabinet simulator based on the sound characteristics of a Mesa/Boogie®

Rectifier* “Oversized” 4x12” cabinet.

Rector 4x12 D

This model is a cabinet simulator based on the sound characteristics of a custom

Mesa/Boogie® Rectifier* 4x12” cabinet with four 12-inch Celestion® G12M-65®* speakers.

Bass Cab(8)

Mic Type: Selects from different microphone simulations*:

-Dyn 421: Based on Sennheiser® Md421

-Rib 160: Based on Beyerdynamic® M160

-Con 87: Based on Neumann® U87

-Mix: Multi-mic combo

Volume: Controls the output volume

EQ: Selects from 2 different EQ variations:

-I: A rounder tone

-II: A fatter, aggressive tone

Smooth: Turn on to smooth out both low/high ends

Low Cut/High Cut: Cuts the low/high frequency

Ampage 2x10 A

This model is a cabinet simulator based on the sound characteristics of a vintage Ampeg®*

2x10” cabinet.

Ampage 2x10 B

This model is a cabinet simulator based on the sound characteristics of an Ampeg® SVT-

210AV* 2x10” cabinet.

Ampage 2x10 C

This model is a cabinet simulator based on the sound characteristics of a modified vintage

Ampeg®* 2x10” cabinet.

Ampage 2x10 D

This model is a cabinet simulator based on the sound characteristics of a Ampeg® SVT-

210AV* 2x10” cabinet with Ampeg®* speakers.

Ampage 4x10 A

This model is a cabinet simulator based on the sound characteristics of a vintage Ampeg®*

4x10” cabinet.

Ampage 4x10 B

This model is a cabinet simulator based on the sound characteristics of an Ampeg® SVT-

410HLF* 4x10” cabinet.

Ampage 4x10 C

This model is a cabinet simulator based on the sound characteristics of a modified Ampeg®

SVT-410HLF* 4x10” cabinet.

Ampage 4x10 D

This model is a cabinet simulator based on the sound characteristics of a modified vintage

Ampeg®* 4x10” cabinet.

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IR(80)

Volume: Controls the output volume

Low Cut/High Cut: Cuts the low/high frequency

Resolution: Switches IR resolution from low (1024 points) to high (2048 points)

Acoustic IR(10)

Dreadnought 1

This model is an acoustic simulator based on the sound characteristics of a Dreadnought steel-string

acoustic guitar.

Dreadnought 2

This model is an acoustic simulator based on the sound characteristics of a Dreadnought steel-string

acoustic guitar.

Orchestral

This model is an acoustic simulator based on the sound characteristics of a OM type steel-string

acoustic guitar.

Jumbo

This model is an acoustic simulator based on the sound characteristics of a jumbo style steel-string

acoustic guitar.

Hum Bird

This model is an acoustic simulator based on the sound characteristics of an iconic “H-Bird” steel-

string acoustic guitar.

Auditorium

This model is an acoustic simulator based on the sound characteristics of a GA type steel-string

acoustic guitar.

Classical

This model is an acoustic simulator based on the sound characteristics of a classical guitar.

Mandolin

This model is an acoustic simulator based on the sound characteristics of a mandolin.

Fretless Bass

This model is an acoustic simulator based on the sound characteristics of a fretless bass.

Double Bass

This model is an acoustic simulator based on the sound characteristics of a double bass.

Celestion® IR(20)

Blue 1x12

This IR is based on the sound characteristics of a 1x12 close back cabinet with one 12-inch

Celestion® Alnico Blue* speaker, captured by a set of carefully balanced studio microphones.

Blue 1x12

Open

This IR is based on the sound characteristics of a 1x12 open back cabinet with one 12-inch

Celestion® Alnico Blue* speaker, captured by a set of carefully balanced studio microphones.

G12H-C 1x12

This IR is based on the sound characteristics of a 1x12 close back cabinet with one 12-inch

Celestion® G12H Creamback* speaker, captured by a set of carefully balanced studio microphones.

G12H-C 1x12

Open

This IR is based on the sound characteristics of a 1x12 open back cabinet with one 12-inch

Celestion® G12H Creamback* speaker, captured by a set of carefully balanced studio microphones.

Blue 2x12

This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch

Celestion® Alnico Blue* speakers, captured by a set of carefully balanced studio microphones.

Blue 2x12

Open

This IR is based on the sound characteristics of a 2x12 open back cabinet with two 12-inch

Celestion® Alnico Blue* speakers, captured by a set of carefully balanced studio microphones.

G12H-A 2x12

This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch

Celestion® G12H Anniversary* speakers, captured by a set of carefully balanced studio

microphones.

G12H-A 2x12

Open

This IR is based on the sound characteristics of a 2x12 open back cabinet with two 12-inch

Celestion® G12H Anniversary* speakers, captured by a set of carefully balanced studio

microphones.

G12H-C 2x12

This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch

Celestion® G12H Creamback* speakers, captured by a set of carefully balanced studio microphones.

G12H-C 2x12

Open

This IR is based on the sound characteristics of a 2x12 open back cabinet with two 12-inch

Celestion® G12H Creamback* speakers, captured by a set of carefully balanced studio microphones.

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G12M-C 2x12

This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch Celestion®

G12M Creamback* speakers, captured by a set of carefully balanced studio microphones.

G12M-C 2x12

Open

This IR is based on the sound characteristics of a 2x12 open back cabinet with two 12-inch Celestion®

G12M Creamback* speakers, captured by a set of carefully balanced studio microphones.

