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DL.2
User Manual
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High End Systems DL.2 User Manual

DL.2 Digital Light
with Collage™ Software
User Manual
© High End Systems, Inc. 2006, All Rights Reserved Information and specifications in this document are subject to change without notice. High End Systems, Inc.
assumes no responsibility or liability for any errors or inaccuracies that may appear in this manual. T rademarks used in this text: High End S ystems, WholeHog III, Catalyst, the Catalyst Logo , and LithoP atterns
Other trademarks and trade names may be used in this document to refer to either the entities claiming the marks and names or their products. High End Systems disclaims any proprietary interest in trademarks and trade names owned by other s.
DL.2 User Manual
P/N 60600245
Software Release Version 1.3.3
June, 2007
DL.2 Digital Light User Manual i
Contacting High End Systems
Sales Department High End Systems, Inc.
2105 Gracy Farms Lane Austin, TX 78758 USA voice: 512.836.2242 fax: 512.837.5290 Toll Free: 800.890.8989
Customer Service High End Systems, Inc.
2105 Gracy Farms Lane Austin, TX 78758 USA voice: 800.890.8989 fax: 512.834.9195 toll free: 800.890.8989 email: support@highend.com
World Wide Web: http://www.highend.com
®
ii DL.2 Digital Light User Manual

Patents

This High End Systems product is protected by patents and pending patent applications.
US 4,392,187; US 4,602,321; US 4,688,161; US 4,701,833; US 4,709,311; US 4,779,176; US 4,800,474; US 4,962,687; US 4,972,306; US 4,980,806; US 5,010,459; US 5,031,078; US 5,073,847; US 5,078,039; US 5,186,536; US 5,209,560; US 5,278,742; US 5,282,121; US 5,307,295; US 5,329,431; US 5,331,822; US 5,367,444; US 5,402,326; US 5,414,328; US 5,426,576; US 5,430,629; US 5,432,691; US 5,454,477; US 5,455,748; US 5,502,627; US 5,506,762; US 5,515,254; US 5,537,303; US 5,545,951; US 5,588,021; US 5,590,954; US 5,590,955; US 5,640,061; US 5,647,662; US 5,691,886; US 5,702,082; US 5,728,994; US 5,758,955; US 5,758,956; US 5,769,527; US 5,769,531; US 5,774,273; US 5,788,365; US 5,794,881; US 5,795,058; US 5,798,619; US 5,806,951; US 5,812,596; US 5,823,661; US 5,825,548; US 5,828,485; US 5,829,868; US 5,857,768; US 5,882,107; US 5,921,659; US 5,934,794; US 5,940,204; US 5,945,786; US 5,953,151; US 5,953,152; US 5,969,485; US 5,980,066; US 5,983,280; US 5,984,248; US 5,986,201; US 6,011,662; US 6,029,122; US 6,048,080; US 6,048,081; US 6,054,816; US 6,057,958; US 6,062,706; US 6,079,853; US 6,126,288; US 6,142,652; US 6,142,653; US 6,172,822; US 6,175,771; US 6,188,933; US 6,208,087; US 6,219,093; US 6,220,730; US 6,241,366; US 6,249,091; US 6,255,787; US 6,256,136; US 6,261,636; US 6,278,542; US 6,278,545; US 6,278,563; US 6,288,828; US 6,326,741; US 6,327,103; US 6,331,756; US 6,346,783; US 6,421,165; US 6,430,934; US 6,459,217; US 6,466,357; US 6,502,961; US 6,515,435; US 6,523,353; US 6,536,922; US 6,538,797; US 6,545,586; US 6,549,324; US 6,549,326; US 6,563,520; US 6,565,941; US 6,570,348; US 6,575,577; US 6,578,991; US 6,588,944; US 6,592,480; US 6,597,132; US 6,600,270; US 6,601,974; US 6,605,907; US 6,617,792; US 6,621,239; US 6,622,053; US 6,635,999; US 6,648,286; US 6,664,745; US 6,682,031; US 6,693,392; US 6,696,101; US 6,719,433; US 6,736,528; US 6,771,411; US 6,775,991; US 6,783,251; US 6,801,353; US 6,812,653; US 6,823,119; US 6,865,008; US 6,866,390; US 6,866,402; US 6,866,451; US 6,869,193; US 6,891,656; US 6,894,443; US 6,919,916; US 6,930,456; US 6,934,071; US 6,937,338; US 6,955,435; US 6,969,960; US 6,971,764; US 6,982,529; US 6,988,805; US 6,988,807; US 6,988,817; US 7,000,417; US 7,011,429; US 7,018,047; US 7,020,370; US 7,033,028; US 7,048,838; US 7,055,963; US 7,055,964; US 7,057,797; US 7,073,910; US 7,078,869; US 7,092,098; US 7,119,902; US 7,161,562; US 7,175,317; US 7,181,112; US D347,113; US D350,408; US D359,574; US D360,404; US D365,165; US D366,712; US D370,080; US D372,550 ; US D374,439; US D377,338; US D381,740; US D409,771; AT E169413; CA 2142 619; CA 2145508; CA 2245842; DE 22588.4-08; DE 621495; DE 655144; DE 69320175.4; DE 69322401.0; DE 69331145.2; DE 69525856.7; DE 69 734744.3; DE 797503; DK 0655144; DK 1447702; EP 0475082; EP 0621495; EP 0655144; EP 0662275; EP 0767398; EP 0797503; EP 0969247; EP 1447702; ES 0621495; FR 0621495; FR 0655144; FR 0662275; FR 1447702; GB 2043769B; GB 2055842B; GB 2283808B; GB 2290134B; GB 2291814B; GB 2292530B; GB 2292896B; GB 2294909B; GB 2295058B; GB 2303203B; GB 2306887B; GB 2307036B; GB 2316477B; IE 0621495; IT 034244BE; 2005; IT 0621495; IT 0655144; JP 3495373; JP 3793577; NL 0621495; NL 0797503; NL 0969247; UK 0621495; UK 0655144; UK 0662275; UK 0797503; UK 0969247; UK 1447702;
Patents owned or licensed by High End Systems include:
DL.2 Digital Light User Manual iii

Declaration of Conformity

according to ISO/IEC Guide 22 and EN45104
Manufacturer’s name: High End Systems, Inc.
Distributor’s name: High End Systems, Inc. Distributor’s address: 2105 Gracy Farms Lane
Austin, Texas 78758 USA
Declares that the product:
conforms to the following EEC directives:
Equipment referred to in this declaration of conformity was first manufactured in compliance with the following standards in 2005:
Safety: EN 60598-1: 1997
EMC:
EN 55022
Conducted Emissions Class A Radiated Emissions Class A ANSI C63.4 Class A FCC 47 CFR Part 15 Class A VCCI V-1/2001.04 Class A
EN 55024
EN 61000-4-2 4/8kV EN 61000-4-3 A1 3V/m EN 61000-4-4 1kV/0.5kV EN 61000-4-5 2kV/1kV EN 61000-4-6 3 Vrms
EN 61000-4-11 >95%-0.5p, 30%-25p,>95%-250p EN 61000-3-2 Class A EN 61000-3-3
Product Name: DL.2 Product Number:All Product Options:All
73/23/EEC, as amended by 93/68/EEC 89/336/EEC, as amended by 92/31/EEC and 93/68/EEC
EN 60598-2-17; 1990 A1-A3: 1998 A13: 1999
USA, Friday, June 15, 2007 Kenneth Stuart Hansen, Compliance Engineer
iv DL.2 Digital Light User Manual

