Harris 99-1600-08, 99-1600-16, 99-1600-24 Operation & Technical Manual

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Page 1

Broadcast

Console

8-input console: 99-1600-08 16-input console: 99-1600-16 24-input console: 99-1600-24

Operations

Technical

Manual

PRE75-54PRE75-54

PRE75-54

PRE75-54PRE75-54

Revision A • 6/06

Broadcast Communications Division

www.broadcast.harris.com

Page 2

HARRIS CORPORATION

Revision A • 6/06

Page 3

Contents

CE Declaration of Conformity........................ iv

Safety Instructions ......................................... v

Hazard/Warning Label Identification............. v

1 - INTRODUCING NETWAVE

Product Overview ....................................... 1-1

Specifications .............................................. 1-8

Warranty................................................... 1-10

2 - INSTALLATION

Console Installation..................................... 2-2

Cabling and W iring ................................... 2-18

Mic Remote Control Logic Example.......... 2-27

Basic Peripheral Logic Example................ 2-28

Complex Peripheral Logic Example .......... 2-29

VistaMax Network Connections ................ 2-30

3 - USING NETWAVE

Console Overview .........................................3-1

Dual Fader Panel..........................................3-3

Dual Router Panel........................................ 3-4

Monitor Control Panel..................................3-5

Reflective Console Display............................3-9

NetW ave Applications................................3-10

Stand Alone Operation ..........................3-10

Telco/Codec Operation..........................3-11

5- SERVICING NETWAVE

Parts and Repair Services............................ 5-1

Spare and Replacement Parts...................... 5-2

Console T roubleshooting.............................. 5-3

Control Panel Service .................................. 5-3

Console Display Service............................... 5-5

48 V olt Supplies .......................................... 5-6

Product Description .................................... 5-7

6 - NETWAVE ACCESSORIES

Furniture and Cabinetry .............................. 6-1

Accessory Panels......................................... 6-1

Headphone Distribution Amp ..................... 6-3

ESE/SMPTE Master Clock ......................... 6-4

NetWave Upgrade Kits................................ 6-5

Mic Remote Panel Cables ............................ 6-6

INDEX

A - C ..................................................... Index-1

C - I.......................................................Index-2

I - P ...................................................... Index-3

P - W ....................................................Index-4

4 - LINKING NETWAVE

Linked NetWa ve Consoles............................4-1

Verifying Software Versions .....................4-1

Linked NetWave Features .......................4-2

Linked NetWave Setup.................................4-2

Signal Setup Details .....................................4-9

Macro Files ................................................ 4-10

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HARRIS CORPORATION

Revision A • 6/06

Page 4

Declaration of Conformity

HARRIS CORPORATION

Revision A • 6/06

Page 5

Safety Instructions

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c. If the product has been exposed to rain or water. d. If the product does not operate normally (following

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Hazard/Warning Label Identification

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RISK OF ELECTRIC SHOCK

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WARNING: SHOCK HAZARD - DO NOT OPEN

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WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THE POWER SUPPLY OR CONSOLE TO RAIN OR MOISTURE.

ARNINGARNING

ARNING—This e qu ip me nt generates, use s, and can radiate radio frequency ener gy. If no t installed and used in accordance with the instructions in this

ARNINGARNING manual it may cause interference to radio communications. It has been tested and found to comply with the limits for a Class A computing device (pursuant to Subpart J of Part 15 FCC Rules), which ar e designed to pro vide reasonable prot ection against such interference when operated in a commercial environment. Operation of this equipment in a residential area is likely to cause interference, in which case the user, at his own expense, will be required to take whatever measures may be required to correct the interference.

product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock.

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HARRIS CORPORATION

Revision A • 6/06

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HARRIS CORPORATION

Revision A • 6/06

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Introducing NetWav e

NetWave-16 Console

Thanks for joining the growing ranks of

broadcasters employing Harris Corporation prod-

ucts designed by PR&E. Our mission: provide the

finest quality products, systems , documentation and

after-sale support.

To obtain the maximum benefit from the

NetWave’s capabilities, read through the chapters

Installation

product installation.

and

Operation

prior to the actual

NetWave consoles hav e these parts:

• Main Frame: with 8, 16 or 24 channel slots

• Monitor & Output Card: one per console

• DSP & I/O Card: one on 8-input frames; two on 16-input frames; three on 24-input frames

• Monitor Panel: one per console

• Dual Fader Panel: four on 8-input frames; six on 16-input frames; nine on 24-input frames

• Reflective Display: clock, timer and two meters are standard, an additional two meters can be added to the NetWave-16 and NetW a ve-24

• Dual Width Blank Panel: two standard on NetW ave-16; three on NetWave-24 (cover the unpopulated channel slots)

• 48-volt Supply: an in-line supply is standard on the NetWave-8 and NetWave-16; a rackmount supply is standard on the NetW a ve-24 (optional on the other frame sizes)

• Installation Materials: installation kit; NetWave CD-ROM; NetWave Quick Guide

• Toolkit (optional): 76-1901 toolkit

• Printed Manual (optional): 75-54 NetWave Installation & Operation manual

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1 Introducing NetWave

Product Overview

NetWave is a low-profile, digitally-controlled, VistaMax-compatible audio console that sits on the countertop. Three frame sizes are available, with 8, 16 or 24 channel slots .

Each NetWave operates as a stand-alone console but, for maximum flexibility and usability, can be tied into any VistaMax system (running 500-series code) by installing the optional Link Activation Kit (99-1425). The kit activates the built-in VistaMax Link which, via a single CAT-5e cable, ties the console to a VistaMax or Envo y Hub card to allow any system source (audio signals or audio signals with logic) to be routed to any NetW a ve channel and to the External Monitor inputs.

The VistaMax Link also sends a number of NetWave signals to the VistaMax system including: one input from each channel (either the local analog or digital input can be chosen); each program bus output; both mix-minus outputs (which ha ve both a clean feed and an IFB feed); the two channel Telco record output; and the stereo cue bus. These signals can then be routed to an y VistaMax system destination as required.

To further enhance a “Linked” console, an optional Dual F ader panel upgrade, the Dual Router Kit (99-1424), is also available. This kit adds in VistaMax source selection ability to both channels on any Dual Fader panel.

The Reflective Displa y , with two stereo bargraph meters (PGM 1 and auxiliary), a clock which can be slaved to an ESE or a SMPTE master clock and an Event Timer, is integrated into the frame behind the control panels. Quad meter displa y kits are available for the NetWave-16 (99-1990-16Q) and for the NetWave-24 (99-1990-24Q) to add dedicated Program 2 and Program 3 meters.

Two 48-volt power supplies are used with NetWave consoles: a rack mount supply (99-1205), which is the same one used with VistaMax and

Envoy card frames and RMXd and BMXd consoles, comes standard with the NetWave-24; while an in-line supply (50-27) comes standard with the NetW av e-8 and 16 frame sizes. A 99-1205 supply can also be used on the smaller NetWave frames.

An optional 90-1995 Power Coupler is available to allow any NetWave console to be redundantly powered by coupling in a second matching 48-volt supply.

The NetWave has an all-aluminum chassis, which fully contains all circuit board electronics, for strength and RFI immunity. To ensure silent operation, all NetWave parts (console frame, control panels, console display and power supplies) are convection cooled—meaning no fans, and completely silent operation.

All user audio and logic connections are made from the top rear of the frame. Connector access is via a removable flip-open cover which hides the cabling and connectors during normal operation.

NETWAVE CONSOLE CONNECTIONS

•Monitor & Output Card:

» Four stereo Program bus outputs (each with

separate analog and AES digital outputs)

» Three stereo analog control room outputs (for

a room monitor amp and for separate host and guest headphone amps)

» Three stereo analog studio outputs (for a stu-

dio monitor amp and for separate host and

guest headphone amps) » Two stereo analog External Monitor inputs » Two mono analog Mix-Minus outputs

Monitor and Output Card Connections

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DSP and I/O Card Connectors and Channel Setup Controls

1 Introducing NetWave

» Separate control room and studio logic con-

nectors (warning interface output, logic I/O for dim and mute control, talk logic output)

•DSP & I/O Cards: » Sixteen stereo/dual mono audio inputs (eight

analog and eight digital), assignable as the A or B source for the eight channel control strips associated with that card

» Eight channel logic connectors, assignable to

either the A or B source for the eight channel control strips associated with that card

•Other Connections: » One 1/4" TRS jack for the board operator

headphones, left side panel

» One RJ-45 VistaMax Link connector for a

CAT-5e cable (requires the optional Link Activation Kit be installed)

» One keyed connector for the 48-volt power

supply supplied with the console

» Four , eight or twelve internal RJ-45 sockets to

supply power and signals to the Dual Fader panels

» Four, eight or twelve internal and rear panel

LAN passthru RJ-45 sockets for standard CAT-5 cabling to connect the optional Dual Router Kits to the VistaMax LAN

» One ESE or SMPTE master clock input on

the clock-timer board

» One Timer Reset output, for a studio event

timer , on the clock-timer board

MAIN COMPONENT DESCRIPTIONS

NetWave board operators use three parts: the Dual Fader panels; the Monitor panel; and the Reflective Console Display . Each is cov ered in this section along with descriptions for the other parts making up the console: 48-volt power supplies, the Monitor & Output card, the DSP & I/O card, the VistaMax Link and the optional upgrade kits.

NetWa ve Dual Fader Panels

Each Dual Fader panel has two channel control strips. Each strip has the following features: sepa-

rate channel on and off buttons; a 100mm fader for channel level control; cue on/off button; A and B source selector buttons with a Take button; active source illuminated label; and five bus assignment buttons (four Program and one Offline).

Channel control is digital, so no audio ev er travels through the Dual Fader panel. In fact, a Dual Fader panel can be swapped “hot” without affecting either channel’s audio performance.

Each Dual F ader panel plugs into a DSP & I/O card using a single red

Dual Fader Panel

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1 Introducing NetWave

CAT-5 cable. Since each DSP & I/O card carries eight audio channels, up to four Dual Fader panels are plugged into each DSP & I/O card.

Each Dual F ader channel control strip has two audio inputs and one logic I/O connector associated with it on the DSP & I/O card. Since each channel strip has two possible sources (A and B), which audio input is used for each source is assigned during console setup . In the standard, nonlinked, NetWave console the two possible inputs are the local analog input or the local digital input assigned to that channel on the DSP & I/O card. When the NetWave is linked to a VistaMax system, there are three selections per source: the local analog input, the local digital input, or a routed VistaMax source.

The operating parameters for each source, on each channel, are independently set during console setup through a common group of setup buttons and LEDs on each DSP & I/O card (shown in the illustration on the previous page). These controls set the parameters used when the A and the B source is selected. The parameters include: input type (is the input a control room mic, a studio mic, a line input or a Telco input?); whether logic is be associated with that input; whether the event timer is reset at channel on; whether fader start is active; etc. The parameter settings are stored in nonvolatile RAM.

The channel strip’s A and B select buttons are used along with the Take button to choose the active source for that channel. W hen the A source is active, yellow LEDs backlight the A source label under a smoked polycarbonate window above the A button, and the A button is lit. When the B source is active, red LEDs backlight the B source label above the fader and the B button is lit.

Setting a channel source to use the logic I/O means the channel can remotely control a peripheral device (mic control panel, CD player, computer playback system, etc.) and that peripheral

can also control the channel. The logic I/O provides fully independent parallel logic functions that: outputs start and stop pulses to line devices (on and off tallies to mic panels); receives channel on, off, cue and reset/ready commands from line devices (on, off, cough and talkback commands from mic panels).

Dual Router Channels

The optional Dual Router Kit changes the A/B selector buttons on both channels of any Dual Fader panel into VistaMax source selector Up/ Down buttons. To use this functionality, the console’s VistaMax Link must be active.

Dual Fader panels that have the Dual Router Kit installed are easily identified by the two 10character signal name displays under the top half of the smoked polycarbonate lens above the fader . The display normally shows the name of the cur-

rent VistaMax source feeding that channel. But, when finding the next source by pressing an Up or Down button, the displayed name switches to show a potential Next Source for that channel. The yellow Next label above the Up button lights while the Next Source name is displayed. Holding down, or repeatedly tapping the Up or Down button, steps alphanumerically through the list of potential Next Source names available on that channel.

Once the desired

Dual Router Panel

source name is shown,

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1 Introducing NetWave

pressing the Take button selects that source—when the channel is off. New routed sources cannot be taken when the channel is on (the On button flashes three times to indicate the next source cannot be taken while the channel is on). But, a next source can be pre-selected and then taken once the channel is turned off.

Which sources are seen when the Up and Down buttons are pressed on the router channel is set using the VistaMax Control Center (VMCC) software, vers 1.1 or later. Each channel could be assigned anywhere from one source up to every av ailable source in the VistaMax system in its selection list. In regular use, the signal list is kept short to make it easy for board operators to easily find desired sources. If a board operator needs to selected a source that is not shown, pressing both the Up and Down buttons together turns on the Include All function, lighting up the red Include All label. Every source available to the console’s parent device is now displayed. Pressing both Up and Down buttons together again turns off the Include All function.

The VMCC 1.1 software is included on the NetWave CD-ROM (99-5001) that comes with the console.

To integrate the NetWave with a VistaMax or Envoy card frame, the VistaMax devices must be running 500-series code. The current operating system code build can be viewed by opening the release.txt file on the parent card frame or by using Community Monitor, another program included on the NetWave CD-ROM.

Operating System Code build,

as shown in the release.txt file

Monitor Panel

This standard panel is divided into three sections separated by double graphic lines. From left to right the sections, divided by main function, are: Aux Meter control; Control Room control; and Studio control.

Monitor Control Panel

Aux Meter Section

The top of all three sections have exclusiv e action source selector buttons to select one monitor signal from the PGM 1 thru 4 buses and the two External Monitor inputs. In the Aux Meter section, the buttons select which signal feeds the right-most meter in the Reflective Display, with the selected source name shown below the Aux Meter.

Note that the Aux Meter is normally set to alternately display the cue levels while cue is active (when the cue label is lit, Cue is displayed below the meter and the cue level is shown).

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1 Introducing NetWave

Several Control Room controls are located below the meter selector buttons in this section of the panel. They are covered in the Control Room Section that follows.

Control Room Section

The middle of the panel has the control room monitor source selector buttons and the two faders to control the room monitor speaker level and the operator headphone output level.

Any one source can be selected to feed all control room monitor outputs. The active source button lights to indicate its selection.

A cue speaker, at the left end of the console display, is level controlled by the cue pot in the middle of the left-hand section. A cue indicator (yellow) lights while cue is active.

A talkback pot controls the level of incoming talkback that feeds the cue speaker independently of the cue volume pot. A Talk to Control Room indicator (red) lights while a studio microphone is talking to the control room.

A control room monitor output fader and the operator headphone output fader are at the bottom of the center section.

The signal mode for both the control room and studio outputs is set by the Monitor Mode buttons in the left-hand section (below the cue and talkback pots). The L and R buttons control whether the monitor signal for all outputs is stereo (when neither button is lit), left only (when L is lit), right only (when R is lit) or a mono sum signal (when L and R are both lit) where the left and right signals are summed together to feed all monitor outputs.

Just below the R mode button is the AutoCue button. When lit, the operator’s headphone output automatically switches to feed the cue bus into the operator’s headphones while cue is active. When unlit, cue activity does not affect the board operator’s headphone audio. AutoCue has two

modes of operation (set by switch DS1-3 on the Monitor & Output card). The default setting is Split Cue, where the monitor and cue audio are separately summed to mono before feeding the operator headphones. Cue audio is sent to the one ear while the monitor audio goes to the other ear . T his is typically used when the console is in an on-air studio.

The second AutoCue mode is Stereo Cue, where stereo cue audio replaces the monitor audio source in the headphones. This setting may be desirable for production rooms and other off-air applications.

Studio Section

The right-hand section of the Monitor panel has the monitor source selection buttons and level controls for a separate talk or voice studio. One source can be selected from among the six buttons at the top of the center section. The selected source button lights to indicate its selection.

The two pots in this section control the output level of a dedicated studio monitor output (Monitor) and the amount of talk to studio audio (Talkback) that is fed to the monitor output.

This section of the Monitor Control panel also has a Talk to Studio button to allow the board operator to talk to the studio using the board operator mic. If desired, multiple control room mics can be assigned as talk sources to enable both a board op and a producer to talk to the studio without having to add a mic control panel.

Five event timer control buttons are at the bottom of this section. Start, Stop, Hold and Reset manually control the event timer in the Console Display. When the Auto Reset button is lit, the timer can be reset automatically when a channel is turned on. Which channel sources reset the timer are set during installation using the DSP & I/O card setup controls.

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1 Introducing NetWave

Reflective Console Display

The integrated Reflective Console Display is located just behind the Dual Fader and Monitor panels. The standard display has two stereo bargraph meters with the left one showing the PGM 1 output levels. The right-hand, or Aux Meter, shows a source selected using the Meter source controls on the Monitor panel. Two more stereo bargraph meters (for Program 2 and Program 3) can be added to the larger frame sizes by installing the optional Quad Meter kit.

A time of day clock and an event timer are also in the Console Display . The default operating mode for the clock is autonomous, meaning the clock runs independently and must be set by hand. The clock time remains current for about three days with the power off. After that, the time must again be set. The clock can alternately be slaved to a SMPTE, ESE TC-89 or ESE TC-90 master clock. In this mode, the time set buttons are not active.

The event timer is controlled by Monitor panel buttons, as well as reset commands from one or more channels when the Auto button is lit.

Monitor & Output Card

Each NetW a ve console has one Monitor & Output card with the user connections listed on page 1-2. The Monitor panel plugs into the Monitor & Output card, receiving power and control signals. The card also supplies power and clock signals, and sends and receives bused audio signals, to the DSP & I/O cards via a short flat cable jumper.

There are two LEDs, to indicate operational status (DSP clock and F ail), and a console reset button located on the Monitor & Output card.

The Monitor & Output card is located below and behind the Monitor panel and Reflective Console Display. In normal operation the card connections are hidden by a cosmetic flip-open rear cover.

DSP & I/O Cards

Each DSP & I/O card (Digital Signal Processor plus Inputs and Outputs) has the setup controls, audio inputs and logic I/O connectors for eight console channels. The channels are on the four Dual F ader panels that mount directly in front of each card. A DSP Active and a Fault LED indicate operational status on each card.

There is one DSP & I/O card on NetWave-8 consoles, two on NetWave-16 consoles and three on NetWave-24 consoles. In normal operation, the DSP & I/O cards are completely hidden from the operator by a cosmetic flip-up cover.

Each DSP & I/O card has twelve RJ-45 connectors. Eight are internal connectors for four Dual F ader panels (using red CA T-5 cables supplied with the frame); the other four RJ-45 connectors are for optional Dual Router Kits (which plug in using a supplied blue CAT-5 cable). Customer-supplied CAT-5 cables then connect the Dual Router kits to the VistaMax LAN using the four rear panel RJ-45 passthru connectors.

Each DSP & I/O card has a common set of assignment buttons and indicator LEDs to assign the parameter settings for each A and B source on the eight channels associated with that DSP & I/O card. The setup parameters include: input selection (analog, digital or network); mode selection (stereo, L, R or mono); signal function (mic, line, Telco); whether the logic I/O is active; input left and right gain trims for both analog and digital inputs; network source assignment; and other logic settings.

Pow er Supply

Two different power supplies are used with NetWave consoles. Each has a single 48-volt output on a keyed DC connector and each is supplied with a detachable IEC AC cord.

An in-line supply (50-27) is standard on the NetWave-8 and -16 consoles. It has a captive six foot

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1 Introducing NetWave

DC cable which allows the supply to sit below the console within the cabinetry. This supply is not recommended for use with a NetWave-24 console.

NetW av e-24 consoles ship with a Universal 48volt Supply (99-1205), which is also used by VistaMax card frames and RMX soles. A fifteen foot detachable DC cable (90-1858-

1) connects that supply to the console.

One supply, either the 50-27 or the 99-1205, comes standard with each console. A second matching redundant supply can be connected to any NetWave console by using the optional 901995 Power Coupler.

NOTE: When adding a 99-1205 supply for redundant powering, order a 99-1205-1 supply (it includes a 90-1858-1 fifteen-foot DC cable).

The 99-1205 supply has a recessed front panel on/off switch and a green LED to indicate the 48volt output is good. The 50-27 supply has a green LED on the top of its case to indicate its 48-volt output is good but it does not have a power switch.

Each supply is designed for continuous 24/7 operation and is fully regulated and protected against excessive current by internal fuses and electronic safeguards.

and BMXd con-

VistaMax Link

The RJ-45 VistaMax Link connector is located next to the DC input connector on the rear panel. This connector links the NetWave console to a VistaMax or Envoy Hub card in order to network the console with a VistaMax system. The optional Link Activation Kit must be installed to use the Link connection.

Once activated, the Link sends up to 32 stereo signals (the four program buses, cue bus, Telco record output, two dual channel mix-minus signals and one input from each channel) to a VistaMax network as source signals. Up to 26 ste-

reo destinations (two routed External Monitor inputs and one input for each channel) are routed from the VistaMax system to the console.

Specifications

Listed for the basic signal paths, per channel, with 100k ohm loads connected to the analog program outputs in a full NetWave-24 frame.

0 dBu=0.775 volts RMS, regardless of circuit impedance (equal to 0 dBm into 600 ohms). Noise measurements done using a 20 kHz bandwidth (add 1.7 dB for a 30 kHz bandwidth).

Total Harmonic Distortion (THD+N) is measured using a +18 dBu output with a swept signal and a 20 kHz low pass filter.

FSD (Full Scale Digital) = +24 dBu

Analog Line Inputs

Input Impedance: >60 k ohms, balanced Nominal Input Level: +4 dBu (each input can be

independently trimmed by +/-15dB)

Input Headroom: 20 dB above nominal input

Analog Outputs

Output Source Impedance: <3 ohms, active balanced Output Load Impedance: 1k ohms min. Nominal Output Level: +4 dBu Maximum Output Level: +24 dBu

Digital Inputs and Outputs

Reference Level: 20 dB below FSD Input Level: each input can be independently

trimmed by +/-15 dB

Signal Format: AES-3, S/PDIF (input only) AES-3 Input & Output Compliance:

conversion

Digital Reference:

slave (external) at 48 kHz ±100 ppm

Internal Sample Rate: Output Sample Rate: 48 kHz nominal (each can be

set for 44.1 kHz)

Crystal (internal) or VistaMax

48 kHz

24-bit sample rate

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1 Introducing NetWave

Digital Inputs and Outputs (cont.)

Processing Resolution: 24-bit fixed with extended

precision accumulators

Conversions:

sampling on all digital inputs; D/A: 24-bit, Delta-Sigma, 128x ov ersampling

Latency:

A/D: 24-bit, Delta-Sigma, 128x over -

<600µs, an y input to monitor output

Monitor Outputs

Output Source Impedance: <3 ohms, activ e balanced Output Load Impedance: 1 k ohms min. Output Level: +4 dBu nominal, +24 dBu max.

Frequency Response

Input to Program Output: +0.3 dB/-0.1 dB, from

20 Hz to 20 kHz

Dynamic Range

Analog Input to Analog Output: 106 dB referenced to

FSD, 108 dB “A” weighted to FSD

Analog Input to Digital Output: 108 dB referenced to

FSD, 110 dB “A” weighted to FSD

Digital Input to Analog Output: 108 dB referenced to

FSD, 111 dB “A” weighted to FSD

Digital Input to Digital Output: 115 dB

Total Harmonic Distortion + Noise

Analog Input to Analog Output: <0.003%, 20 Hz to

20 kHz (<0.002% typical at 1k), +18 dBu input, +18 dBu output

Analog Input to Digital Output:

20 kHz,+18 dBu input, -6 dB FSD output

Digital Input to Analog Output:

20 kHz (<0.002%, typical at 1 kHz), -6 dB FSD input, +18 dBu output

Digital Input to Digital Output:

20 kHz, -6 dB FSD input, -6 dB FSD output

<0.0009%, 20 Hz to

<0.003%, 20 Hz to

<0.0005%, 20 Hz to

Crosstalk Isolation

Program-to-Program: -85 dB, 20 Hz to 20 kHz

Console Power Requirements

Measured at 120 V AC/60 Hz.

NetWave-8: 54 watts NetWave-16: 99 watts NetWave-24

141 watts

Required Supply Voltage

NetWave-8: +48 VDC @ 1.2 amps NetWave-16: +48 VDC @ 2 amps NetWave-24

One power supply included. The NetW a ve-8 and

NetW av e-16 use a 50-27 supply . The NetWave24 uses a 99-1205 supply.

An optional Power Coupler (90-1995) is avail-

able for adding a matching redundant supply for on-air consoles.

+48 VDC @ 3 amps

Power Supply Ground

Rack mount or in-line power supply: grounded through

the AC input cord ground pin

Power Supplies

AC input voltage & frequency: 90-240 V AC, 50/60 Hz AC input: detachable IEC power cord DC output: Uses a keyed, latching connector on a

captive cable on the 50-27 supply or a detachable cable (90-1858-1) on the 99-1205 supply

Dimensions

All NetWave consoles: 3" [76] max height abov e coun-

tertop, except for console reflector, 6" [152]. Front-to-back depth is 21" [533].

NetWave-8 is 20" [508] wide NetWave-16 is 32.4" [823] wide NetWave-24 is 45.2" [1148] wide 50-27 (in-line supply for NetWave-8 and NetWave-16):

2" [51] x 3.8" [97] x 9.5" [241]

99-1205 (rack mount supply for NetWave-24):

2 RU: 3.5" [89] x 19" [483] x 10" [254]

All dimensions: Height x Width x Depth.

Stereo Separation

Analog Program Outputs: >90 dB, 20 Hz to 20 kHz

Harris Corporation reserves the right to change

specifications without notice or obligation

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1 Introducing NetWave

Warranty

NetWave consoles carry a manufacturer’s warranty which is subject to the following guidelines and limitations:

A) Except as expressly excluded herein, Harris

Corporation (“Seller”) warrants equipment of its own manufacture against faulty workmanship or the use of defective materials for a period of one (1) year from the date of shipment to Buyer. The liability of the Seller under this Warranty is limited to replacing, repairing or issuing credit (at the Seller’s discretion) for an y equipment, provided that Seller is promptly notified in writing within five (5) days upon discovery of such defects b y Buyer , and Seller’ s examination of such equipment shall disclose to its satisfaction that such defects existed at the time shipment was originally made by Seller, and Buyer returns the defective equipment to Seller’s place of business per the Seller’s RA procedures and directions, packaging and transportation prepaid, with return packaging and transport guaranteed.

E) This Warranty is void for equipment which has

been subject to abuse, improper installation, improper operation, improper or omitted maintenance, alteration, accident, negligence (in use, storage, transportation or handling), operation not in accordance with Seller’s operation and service instructions, or operation outside of the environmental conditions specified by Seller.