Green 2x12

This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch Celestion®

G12M Greenback* speakers, captured by a set of carefully balanced studio microphones.

V30 2x12

This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch Celestion®

Vintage 30®* speakers, captured by a set of carefully balanced studio microphones.

G12-65 4x12

This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch Celestion®

G12-65* speakers, captured by a set of carefully balanced studio microphones.

G12H-A 4x12

This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch Celestion®

G12H Anniversary* speakers, captured by a set of carefully balanced studio microphones.

G12H-C 4x12

This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch Celestion®

G12H Creamback* speakers, captured by a set of carefully balanced studio microphones.

G12M-C 4x12

This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch Celestion®

G12M Creamback* speakers, captured by a set of carefully balanced studio microphones.

Green 4x12

This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch Celestion®

G12M Greenback* speakers, captured by a set of carefully balanced studio microphones.

V30 4x12

This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch Celestion®

Vintage 30®* speakers, captured by a set of carefully balanced studio microphones.

User IR

1~User IR 50

This is for loading your own IR file by clicking “Import IR file” button. The IR file should be a 24-bit

44.1kHz mono WAV file.

EQ(10)

Guitar EQ 1

This is an equalizer made for guitar. You can use

this 5-band EQ to control your sound, eliminate

unwanted feedback, and expand your tone.

Band 1: 125Hz; Band 2: 400Hz ; Band 3: 800Hz

Band 4: 1.6kHz; Band 5: 4kHz

Use the five bands above to control the EQ level.

Volume: Controls the output level

Guitar EQ 2

This is an equalizer made for guitar. You can use

this 5-band EQ to control your sound, eliminate

unwanted feedback, and expand your tone.

Band 1: 100Hz; Band 2: 500Hz ; Band 3: 1kHz

Band 4: 3kHz; Band 5: 6kHz

Use the five bands above to control the EQ level.

Volume: Controls the output level

Bass EQ 1

This is an equalizer made for bass. You can use

this 5-band EQ to control your sound, eliminate

unwanted feedback, and expand your tone.

Band 1: 33Hz; Band 2: 150Hz ; Band 3: 600Hz

Band 4: 2kHz; Band 5: 8kHz

Use the five bands above to control the EQ level.

Volume: Controls the output level

Bass EQ 2

This is an equalizer made for bass. You can use

this 5-band EQ to control your sound, eliminate

unwanted feedback, and expand your tone.

Band 1: 50Hz; Band 2: 120Hz ; Band 3: 400Hz

Band 4: 800Hz; Band 5: 4.5kHz

Use the five bands above to control the EQ level.

Volume: Controls the output level

V-EQ

Our V-EQ is an equalizer based on the legendary

Mesa/Boogie®* 5-band graphic EQ module

found on Mesa/Boogie® Mark™* Series amps.

Put this classic EQ right before your amp or

distortion and hear the magic.

Band 1: 80Hz; Band 2: 240Hz ; Band 3: 750Hz

Band 4: 2.2kHz; Band 5: 6.6kHz

Use the five bands above to control the EQ level.

Graphic 7

This is a 7-band equalizer based on a widely used white guitar EQ pedal with max. ±15dB boost/cut

range. You can use this EQ to control your sound,

eliminate unwanted feedback, and expand your

tone.

Band 1: 100Hz; Band 2: 200Hz; Band 3: 400Hz

Band 4: 800Hz; Band 5: 1.6kHz; Band 6: 3.2kHz

Band 7: 6.4kHz

Use the seven bands above to control the center

frequency.

Level: Controls the output level by ±15dB

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Graphic 7B

This is a 7-band bass equalizer based

on a widely used white bass EQ pedal

with max. ±15dB boost/cut range. You

can use this EQ to control your sound,

eliminate unwanted feedback, and

expand your tone.

Band 1: 50Hz; Band 2: 120Hz; Band 3: 400Hz

Band 4: 500Hz; Band 5: 800kHz; Band 6: 4.5kHz

Band 7: 10kHz

Use the seven bands above to control the center frequency.

Level: Controls the output level by ±15dB

Para EQ 1

This is a 4-band parametric equalizer

with low/high shelving filters that

suitable for any instrument.

Band 1: 20Hz-2000Hz; Band 2, 3: 100Hz-10kHz

Band 4: 200Hz-20kHz

Use the four bands above to control the center frequency.

Q 1-4: Controls the Q bandwidth

Gain 1-4: Controls the EQ level by ±12dB

Lo/Hi Shelf: Controls the overall low/high EQ level by

±12dB

Volume: Controls the output level

Para EQ 2

This is a 5-band parametric equalizer

with selectable filter types that

suitable for any instrument.

Band 3 filter shape is fixed to Peak.

Freq 1-5: Controls the filter center frequency:

-Freq 1: 20Hz-2000Hz

-Freq 2, 3, 4: 100Hz-10kHz

-Freq 5: 200Hz-20kHz

Q 1-5: Controls the Q bandwidth

Gain 1-5: Controls the EQ level by ±12dB

Band 1/2/4/5 Type: Controls the band 1/2/4/5 filter shape:

-Band 1/5: Lo/Hi Cut, Lo/Hi Shelf, Peak

-Band 2/4: Lo/Hi Shelf, Peak

Level: Controls the output level

Graphic EQ

This is a 10-band equalizer suitable for

any instrument.