Product Modification Warning

High End Systems products are designed and manufac t ured to meet the requirements of United States and International safety regulations. Modifications to the product could affect safety and render the product non­compliant to relevant safety standards.
Mise En Garde Contre La Modification Du Produit
Les produits High End Systems sont conçus et fabriqués conformément aux exigences des règlements internationaux de sécurité. Toute modification du produit peut entraîner sa non conformité aux normes de sécurité en vigueur.
Produktmodifikationswarnung
Design und Herstellung von High End Systems entsprechen den Anforderungen der U.S. Amerikanischen und internationalen Sicherheitsvorschriften. Abänderungen dieses Produktes können dessen Sicherheit beeinträchtigen und unter Umständen gegen die diesbezüglichen Sicherheitsnormen verstoßen.
Avvertenza Sulla Modifica Del Prodotto
I prodotti di High End Systems sono stati progettati e fabbricati per soddisfare i requisiti delle normative di sicurezza statunitensi ed internazionali. Qualsiasi modifica al prodotto potrebbe pregiudicare la sicurezza e rendere il prodotto non conforme agli standard di sicurezza pertinenti.
Advertencia De Modificación Del Producto
Los productos de High End Systems están diseñados y fabricados para cumplir los requisitos de las reglamentaciones de seguridad de los Estados Unidos e internacionales. Las modificaciones al producto podrían afectar la seguridad y dejar al producto fuera de conformidad con las normas de seguridad relevantes.

FCC Information

This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environm ent. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communi cations. Operation of this equipment in a residential area is likely to cause harmful interference, in which case the user will be required to correct the interference at his own expense.

Important Safety Information

Instructions pertaining to continued protection against fire, electric shock, and injury to persons are found in Appendix
Important: Informations De Sécurité
Les instructions se rapportant à la protection permanente contre les incendies, l’électrocution, excessif et aux blessures corporelles se trouvent dans l’Annexe monter ou d’utiliser cet équipement.
Wichtige Sicherheitshinweise
Sicherheitsanleitungen zum Schutz gegen Feuer, elektrischen Schlag, und V erl etzung v on P ersone n finden Sie in Anhang sorgfältig durchlesen.
Informazioni Importanti Di Sicurezza
Le istruzioni sulla protezione da incendi, folgorazione, e infortuni sono contenute nell’app en dice E . Si pre ga di leggere tutte le istruzioni prima di assemblare, montare e azionare l’apparecchiatura.
Informacion Importante De Seguridad
En el Apéndice E se encuentran instr ucciones sobre p rotección continua contr a incendios, descarga eléctrica, y lesiones personales. Lea, por favor, todas las instrucciones antes del ensamblaje, montaje y operación de este equipo.
DL.2 Digital Light User Manual v
E. Please read all instructions prior to assembling, mounting, and operating this equipment.
E. Veuillez lire toutes les instructions avant d’assembler, de
E. Vor der Montage, dem Zusammenbau und der Intbetriebnahme dieses Geräts alle Anleitungen

Symbols

The following international caution and warning symbols appear in margins throughout this manual to highlight messages.
CAUTION: This symbol appears adjacent to Caution
messages. Not heeding these messages could result in
personal injury and/or damage to equipment.
WARNING: This symbol appears adjacent to high
voltage warning messages. Not heeding these
messages could result in serious personal injury.
This symbol indicates the minimum focus distance
from a combustible object.
This symbol cautions against mounting the fixture on a
flammable surface.
This symbol indicates that, while operating, equipment
surfaces may reach very high temperatures. Allow the
fixture to cool before handling.

Fog Machine Warning

Like all high quality video projection units, the DL.2 fixture must be kept protecte d from excessiv e amounts of glycol fog, mineral oil, and smoke. The DL. 2 fixture incorpor ates two-stage air filtering to reduce these risks to a minimum; however, the user must follow these guidelines to ensure continued operation of the fixture:
• Air filters (both fixture and projector) should be ch ecked and clean ed on a regular basis. When used in a closed or fixed environment where fog or haze is used, we recommend at least a weekly check.
• Do not situate DL.2 fixtures in areas of high fog density such as directly in front of a fog machine or mineral oil hazer.
• Minimize the exposure of DL.2 fixtures to both glycol fog and mineral oil.
The DL.2 fixture is a highly complex and sensitive electro-optical device and care and thought in how it is used, rigged, and positioned will maximize the product’s life and your investment.
Failure to follow these guidelines and carry out regular maintenance will void the warranty.

Packaged Media Notice:

Any use of this product other than consumer personal use in any manner that complies with the MPEG-2 Standard for encoding video information for packaged media is expressly prohibited without a license under applicable patents in the MPEG-2 patent portfolio, which license is available from MPEG LA, L.L.C., 250 Steele Street, Suite 300, Denver Colorado 80206.

Warranty Information

Limited Warranty
Unless otherwise stated, your product (excluding the lamp) is covered by a one year parts and labor limited warranty. The lamp warranty for Christie projectors is 120 days or 500 hours whatever comes first. It is the owner’s responsibility to furnish receipts or invoices for verification of purchase, date, and dealer or distributor. If purchase date cannot be provided, date of manufacture will be used to determine warranty period.
vi DL.2 Digital Light User Manual
Returning an Item Under Warranty for Repair
It is necessary to obtain a Return Material Authorization (RMA) number from y our de aler o r po int of p urch ase BEFORE any units are returned for repair. The manufacturer will make the final determination as to whether or not the unit is covered by warranty.
Any Product unit or parts returned to High End S ystems must be packaged in a suitabl e manner to ensure the protection of such Product unit or parts, and such pack age shall be clearly and prominen tly marked to indicate that the package contains returned Product units or parts and with an RMA number. Accompany all returned Product units or parts with a written explanation of the alleged p roblem or mal function. Ship retur ned Product units or parts to: 2105 Gracy Farms Lane, Austin, TX 78758 USA.
Note: Freight Damage Claims are invalid for fixtures shipped in non-factory boxes and packing materials.
Freight
All shipping will be paid by the purchaser. Items under warranty shall have return shipping paid by the manufacturer only in the Continental United States. Under no circumstances will freight collect shipments be accepted. Prepaid shipping does not include rush expediting such as air freight. Air freight can be sent customer collect in the continental United States.
REPAIR OR REPLACEMENT AS PROVIDED FOR UNDER THIS WARRANTY IS THE EXCLUSIVE REMEDY OF THE CONSUMER OTHER THAN THE LIMITED WARRANTY STATED ABOVE. HIGH END SYSTEMS, INC. MAKES NO WARRANTIES, EXPRESS OR IMPLIED, WITH RESPECT TO ANY PRODUCT, AND HIGH END SPECIFICALLY DISCLAIMS ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. HIGH END SHALL NOT BE LIABLE FOR ANY INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGE, INCLUDING LOST PROFITS, SUSTAINED OR INCURRED IN CONNECTION WITH ANY PRODUCT OR CAUSED BY PRODUCT DEFECTS OR THE PARTIAL OR TOTAL FAILURE OF ANY PRODUCT REGARDLESS OF THE FORM OF ACTION, WHETHER IN CONTRACT, TORT (INCLUDING NEGLIGENCE), STRICT LIABILITY OR OTHERWISE, AND WHETHER OR NOT SUCH DAMAGE WAS FORESEEN OR UNFORESEEN.
Warranty is v oid if the produ ct is misused, damaged, mod ified in any w ay, or for unauthorized repairs or parts. This warranty gives you specific legal rights, and you may also have other rights specific to your locality.

