Hill Audio PSM-4530 User Manual

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RevA 06-2013

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Welcome

Thank you for choosing Hill Audio for your sound system. To make sure that this product meets your expectations and provides long-term, reliable performance, please read and follow this instruction manual carefully.

Important safety instructions

Read these instructions and all markings on the product. Keep these instructions. Heed all warnings and instructions, both in this manual and on the product. Clean only with a dry cloth. Unplug from AC supply before cleaning. Do not use this product near water and avoid any exposure to water. Before connecting this product to any AC supply, make sure to check whether the AC mains voltage and frequency match the indication on the product and its packaging. Only connect this product to an AC supply with sufficient power handling, protective earth connection, ground-fault (earth-fault) protection and overload protection. Disconnect the product from the AC supply during thunderstorms or longer periods of being unused. Make sure any heat sink or other cooling surface, or any air convection slot , is exposed sufficiently to free air circulation and is not blocked. Do not operate this product in environmental temperatures exceeding 35 degrees Celsius and/or 85% relative humidity. Position the product in a safe and stable place for operation, out of reach of unauthorized persons. Make sure any cable connections to and from the product are neither subject to potentially destructive mechanical impact nor present any risk of stumbling or other accident risk to people. Audio equipment may generate sound pressure levels sufficient to cause permanent hearing damage to persons. Always start up at low volume settings and avoid prolonged exposure to sound pressure levels exceeding 90 dB. Do not open this product for service purposes. There are no user-serviceable parts inside. Warranty will be void in any case of unauthorized service by the user or other not authorized persons. Take any precaution required by local law, applicable regulations or good business practice to avoid injury of people or material damage by use of this product.

Explanation of symbols used in this manual and on the product:

DANGER!

Safety hazard.

Risk of injury or death.

WARNING!

Fire hazard.

WARNING!

Hazardous voltage.

Risk of severe or fatal

electric shock.

ATTENTION!

Read manual

before installation

and operation.

Manual Language

UK This user manual is written in English. For other languages, visit www.hill-audio.com FR Ce guide est écrit en anglais. Pour les autres langues, visitez: www.hill-audio.com DE Diese Anleitung ist in Englisch verfasst. Für andere Sprachen: www.hill-audio.com ES Este manual está escrito en Inglés. Para otros idiomas, visite: www.hill-audio.com PT Este manual está escrito em Inglês. Para outros idiomas, visite: www.hill-audio.com IT Questo manuale è scritto in inglese. Per altre lingue, visitare: www.hill-audio.com

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USER MANUAL - PSM4530 STEREO PRODUCTION MIXER

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Health advice

This unit produces and absorbs electromagnetic radiation. The strength of radiation and the sensitivity for disturbing interference matches the CE and FCC requirements. A corresponding sign is printed on the backside of the unit. Any change or modification may affect the behavior of the unit concerning electromagnetic radiation, with the CE requirements eventually not to be met any more. The manufacturer takes no responsibility in this case.

Functional advice

This unit is immune to the presence of electromagnetic disturbances – both conducted and radiated

- up to a certain level. Under peak conditions, the unit is classified to show a “class C” performance criteria and may encounter temporary degradation or loss of function which may need manual help to recover. In such case, disconnect the AC power from the unit and reconnect it again to recover.

Environmental advice

This unit is built to conform to the ROHS standards and the WEEE directive 2002/96/EC of the European Parliament and of the Council of the European Union. Under these regulations, the product shall not be discarded into regular garbage at the end of its life, but shall be returned to authorized recycling stations.

Unpacking

Please check that the box contains the following items:

Main parts: 1 pc. PSM4530 main unit 1 pc. Mains cable 1 pc. Operation manual

If any part is missing, please contact your dealer immediately for replacement.

Warning

After unpacking, and before plugging the AC cord in the wall outlet, check whether the AC mains voltage and frequency is the same as this product is specified for (see rear panel of product). Whenever the specified voltage or your AC plug should not match the local conditions, do NOT plug the AC cord into the wall outlet and contact your dealer immediately.

Description

The PSM4530 Stereo Production Mixer is a 5+3 channel stereo mixing console with extensive features. It offers one-knob compressors and an effects path for the microphone inputs, and aside of two stereo master outputs also sports a zone output with independent signal source and a subwoofer output with in-built active crossover. As such, the PSM4530 makes a perfect centre piece for mobile event systems, club installations and multi-purpose venues.

