High End Systems CATALYST, CATALYST DV, CATALYST Pro, CATALYST Xpress User Manual

MEDIA SERVER
User Manual
Software Version 3.3
Patents
This product may use one or more of the following patents:
US 4,392,187; US 4,602,321; US 4,688,161; US 4,701,833; US 4,709,311; US 4,779,176; US 4,800,474; US 4,962,687; US 4,972,306; US 4,980,806; US 5,010,459; US 5,031,078; US 5,073,847; US 5,078,039; US 5,186,536; US 5,209,560; US 5,278,742; US 5,282,121; US 5,307,295; US 5,329,431; US 5,331,822; US 5,367,444; US 5,402,326; US 5,430,629; US 5,432,691; US 5,454,477; US 5,455,748; US 5,506,762; US 5,515,254; US 5,537,303; US 5,545,951; US 5,580,164; US 5,590,954; US 5,590,955; US 5,640,061; US 5,647,662; US 5,665,305; US 5,691,886; US 5,728,994; US 5,758,955; US 5,758,956; US 5,769,527; US 5,774,273; US 5,798,619; US 5,806,951; US 5,823,661; US 5,825,548; US 5,828,485; US 5,829,868; US 5,857,768; US 5,882,107; US 5,934,794; US 5,940,204; US 5,945,786; US 5,953,152; US 5,980,066; US 6,048,080; US 6,327,103; US 6,048,081; US 6,057,958; US 6,054,816; US 6,126,288; US 6,142,652; US 6,172,822; US 6,188,933; US 6,208,087; US 6,219,093; US 6,220,730; US 6,241,366; US 6,255,787; US 6,256,136; US 6,278,542; US 6,288,828; US 6,327,103; US 6,421,165; US 6,430,934; US 6,466,357; US 6,502,961; US D347,113; US D350,408; US D359,574; US D360,404; US D365,165; US D366,712; US D370,080; US D372,550; US D377,338; US D381,740; US D409,771; US 6693392; US 6719433; EP 0662275; EP 0767398; DE 621495; DE 655144; DE 797503; EP 0475082; GB 2 043 769 B; GB 2 055 842 B; GB 2 283 808 B; GB 2 290 134 B; GB 2 291 814 B; GB 2 292 530 B; GB 2 292 896 B; GB 2 294 909 B; GB 2 295 058 B; GB 2 303 203 B; GB 2 306 887 B; GB 2 307 036 B; GB 2 316 477 B; MR0862-1996; M9,604,224.9
Media Server
®
User Manual
Copyright ©2004 High End Systems, Inc. All rights reserved.
Information and specifications in this document are subject to change without notice. High End Systems, Inc. assumes no responsibility or liability for any errors or inaccuracies that may appear in this manual.
Trademarks used in this text: High End Systems, Catalyst, the Catalyst Logo, Wholehog III, and LithoPatterns are registered trademarks; and Talkback, the High globe logo, and the Hog logo are trademarks of High End Systems, Inc. or
End Systems Europe Ltd. Belden is a registered trademark of Belden, Inc. Apple,
High Final Cut Pro, Finder, FireWire, Mac, Mac OS, MacPaint, PowerMac, and QuickTime are trademarks of Apple Computer, Inc., registered in the United States and other countries. Adobe, Photoshop, and Premiere are registered trademarks of Adobe Systems, Inc. Extron is a registered trademark of Extron Electronics. Leitch is a registered trademark of Leitch Technology Corporation. Sony is a registered trademark of Sony. Radeon is a registered trademarks of ATI Corporation in the United States and /or other countries. Macromedia is a registered trademark and Flash is a trademark of Macromedia, Inc. ETL and C-ETL are registered trademarks of Intertek Testing Services. Omega Deck is a trademark of Fast Forward Video, Inc. Artnet is a trademark of Artistic Licence Ltd .
End Systems
Other trademarks and trade names may be used in this document to refer to either the entities claiming the marks and names or their products. High End Systems disclaims any proprietary interest in trademarks and trade names owned by others.
Catalyst Media Server User Manual Revision 2.0 Printed in the USA: 15 January 2006
Catalyst® V3 Media Server User Manual i
1
Contacting High End Systems
US and the Americas
Sales Department: High End Systems, Inc.
2105 Gracy Farms Lane Austin, TX 78758 USA voice: 512.836.2242 fax: 512.837.5290
Customer Service: High End Systems, Inc.
2105 Gracy Farms Lane Austin, TX 78758 USA voice: 800.890.8989 24-hour fax: 512.834.9195 24-hour voice mail: 512.837.3063 or 800.890.8989
U.S. New York High End Systems, Inc. New York
311 W. 43rd Street New York, NY 10036 voice: 210.957.6840 fax: 212.957.4466
U.S. Los Angeles: High End Systems, Inc.
8200 Haskell Avenue Van Nuys, CA 91406 US voice: 818.947.0550 fax: 818.908.8975
®
Europe Headquarters: High End Systems Europe LTD.
53 Northfield Road London W13 voice: +44 20.8579.5665 fax: +44 20.8579.8469
Asia: High End Systems Singapore Pte. Ltd.