Band 1: 31Hz; Band 2: 63Hz ; Band 3: 125Hz

Band 4: 250Hz; Band 5: 500Hz; Band 6: 1kHz

Band 7: 2kHz; Band 8: 4kHz; Band 9: 8kHz

Band 10: 16kHz

Use the ten bands above to control the EQ level by ±12dB.

Volume: Controls the output level

MOD(27)

Sync switch lets you control effect speed by Tap Tempo. When the Sync switch is on, turn the Rate knob to set a proper

tap divide value. The default value is 1/4 (no division).

Chorus(6)

Aozora Chorus

Based on the legendary Arion® SCH-1

Stereo Chorus* pedal, this Aozora

chorus brings you a beautiful 80s vibe,

everything from classic chorus to killer

rotary effects. Clapton and Landau

loved this sound.

Depth: Controls the chorus depth

Rate: Controls the chorus speed

Tone: Controls the effect tone

Sync: Switches Tap Tempo sync on/off

Grand Choruium

Based on the chorus mode of legendary

1970s ensemble chorus pedal, the Grand

Choruium provides that timeless dreamy,

warm, shimmering vintage analog

chorus sound that musicians dream of.

Depth: Controls the chorus depth

Rate: Controls the chorus speed

E. Level: Controls the effect level

Sync: Switches Tap Tempo sync on/off

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Liquid C

Based on the legendary 4-button stereo chorus pedal, this

Liquid C is more of a “dimension expander” than a chorus

effect. Offering 4 finely tuned modes, this model adds

unique spatial elements and subtle modulations to which

nothing can compare.

Mode: Select from 4 different chorus modes

Bass Chorus

This vintage-voiced chorus model is based on the famous

ensemble chorus unit that tuned for bass players. Like its

cousin, the Choruium B gives you a pure, lush tone.

Individual effect level control offers more flexibility for

bass.

Depth: Controls the vibrato depth

Rate: Controls the vibrato rate

E. Level: Controls the effect level

Sync: Switches Tap Tempo sync on/off

Liquid Dream

This model is based on the legendary Voodoo Lab® Analog

Chorus* pedal. Offering you warm, organic sound and

lush harmonics, it has become the standard by which all

chorus pedals are measured. Fine tune the two

parameters to get your own sound, from subtle doubling to

sweet rotation!

Depth: Selects the chorus depth from deep to

shallow

Rate: Controls the chorus speed

Sync: Switches Tap Tempo sync on/off

3D Chorus

This is a multi-dimensional chorus model with

independent depth controls for each audio channel

(center, left and right). This super lush model will give

you the real 3D experience for your ears (especially

on stereo sound systems!).

Mix: Controls the wet/dry signal ratio

Rate: Controls the chorus speed

Filter: Controls the effect tone

Depth L/C/R: Controls the chorus depth of

left/right/center channels

Sync: Switches Tap Tempo sync on/off

Flanger(4)

Flanger

This model produces the classic flanging effect originally achieved by manually, independently

varying the speed of two tape recorders with the

same program material. It produces a rich, natural

flanging tone.

Depth: Controls the flanger depth

Rate: Controls the flanger speed

Pre Delay: Controls the pre delay time

Feedback: Controls the amount of feedback

Sync: Switches Tap Tempo sync on/off

Bass Flanger

This model achieves the classic flanging effect for

bass players. It produces a rich, natural flanging

tone.

Depth: Controls the flanger depth

Rate: Controls the flanger speed

Pre Delay: Controls the pre delay time

Feedback: Controls the amount of feedback

Sync: Switches Tap Tempo sync on/off

Neg Flanger

This model produces a flanger effect with negative

feedback, sounds like deep in the water, very unique

flanging tone.

Trem Flanger

This model blended a classic flanging tone with a

normal tremolo effect, you can adjust the flanger and

tremolo parameters separately to get a distinctive

sound.

Flg Depth: Controls the flanger depth

Flg Rate: Controls the flanger speed

Feedback: Controls the flanger feedback

amount

Trm Depth: Controls the tremolo depth

Trm Rate: Controls the tremolo speed

Flg Sync: Switches flanger Tap Tempo sync

on/off

Trm Sync: Switches tremolo Tap Tempo sync

on/off

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Vibrato(4)

Pulser

The Pulser is a rebirth of the super rare all-analog

vintage vibrato pedal, which gives you a classic

vibrato sound with true analog warmth. With simple

DEPTH and RATE controls, it’s easy to tweak your own

unique texture, from slight vibes to a full-on wobble.

Depth: Controls the vibrato depth

Rate: Controls the vibrato rate

Sync: Switches Tap Tempo sync on/off

Grand Vibrato

Based on the vibrato mode of legendary 1970s

ensemble chorus pedal the Grand Vibrato provides

that timeless dreamy, warm, shimmering vintage

analog vibrato sound that musicians dream of.

Depth: Controls the vibrato depth

Rate: Controls the vibrato rate

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Vibrato

This model is a typical vibrato effect with a wide controllable range. Use the Depth knob to vary the pitch, use the Rate knob to control the modulation

speed.

Depth: Controls the vibrato depth

Rate: Controls the vibrato speed Output: Controls the effect level

Sync: Switches Tap Tempo sync on/off

Vibrato T

This is a special vibrato effect with dynamic depth

control, which lets you create touch-sensitive pitch

modulation. Use the Rate knob to control the

modulation speed; use the Sens knob to fine tune the

sensitivity.