AC mains voltage setting

If the AC mains voltage of your power outlet and the setting of the AC supply voltage on your unit do not match, contact your dealer, contractor or a qualified service workshop to change the setting of the AC voltage selector. The AC voltage selector switch is located on the side panel of the unit, close to the AC inlet.

AC Voltage

Selector Switch

USER MANUAL - PSM4530 STEREO PRODUCTION MIXER

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Controls - Front

Controls and Connections

Connections - Rear

29 28 30 35 38 36 37 4139

3431322733

4 15 1616

3218

10 15 15

USER MANUAL - PSM4530 STEREO PRODUCTION MIXER

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Functional Description

The PSM4530 is a stereo production mixer with one of the most extensive feature sets in the market. Offering 3 microphone inputs and 5 stereo inputs, it is a predestined choice for mobile event sound systems as well as as multi-purpose venues and installed club sound systems. The microphone channels sport a one-knob compressor, 3-band EQ and an effects path, while the stereo inputs come with gain control, individual level meter, 3-band EQ and assignable crossfader. A precisely adjustable auto-talkover function, 2 master stereo outputs, one mono zone output with independent source signal, and a subwoofer output with built-in active crossover complete this outstanding mixing console.

AC inlet and fuse holder. Use the supplied AC cord to connect the unit to AC mains. Make sure voltage and frequency stated and set on the unit comply with your local AC supply. The fuse can be accessed by the small drawer at the AC inlet. To change the fuse, unplug the AC cord first, pull out the fuse drawer and replace the fuse ONLY with a fuse of SAME voltage and rating. If the fuse blows again after replacement, hand over the unit to qualified service personnel.

Power switch. Switches the unit on and off. Make sure to switch the unit off when not in use.

AC Voltage Selector Switch. Switches the AC supply voltage between 110/115V and 220/230V AC. See previous chapter for details.

Stereo Main outputs 1 and 2. These are a balanced stereo XLR outputs carrying the main output signals controlled by the individual main output level controls (36).

Stereo Main outputs 1 and 2. These are unbalanced RCA outputs carrying the same signal as outputs (4).

Maximum level setting for Stereo Main outputs. These controls allow to limit the maximum level at the outputs (4)/(5)/(8) in order to match the connected sound system. Adjustments made on this control will not be displayed by the output level meters (37)/(40). Adjustments shall be made with a small screw driver. Note that the total angle is 300 degrees; do not apply excessive force with the screw driver.

Mono Switch for Main 2 output. In pressed position, the left and right outputs of the Main 2 signal are summed to deliver a mono signal. Useful for installations where the connected speaker system does not allow stereo reproduction.

Mono Zone 1 output. This is a balanced stereo XLR output carrying the zone output signal controlled by the zone output level control (39).

100Hz Highpass (HP) filter for Zone 1 output. In pressed position, this switch removes frequencies below 100Hz from the Zone output, helping to adapt to zone speaker systems with limited low-frequency response (like ceiling speakers).

Mono Subwoofer output for Main 1 output. This is a balanced stereo XLR output carrying the low-frequency part of the Main 1 output signal. The relative volume between this low-frequency signal and the full-band signal can be controlled by the level control (11), while the absolute level is determined by the Main 1 output level setting (36). The roll-off frequency for the subwoofer outut can be adjusted via control (12).

Subwoofer level control. Determines the relative level of the Main 1 subwoofer output (10) to the Main 1 output (4).

Subwoofer roll-off frequency control. Sets the roll-0ff frequency of the internal active crossover. The upper roll-off point of the frequency band can be adjusted from 30Hz to 200Hz.

USER MANUAL - PSM4530 STEREO PRODUCTION MIXER

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Effect Path Send/Return connectors. Depending on the setting of controls (24), (42) and (44), a signal either consiting of the microphone effects path (determined by controls [24]) or the MAIN bus signal is available at the SEND connector at a level set by effects send level control (42). This signal can be processed by an external effects processor and then be fed back into the MAIN bus via the RETURN connector, with the return level set by the effects return level control (43).

RECORD output. This unbalanced stereo RCA output carries the MAIN bus signal independent of the Main 1 and Main 2 level controls (36).

