HeadRush Gigboard Quick Start Guide

Quickstart Guide

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Quickstart Guide (English)

Introduction

Box Contents

HeadRush Gigboard USB Cable Power Adapter Software Download Card Quickstart Guide Safety & Warranty Manual

Important: Visit headrushfx.com to download the complete User Guide.

Support

For the latest information about this product (documentation, technical specifications, system requirements, compatibility information, etc.) and product registration, visit headrushfx.com.

For additional product support, visit headrushfx.com/support.

Features

Top Panel

3 4

1. Display: This full-color multi-touch display shows information relevant to HeadRush Gigboard’s current

operation. Touch the display (and use the hardware controls) to control the interface. See Basic Operation to learn how it works.

2. Encoder: Turn this encoder to scroll through the available menu options or adjust the parameter values of the selected field in the display. Push the encoder to confirm your selection.

3. Footswitch Indicators: These lights indicate whether the stomp, rig, or scene assigned to each footswitch is on (brightly lit) or off (dimly lit).

4. Footswitches: Press these footswitches to activate or deactivate the assigned model or scene, or to load the assigned rig.

5. Master Volume: Turn this knob to adjust the volume level of the outputs.

Rear Panel

1. Guitar Input (1/4”/6.35 mm, TS): Connect your guitar to this input using a standard instrument cable.

2. Aux Input (1/8”/3.5 mm, TRS): Connect an optional audio source (e.g., smartphone, tablet, etc.) to this input using an 1/8”/3.5 mm stereo cable.

3. Expression Pedal Input (1/4”/6.35 mm, TRS): Connect an optional expression pedal to this input using a standard 1/4" (6.35 mm) TRS cable.

4. Expression Pedal Toe Switch Input (1/4”/6.35 mm, TS): Connect the toe switch output of your optional expression pedal to this input using a standard 1/4" (6.35 mm) TS cable.

5. Outputs (1/4”/6.35 mm, TRS): Connect these outputs to the inputs of your amplifier, audio interface, etc. If you only need to use one output, use the one labeled L/Mono.

Note: You can set these outputs to send signal at amp level or line level (default) in the Global Settings Menu.

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6. External Amp Footswitch Output (1/4”/6.35 mm, TRS): Connect this output to the footswitch input of an external guitar amplifier to toggle channels or turn reverb on and off on the amplifier using the Gigboard.

IMPORTANT! Only connect this output to amplifiers that have a "short-to-sleeve" footswitch input. If you connect this output to any other type of footswitch input, you may cause permanent damage to your equipment. If you are unsure if your amplifier has a "short-to-sleeve" footswitch input, please consult the amplifier's manual or manufacturer to confirm before attempting.

7. Phones Output (1/4”/6.35 mm, TRS): Connect standard 1/4” (6.35 mm) stereo headphones to this output.

8. FX Send Output (1/4”/6.35 mm, TRS): Connect these outputs to the inputs of another effects module, an effect pedal, or the effects loop return of an amplifier.

9. FX Return Input (1/4”/6.35 mm, TRS): Connect these inputs to the outputs of another effects module, an effect pedal, or the effects loop send of an amplifier.

Note: You can set the FX Return Input to receive signal at rack level or stomp level (default) in the Global Settings Menu.

10. MIDI Input (5-pin DIN): Use a standard MIDI cable to connect this input to the MIDI output of an optional external MIDI device.

11. MIDI Output (5-pin DIN): Use a standard MIDI cable to connect this output to the MIDI input of an optional external MIDI device.

12. USB Port: Connect this USB port to a computer using a standard USB cable. This connection allows HeadRush Gigboard to send and receive the digital audio signal to and from your computer. You can also use this connection to import or export rigs, model presets, and setlists.

13. Vent: Make sure this vent is unobstructed while using HeadRush Gigboard.

14. Power Input: Connect this input to a power outlet using the included power cable.

15. Power Switch: Press this button to turn HeadRush Gigboard’s power on. Press and hold this button to turn HeadRush Gigboard’s power off.

Setup

Items not listed under Introduction > Box Contents are sold separately. IMPORTANT! In the Global Settings Menu, make sure you set the Outputs to send signal at amp level if you are

using a traditional guitar amplifier, or line level (default) if you are using a full-range flat-response amplifier, mixer, PA speaker or audio interface.

Guitar

Full-range, flat-response amplifier or

traditional guitar amplifier

Expression

pedal

Amp Footswitch Input

Computer

Power

outlet

External effect stompboxes,

modules, etc.

Basic Operation

This chapter describes some of HeadRush Gigboard’s basic functions. You can visit headrushfx.com to download the complete user guide for even more information.

Main Screen

Turn encoder to move through selectable items onscreen or to adjust parameters. Press encoder as an Enter command.

Double-tap a model, In, or Out to show its parameters.

Important: The sequence of models in your signal chain is not necessarily reflected in the footswitches. You can freely assign models to available footswitches without changing your signal chain at all—and vice versa. See

Hardware Assign to learn about this.

Tap to view setlists.

Tap its footswitch to activate or deactivate it.

Tap and drag this bar downward to view list of rigs.

Rig name.

These four blocks show the current function of the 4 footswitches.

Tap to save rig.

This button toggles between the different routing options for a rig.

This button enables or disables reverb and delay tails when switching to another rig.

To assign a model (amp, cab, or effect) to an empty slot, tap it () and then use the list that appears. See Rigs > Creating a Rig to learn about this.

To show a model’s settings screen, double-tap it. Its settings screen will appear with its preset menu, parameters, and assigned color.

To activate or deactivate a model, press the footswitch assigned to it, or tap the model’s footswitch in the display.

To load another rig (preset):

• Tap the  or  next to the name of the current rig on the screen.

• Tap the name of the rig on the screen and then turn the encoder.

• Press a footswitch assigned to a preset when Gigboard is in Rig View.

• Press a footswitch assigned to Prev Rig or Next Rig when Gigboard is in Hybrid

View.

To view other options, tap the  button in the upper-right corner, and then tap an option.

To rearrange the models in your signal chain, tap and drag a

model to another slot or between two other models (the ones after that position will shift one slot further down the signal chain).

Footswitch Modes

The four footswitches can be used to activate or bypass models (amps, cabs, or effects) as well as select scenes, rigs, or setlists. These footswitches are always in one of four modes: Stomp, Rig, Hybrid, or Setlist.

To change the mode:

1. Press and hold Footswitch 1. Then select from the four footswitches which correspond to the four modes: Stomp, Rig, Hybrid, and Setlist.

2. Press a footswitch to enter that mode.

Stomp Mode

Footswitches 1-4 correspond to models (amps, cabs, or effects) in your signal chain. Press a footswitch to activate or deactivate its model.