What You Should Know About Copyright

The following FAQ can help you understand copyright laws and how they apply to content used with the DL.2 fixture
By Suzy Vaughan Associates for High End Systems.
I want to use a film clip from “When Harry Met Sally” in a promotional piece advertising my services. What do I have to do to be able to do that?
First of all, you need to obtain permission to use the clip from its owners. The clip is considered intellectual property , j ust as though it we re your car or some softw are code dev eloped by and b elonging t o Microsoft. This is because the U.S. Copyright Act gave creators of literary works (which include books, films, television programs, art works, still photos and musical compositions and recordings) the right to sell or license these works and to make money from them for the period of the copyright.
But what about public domain material? I heard that lots of material is in the public domain and can be used for free.
Once the copyright runs out, the creative work falls into the public domain and can be used freely by anyone without payment or licensing. If the work is not public domain, it is considered literary property. The Copyright Act provides substantial penalties for copyright infringement ranging from $10,000 for accidental infringement to $250,000 for willful infringement. However, contrary to popular belief, there really is not that much material in the public domain so this approach will limit you creatively.
DL.2 Digital Light User Manual vii
What if I want to use a clip in a public performance? It's not being filmed or taped. Surely I don't need permission for that?
Public gatherings require clearance whenever copyrighted data is projected to audiences, or for any use other than just personal viewing. Concerts, trade shows, industrial shows, parties and raves are all examples of public performance and permission must be obtained.
Suppose I want to use a still photo or a magazine cover or a television clip? Do I have to obtain permission for them too?
Yes, they are also copyrighted works, whose owners must grant a license for their usage.
Do I need any other permissions to use this material?
In many cases you do. You may need to obtain permission to use the appearance of actors who appear in the clip as well as pay the writers and directors of the film that your clip comes from.
What about music? I hear you can use 8 bars for free. 8 bars for free is a fallacy that has been passed around as a fact for a long period of time. However, it isn't
true. Both musical compositions and records require licensing and payment.
What about High End Systems material included with the DL.2 fixture? Do I have to clear that?
No. High End Systems has worked to provide clearance for the content that is pr o vided with the DL.2 fixtu re. Any materials you received directly from HES with the purchase of a new DL.2 fixture have already been properly licensed for your use in shows and presentations. That does not, however, license you to sell this content separately from DL.2 fixture. Also, please be sure that any new content you obtain from outside sources is properly cleared for public presentation.
This sounds really difficult and I don't know how to do it? What do I do to properly license copyrighted material?
You need to consult with a Content Clearing House or with a properly licensed Intellectual Property Attorney. Content clearinghouses are typically less expensive to work with and have well established industry relations that can result in cost savings. High End Systems uses and highly recommends Suzy Vaughan Associates. Suzy Vaughan Associates has 20 years of e xperience in clear ing clips, talent, and music for use in any nu mber of venues. Their clients include Barbara Streisand, Michael Jackson, and The Emmys among other shows.
You can obtain more information about Suzy Vaughan Associates' services by calling 818-988-5599 or emailing info@suzyvaughan.com. Their website is www.suzyvaughan.com. Suzy Vaughan is also an attorney specializing in intellectual property issues.
How much does it typically cost to license copyrighted material? The answer depends entirely on what material you want to use and how you plan to use it. Prices can range
from hundreds of dollars for photography content to thou sands of dollars for a high ly desirab le film/video clip . Since price is content-sensitive, the best thing to do is to contact a clearinghouse like Suzy Vaughan Associates and let them find out for you.
viii DL.2 Digital Light User Manual