1 Tannery Road 06-05 Cencon 1 Singapore 1334 voice: +65 6742 8266 FAX: +65 6743 9322
World Wide Web: http://www.highend.com
ii Catalyst® V3 Media Server User Manual
Declaration of Conformity
according to ISO/IEC Guide 22 and EN45104
Manufacturer's name: High End Systems
2105 Gracy Farms Lane Austin, TX, 78758 USA
Distributor's name: High End Systems, Inc.
Distributor's address: 2105 Gracy Farms Lane
Austin, TX, 78758 USA
Declares that the product: Product Name: Catalyst Product Number: All Product Options: All
Conforms to the following EEC directives: 73/23/EEC, as amended by 93/68/EEC 89/336/EEC, as amended by 92/31/EEC and 93/68/EEC
Equipment referred to in this declaration of conformity was first manufactured in compliance with the following standards in 2002:
Catalyst Interface Box
EMC: EN55103-1:1996 (E2)
EN55103-2:1996 (E2)
Safety: EN60950:2000
I, the undersigned, hereby declare that the equipment specified above conforms to the above Directives and Standards.
Kenneth Hansen
22 June 2003
Catalyst® V3 Media Server User Manual iii
1
Important Safety Information
Instructions pertaining to continued protection against fire, electric shock, and injury to persons are found in Appendix D. Please read all instructions prior to assembling, mounting, and operating this equipment.
Important: Informations De Sécurité. Les instructions se rapportant à la
protection permanente contre les incendies, l’électrocution, excessif et aux blessures corporelles se trouvent dans l’Annexe D. Veuillez lire toutes les instructions avant d’assembler, de monter ou d’utiliser cet équipement.
Wichtige Sicherheitshinweise. Sicherheitsanleitungen zum Schutz gegen Feuer,
elektrischen Schlag, und Verletzung von Personen finden Sie in Anhang D. Vor der Montage, dem Zusammenbau und der Intbetriebnahme dieses Geräts alle Anleitungen sorgfältig durchlesen.
Informazioni Importanti Di Sicurezza. Le istruzioni sulla protezione da incendi,
folgorazione, e infortuni sono contenute nell’appendice D. Si prega di leggere tutte le istruzioni prima di assemblare, montare e azionare l’apparecchiatura.
Informacion Importante De Seguridad. En el Apéndice D se encuentran
instrucciones sobre protección continua contra incendios, descarga eléctrica, y lesiones personales. Lea, por favor, todas las instrucciones antes del ensamblaje, montaje y operación de este equipo.
Warning Labels
The following international caution and warning symbols appear throughout this manual to highlight messages.
CAUTION! This symbol appears adjacent to Caution messages. Not heeding these messages could result in personal injury or damage to the equipment.
WARNING! This symbol appears adjacent to high voltage warning messages. Not heeding these messages could result in serious personal injury.
iv Catalyst® V3 Media Server User Manual
Introduction
The High End Systems Catalyst® Media Server utilizes Catalyst software to allow simultaneous preview and play back of multiple still images or movie files. Catalyst software add effects such as crossfading (dissolves), montages, masking, strobing, color changes, and 3D geometry—all rendered in real time. The resulting composite image can be triggered from a lighting console using DMX-512 protocol; or, in the case of user­defined Presets, with a computer keyboard, mouse or touchscreen.
The Media Server plays many types of content—Quicktime video files, JPEG and GIF still images, and any other industry-standard format supported by Apple’s Quicktime player. The Catalyst system package includes a wide variety of still and movie files. In addition, custom content can be easily added to the system. Independent video signals can be sent to LED walls, DL1 digital lights, or digital media projectors, each controlled and operated independently.
Catalyst Media Servers are available in a turnkey system with fully configured hardware and software. Information on configuring a hardware system to run Catalyst software only projects can be found in the Digital Lighting Support section of the High End Systems website.
Catalyst Software Versions
High End Systems currently offers three Catalyst Media Server software products.
Catalyst Pro offers eight layers with two video feeds from one server.
Catalyst DV is a single digital output solution with five cross-fadable layers.
Catalyst Xpress is a software only product with 2 movie layers, 1 mask layer and a single output.
Choosing the right version of Catalyst software will depend on the number of layers, inputs and outputs you will need and your performance requirements.
The following matrix compares each version’s feature set.
Feature Pro * DV ** Xpress**
Dual Output Yes No No
Single Output Yes Yes Yes
Total number of layers 8 5 3
Movie Playback layers 4 4 2
Video Inputs 2 2 1
Catalyst® V3 Media Server User Manual v
Introduction
Feature Pro * DV ** Xpress**
MIDI Show Control Input Yes Yes Yes
Serial Control Devices 4 3 0
RS422 Control Devices 3 2 0
MIDI Timecode Input Yes Yes No
Presets Yes Yes Yes
Movie Audio Support Yes Yes Yes
Turnkey or Software Only Version Both Both Software only
* The Pro version of Catalyst software can, in theory, play 8 movies back
simultaneously if you have the appropriate hard drive array. Some hardware configurations can affect performance for multiple layer playback. For example, a Catalyst server running on a Dual 2.0 GHz G5 with all stock media served on an Atlas IV 10,000 RPM SCSI drive can generally playback a maximum of four simultaneous movies at PAL or NTSC resolutions and framerates, or fewer at higher resolutions. The additional layers can still be used effectively for masks, video input, images/gobos or for pre-loading movies.