F) This Warranty is the only warranty made by

Seller, and is in lieu of all other warranties, including merchantability and fitness for a particular purpose, whether expressed or implied, except as to title and to the expressed specifications contained in this manual. Seller ’s sole liability for any equipment failure or any breach of this Warranty is as set forth in subparagraph A) above; Seller shall not be liable or responsible for any business loss or interruption, or other consequential damages of an y nature whatsoever, resulting from any equipment failure or breach of this warranty.

B) Equipment furnished by the Seller, but manu-

factured by another, shall be warranted only to the extent provided by the other manufacturer.

C) Thermal filament devices, such as fuses or

lamps, are expressly excluded from this warranty.

D) The warranty period on equipment or parts

repaired or replaced under warranty shall expire upon the expiration date of the original warranty.

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Installation

The NetW ave console sits on the countertop

on four rubber feet. One cable access cutout is re-

quired under the frame for cabinet wiring to cleanly

connect to the console connectors. These are hid-

den under a cosmetic cover after installation. For

security and stability , the console should be fastened

The NetWave console shipment contains:

• NetWave main frame, loaded with DSP & I/O and Monitor & Output cards; a Monitor panel; Dual Fader panels (NetWave-8 has four; NetW ave-16 has six plus two dual blanks; NetW av e24 has nine plus three dual blanks); optional items ordered (additional Dual Fader panels, VistaMax Link Activation Kit, Dual Router Kits, Quad Meter Package)

• 48-volt DC power supply (50-27 in-line supply or a 99-1205 rackmount supply and DC cable)

to the countertop using two #8 or #10 screws or

bolts (not supplied). Two .256" chassis holes be-

hind the front two feet are provided for this. F rame

sizes and cutout dimensions are listed below .

Dimension Table

Frame Size Width Cable Access Dims.

NetWave-8 20" [508] 2" x 17" [51 x 432]

NetWave-16 32.8" [833] 2 NetWave-24 45.6" [1158] 2" x 43" [51 x 1092]

NetWave consoles are 21" [534] deep (from the front of the palm rest to the back tips of the side panels). Add .5" [13] additional clearance behind the console in order to fully open the connector cover when the console’s rear is against a wall.

The console height above the countertop is 3" [76], except for the console display reflector, which is 8" [203] above the countertop.

Typical console setback from the countertop edge to the palm rest is between 6" [152] and 12" [305].

Millimeter dimensions listed in brackets. All dimensional tolerances are:

±¼" [6.4].

x 30" [51 x 762]

• Installation kit (MOD IV housings and receptacle contacts, blank source name labels)

• Channel Setup Stylus Tool

• Reflector for the Console Display

• NetWa ve Quick Guide

• NetWave CD-ROM

See Dimension Table for Width

234567890123456789012

18.5"

Setback

(typ. 6" - 12")

CABLE ACCESS OPENING

.256" holes to fasten

console to countertop

NetWave-8 console with Dual Fader and

Monitor Control panels removed

COUNT ERTOP EDGE

21"

Cable Access Cutout & Console Mounting holes

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2 Installation

Console Installation

The 99-5001 NetWave CD-ROM has several video files on console installation; on installing optional items; on setting up the console channels; and on typical console operations.

GENERAL WIRING INFO

To facilitate console installation, create a wire list of all console interconnections to and from peripheral devices. Identify and create tags for each audio and logic cable. List these connections in a master facility wiring logbook to ease installation, future system wiring or equipment changes and system troubleshooting.

Pages 2-18 to 2-22 cov er wire preparation and connector installation. Page 2-23 has block diagrams for the various NetWave logic connectors. Pages 2-27 to 2-30 show typical peripheral connections for a mic, a CD player, a computer playback system and linking to a VistaMax system.

Audio cables to/from the console should always be run with the maximum practical distance from all AC power mains wiring within the cabinetry. The console’ s 48-volt power cable carries only DC voltage so audio wiring can run parallel or be tie wrapped to this cable without problem.

The channel audio and logic wiring connects sequentially along the back of the console in eight channel groups. The chassis metal is cutaw ay between the DSP & I/O cards to facilitate getting

the connectors and wiring up through the countertop.

To ease installation, break out each group of cables, using the dimensions shown below as measured from the right end of the cutout. Cabling is normally broken out and tie wrapped to the bottom of the countertop just behind the cable cutout. Lea ve a six to eight inch service loop on each cable to ease installation and future wiring changes. This extra cabling hangs down into the cabinet (or the cable tray) after being connected.

The monitor and program outputs connect at the right corner of the console along with the 48volt supply, the optional Link cable and the technical ground wire. The chassis is also cutout in this area to ease installation.

Plug in all audio and logic cables first. Then route the excess cabling (i.e., service loops) into the cabinet by folding the audio and logic wires over their connectors and arranging the cables to go into the gap between the connectors and the flip-up connector cover such that the cover sits down onto the chassis behind the console display .

The technical ground wire, DC cable and any Link and LAN cables can now be connected.

POWER SUPPLY PLACEMENT

Two types of power supplies are used with NetWave consoles. Each has a single 48-volt DC output using a keyed and locking connector. Each uses an IEC AC input cable which is shipped with a USA-type plug. The AC connector, or the IEC

41" 28" 16" 1" 0"

AUDIO INPUTS & LOGIC I/O

CH 1-8 (NETWAVE-24)

AUDIO INPUTS & LOGIC I/O

CH 9-16 (NETWAVE-24)

CH 1-8 (NETWAVE-16)

Console Connections with Access Points (measured from the right end of the cable cutout)

HARRIS CORPORATION

AUDIO INPUTS & LOGIC I/O

CH 17-24 (NETWAVE-24)

CH 9-16 (NETWAVE-16)

CH 1-8 (NETWAVE-8)

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CR AND STUDIO AUDIO & LOGIC OUTPUTS, PGM BUSES & MIX-MINUS OUTPUTS, EXT MON INPUTS, TECHNICAL GROUND POINT, 48VDC SUPPLY INPUT, LINK CONNECTOR

Page 19

2 Installation

cord, will have to be changed for overseas operation. Both supplies operate from 90 to 240 VAC on 50 or 60 Hz power .

The 50-27 in-line supply comes standard on the NetWave-8 and NetWave-16 consoles. It has a captive six-foot DC cable, so it must be located near the right rear corner of the console. It is typically set on the wire tray or within the cabinet (it can be tie wrapped to a vertical wall to save space). This supply will get warm under normal use as it uses free air space for ventilation, so it must never be covered or enclosed.

The 99-1205 Universal 48-volt Supply comes standard on the NetWave-24. It requires 2 RU of rack space within the console cabinetry, typically located below and to the left or right of the console. It is the same supply used with VistaMax card frames and consoles. A detachable 15-foot DC cable (90-1858-1) connects this supply to the NetWave console.

Either supply must be installed such that the keyed 48-volt supply cable is not under any tension when routed through the cabinet. The 48volt cable locks into a keyed power connector on the right rear corner of the NetWave chassis.

A 90-1995 Power Coupler (optional) is available to add a redundant power supply for on-air consoles. T he main and redundant power supplies plug into its special Y-cable, which then plugs into the console. It hangs below the countertop.

AC GROUNDING NOTE: Do not

defeat the IEC power cord “U” safety ground in any way, as this may create a potentially dangerous condition to the operator .

GROUNDING AND SHIELDING

Terminate the facility’s technical ground wire for the console into a crimped ring tongue terminal suitable for a #8 stud. Fasten the ground wire

Tie a 14-16 AWG ground wire to this screw using a ring tongue fastener

Technical Ground Connection Point,

NetWave Chassis, r ight rear view

to the NetWave chassis using the #8 chassis screw behind the Link connector.

When all system components share a common ground potential (by using isolated ground AC outlets tied individually back to the main technical ground), the audio cable shields can be connected at both the console and the peripheral ends.

If isolated ground AC outlets are not used, connect the cable shields at the console end only. Do not connect the shields on the peripheral device end. Ensure the peripheral devices connect to a clean ground through their power cords or through separate ground wires to the facility’s technical ground.

GROUNDING NOTE: The Power Sup-

ply chassis connects to the AC mains safety or “U” ground wire.

AUDIO GROUND NOISES: Buzz

pickup is generally electrostatic—such as capacitive coupling between an audio line and an A C power line. To avoid audio ground noises, do not route audio wires in the same wireway as an AC power line.

NOTE: Strong electromagnetic fields

from peripheral equipment using switching power supplies may impair NetWave performance, so keep these products as far away as practical from the console’s location.

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COUNTERTOP PREPARATION

Follow the dimensions listed on page 2-1 to mark and router the cable access opening through the countertop and substrate. Always radius the corners to prevent laminate cracks.

NOTE: If the console will be set against a wall,

leave a .5" [13] gap between the side panels and the wall in order to flip-up the connector cover.

Center the console over the cable access cutout so that the rear connector cover , when closed, covers the cutout.

For security or stability the console can be fastened to the countertop. To do this, the leftmost Dual Fader panel and the Monitor Panel must be removed to access the two chassis holes (see page 2-1 for hole locations).

pilot holes for screws or clear holes for bolts. On laminate countertops it is important that the hole through the laminate is larger than the screw or bolt threads to prevent future laminate cracks.

Use #8 or #10 screws or bolts to fasten the console to the countertop substrate. Do not deform the chassis, or unbalance the rubber feet, by applying excessive torque on the screws or bolts.

NOTE: Install the optional Link Acti-

vation kit at this time while the Monitor panel is already out of the chassis. The install instructions are on the next page. Also, if changes are needed on the Monitor & Output card setup switches, they should be done at this time as well. Switch setting information is on page 2-10.

Removing Control Panels

Control panels are fastened to the frame using 3mm silver hex screws. The panels connect to frame cards using short red CAT-5 cables.

To remove a control panel:

1. Remove the 3mm hex screws that fasten the

panel to the frame (a hex driver is in the optional 76-1901 NetW a ve/SMXdigital toolkit).

2. Move that panel’s faders to full off and use the

two fader knobs to lift up the panel enough to remove the panel by its metal extrusion.

WARNING: The red CAT-5 cable connecting

the panel is short, so lift the panel up just enough to clear the console surface.

3. Unplug the CAT -5 cable from the panel. If the

panel is a Dual Router panel, there will be a two labeled CAT-5 cables.

Before marking the holes to fasten the console to the countertop , make sure the console is set par allel to the countertop edge and is covering the cable cutout. Mark, then move the console, to drill

Reinstall the panels into the frame, using the reverse order to their removal. T he red CA T-5 cable plugs into J5 on the Dual Fader panels.

INSTALLING CONSOLE OPTIONS

All NetW a ve consoles ship from the factory in a standard configuration. Any console options (Link Activation kit, Dual Router kit, Quad Meter package, additional Dual Fader panels) will be separately packaged and must be installed into the console. Optional items can be installed during console installation or at any future time.

Installing the Link Activation kit or a Quad Meter package requires that the console be unpowered during the installation. The other kits can be installed while the console is powered.

Link Activation Kit

The Link Activation kit turns any NetWave from a non-networked, stand-alone console into a networked or Linked console that is ready to connect into a VistaMax audio management system.

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The NetWave’s RJ-45 Link connector, next to the keyed DC power connector , ties the console to an available VistaMax Hub card facet using a CA T5e or CAT-6 crossover cable. Cable runs of up to 300 feet [100 meters] are allowed.

Link activation adds the following capabilities to any NetWave console:

• A network signal can be set as any channel’s

input for either the A or B source. The signal is selected using a VistaMax source selector, by a session or macro file entry or by installing a Dual Router kit in a Dual Fader panel.

• A network signal can also be used for either

External Monitor input. The signal is set by a VistaMax source selector or by a session or macro file entry.

• The console’ s buses (four programs, two mix-

minuses and cue) and one local input (analog or digital) from each channel become network sources, a vailable for routing to any VistaMax destination.

To install this kit, the Monitor panel must be removed. An installation video and a PDF file of the installation sheet are included on the 99-5001 CD-ROM.

NOTE: Discharge possible static

charges into the console frame before following this procedure and before handling the PROMs.

Link Activation Kit Installation

1. Turn off the console’s power supply.

2. Remove the Monitor panel, per the instruc-

tions on page 2-4.

3. Use the 70-134 PLCC removal tool (included

in the Link Activation kit) to remove PROM U64 from the Monitor & Output card. Place the two tool tips into the two open corners of the 21-352-3 PROM and then

squeeze the tool handles to “pop” the PROM out of the socket.

4. Place the 21-352-4 PROM into the U64 socket

with its pin 1 mark aligned with the pin 1 mark on the board. Firmly press down on the PROM to fully seat it in the socket.

5. Replace the Monitor panel (plug in the CA T-5

cable and fasten the panel to the frame).

6. Power up the console and verify that the

taMax Enabled

label is now lit on the Moni-

Vis-

tor panel.

Dual Router Kit

A Dual Router kit adds VistaMax source selection capability to both channels on a Dual Fader panel. The Link Activation kit must be installed in order to use a Dual Router kit.

Any Dual Fader panel can have a Dual Router kit installed but, for most applications, between one and three Dual Fader panels will have kits installed. This results in two, four or six channels that can select their own VistaMax source. The remaining channels can have a VistaMax source set as their A or B input, but they cannot locally change their VistaMax source.

A Dual Router kit consists of two 10-character displays for source name display; two

Include All

labels; a plug-in TINI card; two color -

Next/

coded flat CAT-5 cables; and an installation instruction sheet.

Dual Router Kit Installation

1. Remove the Dual Fader panel following the

panel removal instructions on page 2-4.

2. Unplug the CA T-5 cable from the Fader P anel

connector on the chassis. The cable will not be reused, but keep it as a spare part.

3. Remove the two display lenses from the front

of the Dual Fader panel by unsnapping each lens starting from the side of the Dual Fader panel.

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2 Installation

4. Remove the two A/B labels from their rubber

silos and replace them with the two Next/Include All labels. The A/B labels should be kept

as spare parts.

5. Plug the two 10-character displays into the

two DIP sockets. Orient the displays with their bottom row of connections toward the Next/ Include All labels.

Display

Connections

10-Character Display Orientation

6. Snap the display lenses back onto the panel.

7. Discharge static electricity before removing the

TINI card. Firmly insert the TINI into its connector at a 45 degree angle, then press it down to lock it in place. The TINI’s bag has a label with its MAC address. Write the console name and the two channels this TINI controls in the space provided on the label as this will be needed during software configuration.

8. Plug in the two CA T-5 cables from the kit. T he

red

cable plugs into J5. The

blue

cable plugs

into J3.

9. Hold the panel above its slot and plug the

cable into the F ader P anel jack. Plug the

red

blue

cable into the LAN Passthru jack, noting the jack’s letter (the corresponding lettered jack on the rear panel will then connect the Dual Router panel to the VistaMax LAN).

10.Set the panel onto the frame, making sure that

the CA T-5 cables are not pinched by the metal extrusion while it is fastened to the frame.

11.Connect a straight-thru CAT-5 cable from the

matching rear panel LAN Passthru jack (the same letter jack as used in step 9) to the VistaMax LAN switch.

12.Use VMCC to set up the new Dual Router

panel. The information written on the TINI’s antistatic bag label is used during this step.

Quad Meter Package

This option replaces the standard console display with a four meter display . Kits are only available for NetWave-16 and NetW a ve-24 consoles.

The Quad Meter Package includes a new console display housing and another meter board. The console’s original meter and clock-timer boards are moved to the new housing, which then replaces the original dual meter console display.

The Quad Meter P ackage has dedicated displays for PGM 1, PGM 2 and PGM 3, with the fourth meter (AUX) being used to display PGM 4 or an external monitor input.

Because the Quad Meter Package requires extensive frame disassembly , the console power must be turned off during installation. For installation instructions, refer to the installation guide that comes with the package.

REFLECTIVE CONSOLE DISPLAY

The reflector can be inserted into its slot behind the console display at this time—if the best access to the console connectors is from the rear of the console. If the best access is from the front, wait until the wiring is completed before installing the reflector .

The reflector is shipped with protective paper stuck to both sides. This paper must be removed before installing the reflector.

NOTE: Handle the reflector by its edges

to prevent scratches and fingerprints. When the reflector is removed, place it on a lint-free cloth to prevent scratching the reflective surface. Use a lint-free cloth dampened with either diluted dish soap or alcohol, or a damp chamois, to clean the surface.

Two 4-40 screws, on the rear of the display assembly , firmly hold the reflector in place after it is

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2 Installation

Reflector Slot

Reflector Notch

Reflector

Installing the Reflector into the Console Display Slot

Detail: Two rear panel screws hold reflector in place

installed into its slot. These screws are shipped installed and must be removed before the reflector can be inserted into its slot.

Insert the reflector, with its notched edge behind the clock and timer , into the slot. The reflector is designed to sit at a 22° angle toward the board op. This is assured by the two mounting screws. They should be installed once all console connections are finished and the console is ready for daily use. Before this time the reflector can sit in the slot without the screws for easy removal.

The standard Console Display has two horizontal stereo bargraph meters. Alphanumeric displays below each meter identify the signal displayed (PROGRAM 1, PROGRAM 2, etc.). T he standard meters provide simultaneous level monitoring of the Program 1 bus on the left-hand meter and another bus or system signal on the right-hand Auxiliary Meter , as selected by the Aux Meter buttons on the Monitor panel.

An upgrade option (Quad Meter Package) adds two more meters so that all four Program buses can be displayed simultaneously. T his Quad Meter package upgrade displays Program buses 1, 2 and 3, plus the Auxiliary Meter selection. The Aux

meter functions the same as in the standard meter configuration.

Various meter, clock and timer parameters are set using switches on the meter (DS3) and clocktimer circuit boards (DS1). The procedure to change the switch settings is detailed in the following sections. In summary, here are the various display parameters that can be changed, with their factory default setting listed first:

• Meter Display Mode (average plus peak dis-

play or average-only display)

• Blue Over LED turn-on level (-6 dBFS, -4

dBFS, -2 dBFS, 0 dBFS)

• Peak Signal Hold (active or not active)

• Clock Mode (autonomous or slaved to a mas-

ter clock input signal)

• Autonomous Time Display (12-hour or 24-

hour)

• Master Clock Type (ESE or SMPTE)

• Event T imer (display .1 sec or no .1 secs while

running)

Setting The Clock

When used autonomously (the factory default setting), a quartz crystal oscillator controls clock timing. After applying power to the console, the clock must be manually set to the current time using the three recessed buttons adjacent to the clock display (shown on the next page). Use a blunt-tipped nonconductive object (wooden swab , toothpick, etc.) to press the recessed buttons.

PGM 1 Meter Aux Meter

Standard Reflective Display, with

two meters, clock and timer

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Clock

Event Timer

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2 Installation

• The Hour Set button (the closest to the board

• The Minute Set button (middle) adjusts the

• The Hold button freezes the clock so it can be

The clock will keep time for about three days with the console powered off. Beyond this point the time will have to be reset again when autonomous mode is used.

Removing the Console Display

The console display must be removed from the frame to change display settings, to connect a master clock or remote timer reset cable or to install the Quad Meter P ackage.

Each of these activities require accessing the meter and clock-timer printed circuit assemblies (PCAs) on the bottom of the console display. The console should be powered off when removing and reinstalling the display assembly . Two padded sur-

operator) adjusts the hour display

minute display

manually synchronized to a local time reference. Set the time slightly ahead of the reference time then press Hold. Release Hold when the time display matches the reference time.

NOTE: When one of the master modes

is selected (see Clock Settings) and the selected format signal (ESE or SMPTE) is not present, the clock runs off its internal oscillator. Both display colons blink to indicate the ESE or SMPTE timecode is not present or valid.

faces are required for this procedure. To remove the console display:

1. Flip-up the rear connector cover to access the

two rear corner 4-40 screws that hold the reflector in place. Remove these screws.

2. Lift the reflector out of its slot. Place it on a

padded surface to protect its mirrored surface.

3. Remove the console display cosmetic cover

screws (two or four 4-40 Phillips screws). Remove the cover by lifting it straight up.

4. Set the smoked display window (which was

sandwiched between the display cover and the main display subassembly) off to the side.

5. Remove the display subassembly mounting

screws (4-40 Phillips) along the front of the subassembly just above the control panels .

6. To protect the control panels and display sub-

assembly , lay padded material over the top half of the control panels. Lift the display subassembly up just enough to clear the frame, flip it forward and lay it facedown onto the padded material. The display subassembly connects to the Monitor & Output board using two cables. Do not strain these cables while removing the subassembly and placing it onto the control panels.

7. Use the illustration on the next page to iden-

tify the switches and connectors on the clocktimer and meter PCAs.

SAFETY NOTE: Touch the metal chas-

sis to dissipate static before adjusting the switches or plugging in an ESE, SMPTE or remote timer cable. Do not touch any components on the PCAs other than the switches or connectors.

Reinstall the console display in reverse order . Use care to not pinch any cables between metal parts. Align the smoked display window holes with the clock set holes. T he cosmetic co ver holds it in place.

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DS3 J4 DS1

METER PCA CLOCK-TIMER PCA

Meter Boards

DS3 Switch Settings

Switch Function: Off / On

1 - Av & peak / average only 2 - 2s peak hold / no hold 3 - Blue LEDs turn on level* 4 - Blue LEDs turn on level* 5 - NetWave / RMXdigital 6 - NetWave / non-mirrored

* Blue Peak LEDs turn on at:

-6 dBFS, 3 and 4 are off

-4 dBFS, 3 is on and 4 is off

-2 dBFS, 3 is off and 4 is on

0 dBFS, 3 and 4 are on

Console Display PCA Setup Switches and Connections

(orientation shown while set onto the control panels)

DS1 / DS3: Default settings are all off

Clock-Timer Board

DS1 Switch Settings

Switch Function: Off / On

1 - .1s displays / .1 off (Timer) 2 - no ESE / ESE master 3 - unused 4 - 12-hour / 24-hour ** 5 - no SMPTE / SMPTE master 6 - NetWave / non-mirrored

* active only when 2 and 5 are both set to off

Clock Settings

Clock parameters are set using multi-switch DS1, located near the upper right corner of the clock-timer PCA. The default settings are all switches set to off.

When used autonomously, the clock time can display 12-hour or 24-hour time. Set DS1-4 to on to display 24-hour time. This setting is ignored when a master clock signal is used.

When an ESE TC-89 or TC-90 master clock is used, set DS1-2 to on. T he ESE signal type is autodetected. When a SMPTE master clock is used, set DS1-5 to on. If both DS1-2 and DS1-5 are set on, only SMPTE is valid. An ESE signal will be ignored.

ESE, SMPTE & Remote Timer Reset

An ESE or SMPTE master clock signal connects to J4, pins 5 and 6. The signal is polarity sensitive, but can be balanced or unbalanced. Con-

1 2 3 4 5 6

nect the high (center conductor) or + signal to pin 5 and the low (shield) or - signal to pin 6.

J4, pins 3 and 4 are used to connect a cable that can reset a studio event timer. Pin 3 is the timer reset output (pulse low on timer reset) and pin 4 is ground.

DC Input

RJ-45 Link

Cable to J4

J4 (ESE/SMPTE, studio event timer reset) Cable

NOTE: T he wiring to J4 must be routed through a

small chassis opening (next to the RJ-45 Link connector) before being terminated into the 6-pin MOD IV housing. Leave sufficient wire length to plug in J4 while the display is face down over the control panels.

Clock-Timer J4

(ESE / SMPTE

MASTER CLOCK &

REMOTE TIMER )

6 5 4

3 2 1

1 - TIMER RESET LOGIC, IN 2 - GROUND 3 - TIMER RESET LOGIC, OUT

4 - GROUND

OFF

5 - ESE or SMPTE INPUT + 6 - ESE or SMPTE INPUT -

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Event Timer Settings

The event timer displays time in minutes, seconds and tenths of seconds. T he only timer setting (DS1-1) sets whether the tenths of seconds digit is displayed while the event timer is running .

When set off (the factory default) the tenths are always displayed. When DS1-1 is set on, the tenths of seconds are not displayed while the timer is running, but are displayed while the timer is stopped or is being held.

Exposed portion of the Monitor & Output board, below the Monitor panel

DS1 DS2

Monitor & Output Board, Multi-Switch Settings

Meter Settings

The PGM 1 and Aux meter parameters are set using multi-switch DS3 (shown on page 2-9). The Quad Meter Package adds a second meter board. The left-hand board’ s DS3 settings affect the first pair of meters (PGM 1 and PGM 2) and the righthand meter board’s DS3 settings affect the PGM 3 and Aux meters. Typically the two meter boards would be set to the same settings. The DS3 factory settings are all switches set to off.

To turn off the peak displays and to show only the average meter lev els, set DS3-1 to on.

To have the Peak indicators decay immediately, switch DS3-2 to on.

To change the level where the Blue LEDs turn on: set DS3-3 and DS3-4 to off to turn on the Blue LEDs at -6 dBFS; set DS3-3 on and DS3-4 off to turn on the Blue LEDs at -4 dBFS; set DS3-3 off and DS3-4 to turn on the Blue LEDs at -2 dBFS.

DS3-5 and DS3-6 must be left set to off for NetWave consoles.

MONITOR & OUTPUT BOARD SETTINGS

The Monitor & Output board has two multiswitches to assign various parameters to the Monitor & Output board outputs. The factory default setting for all switches is off.

To access the switches, the Monitor panel must be removed from the frame. Follow the directions on page 2-4 to remove the panel.

DS1 and DS2 Settings

Multi-switches DS1 and DS2 are at the front edge of the Monitor & Output board, hidden below the Monitor panel in normal use. Here is what each switch does:

DS1-1 affects the Aux meter display. When off the cue level is displayed while cue is active. When set to on, the A ux meter does not display cue.

DS1-2 affects the Offline bus signals. When off, Offline signals are derived pre-fader . When on, the Offline signals are post-fader .

DS1-3 affects the operator headphone output when AutoCue is active. When set off, cue is fed to the headphones in stereo (typically used for production rooms). When set to on, a split feed (monitor to one ear, cue to the other ear) is sent to the headphones (typically used for on-air consoles).

DS1-4 affects Telco channel operation. When set to off, the mix-minus source (the winking bus assignment button) is not affected by turning the Telco channel on or off. When set to on, the Auto Foldback function is activ ated. T he mix-minus output automatically switches between Offline (Telco channel off) and the lowest selected program bus (Telco channel on). When Offline is not lit on the Telco channel, no mix-minus audio is heard while the channel is off, except for talkback to that T elco .

The next four switches (DS1-5, DS1-6, DS2-1 and DS2-2) set the sample rate outputs for the

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NetWave-16, Fram e Con f ig u r at i o n

2 Installation

99-1420 DSP & I/O card *

Reflective Console Display

Cue Speaker PGM 1 Meter AUX Meter Clock and Timer

PRE99-1423 NetWav e Dual Fader

panels take up two input slots.

Unused input slots are covered

with PRE90-2125 Dual Blanks.