Table of Contentsii

DL.2 Digital Lightwith Collage™ Software..................................................ii
Contacting High End Systems® ......................................................................ii
Patents ...................................................................................................... iii
Declaration of Conformity ............................................................................. iv
Product Modification Warning .........................................................................v
FCC Information ...........................................................................................v
Important Safety Information .........................................................................v
Symbols ..................................................................................................... vi
Fog Machine Warning ................................................................................... vi
Packaged Media Notice: ................................................................................ vi
Warranty Information ................................................................................... vi
What You Should Know About Copyright .........................................................vii
Chapter 1: Product Overview
This chapter describes the features and specifications of the DL.2 fixture and the Content Management Application software.
Features ........................................................................................................ 1
System .......................................................................................................1
Graphics Engine ...........................................................................................2
Content Management Application ....................................................................2
Hardware ....................................................................................................3
Related Products and Optional Accessories ................................................... 4
Chapter 2: Setup and Configuration
Hardware setup includes mounting, connecting to power and Ethernet and DMX linking. Software setup includes launching the Content Management Application (CMA) and configuring the fixture for DMX control.
Hardware Setup ............................................................................................ 5
Unpacking the Fixture ...................................................................................5
Hardware Components ..................................................................................6
Connection Ports .......................................................................................6
Pan and Tilt Locking ...................................................................................7
Attaching a Power Cord Cap ...........................................................................7
Installing a Line Cord Cap - U.K. Only ..........................................................7
Vatic Fitter Heads Information - Danmark .....................................................7
Mounting the Fixture .....................................................................................8
Fog Machine Warning .................................................................................8
Mounting the Fixture Upright .......................................................................9
Truss Mounting .........................................................................................9
DL.2 Digital Light User Manual ix
Linking DL.2 Fixtures .................................................................................. 10
Setting up a Standard DMX Link ................................................................ 10
Setting up an Ethernet Fixture Link ............................................................ 11
Linking Configurations .............................................................................. 11
Powering On the Fixture .............................................................................. 12
Homing the Fixture .................................................................................. 13
The DL.2 Menu Display Panel .................................................................... 13
Software Setup ........................................................................................... 14
Installing and Launching the Content Management Application (CMA) ................ 14
Verifying and Upgrading Fixture and CMA Software ......................................... 15
Configuring DL.2 Fixtures ............................................................................ 16
Setup Configuration Using the Menu System ............................................... 16
Setup Configuration Using the CMA ............................................................ 17
DMX Control Setup ..................................................................................... 18
Patching the DL.2 Fixture to a Wholehog Console ......................................... 18
Viewing Output ....................................................................................... 18
Shutting Down the Fixture .......................................................................... 19
Recommended Shutdown Options ................................................................. 19
Placing Fixture in Road Case ....................................... .. .. ........................ .. .. .19
Chapter 3: The DL.2 Menu System
You can use the DL.2 fixture’s Menu System to configure the fixture, review diagnostic feedback, and view content information.
Menu Panel Components ............................................................................. 21
LCD Display Adjustment Buttons .................................................................. 22
LCD Display Power Button ........................................................................ 22
LCD Display Menu Options and Selection .................................................... 22
Navigating the Menu ................................................................................... 23
DL.2 Menu Options ...................................................................................... 24
Menu Screen Descriptions ........................................................................... 27
DMX Tab .................................................................................................. 27
DMX_Control Screen ............................................... ........................ ......... 27
DMX_Protocol Tab ................................................................................... 28
DMX_Protocol_Motion Screen .................................................................... 28
DMX_Protocol _Global Screen ................................................................... 28
DMX_Protocol _Obj Screens ...................................................................... 28
DMX_Raw Screen .................................................................................... 29
Set Tab ...................................... ............................................................... 30
Set_Fixture Screen .................................................................................. 30
Set_Projector Screen ............................................................................... 31
File Screen ................................................................................................ 32
x DL.2 Digital Light User Manual
Test Tab .................................................................................................... 33
Test_Home Screen ..................................................................................33
Test_Self Test Screen .............................................................................. 33
Info Tab .................................................................................................... 34
Info_Hours ............................................................................................. 34
Info_Version Screen ................................................................................ 34
Info_Status Tab ......................................................................................34
Reset Screen ............................................................................................. 35
Chapter 4: DMX Programming Basics and Quick Start
If you are new to DMX programing, this chapter will give you a brief overview on programming Axon and DL.2 media servers followed by a example of using a Wholehog console to patch and display output from an Axon or DL.2 media server.
DMX Programming Overview ...................................................................... 37
DMX512 Links .......................................... ........................ ........................ ..37
8-bit vs. 16-bit DMX Parameters ................................................................... 37
Determining a DMX Start Channel .................................................................38
DL.2 Protocol Levels ....................................................................................39
Axon Protocol Levels ...................................................................................40
Lighting Console Tips .................................................................................. 41
Fixture Libraries: ........................................................................................ 41
Patching DL.2 Fixtures and Axon Media Servers .............................................. 41
DMX Output Displays ..................................................................................41
Wholehog III Programming Notes .............................................................. 42
Play Speed ................................................................................................ 42
Mask Strobe .............................................................................................. 42
Play Modes (Opacity) ..................................................................................42
CMY ..........................................................................................................42
Control Channel Functions ...........................................................................42
Quick Start Axon and DL.2 Control with a Wholehog Console ...................... 43
Chapter 5: Tutorials
Five simple lessons get you started programming DL.2 and Axon media servers with a Wholehog 3 or other DMX console.
Fixture Set-up (DL.2 Media Servers) ....... .................................................... 45
Lesson 1: Cross Fading Between Graphic Objects ....................................... 46
Define Graphic Object 1 ........................................................................... 46
Add the DL.2 logo as Graphic Object 2 .......................................................46
Define Graphic Object 3 ........................................................................... 46
Create Crossfade Cues ............................................................................. 46
Lesson 2 - Working with Multiple Graphic Objects ...................................... 47
Apply Transparency Effects ...................................... .. .. ........................ ........47
DL.2 Digital Light User Manual xi
Lesson 3 - Girt, the Fire Breathing Lizard .................................................... 48
Define Graphic Object 1 .......................................................................... 48
Define Graphic Object 2 ........................................................................... 48
Define Graphic Object 3 ........................................................................... 49
Lesson 4: 3-D Objects, Rotation, Wobbulation, and Glow. ........................... 50
Define Graphic Object 1 ........................................................................... 50
Define Graphic Object 2 ........................................................................... 50
Adjust this effect with the Modifer paramet ers. ............................................ 51
Lesson 5: Viewpoint .................................................................................... 52
Define Graphic Object 1 ........................................................................... 52
Define Graphic Object 2 ........................................................................... 52
Define Graphic Object 3 ........................................................................... 52
Apply a Global Solarize Effect .................................................................... 53
Adjust Global Viewpoint Mode ................................................................... 53
Chapter 6: Graphics Engine Overview
DL.2 fixture’s and Axon Media servers both use the same graphic engine software to control content selection, playback, and 3-D Object and Global manipulation.
Axon Protocol Options ................................................................................ 55
Image Optimizing Controls ......................................................................... 55
Graphics Control Hierarchy ......................................................................... 56
Graphics Engine Function Flow ..................................................................... 57
Graphics Engine Functions .......................................................................... 58
Object Graphic Functions ............................................................................. 58
Global Functions ......................................................................................... 58
Making Graphics Effect Choices ................................................................... 58
Chapter 7: Graphic Functions: Defining Content
Each Graphic Object’s content is composed of a 3-D object overlaid with a media file. This chapter outlines how to select an image’s object and media file components as well as define the video segment and its playback.
Selecting Content ........................................................................................ 59
How Content is Organized ............................................................................ 59
Selecting Content ....................................................................................... 59
Content Selection Parameters ..................................................................... 60
Object .................. ...... .... .... .... ...... .... .... ... ...... .... .... ...... .... .... .... ...... .... .... .... 60
Media Folder .............................................................................................. 61
Media Folder Descriptions ......................................................................... 61
Media File .................................................................................................. 62
xii DL.2 Digital Light User Manual
Defining a Media File Segment .................................................................... 63
In Frame and Out Frame Parameters .............................................................63
Segment Selection Examples ........................................................................63
Defining Playback ....................................................................................... 64
Playback Mode ...........................................................................................64
Playback Speed .......................................................................................... 65
Chapter 8: Graphic Functions: Rotation, Position, Scale
You can independently control each Graphic Object’s rotation direction and speed; along with it’s position and scale in x, y, and z axis directions.
Rotating a 3-D Object .................................................................................. 67
Rotation Parameters ................................................................................... 69
X Rotation ................................................................................................. 69
Y Rotation .................................................................................................70
Z Rotation ................................................................................................. 71
Scaling the Object ....................................................................................... 72
X Scale .....................................................................................................72
Y Scale ......................................................................................................73
Z Scale .....................................................................................................74
Changing Object Position ...... ...................................................................... 75
X Position ..................................................................................................75
Y Position ..................................................................................................75
Z Position ..................................................................................................77
Chapter 9: Graphic Functions: Opacity and Effects
You can adjust opacity and apply a variety of color mixing and geometric effects to each individual Graphic Object.