Sens: Controls the effect sensitivity

Rate: Controls the vibrato speed Output: Controls the effect level

Sync: Switches Tap Tempo sync on/off

Phaser(7)

90 Phaser

The 90 Phaser recreates the warm, rich analog phase

sound of the legendary MXR® M101 Phase 90*

pedal. Born in 1974, the one-knob orange phaser is an

icon that has found a place on millions of pedal

boards for over four decades.

Rate: Controls the phaser speed

Sync: Switches Tap Tempo sync on/off

Green Phaser

This Green Phaser produces a sharp phase effect with

a wide range from very slow to fast speed. This

unique phasing sound has become popular among

lots of musicians since 1977.

Depth: Controls the phaser depth

Rate: Controls the phaser speed

Sync: Switches Tap Tempo sync on/off

Stone Phaser

The Stone Phaser is based on the legendary and

extremely rare 1970s Electro-Harmonix® Small Stone phase shifter* pedal. This original is one of the best analog phaser sounds in the history of music and

can be heard on countless rock recordings.

Color: Selects the phaser sound character

from warm to sharp\

Rate: Controls the phaser speed

Sync: Switches Tap Tempo sync on/off

Notch Phaser

This model might be the craziest phaser ever – A

phaser with 3 notch parameters! The 3 subtle Notch

knobs will bring you lots of phasing combos from

vintage, warm sounding to modern, sharp sounding.

Create your own inspiration!

Depth: Controls the phaser depth

Rate: Controls the phaser speed

Level: Controls the effect level

Notch 1-3: Controls the notch bandwidth of

3 different frequencies

Sync: Switches Tap Tempo sync on/off

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Pan Phaser

This is a special phaser that combines

tremolo/pan variations. Featuring subtle, bright

phasing tone and smooth panning tone, you get

some seriously trippy psychedelic mojo here.

Pan Depth: Controls the tremolo depth (using mono

output) or panning depth (using stereo output)

Pan Rate: Controls the tremolo speed (using mono

output) or panning speed (using stereo output)

Phaser Depth: Controls the phaser depth

Phaser Rate: Controls the phaser speed

Phs Sync: Switches phaser Tap Tempo sync on/off

Pan Sync: Switches tremolo/pan Tap Tempo sync

on/off

Minivibe

This model delivers a lush rotating effect that

simulates 1960s rotary speakers. Based on the

Voodoo Lab® Micro Vibe*, it gives you the pure,

“psychedelic” vibe-y taste that guitar heroes like

Hendrix and Gilmour loved.

Depth: Controls the effect depth

Rate: Controls the effect speed

Sync: Switches Tap Tempo sync on/off

Revolver

This is perhaps one of the most unique “must-try”

effects ever conceived.

The Revolver is based on the legendary vintage

Shin-ei® Uni-Vibe®* pedal. The Uni-Vibe®*

was designed to simulate the sound of a rotary

speaker, but the “failed” attempt has been

embraced as one of the most iconic effects in

rock ‘n’ roll history. Kick it on and feel the

legendary psycho sound of the Revolver!

Depth: Controls the effect depth

Rate: Controls the effect speed

Volume: Controls the effect output

Mode: Select from 2 different vibe modes: Chorus

and Vibrato

Sync: Switches Tap Tempo sync on/off

Tromolo(2)

Helicopter

This model is based on the legendary Demeter®

TRM-1 Tremulator®* tremolo pedal. Featuring deep, pulsing optical tremolo sound, it recreates the classic tremolo effect found on many vintage

amps but with a greater range of speed and

depth.

Depth: Controls the tremolo depth

Rate: Controls the tremolo speed

Sync: Switches Tap Tempo sync on/off

Custom Trem

With 4 different waveforms to choose from,

Custom Trem will be the all-star of all your

tremolo pedals. The Color and Shape knobs

ensure super wide tonal range and flavor.

Depth: Controls the tremolo depth

Rate: Controls the tremolo speed

Volume: Controls the effect output

Color: Controls the tremolo tone

Shape: Selects the waveforms from sine wave,

triangle wave, square wave and sawtooth wave

Bias: Controls the bias/offset of different

waveforms

Sync: Switches Tap Tempo sync on/off

Rotary(1)

Rotary

This model is a rotary speaker simulator with

detailed control, bringing you the legendary tone

adapted by lots of rock legends.

Mix: Controls the wet/dry signal ratio

Bass/Horn speed: Controls the bass/horn rotating

speed

B. /H. Intensity: Controls the bass/horn intensity

Balance: Controls the bass/horn sound balance

Pan: Controls the effect L/R panning

Tone: Controls the effect tone

Bass/Horn Sync: Switches Tap Tempo sync on/off

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Expanding(2)

Classic

Stereolizer

This model is a stereo expander based on Precedence Effect which delays the right output a bit to create an

expanded stereo sound.

Width: Controls the stereo expansion width

Phase Reverse: Switches phase reversing

on/off on each channel

Level L/R: Controls the L/R channels output

Output: Controls the overall output

Modern

Stereolizer

This model is a stereo expander based on modern

methods which creates an expanded stereo sound

without phasing problems. Please note we don’t

recommend to apply this with one side of a stereo

output of an effect module.

Width: Controls the stereo expansion width

Depth: Controls the effect depth

Low Cut/High Cut: Cuts the effect low/high

signal

Output: Controls the overall output

Slow Attack(1)

Sweller

This model is auto swell effect that creating a violin-

like tone. Two parameters make it simple.