Line inputs. These RCA connectors provide inputs for line-level signals to the assigned channels.

Phono inputs. These RCA connectors provide inputs for phono-level signals with RIAA equalization to the assigned channels. The sensitivity can be switched to line level by means of the switches (17).

Sensitivity switch for Phono inputs. Sets the sensitivity of the Phono inputs (16) to Phono with RIAA equalization (pressed) or Line level (released).

FOH input. This is a ¼’’ TRS balanced stereo input specifically designed to allow the connection of the output of a stage mixer, in order to use the connected sound system for the replay of the stage mixer’s signal. This is useful in applications where apart from stereo source replay also live music is performed over the same sound system.

Microphone inputs for MIC1/2/3. and MIC2. These are balanced Combo XLR+¼” TRS connectors. Please note that no phantom power is available for these inputs, so they can only be used with dynamic microphones.

GAIN control for microphone inputs. Allows adjustment of the input sensitivity to compensate for different source volumes. To facilitate proper setting of microphone gain levels, each channel has an additional PEAK LED (21) which illuminates at 0dB to give indication when a suitable gain value is set.

PEAK LED for microphone input channels. Indicate when the level after the gain control (20) reaches 0dB, to allow proper input gain setting depending on the connected microphone.

COMPRESSOR control. This controls the threshold and make-up gain of the in-built compressor, with all other variables fixed (Ratio = 2:1, attack time approx. 25 msec, release time approx. 300 msec, “hard knee” characteristic). The threshold runs from +20….-5dB and the make-up gain runs from 0….+9dB as the control is rotated clockwise. This means that at the outmost counter-clockwise position, the compressor is effecitvely off, and at the outmost clockwise position will compress all signals peaks above -5dB with its set parameters.

Microphone Equalizer. Allows the adjustment of the tonal balance for both microphone simultaneously inputs in three voice-specific frequency bands with an adjustment range of ±12dB.

FX Assign switches. These switches allow the relative channel to be assigned to the effects bus, in order to send a signal to an external effects processor for generation of an effect. To make such microphone signal available for external processing, the switch (44) must be set to “Mic to FX” and the controls (42)/(43)/(45) must be set appropriately, as well as the controls on the external effects processor.

Microphone ON/OFF switches for MIC1/2/3. Enable and disable the relative microphone channels.

USER MANUAL - PSM4530 STEREO PRODUCTION MIXER

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Level control for microphone inputs. 60mm high-grade dual-rail faders to set the volume for each microphone channel.

Input Selector switch for Stereo input channels. Selects one of two rear-panel sources to be used with the respective input channel.

Input Gain control for Stereo Input channels. Allows to compensate for different source levels. To make a correct setting, observe the input level meter and set the Gain control to not exceed the 0dB mark.

Input Level Meters for Stereo Input channels. Display the signal level after the GAIN controls (28).

Equalizer for Stereo Input channels. Allows the adjustment of the tonal balance for each of the inputs seperately in three music-specific frequency bands with an adjustment range of

-26/+12dB, thus providing a virtual “kill” function for each frequency band if set to extreme attenuation.

PFL switch for Stereo Input channels. Assigns the respective channel to the headphone bus for pre-fader-listening (PFL) by means of the headphone output (51). A LED indicates the pressed position.

CROSSFADER assignment switch. Allows to send the respective channel’s signal either directly to the MAIN bus, or to the left side of the crossfader (34) when set to position “A”, or to the right side of the crossfader (34) when set to the position “B”. When all input channels are assigned directly to the MAIN bus, the crossfader (34) is disabled.

Level control for Stereo Input channels. 100mm high-grade dual-rail faders to set the volume for each stereo input channel.

CROSSFADER. A high-grade dual rail 45mm fader which determines the mix ratio between the stereo signals assigned to its left side the stereo signals assigned to its right side (via switches

32). The crossfader can be disabled setting all switches (32) to “MAIN”.

AUX Input for stereo CHANNEL 5. This is a 3.5mm Mini-TRS stereo socket which allows to connect sources like MP3 players etc. To activate this input, the input selector switch (27) of channel 5 must be set accordingly.

MAIN1 and MAIN2 output volume controls. These controls set the signal level at the MAIN1 and MAIN2 outputs (4)/(5) accordingly.