Input Slot 3

Input Slot 2

Input Slot 1

NONO

TES:TES:

TES:

The console model (NetWave-8, -16,

NONO

TES:TES:

Input Slot 5

Input Slot 4

Input Slot 7

Input Slot 6

Input Slot 8

Input Slot 9

-24) equals the number of input slots. One Monitor & Output card and one Monitor Control panel is supplied with each frame. Each DSP & I/O card has DSP, audio inputs and logic I/O for eight input channels, thus NetWave-8 has one DSP card, NetWave-16 has two DSP cards, and NetWave-24 has three DSP car ds.

Unpopulated input slots are covered by NetWave Dual

Blank panels (90-2125).

99-1420 DSP & I/O card *

Input Slot 10

Input Slot 12

Input Slot 11

Input Slot 14

Input Slot 13

Input Slot 15

Input Slot 16

User-installed NetW ave console options:

• 99-1423 Dual Fader Panels (two additional panels can be added to NetWave-16, three to NetWave-24)

• 99-1424 Dual Router Kit (adds VistaMax system source selection to any Dual Fader panel)

• 99-1425 Link Activation Kit (adds a bidirectional console connection to a VistaMax or Envoy Hub card)

• 99-1990-16Q Quad Meter Package for NetWave-16

• 99-1990-24Q Quad Meter Package for NetWave-24

99-1421

(one standard)

Studio Monitor Controls

with Aux Meter, Control Room and

99-1422 NetWave Monitor Control Panel

PGM 1, PGM 2, PGM 3 and PGM 4 digital outputs. When set to off, the sample rate is 44.1 kHz. When set to on, the sample rate is 48 kHz.

DS2-3 selects the signal used for the local PGM 4 analog connector. When set to off, PGM 4 is output. When set to on, Telco Record is output instead. T his setting does not affect the digital PGM 4 output or the PGM 4 VistaMax system signal.

DS2-4 is set to on when a Quad Meter Package is installed. For the standard two meter display it must be set to off.

DS2-5 and DS2-6 set which source feeds the External 1 and 2 monitor selectors. When set to off, the local external audio input is used. When set to on, the signal is routed from a VistaMax system. The on setting should only be used when the Link Activation kit has been installed.

HARRIS CORPORATION

NETWAVE CONTROL PANELS

The NetWave’s main components are identified in the illustration, above. There are four types of control panels (Dual F ader, Dual Router , Monitor and Dual Blank); two types of cards (Monitor & Output and DSP & I/O); and two display PCAs (Dual Meter and Clock-T imer).

Each slot, or control panel frame position, is

1.6" wide. The Monitor panel consumes three slots while all of the other panels use two slots. There are sixteen input slots on a NetWave-16, as shown above, so up to eight Dual Fader or Dual Router panels can be installed. The NetWave-16, as shipped from the factory, includes six Dual Fader panels installed into slots 1-12. Slots 13-16 are covered by two Dual Blank panels .

Additional Dual Fader panels (99-1423) can be installed into slots 13-16 at time of installation or

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DSP & I/O CARD FADER CONNECTIONS

(SLOT POSITIONS ARE NUMBERED FROM LEFT TO RIGHT)

FADERS 1 - 8 FADERS 9 - 16*

FADERS 1 - 8 FADERS 9 - 16 FADERS 17 - 24

* AS SHIPPED FROM THE FACTORY, FADER POSITIONS 13 - 16 ARE UNPOPULATED ** AS SHIPPED FROM THE FACTORY, FADER POSITIONS 19 - 24 ARE UNPOPULATED

any time afterwards. If purchased with the console, they will be separately boxed and are installed in place of the Dual Blank panels.

This also holds true for the NetWave-24, which ships with nine Dual Faders (in slots 1-18) and three Dual Blank panels in slots 19-24.

DUAL FADERS AND DSP & I/O CARDS

Four Dual Fader panels connect to each DSP & I/O card, as illustrated above. Each connects to an RJ-45 jack labeled by their channel assignments (i.e., F ader P anel 7 & 8). These identify which two channels are serviced by that jack. The panels get power and send/receive control signals from these jacks using short red CAT-5 cables. A NetWave-8 frame has four cables, a NetWave-16 has eight and a NetWave-24 frame has twelve cables.

The optional Dual Router Kits add a second CAT-5 cable to connect the kit’s TINI card to the VistaMax LAN. Because of space constraints, two special flat CAT-5 cables are included with each Dual Router kit.

The Dual F ader and LAN pass-thru RJ-45 jacks are located below each Dual Fader panel’s rear mounting bracket. A chassis label identifies each jack as to its use.

Audio Inputs and Logic I/O

Each DSP & I/O card has eight analog inputs, eight digital inputs and eight Channel Logic I/O connectors, as shown on page 2-13. W hich physical input (analog or digital) is assigned to the A

FADERS 1 - 8

(MONITOR &

OUTPUT CARD)

CONSOLE: HARRIS P/N

NETWAVE-8: 99-1600-08

NETWAVE-16: 99-1600-16

NETWAVE-24: 99-1600-24

and B channel sources; its mode (stereo, left, right, mono); its function (line, CR mic, Studio mic, T elco 1, Telco 2); whether the logic I/O is active for the A or the B source; and several other parameters, are all assigned through a common group of channel setup buttons and LEDs on each DSP & I/O card. These controls are covered in the next section (Setup Controls).

Here are definitions for several NetWave signal

and control panel terms used in this manual:

Channel slot

(1 to 8, 1 to 16 or 1 to 24) refers to the left-to-right frame positions, as viewed by a board operator, where Dual Fader, Dual Router or Dual Blank panels can be installed. T hese are equivalent to the Fader numbers shown in the illustration, abov e.

Channel strip

refers to the set of physical channel controls. There are two channel strips per Dual Fader or Dual Routerpanel.

Source

refers to the two operator selected channel sources (A, B) a vailable on each Dual Fader channel strip.

Local Inputs

I/O

refers to the physical audio and logic connectors on each DSP & I/O card.

Channel

refers to a channel strip on a

Dual Fader or a Dual Router panel.

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Setup Co n tro ls

Each DSP & I/O card has a common group of setup controls, shown above, to separately assign the parameters used by the A and B sources on the eight channels (on four Dual Fader or Dual Router panels) that plug into that DSP & I/O card.

A Setup Stylus Tool (70-160) is included with the console to press the recessed buttons. Any blunt-tipped nonconductive object (wooden swab , toothpick, etc.) could alternately be used.

The following sections cover using the DSP & I/O card setup controls to configure the channel parameters. Note that these are typically not set until after the console has been wired since parameter changes take effect immediately so that the active signal and level can be confirmed using the console display and monitor outputs.

The active channel and source on the setup controls is identified on the active channel display and on the Dual Fader panel by the blinking A or B indicator. This allows the input source (analog, digital or network) to be monitored on the active channel to ensure the correct signal is selected and that the levels and logic settings are proper .

Setup Modes

Four modes are used:

Sleep Mode

erations. T he LEDs and displays are not lit up and only certain buttons are active. T he panel automatically s witches into

Mode

Alternately , the panel can be forced into

Mode

LEDs turn off (about three seconds).

Parameter Set Mode

parameters, adjust parameters and store parameters into nonvolatile RAM. From

Mode

Down to activate this mode. The stored parameter settings are recalled for each channel source, as shown by the lit parameter LEDs and trim displays. The set of parameters for each source can be changed as required and then stored by pressing Store. If changes are made that should not be stored, pressing Chan- nel Up or Down (to change to another channel source), cancels the parameter changes.

is used during normal console op-

ten minutes after the last button press.

by pressing and holding Store until the

is used to view channel

, press Store, Channel Up or Channel

Sleep

NOTE: Use care when changing parameters on on-air consoles as changes could affect on-air performance.

Parameter Copy Mode

mode where stored parameter settings are not recalled when the channel source is changed. Instead, this mode allows one group of parameters to be set up and then stored to multiple

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sources. The Changes Pending LED continuously blinks to identify this mode is active. Typically, this mode is only used with inputs like mics, computer pla yback systems and CD players, where several inputs will all use the same, or very similar, parameter settings. To activate this mode: from

Sleep Mode

press and hold Option while pressing Chan- nel Up (

). Use a toothpick or other nonconductive tool to press the second button when two Setup Stylus tools are not available. Adjust the parameters as required; select a channel and source that uses those settings; press Store to save the settings. Select other channel sources that use the same settings and again press Store each time to save the parameters on as many channel sources as required. To exit, on the last channel source using those parameters, press and hold Store until all setup LEDs turn off.

each channel and source are recalled as the channel and source are selected. The Channel Display shows which channel (from 1 to 8) and source (A or B source LED is lit) is active. The channel strip’ s A or B label also flashes to indicate the active channel. On Dual Router panels, both source LEDs

light since those channels only have one source.

The stored parameters for the active channel source are recalled from memory and displayed on the parameter LEDs and the two trim displays.

Parameter Set Mode

, changing any parameter causes the Changes Pending LED to blink. To save the updated parameter settings for that channel source to memory, press Store. The Changes Pending LED turns off to indicate the settings were saved. To cancel parameters changes when the Changes Pending LED is blinking, change to another channel source by pressing Channel Up or Channel Down. Returning to the previous channel source will again load the saved parameters.

Test Mode

activate. From

also requires two Stylus tools to

Sleep Mode

, press and hold Op- tion while also pressing Channel Down ( In this mode one set of parameter settings are assigned to all eight channels for test purposes and no settings can be stored.

The operation of this mode and other test modes are detailed in the chapter on Servicing the NetWave console.

Set-Up Controls

The sixteen momentary push-buttons, three 7-segment displays and twenty-nine LEDs on each DSP & I/O card (as shown on the previous page) are used to view, set and store the parameters for each source on the eight channels connected to that DSP & I/O.

The controls are normally used in

Set Mode

, where the stored parameter settings for

Parameter

NOTE: Changes to parameter settings immediately affect the active channel

so that the input selection, mode selection, function settings , logic settings and level trim settings can be actively monitored during parameter setup. Use caution when changing parameters on on-air consoles.

Here’s a summary of the functions for each setup

button, LED and display:

Store Button—This is a multifunction button: with

the panel in Store switches the panel into

eter Set Mode;

Sleep Mode

, pressing

Param-

when the Changes Pending LED is blinking, pressing Store writes the current source parameters into nonvolatile memory; and pressing and holding Store forces the panel into

Sleep Mode

from any other mode.

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Changes Pending LED—This LED blinks in the

Parameter Set Mode

to indicate a parameter has been changed and has not yet been stored. Pressing Store turns

the LED off to indicate the changes were stored.

Parameter Cop y Mode

, this LED blinks rapidly to indicate the mode. Pressing Store turns the LED off momentarily to indicate that the changes were stored.

Channel Up & Channel Down Buttons—In

Mode

eter Set

these two buttons step

Param-

through the eight channels and their A and B sources in order to view the stored parameters for each source. In

Parameter Copy Mode

, the two buttons also step through the channels and sources, but the stored parameters are not recalled since that mode allows one set of parameters to be stored to multiple sources.

Active Channel & Source Indicators—The active

channel number is shown in the 7-segment Channel display and the active source is indicated by the lit A or B

nel Down

LED. Press Channel Up

to step sequentially through the chan-

or Chan-

nels and sources. The channels wrap around (Channel Up from source 8B goes to source 1A and vice versa). The decimal point lights to indicate

Parameter Copy Mode

is active.

Input Select—Sets the audio input (local analog,

local digital, network audio , network audio with logic) assigned to the active channel source. The two Net A udio selections are only available

when the console’s

taMax Linked

VistaMax Enabled

and

Vis-

labels are lit on the Monitor panel.

Input Mode—Sets how the selected input audio is

fed to the channel strip.

Stereo

is the default setting for stereo sources like CD players.

Mono

is typically used for

news or mono AM broadcast applica-

tions. It sums a stereo input to a mono signal that is applied to both left and right.

The

Left

and

Right

selections are typically used with mic preamps. These settings allow two mics to be assigned on the same channel to the A and B sources. Typically the the A source and the

Left

input is assigned as

Right

input is set as the B source. One typical application is to connect control room guest mics to the left inputs and set them as the A sources , while studio guest mics are connected to the right inputs and are assigned as the B sources on the same channels.

Input Function—Defines the type of signal con-

nected to the selected input. The setting may affect the monitor outputs, mix-minus outputs, and v arious Logic I/O signals.

With no LEDs lit, the signal is defined as a line input device (i.e., CD pla yer , MD player, computer playback system, Shortcut, Instant Replay, etc.). The channel does not mute any monitor output when on. If logic is active, the channel output logic is start and stop pulses while the channel input logic is on, off, ready and cue.

When CR MIC is lit, the signal is defined as a control room mic. W hen the channel is turned on, the CR Monitor output mutes and the control room warning command is activated. If logic is active, the output logic is on tally and off tally and the input logic is on, off , cough and talk to studio.

When CR MIC TLK SRC is lit, the signal is also defined as a control room mic, with the same muting and logic features as the CR MIC selection. But, in addition, this signal is identified as the talk mic source for console talkback. Multiple

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mics can be set as control room talk sources, but typically only the board operator mic, and possibly a producer mic, are set to this function. Other control room mics can talk to the studio by using a mic control panel with a talkback button.

When STU MIC is lit, the signal is defined as a studio mic. When the channel is turned on, the studio monitor output mutes and the studio warning command is activated. If a mic control panel with talkback button is used, then that mic position can talk to the control room.

When TELCO 1 or TELCO 2 is lit, it indicates the input signal requires a mix-minus signal from the console. These settings are used with Telco hybrids, ISDN connections, satellite transceivers and other two-way devices. Only one console channel source can be set as T elco 1 and only one console channel source can be set as Telco 2.

Logic Active—Sets whether the channel logic I/O

connector is active for that source. When lit, the channel’s logic I/O

connector is active. When unlit, the logic connector is not active for that source. Typically, only A or B is set for Logic Active on any channel.

Timer Reset—W hen lit, indicates the channel strip

will send a timer reset command to the Event Timer when it is turned

on. When unlit, no timer reset command is issued. In order for the timer reset commands to reach the Event Timer, the Auto button on the Monitor panel must be lit.

Start/Stop Pulse Generation—Affects the chan-

nel logic start and stop pulses gen-

erated for Line and Telco channel

logic. There are four conditions: both LEDs off; Local on and Multi off; Local off and Multi on; and both Local and Multi on.

With both LEDs off, one start or stop pulse is generated when the channel on/off state changes by pressing Channel On/Off or when receiving remote logic channel on and off commands.

With the Local LED on and the Multi LED off, a start or stop pulse is only generated when the channel status is changed by pressing Channel On or Channel Off. The channel can still be turned on and off remotely , but no start or stop pulse will be generated.

With the Multi LED on and the Local LED off, a start pulse is generated anytime Channel On is pressed or a start command is received. Likewise, a stop pulse is generated anytime Channel Off is pressed or a channel off command is received. No channel state change is required to generate another start or stop pulse.

With both the Multi and Local LEDs on, a start pulse is generated anytime Channel On is pressed and a stop pulse is generated each time Channel Off is pressed. Remote channel on or off commands do not generate any pulses.

Off Button Lighting—When unlit (the standard

setting), the Off button lights up whenever the channel is off. When lit, the remote logic command Read y

controls the lighting of the channel Off button.

Typically, this setting is lit for CD players and other peripheral devices that can control a channel’s Off button light to indicate play status. If the peripheral is not ready (e.g., no CD loaded), the channel off button is not lit. When the peripheral is ready (e.g., a CD is loaded and cued), then the off button is lit. After the peripheral finishes (e.g., the CD track has played) the off button winks to indicate the event has completed.

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Fader Start—When unlit (the standard setting),

the channel fader position has no effect on the channel on/off status.

When lit, mo ving the fader turns the channel on as the fader is moved up from full off. The channel is turned off when the fader is returned to full off.

The channel on and off buttons and the remote channel on and off commands are not affected by the fader start setting.

Option—The Option button is used in combina-

tion with other buttons to put the panel into test or special setup modes. The three LEDs may indicate when a special mode is active.

When 1 is lit, it indicates the panel is in the

Copy Parameter

mode, where one set of param-

eters can be saved to multiple channel sources.

When 2 is lit, it indicates the panel is in the

setup test

mode. In this mode all eight channels use the same set of parameters (which can be adjusted but not stored). This mode is used to quickly determine if all inputs and channel strips are working properly .

Input T rim Controls—Each local analog and digi-

tal input can have its left and right signals separately trimmed,

in one dB steps, by up to +/-15 dB.

The Input T rim Select button sets which input— analog (A) or digital (D), is active and which signal—left or right, is selected for trimming . T he active signal is identified by the lit A or D indicator and by the lit Trim Active decimal point in the Trim display.

Press the Level Up

or Level Down button to raise or lower the active signal’s level in 1 dB steps. When the active source’s channel strip is turned on and assigned to a bus, then the console

meters can be used to adjust the level since the level changes take place immediately.

Network Source—This function is only active

when the console’s VistaMax Link is active. One input on each channel— either analog (A) or digital (D), is set

as a VistaMax source. The selected input signal goes to the VistaMax system via the Link cable. These signals are available for selection like any other VistaMax source signal. This setting does not affect any local uses of the selected signal.

Refer to the NetW ave Quick Guide and to pages 2-27 to 2-29 for the parameters settings used by the most common type of signal inputs.

Channel Source Labels

Dual Fader panels have an A/B label on each channel. One blank source label (80-2132) for each input slot is supplied in the console installation kit. Use a Brother P-Touch® labeler, with 1/4" clear with black lettering tape, to create custom source labels that can be stuck onto these blank source labels. Up to five characters are possible per source name when the smallest lettering size (Size 1) is used.

A source (Yellow) B Source (red)

Silo Divider

Custom Source Name Label

To replace the source label, pry up on the smoked polycarbonate display lens from the outside (the lens has two snap tabs along the top and bottom to hold it in the panel). Remove the A/B label from the rubber silo. Insert the custom label in its place. Make sure the label is firmly held in the silo’s recess before snapping the display lens back onto the panel.

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Cabling and Wiring

All user connections are made on plug-in connectors along the rear of the console. The connectors are hidden in normal operation by a rear flipup cover that extends across the console.

To access the connectors, the co ver can be completely removed by lifting it straight up when closed, or it can be flipped open by either lifting it from the front edge or by pressing in on the vertical section at the back. The cover sits on two roll pins that extend from the side panels. It flips open toward the rear.

Note: The cover is typically removed

during installation to ease connector access. To prevent scratches, set the painted cover on a padded surface.

• Crossover CAT-5e/CA T-6 cable to connect the VistaMax Link connector to a VistaMax frame

• Straight-thru CA T-5 cables to connect the Dual Router kits to a VistaMax system LAN switch

WIRE PREPARATION

All NetWave audio and logic wiring terminates in AMP MOD IV receptacle contacts. Stranded wires of 22 to 26 A WG , with insulation diameters of .040 to .060 inch, can be used with the MOD IV receptacle contacts.

Insulation

Crimping Barrel

9/64” [3.57 mm]

Wire Crimping

Barrel

REQUIRED CABLES AND WIRE

The following types of wire and cable are rec-

ommended for use with NetWave consoles:

• Analog audio connections use two-conductor , stranded, insulated, shielded cable using a separate shield drain wire (equivalent to Belden 8451, 9451 or 8761)

• AES/EBU connections use 110 ohm two-conductor, stranded, insulated, foil-shield cable containing a separate shield drain wire (equivalent to Belden 1800B)

• Logic control uses stranded, 22 AWG, multiple-conductor, non-shielded, jacketed cable (equivalent to Belden 9423, 8457 or 9421).

The number of conductors required is determined by the application. Typically, cables with five or eight wires are most often used for constructing logic cables since, ev en though there are twelve or fourteen pins on the logic connectors, only a handful are typically connected for any given application.

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Properly

Crimped Contact

AMP MOD IV Receptacle Contacts

F ollow these steps for audio wire preparation: 1 Strip the cable insulation jacket and foil shield

back 1½" [38.10 mm].

2 Remove the foil shield and sleeve the drain

wire with 20 AWG Teflon sleeving. Leave 9/64" [3.57 mm] of the drain wire exposed.

3 Cover the cut end of the jacket with 3/4"

[19.05 mm] of heat-shrink tubing. Shrink this tubing, centered on the jacket cut end, to hold the drain wire sleeving in place.

4 Strip the signal wire insulation back 9/64"

[3.57 mm].

5 Crimp the receptacle contact onto the wire

and insulation.

2-18

Revision A • 6/06

Page 35

AMP MOD IV

Receptacle Contacts

3/4” [19.05 mm]

Shrink Tubing

Teflon Sleeving

Cable ID Tag

over drain wire

Audio Wire, ready for insertion into an

AMP MOD IV connector housing

udio Cudio C

able Sable S

udio C

udio Cudio C

able S

able Sable S

hielding Nhielding N

hielding N

hielding Nhielding N

otot

e:e:

e: To follow recom-

otot

e:e:

mended grounding procedures, the drain wires must be sleeved with Teflon sleeving and heat shrink tubing must cover all cable jacket cut ends to insulate the shield wiring.

Logic control cables are fabricated in a similar manner to the audio wiring. Strip the jacket insulation back 1½" [38.10 mm], sleeve the cut end with 3/4" [19.05 mm] of shrink tubing and strip the insulation from each wire 9/64" [3.57 mm].

CRIMP TOOL OPERA TION

A ratcheting AMP crimp tool with contact holder

(70-126) is included with each RMX console and with each VistaMax card frame.

or BMX

2 Installation

To use the ratcheting crimp tool:

1. Insert the contact into the contact holder with

the barrel openings up. Typically, the middle holder is used (20 - 24 AWG wire). Flip the holder up so it magnetically latches against the crimp tool. The end of the insulation barrel should be about 2 mm from the end of the die. Close the tool handles one click (only until the anvil holds the contact in place, as shown in the cutaway view, below).

2. Insert the prepped wire into the contact until

the insulation hits the tool’s stop. Hold the wire in place while squeezing the tool handles to crimp the contact onto the wire and insulation. The tool handles automatically release and spring open after the crimp cycle is complete.

Contact Holder,

Printed

Side of

Die

Wire

Crimp

Tool

snapped against

Crimp Tool

AMP MOD IV

Receptacle

Contact

If a tool is not already on-premises, one is included in the optional 76-1901 NetWave/SMXd Tool Kit.

The MOD IV tool crimps both the insulation and the wire barrels on the MOD IV receptacle contact in one crimp.

AMP MOD IV

Contact

Crimp Tool

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Revision A • 6/06

Anvils

Insulation

Stop

Crimp Tool — Cutaway View

After all contacts on a cable are crimped, insert and lock the contact into the appropriate connector housing following the pinout diagrams found on page 2-20 (for audio) and 2-23 (for logic).

Insert the receptacle contact into the housing with its locking tab side toward the locking tab slots on the connector housing. A slight click can be heard when the contact’s locking tab springs up into the locking tab slot.

To remove a contact from a housing, the 70129 Contact Removal Tool (also included in the

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2 Installation

76-1901 tool kit) is required. Insert the tool’s tip into the locking tab slot and press the locking tab down while lightly pulling on the wire to remove the contact from the housing.

Con tact Remova l Tool

Locking Tab

Slots

Locking Tab

Receptacle Contact,

Insertion & Removal Detail

AUDIO CONNECTIONS

Analog and digital audio connections take advantage of the three-pins per row design of the MOD IV housings. Three-pin housings are used for digital connections and six-pin housings are used for analog connections.

the peripheral devices directly to the patch bay. Normal these signals to the appropriate analog inputs.

Likewise, the NetW av e’s analog outputs may be routed through a patch bay normalled to standard peripherals such as analog on-air processing gear , recorders, telephone hybrids, etc.

Each analog input is designed for line level (+4 dBu). Each input can be level trimmed (by up to +/-16 dB) so that unbalanced -10 dBv devices can be directly connected to the console. Note that microphones must be separately preamplified and processed before being connected to the console.

Stereo Analog Audio Connections

Line Input or Output — 6-Pin Housing

Pin Signal Description

1 Shield for the left channel 2 Low (-), left channel 3 High (+), left channel 4 Shield for the right channel 5 Low (-), right channel 6 High (+), right channel

Digital & Analog Audio Connectors

1 2 3

3-pin Digital

connector

Pin numbering, wire insertion end view

Audio wiring has this orientation:

• Shields connect on pins 1 and 4

• The audio low wires, typically black, connect to the middle pins (pins 2 and 5)

• The audio high wires, typically red, connect to pins 3 and 6

When inputs come from mono sources like mic preamps, two separate signals ma y connect to each 6-pin connector to maximize connector usage.

6 5 4 321

6-pin Analog

connector

Analog Connections

There are no analog interstage patch points in the NetWave console. To use the console with a patch bay, connect line level analog outputs from

HARRIS CORPORATION

Two Mono Analog Connections

Line Input or Output — 6-Pin Connector

Pin Signal Description

1 Shield for signal 1 2 Low (-) for signal 1 3 High (+) for signal 1 4 Shield for signal 2 5 Low (- ) for signal 2 6 High (+) for signal 2

Digital Connections

Three-pin digital inputs accept AES-3 (AES/ EBU) compatible signals with sample rates of 25 to 50 kHz. Each digital input goes through sample rate conversion (the console’ s internal sample rate is 48 kHz). In most cases, digital inputs can also accept unbalanced S/PDIF signals. Refer to Unbalanced Connections on the next page for details.

AES/EBU Digital Inputs & Outputs

Pin Signal Description

1 Shield (connects directly to the chassis) 2 Low (-) 3 High (+)

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2 Installation

Each digital output is an AES-3 compatible signal. AES-3 outputs cannot connect directly to an S/PDIF input. To do this requires a signal translation interface.

UNBALANCED CONNECTIONS

Although all analog inputs and outputs are active and balanced, unbalanced consumer or “semipro” equipment can be connected to the console. For best results, connect an unbalanced device through an IHF-PRO match box and keep the unbalanced cable lengths as short as possible.

If a match box is not available, connect an unbalanced device directly to a NetWave input using the following illustration.

Connecting an Unbalanced Stereo Device

to a NetWave Analog Input

From th e

Unbalanced

Device

Shields

When an unbalanced device must be connected to a NetW av e balanced analog output, and an IHFPRO match box is not available, do not tie the low (-) and shield pins together to “unbalance” the signal. The low output pin must always be left floating when unbalancing a NetW a ve output, as shown in the following illustration.

Connecting an Unbalanced Device

to a NetWave Analog Output

(Nominal Output is -2 dBu)

Console

Balanced

Output

36 25 14

(Make no connections to pins 2 & 5)

Console

Balanced

Input

36 25 14

To the

Unbalanced

Device

Shields

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S/PDIF Signals

Digital devices with only an S/PDIF digital output can connect to a NetWave input, but only if a 249 ohm resistor is used to impedance match the S/PDIF cable. Install the resistor on the MOD IV housing per the following illustration.

