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HHB Tube Processing:
A unique sonic signature
HHB’s pedigree in digital audio is well
documented, with the company playing
a key role in pioneering the acceptance
of DAT, CD-R, MD and MO as profess-
ional recording formats. So why
develop a range of outboard processors
based around a technology that’s more
than 90 years old? The answer is
simple. At HHB, we believe in applying
the right tools for the job and, when it
comes to EQ and dynamics processing,
nothing matches the unique sonic
characteristics of the vacuum tube.
For total flexibility and impeccable
audio performance, the three HHB
Classics set new standards in tube
equalization, compression and
microphone pre amplification. And in
the home and project studio, our highly
affordable Radius Series delivers the
unique sonic signature normally only
associated with big studio productions.
Whether it’s adding depth and warmth
to a stereo mix, breathy presence to a
vocal track or roundness and detail to a
drum track, HHB Tube Processors
provide that extra ingredient to make
your recordings something special.
Nobody does it better
The desire for a ‘vintage’ sound is
rarely accompanied by a nostalgia for
noise. It’s a modern world, so HHB
Tube Processors combine solid state
circuitry, with its superior noise
performance and tube stages to deliver
the vintage tube sound without the
inherent noise which plagued older
tube designs. Careful research into
hybrid circuits ensures that the tubes in
HHB processors achieve their maximum
sonic effect, while noise and distortion
performance, slew rates and bandwidth
remain comparable with other
equipment in the modern recording
facility. Vintage sound. Modern
performance. HHB gives you the best of
both worlds.
Another secret to the HHB sound is the
minimal use of transformers in the
signal path, ensuring none of the
attendant frequency response roll off,
phase errors and distortion. Advanced
transistor circuitry ensures maximum
power transfer between the valve
stages and combines with high HT
voltages used to supply the tubes
(typically 250V DC in the Classics) to
deliver exceptional performance. You’ll
find no low voltage ‘wall wart’ power
supplies on HHB Tube Processors, only
fully stabilised discrete power supplies
with balanced DC heater supplies
where necessary to provide maximum
gain and headroom, and minimum
noise, hum and microphony. The tubes
themselves are military grade
specification, and all components are
of the highest possible quality,
including glass fibre double sided
circuit boards, custom steel cored
toroidal mains transformers, metal film
resistors and high-grade, long life
capacitors.
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THE HHB RADIUS SERIES
High performance tube processing used to be the exclusive domain of big budget
recording studios and live sound productions. Not any more. The HHB Radius
Series combines innovative British professional audio design with the finest
components and exacting manufacturing standards to create a range of tube
outboard equipment in which price is the only corner we’ve cut. The HHB Radius
Series consists of a mic pre amp, a four band stereo EQ, a compressor, a voice
processor and a mic pre amp / compressor, bringing the unique warmth and
presence of the vacuum tube to all kinds of recording, mixing, mastering and
performance projects, large and small. Signal interfacing includes balanced XLRs
and unbalanced jacks, making it easy to incorporate Radius processors into your
existing setup, and the clear, consistent layout of the controls means that you’ll be
adding the magic ingredient of an HHB Radius tube processor to your music,
straight out of the box.
KEY FEATURES
• Four channels of high quality mic pre amplification.
• Balanced XLR mic inputs, with both XLR and
unbalanced jack line outputs.
• Variable control of input and output gain allows
optimum signal level through tubes.
• Switchable 90Hz high pass filter.
• Switchable +48V phantom power for connection of
condenser microphones.
• Phase reverse switch allows instant phase correction
for each input signal.
• Drive and peak LEDs indicate the degree of tube
warming and warn of low headroom.
• Twin stage triode vacuum tubes.
• Stabilised 150V DC power supply.
Whether recording in the studio or performing live on stage, the Radius
10 will add great life to even the cheapest of dynamic microphones,
producing a more rounded, open sound which compares favourably with
the quality of expensive tube condenser microphones. With four channels
of high quality tube mic pre amplification, vocals and instruments are
instantly warmed, with the extra presence loved by artists and recording
engineers alike. Each channel features input and output level controls,
switchable +48V phantom power, phase reverse and a 90Hz high pass
filter, ensuring each signal may be quickly and easily processed, adding
the required level of rich, harmonic overtones associated with vacuum
tubes. Drive and peak LEDs indicate the operational status of these twin
stage tubes, displaying at a glance whether they are being driven at their
optimum level. This, coupled with variable input and output gain, means
that signal levels through the tubes may always be optimized.