MAIN level meter. Displays the output level of either the MAIN1 or MAIN2 signal, depending on the setting of the display selector switch (38).

MAIN meter assign switch. Allows to select either the MAIN1 signal or the MAIN2 signal to be displayed on the main level meter (37).

ZONE1 output volume control. This control sets the signal level at the ZONE1 output (8) accordingly.

ZONE1 level meter. Displays the output level of the ZONE1 signal.

ZONE1 source selector switch. This switch allows to use either the MAIN bus as the source signal for the ZONE1 output, which makes the ZONE1 output merely a 3rd MAIN output, or to choose the LINE6 input signal as the source, making the ZONE1 output carrying an independent signal.

USER MANUAL - PSM4530 STEREO PRODUCTION MIXER

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EFFECT SEND control. Determines the signal level present at the SEND jack (13) to be sent to an outside effects processor. The signal itself depends on the settings of switches (44) and (24).

EFFECT RETURN control. Determines the volume with which the effects signal coming back from an outside effects processor is added to the MAIN bus.

EFFECTS SOURCE switch. Toggles between the microphone effects bus (with the signal determined by switches [24]) and the MAIN bus as effect signal sources to be sent via the level control (42) to the effects SENT jack (13).

EFFECTS ENABLE/DISABLE switch. Pressing this switch will add the effects signal present at the effects RETURN jack (13) to the MAIN bus at the volume set by the RETURN control (43). Releasing this switch will remove the effects signal from the MAIN bus. A LED indicates the status (lit when pressed).

PFL Level control. Determines the signal volume at the headphone output (51). Always set this control to minimum before putting on headphones, as sudden high-volume impact may damage your ears.

PFL Mix control. Allows the headphone signal to be a mix of the MAIN output and the input(s) assigned to the PFL bus by means of switches (31). This control determines the mix ratio between the main and the PFL signal.

PFL Mode switch. This control offers two pre-listening modes: (A) Split. In this mode, the MAIN signal appears on one earcup of the headphones, the PFL signal on the other earcup. (B) Blend. In this mode, Main and PFL signal are mixed with adjustable ratio by means of control (46). A LED indicates the pressed position.

TALKOVER Threshold control. The setting of this control determines at which microphone level the automatic talkover starts to reduce the MAIN output level. In addition, the amount of reduction can be determined with the TALKOVER damping control (50).

TALKOVER Damping Control. This control determines the amount of damping applied to the MAIN signal when a microphone is spoken into. Fully turned clockwise, maximum attenuation is applied, being turned fully counter-clockwise, the talkover function is off. The threshold level from which on this function is enabled can be set by the TALKOVER threshold control (49).

HEADPHONES output. A ¼” TRS connector to connect a headphone. Turn the PFL level (46) down before plugging in any headphones.

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Operation

A. Connections

For connecting this unit to AC mains, please note: Check whether the AC mains voltage and frequency is the same as this product is specified for (see

rear panel of product). Whenever the specified voltage or your AC plug should not match the local conditions, do NOT plug the AC cord into the wall outlet and contact you dealer immediately.

Do not operate this unit without the line cord earth ground connected. To do so may increase the risk of electric shock and increase line cord conducted emissions.

For making audio signal connections, always remember that good and reliable connections are a basic requirement for good sound and reliable operation. Bad soldering of cables can result in intermittent audio signals or temporarily lost ground connections, hence always use good cables. In case of doubt about making proper connections, please see check the standard pin assignments required for proper operation in the following section of this manual.

B. Powering up

Following a proper power-up sequence protects your equipment – specifically speakers – and your ears. Follow the below procedure:

Turn down all output volume controls of any equipment in your audio system. Switch on your audio sources first (Tuners, CD Players, PC’s with soundcards, Tapedecks, etc.) Switch on the audio mixer Switch on any audio processor between the mixer and the amplifier(s) [if any]. Switch on the amplifier(s). Turn up the audio level on your sources if such controls are provided. Set the audio output of your mixer to a low level. Set the audio output of any audio processor between the mixer and the amplifier(s) to a medium level [if any such processors]. Turn up the volume controls of your amplifier(s) slowly. Make adjustments to all volume settings as needed.