Rig Mode

The first 2 footswitches correspond to rigs you have saved. Press a footswitch to load its rig.

To show the previous bank of two rigs, press footswitch 3. To show the next bank of two rigs, press footswitch 4.

Alternate Rig Mode

To enter the alternate version of Rig Mode, go to page 2

of the Global Settings, and then change the 4 Rigs / No Hold parameter to On.

Footswitches 1-4 correspond to rigs you have saved. Press a footswitch to load its rig.

To show the previous bank of four rigs, press and hold footswitch 2.

To show the next bank of four rigs, press and hold footswitch 3.

Note: You cannot access hands-free mode or the looper when using the alternate rig mode.

Hybrid Mode

The first 2 footswitches can be assigned to activate/deactivate a model or to select a scene in the currently selected rig.

To switch to the previous rig, press footswitch 3. To switch to the next rig, press footswitch 4.

Setlist Mode

To enter the All Rigs setlist, press footswitch 1. To enter the currently shown setlist, press footswitch 2. To show the previous setlist, press footswitch 3. To show the next setlist, press footswitch 4.

Rigs

While using HeadRush Gigboard, a rig is a preset: the combination of assigned models—the amps, cabs, and effects—and the parameter settings of each of them. You can create, edit, save, and load rigs, making it easy to recall the perfect sound for each part of your performance.

Each rig has 11 slots, each of which can have one model (amp, cab, or effect) assigned to it. Assigned slots will show graphical representations of the models, and empty slots will show a  symbol.

Creating a New Rig

To create a new rig, tap the  button in the upper-right corner of the screen, and tap New Rig.

To assign a model (amp, cab, or effect) to an empty slot:

1. Tap the empty slot ().

2. In the list that appears, tap the type of model you want to assign: Amp, Cab, or effect (Distortion, Dynamics/EQ, Modulation, Reverb/Delay, FX-Loop, or Expression).

3. In the list that appears, tap the model you want to assign.

4. In the next list that appears, tap the preset you want to load for that model.

If you load an amp or cab to a slot with an empty adjacent slot, a matching amp or cab will be loaded automatically to the other slot. After that, you can configure them independently: you can separate them in the signal chain, you can change the type of the amp or cab, and you can delete each model separately.

Optimizing Your Signal Chain

Model types: amps, cabs & effects.

for each type.

vailable presets

for each model.

vailable models

The signal chain is the path that the audio signal follows from your guitar through your selected models and ends at the outputs of HeadRush Gigboard. You can use the touchscreen to arrange your selected models in any sequence, but you may find that some configurations will sound better than others.

Here are some common model placement suggestions for creating tones with HeadRush Gigboard:

• Dynamics (e.g., compressors), filters (e.g., wah, pitch shifters), and volume pedals generally are placed

at the beginning of the signal chain. Alternatively, you can place volume pedals at the end of the signal chain to provide a slight variance in functionality.

• Gain-based effects (e.g., overdrive/distortion, fuzz) usually come next.

• Equalization (EQ) is often used to shape the tonal characteristics of overdrive/distortion and fuzz effects, so

put an EQ after them. Alternatively, place it before them to shape the guitar’s general tone—cutting unwanted frequencies—before the gain pedals.

• Modulation effects like flangers, phasers, and chorus are typically placed next.

• Time-based effects like delays and reverbs are generally placed near the end of the signal chain.

• An amp and a cab are often placed at the very end of the signal chain, although you can place it wherever

you want.

oots

ode

Saving a Rig

If you have changed the rig at all since loading it, you will see an asterisk () next to its name at the top of the screen. You can save these changes to this rig, save these changes as another rig, or discard them altogether.

To save a rig, tap Save in the upper-right corner. To save your changes to the current rig, tap Save. To save your changes as a new rig, tap Save New Rig, use the

keyboard that appears to enter a name, and then tap Save. To return to the previous screen without saving, tap Cancel at

any time.

To discard any changes you’ve made to the rig, tap the  button in the upper-right corner, and tap Discard Changes.

Adjusting Settings

To adjust the settings of a model in your rig, double-tap it to open its settings screen.

Tap  to return to retain your changes and return to the main screen.

Turn encoder to move through selectable items onscreen or to adjust parameters. Press encoder as an

command.

Ente

Tap the Preset menu to select a preset. See Saving a Preset.

Tap this button and tap Discard Changes to discard any changes you’ve made since opening this screen.

Tap an Off/On parameter button to change the parameter's setting accordingly.

Tap the model name to assign a different model to this slot.

Tap Delete to unassign the model from the slot.

Tap a color to assign it to this model. That color will be shown on the main screen, in the Hardware Assign screen, and in the

witch indicator for this m

Tap Cancel to return to discard your changes and return to the main screen.

Tap and drag a slider left and right to adjust the parameter's settings. Alternatively, tap the slider and use the encoder for fine adjustments.

Saving a Preset

To save a preset, tap Save in the upper-right corner. To save your changes to the current preset, tap Save. To save your changes as a new preset, tap Save New Preset, use

the keyboard that appears to enter a name, and then tap Save. To return to the previous screen without saving, tap Cancel at

any time.

Hardware Assign

The Hardware Assign screen enables you to customize how HeadRush Gigboard’s footswitches and an expression pedal control each rig.

To open the Hardware Assign screen, tap the  button in the upper-right corner of the main screen, and then tap

Hardware Assign. To return to the main screen, tap the  button in the upper-

left corner. Important: The Hardware Assign settings are all part of the

overall rig, so remember to save your changes you want to keep.

To set the color associated with the rig, tap it in the upper-left part of the screen. This color will appear next to the rig name when you view a list of all available rigs or when you view and create setlists. It will also be the color of the corresponding footswitch indicator when HeadRush Gigboard is in Rig Mode.

To set the tempo of the rig’s time-based effects (delays, modulation, etc.), tap the button under Tempo to select Current or Fixed.

• Current: The rig will use the last-used tempo or the one set by the Tempo footswitch. To set the tempo, press the Tempo footswitch at the desired tempo 3–8 times to set the new tempo in beats

per minute (BPM).

• Fixed: The rig will use a tempo that you set here. To set the tempo, turn the encoder to set the desired tempo in beats per minute (BPM). You can set the

tempo only in this Hardware Assign screen.

To load a rig when a MIDI program change is received from an optional external MIDI device, or to send a MIDI program change message when a rig is loaded, tap the button under MIDI, and then turn the encoder to

select a MIDI program change number. You can adjust whether MIDI program changes are received and/or sent in the Global Settings menu.

Note: If a rig is using a number, that number will be unavailable and cannot be assigned to another rig. Additionally, saving a rig with a new name will save the rig but without the program change number to prevent rigs from sharing the same number.