** Catalyst DV and Xpress have one output that can mix layers and one that
can display only the separate layers with or without FX layout. DV and Xpress also contain a non-movie layer that can serve as a 'mask' layer, which can play still images, 'gobos', or movie frames only. Pro does not contain such a layer.
Product specifications are subject to change without notice.
This Manual
This Manual describes and illustrates all the features in Catalyst Pro Media Server turnkey system running Catalyst Version 3.3. If you are using another Software version, some of the features described in this manual may not be available. Support pages with manual downloads are available for previous versions at the High End Systems website: (http://www.highend.com/support/digital_lighting)
vi Catalyst® V3 Media Server User Manual
Table of Contents
Contacting High End Systems® ........................................................................................ii
Important Safety Information ..........................................................................................iv
Warning Labels .................................................................................................................iv
Introduction ....................................................................................................... v
Catalyst Software Versions ............................................................................................... v
This Manual ....................................................................................................................... vi
Chapter 1: System Overview ...........................................................................1
Selecting Media for Playback ............................................................................................2
Working with Layers ..........................................................................................................2
Software Security ...............................................................................................................2
Chapter 2: QuickStart ......................................................................................3
Media Server Setup ............................................................................................................ 3
Unpacking the Roadcase ............................................................................................... 3
Inspecting Your Catalyst Media Server ........................................................................3
Setting up the Server Rack ............................................................................................4
Hardware Connections ...................................................................................................... 5
Connecting Preview Monitors and Outputs .................................................................5
Catalyst Pro Dual Output Versions ...........................................................................5
Catalyst DV Single Output Versions ......................................................................... 6
Connecting the Media Server to a DMX-512 Link ....................................................... 6
Catalyst Software Application Setup ................................................................................ 7
Configuring the Catalyst Software ................................................................................8
Choose Output Options .............................................................................................. 8
Set DMX Start Channels for Layers .........................................................................8
Projecting Images Using Full Screen Mode .................................................................9
System Shutdown .............................................................................................................. 9
Chapter 3: Tutorials ........................................................................................11
Lesson 1: Still Logo on Moving Background .................................................................11
Set up Layer 1 ...............................................................................................................11
Add the Logo .................................................................................................................12
Turn Layer 2 Background Transparent ......................................................................12
Lesson 2: Crossfading Between Layers ..........................................................................13
Set Up First Cue ........................................................................................................... 13
Setup the Second Cue and Playback .......................................................................... 14
Catalyst® Media Server User Manual vii
Table of Contents
Lesson 3: Image Color and Scale ................................................................................... 15
Set up Layer 1 .............................................................................................................. 15
Set Layer 1 Rotation, Position, and Scale .................................................................. 15
Playback .......................................................................................................................16
Lesson 4: Trails ................................................................................................................ 17
Understanding Trails ................................................................................................... 17
Applying Trails to Layer 1 ........................................................................................... 17
Adding Trails to Layer 2 .............................................................................................. 18
Lesson 5: Shutters ........................................................................................................... 19
Understanding Shutters .............................................................................................. 19
Set up Layer 1 .............................................................................................................. 19
Add Shutters with Layer 2 ........................................................................................... 19
Chapter 4: Windows Menus ..........................................................................21
The Catalyst Interface ..................................................................................................... 21
Selection Tools ................................................................................................................. 21
Catalyst Control Window ................................................................................................ 22
Components ................................................................................................................. 22
CIB Panel ......................................................................................................................23
Output Control(s) ......................................................................................................... 23
Layer Panel ................................................................................................................... 24
DMX In Panel ............................................................................................................... 25
Video Input ................................................................................................................... 25
Sound Input .................................................................................................................. 25
Custom Serial Inputs ................................................................................................... 26
Library Window ............................................................................................................... 27
Files Tab ....................................................................................................................... 27
Folders Tab ................................................................................................................... 28
Color FX Tab ................................................................................................................ 30
Geometry FX Tab ......................................................................................................... 30
Presets Tab ....................................................................................................................... 31
Output Windows .............................................................................................................. 32
Chapter 5: Output Displays ...........................................................................33
DV1 Video Distribution Amplifier .................................................................................. 33
Catalyst Interface Box (CIB) ........................................................................................... 33
Configuring Output Displays .......................................................................................... 34
Output Configurations .................................................................................................... 36
Single Output with Redundant Monitor ..................................................................... 36
Dual Output Device With Preview Monitor ............................................................... 37
Dual Outputs with Emulation Monitors ..................................................................... 38
Dual Outputs with DL1 Dimming Control ................................................................. 39
viii Catalyst® Media Server User Manual
Table of Contents
Dual Outputs Widescreen Layers ................................................................................40
Chapter 6: Media Playback ............................................................................41
Libraries and Files ............................................................................................................41