An unbalanced-to-balanced line transformer can alternately be used to interface an S/PDIF signal.

Connecting an S/PDIF Device to

a NetWa ve AES/EBU Input

From S/PDIF Device

Signal Shield

249 ohm resistor

Console

AES/EBU

Input

3 2 1

Note 1: A signal conversion interface must be

used to connect an AES/EBU output to a S/PDIF input.

Note 2: Some S/PDIF signals may not work with the NetW av e’s inputs, even with the additional load resistor or a transformer , because of nonstandard levels or protocols in the S/PDIF product.

NETWAVE SAMPLE RATE

NetW ave uses the professional audio sample rate of 48 kHz for all its internal audio mixing and routing. Each digital input has an integral sample rate converter to convert incoming sample rates from 25 to 50 kHz to the console’s internal 48 kHz sample rate.

The console’s digital outputs are normally sample rate converted to 44.1 kHz, but each can be set for 48 kHz output through settings on the multi-switches on the Monitor & Output board (page 2-10 covers the s witch settings).

When the console is used in a stand-alone application, the console cannot be locked to an external time reference. If this is required, then the NetWave must be networked with a V istaMax sys-

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2 Installation

tem (the NetWave is automatically synchronized to the VistaMax system’s master clock, which can be externally referenced). Refer to the VistaMax (75-52) or Envoy (75-55) manuals for details.

AUDIO CONNECTIONS

There are eighteen dedicated analog and digital inputs and outputs on the Monitor & Output card. Connections include separate analog and digital outputs for four Program buses (PGM 4 can alternately be set as a local Telco Record output), analog inputs for two External Monitor signals, two analog mono mix-minus outputs, three analog monitor outputs for the control room (monitor, host headphone and guest headphone) and three monitor outputs for a studio (monitor host headphone and guest headphone).

system as its input. See Chapter 4, V istaMax System, for details.

Any analog or digital input connector can be set to function as two mono inputs rather than as a combined stereo signal through the Mode selector setup control.

LOGIC CONNECTORS

The NetWave console has the following logic connections:

• Channel Logic I/O (eight 12-pin MOD IV con-

nectors on each DSP & I/O card)

• Control Room Logic (14-pin MOD IV on the

Monitor & Output card) for warning light, external mute, dim, and talkback control

• Studio Logic (14-pin MOD IV on the Monitor

& Output card) for warning light, external mute, dim, and talkback control

Monitor & Output Card

Connections

Each DSP & I/O card has eight analog and eight digital inputs that are assigned as sources using the DSP & I/O setup controls. When the VistaMax Link is activated, one input (either analog or digital) from each channel is set as a VistaMax source that can be routed to any other VistaMax community member. Likewise, each channel source can be set to use a routed signal from the VistaMax

• Remote timer reset output and ESE or SMPTE input on the clock-timer circuit board in the Console Display assembly

Page 2-23 has block diagrams and pinouts for the four types of NetWave logic interface connectors.

The logic inputs are fully isolated by opto-couplers and accept logic commands that use +5 to +40 volt logic.

Logic outputs are solid-state “dry-contact relays.” They can switch control signals of up to 60 volts , AC or DC. They cannot directly control warning lamps using 120 VAC. A warning lamp interface must be used to connect the warning lamp.

(cont. page 2-24)

HARRIS CORPORATION

DSP & I/O Card Connections

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Con trol Room Lo gic Interface, Connector Pinout and Block Diagram

Enable Logic Inputs (+)

2 Installation

Control Room Warning Relay

Control Room Dim Relay

8 9 10 11 12 13 14

7 6 5 4 3 2 1

Wire insertion end view

1 - LOGIC GND 2 - LOGIC GND 3 - LOGIC GND 4 - WARNING RELAY 5 - WARNING RELAY 6 - +5 VOLT LOGIC SUPPLY 7 - +5 VOLT LOGIC SUPPLY

8 - MUTE C/R (-) 9 - DIM C/R (-) 10 - RELAYS COMMON 11 - MUTE RELAY 12 - DIM RELAY 13 - TALK TO C/R RELAY 14 - ENABLE LOGIC INPUTS (+)

Ctrl Room Mute Input (-)

Ctrl Room Dim Input (-)

Studio Logic Interface, Connector Pinout and Block Diagram

Enable Logic Inputs (+)

8 9 10 11 12 13 14

7 6 5 4 3 2 1

Wire insertion end view

1 - LOGIC GND 2 - LOGIC GND 3 - LOGIC GND 4 - WARNING RELAY 5 - WARNING RELAY 6 - +5 VOLT LOGIC SUPPLY 7 - +5 VOLT LOGIC SUPPLY

8 - MUTE STUDIO (-) 9 - DIM STUDIO (-) 10 - RELAYS COMMON 11 - MUTE RELAY 12 - DIM RELAY 13 - TALK TO STUDIO RELAY 14 - ENABLE LOGIC INPUTS (+)

Studio Mute Input (-)

Studio Dim Input (-)

Notes: Opto-Isolated inputs are current limited to work with +5 to +40 VDC logic.

Opto-Isolated outputs can sink up to 60 volts or 350 mA max. current flow.

For fully isolated operation, do not connect external devices to +5 or ground (pins 1, 2, 3, 6 and 7).

Notes: Opto-Isolated inputs are current limited to work with +5 to +40 VDC logic.

Opto-Isolated outputs can sink up to 60 volts or 350 mA max. current flow.

For fully isolated operation, do not connect external devices to +5 or ground (pins 1, 2, 3, 6 and 7).

Control Room Mute Relay

Talk to Control Room Relay

Internal Logic

Relays Common

Logic Supply +5VDC

Logic Ground

Studio Warning Relay

Studio Dim Relay

Studio Mute Relay

Talk to Studio Relay

Relays Common

Logic Supply +5VDC

Logic Ground

Channel Logic Interface, Connector Pinout and Block Diagram

1 - LOGIC GROUND

2 - TALK TO CR / CUE (-) 3 - CHANNEL OFF (-)

4 - ENABLE LOGIC INPUTS (+) 5 - OFF TALLY / STOP PULSE

6 - TALLY / PULSE COMMON 7 - +5 VOLT LOGIC SUPPLY

8 - COUGH / READY CTRL (-) 9 - CHANNEL ON (-)

10 - +5 VOLT LOGIC SUPPLY 11 - ON TALLY / START PULSE

Wire insertion end view

12 - +5 VOLT LOGIC SUPPLY

Clock-Timer Interface, Connector Pinout and signals

6 5 4

3 2 1

Wire insertion end view

1 - EXT. TIMER RESET INPUT 2 - GROUND 3 - TIMER RESET OUTPUT

4 - GROUND 5 - ESE/SMPTE INPUT + 6 - ESE/EMPTE INPUT -

NetWave Logic Connections on the Monitor & Output Card,

DSP & I/O Cards and Clock/Timer Circuit Board

Enable Logic Inputs (+)

On (-) Off (-)

MIC: Cough (-) LINE: Ready (-)

MIC: Talk To C/R (-) LINE: Cue (-)

Notes: Pins 1 & 2. Typically not connected on a NetWave. This input resets the timer when an active low command is received.

Pins 3 & 4. Connect to a Studio Timer's reset input. This active low output resets the Studio Timer so it stays in sync with the console's timer.

Pins 5 & 6. Connects from a master clock. Any SMPTE, ESE TC-89 or ESE TC-90 master clock can be used. On a balanced connection, connect the high (+) signal to pin 5 and the low (-) to pin 6. There is no shield connection. On an unbalanced signal, connect the center conductor to pin 5 and the shield to pin 6.

9 3

Notes: Opto-Isolated inputs are current limited to work with +5 to +40 VDC logic.

Opto-Isolated outputs can sink up to 60 volts or 350 mA max. current flow.

For fully isolated operation, do not connect external devices to +5 or ground (pins 1, 7, 10, and 12).

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HARRIS CORPORATION

Internal Logic

MIC: On Tally Relay

LINE: Start Pulse Relay

MIC: Off Tally Relay

LINE: Stop Pulse Relay

Tally & Pulse Common

Logic Supply +5VDC Logic Supply +5VDC

Logic Supply +5VDC

Logic Ground

Revision A • 6/06

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2 Installation

LOGIC INTERFACE

Logic connector pinouts and block diagrams for the Control Room, Studio, Channel Logic and Timer logic are shown on page 2-23.

Logic inputs are shown on the left side and logic outputs are shown on the right side of the block diagrams. Logic inputs, noted by the (-) symbol, are active low. T hey are isolated by opto-couplers that must be activate by connecting the Enable Logic Inputs pin to +5 to +40 volts.

Most outputs are isolated solid-state relay contacts that are commoned together . T he exceptions are the two warning relay outputs which are isolated dry contacts. The relay common pin can tie to ground (to generate logic low outputs) or to a logic voltage of up to 60 volts at 350 mA (to generate logic high outputs).

Several +5 volt supply and ground pins are available on each connector, but these should only be used to power isolated accessory panels. Grounds and logic voltages should always be sourced from the peripheral device in order to maintain fully isolated operation.

Control Room Logic

This 14-pin connector has two isolated relay contacts (pins 4 and 5) for controlling a warning lamp interface like the Harris WL-2 or Henry Superelay. It is activated whenever any channel with a Control Room mic as its source is turned On. This action also mutes the Control Room Monitor audio output.

The other three logic outputs (commoned together on pin 10) are: CR dim on pin 12 (activated when receiving talkback), CR mute on pin 11 (activated when the warning output is active), and talkback on pin 13 (activated by receiving a Talk to CR logic command). T hese outputs can be used to control external speaker switching circuitry or be used for tally indicators.

There are two external logic inputs for remotely dimming monitors (on pin 9) or muting the monitors (on pin 8). To use these inputs, pin 14 must be tied high (+5 to +40 VDC). T he logic inputs are triggered by being pulled low.

Studio L ogi c

This 14-pin connector has the same connections as the control room connector, except they’re for a talk studio or voice room. There are two isolated relay contacts (pins 4 and 5) for controlling a warning lamp interface like the Harris WL-2 or Henry Superelay . It is activated when any channel with a studio mic as its source is turned On.

The other three logic outputs (commoned together on pin 10) are for studio dim (pin 12), studio mute (pin 11), and studio talkback (pin 13). These can be used to control external speaker switching or be used for tally indicators.

There are two external logic inputs for remotely dimming the studio monitors (on pin 9) or for muting the studio monitors (on pin 8). To use these inputs pin 14 must be tied high (+5 to +40 VDC). The logic inputs are triggered by being pulled low.

Channel Logic

There are eight of these 12-pin connectors on each DSP & I/O card. T hey are typically connected to a remote mic control panel (using Mic logic) or to a peripheral device logic I/O (using Line logic). The type of logic used (Mic or Line) is determined by the setting of the Function parameter . Mic logic is used when CR MIC, CR MIC TLK SRC or STU MIC is selected. All other Function settings use Line logic.

The Channel Logic I/O is associated with either the A or B channel source by the Logic Active setup control on the DSP & I/O card. When its LED is lit, the logic connector is active. When its LED is off, the logic is not active.

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2 Installation

Microphone Logic

Microphone logic has three main functions: mute the monitor speakers in the room with a “hot” mic; command a hot mic warning light; and activate mic logic functions like talkback and cough.

The warning commands come from the control room or studio logic connectors, but it is the Function parameter setting that tells the monitor logic that the source input is a mic and where that mic is located (control room or studio).

Mic Connections

Microphones must be preamplified to line level before being connected to a NetW av e audio input. Typically, mics are routed through a mic processor to preamplify, equalize and compress or limit their audio. A mic processor can connect to either an analog or a digital input, as either can be set as a mic input.

Mic Logic To/From a NetWave

There are two mic control panels to compliment the NetWave console: a three-button panel without talkback control (99-1197, with On, Off and Cough buttons); and a four button panel with talkback (99-1198, with On, Off, Cough and Talkback buttons). A typical mic and mic panel connection is shown on page 2-26.

To use a mic panel, the Function parameter must be set to CR MIC, CR MIC TLK SRC or STU MIC to assign the source as a microphone. The Logic Active setting must be on (the LED is lit). These settings then allow the panel to turn the channel on and off; to receive channel on and off tallies; to activate the cough and talkback inputs; and to light up the cough and talkback buttons. When the channel is on, the room monitor output mutes, the room warning light comes on and the On button on the mic panel and the channel are lit.

A wiring diagram for a mic panel cable (Harris cable # 90-1875) is shown above. The panel’s

ASSIGNABLE LOGIC CONNECTOR

SIGNAL PIN

Logic Ground

Off Tally

On Tally

+5 VDC Supply

Off Switch (-)

On Switch (-)

Cough Switch (-)

Talk Switch (-)

Tally Common

+5 VDC supply

Enable Logic Inputs (+)

+5 VDC Supply

BLK

WHT

RED

GRN

BRN

BLU

ORG

YEL

PARTS LIST Cable: Belden 9421 or equiv. 8-pin MOD IV Housing: 14-486 (Tyco-AMP 87631-4) 12-pin MOD IV housing: 14-490 (Tyco-AMP 87922-2) MOD IV contacts: 15-938-1 (Tyco-AMP 102128-1)

99-1197 or 99-1198 MIC CONTROL PANEL

PIN SIGNAL

Logic GND

Off Tally

On Tally

Power Supply

Off Switch

On Switch

Cough Switch

Talkback Switch

90-1875 Cable for Mic Control

switches (On, Off , Cough, T alkback) connect to the four remote inputs on pins 2, 3, 8 and 9. Pin 4 is jumpered to pin 10 to enable the external inputs.

The switch LEDs connect to pins 5, 7 and 11 with pin 1 supplying ground. T he On Tally output (pin 11) drives the On button LEDs and the Off Tally (pin 5) drives the Off button LEDs. The Cough and T alkback LEDs connect directly to +5 VDC.

To make a custom mic panel, use SPST (single pole, single throw) momentary contact switches with LED indicators. Tie one side of each switch and lamp to Logic Common (pin 1). The other side of the Cough and Talkback lamps are tied together to +5 volts.

Each switch is tied to its logic counterpart (the On switch goes to the On (-) input, pin 9, the Off switch goes to Off (-) input, pin 3, etc. The on/off lamps are tied to their Tally outputs (On lamp to On Tally, pin 11; Off lamp to Off T ally, pin 5).

Tally Common (pin 6) is jumpered to +5 Volts (pin 12). Pin 4, Enable Logic Inputs (+), is also jumpered to +5 Volts on pin 10.

Line Logic

Line logic is used when the source’s Function LEDs are all off (signifying a line input device), or when Telco 1 or T elco 2 is lit.

When that source’s Logic Active parameter is also lit, then the logic functions of pins 2, 5, 8 and 11 change from that of a mic logic to that required by peripheral devices, or line logic.

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Pin 2 changes to be a cue switch input that can be triggered by a computer pla yback system or by a remote studio or producer cue switch.

Pin 8 changes to be a ready logic input. This command is used by peripheral devices to automatically turn off the channel at the end of some event. When the Off LED CTRL parameter is lit, the ready command not only turns the channel off, it also controls the Off button illumination to indicate that the peripheral is not ready (no Off button light); is cued and ready to play (Off button is lit solid); or that the event has been completed (Off button flashes).

Pins 11 and 5 change to become start and stop pulse outputs to automatically start or stop/pause a peripheral device when the channel is turned on or off. These generate 220 msec contact closures between pin 6 and pin 11 for a start pulse and pin 6 and pin 5 to generate a stop/pause pulse. Whether a single or multiple pulse is output depends upon the setting of the Pulse Select parameter.

Channel Logic I/O and Peripherals

In the basic peripheral logic connection example on page 2-28, active low logic is used, thus Tally & Pulse Common is connected to the logic ground on the peripheral device (labeled Command Common on the Denon CD player in the example).

In the complex logic example shown on page 2-29, activ e high logic is used, thus Tally & Pulse Common connects to +5 VDC.

Note: T his voltage is more typically supplied directly by the peripheral device in order to prevent ground loops, but in this example the peripheral is using isolated connections.

not only an audio reset to turn off the channel, but it can also control the off button LEDs when the Off LED parameter is active on that channel. Otherwise, the off LEDs turn on automatically at channel off.

Clock-Timer Interface

An external event timer reset command is on the Clock-Timer PC A (J4, pin 3). It connects to a studio or external location Event Timer so it can be reset by the console’s timer reset logic.

This connector also has an external timer reset input, that is typically not used in this application. A momentary low on pin 1 will reset the Event Timer.

This connector also has the input for a master clock signal on pins 5 and 6. This connection is covered on page 2-9.

CONNECTION GUIDES

Pages 2-27 to 2-30 show the typical connections and parameter settings for: a mic with a mic remote panel; a CD player with remote logic; a computer playback system; and the connections to a VistaMax audio management system.

Note: To ensure the console and peripheral devices are isolated, use only the isolated control connections. The +5 VDC and logic ground connections are referenced to the console’s power supply and ground. T hese should only connect to isolated devices like mic control panels or other Harris Accessory Panels. Connecting these to non-isolated devices may result in a ground loop between the console and peripheral.

Peripheral devices can turn off the channel

through the Ready logic input. This input performs

HARRIS CORPORATION

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MIC REMOTE CONTROL CONNECTION EXAMPLE

This example shows a mic control panel connection to a Channel Logic I/O connector.

CHANNEL LOGIC I/O CONNECTOR SIGNAL TABLE

PIN #PIN #

1 2 3 4 5 6

7 8 9 10 11 12

(wire insertion end view)

SIGNALSIGNAL

PIN #

SIGNAL

PIN #PIN #

SIGNALSIGNAL

OGIC GROGIC GR

OGIC GR

OGIC GROGIC GR

ALK INPUT (-)ALK INPUT (-)

ALK INPUT (-) Remote Talkback switch input (active low)

ALK INPUT (-)ALK INPUT (-)

OFF INPUT (-)OFF INPUT (-)

OFF INPUT (-) Remote Off switch input (active low)

OFF INPUT (-)OFF INPUT (-) ENABLE LENABLE L

ENABLE L

ENABLE LENABLE L OFF OFF

OFF

OFF OFF TT

ALLALL

ALL

ALLALL

+5 +5 CC

OUGH INPUT (-)OUGH INPUT (-)

OUGH INPUT (-) Remote Cough switch input (active low)

OUGH INPUT (-)OUGH INPUT (-)

ON INPUT (-)ON INPUT (-)

ON INPUT (-) Remote On switch input (active low)

ON INPUT (-)ON INPUT (-) +5 +5

+5 +5 ON ON

ON ON +5 +5

+5 +5

OUNDOUND

OUND Logic ground

OUNDOUND

OGIC INPUTOGIC INPUT

OGIC INPUT

OGIC INPUTOGIC INPUT

ALLALL

ALL

Y Off tally output, N.O. contact

ALLALL

Y CY C

OMMONOMMON

Y C

OMMON Tally relays common connection, C contact

Y CY C

OMMONOMMON

OLOL

T LT L

OGIC SUPPLOGIC SUPPL

T L

OGIC SUPPL

OLOL

T LT L

OGIC SUPPLOGIC SUPPL

OLOL

T LT L

OGIC SUPPLOGIC SUPPL

T L

OGIC SUPPL

OLOL

T LT L

OGIC SUPPLOGIC SUPPL

ALLALL

ALL

Y On tally output, N.O. contact

ALLALL

OLOL

T LT L

OGIC SUPPLOGIC SUPPL

T L

OGIC SUPPL

OLOL

T LT L

OGIC SUPPLOGIC SUPPL

S (+)S (+)

S (+) Jump er to +VDC to enable switch inputs

S (+)S (+)

Notes: +VDC is between +5 and +40 VDC.

Outputs can switch voltages up to +60 VDC at 350 mA total

oldold

old indicates connections used in this example.

oldold

FUNCTIONFUNCTION

FUNCTION

FUNCTIONFUNCTION

Y 5 volt source for Cough and Talkback T allies

Y 5 volt source to enable switches

Y 5 volt source for switch tallies

2 Installation

Mic control Panel

(99-1198),

for this mic,

connects to

Logic I/O 2

EXAMPLE OF A MIC & MIC CONTROL PANEL CONNECTED TO CHANNEL 2

Mic (through preamp)

connects to Analog

Input 2, Left

TALK BACK

COUGH

OFF

See page 2-24 for a wiring

diagram for a mic control

panel logic cable

DSP & I/O Card

Channel 2 Parameter Settings (A source)

for a control room mic

1. Input: set to Analog

2. Mode: set to Left

3. Function: CR MIC

4. Logic Active: On

5. Remote Off LED Ctrl: Off

6. Channel Trim: 0 dB

7. Network Source: set to Analog (sets the mic as a VistaMax source)

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BASIC PERIPHERAL DEVICE LOGIC CONNECTION EXAMPLE

This example shows a peripheral device (with basic logic functions like the CD player shown below) connected

to an Channel Logic I/O connector .

1 2 3 4 5 6

7 8 9 10 11 12

(wire insertion end view)

CHANNEL LOGIC I/O CONNECTOR SIGNAL TABLE

PIN #PIN #

SIGNALSIGNAL

PIN #

SIGNAL

PIN #PIN #

SIGNALSIGNAL

1 LOGIC GROUND Logic ground 2 CUE INPUT (-) Remote Cue switch input (active low) 3 OFF INPUT (-) Remote Off switch input (active low) 4 5 6

ENABLE LENABLE L

ENABLE L

ENABLE LENABLE L STST

STST PULSE CPULSE C

PULSE C

PULSE CPULSE C

OGIC INPUTOGIC INPUT

OGIC INPUT

OGIC INPUTOGIC INPUT

OP PULSEOP PULSE

OP PULSE Stop command output, N.O. c o ntact

OP PULSEOP PULSE

OMMONOMMON

OMMON Start/Stop Pulse common, C contact

OMMONOMMON

S (+)S (+)

S (+) Jumper to +VDC to enable switch inputs

S (+)S (+)

7 +5 VOLT LOGIC SUPPLY 5 volt source

READREAD

Y INPUT (-)Y INPUT (-)

READ

Y INPUT (-) Remote Ready switch input (active low)

READREAD

Y INPUT (-)Y INPUT (-)

9 ON INPUT (-) Remote On switch input (active low)

10 +5 VOLT LOGIC SUPPLY 5 volt source to enable switches

STST

ARAR

T PULSET PULSE

T PULSE Start command output, N.O. contact

STST

ARAR

T PULSET PULSE

12 +5 VOLT LOGIC SUPPLY 5 volt source for switch tallies Notes: +VDC is between +5 and +40 VDC.

Outputs can switch voltages up to +60 VDC at 350 mA total

oldold

old indicates connections used in this example.

oldold

FUNCTIONFUNCTION

FUNCTION

FUNCTIONFUNCTION

951

Denon CD Player,

connected to

channel 4, source A

CHANNEL LOGIC CONNECTOR

SIGNAL PIN

Pulse Common

Enable Logic Inputs (+)

Stop Pulse

Start Pulse

Ready (-)

EXAMPLE OF CD PLAYER CONNECTED TO INPUT 4

To Logic I/O 4

To Digital Input 4

DSP & I/O Card

Channel 4 Parameter Settings (A source)

for a peripheral device using line logic

1. Input: set to Digital

2. Mode: set to Stereo

3. Function: LINE (no LEDs lit)

4. Logic Active: On

5. Timer Reset: On

6. Remote Off LED Ctrl: On (for Ready control of Off LED)

7. Input Trim: -6 dB on both channels

8. Network Source: set to Digital (sets the CD player as a VistaMax source)

TYPICAL DENON CD PLAYER LOGIC WIRING

DENON DN-SERIES CD PLAYER LOGIC

BRN

BLK

GRN

RED

WHT

CR1

CR2

PIN SIGNAL

Switch Common

Tally Common

Pause N.O.

Play N.O.

Standby/Cue Tally

Pause Tally

PARTS LIST Cable: 19-119 (Belden 8445 or equiv.) Diodes: 11-7 (1N4001 or equiv.) 25-pin DSub: 15-854 (DB-25P) 12-pin MOD IV housing: 14-490 (Tyco-AMP 87922-2) MOD IV contacts: 15-938-1 (Tyco-AMP 102128-1)

HARRIS CORPORATION

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2 Installation

COMPLEX LOGIC CONNECTION EXAMPLE

This example shows a device with more complex logic functions like that typically found in a computer playback system. On most peripheral devices, the logic ground and +5 volt supply connections are not used, but in this example the playback system logic I/O connections are also isolated.

CHANNEL LOGIC I/O CONNECTOR SIGNAL TABLE

PIN #PIN #

1 2 3 4 5 6

7 8 9 10 11 12

(wire insertion end view)

SIGNALSIGNAL

PIN #

SIGNAL

PIN #PIN #

SIGNALSIGNAL

OGIC GROGIC GR

OGIC GR

OGIC GROGIC GR

OUNDOUND

OUND Logic ground

OUNDOUND

2 CUE INPUT (-) Remote Cue switch input (active low) 3 OFF INPUT (-) Remote Off switch input (active low) 4 5 6

ENABLE LENABLE L

ENABLE L

ENABLE LENABLE L STST

STST PULSE CPULSE C

PULSE C

PULSE CPULSE C

OGIC INPUTOGIC INPUT

OGIC INPUT

OGIC INPUTOGIC INPUT

OP PULSEOP PULSE

OP PULSE Stop command output, N.O. c o ntact

OP PULSEOP PULSE

OMMONOMMON

OMMON Start/Stop Pulse common, C contact

OMMONOMMON

S (+)S (+)

S (+) Jumper to +VDC to enable switch inputs

S (+)S (+)

7 +5 VOLT LOGIC SUPPLY 5 volt source

READREAD

9 10 11 12

Y INPUT (-)Y INPUT (-)

READ

Y INPUT (-) Remote Ready switch input (active low)

READREAD

Y INPUT (-)Y INPUT (-)

ON INPUT (-)ON INPUT (-)

ON INPUT (-) Remote On switch input (active low)

ON INPUT (-)ON INPUT (-) +5 +5

+5 +5 STST

STST +5 +5

+5 +5

ARAR

OGIC SUPPLOGIC SUPPL

OLOL

T LT L

OGIC SUPPL

T L

OGIC SUPPL

OLOL

T LT L

OGIC SUPPL

T PULSET PULSE

T PULSE Start command output, N.O. contact

T PULSET PULSE

OLOL

T LT L

OGIC SUPPLOGIC SUPPL

T L

OGIC SUPPL

OLOL

T LT L

OGIC SUPPLOGIC SUPPL

Y 5 volt source to enable switches

Y 5 volt source for switch tallies

Notes: +VDC is between +5 and +40 VDC.