For switching off, follow the inverse sequence – always switch off your amplifier(s) first, then any processors between mixer and amplifier(s), then the mixer, then the sources.

C. Use

Apart from using good equipment, good sound comes from using it correctly. Level setting mistakes are one of the common reasons why even good equipment may not perform as desired. For setting levels, please be reminded that two guidelines need to be followed:

Avoid distortion by leaving some headroom. Never overrun any audio-equipment’s inputs. Level meters and displays allow you to make sure that signals do not enter critical levels.

Avoid unnecessary amplification by using as little attenuation as possible. For example, if you turn down the input gain of a mixer to minimum, and then increase the main output of the mixer to maxi mum to drive your amplifier properly, you will create unnecessary noise, as you first dispose of some already existing signal level, and then later apply amplification (tainted with noise) to make it up.

Obviously, these two requirements are marking a levelling window that the operator must match to achieve a good sound with as little distortion and noise as possible.

WARNING - HEALTH RISK

Excessive volume levels on headphones or other sound systems may cause hearing damage. Always turn the volume control to minimum when you switch the unit on, and avoid prolonged exposure to sound pressure levels exceeding 90dB.

USER MANUAL - PSM4530 STEREO PRODUCTION MIXER

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Connections

The PSM series mixers use the below connector types, for which the pin assignment must comply with the following specification. Always make sure to use good connectors and cables to ensure proper operation. Balanced connections are to be preferred over unbalanced connections where applicable and feasible. Avoid unbalanced connections exceeding 2m of cable length.

1-conductor shielded cable (for unbalanced connections)

red

shield

2-conductor shielded cable (for balanced connections)

red

shield

black

tip

sleeve

tip

sleeve

red = tip

shield = sleeve

red = tip

black = sleeve

shield = uncon.

plug side

cable

side

red = 2

black = 3

shield = 1

red = 2

shield = 1+3

cable

side

plug side

red = 2

black = 3

shield = 1

red = 2

shield = 1+3

tip sleeve

ring tip

sleeve

ring

red = tip

shield = sleeve+ring

red = tip

black = ring

shield = sleeve

tip

sleeve

tip

sleeve

ring

red = tip

shield = sleeve+ring

red = tip

black = ring

shield = sleeve

tip sleeve

tip

sleeve

red = tip

shield = sleeve

red = tip

black = sleeve

shield = uncon.

XLR male

XLR female

6.35mm TRS-stereo

6.35mm TRS-mono

3.5mm TRS-stereo

RCA

CABLE Types

Structure

Balanced

connection

Unbalanced

connection

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Technical Specifications

Block Diagram

Maintenance and warranty

While we have chosen the best components to make this product as rugged and reliable as possible, some parts in audio products (potentiometers, faders, switches) are subject to wear which is a matter of operation cycles, and not of time. While providing a full time-based warranty according to the country’s of purchase requirements on the function of the electronic circuitry, we hence have to limit the warranty on such electro-mechanical parts to 90 days from the date of purchase.

In many cases, malfunction of electro-mechanical parts occurs due to dust contamination, which may require cleaning of such parts. As the inside of such parts is not accessible, a common practice is to use cleaning fluids in the shape of sprays. Please be reminded that many of such fluids contain chemicals which may wash away the dust but at the same time corrode or damage contact surface and may cause cosmetic damage to other parts. We hence explicitly exclude any claims for exchange of damaged part due to mechanical or chemical impact.