Preloaded Library Folders ........................................................................................... 41
Referencing Content with the Use Layer ................................................................ 42
In Frame and Out Frame ............................................................................................. 42
Video Playback .................................................................................................................43
Play Mode ..................................................................................................................... 43
Playback Speed ................................................................................................................ 45
Chapter 7: Movement and Size .....................................................................47
X, Y, and Z Rotation .........................................................................................................47
X Position .........................................................................................................................49
Y Position .......................................................................................................................... 50
Scale .................................................................................................................................. 51
Image Movement Time ....................................................................................................52
Aspect Ratio ...................................................................................................................... 53
Chapter 8: Intensity and Color ......................................................................55
Intensity ............................................................................................................................55
Red, Green, and Blue .......................................................................................................56
Color Effects ..................................................................................................................... 57
0 RGB Subtract .............................................................................................................57
1 RGB Subtract High Contrast ....................................................................................58
2 RGB Subtract V High Contrast .................................................................................58
3 Transparent Blacks ................................................................................................... 59
4 Transparent Whites ................................................................................................... 60
10 RGB Subtract Inverted Color ..................................................................................61
11 RGB Subtract High Contrast Inverted Color .........................................................61
12 RGB Subtract Super High Contrast Inverted Color ..............................................62
13 Invert Whatever .......................................................................................................62
14 RGB Subtract Inverted Color CMY ........................................................................63
15 RGB Subtract High Contrast Inverted Color CMY ............................................... 63
16 RGB Subtract Super High Contrast Inverted Color CMY .................................... 64
20 Black and White ...................................................................................................... 64
21 Black and White High Contrast ..............................................................................65
22 Black and White Super High Contrast ................................................................... 65
23 Black and White Variable Super High Contrast ...................................................66
24 Invert Black and White ...........................................................................................66
30 Mask .........................................................................................................................67
31 Invert Mask 1 ...........................................................................................................67
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Table of Contents
32 Invert Mask 2 .......................................................................................................... 68
35 Mask Fading ............................................................................................................ 68
36 Invert Mask 1 Fading .............................................................................................. 68
37 Invert Mask 2 Fading .............................................................................................. 68
40 Alpha Invert as Red ................................................................................................ 69
41 Alpha Invert as Green ............................................................................................. 69
42 Alpha Invert as Blue ............................................................................................... 70
43 Alpha Invert as Color .............................................................................................. 70
44 Alpha as Red ........................................................................................................... 71
45 Alpha as Green ........................................................................................................ 71
46 Alpha as Blue .......................................................................................................... 72
47 Alpha as Color ......................................................................................................... 72
50 Lookup 1 Color Wheel ............................................................................................ 73
51 Lookup 2 False Color .............................................................................................. 73
52 Lookup 3 Black and White Solarize Highlights .................................................... 74
60 Gamma Black and White ........................................................................................ 74
61 Gamma Color .......................................................................................................... 75
62 Gamma Color Separate Channels ......................................................................... 76
63 Gain Color Separate Channels ............................................................................... 77
65 Quantize Color Separate Channels ....................................................................... 78
70 Convert to YUV ....................................................................................................... 79
71 Saturation ................................................................................................................ 79
72 Mega Saturation ...................................................................................................... 80
73 Solarize ....................................................................................................................80
74 Solarize Invert ......................................................................................................... 81
80 RGB Layer Blend 1 ................................................................................................. 81
81 RGB Layer Blend 2 ................................................................................................. 82
82 RGB Layer Blend 3 ................................................................................................. 82
83 RGB Layer Blend 4 ................................................................................................. 83
84 RGB Layer Blend 5 ................................................................................................. 83
85 RGB Layer Blend 6 Add .......................................................................................... 84
86 RGB Layer Blend 7 Subtract .................................................................................. 84
89 RGB Layer Blend 10 Maximum ............................................................................. 85
90 RGB Layer Blend 11 Add 2 ..................................................................................... 85
100 Tint ......................................................................................................................... 86
101 Tint Inverse ........................................................................................................... 86
102 Fade to Hue ........................................................................................................... 87
103 RGB > GBR ........................................................................................................... 87
104 RGB > BGR ........................................................................................................... 88
105 RGB > GRB ........................................................................................................... 88
Chapter 9: Strobing and Trails ...................................................................... 89
Strobing ............................................................................................................................ 89
Trails ................................................................................................................................. 90
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Chapter 10: Visual Effects .............................................................................91
0 Movie on Non-Infinite Plane ..................................................................................... 91
1 Movie on Infinite Plane with Black Border ............................................................. 92
2 Movie Unity Scaling .................................................................................................. 93