Outputs can switch voltages up to +60 VDC at 350 mA total

oldold

old indicates connections used in this example.

oldold

FUNCTIONFUNCTION

FUNCTION

FUNCTIONFUNCTION

EXAMPLE OF A COMPUTER PLAYBACK SYSTEM CONNECTED T O CHANNELS 4, 5 AND 6

Computer Playback System,

three channels connected to

channels 4, 5, 6, all source A

CHANNEL LOGIC CONNECTOR

SIGNAL PIN

Start Pulse

Stop Pulse

On (-)

Ready (-)

Logic GND

Enable Logic Inputs (+)

+5 VDC

Pulse Common

+5 VDC

To Digital Inputs 4, 5, 6

DSP & I/O Card

Channels 4, 5 and 6 Parameter Settings (A sources)

1. Input: set to Digital

2. Mode: set to Stereo

3. Function: LINE (no LEDs lit)

4. Logic Active: On

5. T imer Reset: On

6. Remote Off LED Ctrl: On (for Ready control of Off LED)

7. Input Trim: -6 dB on both channels

8. Network Source: set to Digital (sets these inputs as VistaMax sources)

TYPICAL COMPUTER PLAYBACK SYSTEM LOGIC WIRING

USING A GENERAL PURPOSE I/O CARD

GPI 16 INTERFACE CONNECTOR

CR1

CR2

PIN SIGNAL

Input 0 (+)

Input 1 (+)

Relay 0 N.O.

Relay 1 N.O.

Relay 2 N.O.

Input 0 (-)

Input 1 (-)

Relay 0 common

Relay 1 Common

Relay 2 Common

PARTS LIST Cable: 19-119 (Belden 8445 or equiv.) Diodes: 11-7 (1N4001 or equiv.) 37-pin DSub: 15-885 (DC 110963-4) DSub crimp pins: 15-884 (DB-37P) 12-pin MOD IV housing: 14-490 (Tyco-AMP 87922-2) MOD IV contacts: 15-938-1 (Tyco-AMP 102128-1)

BLK

WHT

BRN

RED

GRN

To Logic I/O 4, 5, 6

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VISTAMAX NETWORK CONNECTIONS

When the optional VistaMax Link is activated, the NetWave’ s RJ-45 VistaMax Link connection, located next to the DC power connector, connects the console to any available Hub Card facet on a VistaMax or Envoy card frame using a length. It carries 64 audio channels bi-directionally between the NetWave console and the Hub card. Sources from the VistaMax system may also have logic signals associated with the audio to control the console channels. The console channel on and off logic can also control associated logic outputs on the VistaMax system.

The RJ-45 LAN connectors on the rear panel tie the optional Dual Router panels individually to the VistaMax LAN. These can be directly connected to the main network switch (where all of the card frames, RMX BMX Dual Router panels are installed, they can be connected to a small network hub or s witch which in turn connects to the main network switch. Refer Chapter 4, and to the VistaMax (75-52) or Envo y (75-55) manuals, for additional details on Link cables, Dual Router panel LAN cables and for setup and configuration details.

Link cable

. A Link cable is a single C AT -5e or C AT-6 crossover cable up to 300 feet [100 meters] in

consoles, the administration computer and the VistaMax edge device panels connect) or, when several

and

VISTAMAX ENVOY FRAME WITH ONE ANALOG I/O CARD (99-1340-1A)

LINK CABLE

(CAT-5e or CAT-6 Crossover cable)

(standard configuration, rear view)

LOGIC I/O

A B C

29 28

25 24

LOGIC INPUTS

21 20

17 16

13 12

9 8

5 4

INACTIVE

CTRL COM

NORMAL / DATA

A B C

29 28

LINK CABLES

25 24

LOGIC OUTPUTS

TO THREE

21 20

17 16

ADDITIONAL

13 12

CONSOLES

9 8

5 4

PRE99-1365

STANDARD NULL

MODEM CABLE

All network cables are

CAT-5, straight-thru type

WINDOWS®

COMPUTER

To/From additional: RMXdigital consoles; BMXdigital consoles; VistaMax frames; Envoy frames; NetWave Dual Router kits; VistaMax control panels

LINK CONNECTOR

(RJ-45)

NETWAVE-8 CONSOLE,

With two optional

Dual Router Kits

installed into the first

two Dual Fader panels

HARRIS CORPORATION

VISTAMAX LAN CABLES

(CAT-5)

STANDARD NETWORK SWITCH

(UNMANAGED-TYPE)

NetWave Console Link and LAN Connections

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Using NetWave

This chapter covers user operation of the

NetW ave console.

Console Overview

The NetWave console consists of: a main frame holding multiple Dual F ader panels and one Monitor panel; a Reflective Console Display with stereo bargraph meters, a clock, and event timer; and an in-line or rack mount power supply.

DUAL FADER/DUAL ROUTER PANELS

NetWave audio inputs are assigned to one or more buses, level controlled and switched on and off using “channel strip” controls on Dual Fader panels. The standard Dual Fader panel has two separate channel strips for controlling two local source signals connected to the NetW av e console.

When the NetWave is “Linked,” meaning that the console is connected to a VistaMax system, then routed sources may also be set as the

channel’s input. A modified Dual Fader panel, called a Dual Router panel, can take the place of any standard Dual Fader panel to select network sources on the panel. Dual Router panels are identified by two 10-character displays that show the name of the sources active on those two channels.

NetWave-8 consoles ship with four standard Dual F ader panels installed. The NetWave-16 console ships with six Dual F ader panels, but can have eight panels installed (as shown below), while the NetWave-24 ships with nine Dual Fader panels, but can have up to twelve installed.

A Quick Guide to using the NetW av e Dual Fader and Dual Router panels is on pages 3-3 and 3-4.

MONITOR PANEL

This standard panel is installed at the right end of the frame. It has the monitor source selectors and level controls for a control room and a studio. It also has selector buttons to assign a signal to the Aux meter .

A Quick Guide to using the Monitor panel is on pages 3-5 to 3-8.

Dual Fader Panels

NetWave-16 Console (with two optional Dual Fader panels)

Reflective Display

(standard display with two Meters , Clock and Event Timer shown)

Monitor Control Panel

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CONSOLE DISPLAY

The Reflective Console Display is behind the control panels. It has two signal level meters (Program 1 on the left meter and another source on the right Aux meter). There is also a time of day clock and an event timer on the display.

On the NetWave-16 and NetWave-24, an optional display has two additional meters to show Program 2 and Program 3. The other parts of the display match the standard display.

A Quick Guide to using the Reflective Console Display is on page 3-9.

POWER SUPPLY

T he NetW a ve power supply is designed specifically for 24/7 operation and the console should not be powered off since doing so will cause complete signal interruption.

The NetWave-24 uses a rack mount supply with a recessed power switch on the front panel to turn the supply on/off. If the supply is turned off, wait at least fifteen seconds before turning the supply back on.

The NetWave-8 and NetW a ve-16 consoles come with an in-line power supply that is typically set within the cabinetry. This supply does not have a switch so it must be unplugged from its A C outlet to turn it off. Again, wait fifteen seconds before plugging it back in.

VISTAMAX INTEGRATION

When the NetWave console has been tied into a VistaMax A udio Management System, an almost unlimited number of audio and audio-with-logic signals become available to the console. On Dual F ader channels , a network signal can be assigned to either the A or B source, with the other source being assigned to a local input signal. On Dual Router channels, the source is always a network signal. The local input can only be used when it is set as a network source signal during console setup.

A VistaMax system consists of sources (analog and digital inputs connected to a VistaMax device) and destinations (an output on a VistaMax I/O card, a NetWave channel input or External input). Regardless of where a source is connected in a VistaMax system, it can be selected and sent to any number of destinations in the system.

On a Linked NetWave console, this means that each channel on the console and the two External inputs are all V istaMax destinations. As such, any VistaMax source could be routed to these destinations. To make selecting, and identifying , sources easy on a channel, the Dual Fader is replaced by a Dual Router panel which allows a board operator to select sources on those two channels by using the UP and DWN buttons and the T ake button to find and select a new source.

VistaMax Source Selection

On channels with standard Dual Fader panels, when a network source is its input, the actual VistaMax source assigned to the channel can’t be changed on the panel. The source can only be changed by using a VistaMax Source Selector panel or by running a session or macro file on the console’s parent device (this is typically done by engineering or programming). This may even be done on a scheduled basis to change routing according to daypart. Unfortunately , the source name is not displayed on the channel. T his holds true as well for a routed External Monitor signal. Typically routed signals Dual Fader channels and the external monitor are fixed sources that do not change.

Dual Router panels have access to changing their sources and have a 10-character display to show the source name. Using this panel is covered on page 3-4.

For a more complete description of the VistaMax audio management system, refer to the VistaMax (75-52) or Envoy (75-55) manual.

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DUAL FADER PANEL

Each panel has two channel strips for independent control of two audio signals. Each channel has two sources (A and B) that are board operator selected. The A and B labels (normally replaced b y custom labels to identify the input signal name) light up to indicate the active source on that channel.

BUS ASSIGNMENT SECTION

PRPR

OGROGR

AM 1,AM 1,

2, 2,

3, 3,

4 4

OGR

AM 1,

PRPR

OGROGR

AM 1,AM 1,

2, 2,

fader and post switch, to any combination of the four Program buses.

— —

— When lit, routes the channel audio, post

3, 3,

4 4

— —

BUS ASSIGNMENT SECTION

CHANNEL DISPLAY

FADER CONTROL SECTION

OFFLINE — OFFLINE —

OFFLINE — When lit, routes the channel audio, pre-switch and

OFFLINE — OFFLINE —

typically pre-fader (may be set post-fader), to the Offline bus.

Note:Note:

Note: The two Telco channels can have an assignment button winking,

Note:Note:

or blinking. This indicates the bus assigned to the Telco mix-minus and

Telco record outputs. See page 3-11 for Telco operation specifics.

F ADER C ONTROL SECTION

A and B — A and B —

A and B — The lit button indicates the active source, along with the lit

A and B — A and B —

A or B label in the channel display. To change the source, press the unlit

source button (Take will flash), then press the flashing Take button..

AKE — AKE —

AKE — Switches the input source (A to B or B to A) when pressed

AKE — AKE —

while flashing. If the channel is on, this will force the channel off.

ader — ader —

ader — 100mm channel level control with dB indications to show

ader — ader —

relative attenuation. For unity gain, set the fader to the red line (-12

dB). This makes a nominal +4 dBu analog input signal appear as a

-20 dBFS (0 VU) signal on the meters.

CUE — CUE —

CUE — When lit, routes pre-fader, pre-switch audio to the cue speaker

CUE — CUE —

without affecting the on-air signal. On CR MIC channels, the cue button

is momentary and the signal only feeds the Aux meter . On line inputs, it

toggles cue on and off. Cue feeds the cue speaker and, when AutoCue is

lit on the Monitor panel, also feeds the operator headphones. Cue levels

are also typically displayed on the Aux meter while active.

ON — ON —

ON — Press to turn the channel on. The button lights, routing the

ON — ON —

audio to the selected buses. Logic control commands may also be

initiated, depending upon the logic settings for that source.

OFF — OFF —

OFF — Press to turn the channel off and remove the audio from all

OFF — OFF —

selected buses (except for Offline, if selected). The button may not light

on peripheral devices when the source is set to respond to ready

commands to indicate its status. Logic control commands may also be

initiated, depending upon the logic settings for that source.

alkalk

back — back —

alk

back — Pressing the lit On or Off button on a Telco channel

alkalk

back — back —

routes the CR talk mics, pre-switch and pre-fader , to that Telco channel’s

mix-minus IFB output. The T elco’s lit button blinks rapidly while talk is

active as does the talk mic channels off buttons. If a CR talk mic channel

is on, it is muted from the buses while talking.

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DUAL ROUTER PANEL

Dual Router panels are recognized by their 10-character Source Name displa ys and Next and Include All labels in the channel display. These panels are only available on Linked consoles networked with a VistaMax system. Most panel functions are identical to the Dual Fader panel, so only those functions that differ are covered here.

CHANNEL DISPLAY

CHANNEL DISPLA Y

ourour

e Ne N

ame Dame D

isplaispla

our

e N

e Ne N

ame D

ame Dame D

ourour

functions, depending upon whether the

y — y —

ispla

y — The two ten-character displays have two

isplaispla

y — y —

NextNext

Next label is lit. When

NextNext

Next is

NextNext not lit, the display shows the name of the network source routed to the channel. Pressing the Up or Down button causes

NextNext

Next to light and

NextNext changes the display to show the names of a potential next source for that channel.

t — t —

t — When lit, indicates the source selector buttons (Up and Down)

t — t —

are actively being used to find the next source for the channel.

NextNext

Next is

NextNext turned off when Take is pressed. If Take is not pressed, then it turns off about three seconds after the last Up or Down button press and the name returns to showing the currently routed network source name.

SOURCE SELECTION CONTROLS

Include AInclude A

Include A

Include AInclude A

ll — ll —

ll — Press the Up and Down buttons together to activate

ll — ll —

the Include All function, which allows every source name available to the console to be displayed (typically each channel only has small list of source names, in a channel-specific include list, to make selecting a next source easier). To return to the channel-specific include list, press the Up and Down buttons together again to turn off

Include AllInclude All

Include All.

Include AllInclude All

SOURCE SELECTION CONTROLS

UP and DWN — UP and DWN —

UP and DWN — Pressing either button lights the

UP and DWN — UP and DWN —

NextNext

Next label. This

NextNext changes the Source Name Display to show the names of potential next sources while the

NextNext

Next label is lit. Press the Up button to step through the

NextNext names in forward alphanumeric order. Press the Down button (DWN) to step through the names in reverse order. Pressing and holding either button rapidly steps through the list. The Source Name Display returns to show the current source name about three seconds after the last button press. Pressing both Up and Down toggles the Include All function on

Include AllInclude All

(

Include All is lit), or off (

Include AllInclude All

AKE — AKE —

AKE — When

AKE — AKE —

NextNext

Next i s lit, and the channel is off, pressing Take selects

NextNext

Include AllInclude All

Include All is not lit).

Include AllInclude All

the displayed next source as the new source for the channel. To prevent on-air signal interruptions, the current source cannot be changed while the channel is on. If the Take button is pressed while the channel is on, the on button blinks rapidly to indicate the take command is locked out. After the channel is turned off, the Take button can be pressed to take the previously selected next source.

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3 Using NetWave

MONITOR PANEL

This panel is divided into three columns by function: the left column has the aux meter source selectors; the center column has the control room monitor controls (source selectors and level controls for the control room speakers and operator headphones); the right column has the studio monitor controls (source selectors and level controls for studio speakers). Each column’ s functions are separately detailed over the next three pages.

SOURCE SELECTOR BUTTONS FOR THE AUX METER, THE CONTROL ROOM & A STUDIO OR V OICE BOOTH

MONITOR

MODE &

AUTOCUE

INDICATORS FOR CUE, T ALKBA CK, CR & STUDIO MUTING, AND VISTAMAX CONNECTIVITY

LEVEL CONTRO LS FOR CUE, CR & STUDIO TALKBACK AND STUDIO MONITOR

T ALK TO STUDIO & EVENT TIMER BUTTONS (RIGHT COL UMN), FADERS FOR CR MONITOR & OPERATOR HEADPHONES (CENTER COLUMN)

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MONITOR PANEL, LEFT COLUMN CONTROL DE TAIL

METER

These buttons select which signal feeds the right-hand Aux meter . Only one button can be selected at a time.

PGM 1-4 — PGM 1-4 —

PGM 1-4 — When lit, sends that Program bus to the Aux meter.

PGM 1-4 — PGM 1-4 — EXEX

T 1,T 1,

EX EX

EXEX

T 1,

T 1,T 1,

T 2 — T 2 —

T 2 — When lit, assigns that External input to the Aux meter.

EX EX

T 2 — T 2 —

DISPLAYS

ue — ue —

ue — When lit, indicates that cue is active on one or more channels and is being fed to the cue

ue — ue —

speaker. Cue typically also overrides the Aux meter selection so the cue level can be seen (this feature can be defeated during console setup).

alkalk

back — back —

alk

back — When lit, indicates the control room is receiving talkback from the studio. The

alkalk

back — back —

control room monitors dim by 12dB while receiving talkback. Talkback goes to the operator headphones and is switched to the cue speaker through the Talkback level control.

LEVEL CONTROLS

ue — ue —

ue — Adjusts the cue output level to the built-in mono cue speaker. This level does not affect the

ue — ue —

routed stereo cue signal or the AutoCue signal in the operator’s headphones.

alkalk

back — back —

alk

back — Adjusts the level of talkback to the control room that is fed to the cue speaker. When

alkalk

back — back —

talkback is received, cue audio is cut off and talkback is sent to the cue speaker through this control.

MONITOR MODE SELECTIONS

L & R — L & R —

L & R — When both buttons are unlit, all monitor and headphone outputs are stereo. With only

L & R — L & R —

L (left) lit, the left channel on the selected monitor source feeds both the left and right monitor outputs. With only R (right) lit, the right channel on the selected monitor source feeds both the left and right monitor outputs. With both L and R lit, the left and right outputs are a mono sum of the left and right channels on the selected monitor source.

UTUT

OCUE — OCUE —

OCUE — When unlit, cue does not affect the operator headphone output. When lit, and cue

UTUT

OCUE — OCUE —

is active, the operator headphone output switches to listen to the cue signal using one of two modes: stereo cue, where cue replaces the monitor signal; or split cue, where cue is summed to feed one ear while monitor is summed to feed the other ear. The mode is set during console setup. Typically production rooms use stereo cue while on-air studios use split cue.

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MONITOR PANEL, CENTER COLUMN CONTROL DETAIL

CONTROL ROOM MONIT OR SOUR CE

All control room outputs use the same selected monitor source. The selected source is indicated by the lit button. Only one button can be selected at a time.

PGM 1-4 — PGM 1-4 —

PGM 1-4 — When lit, routes the selected Program bus to the control room outputs.

PGM 1-4 — PGM 1-4 — EXEX

T 1,T 1,

EX EX

T 1,

EXEX

T 1,T 1,

DISPLAYS

istaMistaM

istaM

istaMistaM

audio management system. If it is not lit, the console is a stand-alone console without networking capability.

T 2 — T 2 —

T 2 — When lit, routes the selected External signal to the control room outputs.

EX EX

T 2 — T 2 —

ax Eax E

nabled — nabled —

ax E

nabled — When lit, indicates the console is ready to be networked with a VistaMax

ax Eax E

nabled — nabled —

3 Using NetWave

onon

trtr

ol Rol R

om Mom M

utut

ol R

ol Rol R

om M

om Mom M

onon

trtr

e — e —

e — When lit, indicates the room monitor output and control room

utut

e — e —

warning logic are active due to one or more channels, that have a control room mic as their input, are on and assigned to a program bus. When unlit, no channel that has a control room mic as its source is turned on.

FADERS

om Mom M

onitonit

om M

om Mom M

or — or —

onit

or — 100mm fader for adjusting the volume of the control room monitor output.

onitonit

or — or —

It affects the level of the control room (CR MON) output.

eadphones — eadphones —

eadphones — 100mm fader for adjusting the output volume of the board operator

eadphones — eadphones —

headphone jack (1/4" TRS) in the console’s left side panel.

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MONITOR PANEL, RIGHT COLUMN CONTROL DETAIL

STUDIO MONITOR SOURCE

All studio outputs use the same monitor source. The selected source is indicated by the lit button. Only one button can be selected at a time.

PGM 1-4 — PGM 1-4 —

PGM 1-4 — When lit, routes the selected Program bus to the studio outputs.

PGM 1-4 — PGM 1-4 — EXEX

T 1,T 1,

EX EX

EXEX

T 1,

T 1,T 1,

T 2 — T 2 —

T 2 — When lit, routes the selected External signal to the studio outputs.

EX EX

T 2 — T 2 —

DISPLAYS

istaMistaM

istaM

istaMistaM

ax Linkax Link

ax Link

ax Linkax Link

ed — ed —

ed — When lit, indicates the console is properly connected and communicating

ed — ed —

with a VistaMax audio management system. If it is not lit, the console is not connected to a VistaMax system and does not have networking capability.

tudio Mtudio M

tudio M

tudio Mtudio M

utut

e — e —

e — When lit, indicates the room monitor output and studio warning logic are

utut

e — e —

active due to one or more channels, that have a studio mic as their input, being turned on and assigned to a program bus. When unlit, no studio mic is turned on.

STUDIO CONTR OLS

onitonit

or — or —

onit

or — Adjusts the output level of the studio monitor (ST MON) output.

onitonit

or — or —

alkalk

back — back —

alk

back — Adjusts the amount of talkback to the studio that feeds the studio monitor output.

alkalk

back — back —

Set the talkback control to full off if talkback should not feed the studio speakers.

alk talk t

o So S

alk t

alk talk t

tudio — tudio —

o S

tudio — While pressed, routes the control room talk mics, pre-switch and pre-fader,

o So S

tudio — tudio —

to the studio host output and to the room monitor output through the T alkback control. Talk mics are inputs defined as CR MIC TLK SRC (control room mic talk source) and that are active (i.e., if the talk mic is the B input, then the B source has to be selected on the channel. If the A source is active, then that mic’s audio will not feed the talk output).

EVENT TIMER CONTROLS

utut

o Ro R

eset — eset —

o R

eset — When lit, allows the event timer to be reset when a channel, that has timer reset

utut

o Ro R

eset — eset —

enabled, is turned on. This resets the timer to 00:00.0 and starts counting upward. When unlit, the event timer does not receive reset commands from the channels.

Reset — Reset —

Reset — Resets the event timer to 00:00.0 and starts counting up. Press Reset and Stop together

Reset — Reset —

to reset and stop the timer at 00:00.0.

Hold — Hold —

Hold — Press and hold the button to freeze the event timer display to show the elapsed run time

Hold — Hold —

when the button was pressed. The event timer continues to count during this time. Releasing the button

returns the event timer display to show the current run time.

tartar

t — t —

tar

t — Starts the event timer counting up from the displayed time.

tartar

t — t —

op — op —

op — Stops the event timer and displays the elapsed time. Press Start to continue counting up

op — op —

from the displayed time. Press Reset and Stop together to reset the timer to 00:00.0.

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REFLECTIVE CONSOLE DISPLAY

The standard console display has two bargraph meters, a clock and an event timer. Two additional meters, which show Program 2 and Program 3, may be added to the NetWave-16 and NetWave-24 consoles.

Main Meter

(Program 1)

(a selected source or cue)

Net Wave’s Reflec t ive D is pla y

CLOCK

The clock displays time in hours: minutes: seconds in either 12- or 24-hour time. See page 2-8 for information on setting the clock.

EVENT TIMER

The event timer displays time in minutes: seconds: tenths of seconds. Page 3-8 shows the event timer controls on the Monitor panel.

BARGRAPH METERS

The left-hand meter provides level display for Program 1. When the optional Quad Meter kit is installed, the two middle meters displa y Program 2 and Program 3.

The right-hand meter (Aux) provides level display for a source selected by the Aux Meter buttons on the Monitor panel (see page 3-6). The A ux meter may also show the cue bus levels when cue is active, although this feature can be defeated b y a setup switch.

Auxiliary Meter

Time-of-Day Clock

(12 or 24-hour display)

Event Timer

An alphanumeric display below each meter identifies the displayed signal by name (PROGRAM 1, EXTERNAL 1, CUE, etc.).

A bargraph meter is detailed below. Each bar segment, from 0 to -30, represents a 1 dB level change between bars. From -30 to -57, each bar represents a 3 dB difference in level. Bars are green from -57 up to -20. The -20 bar is equivalent to the 0 VU setting on a mechanical meter. With a properly set up console this level (-20) results in a +4 dBu analog output.

From -20 to -3 the LEDs are yellow. Signal levels should always peak in this area. The 0, -1, and

-2 bars are red to indicate the signal is dangerously close to clipping. To prevent digital distortion on the outputs, the red bars should rarely, if ever , light up—especially the 0 bar since this indicates the signal is at, or is attempting to go beyond, Full Scale Digital (the absolute maximum digital signal possible).

Left Channel Level

dB below FSD*

Right Channel Level

* FSD = Full Scale Digital, or 0 on the meters—the maximum console output level. To compare with a VU meter: 0 VU is equivalent to the -20 dBFS setting (last green LED).

RMX

digital

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Separate Blue Peak Indicators for Left and Right Channels

Signal name

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The meters can be set to display the average signal level only (a solid moving bargraph indicates the average signal level) or both av erage and peak signals (a solid bargraph is the average level with a single bar , typically 6 to 10 dB higher than the average bargraph, being the peak level).

The two blue peak indicators light up in either mode to indicate when the signal is too high. The level where the blue peak indicators turn on (0,

-2, -4 or -6 dBFS) and the meter display mode (peak hold, where the highest peak bar stays lit for about 3 seconds, or non-peak hold, where the peak more accurately follows the signal), are set during installation.

NetWave Applications

The NetWave console is a very flexible on-air, production, newsroom or voicing studio console that may be installed as a stand-alone console or as a Linked console that is an integral part of a VistaMax audio management system.

Because of its flexibility and its compact design, some features, especially when the console is Linked, require knowledge beyond the basic console operations of selecting which bus to assign the channel to, running the fader up and turning the channel on. Here’s an overview of some of these operator features.

STAND ALONE OPERATION

When the NetWave is not networked with a VistaMax system, there are two sources a v ailable to each channel: A and B. These are local sources that connect directly to the console.

The active source is identified by the lit source selector button and channel label (A/B or, if custom labels are made, the name of the input). Blank labels are supplied as part of the installation kit, so source name labels can be used in place of the A and B labels to identify the inputs.

To change the source, press the unlit source button (A or B). The Take button will start flashing. Press the Take button, while its is flashing, to change the source. If Take is not pressed within three seconds, the T ake button deactiv ates and the source change is cancelled. When the source is changed while the channel is on, the channel is forced off and then the source is changed.

One source on each channel may have logic control associated with it. There are two types of NetW a ve logic control: mic control, which ties to control panels associated with studio or control room microphones; and peripheral device control, for equipment like computer playback systems, phone editors, CD pla yers or MD players .

For a microphone, the mic panel can turn the channel on and off. Each panel also has a Cough button to momentarily mute the audio without turning the channel off. Mic panels for hosts and co-hosts may also feature a fourth button (Talkback) that is used to talk to the control room from a studio mic, or talk to the studio from a control room mic. The board operator can talk to the studio by pressing the Talk to Studio button on the Monitor panel.

For peripheral devices, the channel On button typically causes the peripheral to start playing an event, like a song or a spot. The peripheral may alternately cause the channel to turn on when an event starts. It may also turn the channel off when the event ends for semiautomatic operation. The peripheral may also control the Off button lighting for the channel to indicate the peripheral’s status (no Off light indicates the peripheral is not ready , a steady Off light indicates the peripheral is ready, and a blinking Off light indicates the event has completed).

The Monitor panel is used to assign a bus or external signal for the board operator headphones and for the control room and studio monitors. In most on-air applications, the air monitor signal

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will be assigned to one of the external monitor inputs. The other external input typically is from a synthetic air signal to simulate the air signal processing, but without an y delay . Alternately , one of the program buses may be monitored for a nondelayed signal.