LINE1 RCA

AMP

CH1 GAIN

AMP

CH1 GAIN

LINE2

RCA

AMP

CH2 GAIN

AMP

CH2 GAIN

AMP

PHONE1

RCA

AMP

CH3 GAIN

AMP

CH3 GAIN

LINE1 / FOH

LINE3

RCA

AMP

CH5 GAIN

AMP

CH5 GAIN

LINE3 / LINE4

LINE6

RCA

MAIN-L

MAIN-R

PFL-L

PFL-R

CF A-L

CF A-R

CF B-L

CF B-R

T/O DAMPING

AMP

1 G

3 R

5 RS

4 TS

2 T

FOH L

6.3mm TRS

1 G

3 R

5 RS

4 TS

2 T

FOH R

6.3mm TRS

LINE2 / PHONE1

AMP

LINE / PHONE

LINE4

RCA

LINE5

RCA

AMP

CH4 GAIN

AMP

CH4 GAIN

PHONE2

RCA

LINE5 / PHONE2

AMP

LINE / PHONE

AMP

LINE6 / AUX IN

1 G

3 R

5 RS

4 TS

2 T

AUX IN

3.5mm TRS

AMP

HI LOWMID

CH2 EQ

HI LOW

MID

CH3 EQ

HI LOWMID

CH4 EQ

HI LOW

MID

CH5 EQ

HI LOWMID

CH1 EQ

LEVEL METER

MIC 1

COMBO

AMP

MIC 1 EFX SW

AMP

MIC 1 GAIN

COMPRESS

HI LOWMID

MIC1 EQ

MIC 2

COMBO

AMP

MIC 2 EFX SW

AMP

MIC 2 GAIN

COMPRESS

H LOWMID

MIC2 EQ

MIC 3

COMBO

AMP

MIC 3 EFX SW

AMP

MIC 3 GAIN

COMPRESS

HI LOWMID

MIC3 EQ

MIC 1 ON/OFF SW

MIC 2 ON/OFF SW

MIC 3 ON/OFF SW

MIC1 LEVEL

AMP

MIC2 LEVEL

MIC3 LEVEL

D S

DC DETECTOR

THRESHOLD

CH1 LEVEL

2 3

6 7

CH1 CF ASSIGN

CH2 LEVEL

2 3

6 7

CH2 CF ASSIGN

CH3 LEVEL

2 3

6 7

CH3 CF ASSIGN

CH4 LEVEL

2 3

6 7

CH4 CF ASSIGN

CH5 LEVEL

2 3

6 7

CH5 CF ASSIGN

AMP

MIC TO EFX / MAIN TO EFX

FX SEND LEVEL

AMP

1 G

3 R

5 RS

4 TS

2 T

FX SEND

6.3mm TRS

AMP

FX RETURN LEVEL

AMP

1 G

3 R

5 RS

4 TS

2 T

FX RETURN

6.3mm TRS

MAS 2 LEVEL

AMP

MAX LEVEL

MONO SW

AMP

MASTER 2 OUTPUT

RCA

AMP

MAS 1 LEVEL

AMP

MAX LEVEL

AMP

MASTER 1 OUTPUT

RCA

MAIN 1 / MAIN 2

MASTER LEVEL METER-L

AMP

MASTER LEVEL METER-R

AMP

ZONE LEVEL

MAX LEVEL

AMP

ZONE LEVEL METER

AMP

MAIN / LINE6

AMP

HPF FILTER ON/OFF

AMP

LEVEL

AMP

CROSSFADER

AMP

MIX

AMP

HP LEVEL

AMP

1 G

3 R

5 RS

4 TS

2 T

HEADPHONE OUTPUT

6.3MM TRS

SUBWOOFER OUTPUT

XLR

MASTER 1-L OUTPUT

XLR

MASTER 1-R OUTPUT

XLR

MASTER 2-L OUTPUT

XLR

MASTER 2-R OUTPUT

XLR

ZONE OUTPUT

XLR

RECORD OUTPUT

RCA

80 Hz

80HZ HPF

30 Hz

200 Hz

X/O FREQUENCY

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www.hill-audio.com

Hill Audio products are developed, manufactured and distributed by

Adelto Technologies

Vanguard Way, Shoeburyness, Essex SS3 9QY, UK

www.adelto.com | [email protected]

EC Declaration of Conformity

Manufacturer: Adelto Technologies Limited Address: Vanguard Way, Shoeburyness, Essex SS3 9QY, UK

We declare on our own responsibility, that the equipment

Hill Audio PSM2220 Hill Audio PSM2420 Hill Audio PSM4530

is in conformity with the following directives and standards or regulations:

EMC Directive 2004/108/EC

EN55103-1:2009 (Emissions) EN55103-2:2009 (Immunity) EN61000-3-2:2006 + A1:2009 + A2:2009 EN61000-3-3:2008

LVD Directive 2006/95/EC

EN60065:2002 A1:2006 + A11:2008 + A2:2010

ROHS Directive 2002/95/EC

and is marked as follows:

Shoeburyness, 10. May 2013

Authorized SignaturePlace and date of issuing