Footswitches

The 4 boxes in the lower-left corner represent the 4 footswitches of HeadRush Gigboard. You can assign any switch-based parameters (ones with only two states) to any of the footswitches—regardless of their location in the signal chain.

To assign a parameter to a footswitch:

1. Tap a box.  indicates an empty box.

2. In the list that appears, tap the model with the parameter you want to assign.

3. In the list that appears, tap the parameter you want to assign. Usually, the parameter will simply be On (to activate or deactivate it).

Tap Unassigned  to unassign that footswitch.

To swap two assignments, tap and drag one of them over the other, and then release it.

Ext. Amp

You can assign a switch to send a signal to your amplifier’s footswitch input by using the external amp output. You can use this feature to do things like change from the clean to dirty channel, or turn reverb on and off on your amplifier.

To use this feature when switching to a rig, tap the button under Ext Amp on the hardware assign page, and then select Tip, Ring, or Both. If you are unsure of which setting to use, please consult the amplifier's manual or manufacturer to confirm.

This feature can also be assigned to a footswitch on the Model Selector page that appears when you are assigning a footswitch’s function.

This function can also be assigned to a scene by adjusting the parameter on the Scene Editor screen. IMPORTANT! Only connect this output to amplifiers that have a "short-to-sleeve" footswitch input. If you connect

this output to any other type of footswitch input, you may cause permanent damage to your equipment. If you are unsure if your amplifier has a “short-to-sleeve” footswitch input, please consult the amplifier’s manual or manufacturer to confirm.

Scenes

The Scene feature allows you to turn multiple models on or off in each rig. When you press the footswitch assigned to that scene, all models included in that scene will turn on or off, depending on how you assign them. This is a great way to create multiple tones in the same rig. For instance, you may want a particular reverb model to be on anytime a particular distortion model is also on. Alternatively, you may want to turn one delay model off when you turn another one on. Scenes enable you to do this with only one footswitch press.

To create and edit a scene:

1. On the Hardware Assign screen, tap Toggle/Scene for the desired footswitch to cycle through the available options, and select Scene.

2. On that model, tap Edit. The Scene Editor will appear, which shows all models in your rig.

3. For each model in the rig, tap it to cycle through the available options:

• On: This model will turn on when you turn the scene on.

• Off: This model will turn off when you turn the scene on.

• No Change: This model will remain unaffected when

you turn the scene on.

4. Tap a color at the bottom of the touchscreen to select a color for the scene.

5. Tap the  button in the upper-left corner to return to the

Hardware Assign screen.

To rename a scene (which appears in the footswitch

indicators), tap the text in the box below Edit on the model, use the virtual keyboard that appears to enter a name, and then tap anywhere other than the text field.

Expression Pedal

You can connect an optional expression pedal (sold separately) to control two parameters (in Classic Mode) or two sets of parameters (in Advanced Mode). If your expression pedal has a toe switch, you can use the toe switch to switch between them—Expression Pedal A or B.

Note: When you save your rig, the currently selected Expression Pedal state (A or B) will be saved and then recalled when you load the rig again.

The column of four boxes represents the expression pedal settings. You can assign one or more continuously adjustable parameters (ones with a range of values) to the expression pedal.

To set the expression pedal mode, tap the button above Range in the upper-right corner to select Classic or Advanced.

• Classic: You can assign one parameter to each expressional pedal (A and B). Using the toe switch will select the other expression pedal and deactivate (bypass) the current expression pedal’s parameter. For instance, if you assign a wah pedal to Expression Pedal A and a volume pedal to Expression Pedal B, only one of them will be active at any time; when you are controlling the wah pedal, the volume pedal will be bypassed, and vice versa.

• Advanced: You can assign up to four parameters to each expression pedal (A and B). Moving the pedal will adjust all of its assigned parameters simultaneously. Using the toe switch will select the other expression pedal and leave the current pedal’s parameters active and at their maximum values.

To assign a parameter to an expression pedal:

1. If the Assign button is not on, tap it.

2. Tap a box under the Assign button.  indicates an empty box.

3. In the list that appears, tap the model with the parameter you want to assign.

4. In the list that appears, tap the parameter you want to assign.

Tap Unassigned  to unassign that box.

To swap two assignments (while in Advanced Mode), tap and drag one of them over the other, and then release it.

To set the range of an assigned parameter:

1. If the Range button is not on, tap it.

2. Tap a value under the Range button.

3. Turn the encoder to set the desired value as a percentage of the parameter’s entire range. Press the encoder or tap elsewhere to confirm the value.

Setlists

You can use setlists to organize your rigs. A setlist is a saved collection of rigs, which you can save and recall at a later time. This is useful, for instance, if you only need some of your rigs for a performance; you can save a setlist of just those rigs so you don’t have to spend time searching through all of your rigs before playing the next song.

To view your setlists, tap the ≡ button in the upper-left corner of the main screen. The Setlists screen will appear. To return to the main screen, tap the  button in the upper-left corner.

To create a setlist:

1. Tap New in the upper-right corner.

2. In the screen that appears, the left half is a list of all available rigs, and the right half is the list of rigs in the setlist.

To add a rig to the setlist, tap it to add it to the end of the list. Alternatively, tap and hold it, and then drag it to the desired location in the list. You can add the same rig to a setlist more than once. The [Empty ] rig in the lower-left corner is a slot to use as a placeholder to make rearranging the setlist easier; it will not be available as a selectable rig when moving through rigs in the setlist.

To rearrange the setlist, tap and hold a rig in the list on the right half, and then drag it to the desired location in the list.

To remove a rig from the setlist, tap the  on its right edge.

To save a setlist, tap Save in the upper-right corner.

To save your changes to the current setlist, tap Save. To save your changes as a new setlist, tap Save New Setlist,

use the keyboard that appears to enter a name, and then tap Save.

(At any time) To return to the previous screen without saving, tap

Cancel.

To discard any changes you’ve made to the setlist, tap the  button in the upper-left corner, and tap Discard Changes.

To load a setlist:

1. While viewing the main screen, tap the ≡ button in the upper-left corner to view the Setlists screen. Each setlist will show the number of rigs in parentheses (including multiple instances of the same rig).

2. Tap the desired setlist. The first rig of that setlist will load immediately. Tap All Rigs to view all rigs instead of a specific setlist.

To edit

pencil icon. You will see the same screen you used to create the setlist, where you can edit and save it.

To delete a setlist, tap the  button on its left side, and then tap the trash can icon. Tap Yes to confirm the deletion or Cancel to return to the Setlists screen without deleting it.

a setlist, tap the  button on its left side, and then tap the

Hands-Free Mode

Hands-Free Mode enables you to adjust any of the settings on your models by using just the footswitches and/or an optional expression pedal. (sold separately).

To enter Hands-Free Mode, press and hold footswitch 2 for over one second. While in Hands-Free Mode, the screen will show a single parameter and its currently selected value.