4 Full Screen ................................................................................................................. 93
5 Movie Keystone 1 ...................................................................................................... 94
9 Setup Image Keystone 1 ........................................................................................... 95
10 Movie on Sphere Filled ........................................................................................... 95
11 Movie on Sphere Wireframe ................................................................................... 96
12 Movie on Sphere Points .......................................................................................... 96
13 Movie on Sphere Lit ................................................................................................ 97
14 Movie on Disc Filled ................................................................................................97
15 Movie on Disc Wireframe .......................................................................................98
16 Movie on Disc Points ...............................................................................................98
17 Movie on Disc Silhouette ........................................................................................99
20 Movie on Kaleidoscope ........................................................................................... 99
21 Movie on Magic Lantern .......................................................................................100
22 Movie Stretched .....................................................................................................101
23 Movie Panorama Slices ......................................................................................... 102
24 Movie on Magic Lantern 2 ....................................................................................103
30 Movie on Cube 4 Sides ..........................................................................................104
31 Movie on Cube 6 Sides ..........................................................................................104
32 Movie on Colored Cube 6 Sides ........................................................................... 105
33 Movies First Four Layers on Cube .......................................................................105
40 Movie on NxN Simultaneous ................................................................................ 106
41 Movie on NxN Simultaneous Random Color ...................................................... 107
42 Movie on NxN Consecutive .................................................................................. 107
43 Movie on NxN Consecutive Random Color .........................................................107
44 Movie on NxN Consecutive Random Frame ....................................................... 107
45 Movie on Random Flicker .....................................................................................108
46 Movie on Random Color Flicker ..........................................................................108
60 Rectangle Shuttered .............................................................................................. 109
61 Rectangle Graduated Color Shuttered ................................................................. 110
62 N Sided Shape Shuttered Black ........................................................................... 111
70 Shutter Shuttered Black ........................................................................................ 112
71 Shutter Shuttered Color ........................................................................................113
72 Iris Shutter Black ...................................................................................................114
100 Movie on Teapot Filled .......................................................................................115
120 Colored Sphere .................................................................................................... 115
123 Spectrograph ....................................................................................................... 116
Chapter 11: Keystone and Shutters ............................................................117
Keystone Correction ...................................................................................................... 117
Shutter Effects ................................................................................................................ 118
Keystone Correction and Shutter Shape Preview ................................................ 118
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Table of Contents
Chapter 12: Art-Net™ Protocol .................................................................... 119
Setting Up the Server for Artnet .................................................................................. 119
Assigning a DMX In Panel to Art-Net .......................................................................... 121
Chapter 13: Audio ........................................................................................123
Audio Input ....................................................................................................................123
Configuring the Audio Feed ...................................................................................... 123
Activating the Audio Input ........................................................................................ 124
Waveform Type Selection ......................................................................................... 124
Audio Output .................................................................................................................. 125
Audio Playback .......................................................................................................... 125
Audio Device Set up for Catalyst Audio Output ...................................................... 125
Setting Up DMX with Audio ..................................................................................... 126
Playing Back Audio .................................................................................................... 126
Creating Content with Audio Tracks ........................................................................ 126
Chapter 14: Video Input ............................................................................... 127
Connecting the Video Feed ........................................................................................... 127
Configuring the Video Input ......................................................................................... 127
Chapter 15: Serial Control ...........................................................................129
Connecting RS-232 Devices .......................................................................................... 129
Assigning a DMX Channel ............................................................................................ 129
Assigning the Interface and Data Format .................................................................... 130
Setting the Serial Commands ....................................................................................... 131
Custom String Command .......................................................................................... 132
Sample Strings ........................................................................................................... 132
Triggering Serial Devices from DMX .......................................................................... 133
Chapter 16: MIDI Timecode ......................................................................... 135
Connecting MIDI Timecode Devices ............................................................................ 135
Assign the MIDI Device ................................................................................................ 135
Synchronizing a Layer with MIDI Timecode ............................................................... 135
Chapter 17: Sony 9-pin RS422 ....................................................................137
Assigning the Interface and Data Format .................................................................... 138
Assigning a DMX Value ................................................................................................ 140
Triggering a Sony 9-pin Device from DMX ................................................................. 140
Synchronizing to the Deck’s Timecode ....................................................................... 141
Example 1 ................................................................................................................... 141
Example 2 ................................................................................................................... 142
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Table of Contents
Chapter 18: Presets ..................................................................................... 143
Creating a Preset ............................................................................................................144
Catalyst Control Window ...........................................................................................144
Editing DMX Values in the Layer Panels .................................................................144
File Tab Settings ..................................................................................................... 145
Position Tab Settings .............................................................................................146
Color Tab Settings .................................................................................................. 147
FX Tab Settings ......................................................................................................148
Setting DMX Values in the Library Preset Tab ........................................................148
Naming the Preset ......................................................................................................149
Editing a Preset ..........................................................................................................149