Two channel sources may be assigned as Telco inputs. These are special channel sources, with added functionality, that are covered in more detail in the following sections.

TELCO / CODEC OPERATION

Each NetWave console can have two channel sources set as Telco 1 and Telco 2. Typically, the inputs come from telephone callers or from live remotes (in the NetW a ve “T elco” refers to any type of two-way device, including telephone hybrids, satellite transceivers, ISDN codecs and two-way radios).

Each Telco device has a Caller, or From Network, output that connects to the Telco channel input. A NetW a ve the console back to the Send, or To Network, input on the Telco device.

The console’s two mix-minus outputs are also called foldback outputs. No matter which bus is assigned to these outputs, the audio is always minus the Telco audio (hence the term mix-minus). On earlier analog consoles, this mix-minus output would be manually created by the board operator through bus assignments, but on the NetWave the mix-minus output is always correctly derived by the console, regardless of which bus is selected on the two Telco channels.

Since the board operator can also talk to either mix-minus output, the outputs are also called IFBs (for Interruptible Fold Back outputs). The board operator can talk to either mix-minus output by pressing and holding that Telco channel’s active On or Off button. The button blinks rapidly while pressed to indicate talkback is active.

mix-minus

output then connects

Linked NetWave consoles have two dual-channel mix-minus outputs that go to the VistaMax system. One channel is the same IFB mix-minus output as from the console, while the second is a

clean feed

mix-minus output. To use this dual mixminus output, the console must be linked to a VistaMax system and the Telco device’s Send, or To Network, input must be connected to a VistaMax or Envoy I/O card. T his type of connection is most often used with dual channel ISDN remotes where the IFB output goes to the talent headphones at the remote while the clean feed goes to a PA system at the remote broadcast site.

The two T elco channel sources should ha ve been identified by custom labels during installation (in lieu of the standard A and B labels). But, if not, the two Telco channels have one distinctive feature: one bus assignment button will be winking because, on the two Telco channels, the bus assignment buttons are multipurpose. They not only assign the Telco channel to one or more buses, they also set which bus is used to create the mixminus signal. In addition, the buttons also iden-

When a Program bus is

the mix-minus source,

the audio is post-switch

and post-fader for

all channels.

When Offline is the mix-

minus source, the signals

are normally pre-fader

(they can be set as post-

fader during console

setup). Offline is always

pre-switch.

With Telco 1 on,

press and hold the

On button to talk

to Telco 1

TEL 1 TEL 2

A winking button (lit/dim/lit) indicates the mix-minus source and the source for the record mix bus

A blinking button (lit/off/lit) indicates the mix-minus source as well, but it also says the Telco channel will not be recorded since it is not the record mix bus

With Telco 2 off, press and hold the Off button to talk to Telco 2

Telco Channel Features

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tify whether or not that Telco channel is being sent to the Telco Record output. It’s a bit complicated but, the following sections should clear things up.

THE TELCO MIX-MINUS OUTPUT S

The two mix-minus outputs are always a main bus (PGM 1, PGM 2, PGM 3, PGM 4 or Offline) assigned on the Telco channel. Every channel assigned to the mix-minus bus (including the other Telco channel) appears in the mix-minus output, but always minus that Telco channel.

Which bus is the mix-minus signal is identified by a

winking

for each Telco channel. A winking button (the button is on, dims, then is full on) indicates two things: first, that it’ s the mix-minus bus, and second, that it’s also feeding the Telco Record output.

A blinking button (where the button is lit, then goes off, then is lit again) also indicates the mixminus bus, but it also says that the T elco channel is not assigned to the Telco Record bus and so will not be recorded.

How is the winking/blinking bus assignment button determined? In part, by whether or not the Auto F oldback mode is active on the console. W ith Auto F oldback off, which is the default setting, the Offline bus has priority , followed by PGM 1, PGM 2, PGM 3, then PGM 4. This means that whenever the Offline bus is selected on a T elco channel, it will be winking and the mix-minus output for that Telco will be the Offline bus. Also, when Auto Foldback is not active, the Telco channel’s on/off status does not affect the mix-minus bus selection—if Offline is active it’ s the mix-minus bus.

When the console has Auto Foldback active, Offline goes to the mix-minus output whenever the T elco channel is off. T urning the Telco channel on automatically switches that mix-minus signal to the lowest number program bus assigned on the Telco channel. T urning the channel off, returns the mix-minus to the Offline bus.

blinking

bus assignment button

Note that the mix-minus output can differ in level substantially when changing between the Offline bus and one of the Program buses. This is because the offline bus is pre-switch and typically pre-fader (although it can be set to be post-fader during console setup), whereas the Program buses are always post-switch and post-fader.

Telco Operatio n w ith Auto Fo ldback Active

When the console is set up with Auto F oldback active, each Telco channel’s foldback mix automatically toggles between an assigned program bus while the channel is on and the Offline bus while the channel is off.

When the Channel is On: PGM 1 is the foldback mix source. If it’s not assigned, then the source is selected in this order; PGM 2, PGM 3, PGM 4, then Offline.

When the Channel is Off: The Offline bus is the foldback mix bus. If it’s not assigned (unlit) then there is no foldback audio—except for talkback.

Setting Auto F oldback active is most often used for call-in contests or interviews where a caller will go live to air . Typically , only the talent or board operator’s mic channel and the caller ’s Telco channel are assigned to Offline. While the Telco channel is off, the caller can hear the talent/board operator thru their mic feeding the Offline bus. The talent can hear the caller by assigning the T elco channel to cue. In this setup, the caller can hear the talent mic all the time, unless it is unassigned from the Offline bus.

If, while the caller is waiting to go on-air, they must listen to something like a “contest rules and regulations” recording, then it is best to only assign the recording playback channel and the caller to Offline. The talent can then press the caller’s Off button to talk to the caller , or they could momentarily assign their mic to Offline to talk to the caller without pressing Telco talkback.

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TEL 1 TEL 2

Record Mix

Bus assignment

(priority is Offline,

then PGM 1, PGM 2,

PGM 3 and PGM 4)

Offline button

winks (lit/dims/lit)

to indicate the

record bus

assignment

Channel on/off status does not affect the Telco

Record Output

when Auto

Foldback is off.

PGM 1 blinks (lit/off/lit) to indicate it is NOT being recorded since it is not assigned to the record bus (the Offline bus)

TELCO RECORD OUTPUT EXAMPLE

(with Auto Foldback set to off)

Telco 1 Telco 2

When the caller then goes live on-air (the T elco channel is on), the foldback automatically s witches to PGM 1 (assuming the air feed is the Program 1 bus) so that the caller hears everything else going out on-air minus their own voice.

Auto Foldback Off (default operation)

When Auto Foldback is off, the Telco channel has a different bus priority order for selecting the foldback feed.

When the Channel is On or Off, the primary foldback source is Offline. If it is not assigned, then the program buses are used in this order: PGM 1, PGM 2, PGM 3, PGM 4.

Auto Foldback Off is the most common setting for recording callers for later broadcast or for a live remote where a “broadcast” feed to the remote site is required.

In a remote broadcast, when the remote talent channel goes from off-air to on-air, the foldback mix should not change. In this case, select only PGM 1 on the Telco channel and the PGM 1 foldback will always be sent to the remote, regardless of whether the channel is on or off. If a special remote broadcast mix is required, construct it using the Offline bus and it will be the foldback feed, regardless of the program bus assignments and whether the channel is on or off.

TELCO RECORD OUTPUT

A two-channel Telco Record output, with the

caller

on the left channel and the nus bus) on the right channel, is av ailable for use with phone call editors like the VoxPro®.

The console does not have a dedicated local T elco Record output, but the Program 4 analog output can alternately be assigned as the Telco Record output. Linked consoles have the stereo Telco Record output as one of their network signals.

The Record Summary list, above right, lists which signals get recorded, but since the Telco

talent

(mix-mi-

TELCO RECORD OUTPUT SUMMARY

LEFT

CHANNEL

RECORDED

Either, or both, Telco channels assigned to the record mix bus

RIGHT

All non-Telco channels assigned to the record mix bus

NOT

Any channel NOT assigned to the record mix bus

record mix bus is affected by whether Auto Foldback is active or not, here is a more detailed listing of how the Telco Record output is affect by the two Auto Foldback mode settings.

Auto Foldback is off (the default setting):

The record mix bus is Offline. If it is not assigned, then the program buses are used in order; PGM 1, PGM 2, PGM 3, PGM 4.

If Offline is the record mix source, then it doesn’t matter whether the channels are on or off. If they are assigned to the Offline bus then they will be recorded onto the right channel.

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The two Telco channels will be recorded onto the left channel when both are assigned to the Offline bus. If either is not assigned to the Offline bus, then it will not be recorded.

When a program bus is the record mix source, only those channels (including the Telco channel) that are turned on and assigned to the record mix bus will be recorded.

Auto F oldback is active:

In this mode, the record mix source follows the on/off state of the two Telco channels. When both Telcos are on, then PGM 1 is the primary record mix (if it is not assigned, then PGM 2, PGM 3, PGM 4 or Offline is used in that order). When both Telco channels are off, then Offline is the record mix source.

Note: Offline feeds are always pre-switch. They are normally set as pre-fader , but may be changed during console setup to be post-fader.

TELCO RECORD OUTPUT EXAMPLE

Record Mix Bus

assignment

(priority is Offline

when both Telcos are off. When either is on,

the priority is PGM 1,

then PGM 2, PGM 3,

PGM 4 and Offline)

Program 1 winks

(lit/dims/lit) to

indicate it's the record

bus assignment.

Channel on/off

status affects the Telco

Record Output when

Auto Foldback is on!

When Telco 1 is

turned off, the record mix bus changes to the

Offline bus if

Telco 2 is also off.

(with Auto Foldback set to on)

TEL 1 TEL 2

Telco 1 Telco 2

Offline blinks (lit/off/lit) to indicate Telco 2 is NOT being recorded because the channel is not turned on and Program 1 is the record mix bus

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Linking

NetWav e

This chapter covers setup, configuration and

use of linked NetWave consoles within VistaMax

audio management systems. Two Monitor panel

labels (

VistaMax Enabled

light up when the NetWave is properly linked

with a VistaMax system. If the two labels are not

lit, the information in this chapter does not apply

to that NetWave since it is not a linked console.

Linked NetWave Consoles

and

VistaMax Linked

With both labels lit, the third step is to configure the NetWave’s parent device to add the NetWave, and any Dual Router panels that were added, to the VistaMax system. To do this the VistaMax system must be running 500-series (501.50 or later) operating system code; the VistaMax Control Center (VMCC) setup software must be build 2065 (or later); and Community

)

Monitor (CM) must be version 3.55 or later.

If the VistaMax system is new, all of these should be correct, but when the NetWave is being added to an existing VistaMax system, the system devices may be running older software. The current versions for each of these programs (as of the ship date of the console) was supplied with the console on the 99-5001 NetWave CDROM. Even newer versions of each program may be available on the Harris PR&E FTP site (ftp.pre.com). See the Service chapter (page 5-

1) for information about logging into this site.

The first step to link a NetWave console to a VistaMax system is to install the optional Link Activation Kit (99-1425). After installation, the Monitor panel’s to indicate the kit was properly installed.

The second step is to physically link the NetWave to a VistaMax or Envoy card frame. This card frame becomes the NetWave’s parent de- vice, which means it controls the routing of linked signals to/from the console. The console’s rear panel Link jack connects to any available Hub card facet using a CAT-5e or CAT-6 crossover cable. Cable runs up to 300 feet [100M] are supported. Once connected, a second Monitor panel label, cate a good connection has been established.

VistaMax Enabled

VistaMax Linked

VERIFYING SOFTWARE VERSIONS

To verify the version of software running on

label lights

, lights to indi-

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each VistaMax system device, run Community Monitor, select menu item Vers column lists which version of code is running on each device in the system.

VistaMax devices running 400-series code (445.10 was the last 400-series code released) must be updated to the 500-series code in order to integrate NetWave consoles and Envoy card frames into a VistaMax system. The customer doc 71-2002_500-series_code_update.pdf, which is also included on the 99-5001 CD-ROM, has a detailed procedure for updating the operating system code.

View

then

Status

. The

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4 Linking the NetWave

To view which version Community Monitor

is being run, click

3.55 or later. To view which version of VMCC is being run, click on sion 1.1 (build 2065 or later) must be used. Again, refer to the customer doc 71-2002_500- series_code_update.pdf on the 99-5001 CDROM for information on updating these programs.

This chapter assumes the reader has a working knowledge of VistaMax terms and procedures and that a VistaMax community has already been set up and is working properly. Refer to the VistaMax (75-52) or Envoy (75-55) manuals for general VistaMax system information and VMCC software usage. This chapter builds upon those manuals, presenting specific information for setting up NetWave consoles for use in an existing VistaMax system running 500series code.

About

Help

. It must be version

then

About VMCC

. Ver-

LINKED NETWAVE FEATURES

NetWave consoles linked to a VistaMax system have these added features:

• Each NetWave channel is assigned a specific VistaMax destination on its parent device (the VistaMax or Envoy card frame with the Hub card that the console connects to). Any A or B channel source can now use a routed VistaMax signal (even one with logic) as its input, in addition to selecting between the local analog and digital inputs.

• One input from each channel (analog or digital) is a VistaMax source—regardless of whether the local input is being used on the console. This signal can then be selected and routed to any VistaMax system destination, independent of how it is used on the console.

• Both External Monitor selectors are assigned specific VistaMax destinations so that air monitors or other signals can be routed to the console. Either, or both, can be set to use the routed signal in lieu of the local input connection.

• The four program buses are VistaMax sources that are available for routing to any VistaMax destination.

• The cue bus, in stereo, is a VistaMax source available for routing to any VistaMax destination.

• The Telco Record output is a VistaMax source available for routing to any VistaMax destination.

• The two Telco mix-minus outputs are also VistaMax sources, but the routed signals are dual-channel: one channel is a clean mix-minus feed, the second is an IFB signal (the same signal used on the local mix-minus outputs).

To activate these various new features, the NetWave console, through its parent VistaMax or Envoy card frame, must be configured using VMCC.

Linked NetWave Setup

To set up a newly linked NetWave console, the correct versions of Community Monitor (CM) and the VistaMax Control Center (VMCC) must be installed (as listed on page 4-1) and running on the VistaMax system’s setup computer; the NetWave console’s

taMax Enabled

computer, the NetWave’s parent device, and any Dual Router TINI cards installed into the NetWave, must all be networked together on the VistaMax LAN.

VistaMax Linked

labels must be lit; and the setup

and

Vis-

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Community Monitor Status W indow , with a NetW av e console connected to VMX_51

1 Community Monitor

Normally CM is already running on the setup computer with its miniature icon in the taskbar tray. If not, click the desktop icon (

) to start the program. Right-click on the tray icon and select Click on the menu item

tus

to view a list of the VistaMax community

Show Monitor Display

View

, then select

members. An example of the Status display, with a NetWave console connected, is shown above. A “MAC address” is used to identify the frame size of the NetWave since the NetWave does not have a true MAC address.

With the new NetWave console and its TINI cards shown in the CM display, the network is properly communicating with the new console. If the console does not appear in the

Community Explorer Pane

Menu items (File, Edit, Tools)

Community Name

Community Devices R = RMXdigital B=BMXdigital N=NetWave E= Edge device

Active Device (parameters shown in the editing pane)

Sta-

display, check that the LAN and Link cables are connected properly and that the setup computer is running the CM software (version 3.55 or later) that is compatible with 500-series VistaMax code. Earlier versions did not sup-

port NetWave consoles and Envoy card frames.

2 VMCC (

)

It is assumed VMCC has already been used to setup the other members of the VistaMax community and that it is now being used to add a new NetWave console to the existing community—and that community is active in VMCC. The VMCC program’s main graphical interface features are identified below.

Editing Pane

Community Summary Pane

Hide Summary Pane button

To Reorder Summary List, click #, Address, or Name

Left Pane Activity

Selection Tabs

Saved Status Flag

Saving Database Icon

VMCC, graphical interface features

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Refer to the VistaMax or Envoy manual on using VMCC to set up a VistaMax community before continuing with these instructions.

Click the VMCC

Inspect Community

window opens to show all the VistaMax devices detected—which in this case should be the new NetWave console, any Dual Router TINI cards, and the other existing VistaMax devices (consoles, card frames and edge devices) that were previously set up.

The other community members don’t need to be reinspected, so uncheck them (doubleclick on their Inspect check boxes to remove the checkmark). The only devices that should remain checked are the NetWave console and any TINI cards installed as part of the optional Dual Router kits.

The TINI cards show up in the list with their MAC address in the Name column and their Type set as above). If necessary, widen the Name column to show the full MAC address (point the mouse next to the Type heading and click/hold on the left-right arrow symbol that pops up, drag right to open up the Name column width).

Note: When the TINI was installed into a Dual Fader, the console name and which channels that TINI controls should have been written on the label on the TINI’s antistatic bag. These TINI bag labels can be used to verify each TINI card’s assignments during configuration.

VMCC Inspection Window

File

menu item, then select

. A community inspection

1/1 Dest Source Selector

(as shown

Click

Inspect

to inspect the NetWave and Dual Router panels. The information line shows Done when the inspection completes. Click

Continue

to move to the window showing the inspection results. With a new console there will be no slot conflicts or critical issues, so click

After a few seconds (depending upon how large the community is) the console will appear as a new community member in the Community Explorer pane, along the left side of the window as shown below. This pane shows each device in the VistaMax community.

3 Edit the Device Settings

After an inspection, the new console should be selected (if it’s not, click once on the console name in the Community Explorer pane to highlight its name). The right side editing pane shows the device settings for the new console, as shown below.

NetWave Parameter Setup Pane in VMCC

Give the console a unique name since each size frame uses the same default name (i.e., NetWave_24). Enter a console name (up to 10 alphanumeric characters or an underline) in the Console Name entry box.

Verify that the parent device (i.e., Vista Rack), Hub card (i.e., Slot 5 (Hub 0)) and Facet (i.e., Facet 5) are correctly listed since this defines the source and destination signal numbers assigned to that NetWave console. If these are incorrectly defined, the console will not receive the correct signals and signals from the console will not route correctly.

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4 Name and Define the Console Signals

Once the device settings are edited, the signal names and modes can be defined for the two types of console signals: sources and destinations. To access the signal name entry panes, click the + button next to the NetWave console name in the Explorer pane to open the console tree. Click the Signal Summary + button, then highlight

Sources

to bring up

the following VMCC display:

NetWave Source Name Entry Pane in VMCC

Each Signal Summary pane (Sources and Destinations) allows the default In Room Name, Community Name, and Description to be edited, and each Link w/Next and Hidden column checkbox to be checked or unchecked, as required, for each source and destination.

By default, all sources and destinations are linked stereo signals with the right channel hidden. To change a signal like a mic input to mono, uncheck the Link w/Next column box for the left channel of the signal. If the right channel input will also be used, then uncheck its Hidden column box.

The Sources pane shows the signals from the NetWave that the VistaMax system sees. These include one input from each channel (which input is used, analog or digital, is defined by the DSP & I/O card channel setup buttons) along with the various program, cue and Telco signals. The In Room Names are what appear in VistaMax selector panels and Dual Router panels throughout the system when Tier Naming Convention 1 is used. The In Room Name can be up to 10 alphanu-

meric characters long. Spaces, dashes, underlines, forward and back slashes, and periods are allowed in these names. On stereo signals, only the left name is used. Typically, the Description column and the names for the various bus signal names are left at their default settings. Note that duplicate names are allowed, so use care to create unique names in order to prevent signal selection confusion that duplicate names could cause.

Community Names are only used when Tier Naming Convention 2 or 3 is used. The Community Name is limited to four characters since up to six characters are used up by the Tier 2 and Tier 3 name prefixes. These naming conventions are typically only used when multiple stations are networked together in large VistaMax systems. When Tier 1 is used, the Community Names are not used and can be left at their defaults. For additional information on Tier Naming Conventions, refer to the VistaMax or Envoy manual.

The Destination pane shows the signals coming from the VistaMax system going to the channels and to the external monitor selectors. Their In Room Names are only used during setup and on Source-Destination selector panels, so these are normally left at their default settings.

5 Setup D ual Rout er TINI Cards

If one or more Dual Router kits were installed, then they need to be setup at this time. When the community was inspected, the Dual Router TINI cards were listed in the Explorer pane as SSD_1_1 (a dual source selector that controls two destinations). Each TINI must now be: given a unique name (typically identifying the two Dual Fader channels it controls, e.g., CH_3_4); assigned to a Parent Device (the same parent as the NetWave con-

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sole) and; given a unique device IP address. This information should have been written on the TINI card’s antistatic package label when the TINI was installed into the Dual Fader panel.

Once this information is entered into VMCC, right click on the TINI’s name in the Explorer pane to pop up the

selection box to define the device as

Router

a Dual Router panel. The TINI’s icon will automatically move under the parent device and be selected (if not, expand the parent device, then click on the Dual Router TINI to open up the device pane).

The Parent Device selection box will again be empty, so click the down arrow to select which NetWave console the panel is installed in (in the example, NetWave_16). Assign each of the Dual Router TINI cards in like manner.

Convert to Dual

Binding the TINI cards to a Dual F ader Panel

The TINI cards appear under the NetWave

consoles in the

Dual Routers

branch. The TINI cards can now be “bound” to the two Dual Fader channels that each TINI controls. First, click on a Fader to open up its Binding Pane, then click on the down arrow in the

Fader

entry box to show which TINI cards

Bind to

are available to be bound to those two channels. In the above example, only TINIs CH_3_4 and CH_5_6 can be selected since CH_1_2 has already been bound to Faders 1 & 2. Since

Faders 5 & 6

are selected, highlighting CH_5_6 selects that TINI to bind to those two channels.

Setting the TINI’ s P arent Device in VMCC

Once all TINIs are redefined as Dual Router panels, in order to have them now appear under their own consoles (instead of under the consoles’ parent devices) requires that the VMCC community be reopened. Select

Open Community

then

and select the

File

community’s name. The result is shown above, right.

6 Setup the Dual Router Parameters

Once a TINI is bound to a pair of channels, the Sources and Macros entry boxes are populated with the VistaMax devices and their sources that are available to the NetWave console’s parent device. From these lists of signals, only those sources and macros that are typically selected for each channel should

Setting the Sources Available for each Dual Router

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be selected and then included, by clicking the double right arrow button (>>). Any Dual Router channel can see the complete list of sources by using the channel’s Include All function, so keep the Include list short so that board operators don’t have to search through a long list to find a desired signal.

In the example, on the previous page for Faders 5 & 6, channel 5 includes three macros, which show up in the list along with the signals (hence the ! at the beginning of their names to differentiate them from signals). Macros are special setup files that run on the console’s parent device.

NetWave macros are typically used to set up Telco channel routing when multiple Telco devices are shared between studios. In this case, the macro file includes a route command for the Telco device’s

From Network

output to channel 5 and a route command to route the mix-minus output for that Telco channel to the

To Network

input on the Telco

device.

7 Provision Files

Once the NetWave signals are defined and the TINI cards are associated with channels and the channel include lists are created, these new settings must be used to create new configuration files by Provisioning new files.

Click the

Provisioning

tab at the bottom of the Community Explorer pane to switch to the Provisioning window. There are only two buttons at the top of the left pane: and

Distribute....

Click the

Provision

button to create new setup and configuration files (using the parameters entered in the editing pane) for the NetWave console.

Provisioning modifies the console’s parent device configuration files to add in the new information that was just entered in the Com-

4 Linking the NetWave

Provisioned Files

munity Explorer window. The files can be double checked in the right pane by selecting one of the files to view, by clicking the + button next to the console’s parent name, to drop down a list of the setup files VMCC created. Even though the NetWave console is also shown in the list, no files are sent to the console since all of its configuration information resides in the files that are on the parent device.

Highlight a file name, like the Edge Device Info shown above, to display the file contents in the right hand Provision Editor pane. Even though files can be manually edited in the provision editor pane, this should NOT be done on a normal basis as any edits will be overwritten the next time the

Provision

button is clicked.

7 File Distribution

After double checking the provisioned files, the final step is to distribute the provisioned files to the console’s parent device. Clicking

File Distribution Selection window in VMCC

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the

Distribute...

the three distribution options: perform a normal console download (where only changed files are replaced on the console); perform a forced download (where all console files are replaced by the files provisioned by VMCC); or save the provisioned files to the setup computer’s hard drive.

Click a radio button to select the distribution method, then click the Local Download is selected, a save dialog box opens to the necessary, change folders, then click

When Normal or Force Download is selected, VMCC opens a Device Specific Distribution window while checking that it can communicate with the various community devices. This window also lists the action that will be taken after the files are distributed. To send the files, the device must be enabled (doubleclick on the Enable boxes to add or remove the check mark).

Click

Distribute

sioned files to the enabled devices. When Force Download was selected in the previous screen, as shown above, then each device will “Reestablish Device Identity (RESET).” Normally, when a NetWave is added, only the publish files are changed, so an initialize router will be performed. This is less intru-

button opens a window with

button. If

My Documents

folder. If

Save

to download the provi-

sive then the Reset command, and should cause minimal signal disruption.

The edgedevice.ini file will also have changed if any TINI Dual Routers were added. This causes an init RCED (initialize Remote Control Edge Devices) command to be performed which causes each edge device served by the parent device to be reset. This means existing source selector panels cannot be used for about three to five minutes while the panels restart and reread the updated

edgedevice.ini

file information.

Device-Specific Distribution List Window

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SIGNAL SETUP DETAILS

This section presents additional details about the NetWave signals and their VMCC settings, as previously outlined in the step-by-step instructions.

In Room & Community Names, Description

The In Room Name identifies the signal in Source Selector and Dual Router panels by using up to ten alphanumeric characters.

The Community Name is a four -character name that identifies the signals on other community members’ consoles or edge device source selectors. It follows a Call Group prefix (which is set in the console’s parent device main pane) and the Name Radix (set in the community pane).

The Description column is used to identify the signal in other VMCC screens. It is not used within the VistaMax system.

To edit signal names and definitions, click on the In Room Name, Community Name or Description and edit them as required. If too many characters are entered, or if an illegal character is entered, a red exclamation point and error warning box will be shown allowing the error to be corrected or the entry to be discarded.

Signal Format (Stereo or Mono)

All NetWave AMP MOD IV audio connectors (analog and digital) carry two signals. By default, each connector is defined as a stereo connection with the left, or first signal, assigned an odd signal number and the right, or second signal, being assigned the next even signal number. Stereo linking ensures the two signals are treated as one source or destination for proper phase, timing and signal routing.

This stereo relationship is set by a checkmark in the

Link w/Next

nal as being stereo linked with the next signal. Typically, this is done on an odd-numbered sig-

column, which sets the sig-

nal with the next even numbered signal to ensure the two signals are on one connector.