To change the value, press footswitch 1 (down) or footswitch 2 (up). You can also change this by moving an

external expression pedal.

To access the next available parameter, press footswitch 3. To access the previous available parameter, press and hold

footswitch 3. To access the next available block in your rig, press

footswitch 4. To exit Hands-Free Mode, press and hold footswitch 4.

Tuner/Tempo

You can use the Tuner/Tempo page to tune your guitar and set a tempo for time-based effects.

To enter Tuner/Tempo mode, press and hold footswitch 4 for over one second. While in Tuner/Tempo Mode, the screen to the right is shown.

To change the tuner reference pitch, tap the parameter and then turn the encoder.

To unmute your signal while tuning, press footswitch 1. To enter a tempo via tapping a footswitch, press footswitch

3 at the desired tempo 3–8 times to set the tempo in beats per

minute (BPM). To exit this page, press footswitch 4.

Looper

The HeadRush Gigboard has a built-in looper that you can use to layer your performances. While the looper’s operation is shown in the display, you can control most of it conveniently with the footswitches.

The looper can hold up to 20 minutes of audio at a time across a maximum of 50 layers.

This meter indicates your current location in the loop during recording or playback.

This indicates how many layers are playing in the current loop, including the original.

This indicates the current speed of the loop as a multiple or fraction of the original.

This indicates the length of the current loop.

Rig name.

This indicates the direction of playback.

This controls how much of the looper’s signal you hear in the outputs.

This controls how much of the looper’s signal is routed back through it when recording another layer.

This indicates whether the looper is located before (Pre) or after (Post) your signal chain. Moving the looper to the Pre position enables you to edit your rig without having to play the same riff over and over again.

To record the first layer of a loop, press the Record footswitch. Recording will begin immediately and the

footswitch indicator will light red. Press the Record footswitch again to stop recording and start loop playback. The footswitch is now called Overdub and the footswitch indicator is yellow.

To record additional layers onto the loop (overdub), press the Overdub footswitch. Overdubbing will begin

immediately and the footswitch indicator will light red. Press the Overdub footswitch again to stop overdubbing and continue playback.

To erase the top-most (last-added) layer of the loop, press the Peel footswitch. The top-most layer of the loop

will be erased immediately. This process is destructive, so you can’t re-add it later.

To clear the full loop, press and hold the Clear footswitch. This process will stop playback and is destructive, so

you can't re-add it later.

To halve or double the length of the loop, tap the button next to the Length field and then turn the encoder.

The halving process is non-destructive, so you can restore your original loop and its content by doubling the length of the loop.

To halve or double the speed of the looper, tap the button next to the Speed field and then turn the encoder. Tip: Use this to create low bass lines or ultra-high guitar parts that you couldn’t ordinarily play.

To reverse looper playback, tap the button next to the Playback field and then turn the encoder. Tip: Create eerie effects by recording layers in reverse then switching back to normal playback.

To set the looper’s location, tap the button next to the Playback field and then turn the encoder to place it

before (Pre) or after (Post) the signal chain. Moving the looper to the Pre position enables you to edit your rig without having to play the same riff over and over again

To exit the looper and return to the main screen, press the Exit footswitch. If the looper is playing, playback

will continue.

To re-enter the looper, press the Looper footswitch again. Tip: Use this feature to create different effect configurations (adjust parameters, activate/deactivate models, etc.)

for each layer, creating a multi-textured performance. You can also switch rigs while using the looper and use a different rig for each layer.

Global Settings

Use the global settings to configure the HeadRush Gigboard’s overall operation.

To show the global settings, tap the  button in the upper-

right corner of the screen, and tap Global Settings.

To select each page of the global settings, tap the number

at the bottom edge of the screen.

LCD Brightness: This setting determines the brightness of the main display. Tap this field, turn the encoder to select 1 (dim) through 5 (bright), and then press the encoder.

Audio Configuration:

Main Out Level: This setting determines the signal level sent to the main Outputs (1/4"/6.35 mm, TRS). When

set to Line, the output level will be +18 dBu. Use this setting if you are connecting the HeadRush Gigboard to a full-range, flat-response amplifier, PA speaker, mixer, or audio interface. When set to Amp, the output level will be +6 dBu. Use this setting if you are connecting the HeadRush Gigboard to a traditional guitar amplifier.

FX Return Level: This setting determines the signal level received by the FX Return Input (1/4"/6.35 mm,

TRS). When set to Rack, the output level will be line level, +18 dBu. Use this setting if you are connecting a rack effects processor in the HeadRush Gigboard's FX-Loop. When set to Stomp, the output level will be +6 dBu. Use this setting if you are connecting a traditional guitar pedal ("stompbox") in the FX-Loop.

USB Audio Settings:

Note: Download the complete HeadRush Gigboard User Guide from headrushfx.com in order to learn more

about configuring your DAW. Important note for Windows users: Before connecting the Headrush Gigboard to your computer, download and

install the necessary drivers from headrushfx.com/support.

Sample Rate: This setting determines the sample rate of the USB audio signal: 44.1 kHz, 48.0 kHz or 96.0 kHz.

Remember to select the same sample rate as the one in your DAW. Also, set it before opening your DAW.

USB Audio: This setting determines whether or not HeadRush Gigboard is sending a USB audio signal over a

USB connection. Tap On to enable sending of the USB audio signal with the selected Sample Rate. Tap Off to disable the USB audio signal. (To change the Sample Rate, set USB Audio to Off first, select the correct sample rate, set USB Audio to On again, and restart your DAW.)

USB Mode: This setting determines how the HeadRush Gigboard sends its audio signal over the USB

connection and how its outputs function while doing so:

• Live: The audio signal will be sent to your computer as well as to the HeadRush Gigboard’s outputs.

• DAW: The audio signal will be sent to your computer only. The HeadRush Gigboard’s outputs will be

disabled to prevent any latency while monitoring.

• Reamp: Your computer will send an audio signal to the HeadRush Gigboard, which will process it through the current rig and send it back to your computer. The HeadRush Gigboard’s outputs will be disabled to prevent any latency while monitoring.

Assignments:

Auto Assign: This setting determines how models are assigned to the switches. Tap On if you want models to

be automatically assigned to the next available switch when you load them. Tap Off if you want models to load without being assigned to a switch; you will have to assign them manually in the Hardware Assign screen.

Expression Pedal / Ext Amp:

Toe Switch: Change this parameter to Latch if your expression pedal uses a latching toe switch or Momnt if

your expression pedal uses a momentary toe switch.

Pedal Polarity: If it seems like your expression pedal is registering motion in the wrong direction, you can

change this parameter to invert the pedal polarity. Select between Norm (normal) and Inv (inverted).