Attack: Controls how fast the effect swells the

input signal

Curve: Selects the volume swell curve

Side Chain: Selects side chain key input

source:

-Input L/R: Input jacks

-FX RTN L/R: FX Loop return jack

-Prev FX: Output signal of previous effect slot; if you select this, we recommend you to place

this effect before amp/drive effects

DLY(27)

Analog Delay

This is a mono analog delay model that captures the

sound of a vintage analog delay machine: warm and

natural, just like old times!

You can use Tap Tempo function to control the delay

time by turning on the Sync switch. When the Sync switch is on, turn the Time knob to set a proper tap divide value. The default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the

effect is bypassed

Analog Delay

This is a stereo analog delay model that captures the

sound of a vintage analog delay machine: warm and

natural, just like old times!

You can use Tap Tempo function to control the delay

time by turning on the Sync switch. When the Sync switch is on, turn the Time knob to set a proper tap divide value. The default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time of left channel

Time R%: Controls the delay time of right

channel (time ratio of left channel)

Spread: Controls the effect stereo width

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the

effect is bypassed

BBD Delay M

This is a mono analog delay model that captures the

sound of a BBD based analog delay machine that is

warm, smooth, rounded due to the limitation of BBD

chips.

You can use Tap Tempo function to control the delay

time by turning on the Sync switch. When the Sync switch is on, turn the Time knob to set a proper tap divide value. The default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the

effect is bypassed

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BBD Delay S

This is a stereo analog delay model that

captures the sound of a BBD based analog

delay machine that is warm, smooth, rounded

due to the limitation of BBD chips.

You can use Tap Tempo function to control the

delay time by turning on the Sync switch.

When the Sync switch is on, turn the Time

knob to set a proper tap divide value. The

default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time of left channel

Time R%: Controls the delay time of right channel (time

ratio of left channel)

Spread: Controls the effect stereo width

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

Digital Delay

This model is a mono digital delay that

produces a pure clean delay sound, clear and

accurate.

You can use Tap Tempo function to control the

delay time by turning on the Sync switch.

When the Sync switch is on, turn the Time

knob to set a proper tap divide value. The

default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

Digital Delay

This model is a stereo digital delay that

produces a pure clean delay sound, clear and

accurate.

You can use Tap Tempo function to control the

delay time by turning on the Sync switch.

When the Sync switch is on, turn the Time

knob to set a proper tap divide value. The

default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time of left channel

Time R%: Controls the delay time of right channel (time

ratio of left channel)

Spread: Controls the effect stereo width

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

Tape Delay M

Back in the old days, producers and engineers

created delay and echo effects using tape

machines. That sweet, space-like echo tone

is still popular today, especially among

psychedelic musicians.

This is a mono delay model that captures the

characteristics of the sound of a tape echo

machine. Just plug in and play, and time

flows back!

You can use Tap Tempo function to control the

delay time by turning on the Sync switch.

When the Sync switch is on, turn the Time

knob to set a proper tap divide value. The

default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Wow & Flutter: Controls the delay pitch/speed

variation amount caused by malfunctioning tape/motor

Age: Selects from 3 tone variations

Spread: Controls the effect stereo width

Drive: Controls the delay distortion amount

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

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Tape Delay S

Back in the old days, producers and

engineers created delay and echo

effects using tape machines. That

sweet, space-like echo tone is still

popular today, especially among

psychedelic musicians.

This is a stereo delay model that

captures the characteristics of the

sound of a tape echo machine. Just plug

in and play, and time flows back!

You can use Tap Tempo function to

control the delay time by turning on the

Sync switch. When the Sync switch is

on, turn the Time knob to set a proper

tap divide value. The default value is

1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time of left channel

Time R%: Controls the delay time of right channel (time ratio

of left channel)

Spread: Controls the effect stereo width

Wow & Flutter: Controls the delay pitch/speed variation

amount caused by malfunctioning tape/motor

Age: Selects from 3 tone variations

Spread: Controls the effect stereo width

Scrape: Controls the tape scratch amount

Drive: Controls the delay distortion amount

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is bypassed

Dual Delay

This model is a stereo dual delay effect

with separated left/right channel

signal processing and individual

parameter control on both sound

channels.

You can use Tap Tempo function to

control the delay time by turning on the

Sync switch. When the Sync switch is

on, turn the Time knob to set a proper

tap divide value. The default value is

1/4 (no division).

Mix: Controls the wet/dry signal ratio

Time L/R: Controls the delay time on left/right channels

FB L to L/R: Controls the left channel feedback amount on

left/right channels

FB R to L/R: Controls the right channel feedback amount on

left/right channels

Low Cut/High Cut: Controls the effect low/high frequency

cutoff

L/R Sync: Switches delay time Tap Tempo sync on/off on

left/right channels

Trail: Switched effect trail on/off when the effect is bypassed

Ping-Pong

This model is a ping-pong delay producing stereo feedback that

bounces back and forth between the

left and right channels.

You can use Tap Tempo function to

control the delay time by turning on the

Sync switch. When the Sync switch is

on, turn the Time knob to set a proper

tap divide value. The default value is

1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time of left channel

Time R%: Controls the delay time of right channel (time ratio

of left channel)

Spread: Controls the effect stereo width

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is bypassed

Sweep Delay

This delay model has a sweep filter

affecting the delay repeats, which

creates a unique sweeping delay

sound.