To change a stereo signal into two mono sig-

nals, remove the checkmark in the

Link w/Next

column by double-clicking on it. The two signals will now be treated as two separate mono signals. When a mono signal is routed to a NetWave channel strip, it automatically appears on both the left and right channels.

Hidden Signals

On stereo signals, the right channel is

Hidden

so that only the one name (the left channel’s) appears in source selector lists. A Hidden signal is one with a checkmark in the

Hidden

column. This means it is not available to be added to any signal include list.

To change the

Hidden

status, double-click on the checkmark to remove it, or double-click in the empty box to add a checkmark.

A quick way to set the checkmarks for an entire console is to click once to highlight a column entry and then use the keyboard space bar to check or un-check that check box. Use the keyboard up and down arrow keys to quickly step through the list, pressing the spacebar as required to toggle the check box status.

Included Signal Lists

Only those signals without checkmarks in the

Hidden

column can be added to any include list. An Include List defines a group of signal sources or destinations. Include lists are used in the routers.ini file, the edgedevice.ini file, the init.mac file and in macro files. The source include list sets which signals are available for routing (i.e., in the edgedevice.ini file they set which ones are shown in the Dual Router and source selector displays). The destination include list, in the routers.ini file, sets which destinations can have signals routed to them.

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To edit the NetWave console’s signal list, highlight its parent device’s name, then highlight the NetWave console’s name in the Source Include Signals list. All of the unhidden source names appear in this list. Using standard Windows selection techniques, select the desired signals, then click the double right arrow key (>>) to add these signals to the parent device’s Include Signals list. This makes the selected signals available to be routed to any VistaMax destination.

Repeat this procedure for the Destination Include List. Typically only the channels with Dual Router panels are included in this list.

To remove any sources from the Include List, highlight the signals then click the double left arrow key (<<).

Macro Files

Macro files are text files with the suffix .mac. Macro files created for the NetWave console are stored in the SesFiles folder on the VistaMax Server (storage card/DATA/SesFiles) assigned as the parent device for that console.

Macros can be created on the setup computer, or another computer, using a text-only editor like Windows® Notepad, and then transferred using FTP Voyager (or other FTP program) to the VistaMax server.

Note: Macros can cause multiple audio and logic routes to occur when they are taken. They could also cause session or macro files to be loaded on any device in the system. Needless to say, macros are very powerful, causing signal routing changes to take place that may affect other users in the VistaMax system, so they should always be used with caution.

NETWAVE SIGNAL NUMBERS

Macro files use signal numbers to define sources and destinations. Thus, an understanding of how signals are identified in the NetWave console is essential. T he the 99-5001 CD-ROM lists every possible NetWave source and destination signal number in a spreadsheet. A signal has one of 96 possible signal numbers, corresponding to which Hub card facet the Link cable is plugged into and which card frame slot the Hub card is in.

The examples that follow all show one NetWave console plugged into the card frame defined as device 40. The console’s Link cable is plugged into facet 4 of Hub card 0.

The first page of the

netwave_signal_numbers.pdf

Wave console’s sources for Hub 0, facet 4, as being signal 257 (the console input set as Source 1, left channel) to signal 320 (cue, right channel).

Pages 4 thru 6 of the PDF file show the destination signal numbers for NetWave consoles. Sources and destinations use the same number set, thus, for Hub 0, facet 4, destination 257 is the left-most Dual Fader channel (channel 1) while destination signal 308 (which is the highest destination on a NetW av e-24 console) is the right channel of External Monitor 2.

These signal numbers are used by VMCC to generate the setup files, and are shown in the Local Signal # column on the source and destination signal panes. The Device Number is listed on the main pane for each VistaMax device (NetWave consoles do not have separate device numbers, they use their parent’s device number).

netwave_signal_numbers.pdf

file shows the Net-

file on

DUAL ROUTER SOURCES

For a source to appear on a Dual Router panel, that source must be listed in the parent device’s routers.ini file, as shown at the top of the next page.

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[SrcInclude] Include_1_1=D40.65,95,257,259,261,263-287 Include_1_2=D40.M1-6

The above example lists sources and macros on the card frame (device 40), with has one NetWave console connected to Hub 0, facet 4. Since this list might also include every source from every device in the VistaMax system, a more manageable list of sources, specific for each channel, is derived from this all-inclusive routers.ini file list. This include list is saved in the edgedevice.ini file, which is also stored on the parent device.

The edgedevice.ini file has a separate include list for each Dual Router channel that limits the number of sources one has to search through to find a useful source for each channel. This example was generated by the settings in the illustration at the bottom of page 4-6:

Include_1_1_1=D40.71,73,87 Include_1_1_2=D40.M4-6 Include_2_1_1=D40.65-69,77,83,265,267,271

Since each Dual Router panel controls two channels, there are two sets of include lists shown above. The left channel has two entry lines (Include_1_1_1 and Include_1_1_2) which separately list sources and macros. The right channel on the Dual Router panel uses the Include_2_1_1 entry line to define the sources available to that channel.

The routers.ini and edgedevice.ini entries are automatically generated by VMCC, during provisioning, following the signals and macros that were included on the parent device’s main pane and set in the Sources and Macros include pane for each Dual Router channel.

SECTION HEADERS

Macro files consist of sections, which are defined by a section header followed by one or more entry lines. The section header defines an

action while the entry lines define what occurs. The most common macro section header used on a NetWave is [RouterCommand_1]. Here is an example of its use:

[RouterCommand_1] take_1=D40.71,D40.265 take_2=D40.315,D40.93

The Router Command section defines routes. There can be only one Router Command section in a macro, but it can define up to 64 routes, from take_1 to take_64, in numeric order.

For info on using other macro section headers, refer to the VistaMax or Envoy manual.

MACRO FILE ENTRY LINES

In the Router Command section, each route is defined by an entry line. Each entry line (take_x=source,destination) must be listed in numeric order and must be on a separate line. The sources and destination signals are identified by device number, a period and their local signal number (e.g., D40.71).

Comments can be added to macro entry lines to clarify what the entry line is for and help others understand the purpose of the macro:

[RouterCommand_1] take_1=D40.71,D40.265;Hybrid C to CH5 take_2=D40.315,D40.93;MM1 to Hybrid C

Here, the comment lines clarify the two routes between Hybrid C and a NetWave console. This type of route is the most common usage for a macro on a NetWave console. The first line defines Take 1, which routes source signal 71 (an I/O card input on device D40, a VistaMax card frame that is the parent device for the NetWave) to destination signal 265. Signal 265, per the VMCC Signal Summary, is the channel 5 input for a NetWave console in Hub 0, facet 4.

Take 2 defines a route to send the mix-minus output of Telco 1 (console source signal 315) to destination signal 93 on device 40.

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When this macro is taken, the signal from the Telco device (input 71 on a card frame) is routed to channel 5 (this channel 5 source was defined as Telco 1 during console setup). The Telco 1 mix-minus signal is then routed to the Telco device connected to output 93 on the card frame.

Each route in a Router Command section is taken, in order, when the macro file is loaded or taken. Macros can be loaded by using a command line interface on the setup computer or by taking the macro, just as if it were a source, on a Dual Router or a Source Selector panel.

Routes taken by a macro file are continuously maintained until another macro file is loaded that changes the source-to-destination routing or when a new source is selected on a Dual Router or a Source Selector panel for the destination. Routes are held, even if the console or its parent device loses power, by a “persistence file” that is constantly being updated as routes are taken.

Multiple Routes

The macro examples shown so far route one source to one destination, but any one source can be routed to multiple destinations by simply adding additional Take command lines.

However, the converse does not apply: only one signal can be routed to a destination. Routing a second signal to a destination removes the first route’s signal, replacing it with the signal defined in the second route.

NetWa ve Logic Routing

When the channel’s signal source is set as Net Audio with Logic, the routed audio signal from the VistaMax system has logic commands embedded in the audio signal header to control the channel. The commands available to con-

trol a NetWave channel are: channel on/off, cue on, cough, ready, talk to CR and talk to Studio. Any other logic commands assigned in VMCC are ignored by NetWave channels.

VMCC, Showing Studio Mic Input Logic Assignments

Conversely, each NetWave channel sends logic commands to the VistaMax system using the header of that channel’s VistaMax source signal—even when that signal is not the active source for the channel. Typically, the only commands used are the channel on and channel off commands. They can be used to trigger VistaMax logic I/O card outputs to send out either Tally or pulse commands.

To do this, the logic signals are routed from the channel to a Logic I/O card using route commands. Here is an example:

[RouterCommand_1] take_1=D40.257,D40.130 take_2=D40.259,D40.131

This shows the first two channels of a NetWave (connected to device 40, Hub 0, Facet 4) being routed to the first two timeslots of a logic card in slot 4 of an Envoy card frame (set as device 40). Here the NetWave channel audio is only used as a carrier, since it is the logic commands in the header that trigger the logic card outputs. What commands are output were set in the Logic Outputs pane of VMCC.

The VistaMax or Envoy manuals have additional information on VistaMax logic usage.

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Servicing

NetWav e

The NetWave

many years of continuous trouble-free operation. If

the console does require service, please read through

this section as it provides information on servicing

and on the available spare and replacement parts.

Parts and Repair Services

There are only a handful of field-replaceable parts on the NetWave (see page 5-2 for part number listing). Assemblies are field-replaceable, but are not field-serviceable. F or servicing, assemblies (or their circuit boards) should be returned to the Harris for repair.

NetWave technical information (selected schematics, PROM revision information, wiring diagrams, etc.) are available at this Internet support site: ftp://ftp.pre.com.

Log in (username) as: customer. The password is: pacific. All documents and schematics are published in PDF format, so Acrobat Reader 5.0 or later is required.

console is designed to yield

the correct parts are ordered, ha ve the Harris part numbers available when ordering. For a list of parts, see page 5-2. Panels, circuit boards and assemblies may have long lead times, so order accordingly.

Panels, circuit boards and assemblies returned to Harris for service, exchange or credit must hav e an RA (Return Authorization) tracking number issued prior to their return. This number is assigned by the Technical Services Department. Items received without an RA number written on the shipping label side of the packaging may be refused or subject to additional handling fees.

To order assemblies, visit the Harris Broadcast Communications Division service website (www.broadcast.harris.com/support/ fieldservice.asp), the Harris Premiere site (https:/ /premier .harris.com/broadcast/) or call the Har ris BCD parts department at 217.221.7500.

To request an RA to return a part for service, contact the Pacific Design Center office:

Harris, Pacific Design Center

Technical Services Department

1493 Poinsettia Ave, Suite 143

Vista, CA 92081 USA

Service Phone: 760.936.4029

Fax: 760.936.4001

E-mail: presupport@harris.com

www.broadcast.harris.com

PARTS ORDERING AND REPAIR INFORMATION

Spare control panels, main circuit boards and assemblies can be purchased through a sales representative, the Harris parts department or through the Harris Technical Services Department. To expedite the ordering process and to ensure

Serviced assemblies within the USA are shipped FOB Vista, CA using DHL two-day service, unless otherwise specified. FedEx overnight and next morning delivery are also available for most items.

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SPARE AND REPLACEMENT PARTS

Main component locations are shown on page 5-8

Serviceable Assemblies

Harris # Description or Use

90-1990-08 Console Display Assembly, NetWave-8 90-1990-16 Console Display Assembly, NetWave-16 90-1990-24 Console Display Assembly, NetWave-24

90-2129 Dual Stereo Bargraph Meter PCA

90-2130 Clock & Event Timer PCA 99-1205 48 Volt Power Supply (2 RU) 99-1420 DSP & I/O card 99-1421 Monitor & Output card 99-1422 Monitor Panel 99-1423 Dual Fader Panel

Replacement Parts

Harris # Description or Use

12-93 10-character display 17-122 Headphone jack 19-64 Flex Cable, 50-conductor 19-338 12" Red CAT-5 cable (panel power & comm.) 21-226-10 PROM, Monitor panel 21-226-11 PROM, Dual Fader panel 21-349-2 PROM, DSP & I/O card 21-352-3 PROM, Output & Monitor card 23-200 Cue speaker 30-13 IEC line cord (USA style) 32-725 Rotary control knob 32-726 Fader knob (silver) 32-727 Fader knob (red) 32-728 Fader knob (green) 32-729 Fader knob (blue) 32-730 Fader knob (yellow) 38-307A M3x6 Silver hex screw (panel and fader screws) 50-27 In-Line Power Supply 70-160 Set-Up Stylus Tool 75-54 NetWave Installation & Operation Manual 80-1752 Lens (label) 80-1981-08 Palmrest (NetWave-8) 80-1981-16 Palmrest (NetWave-16) 80-1981-24 Palmrest (NetWave-24) 80-1982-1 Left side panel 80-1982-2 Right side panel 80-1983-08 Display window (NetWave-8) 80-1983-16 Display window (NetWave-16) 80-1983-24 Display window (NetWave-24) 80-1984-08 Reflector (NetWave-8) 80-1984-16 Reflector (NetWave-16) 80-1984-24 Reflector (NetWave-24) 80-1993-08 Connector access cover (NetWave-8) 80-1993-16 Connector access cover (NetWave-16)

Replacement Parts (cont.)

Harris # Description or Use

80-1993-24 Connector access cover (NetWave-24) 90-1858-1 15-foot DC cable (99-1205 power supply to console) 90-1997 Cue Speaker assy (23-200 speaker and cable) 90-1872-1 H/P jack assy (17-122 jack and cable), NetWave-8 90-1872-2 H/P jack assy (17-122 jack and cable), NetWave-16 90-1872-3 H/P jack assy (17-122 jack and cable), NetWave-24 90-1998-1 Serial Console display cable (NetWave-8 & -16) 90-1998-2 Serial Console display cable (NetWave-24) 90-2125 Blank Panel, two slots wide 95-1044 Fader Assembly (Dual Fader and Monitor panels)

INSTALLATION KITS

A console size-specific installation kit is shipped

with each new console.

76-1900-xx Installation Kit Parts

Harris # Description Qty for: -08 -16 -24

14-482 3-pin AMP MOD IV housing 12 20 28 14-484 6-pin AMP MOD IV housing 21 29 37 14-490 12-pin AMP MOD IV housing 8 16 24 14-492 14-pin AMP MOD IV housing 2 2 2 15-938-1 AMP MOD IV contact receptacles 286 454 622 80-2132 blank display lens 8 16 24

76-1901 T ool Kit (optional)

Harris # Description or Use Qty.

70-57 2mm Hex driver 1 70-126 AMP MOD IV crimp tool 1 70-129 AMP MOD IV pin extractor tool 1 88-175 Tool Pouch 1

OPTIONAL KITS

These kits can be installed at the time of con-

sole installation or any time thereafter .

Harris # Description or Use

99-1424 Dual Router Kit 99-1425 Link Activation Kit 99-1990-16Q Quad Meter Package for a NetWave-16 99-1990-24Q Quad Meter Package for a NetWave-24

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Console Troubleshooting

There is a diagnostic test mode built into each Dual Fader and Monitor panel that allows each button, fader and rotary pot to be individually tested to verify correct panel operation. It can only be accessed when the panel is first powered by either power cycling the console or by individually unplugging the panel’s red CAT-5 cable.

CONTROL TEST MODE

To enter the Control Test mode on a Dual Fader panel, within three seconds of applying power to the panel, press and release the left channel Off button. To exit the Control Test mode, press the right channel On and Off

To enter Control Test mode on a Monitor panel, within three seconds of applying power , press and release the Timer Stop button. T o exit the Control Test mode, press the Timer Reset and Start buttons together .

When the Control Test mode is active, pressing any button will alternately light, then turn off, the LEDs in that button.

To verify that each fader or rotary pot element is good, the bus select button LEDs (on the Dual F aders) or the monitor select button LEDs (on the Monitor panel) are used to display the binary output from an active fader or rotary pot while it is moved from full off (most or all LEDs are off) to full on (most or all LEDs will be on). The yellow or red label above the active fader or pot is lit to indicate the fader is being moved.

buttons together.

Control Panel Service

Each control panel consists of separate plastic buttons sitting on a conductive plastic contact sheet. These sit on the switchboard PCA, which is fastened to the metal faceplate with a plastic inlay.

Dual Fader Panel, Fader Test

These LEDs display the fader output in binary code. Typically, all are on when the fader is at full on, and all are off when the fader is at full off.

The red LED above the fader (B or INC ALL) lights to indicate the which fader is being tested.

Monitor Panel, Fader Test

These LEDs display the binary output from the fader or pot under test. Typically, all light up when the fader/pot is at full on, and all are off when the fader/pot is at full off.

The label directly above the fader or pot lights to indicate which fader or pot is being moved.

Control panels are not a field-serviceable assembly, but they do have a limited number of fieldreplaceable parts. All replaceable parts (10-character display and lens, rotary and fader knobs, fader) are listed on page 5-2.

Dual Fader panels can be removed or installed while the console is powered and on-air without causing any audio interruption or noises in the program audio. The new panel assumes the removed panel’s button settings when plugged in.

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The only thing that ma y change are the fader levels since they will assume the new panel’s settings. A replacement panel must be set the same as the panel being replaced if it being replaced while the channel is on-air . It is best to turn off the two channels prior to unplugging the Dual Fader panel.

Before removing a powered Monitor panel, it is recommended that the monitor speaker power amplifiers be turned off and that headphones be unplugged.

REMOVING CONTROL PANELS

To remove a control panel from the frame:

1 Use a 2mm hex tool (70-57 or equivalent) to

remove the top and bottom silver hex screws (38-307A). There are two screws top and bottom on each Dual Fader panel. T here are three screws top and bottom on the Monitor panel.

2 Move the fader to the bottom of its travel and

use the fader knobs to lift the panel up enough to unplug the red CAT-5 cable from the bottom of the panel. On Dual Router panels, a second plugged as well.

Installing Control Panels

To install a control panel into the frame:

1 Remove the blank panel covering the slots

where the control panel is to be installed.

2 Hold the panel so that the

can be plugged into J5 on the panel. On Dual Router panels, plug in the to J3.

3 Lower the panel into the frame so that it sits

level on the top and bottom rails. It may be necessary to adjust or coil the CAT-5 cables

blue

CAT-5 cable will have to be un-

NOTE: If you need to replace one of the assemblies, contact Harris T echnical Services Department for service or replacement parts.

red

CAT-5 cable

blue

CAT-5 cable

so they do not get pinched under the sides of the control panel.

4 Fasten the panel to the frame using the 38-

307A silver hex screws removed previously.

FADERS

There are no replaceable nor rebuildable parts on NetW ave fader assemblies . T he faders are longlife, conductive plastic, single-element faders used to control a DC voltage. No audio passes through any fader or pot on the NetWave console.

If coffee, soft drink or other sugared liquid has gotten spilled into a fader, remove the fader from the panel as soon as possible. Hold the fader under hot running water while moving the fader slider back and forth to dislodge any sugars. Do not use any soap or other chemical to clean the fader . Dry the fader using a hair dryer or heat shrink gun set on a low-heat setting. The fader must be completely dry before placing it back in the control panel.

If the fader movement is rough, either the lubricant on the glide rails has evaporated or foreign material has gotten into the fader. If running the fader under hot running water does not help, then the fader must be replaced as the design does not all disassembly or relubrication.

Fader Removal and Reinstalla tion :

1 Remove the control panel with the problem

fader from the frame.

2 Remove the fader knob and the two front

panel fader hex screws (70-57 tool).

3 Press down on the fader slider, or pull on the

fader assembly from below, to unplug the problem fader from the control panel board.

4 Plug the replacement fader into the fader con-

nector using pins 4, 5 and 6.

5 Fasten the fader to the front panel using the

screws removed in Step 2. Snap the fader knob onto the fader slider.

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6 Move the fader through its full travel to en-

sure it does not bind or scrape along the control panel slider cutout.

Console Display Service

The meter and the clock-timer boards are located on the under side of the Console Display, which is a subassembly that is fastened to the main frame behind the control panels.

Removing the Console Display

The console display must be removed from the frame to change display settings, to connect a master clock or a remote timer reset cable, or to install the Quad Meter Package.

Each of these activities require accessing the meter and clock-timer boards. The console should be powered off while removing and reinstalling the display assembly. Two padded surfaces (shop towels, etc.) are required for this procedure.

To remove the console display:

1.Flip-up the rear connector cover to access

the two 4-40 screws holding the reflector in place. Remove these screws (rear corners of the console display cover).

2.Lift the reflector out of its slot. Handle by

its edges, and set it on a padded surface, to protect its mirrored surface.

3.Remove the console display cover screws

(either two or four 4-40 Phillips screws, top rear ). Remove the console displa y cover by lifting straight up.

4.A smoked display window was sandwiched

between the display cover and the main display subassembly. Set it off to the side.

5.Remove all of the console display subas-

sembly mounting screws (4-40 Phillips) along the front of the subassembly. These sit just above the control panels. Use care when removing the screws.

6.To protect the control panels and console

display subassembly, lay padded material over the top half of the control panels. Lift the console display subassembly up enough to clear the frame, then rotate it forward to lay it facedown onto the padded material.

The console display subassembly is connected to the Monitor & Output board by two cables. Do not strain these cables while removing the subassembly and placing it on the control panels.

SAFETY NOTE: Touch the metal chas-

sis to dissipate static before adjusting the multi-switches or plugging in a cable to J4. Do not touch an y components on the boards other than the multi-switches or connectors.

Reinstall the console display in reverse order, making sure not to pinch any cables between metal parts. Align the smoked display window holes with the clock set holes. The cover display cover holds the window in place.

CLOCK TROUBLESHOO TING

If the clock’s colons are flashing, it indicates the clock has lost its ESE or SMPTE master timecode signal. This signal plugs into J4 on the clocktimer board. If the clock is set to run autonomously, then verify that DS1-2 and DS1-5 are both set to off. See page 2-9 for information on the clock and DS1 switch settings.

Even though the ESE/SMPTE input on the clock is balanced, polarity of the incoming signal is important. If reversed, the master clock signal will not be detected. The + or hot lead must connect to J4, pin 5 and the - or shield lead must connect to J4, pin 6.

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PIN NUMBERING,

WIRE INSERTION VIEW

6 5 4

3 2 1

EVENT TIMER TROUBLESHOOTING

If the tenths of seconds display is not functioning as expected, check the multi-switch setting on the clock-timer circuit board. DS1-1 sets whether the tenths of seconds are displayed while the event timer is running. T he tenths of seconds are alwa ys displayed while the event time is in Hold or Stop modes.

If the event timer does not auto-reset as expected, make sure the Auto button is lit on the Monitor panel and that the channel setup parameter

is active (LED is lit) for the channel sources

Reset

that should be resetting the event timer.

Timer

METER TROUBLESHOOTING

Each meter is coupled through the clock-timer board for power and signals. There is a flat cable that connects the clock-timer (J6) to the Monitor & Output board (J23). If neither meter is working, shut down the console and remove the Console Display subassembly and check that the meter and clock-timer boards are firmly connected and that both boards are securely fastened to the display assembly. Check that the flat cable is properly plugged in at each end. Also check that the switches on multi-switch DS3 on the meter board are fully set to their on or off positions. The default settings for NetWave is all switches are set to their off positions.

48-Volt Supplies

Periodically check that the vent openings on the 99-1205 rack mount supply are not blocked and that there is no dust buildup on the top cover openings. On the 50-27 in-line supply, periodically check that it is not covered up by any materials like cables, papers, etc. It relies on a free air flow around it to keep it cool.

The green LED on the front of the rack mount and on the top of the in-line power supply indicates its 48-volt DC output is good.

CAUTION: To reduce the risk of electric shock, do not disassemble the power supply. Refer servicing to qualified service personnel.

POWER SUPPLY CONNECTIONS

The in-line supply (50-27) has a captive DC output cable while the rack mount supply has a detachable DC cable. Both use the pinouts shown below for the 90-1858-1 cable (the interconnection cable from the 99-1205 supply to the console).

90-1858-1 Cable Color Code/Pinout

Supply End Signal Wire Color Console End

1 +48 V Red 1 2 +48 V White 4 3 Shield Clear cover 2 4 +48 V Return Black 6 5 +48 V Return Green 3

- - no connection 5

1 2 3 4 5

PIN NUMBERING

WIRE INSERTION VIEW

99-1205 Supply End Console End

DC Pow er Cable Connectors

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Product Description

The +48 volts from a 99-1205 or a 50-27 power supply plugs into J21 on the Monitor & Output card. When a redundant supply is used, a 90-1995 Redundant Coupler couples the two power supplies into the NetW a ve through a pair of low-voltage dropping Schottky diodes.

48 volts is fed to the DSP boards, along with the various system bus signals using 50-conductor flex cables. These tie the Monitor & Output card and the DSP & I/O cards together in series. The last DSP & I/O card (the DSP & I/O card farthest from the Monitor & Output card) has a 100 ohm resistor pack plugged into RN1 to terminate the bus signals.

The +48 volts is routed to each control panel using pins 4 and 5 of the RJ-45 connectors. Pin 7 is the 48 volt return. A balanced clock is on pins 1 and 2. Pins 3 and 4 are the bidirectional data lines . Pin 8 is used to sense that the panel is present.

Each card and panel has several DC-to-DC converters to convert the +48 volts into the various DC voltages required by the panels and cards. These include ±17 VDC for analog circuits, +5 VDC for digital circuits, and +3.3 VDC for FPGA circuits.

Red CA T-5 cables (12" long, shown below) connect the control panels to the DSP & I/O cards. The Monitor panel plugs into J28 on the Monitor & Output card. Each Dual Fader panel position has a red CAT-5 cable plugged into a labeled jack on a DSP & I/O card. Each position in the frame has a red CAT-5 cable supplied with the frame.

Each DSP & I/O card handles the signals from eight channels. Channel control is done by the control strips on the four Dual Fader panels (two channels strips per panel) that plug into that DSP & I/O card.

The Monitor & Output card also has DSP to sum the various system buses and create the physical outputs from the console. The monitor & Out-

NetWave Console, Main Components

80-1993-X Connector

Access Cover

99-1420 DSP & I/O Card

80-1984-X

Reflector

23-200

Cue Speaker

19-338 Red

Cat-5 Cables

CAT-5 for

Channel

Strips

80-1982-1

Left Side panel

99-1423 Dual Fader

Panels, or 90-2125 Dual Blank Panels,

are installed into

pair of input slots

17-122

H/P Jack

NOTE: Part numbers with an X suffix have three variations: use -08 for NetWave-8 parts, use -16 for NetWave-16 parts and -24 for NetWave-24 parts.

1 and 2

Input Slot 1

CAT-5 for

Channel

Strips

3 and 4

Input Slot 2

Input Slot 3

CAT-5 for

Channel

Strips

5 and 6

Input Slot 4

Input Slot 5

CAT-5 for

Channel

Strips

7 and 8

Input Slot 6

Input Slot 7

99-1422

Monitor Panel

Input Slot 8

CAT-5 for

Monitor

Panel

80-1983-X

Display

Window

Console Display

Subassembly

99-1421 Monitor

& Output Card

80-1982-2

Right Side panel

80-1981-X Palm Rest

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put card also serves as the network interface for the VistaMax system by controlling the VistaMax Link connector . T his Link is not active until a Link Activation kit is installed.