Ext Amp Polarity: If it se

ems like your external amplifier is getting the opposite messages you intended,

change this parameter to invert the messages sent to the External Amp Footswitch Output. Select between Norm (normal) and Inv (inverted).

MIDI Settings: These settings determine how the HeadRush Gigboard sends and receives MIDI information to and from external devices. These settings affect only the HeadRush Gigboard’s MIDI input or MIDI output.

MIDI Thru: Tap On to use the MIDI output as a MIDI throughput; any MIDI information sent to the HeadRush

Gigboard’s MIDI input will be sent directly to the MIDI output. Tap Off to use the HeadRush Gigboard’s MIDI output normally; the HeadRush Gigboard will be able to send its own MIDI information out of the MIDI output.

Recv MIDI Clock: Tap On to enable the HeadRush Gigboard to receive MIDI clock information. Tap Off to

use the HeadRush Gigboard’s own internal MIDI clock (which will not be sent out).

Prog Change: Tap Send to enable or disable the HeadRush Gigboard’s transmission of MIDI program change

messages when you load a rig. Tap Recv to enable or disable the HeadRush Gigboard’s reception of MIDI program change messages from an external MIDI device.

MIDI Channel: This setting determines the MIDI channel(s) that the HeadRush Gigboard will send and receive

MIDI messages. Tap this field, turn the encoder to select all channels (Omni), or 1–16, and then press the encoder.

Reminders:

Confirm Unsaved: This setting determines whether or

not you will see a confirmation message if you change the rig while there are unsaved changes on the current one. Tap On to enable these messages or Off to disable them.

Alternatively, tap Do not show this dialog again in the message itself to disable them.

Global EQ:

These settings on Page 2 determine if/how equalization is applied for your outputs. This equalizer is a four-band parametric equalizer.

Tip: These settings are especially useful when a venue, rehearsal space, etc. has different acoustic characteristics than the room where you originally created your presets (e.g., the venue may sound “boomier,” or a rehearsal space with soundproofing may deaden some of the high end). This page lets you quickly apply some additional equalization to all of your presets without permanently saving them.

EQ On: This setting determines whether equalization is enabled (On) or disabled (Off) for the outputs.

Level: This setting determines if/how much the outputs’ audio signal level is boosted or cut. This value is

applied to the level set by the Master knob.

Low Band & High Band: These settings determine what type of equalization is applied to the lowest-

frequency band (Low Band) and to the highest-frequency band (High Band): Shelf or Cut.

Low, Low Mid, High & High Mid: The three settings for each of these four frequency bands determine the

shape of the equalization:

The first setting (Hz) determines the center frequency of the low-frequency band, low-mid-frequency band, high-frequency band, or high-mid-frequency band.

The second setting (dB) determines how much the equalizer boosts or cuts the signal at the corresponding frequency band.

The third setting (Q) determines the width of the frequency band. The higher the setting, the wider the band will be around the center frequency (the first setting). This setting is applied whether Low Band or

High Band is set to Shelf or Cut.

Alt Rig Footswitch View:

4 Rigs / No Hold: Change this setting to On to switch from Rig Mode to Alternate Rig Mode. See Footswitch

Modes to learn more.

Color Mod:

If you have trouble distinguishing certain colors on your Gigboard’s display or if you just want to further customize the color scheme, you can use the color mod parameters to adjust their default settings. While experimenting with the settings, a sample of your adjustments will be shown in real time. If you want to return to the default color scheme, the default settings are as follows:

Depth: 0% Color: 36 DEG Spread: 180 DEG

Note: The Color Mod feature is disabled when the Screen Lock feature is enabled.

Transferring Files & Settings

Over a USB connection, you can transfer rig, setlist, model preset, loop and/or impulse response (IR) files between your computer and the HeadRush Gigboard.

We recommend creating a backup copy of your files to your computer before you make any changes.

Important:

Do not disconnect or power off the HeadRush Gigboard during the process.

Any unsupported files will be ignored. You cannot transfer a folder or .zip/archive folder to/from

HeadRush Gigboard. Instead, transfer any supported files directly.

We recommend organizing the file structure of your rigs, setlists, model presets, and/or impulse response files on your computer so that it’s identical to the file structure as shown on the HeadRush Gigboard “drive.”

To transfer files between the HeadRush Gigboard and your computer:

1. Connect your computer to the HeadRush Gigboard’s USB port using a standard USB cable.

2. With your computer powered on, power on the HeadRush Gigboard using the power switch.

3. Tap the  button in the upper-right corner of the screen, and tap Global Settings.

4. In the Global Settings screen, tap the  button in the upper-right corner of the screen, and tap USB Transfer. On your computer, the HeadRush Gigboard will appear as a mass-storage device called HeadRush.

Windows users: If this is the first time you’ve connected it to this computer, you may need to wait a minute while it installs the class-compliant drivers.

5. Open the HeadRush drive. You can now freely click and drag contents between HeadRush and your computer. Note that any changes you make to the contents of your HeadRush are immediate and cannot be cancelled.

6. IMPORTANT: When you are finished transferring contents, you must unmount/eject the Headrush drive from your computer.

7. After the drive has been ejected, tap Sync on your HeadRush Gigboard to "commit" any changes you made to the contents of the HeadRush drive. An additional prompt will appear to confirm you have ejected the drive. Tap Proceed to continue or Cancel to continue accessing files on your computer.

As the HeadRush Gigboard analyzes and imports the files, a meter on the display will indicate its progress. The normal Global Settings screen will reappear when the process is finished. Do not disconnect or power off HeadRush Gigboard during the sync process.

Firmware Update Instructions

1. Connect the USB port on your HeadRush device to your computer, and ensure HeadRush device and your computer are powered on.

2. On your HeadRush device, tap the ••• icon in the upper-right corner, and tap Global Settings.

3. In the Global Settings screen, tap the ••• icon in the upper-right corner again, and tap Firmware Update. In the screen that appears, tap OK to continue. After restarting, the screen will show Update at the bottom edge.

4. Open the HeadRush Updater application for your operating system—Windows or macOS. (You can download the latest updater application from headrushfx.com)

5. When the updater window appears, click Update HeadRush. Do not disconnect or power off the HeadRush device or your computer until the update is completed.

6. When the update is completed, the updater window will display Done, and your HeadRush device will restart. Click Done to close the updater window.

7. Confirm your Headrush device is using the latest firmware—tap the ••• icon in the upper-right corner, and tap Global Settings. The firmware version will appear at the bottom of the screen.

Guía de inicio rápido (Español)

Introducción

Contenido de la caja

HeadRush Gigboard Cable USB Cable de corriente Tarjeta de descarga de software Guía de inicio rápido Manual sobre la seguridad y garantía

Importante: Visite headrushfx.com para descargar la guía del usuario completa.