You can use Tap Tempo function to

control the delay time/effect speed by

turning on the Sync switch. When the

Sync switch is on, turn the Time/Sweep

Rate knob to set a proper tap divide

value. The default value is 1/4 (no

division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Sweep Depth: Controls the sweep filter depth

Sweep Rate: Controls the sweep filter speed

Level: Controls the effect output

Time Sync: Switches delay Tap Tempo sync on/off

Rate Sync: Switches sweep filter Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is bypassed

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Tremolo

Delay

This delay model comes with a unique

tremolo that affects only the delay repeats.

This is perfect for soundscapes cool and even

creepy.

You can use Tap Tempo function to control the

delay time/effect speed by turning on the

Sync switch. When the Sync switch is on, turn

the Time/Trem Rate knob to set a proper tap

divide value. The default value is 1/4 (no

division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Level: Controls the effect output

Trem Depth: Controls the tremolo depth

Trem Rate: Controls the tremolo speed

Trem Sync: Switches tremolo Tap Tempo sync on/off

Time Sync: Switches delay Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

Lo-Fi Delay

This delay model comes with a bitcrusher that

affects only the delay repeats, producing lo-

fi’d feedback.

You can use Tap Tempo function to control the

delay time by turning on the Sync switch.

When the Sync switch is on, turn the Time

knob to set a proper tap divide value. The

default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Downsampling: Controls the effect downsampling rate

Bit Reduction: Controls the effect bit depth reducing

amount

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

Ring Delay

This delay model comes with ring modulation

that alters only the delay repeats, producing

inharmonic feedback.

You can use Tap Tempo function to control the

delay time by turning on the Sync switch.

When the Sync switch is on, turn the Time

knob to set a proper tap divide value. The

default value is 1/4 (no division).

Mix: Controls the delay wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Ring Mix: Controls the ring mod wet/dry signal ratio

Ring Freq: Controls the ring mod frequency

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

Reverse

Delay

Kick it on and — !sdrawkcab seog gnihtyrevE

This is a delay model that reverses the

original sound. It’s like we recorded your

sound with a tape recorder and then played it

backwards. That’s where this model goes.

You can use Tap Tempo function to control the

delay time by turning on the Sync switch.

When the Sync switch is on, turn the Time

knob to set a proper tap divide value. The

default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

Vintage Rack

This delay model captures the sound of a

vintage 1980’s rack-mount delay machine

with slightly sample-reduced feedback. Rack

delay was the thing back then. Every rad

rocker had one.

You can use Tap Tempo function to control the

delay time by turning on the Sync switch.

When the Sync switch is on, turn the Time

knob to set a proper tap divide value. The

default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Mod: Controls the effect modulation amount

Tone: Controls the effect tone

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

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Ambience 1

This model is a multi-tap delay that brings

you expanded sound spaciousness.

1, 2 stands for different tonal variations.

You can use Tap Tempo function to control

the delay time by turning on the Sync switch.

When the Sync switch is on, turn the Time

knob to set a proper tap divide value. The

default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Level: Controls the effect output

Mod: Controls the effect modulation amount

Tone: Controls the effect tone

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

Ambience 2

This model is a multi-tap delay that brings

you expanded sound spaciousness.

1, 2 stands for different tonal variations.

You can use Tap Tempo function to control

the delay time by turning on the Sync switch.

When the Sync switch is on, turn the Time

knob to set a proper tap divide value. The

default value is 1/4 (no division).

Infidelay 1

This model is a complex delay features 4

delay lines and a feedback matrix,

generating an ethereal, shimmering delay

effect.

1, 2 stands for different tonal variations.

You can use Tap Tempo function to control

the delay time by turning on the Sync switch.

When the Sync switch is on, turn the Time

knob to set a proper tap divide value. The

default value is: Time 1=1/4 (no division),

Time 2=1/8, Time 3=1/8D, Time 4=1/4D.

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time 1-4: Controls the delay 1-4 time

Level 1-4: Controls the delay 1-4 output

Pan 1-4: Controls the delay 1-4 L/R panning

Output: Controls the overall output

Mod: Controls the effect modulation amount

Tone: Controls the effect tone

Sync: Switches delay 1-4 Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

Infidelay 2

This model is a complex delay features 4

delay lines and a feedback matrix,

generating an ethereal, shimmering delay

effect.

1, 2 stands for different tonal variations.

You can use Tap Tempo function to control

the delay time by turning on the Sync switch.

When the Sync switch is on, turn the Time

knob to set a proper tap divide value. The

default value is: Time 1=1/4 (no division),

Time 2=1/8, Time 3=1/8D, Time 4=1/4D.

Sweetie

This model produces THAT legendary warm,

natural analog BBD delay peal sound (the

pedal with a wine red chassis and REPEAT

RATE control) which is highly praised by

musicians. Now the legend is back!

You can use Tap Tempo function to control

the delay time by turning on the Sync switch.

When the Sync switch is on, turn the Time

knob to set a proper tap divide value. The

default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

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Recaller

Like syrup on waffles.

This model is based on the legendary Electro-

Harmonix® Deluxe Memory Man® Solid State

Echo/Analog Delay Line* pedal (early 4-knob “Blue

Face” version with SAD1024 IC), the godfather of analog

delay. Dig in and see how one pedal can fill in

everything that’s still missing in your hit song.

You can use Tap Tempo function to control the delay

time by turning on the Sync switch. When the Sync switch is on, turn the Time knob to set a proper tap divide value. The default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the

effect is bypassed

Ekopress 80

The Ekopress 80 is based on the legendary Maxon®

AD80 Analog Delay* pedal (early MN3005 version). True

to its bloodline, it is indubitably the expressway to

analog heaven. Ekopress 80 features a smooth, organic

analog delay tone with great dynamic response and

slightly lo-fi’d repeats.