Opacity ....................................................................................................... 79
Visual Mode ................................................................................................. 80
Visual Mode Options .................................................................................... 82
Color to B/W ..............................................................................................82
Content Optimization .................................................................................. 82
Chroma Shift ............................................................................................. 83
Drop Shadow ............................................................................................. 84
Exposure Control ........................................................................................ 85
Faux LED ...................................................................................................86
Faux Tile ...................................................................................................87
Film Roll ....................................................................................................88
Fire Gradient .............................................................................................. 88
Fuzzifier .................................................................................................... 89
Gray maker 1 .............................................................................................90
Gray maker 2 .............................................................................................91
DL.2 Digital Light User Manual xiii
Invert Black and White, Keep Color ............................................................... 92
Negative Art .............................................................................................. 93
Pan and Scan ............................................................................................. 94
Pixelate .............. .................... ................... .................... ...................... ...... 95
Posterizer .................................................................................................. 96
Push to Red ............................................................................................... 97
Push to Sepia ............................................................................................. 98
ShakeNBake .............................................................................................. 99
Texture Mixing ........................................................................................... 99
Zoom Blur ................................................................................................. 99
Effect 1 Mode and Effect 2 Mode ............................................................... 100
Chapter 10: Graphic Functions: Synchronizing Content
After designating a master fixture, you can synchronize the content of other Axon or DL.2 fixtures to any Object on the master in terms of playback time, rotation or both.
Synchronization Overview ........................................................................ 105
Fixture Identification .......................................... .. ........................ ..............105
Playback Timing ........................................................................................105
Synchronization Parameters ..................................................................... 106
Sync To ...................................................................................................106
Sync Mode ................................................................................................106
Chapter 11: Global Functions
Global Graphic controls affect the comp osite image created by defining two or three separate object graphics. You can adjust intensity, define masks, select a point in space to view the composite image, and control keystone correction.
Global Intensity ........................................................... .......... ................... 107
Global Effect Mode 1 and Effect Mode 2 .................................................... 108
Global Control ........................................................................................... 112
Shutdown and Reset Options ......................................................................112
Four-in-One Control Option .........................................................................112
On-Screen Frame Statistics .........................................................................113
Masking Control ........................................................................................ 114
Mask Shape Select and Strobing ..................................................................114
Mask Shapes .........................................................................................114
Strobing Mask Shapes .............................................................................114
Mask Size .................................................................................................115
Mask Edge Fade ........................................................................................116
Image Edge Fade ......................................................................................117
Keystone Correction Parameters ....... ......... ............................................... 118
X Ratio .................. .................................................................................... 119
xiv DL.2 Digital Light User Manual
Y Ratio ...................................................................................................... 119
Global Viewpoint Mode .............................................................................. 120
Perspective View, Spherical Coordinates ...................................................... 120
Perspective View, Cartesian Coordinates ...................................................... 120
Orthogonal View, Cartesian Coordinates ...................................................... 120
Viewpoint Position X ............. .................................................................... 121
Viewpoint Position Y ................................................................................. 121
Viewpoint Position Z (Zoom) ..................................................................... 121
Chapter 12: Global Functions: Collage Generator™ Effect
Using the Collage™ Generator effect option lets you configure multiple media server outputs to display a single image in arrays up to 8 x 8.
Panorama Collage™ Configurations ..................................... ...................... 124
Computing Collage Specifications ................................................................ 124
Example ............................................................................................... 124
Central Panorama Collage Specifications ................................................... 125
Horizontal Panorama Collage Specifications ............ ............................ ....... 126
Vertical Panoramas Collage Specifications ................................................. 128
Configuring the Collage Generator ............................................................ 131
Adjusting the Collage Array ........................................................................ 131
Collage Setup Example .............................................................................. 133
Mapping a Collage to a Spherical Surface .................................................. 134
Spherical Mapping Setup Guide .................................................................. 134
Before You Begin ................................................................................... 134
Mapping Two Outputs to a Sphere ........................................................... 134
Spherical Mapping Tips ........................................................................... 136
Creating Custom Content for the Collage Generator Effect ........................ 137
Collages Using Live S-Video Input ................................................ ............. 137
Chapter 13: Effect Mode Options Descriptions
Effects can be applied to the Media File content (texture) mapped onto a 3-D object. Multiple Color and Geometric options are available in Effect Mode parameters for both individual Graphic object and Global control.
Effect Mode Color Options ......................................................................... 140
All or Nothing ........................................................................................... 140
Background Color ..................................................................................... 140
Background Color Cycle ............................................................................. 140
Chromakey .............................................................................................. 141
Chromakey Coarse ................................................................................ 141
Chromakey Fine .................................................................................... 141
Chromakey Medium ............................................................................... 141
Modifier Parameters ............................................................................... 141
DL.2 Digital Light User Manual xv
Chromakey , Inverse .................................................................................142
Chromakey Coarse, Inverse .....................................................................142
Chromakey Fine, Inverse .........................................................................142
Chromakey Medium, Inverse ....................................................................142
Modifier Parameters ................................................................................142
CMY .......... ..................................................................................... .........143
CMY Add All Pixels .....................................................................................143
CMY Add Non-black Pixels ...........................................................................143
Color Cycle .......................................... .. ... ........................ ........................144
Color DeConverge .......................... .. ......................... .. ........................ .. ....144
Colorize Gray Scale ....................................................................................144
Color to Alpha ...................................... ......................... .. .. ........................145
Color to Alpha, Inverted .............................................................................145
DotP and Resample ....................................................................................145
Edge Fade Color ........................................................................................145
Glow ...................... .................... ..................... .................... ..................... 146
Glow Color Cycle .......................................................................................146
Intensity Key ............................................................................................146
Mask Color ...............................................................................................147
Mask Color and Edge Fade Color ..................................................................147
RGB Add, All Pixels ....................................................................................147
RGB Add2, All Pixels ..................................................................................148
RGB Add to Non-black Pixels .......................................................................148
RGB Invert ...............................................................................................148
RGB Invert and Swap to BRG ......................................................................149
RGB Invert and Swap to GBR ......................................................................149
RGB Scale ................................................................................................149
RGB Swap to BGR ......................................................................................150
RGB Swap to BRG ......................................................................................150
RGB Swap to GBR ......................................................................................150
RGB Swap to GRB ......................................................................................151
RGB Swap to RBG ......................................................................................151
Scan Line .................................................................................................151
Solarize ...................................................................................................152
Solarize 1 ..............................................................................................152
Solarize 2 ..............................................................................................152
Solarize 3 ..............................................................................................152
Solarize 4 ..............................................................................................152
Solid Color RGB .........................................................................................152
Geometric Effect Options .......................................................................... 153
Cartoon Edge ...........................................................................................153
Collage Generator ......................................................................................153
xvi DL.2 Digital Light User Manual
Chroma Shift ........................................................................................... 154
Curved Surface Support ....................... ......................... .. .. .. .. .................... 154
Downward Vertical Streaks ........................................................................ 156
Drop Shadow ........................................................................................... 157
Edge Detect Black and White ...................................................................... 157
Edge Detect Color ..................................................................................... 158
Faux LED ................................................................................................. 158
Faux Tile ................................................................................................. 159
Film Roll .................................................................................................. 159
Framing .................................................................................................. 160
Framing Shutter Emulation ..................................................................... 160
Fuzzifier .................................................................................................. 162
Gaussian Blur ........................................................................................... 162
Horizontal Mirror ...................................................................................... 163
Image Scale and Rotate ............................................................................ 163
Magnifying Lens ....................................................................................... 164
Magnifying Lens 2 ..................................................................................... 164
Mattes .................................................................................................... 165
Pan and Scan ........................................................................................... 167
Picture in Picture ...................................................................................... 167
Pixelate ................................................................................................... 168
Pixel Twist ............................................................................................... 168
Raindrop ................................................................................................. 168
ShakeNBake ............................................................................................ 169
Sinewave, Circular .................................................................................... 169
Sinewave, Circular w/X-axis Wobbulation .................................................. 169
Sinewave, Circular w/Y-axis Wobbulation .................................................. 169
Sinewave, Circular w/Z-axis Wobbulation .................................................. 169
Sinewave, Horizontal ................................................................................ 170
Sinewave, Horizontal w/X-axis Wobbulation .............................................. 170
Sinewave, Horizontal w/Y-axis Wobbulation .............................................. 170
Sinewave, Horizontal w/Z-axis Wobbulation .............................................. 170