Soporte

Para obtener la información más reciente acerca de este producto (documentación, especificaciones técnicas, requisitos de sistema, información de compatibilidad, etc.) y registrarlo, visite headrushfx.com.

Para obtener soporte adicional del producto, visite headrushfx.com/support.

Características

Panel superior

1. Pantalla: Esta pantalla multitáctil a todo color muestra información relevante para la operación actual de la HeadRush Gigboard. Toque la pantalla (y utilice los controles de hardware) para controlar la interfaz. Consulte

Funcionamiento básico para aprender cómo funciona.

2. Codificador: Utilice este codificador para desplazarse por las opciones de menú disponibles o ajustar los valores de los parámetros del campo seleccionado en la pantalla. Pulse el codificador para introducir su selección.

3. Indicadores de los interruptores de pedal: Estas luces indican si el pedal de percusión rítmica, configuración o escena asignada a cada interruptor de pedal se encuentra encendido (con luz fuerte) o apagado (con luz tenue).

4. Interruptores de pedal: Pulse estos interruptores de pedal para activar o desactivar el modelo o escena asignada o para cargar la configuración asignada.

5. Volumen principal: Gire esta perilla para ajustar el volumen de las salidas.

Panel trasero

1. Entradas de guitarra (1/4 pulg./6,35 mm, TRS): Conecte su guitarra a esta entrada utilizando un cable para instrumentos estándar.

2. Entrada auxiliar (1/8 pulg./3,5 mm, TRS): Conecte una fuente de audio opcional (por ej., un teléfono inteligente [smartphone], tableta, etc.) a esta entrada mediante un cable estéreo de 3,5 mm (1/8 pulg.).

3. Entrada del pedal de expresión (1/4 pulg./6,35 mm, TRS): Conecte un pedal de expresión opcional a esta entrada utilizando un cable TRS estándar de 6,35 mm (1/4 pulg.).

4. Entrada para interruptor de punta del pie de pedal de expresión (1/4 pulg./6,35 mm, TS): Conecte la salida del interruptor de punta del pie de su pedal de expresión opcional a esta entrada utilizando un cable TS estándar de 6,35 mm (1/4 pulg.).

5. Salidas (1/4 pulg./6,35 mm, TRS): Conecte estas salidas a las entradas de su amplificador, interfaz de audio, etc. Si sólo precisa utilizar una salida, utilice la que tiene el rótulo L/Mono.

Nota: Puede ajustar estas salidas para que envíen una señal de nivel amplificador o de nivel de línea (predeterminado) en el menú de ajustes globales.

6. Salida del interruptor de pedal del amplificador externo (1/4 pulg./6,35 mm, TRS): Conecte esta salida a la entrada del interruptor de pedal de un amplificador de guitarra externo para conmutar los canales o encender y apagar la reverberación en el amplificador utilizando la Gigboard.

¡IMPORTANTE! Conectar esta salida solamente amplificadores que tengan una entrada de interruptor de pedal con manguito en corto. Si conecta esta salida a cualquier otro tipo de entrada de interruptor de pedal puede causar daños permanentes en su equipo. Si no está seguro si su amplificador tiene una entrada de interruptor de pedal con manguito en corto, consulte el manual del amplificador o del fabricante para cerciorarse antes de continuar.

7. Salida para auriculares (1/4 pulg./6,35 mm, TRS): Conecte auriculares estéreo estándar de 1/4 pulg. (6,35 mm) a esta salida.

8. Salida de envío de efectos (1/4 pulg./6,35 mm, TRS): Conecte estas salidas a las entradas de otro módulo de efectos, un pedal de efectos o el retorno del bucle de efectos de un amplificador.

9. Entrada de retorno de efectos (1/4 pulg./6,35 mm, TRS): Conecte estas entradas a las salidas de otro módulo de efectos, un pedal de efectos o el envío del bucle de efectos de un amplificador.

Nota: Puede ajustar esta entrada de retorno de efectos para que reciban una señal de nivel de rack o de nivel de pedal de percusión rítmica (predeterminado) en Global Settings Menu.

10. Entrada de MIDI: (DIN de 5 patillas): Use un cable MIDI estándar para conectar esta entrada a la salida MIDI de un dispositivo MIDI externo opcional.

11. Salida MIDI (DIN de 5 patillas): Use un cable MIDI estándar de para conectar esta salida a la entrada MIDI de un dispositivo MIDI externo.

12. Puerto USB: Conecte este puerto USB a un ordenador utilizando un cable USB estándar. Esta conexión permite que la HeadRush Gigboard envíe y reciba la señal de audio digital desde y hacia su ordenador. También puede utilizar esta conexión para importar o exportar configuraciones, presets de modelos y listas de configuraciones.

13. Ventilación: Asegúrese de que esta ventilación no se encuentre obstruida mientras utiliza la HeadRush Gigboard.

14. Entrada de alimentación: Conecte esta entrada a una toma de corriente utilizando el cable de corriente incluido.

15. Interruptor de encendido: Pulse este botón para encender la HeadRush Gigboard. Mantenga pulsado este botón para apagar la HeadRush Gigboard.

789

Instalación

Los elementos que no se enumeran en Introducción > Contenido de la caja se venden por separado. ¡IMPORTANTE! En Global Settings Menu, asegúrese de ajustar las salidas para que envíen señales a nivel de

amplificador si está utilizando un amplificador de guitarra tradicional o a nivel de línea (predeterminado) si está utilizando un amplificador de respuesta plana y rango completo, mezclador, sistema de megafonía o interfaz de audio.

Guitarra

mplificador de respuesta plana y rango

completo o amplificador de guitarra tradicional

Pedal de

expresión

Entrada de interruptor de pedal de

lificador

¡IMPORTANTE! Conectar esta salida solamente a amplificadores que tengan una entrada de interruptor de pedal con manguito en corto. Si conecta esta salida a cualquier otro tipo de entrada de interruptor de pedal puede causar daños permanentes en su equipo. Si no está seguro si su amplificador tiene una entrada de interruptor de pedal con manguito en corto, consulte el manual del amplificador o del fabricante para cerciorarse antes de continuar.

Computadora

Toma de corriente

Pedales de percusión rítmica,

módulos, etc. de efectos externos.

Funcionamiento básico

Este capítulo describe algunas de las funciones básicas de la HeadRush Gigboard. Puede visitar

headrushfx.com para descargar la guía de usuario completa y obtener más información.

Pantalla principal

Toque para ver las listas de configuraciones.

Gire el codificador para desplazarse por los elementos seleccionables en la pantalla o para ajustar los parámetros. Pulse el codificador como si fuera un comando Enter.

Haga un doble toque sobre un modelo, In o Out para mostrar sus parámetros.