Storing a Preset ..............................................................................................................150
Preset Window Buttons ..............................................................................................151
Setting Crossfade Path and Fade Time ..................................................................... 152
Triggering Presets .......................................................................................................... 153
Triggering with a Keyboard, Mouse or Touchscreen .............................................. 153
Triggering Presets with a Single DMX Channel ......................................................154
Triggering Presets with Midi Show Control ............................................................. 154
Chapter 19: Custom Content .......................................................................157
Content Requirements ...................................................................................................157
Maximum Image Size ................................................................................................ 157
Interlaced Images ....................................................................................................... 157
Rendering Content ..................................................................................................... 158
The Basics of Content Creation .............................................................................158
Recommended CODECs ........................................................................................158
Perceived Brightness ..............................................................................................160
Installing Libraries and Files ......................................................................................... 161
Creating a New Library Folder ..................................................................................161
Adding New Files to a Library Folder .......................................................................162
Chapter 20: Diagnostic Displays ................................................................. 163
Hotkeys ...........................................................................................................................163
Displays ...........................................................................................................................163
Catalyst Version .......................................................................................................... 163
This Computer ............................................................................................................164
DMX Input Channels .................................................................................................165
USB CIB DMX Input .................................................................................................. 165
ArtNet DMX Input ......................................................................................................166
Statistics ......................................................................................................................167
Playbacks ....................................................................................................................168
Color FX Preview ....................................................................................................... 169
Geometry FX Preview ................................................................................................ 170
File Preview Library ...................................................................................................171
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Table of Contents
This Machine .............................................................................................................. 172
Remote Machines ....................................................................................................... 173
Chapter 21: Multiple Servers .......................................................................175
Synchronizing Multiple Servers ................................................................................... 176
Assigning Master Sync ID Numbers ........................................................................ 177
Synchronizing Content .............................................................................................. 177
Set Master Layer .................................................................................................... 177
Set Slave Layer ....................................................................................................... 177
Monitoring Remote Servers .......................................................................................... 178
Broadcast Remote Preview ....................................................................................... 178
Using the Remote Machines Diagnostic Display ..................................................... 179
Accessing the Remote Machines Display Screen ................................................ 179
Mimic Feature ........................................................................................................ 180
Sending Remote Commands to Servers ...................................................................... 180
Appendix A: Understanding DMX-512 .........................................................181
Appendix B: DMX Protocol ..........................................................................181
Appendix C: Copyrighted Materials FAQ ....................................................189
Appendix D: Product and Safety Information ...............................................19
Index ..............................................................................................................175
xiv Catalyst® Media Server User Manual
Chapter 1: System Overview
Catalyst Media Server Layers are designed to be controlled in a DMX-512 environment, The software’s user interface is used for configuration and diagnostic purposes and can also define presets for standalone operation. Media selections and manipulations can be accomplished by and recorded to a lighting controller. User-defined presets can be triggered with a computer keyboard, mouse or touchscreen.
Figure 1: Catalyst Pro Software User Interface Display Screens
Catalyst® V3 Media Server User Manual 1
System Overview
Selecting Media for Playback
Any content to be played back from the Catalyst Media Server is stored within computer folders accessible from the application. The folder names begin with a three-digit number from 000-253. This is known as the folder’s index number and corresponds directly to a DMX value for the Library parameter. For example, when the DMX value of the Library parameter is 11, the selected folder is the 011 Artbeats folder.
Similarly, the files in each Library file folder have names beginning with a three-digit index number from 000 to 255. Each file’s index number corresponds directly to a DMX value for the File parameter DMX channel. Adjusting the DMX value of the File parameter on a lighting console selects a file from the active folder for playback.
Working with Layers
Catalyst layers have a fixed priority order of visibility, similar to sheets stacked back-to-front. A layer with higher priority is in front of those with lower priority. Layer 1 is at the back of the stack (lowest priority), and all other available layers are stacked in front of it in numerical order. Reducing a layer’s Intensity parameter DMX value reveals the layer behind it in the stack.
Note: Different versions of Catalyst software
support a different number of layers.
Software Security
High End Systems uses a USB dongle to prevent unauthorized copying of Catalyst software. Factory configured Catalyst Media Servers have a dongle internally installed. Software only versions of the application require a USB dongle plugged into one of the PowerMac USB ports.
When the USB dongle is not detected by the Catalyst software, blue bars will appear at the top and bottom of both outputs.
Reconnecting the USB dongle will remove the blue bars.
2 Catalyst® V3 Media Server User Manual
Chapter 2: QuickStart
This Chapter describes the steps to quickly setup and begin using a Catalyst Media Server system. These instructions also ship with your product as a Startup Sheet for the model you purchased. If you purchased a Software Only version of the product, setup instructions shipped with your product. For information on configuring hardware to run Catalyst Media Servers software, visit the High End System website support section [http://www.highend.com/support/digital_lighting/catalystsupportguide/].
Media Server Setup
Unpacking the Roadcase
Unlatch and remove the top lid from the roadcase.Verify that the following contents are stored in the lid and remove any you need for your application:
•LCD monitor
•Keyboard
•Mouse
IEC TO 110v Adapter to attach an additional
monitor or device like a firewire drive to the power conditioner in the server rack
IEC 220v power cord optional for 220v applications
USB Serial Adapters: One RS232 for serial devices
and One RS422 for Deck Control
A Mac G5 power cord and phone cable (only needed if
you upgrade your G5 computer in the future)
Documentation for the G5, Power Conditioner, VDA, USB PCI CD, and a Catalyst
Software CD-ROM
Top Lid
Server Rack
Base
Inspecting Your Catalyst Media Server
As you unpack the Media Server rack, verify that it is undamaged. If the product is damaged or parts are missing, notify both the shipping company and your sales agent immediately.
Before returning merchandise, contact your High End Systems dealer/distributor for a Return Material Authorization (RMA) number. The factory cannot accept goods shipped without an RMA number. Return a damaged product for repair in its original roadcase. High End Systems assumes no responsibility for products damaged during transport.
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See “Product and Safety Information” for more information on warranties provided by High End Systems for your product.