Sinewave, Vertical ................................................................................... 170
Sinewave, Vertical w/X-axis Wobbulation .................................................. 170
Sinewave, Vertical w/Y-axis Wobbulation .................................................. 170
Sinewave, Vertical w/Z-axis Wobbulation .................................................. 170
Slats ....................................................................................................... 171
Vertical Slats ........................................................................................ 171
Horizontal Slats ..................................................................................... 171
DL.2 Digital Light User Manual xvii
Spherical Mapping .....................................................................................172
Spherical Mapping, Outside ......................................................................172
Spherical Mapping, Inside ........................................................................172
Modifier Parameter Adjustments ...............................................................172
Texture Mixing ..........................................................................................174
Texture Ripple, Asymmetrical Circular .........................................................175
Texture Ripple, Circular ..............................................................................175
Texture Ripple, Horizontal ...........................................................................176
Texture Ripple, Vertical ..............................................................................176
Tiling .......................................................................................................177
Transparent Wipes..................................................................................... 177
Zoom Blur ................................................................................................178
Chapter 14: Fixture Motion Functions
This chapter describes mechanical control for the DL.2 fixture with it’s internal
projector.
Pan and Tilt ............................................................................................... 179
Dimmer .................................................................................................... . 179
Focus ........................................................................................................ 179
Zoom ......................................................................................................... 179
MSpeed (Motor Speed) .............................................................................. 180
Control Function Options .......................................................................... 180
Fixture Operations .............................. .. .. ... ........................ ........................180
Projector Control .......................................................................................181
Control Parameter Projector Options .........................................................181
Using the Internal Projector’s Menu ..........................................................182
Chapter 15: Live Video Input and Control
The DL.2 graphics engine can receive video from an external source or its own
integrated digital video camera equipped with an infared illuminator to provide
a direct digital video feed option.
Live Video Sources .................................................................................... 183
Internal Camera ................................. .. .. ... ........................ .. .. ....................183
Other Video Sources ..................................................................................183
Live Video Connection Options .................................................................. 184
Configuring the Video Input Source .......................................................... 184
Sending the Camera Feed to Camera Out .................................................. 185
Controlling the Internal Camera Input ...................................................... 185
Camera Zoom ...........................................................................................185
Camera Focus ...........................................................................................185
IR Illuminator ...........................................................................................185
Camera Shutter ........................................................................................186
xviii DL.2 Digital Light User Manual
White Balance Mode ................................ .. .. ........................ .. .................... 186
Orientation .............................................................................................. 186
Camera Effects ......................................................................................... 186
Chapter 16: Content Management Application (CMA)
A Content Management Applicati on (CMA) running on an Axon media server or a computer connected through an Ethernet network gives you remote control of content, software and configuration management functions.
Launching the CMA ................................................................................... 188
Installing the CMA on Your Computer .......................................................... 188
Launching the CMA on Axon ....................................................................... 189
Auto Discovery ......................................................................................... 189
Fixture Identification ................................................................................. 190
The Management Client Window ............................................................... 190
Viewing Server Identification Information .................................................... 190
Client Window Content Organization ............................................................ 191
Preloaded Stock Content ........................................................................ 192
Custom User Content ............................................................................. 192
Media Files ........................................................................................... 192
3D Object Files ...................................................................................... 192
Viewing Server Configuration Data .............................................................. 192
Viewing Content ....................................................................................... 193
Viewing Folders ..................................................................................... 193
Viewing Files ......................................................................................... 193
Managing User Content ............................................. ................................ 194
Naming and Deleting User Content Files and Folders ..................................... 194
Assigning DMX Values to User Content ........................................................ 195
Assigning DMX Values Automatically ........................................................ 195
Editing User Content DMX Values ............................................................. 195
Valid DMX Values .................................................................................. 195
Moving User Content Files and Folders ......................................................... 196
Downloading Content from a Media Server to Your Local Drive .................... 197
Uploading Content from Your Local Drive to a Media Server ......................... 197
Moving Files Between Fixtures ................................................................. 198
Archiving User Content ............................................................................. 199
Using Local Archives to Prepare Content Offline ............................................ 199
Creating a Local Archive ............................................................................ 199
For CMA Running Windows XP ................................................................. 199
For CMA Running Mac OS 10.4 ................................................................ 200
Creating Content Backup Archive ................................................................ 200
Deploying a Content Archive ...................................................................... 200
Cloning User Content ................................................................................ 201
DL.2 Digital Light User Manual xix
Deleting Content ....................................................................................... 202
DMX Summary .......................................................................................... 202
Upgrading Software .................................................................................. 202
Verifying Software Versions ........................................................................202
Upgrading the CMA Software .......................................................................203
Upgrading Server Software .........................................................................203
Viewing and Editing Server Configuration ................................................. 204
Viewing Fixture Configuration Values ............................................................205
Editing Configuration Values .......................................................................205
Configuration Example ...............................................................................206
Configuration Options ................................................................................207
DL.2 Configuration Options ...................................................... ................207
Axon Configuration Options .....................................................................210
Chapter 17: Maintenance and Troubleshooting
This chapter includes information on replacing parts, cleaning the fixture, and
some basic troubleshooting procedures.
Pan and Tilt Locking .................................................................................. 211
Maintaining the Filtering System .............................................................. 212
Filter Warnings ..........................................................................................212
Cleaning and Replacing Filters .....................................................................212
Cleaning the Base Housing Filter ..............................................................213
Replacing the Fixture Filter ......................................................................213
Cleaning the Internal Projector Filter .........................................................214
Replacing the Lamp .................................................................................. 215
Replacing the Fuse .................................................................................... 216
Cleaning or Replacing the Front Window .................................................. 216
Replacing Motor Driver Boards .................................................................. 217
Fixture Head Driver Board ..........................................................................218
Replacing Fixture Base Driver Board .............................................................218
Troubleshooting ....................................................................................... . 219
Button Shortcut Commands ........................................................................219
Status Message Menu Display .....................................................................219
Button Action .........................................................................................220
Inactivity Timer ......................................................................................220
Supported Error/Warning Messages ..........................................................220
System State LEDs ....................................................................................221
Board LED States ......................................................................................222
General Troubleshooting Suggestions ...........................................................222
Frequently Asked Questions ........................................................................224
xx DL.2 Digital Light User Manual
Chapter 18: Restoring the System
You can perform a system restore on the Axon or DL.2 Server with your System Restore CD.
Hardware Requirements ........................................................................... 225
Performing the System Restore ................................................................ 225
Appendix A: DL.2 and Axon DMX Protocol
DL.2 fixtures and Axon Media Servers utilize the same DMX protocol except that DL.2 fixtures include channels for motion and camera control. This table describes the Standard, Dual and Single Protocol for DL.2 fixtures and Axon Media Servers.
Protocol Table ........................................................................................... 229
Appendix B: MSpeed Conversion Table
This table lists the MSpeed (motor) movement times and their corresponding DMX controller values.
Appendix C: Custom User Content
There are several considerations to keep in mind when creating custom content to control with the DL.2 graphics engine software.
Preparing Custom Content .................................................................... .... 289
Encoder Selection ..................................................................................... 289
Creating 3-D Objects ................................................................................. 290
Managing Custom Content ........................................................................ 290
Appendix D: DL.2 Specifications
Fixture mechanical, electrical, optical and component sp ecifications are listed.
Mechanical ................................................................................................ 291
Electrical Specifications ............................................................................ 292
Projector Specifications .......................... .................................................. 292
Camera Module Specification .................................................................... 292
Environmental Specifications .................................................................... 292
Cable and Connector Specifications ........................................................... 293
Video Connectors: .................................................................................... 293
Peripheral/Network Connectors: ................................................................. 293
DMX and RS-485 Projector Link .................................................................. 293
Appendix E: Safety Information
Appendice E: Importantes Informations Sur La Sécurité ................................. 296
Anhang E: Wichtige Hinweise Für Ihre Sicherheit .......................................... 297
Apéndice E: Información Importante De Seguridad ............ ........................... 298
Appendice E: Importanti Informazioni Di Sicurezza ....................................... 299
Vigtig Sikkerhedsinformation ...................................................................... 299
DL.2 Digital Light User Manual xxi
xxii DL.2 Digital Light User Manual
Chapter 1:
Product Overview
This chapter describes the features and specifications of the DL.2 fixture
and the Content Managemen t Ap plication software.
The DL.2 (Digital Light 2) fixture merges video projection and automated lighting technologies with a DMX controllable digital media server housed in a mo ving yoke fixture. The built- in 32-bit Graphics Engine utilizes Windows XP Embedded and DirectX application programming interface to provide extensive image control of up to three 3-D graphic objects.
DL.2 fixtures use DMX512 protocol to control hardware functions like pan, tilt, and zoom, as well as media control functions including loading images and movies and mapping them onto 3-D graphical objects. The internal graphics engine lets you manipulate position, scale, rotation, apply visual effects and color mix each graphic object . You can create and control up to three of these objects and then apply global effects to the com p osite image.
The DL.2 fixture provides a fully equipped internal digital camera and IR illuminator to input live video to its own graphic engine or to another DL.2 fixture or device. While combining camera and light from the same source to allow a unique point of view, the camera also features optical and digital zoom, frame rate and invert effects as well as freeze frame, color negative and grayscale conversion effects. The ability to point the camera at it’s own projection combined with adjustable zoom creates unique realtime video feedback and “hall of mirrors” effects. The IR illuminator allows visibility, focusing, and fading in blackout situations.
The Content Management Application (CMA) runs on your workstation or laptop computer and communicates with DL.2 fixtures over an Ethernet network. The CMA lets you remotely upload, move and clone content files, configure fixtures, and upgrade software.