Toque su interruptor de pedal para activarlo o desactivarlo.

Importante: La secuencia de modelos en su cadena de señal no se reflejan necesariamente en los interruptores de pedal. Puede asignar libremente modelos a los interruptores de pedal disponibles sin modificar su cadena de señal en lo absoluto—y viceversa. Consulte Asignación de hardware para aprender sobre esto.

Toque y arrastre esta barra hacia abajo para ver la lista de configuraciones.

Nombre de la configuración.

Estos cuatro bloques muestran la función actual de los 4 interruptores de pedal.

Toque para guardar la configuración.

Este botón alterna las diferentes opciones de encaminamiento para una configuración.

Este botón activa o desactiva la reverberación y colas de retardo al pasar a otra configuración.

Para asignar un modelo (amplificador, gabinete o efecto) a una ranura vacía, tóquela () y luego utilice la lista que aparece. Consulte Configuraciones > Creación de una

configuración para aprender sobre esto.

Para mostrar la pantalla de ajustes de un modelo, tóquela dos veces. Su pantalla de ajustes aparecerá con su menú predefinido, parámetros y color asignado.

Cuando no se seleccione ningún modelo, estos parámetros serán los que asigne en la pantalla Asignación de hardware.

Para activar o desactivar un modelo, pulse el interruptor de pedal asignado a él o toque el interruptor de pedal del modelo en la pantalla.

Para cargar otra configuración (preset):

• Toque el  o  junto al nombre dela configuración actual en la pantalla.

• Toque el nombre de la configuración en la pantalla y luego gire el codificador.

• Pulse un interruptor de pedal asignado a un preset cuando la Gigboard se

encuentre en vista de configuración.

• Pulse un interruptor de pedal asignado a Prev Rig o Next Rig cuando la

Gigboard se encuentre en vista híbrida.

Para ver otras opciones, toque el botón  en la esquina superior derecha y luego toque una opción.

Para reacomodar los modelos de su cadena de señal,

toque y arrastre un modelo hacia otra ranura o entre los dos otros modelos (los que le siguen a esa posición se desplazarán una ranura hacia abajo en la cadena de señal).

Modos de los interruptores de pedal

Los cuatro interruptores de pedal de la HeadRush Gigboard se pueden usar para activar u omitir modelos (amplificadores, gabinetes o efectos) así como seleccionar escenas, configuraciones o listas de configuraciones. Estos interruptores de pedal se encuentran siempre en uno de cuatro modos:

Stomp, Rig, Hybrid o Setlist. Para cambiar el modo:

1. Mantenga pulsado el interruptor de pedal 1. Luego seleccione uno de los cuatro interruptores de pedal que corresponden a los cuatro modos: Stomp, Rig, Hybrid y Setlist.

2. Pulse un interruptor de pedal para entrar a eso modo.

Modo Stomp (pedal de percusión rítmica)

Los interruptores 1-4 corresponden a modelos (amplificadores, gabinetes o efectos) o escenas en su configuración. Pulse un interruptor de pedal para activar o desactivar su modelo.

Modo Rig (configuración)

Los primeros 2 interruptores de pedal corresponden a configuraciones que ha guardado. Pulse un interruptor de pedal para cargar su configuración.

Para mostrar el banco de dos configuraciones anterior, pulse el interruptor 3. Para mostrar el siguiente banco de dos configuraciones, pulse el interruptor 4.

Modo Rig alternativo

Para ingresar a la versión alternativa del Modo Rig, vaya a

la página 2 de los Ajustes globales y luego cambie el parámetro 4 Rigs / No Hold (4 configuraciones / Sin sostener) a On.

Los interruptores de pedal 1 a 4 corresponden a configuraciones que ha guardado. Pulse un interruptor de pedal para cargar su configuración.

Para mostrar el banco de cuatro configuraciones anterior, mantenga pulsado el interruptor de pedal 2. Para mostrar el siguiente banco de cuatro configuraciones, mantenga pulsado el interruptor 3. Nota: No se puede acceder al modo de manos libres o al generador de bucles cuando se utiliza el modo de

configuración alternativa.

Modo Hybrid (híbrida)

Los primeros 2 interruptores de pedal se pueden asignar a la activación o desactivación de un modelo o a la selección de una escena en la configuración actualmente seleccionada.

Para pasar a la configuración anterior, pulse el interruptor de pedal 3. Para pasar a la configuración siguiente, pulse el interruptor de pedal 4.

Modo Setlist (Lista de configuraciones)

Para entrar en la lista de configuraciones Todas las configuraciones, pulse el interruptor de pedal 1.

Para entrar en la lista de configuraciones que se muestra actualmente, pulse el interruptor de pedal 2. Para mostrar la lista de configuraciones anterior, pulse el interruptor de pedal 3. Para mostrar la siguiente lista de configuraciones, pulse el interruptor de pedal 4.

Configuraciones

Al utilizar la HeadRush Gigboard, una configuración es un preset: la combinación de modelos—amplificadores, gabinetes y efectos—asignados y los ajustes de los parámetros de cada uno de ellos. Puede crear, editar, guardar y cargar configuraciones para recuperar fácilmente el sonido perfecto para cada parte de su interpretación.

Cada configuración tiene 11 ranuras, cada una de las cuales puede tener un modelo (amplificador, gabinete o efectos) asignado a ella. Las ranuras asignadas exhibirán representaciones gráficas de los modelos y las ranuras vacías exhibirán un símbolo de .

Creación de una configuración nueva

Para crear una configuración nueva, toque el botón  ubicado en la esquina superior derecha de la pantalla y toque New Rig.

Para asignar un modelo (amplificador, gabinete o efecto) a una ranura vacía:

1. Toque la ranura vacía ().

2. En la lista que aparece, toque el tipo de modelo que desea asignar: Amp, Cab o efecto (Distortion, Dynamics/EQ, Modulation, Reverb/Delay, FX-Loop o Expression).

3. En la lista que aparece, toque el modelo que desea asignar.

4. En la siguiente lista que aparece, toque el preset que desea cargar para ese modelo.

Si carga un amplificador o gabinete en una ranura que tiene adyacente otra ranura vacía, se cargará automáticamente en la otra ranura un amplificador o gabinete que coincida con el de la primera ranura. A continuación, podrá configurarlos de forma independiente: puede separarlos en la cadena de señal, puede modificar el tipo de amplificador o gabinete y puede eliminar cada modelo por separado.

Tipos de modelos: amplificadores, gabinetes y efectos.

Modelos disponibles para cada tipo.

Presets disponibles para cada modelo.

Optimización de su cadena de señal

La cadena de señal es el recorrido realizado por la señal de audio desde su guitarra, a través de sus modelos seleccionados y hasta las salidas de la HeadRush Gigboard. Puede utilizar la pantalla táctil para acomodar sus modelos seleccionados en cualquier orden, pero encontrará que algunas configuraciones suenan mejor que otras.