Setting up the Server Rack
1. Position the server rack upright on a platform constructed by latching the lid and the roadcase base together.
2. The server rack contains a PowerMac® G5, the Catalyst Interface Box (CIB) a power conditioner and a Digital Video Amplifier (VDA).
The Catalyst DV model utilizes an Extron® VDA
The Catalyst Pro version contains a DV1 Dual VDA
3. Set the LCD monitor on top of the server rack with the screen facing front and plug the monitor power cord from the rack into the back of the monitor.
4. At the front of the server rack, pull the keyboard shelf out until it stops.
5. Plug the keyboard into the white USB connector port attached to the keyboard shelf.
6. Plug the mouse's USB plug into either of the two USB ports on the keyboard's back edge.
TIP: For better performance, use the optical mouse on a non-reflective
surface instead of the keyboard tray.
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Start Button
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Catalyst Pro Media Server Rack Setup
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Hardware Connections
Catalyst Media Server models feature Dual or Single Output capability. Use the hardware setup for your model.
Connecting Preview Monitors and Outputs
Catalyst Pro Dual Output Versions
1. Locate the DV1 (VDA) on the back of Catalyst Media Server rack.
P1 and P2 Monitor Ports
2. Plug the PowerMac LCD monitor data cable to the P1 monitor port on the DV1. If you are using two preview monitors, connect the second monitor to the P2 monitor port.
3. Connect the device you want to designate as Output 1 to the RGBHV connectors on the DV1.
4. Connect a second Output device to the RGBHV connectors on the CIB
DV1
G5 Output 1
Catalyst Pro connected to two output devices and utilizing two monitors
Catalyst® V3 Media Server User Manual
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Output 2
Monitors
DMX
Console
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CHAPTER 2 QuickStart
Catalyst DV Single Output Versions
1. Locate the Extron Video Distribution Amplifier (VDA) on the back of Catalyst Media Server rack.
2. Plug the PowerMac LCD monitor data cable into the local monitor port on the VDA.
3. Connect an Output device to the RGBHV connectors on the CIB.
VDA
Output 1
Monitor
CIB
Media Server
DMX Console
Catalyst DV Connected to a DL1 digital light for output and utilizing an emulation monitor
Connecting the Media Server to a DMX-512 Link
1. Connect the male XLR connector of a DMX data cable to the lighting controller’s “DMX out” connector.
2. Connect the data cable’s female XLR connector to the “DMX in” connector of the Catalyst Interface Box (CIB).
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Catalyst Software Application Setup
At the front of the Catalyst Media Server rack, press the PowerMac G5power button to turn on the computer. The desktop appears with icons for the Macintosh HD, the Content drive and the User Manual (in .pdf format).
1. Move the mouse pointer to the bottom of the screen. A strip of icons forming the Dock will pop up that includes three Catalyst icons. Each Catalyst icon is connected to a content format optimized for specific applications (Lighting, NTSC or PAL).
Icons for Catalyst Software versions
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Dock
2. Move the mouse over the version you want to select and click once to launch the application.
The application ships from the factory set to open the Catalyst windows upon launch. If the windows aren’t open on your desktop, you can access them via the Windows pull down menu at the top of the monitor display.
BACK UP THE CONTENT DRIVE
High End Systems recommends that you back up your content drive to a firewire drive or other media. The drive contains over35GB of content files. As an option, you can purchase Content backup on DVDs from High End Systems by contacting Customer Service at 800.890.8989.
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CHAPTER 2 QuickStart
Configuring the Catalyst Software
The following steps give you a basic default startup configuration for the Catalyst Pro 8­layer software version. Your version may have fewer layers or fewer outputs, but the general steps are the same for all Media Server Software.
Choose Output Options
Catalyst Pro Media Servers can display independent views of the Layer content on each output. Catalyst DV and Xpress software versions have single output capability and the monitor emulates what is being projected from the output device.
To configure Dual Outputs:
1. Locate the Output 1 panel in the Catalyst Control Window. Click the top field in of the Output 1 panel as shown to pop up a menu.
2. Highlight Mixed All Layers with FX and click to select.
3. Locate the Output 2 panel in the Catalyst Control Window and select Separate Outputs with FX.
Set DMX Start Channels for Layers
To assign a DMX start channel to a Media Server layer:
1. Scroll down the Catalyst Control Window until the first DMX In panel is visible.
2. Turn on the DMX In panel by clicking the On button on the left side of the panel. The center circle and outside edge of the button turn yellow.
3. Select a layer or serial device for that DMX In panel.
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4. Click in the number field to type in the start channel. Remember that each layer requires an uninterrupted range of 40 channels for independent DMX control.
5. Patch each layer to your lighting console using the DMX Start Channels assigned with the Catalyst DMX In panels.
TIP: Each layer's DMX patch within the lighting console must match the
corresponding layer's DMX Start Channel in the DMX In panel. For more information on setting DMX Start channels, see 512”.
Now you are ready to use your lighting console to select and manipulate content on the computer's hard drive. you are new to Catalyst Media Servers.
Chapter 3: on page 11 contains tutorials that you will find helpful if
“Understanding DMX-
Projecting Images Using Full Screen Mode
Selecting Full Screen Mode lets you view the output on the monitor as it is displayed through the output device you are using. With Full Screen mode off, your output device projects the desktop display.