Features

System

• DL.2 software based on Windows XP Embedded and DirectX technology
• Powerful Content Management and Configuration software can remotely ma nage multiple DL.2 fixtures
• Integrated Sony camera with Super HAD technology and infrared illuminator provides live video input and output from fixture location
• Supports importing of custom content including: 3 D objects, media files, still images
• DMX512 and Art-Net support
• Remote software upgrade capability
• Royalty-free stock digital art collection features over 1000 lighting-optimized files
DL.2 Digital Light User Manual 1
CHAPTER 1 Product Overview
• RGBHV and S-Video connections accept a wide range of media device inputs
• Collage™ software included with graphics engine

Graphics Engine

• Simultaneous playback of three discrete media streams on separate 2D/3D objects
• Image Optimizing Controls let you adjust both Black Level and Contrast for each cue and for each image
• 30 Object parameters give you graphic controls for each individual media stream including: — A choice of multiple play modes and play speeds
— The ability to define any segment of a video loop including Scrub capability — Multiple color mixing and visual effects that can be combined any way you choose — Variable Opacity to allow for crossfading or dissolves between media streams — Full control of image Rotation, Positioning and Scaling on X, Y and Z axes — Visual Modes that let you control black level and contrast to optimize content — Video input or camera capture you can apply to 2d/3d objects
• 35 Global parameters provide graphic controls to the composite image created by up to 3 media streams
— Collage Generator™ technology configures multiple media server outputs to display a
single image in arrays up to 8 x 8.
— Curved Surface Support corrects for shape distortions that occur when you project onto
surfaces that aren’t flat. — Intensity overlays the opacity control to provide system-wide intensity level — Overall image Color Mixing applied to composite media stream image — Color Effects including edge colors allow for combined image color mixing — Multiple Mask selections with edge fading and strobe effects — Edge fading for creating montages — Keystone correction on output projection — Viewpoint controls provide ability to c hange viewing angle/perspective on images
• Multiple modes for synchronizing content playback on multiple media servers linked through an Ethernet network.

Content Management Application

• Available for Windows and Mac operating systems
• Communicates with other Axon and DL.2 media servers over an Ethernet network
• Uploads and downloads custom digital content to DL.2 fixtures
• Configures Axon and DL.2 media servers
• Updates software including content, applications, and operating system to Axon and DL.2 media servers.
2 DL.2 Digital Light User Manual
CHAPTER 1
Product Overview

Hardware

• 17 Motion Parameters for mechanical fixture control include: — Mechanical Iris adjustment to full black-out
— 400-degree Pan and 240-degree Tilt movement — DMX control of projector zoom and focus — DMX control of camera functions
• Integrated digital camera feeds digital video capture directly into the graphic engine that provides:
— Optical + digital zoom to increase image up to 216× — Options for 1-30 frame captures / sec — Vertical and/or Horizontal image inversion — Black and White, Color Negative and Freeze Frame effects — White Balance including Red and Blue gain control
• Infrared illuminator allows video capture even in blackout settings
• Remote video input and output switching let you select live video from external source including another DL.2 fixture's camera feed.
• Full color display and menu functions
• Powered by a 3.2GHZ Pentium 4 HT processor with an ATI X850XT Graphics Processor
• Gigabit Ethernet for fast content uploading and multiple fixture synchronization
• Mounting system provides multiple or ientation options
DL.2 Digital Light User Manual 3
CHAPTER 1 Product Overview