Estas son algunas sugerencias sobre las ubicaciones más comunes de modelos para crear tonos con la HeadRush Gigboard:

• Los controles dinámicos (por ej., compresores), los filtros (por ej., wah, desplazadores de tono) y los pedales de volumen generalmente se ubican al comienzo de la cadena de señal. Como alternativa, puede colocar los pedales de volumen al final de la cadena de señal para lograr una leve variación de la funcionalidad.

• Los efectos basados en la ganancia (por ej., overdrive/distorsión, fuzz) suelen venir a continuación.

• La ecualización (EQ) se suele usar para dar forma a las características tonales a los efectos de

overdrive/distorsión y fuzz, así que coloque un ecualizador después de ellos. Como alternativa, colóquelo antes de ellos para darle forma al tono general de la guitarra—eliminando frecuencias no deseadas—antes de los pedales de ganancia

• Los efectos de modulación tales como flangers, phasers y coros suelen colocarse a continuación.

• Los efectos basados en el tiempo tales como retardos y reverberaciones se suelen colocar cerca del final de la

cadena de señal.

• Al final de la cadena de señal se suelen colocar un amplificador y un gabinete, aunque los puede colocar en donde desee.

Guardado de una configuración

Si ha modificado la configuración desde que lo cargó, verá un asterisco () junto a su nombre en la parte superior de la pantalla. Puede guardar estos cambios en esta configuración, guardar estos cambios como otra configuración o descartarlos.

Para guardar una configuración, toque Save en la esquina superior derecha.

Para guardar sus cambios en la configuración actual, toque Save. Para guardar sus cambios como una configuración nueva, toque Save New Rig, utilice el teclado que aparece para

introducir un nombre y luego toque Save. Para regresar a la pantalla anterior sin guardar, toque Cancel en cualquier momento. Para descartar cualquier cambio realizado en la configuración, toque el botón  de la esquina superior derecha y

toque Discard Changes.

Modificación de los ajustes

Para modificar los ajustes de un modelo de su configuración, tóquela dos veces para abrir su pantalla de ajustes.

Toque  para conservar sus cambios y regresar a la pantalla principal.

Gire el codificador para desplazarse por los elementos seleccionables en la pantalla o para ajustar los parámetros. Pulse el codificador como si fuera un comando Enter.

Toque el menú Preset para seleccionar un preset.

Toque este botón y toque Discard Changes para descartar cualquier cambio realizado desde la apertura de esta pantalla.

Consulte Guardado de un preset.

Toque el botón Off/On de un parámetro para modificar el ajuste del parámetro de manera acorde.

Toque el nombre del modelo para asignar un modelo diferente a esta ranura.

Toque Delete para desasignar el modelo de la ranura.

Toque un color para asignarlo a este modelo. Este color se mostrará en la pantalla principal, en la pantalla de Asignación de hardware y en el indicador del interruptor de pedal de este modelo.

Toque Cancel a fin de volver para descartar sus cambios y regresar a la pantalla principal.

Toque y arrastre un deslizador hacia la izquierda y la derecha para modificar los ajustes del parámetro. Como alternativa, toque el deslizador y utilice el codificador para realizar el ajuste fino.

Guardado de un preset

Para guardar un preset, toque Save en la esquina superior

derecha.

Para guardar sus cambios en el preset actual, toque Save. Para guardar sus cambios como un preset nuevo, toque Save New Preset, utilice el teclado que aparece

para introducir un nombre y luego toque Save. Para regresar a la pantalla anterior sin guardar, toque Cancel en cualquier momento.

Asignación de hardware

La pantalla de asignación de hardware le permite personalizar la manera en que los interruptores de pedal y el pedal de expresión de la HeadRush Gigboard controlan cada configuración.

Para abrir la pantalla de asignación de hardware, toque el botón  en la esquina superior derecha de la pantalla principal y luego toque Hardware Assign.

Para regresar a la pantalla principal, toque el botón  de la esquina superior izquierda.

Importante: Los ajustes de asignación de hardware son todos parte de la configuración general, así que recuerde guardar los cambios que desea conservar.

Para ajustar el color asociado con la configuración, tóquelo en la parte superior izquierda de la pantalla. Este color aparecerá junto al nombre de la configuración cuando visualice la lista de configuraciones disponibles o cuando vea y cree listas de configuraciones. También será el color del indicador del interruptor de pedal correspondiente cuando la HeadRush Gigboard se encuentre en Modo Rig.

Para ajustar el tempo de los efectos basados en el tiempo de la configuración (retardos, modulaciones, etc.), toque el botón bajo Tempo para seleccionar Current o Fixed.

• Current: La configuración usará el último tempo utilizado o el ajustado por el interruptor de pedal de Tempo. Para ajustar el tempo, pulse el interruptor de pedal de Tempo a la velocidad deseada 3-8 veces para ajustar el

nuevo tempo en pulsos por minuto (BPM).

• Fixed: La configuración usará el tempo que defina aquí. Para ajustar el tempo, gire el codificador para ajustar el tempo deseado en pulsos por minuto (BPM). Puede

ajustar el tempo únicamente desde esta pantalla de Asignación de hardware.

Para cargar una configuración cuando se recibe un cambio de programa proveniente de un dispositivo MIDI externo opcional o para enviar un mensaje de cambio de programa MIDI cuando se carga una configuración,

toque el botón que se encuentra bajo MIDI y luego gire el codificador para seleccionar un número de cambio de programa MIDI. Puede ajustar si los cambios de programa MIDI se reciben y/o envían en el menú Global Settings.

Nota: Si una configuración está utilizando un número, dicho número no estará disponible y no podrá asignarse otra configuración. Adicionalmente, guardar una configuración con un nombre nuevo grabará la configuración, pero sin el número de cambio de programa para evitar que las configuraciones compartan el mismo número.

Interruptores de pedal

Las ocho casillas en la esquina inferior izquierda representan los ocho interruptores de pedal del medio de la HeadRush Gigboard. Puede asignar cualquier parámetro basado en interruptores (aquellos que sólo tienen dos estados) a cualquiera de los interruptores de pedal—independientemente de su ubicación en la cadena de señal.

Como asignar un parámetro a un interruptor de pedal:

1. Toque una casilla.  indica una casilla vacía.

2. En la lista que aparece, toque el modelo con el parámetro que desea asignar.

3. En la lista que aparece, toque el parámetro que desea asignar. Generalmente, el parámetro simplemente estará en On (para activarlo o desactivarlo).

Toque Unassigned  para desasignar ese interruptor de pedal.

Para intercambiar dos asignaciones, toque y arrastre una de ellas sobre la otra y luego suéltela.

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