You can use Tap Tempo function to control the delay

time by turning on the Sync switch. When the Sync switch is on, turn the Time knob to set a proper tap divide value. The default value is 1/4 (no division).

Ekopress 900

Get on the expressway to pure analog heaven!

The Ekopress 900 is based on the legendary Maxon®

AD900 Analog Delay* pedal. The tone is pure, rich, and

clear, and it faithfully reacts to your playing style.

You can use Tap Tempo function to control the delay

time by turning on the Sync switch. When the Sync switch is on, turn the Time knob to set a proper tap divide value. The default value is 1/4 (no division).

Ekopress 999

Cruise the expressway to pure analog heaven!

The Ekopress 999 is based on the legendary Maxon®

AD999 Analog Delay* pedal which provides a warm,

rich, organic analog delay tone with some dynamic

distortion on the repeats. Crank the Feedback knob to

get into sweet self-oscillation, which sounds different

than its brother, Ekopress 900.

You can use Tap Tempo function to control the delay

time by turning on the Sync switch. When the Sync switch is on, turn the Time knob to set a proper tap divide value. The default value is 1/4 (no division).

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2290 Mod

This model is based on the delay sound of the

legendary TC Electronic® 2290 Dynamic Digital

Delay + Effects Controls Processor* rack mount effect

unit, which is widely used among countless

musicians and studio producers.

You can use Tap Tempo function to control the delay

time by turning on the Sync switch. When the Sync switch is on, turn the Time knob to set a proper tap divide value. The default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Mod Rate: Controls the delay modulation speed

Mod Depth: Controls the delay modulation depth

Phase Reverse: Switches delay phase reversing

on/off on each channel

Low Cut/High Cut: Cuts delay low/high signal at

selected frequency points

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

2290

Ducker

A ducking delay reduces delay effect level when you

pluck the string hard. This model is a ducking delay

based on the delay sound of the legendary TC

Electronic® 2290 Dynamic Digital Delay + Effects

Controls Processor* rack mount effect unit, which is

widely used among countless musicians and studio

producers.

You can use Tap Tempo function to control the delay

time by turning on the Sync switch. When the Sync switch is on, turn the Time knob to set a proper tap divide value. The default value is 1/4 (no division).

Mix: Controls the wet/dry signal ratio

Feedback: Controls the amount of feedback

Time: Controls the delay time

Sens: Controls the ducking sensitivity

Attenuate: Controls the delay signal attenuate

amount

Release: Controls how fast the delay signal goes

back to normal

Phase Reverse: Switches delay phase reversing

on/off on each channel

Low Cut/High Cut: Cuts delay low/high signal at

selected frequency points

Level: Controls the effect output

Sync: Switches Tap Tempo sync on/off

Trail: Switched effect trail on/off when the effect is

bypassed

RVB(11)

Studio

This reverb model recreates the spaciousness of a

recording studio.

Mix: Controls the wet/dry signal ratio

Pre Delay: Controls the amount of time between the

dry signal and the audible onset of early reflections

and the reverb tail

Decay: Controls the duration of reverb time

Low Damp/Hi Damp: Dampens the effect low/high

frequency amount

Mod: Controls the effect modulation amount

Trail: Switched effect trail on/off when the effect is

bypassed

Club

This reverb model recreates the spaciousness of a

club.

Concert

This reverb model recreates the spaciousness of a

concert hall.

Arena

This reverb model recreates the spaciousness of a

live arena.

Small

Plate

This reverb model simulates a small plate

reverberator.

Large

Plate

This reverb model simulates a large plate

reverberator.

Combo Spring

This reverb model simulates the solid state spring

reverb module coming from a combo amp.

Tube

Spring

This reverb model simulates the sound coming from a

vintage tube driven spring reverb unit.

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Shimmer 1

This reverb model creates a lush, shimmering reverb

sound.

1,2 stands for different sound variations.

Mix: Controls the wet/dry signal ratio

Pre Delay: Controls the amount of time between

the dry signal and the audible onset of early

reflections and the reverb tail

Decay: Controls the duration of reverb time

Low Damp/Hi Damp: Dampens the effect

low/high frequency amount

Mod: Controls the effect modulation amount

Trail: Switched effect trail on/off when the

effect is bypassed

Shimmer 2

This reverb model creates a lush, shimmering reverb

sound.

1,2 stands for different sound variations.

Cloud

This reverb model creates a huge, thick reverb effect

like curly clouds in the sky.

FX SND

FX Loop

Send

This is for FX Loop Send jack settings.

Type: Selects the output type (channel)

Send Level: Controls the output level to FX Loop

Send jack

Thru Level: Controls the output level to Ampero

module); set it to Mute to use as a serial FX Loop

FX RTN

FX Loop

Return

This is for FX Loop Return jack settings.

Type: Selects the output type (channel)

Return Level: Controls the FX Loop return jack

input level

Mix: Controls the signal ratio between the FX

loop signal and the signal coming from Ampero

set it to 100 to use as a

erial FX Loop

FX LOOP

FX Loop

This is for entire FX Loop settings.

Type: Selects the output type (channel)

Send Level: Controls the output level to FX Loop

Send jack

Return Level: Controls the FX Loop return jack

input level

Mix: Controls the signal ratio between the FX

loop signal and the signal coming from Ampero

set it to 100 to use as a

serial FX Loop

VOL

Volume

This is a simple volume controller effect that acts like

a volume pedal.