Related Products and Optional Accessories

The following table lists related products and accessories a vailable for the DL.2 f ixture. For more
information, contact your High End Systems dealer/distributor (see
Systems® on page ii.)
Part Description Part Number
Replacement lamp 55030070 Replacement Filter, fixture head 80260014 Replacement Filter, Projector Lamp Small 80260018 Replacement Filter, Projector Lamp Large 80260017 5-amp, slow-blow fuse 90403012 Front window 80530074 Wholehog 3 lighting console 61020001 Hog iPC lighting console 74020001 Galvanized safety cable 12040001 Mega-Claw clamp 67040007 Male 5-pin DMX terminator 90404039 Heavy duty 5-pin XLR cable (10’) 55050017 Heavy duty 5-pin XLR cable (25’) 55050018 Heavy duty 5-pin XLR cable (50’) 55050019 Heavy duty 5-pin XLR cable (100’) 55050020
Contacting High End
4 DL.2 Digital Light User Manual
Chapter 2:
Setup and Configuration
Hardware setup includes mounting, connecting to power and Ethernet and DMX linking. Software setup includes launching the Content Management Application (CMA) and configuring the fixtur e for DMX control.

Hardware Setup

The following steps make up the hardware setup for DL.2 fixtures:
1. Unpack DL.2 Media Server.
2. Install power cord cap if necessary for your location
3. Mount the fixture upright or suspended from a standard truss.
4. Connect to an Ethernet network linked to a computer or an Axon media server running CMA software, and any other DL.2 or Axon units you wish to control via the CMA.
5. Connect the fixture to a DMX controller via DMX cabling or an Art-Net box on the Ethernet network.
6. Connect the fixture to power.

Unpacking the Fixture

Your DL.2 fixture ships in a road case specifically designed to protect the product during transport. When unpacking, inspect both the outside of the fixture and the projector for physical damage to components.
Your DL.2 fixture ships with the following:
• One DL.2 fixture in road case
• Two mounting brackets
• One safety cable
• Documentation CD that contains — CMA application — User Manual in .pdf format — Fixture software — Recovery software image
High End Systems® assumes no responsi bil it y for products that are damaged during transport. Return a product for repair in its road case.
Before sending anything to the factory, call your High End Systems dealer/distributor for a Return Material Authorization (RMA) number. The factory cannot accept any goods shipped without an RMA number.
DL.2 Digital Light User Manual 5
CHAPTER 2 Setup and Configuration

Hardware Components

Connection Ports
The DL.2 fixture’s back panel provides ports for:
• 5-pin DMX Data In and Data Out (see Setting up a Standard DMX Link on page 10 for more information)
• Ethernet to connect to other DL.2 fixtures and your computer running the Content Management Application (CMA) software on a fixture link (see Setting up an Ethernet Fixture Link on page 11).
•Two USB ports for connecting peripheral drives to assist with troubleshooting
• RGBHV, VGA and S-Video In options for video input.
• Camera Out provides S-Video output from the internal camera to another DL.2 fixture or other external video output device.
100-120 V; 50-60Hz; 7A
200-240 V; 50-60Hz; 3.5 A
S-Video Output to another DL.2
fixture
Two USB ports for peripherals including hard drives
USB 1
USB 2
S-Video In
Receive LED
indicates DMX data coming in
Transmit LED indicates DMX data going out
5-pin DMX512
Data In and Data Out
VGA Input for
external source
Link LED indicates
hardware connection via Ethernet
Activity LED indicates CMA connection
Ethernet port to
connect DL.2 fixtures
to fixture link and a computer running the CMA
RGBHV input for external video source.
CAUTION: To avoid damaging the fixture and voiding the warranty, do not physically connect to the RGBHV and VGA inputs at the same time.
6 DL.2 Digital Light User Manual
Setup and Configuration
]
[
CHAPTER 2
Pan and Tilt Locking
The DL.2 fixture ships with pan and tilt latches locked. You can unlock/adjust these latches to stabilize the fixture for mounting.
]][
[[]
Tilt Lock
Pan Lock

Attaching a Power Cord Cap

The DL.2 fixture ships with an SJT power cord. Use the information in this section to replace the power cord cap for locations with another electrical standard.
Because of the variety of power co rd caps used worldwide, High End Sys tems, Inc. can not make specific recommendations for the power cord cap. Contact a local authority for the type of power cord cap needed. When installing the power cord cap, note that the cores in the mains lead are colored according to the following code:
• green and yellow = earth
• blue = neutral
• brown = live
Installing a Line Cord Cap - U.K. Only
In the United Kingdom, core colours in the mains lead of this equipment may not correspond with the colored markings identifying the terminals in the fixture’s plug. In that case, install a line cord cap in accordance with the following code:
• Connect the green and yellow core to the plug terminal marked with the letter “E,” or by the earth symbol
or coloured green, or green and yellow.
• Connect the blue core to the terminal marked with the letter “N” or coloured black.
• Connect the brown core to the terminal marked with the letter “L” or coloured red.
WARNING: Class 1 equipment - This equipment must be earthed.
Vatic Fitter Heads Information - Danmark
Advarsel: Beskyttelse mod elektrisk chock. Vigtigt! Lederne med gul/groen isolation maa kun tilsluttes en klem me maerket
DL.2 Digital Light User Manual 7
eller
CHAPTER 2 Setup and Configuration

Mounting the Fixture

You can mount DL.2 fixtures suspended from a support system (such as a truss) or freestanding on its base.
WARNING! Equipment suitable for dry locations only. Do not expose this equipment to rain or moisture.
CAUTION! Always use a secondary safety cable when mounting this fixture.
Maintain a minimum focus distance of 1.4 meters from a
1.4 m
combustible object.
Do not mount on a flammable surface.
Note: Due to the wide variety of possible lighting designs, High End
Systems cannot make specific mounting recommendations. Consider the following procedure as a suggested guideline only.
Fog Machine Warning
Like all high quality video projection units, the DL.2 fixture must be kept protected from excessive amounts of glycol fog, mineral oil, and smoke. DL.2 incorporates a two-stage air filtering system with additional washable prefilters in the head and base housing to reduce these risks to a minimum. However, you must follow these guidelines to ensure continued operation of the fixture:
• Air filters (both fixture and projector) should be checked and cleaned on a regular basis. When used in a closed or fixed environment where fog or haze is used, we recommend at least a weekly check.
• Do not situate DL.2 in areas of high fog density such as directly in front of a fog machine or mineral oil hazer.
• Minimize the exposure of DL.2 to both glycol fog and mineral oil.
DL.2 is a highly complex and sensitive electro-optical device and care and thought in how it is used, rigged, and positioned will maximize the product’s life and your investment.
Note: Failure to follow these guidelines and carr y ou t regul ar ma in tenance
will void the warranty.
8 DL.2 Digital Light User Manual
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