Press A on the keyboard to assign Output 1 to Full Screen mode.
Press S on the keyboard to leave full screen mode.
Once you select Full Screen mode, the output remains a black screen until the Catalyst Media server receives DMX values from a lighting console.
System Shutdown
1. If you are in Full Screen mode, press S to disable.
2. Close the Catalyst application by clicking on the File menu at the top of the desktop and selecting quit.
3. Click on the menu option and choose Shut Down.
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Chapter 3: Tutorials
The following lessons provide a quick introduction to programming Catalyst with a lighting console. General knowledge of your lighting console is required to complete these tutorials. For information on programming without a console, see Chapter
Note: The sample content files in these tutorial lessons were selected from content
shipping May 1, 2004.
Lesson 1: Still Logo on Moving Background
In this lesson you will set a movie playing on Layer 1; then, using Layer 2, superimpose a still image of the High End Systems logo over the movie playing onLayer 1.
Set up Layer 1
1. On your lighting console, select Layer 1. Set
the Intensity parameter for Layer 1 to a DMX value of 255(100%).
2. Set the Library parameter to a DMX value of
11. This should select the preloaded Catalyst Library folder 011 Artbeats.
3. Set the File parameter to a DMX value of 3.
This selects the movie file numbered 003 in Library folder 011. On the Catalyst Output 1 display you should see the first frame of movie file 003WA 114, a pale blue image of rippling water.
4. On your lighting console, set the Play Mode parameter to a DMX value of 2 or Play
Loop Forward. The movie file will begin playing and the water will appear to be rippling.
The Wholehog II uses eight character alpha-numeric labels to describe values of the Play Mode parameter. For this exercise, select plloopfw.
The Wholehog III has a Mode menu with the Play Mode parameter options on the slotted toolbar. Select Play Loop Forward.
18: “Presets”.
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Add the Logo
5. On the lighting console, select Layer 2. Set the Intensity parameter for Layer 2 to a DMX
value of 255(100%). The Catalyst Output 1 screen should change to solid white.
6. Set the Library parameter to a DMX value of
0. This should select the preloaded Catalyst Library folder 000 (HES Lithos).
7. Set the File parameter to a DMX value of 71 (HES-logo-color). This selects the movie file numbered 71 in Library folder 0. You should see the High End Systems logo on the Output 1 window.
Turn Layer 2 Background Transparent
Now you’ll apply a color effect that turns the black background of the Layer 2 logo revealing the movie file playing on the underlying Layer 1.
transparent,
8. With Layer 2 still selected on your lighting console, set the Color Effects parameter to a DMX value of 3 (the color effect named Transparent Blacks). The black background of the High End Systems logo will become transparent and reveal the rippling water movie playing on Layer 1.
9. Now change the Color Effects parameter to a DMX value of 4 (the color effect Transparent Whites). The non-black portions of the High End Systems logo should become transparent and reveal the rippling water movie playing on Layer 1.
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Lesson 2: Crossfading Between Layers
Once you display content on different Catalyst layers, you can fade the layers in and out using the Intensity parameter. This creates a crossfading or dissolving effect between layers.
In this lesson, you’ll play a movie on Layer 1 and record it in your lighting console as a cue or look. Then you’ll build and record another cue with a three-second crossfade to a colorful movie playing on Layer 2.
Set Up First Cue
1. Clear or remove any information from Lesson 1 in your console’s programmer or editor.
2. On your lighting console, select Layer 1. Set the Intensity parameter to a DMX value of 255(100%).
3. Setting DMX values in the Library and File parameters as in Lesson 1, select Library 12 (Beacon DigiGobos), File 7 (loopedroseA).
4. Set the Play Mode parameter to a DMX value of 2 (Play Loop Forward). The playing.
5. On your lighting console, select Layer 2. Set the Intensity parameter to a DMX value of 255(100%). The Output 1 screen changes to solid white.
6. Using the preloaded Catalyst content, select Library 14 (Beacon DigiGobos), File 4 (swirlstars2). Set the Play Mode parameter to a DMX value of 2 (Play Loop Forward). The animation will begin playing on Output 1.
7. Still on Layer 2, change the Intensity parameter to a DMX value of 0 (0%). Layer 2 will disappear, revealing the movie playing on Layer 1.
8. Using your lighting console’s method of recording cues or looks, record the above DMX settings as Cue 1 on your lighting console.
movie starts
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Setup the Second Cue and Playback
9. On your lighting console, select Layer 2. Change the Intensity parameter to a DMX value of 255 (100%).
10. Use your lighting console’s cue timing options to assign a 3 second time value to the Intensity parameter.
11. Record these DMX settings and timing information as Cue 2 on your lighting console.
12. Clear your lighting console’s programmer or editor. The Catalyst Output 1 screen change to all black.
13. Using your lighting console, playback the Cue 1 created above. The first movie plays on the Output 1 window of the Catalyst system.
14. Using your lighting console, playback the Cue 2 created above. Output 1 shows Layer 1 crossfading to Layer 2 over a 3-second interval.
15. When finished, follow your lighting console’s procedure to turn off or release any cues that are playing back.
should
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