Assign the Volume parameter to your expression

pedal, turn the expression pedal on, and you can use it

as a volume pedal.

Volume: Controls the output volume

Effect List

Effect Models List

II Stomp’s signal chain (or to the next effect

Stomp’s signal chain;

II Stomp’s signal chain;

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Effect List

CC#

Value

Description

0-2

Bank MSB: P00-1~P42-2: CC 0=0, PC=0-127 P42-3~P85-1: CC 0=1, PC=0-127

P85-2~P99-3: CC 0=2, PC=0-43

0-100

Patch Volume

0-127

Expression Pedal

0-127

EXP On/Off:

0-63: Off

64-127: On

0-127

Quick Access Para 1

0-127

Quick Access Para 1 parameter

adjustment: 0-63: Turn down by 1 step 64-127: Turn up by 1 step

0-127

Quick Access Para 2

0-127

Quick Access Para 2 parameter

adjustment: 0-63: Turn down by 1 step 64-127: Turn up by 1 step

0-127

Quick Access Para 3

0-127

Quick Access Para 3 parameter

adjustment: 0-63: Turn down by 1 step 64-127: Turn up by 1 step

0-127

Bank - (initial mode)

0-127

Bank + (initial mode)

0-127

Bank - (wait mode)

0-127

Bank + (wait mode)

0-127

Patch -

0-127

Patch +

0-127

Unit Mode:

0-63: Stomp Mode

64-127: Patch Mode

0-127

Main Display Mode:

0-63: Mode 1

64-127: Mode 2

0-127

Slot A1 On/Off:

0-63: Off

64-127: On

0-127

Slot A2 On/Off:

0-63: Off

64-127: On

0-127

Slot A3 On/Off:

0-63: Off

64-127: On

CC#

Value

Description

0-127

Slot A4 On/Off:

0-63: Off

64-127: On

0-127

Slot A5 On/Off:

0-63: Off

64-127: On

0-127

Slot A6 On/Off:

0-63: Off

64-127: On

0-127

Slot B1 On/Off:

0-63: Off

64-127: On

0-127

Slot B2 On/Off:

0-63: Off

64-127: On

0-127

Slot B3 On/Off:

0-63: Off

64-127: On

0-127

Slot B4 On/Off:

0-63: Off

64-127: On

0-127

Slot B5 On/Off:

0-63: Off

64-127: On

0-127

Slot B6 On/Off:

0-63: Off

64-127: On

0-127

Tuner On/Off:

0-63: Off

64-127: On

0-127

Looper Menu On/Off

0-63: Off

64-127: On

0-127

Looper Rec/Overdub

0-127

Looper Play/Stop

0-63: Stop

64-127: Play

0-127

Looper Speed

0-63: 1/2 Speed

64-127: Normal

0-127

Looper Playback

0-63: Reverse

64-127: Normal

0-127

Looper Undo/Redo

MIDI Control Information List

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Effect List

CC#

Value

Description

0-127

Looper Clear

0-100

Looper Rec Level

0-100

Looper Loop Level

0-127

Looper Pre/Post

0-63: Post

64-127: Pre

0-127

Looper A/B Chain

0-63: Chain A

64-127: Chain B

0-127

CTRL:

Status A (red LED): 0-63

Status B (green LED): 64-127

0-2

Tempo MSB

CC74=0, CC75=40-127: 40BPM-

127BPM

CC74=1, CC75=0-127: 128BPM-

255BPM

CC74=2, CC75=0-44: 256BPM-300BPM

0-127

Tempo LSB

0-127

Tap Tempo

0-127

Screen Lock/Unlock

Lock: 0-63

Unlock: 64-127

MIDI Control Information List

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HOTONE Ampero II Stomp hotone_ampero_ii_stomp.pdf

Contents

Welcome

Notice

Definitions

Panel

Getting Started

Main Display Screen

Using the Interface

Touch operation

Quick Access Knobs

Main Knob

Tools

Tuner

Looper

Unit Mode

Patch Mode

Stomp Mode

Bypass

Customizing Your Ampero II Stomp

EDIT

Effects Chains Menu

Effects Chain Basics

Nodes

Effect Slots

Modules

Effect Slot Status

Input Node Setup

Output Node Setup

Effects Chain Types

Using Effects Chain Templates

Split/Mixer Node Settings

Split Node

Mixer Node

Save Effects Chain Templates

Module/Effect Menu

Module/Effect Settings in Module/Effect Menu

Effects Settings in Effects Chains Menu

Move, Swap, Copy, Paste and Delete Modules

Move

Swap

Copy/Paste

Delete

Patch Tempo And Patch Volume

Tap Tempo And Tap Divide

Using FX Loop

FX SND (FX Loop Send)

FX RTN (FX Loop Return)

FX LOOP

Serial And Parallel FX Loop

CTRL/EXP

Current Settings

FS Settings

Function

CTRL Target

Quick Access Para

EXP Settings

Target

Expression Range

Calibrate

Expression Pedal Switching and Display

SAVE

Patch Management

Rename

Copy And Paste

GLOBAL

USB Audio

Controls

MIDI Settings

Global EQ

Display

About

Factory Reset

Suggested Setups

Using with your instrument and amp

Connecting to your amp's RETURN or Power Amp (Loudster)/FRFR cabinet INPUT

Connecting pedalboards

Connecting your mixer, interface, headphones, and other equipment

Connecting to your computer as an audio interface

Using the AUX IN line