MONITOR & OUTPUT CARD STATUS

There are two LEDs near the right end of the

card to indicate operational status:

• F AIL is off when the system is operating nor-

mally. If it is on, it indicates abnormal operation.

• DSP CLK blinks with a “heartbeat rh ythm” to indicate the on-board DSP is active and communicating with the DSP & I/O cards.

The Reset button can be pressed to reset the console if unexpected operation occurs. This is equivalent to power cycling the console.

The Link connector has two LEDs (green and yellow) to indicate a good connection to a Hub card facet on a VistaMax or Envoy card frame. In addition, the Monitor panel label lights when a CAT-5 cable is properly connected to a Hub card using a crossover CAT-5e cable.

VistaMax Linked

DSP CARD STATUS

There are two LEDs near the right end of each DSP & I/O card that indicate operational status:

• DSP A CTIVE blinks with a “heartbeat rhythm” to indicate the DSP is active. The left-most DSP card’s LED will flash twice as fast as the LEDs on the other DSP cards and the Monitor & Output card to indicate it is the master DSP card.

• FAULT is off when the system is operating normally. If it is on, it indicates abnormal operation on that DSP & I/O card.

Service Setup Modes

The DSP & I/O card setup controls have three service modes available to help with service and maintenance of the NetWave console.

The first service mode is lows one set of parameters to be assigned to all eight channels on that DSP & I/O card. It is entered by pressing Option and Channel Down when the panel is in

The channel display number flashes and all A and B labels on the eight channels on that DSP & I/O card blink. Whichever channel is active is automatically turned on to a nominal output level (faders are bypassed in this mode). To exit the mode, press and hold Store until the setup LEDs turn off.

The second service mode is the

Interface Test

displays and switches on the DSP & I/O card are working properly . It is entered by pressing Option and F ader Start while the active.

All of the setup LEDs and displays on the DSP & I/O card are turned on so their operation can be verified. Press each switch to verify the LEDs and displays turn off while the switch is held. To exit this mode, press and hold Store for about four seconds. W hen Store is released all LEDs should remain off.

The third service mode is used to reset the channel parameters to their factory defaults. To do this, press Option and Store while in any mode.

The stored parameters for all channel A and B sources are erased and replaced with the factory default settings: Analog Input; Stereo Mode; Line Device; Logic Active off; Timer Reset off; Local and Multi off; Fader Start off; Off LED Control local; trims are set to 0; and all network sources are set to Analog Input.

Sleep Mode

. It is used to verify that the LEDs,

Data Path Test

. It al-

DSP & I/O User

Data P ath Test Mode

Parameter Reset

. It is

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NetWa ve

Accessories

Harris offers a number of accessories and

services to complement the NetW a ve console. A vail-

able products range from the VistaMax Audio Man-

agement System, which integrates multiple RMX-

digital

, BMX

digital

and NetWave consoles into a

facility-wide network, to studio mic control panels ,

peripheral control panels and several styles of head-

phone jack and level control panels to integrate with

the Harris 3x6 headphone distribution amp.

Harris services range from supplying logic wiring

diagrass for common peripheral devices to complete

system wiring design and installation packages.

Accessory Panels

Turret accessory panels maintain the console’s look and feel while providing remote control for important studio functions. NetWave accessory panels are 6" long and either 1.6" or 3.2" wide. Single width panels (1.6" x 6" panels) include various mic control panels, studio and headphone level panels, and peripheral control panels.

There are two types of cabinet skirt-mounted headphone panels (jack-only and jack with rotary level control). Custom-designed switch and indicator panels are also available.

The 99-1788-1 Single Cabinet Plate allows any single 1.6" x 6" panel to mount into a countertop . The 99-1788-2 Dual Cabinet Plate allows two 1.6" panels or a 3.2" double-width panel to mount into a countertop (shown below).

To install more than one or two Accessory panels in a studio use the 99-1213 Host Turret. It has eight 1.6" turret panel slots and an integral Clock and Event Timer, as shown on page 6-2.

CABINET PLATE APPLICATION EXAMPLES

Furniture and Cabinetry

Harris offers a full line of standard and custom furniture and cabinetry specifically designed to integrate the NetW av e console with studio peripheral equipment. Complete turnkey studio design and implementation services are also available.

Contact your Harris sales representative for additional information.

99-1788-1 SINGLE

POSITION CABINET PLATE

(SHOWN WITH A 99-1197)

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POSITION CABINET PLATE

(SHOWN WITH A 99-1198

& A 99-1191)

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6 Accessories

99-1213 STUDIO CONTROL TURRET, APPLICATION EXAMPLE

99-1211 Turret Clock and Event Timer

99-1210 99-1714-3 99-1198 99-1714-3 99-1195 99-1714-3 99-1376 99-1192

Group Mic Blank Host, Mic Blank Digital Delivery VistaMax Dual Fader Control Panel Panel Control Panel Panel System Panel Selector Panel Panel

MIC REMOTE CONTROL PANELS

Three mic remote control panels are available for the NetWave. A basic mic panel is the 99-1197 with On, Off and Cough buttons (shown on page 6-1). The 99-1198 (shown in the Host Turret example, above) adds a Talkback button to the three basic panel buttons. A simplified schematic, and connection information, for these panels is shown on page 6-6.

The 99-1210 Group Mic Controller (also shown above) is used when separate guest mic control panels are not installed. The panel gives one host On/Off control for up to six microphones on a single 1.6" panel.

PROC

DELAY

NEWS

BOOTH

PGM 1

TRFFIC

AIR

HOST TURRET

The 99-1213 Host Turret (shown above) includes a 99-1211 Clock and Event Timer. It has space for eight 1.6" panels, four 3.2" panels , or a combination thereof. The Host Turret requires a countertop cutout of 12.8" x 10".

Some of the most commonly used Accessory panels, as shown in the Host T urret example abo ve, are the Group Mic panel (99-1210) with On/Off control for up to six microphones; a host mic control panel with talkback button (99-1198); an automation panel to control a news actuality machine or a digital delivery system; a VistaMax source selector (99-1376) to control the monitor source for the studio; and a Dual F ader panel (99-

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1192) for host control of the studio speakers and host headphone levels. Three, four, five and six button automation control panels are available to remotely control tape machines, news actuality servers, digital delivery systems, delay units, etc.

Headphone Distribution Amp

The 99-1215 Harris Headphone amp , originally designed for the BMX repurposed to not only create a headphone amp system for the studio, but to also give studio speaker level control to the studio host position.

REAR PANEL DIP SWITCH SETTINGS FOR THIS EXAMPLE

1 2 3 4 5 6 7 8

Off

NETWAVE

STUDIO

OUTPUTS

85VAC

to 220VAC

50/60 Hz

GUEST 4

GUEST 3

GUEST 2

GUEST 1

1 2 3 4 5 6 7 8

S1 S2

1 2 3 4 5 6 7 8

HOST HP

MONITOR

GUEST

PRE99-1214-3

POWER SUPPLY

digital

console, can be

USING A 99-1215 HEADPHONE AMPLIFIER WITH A NETWAVE CONSOLE,

INCLUDING USING IT FOR MONITOR SPEAKER LEVEL BY THE HOST

Switch S1 Off On

1 - Amp 1 Source Host Guest 2 - Amp 2 Source Co-Host Guest 3 - Amp 3 Source Co-Host Guest 4 - Amp 4 Source Co-Host Guest 5 - Amp 5 Source Co-Host Guest 6 - Amp 6 Source Co-Host Guest 7 - Input Level: Host +4 dBu -8dBu 8 - Input Level: Co-Host +4 dBu -8dBu

6-PIN

MOD IV

50-22

DC CABLE

Switch S2 Off On

1 - Amp 1 Level Ctrl Fader Fixed 2 - Amp 2 Level Ctrl Fader Fixed 3 - Amp 3 Level Ctrl Fader Fixed 4 - Amp 4 Level Ctrl Fader Fixed 5 - Amp 5 Level Ctrl Fader Fixed 6 - Amp 6 Level Ctrl Fader Fixed 7 - Guest Offset “A” 0 dBu 16dBu 8 - Guest Offset “B” 0 dBu 8 dBu

(24 dB Offset with both A & B set on)

SCREW

TERMINALS

INPUTS OUTPUTS

HOST CO-HOST GUEST

PLUG

POWER INPUT

RJ45 CABLE

PRE99-1215

STUDIO

MONITOR

POWER AMP

L R

TRS ADAPTER

RJ45 CABLE

3 4 5 6

The 99-1215 has six outputs (typically for one host and five guests, but in this application for one host, four guests and one studio monitor amplifier) that connect to Harris 99-1214-x headphone panels using CAT-5 cables.

The following illustration shows how to use the 99-1215 headphone system with the NetW a ve. The three inputs (Host, Co-Host and Guest) connect to the NetWave console studio outputs: Host HP, Monitor and Guest HP. By properly setting the two rear panel switches (S1 and S2) per the illustration, the headphone amp outputs are assigned as: Host (#1), studio monitor (#2), and up to four Guests (outputs #3 to #6).

HOST

PRE99-1214-1

PRE99-1192

Dual Fader

Panel

TALK BACK

COUGH

OFF

HOST

POSITION

H/P

FADER

WIRING

(11")

80-1788-2

Two Position

Cabinet Plate

CABLE

(note 2)

PRE99-1198

On/Off/Cough/

Talkback Panel

MONITOR

FADER

WIRING

(42")

PRE99-1214-1

(note 1)

FROM

MIC PANEL

TO CONSOLE:

HOST'S INPUT

CHANNEL LOGIC

CONNECTOR

NOTES:

1. Mount this panel below the countertop, or inside the studio cabinet rack space holding the power amp, mic processors, headphone amp, etc. The 42" long host Monitor Fader wiring plugs into this panel.

2. Make a 1/4" TRS adapter cable (tip is the left channel, ring is the right channel) to go from the 99-1214-1 jack to the studio monitor power amp. For most applications, the unbalanced signals easily drive balanced amp inputs. If in doubt, use an unbalanced to balanced line adapter.

3. To set the monitor output levels on an amplifier with trim or level controls: adjust the amp controls to full off. Set the Monitor fader on the studio panel to 0 (full on). Set the console Studio Monitor pot to maximum. Assign a signal to the Studio Monitor output, then adjust the amplifier controls for the desired loudest level. If the signal into the amp is too hot, adjust the console Studio Monitor pot down until the signal is not being overdriven and leave it in this position.

Use the Monitor fader in the studio to adjust the speaker volume as required. The console logic mutes the monitor audio whenever any studio microphone is on. The output dims when the console talks to the studio. Talk is routed to both the studio speakers and to the host headphones. The guest headphones do not receive talk.

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The Dual Fader panel (99-1192), used to control both the host’s headphone level and the studio monitors level, can mount in a Studio Control Turret or in a Harris cabinet plate. When the NetWave is part of a VistaMax system, a Two-Position cable plate (80-1788-2) can be used to also hold a 99-1376 VistaMax Source Selector so the host can also select the monitor source for the studio.

The studio monitor amplifier connects using a 99-1214-1 headphone panel TRS jack. The output level is controlled by the Monitor fader on the Dual F ader panel.

The guests plug their headphones into the 991214-3 headphone panels which have a volume pot on the panel next to the TRS jack.

ESE/SMPTE Master Clock

As shipped from the factory , the NetW a ve clock is autonomous, running off an internal timebase. The clock can be synchronized to an ESE or SMPTE master timecode signal. To do this requires that the console display be removed from the chassis so that a facility-supplied ESE or SMPTE timecode cable can be plugged into J4 on the ClockTimer board.

Clock-Timer PCA connector J4 details

6 5 4

3 2 1

Wire insertion end view

1 - EXT. TIMER RESET INPUT 2 - GROUND 3 - TIMER RESET OUTPUT

Notes: Pins 1 & 2. Typically not connected on a NetWave. This input resets the timer when an active low command is received.

Pins 3 & 4. Connect to a Studio Timer's reset input. This active low output resets the Studio Timer so it stays in sync with the console's timer.

4 - GROUND 5 - ESE/SMPTE INPUT + 6 - ESE/EMPTE INPUT -

In addition, DS1 switch settings must be set to activate the timecode input. To use ESE timecode, DS1-2 must be set to On. Either TC-89 or TC-90 timecode can be used. T he clock autodetects which version is being received.

If SMPTE timecode is used, set DS1-5 to on and make sure DS1-2 is set to off. If both DS1-2 and DS1-5 are set on, then the clock is set for SMPTE timecode.

The clock’s ESE/SMPTE signal input is balanced, so either a balanced or an unbalanced signal can be used. See the above drawing for connection details.

Meter DIP Switch, DS3 Clock-Timer DIP Switch, DS1

Clock-Timer I/O, J4

Meter PCA Clock-Timer PCA

Console Display PCAs, showing J4, used for connecting an ESE or SMPTE master clock signal

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Quad Meter Kit

The standard NetWave console display has two stereo bargraph meters to simultaneously display PGM 1 and another bus or external signal selected by the Meter selector buttons on the Monitor Panel.

On the NetWave-16 and NetW av e-24 consoles, two additional meters, in a Quad meter kit, can be added to simultaneously display PGM 1, PGM 2, PGM 3 and the Monitor Panel selected source.

The 99-1990-16Q kit is for the NetW a ve-16 and 99-1990-24Q kit is for the NetWave-24.

Link Activation Kit

To fully integrate the NetWa ve console into a VistaMax audio management system requires that the Link Activation kit be installed. The kit consists of a Link Activation PROM for the Monitor & Output board along with a PROM removal tool and installation instructions.

When installed, the kit activates the VistaMax Link connection on the rear panel of the console so that signals can be routed to and from the console and an Envoy or VistaMax card frame.

The Harris part number for the Link Activation kit is 99-1425.

Dual Router Kit

On NetWave consoles that have had a Link Activation kit installed, any channel’s A or B input can be setup to receive a network signal in lieu of the locally connected signal. Which network source is assigned to that channel can be done through a session or macro file run on the parent card frame, or by using a VistaMax edge device (harware source selector or soft panel) to select the source.

Local, console channel source selection, can be added to any pair of fader channels on a NetWave by installing a Dual Router kit.

The Dual Router kit effectively adds a dual source selector to the channels that is specifically setup to control the routed signals for those two channels. If desired, multiple Dual Router kits can be installed in a console for maximum signal source selection flexibility.

The Harris part number for a Dual Router kit is 99-1424.

Logic Wiring

To assist in logic cable design and construction, Harris’ Technical Services Department can supply logic wiring diagrams for many popular peripheral devices.

To assist in installation, Harris also offers premade peripheral logic cables for many popular devices. For a vailability and pricing, contact a sales representative.

NetWave Toolkit

Because NetWave consoles typically are used

digital

in conjunction with BMX consoles, and to keep the price of the console at a minimum, no tools are supplied standard with the console.

The tools typically required to isntall or service the console are included in the optional NetWave Tool Kit (Harris part number is 76-1901). The kit contains a ratcheting AMP MOD IV crimp tool, an AMP MOD IV extraction tool, a 2mm hex driver for the fader and panel hex screws, and a Harris logo pouch to hold the tools. Only one toolkit is required per facility, regardless of the number of consoles.

or RMX

digital

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MIC REMOTE CONTROL PANEL INFORMATION (FOR 99-1197 AND 99-1198)

V+ SUPPLY (5 TO 30) J1 4

ON TALLY J1 3

OFF TALLY J1 2

LOGIC GROUND J1 1

Mic Remote

Control Panel

Schematic

GNDD

AMBER (TALKBACK)

GNDD

1 2 3 4 5 6 7 8

RED (ON)

YELLOW (OFF)

AMBER (COUGH)

CR4 CR5

CR1 CR2

Harris P/N Digikey P/N

CR3** CR6**

CR8 CR7

* Resistor Pack R1 limits the LED current. Its value is determined by the voltage supplied by the console. Panels ship from the factory with the 5 Volt resistor pack installed.

Console Resistor Logic Pack Value

5 Volts 47 ohms 6-786 4608X-1-470-ND

12 Volts 390 ohms 6-787 4608X-1-391-ND

TALKBACK **

R1 *

COUGH

OFF

GNDD

1 2 3 4 5 6

J1: TO LOGIC CONNECTOR

S1 **

8 J1 TALK TO C/R **

7 J1 COUGH

6 J1 ON

5 J1 OFF

J2: TO GROUP MIC CONTROLLER (use cable 99-790-CU)

** These items are not populated on the 99-1197 Panel.

Mic Remote Control

Application Examples

Panel Connections

CURRENT LIMITING RESISTOR PACK (symetrical orientation)

J2: TO/FROM GROUP MIC CONTROLLER *

J1: TO/FROM CONSOLE ASSIGNABLE LOGIC *

* For most applications only J1 will be used.

6 5 4

3 2 1

SINGLE CABINET

GUEST MIC PANEL

(ON/OFF/COUGH)

COUGH

OFF

99-1788-1

PLATE with a

99-1197

TALK

BACK

COUGH

OFF

99-1788-2 DUAL CABINET

PLATE with a

GUEST MIC PANEL

(ON/OFF/COUGH/TALKBACK)

& 99-1191HEADPHONE

FADER PANEL

90-1875, 1.6" Mic Remote Panel Cable (for 99-1197 and 99-1198)

NETWAVE CHANNEL LOGIC CONNECTOR

SIGNAL PIN

Logic Ground

Off Tally

On Tally

+5 VDC Supply

Off Switch (-)

On Switch (-)

Cough Switch (-)

Talk to C/R (-)

Tally Common

+5 VDC supply

Enable Logic Inputs (+)

+5 VDC Supply

BLK

WHT

RED

GRN

BRN

BLU

ORG

YEL

PARTS LIST Cable: Belden 9421 or equiv. 8-pin MOD IV Housing: 14-486 (Tyco-AMP 87631-4) 12-pin MOD IV housing: 14-490 (Tyco-AMP 87922-2) MOD IV contacts: 15-938-1 (Tyco-AMP 102128-1)

99-1197 or 99-1198 MIC CONTROL PANEL

PIN SIGNAL

Logic GND

Off Tally

On Tally

Power Supply

Off Switch

On Switch

Cough Switch

Talkback Switch

99-1198

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Index

Page numbers listed as chapter-page.

Accessories

Accessory P anels ..................................6-1

Cabinet Plates ...................................... 6-1

Dual Router Kit .................................. 6-5

Furniture and Cabinetry .......................6-1

Headphone Distribution Amp .............. 6-3

Host T urret.......................................... 6-2

Link Activation Kit ............................. 6-5

Mic Remote Control Panels .................. 6-2

Quad Meter Kit ................................... 6-5

Toolkit ................................................ 6-5

AES/EBU Connections ............................ 2-20

AMP MOD IV Connectors

Contact Insertion & Removal.............. 2-19

Crimp Tool Crimping ..........................2-19

Housings, Audio.................................2-20

Housings, Logic ................................ 2-23

Channel Logic

Block Diagram ...................................2-23

Logic I/O & Peripherals .....................2-25

Overview ............................................2-24

Audio

Analog Connections............................ 2-20

Connectors ........................................ 2-22

Digital Connections ............................ 2-20

NetWave Sample Rate ........................2-21

S/PDIF Connections........................... 2-21

Unbalanced Connections ....................2-21

Auxiliary Meter

Location.............................................. 2-7

Multi-switch Settings......................... 2-10

Selector Buttons .................................. 3-6

Source Selection .................................. 3-9

Bargraph Meters

Description...........................................3-9

Multi-switch Settings.......................... 2-10

Troubleshooting .................................. 5-6

Basic Peripheral Device Logic Example ... 2-28

Cabinet Cable Access Cutout ....................... 2-1

Cabinet Plates .............................................6-1

Cabling and Wiring .................................. 2-18

Audio Connections ............................. 2-22

Connector Access..................................2-2

Crimp Tool Operation .........................2-19

Logic Connectors................................ 2-22

Required Cables and Wire .................. 2-18

Unbalanced Connections ....................2-21

Wire Preparation ............................... 2-18

Channel Configuration.............................. 2-13

Clock

Multi-switch settings ............................ 2-9

On Console Display .............................. 3-9

Setting the Time ................................... 2-7

Troubleshooting ...................................5-5

Community Monitor.................................... 4-3

Complex Logic Connection Example ........ 2-29

Computer Playback System Connection.... 2-29

Component Descriptions ............................ 1-3

Connection Examples

Basic Logic Example.......................... 2-28

Complex Logic Example ....................2-29

Mic Remote Control Example.............2-27

VistaMax Networking Example......... 2-30

Connections

Audio................................................. 2-22

Logic.................................................. 2-22

Unbalanced ........................................2-21

Connector Access ........................................2-2

Console Display

Installing the Reflector ......................... 2-6

Multi-switches ..................................... 2-9

INDEX-1

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Revision B • 8/05

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Index

Page numbers listed as chapter-page.

C (CONT.)

Console Display (cont.)

Operation............................................. 3-9

Overview ..............................................1-7

Removal.............................................. 2-8

Service ................................................ 5-5

Console

Channel Setup ................................... 2-13

Connections........................................2-22

Installation.......................................... 2-2

Linked NetWave Setup........................ 4-2

Operation Overview............................. 3-1

Control P anel

Removal.............................................. 2-4

Servicing ............................................. 5-3

Test Mode ........................................... 5-3

Control Room (Monitor panel section)

Operation............................................ 3-7

Overview ............................................. 1-5

Control Room Logic I/O

Block Diagram .................................. 2-23

Overview ............................................2-24

Countertop Preparation.............................. 2-4

Crimp Tool Operation............................... 2-19

Dual Router Panel

Dual Router Kit .................................. 2-5

Operation ............................................ 3-4

Overview ..............................................1-4

Sources ............................................. 4-10

Edgedevice.ini File ................................... 4-11

ESE Master Clock

Cable Connection.................................. 2-9

Master Clock Usage ............................. 6-4

Event Timer

Control Buttons................................... 3-8

Multi-switch Settings.......................... 2-10

On Console Display .............................. 3-9

Troubleshooting ................................... 5-5

F acet Connection...................................... 2-30

F ader Panels ............................................... 6-2

F ader Service.............................................. 5-4

48-Volt Supply........................................... 5-6

Frame Configuration................................. 2-11

Furniture and Cabinetry ............................. 6-1

FTP Site Information ................................. 5-1

Declaration of Conformity ............................. iv

Denon CD Player Connection Example ..... 2-28

Digital Sample Rate .................................. 2-21

Dimensions

Cable Access Cutout ............................. 2-1

Main F rame..........................................1-9

Power Supplies.....................................1-9

DSP & I/O Card

Overview ..............................................1-3

Description.......................................... 1-7

Dual Fader Panel

Description...........................................1-7

Operation............................................ 3-3

Overview ............................................. 1-3

HARRIS CORPORATION

General Wiring Information ....................... 2-2

Grounding and Shielding ........................... 2-3

Guest Panels (Mic Remote Panels) ............. 6-2

Harris Contact Information ........................ 5-1

Hazard Label Identification ........................... v

Headphone Distribution Amp .................... 6-3

Host Turret P anel....................................... 6-2

Inputs

Analog .............................................. 2-20

Channel Logic I/O............................. 2-24

Control Room Logic I/O.................... 2-24

INDEX-2

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I (CONT.)

Inputs (cont.)

Digital ............................................... 2-20

Studio Logic I/O ............................... 2-24

Installation................................................. 2-1

Installation Kit Parts.................................. 5-2

Installing Optional Kits.............................. 2-4

Link Activation Kit .................................... 2-4

Logic

Block Diagrams..................................2-23

Cable, Mic Remote Panel ......................6-6

Channel Logic .................................... 2-24

Clock-Timer ...................................... 2-26

Connectors ........................................ 2-22

Control Room Logic ...........................2-24

Interface ............................................ 2-24

Line Logic......................................... 2-25

Microphone Logic .............................. 2-25

Overview ........................................... 2-22

Routing ............................................. 4-12

Studio Logic.......................................2-24

Macro files ............................................... 4-10

Entry Lines ....................................... 4-11

Section Headers ................................ 4-11

Mainframe

Configuration .................................... 2-11

Connector Access................................. 2-2

Console Display................................... 2-6

Frame Dimensions............................... 1-9

Furniture Cutout, for Cable Access....... 2-1

Overview ............................................. 1-1

Main Component Descriptions ................... 1-3

Main Meter

Location.............................................. 2-7

Multi-Switch Settings ........................ 2-10

Master Clock .............................................. 6-4

Meters (see Bargraph Meters)

HARRIS CORPORATION

Index

Microphone Info

Microphone Logic ............................. 2-25

Mic Connections................................ 2-26

Mic Remote Control Example............ 2-27

Mic Remote Control Panels ................. 6-2

Mic Remote P anel wiring .................... 6-6

Mic Logic thru VistaMax ................... 4-12

Monitor & Output Card

Multi-switch Settings......................... 2-10

Overview ............................................. 1-2

Monitor P anel

Operation ............................................ 3-5

Overview ............................................. 1-5

NetWave Console

Applications ...................................... 3-10

Channel Setup ................................... 2-13

Control P anels................................... 2-11

Installation.......................................... 2-1

Linked Configuration .......................... 4-2

Logic Routing ................................... 4-12

Parent Device...................................... 4-1

Specifications ...................................... 1-8

Warranty ........................................... 1-10

Operation................................................... 3-1

Outputs, Monitor & Output Card.............. 2-22

Parent, NetWave ........................................ 4-1

Parts

Ordering.............................................. 5-1

Part Lists ............................................ 5-2

Peripheral Devices

Basic Peripheral Example ................. 2-28

Complex Peripheral Example ............ 2-29

Peripherals & Channel Logic ............. 2-26

Power Supplies (99-1205 and 50-27)

Connecting .......................................... 2-2

Connector Pinouts............................... 5-6

Dimensions ......................................... 1-9

Grounding Notes................................. 2-3

Overview ..............................................1-7

INDEX-3

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Page numbers listed as chapter-page.

P (CONT.)

Power Supplies (cont.)

Placement of ........................................2-2

Service ................................................. 5-6

Product Overview .......................................1-2

Studio Logic I/O

Block Diagram .................................. 2-23

Overview ........................................... 2-24

Studio Host Turret ..................................... 6-2

Quad Meter P ackages................................. 2-6

Quick Guides

Frame & Console Parts ........................ 3-1

Mic Remote Logic ............................. 2-27

Basic Peripheral Logic ...................... 2-28

Complex Peripheral Logic ................. 2-29

Dual Fader Panel................................. 3-3

Dual Router Panel............................... 3-4

Monitor P anel ..................................... 3-5

Console Display................................... 3-9

Reflective Console Display (see Console Displa y)

Repair Service............................................ 5-1

Safety Instructions ......................................... v

Sample Rate............................................. 2-21

Service ....................................................... 5-1

Servicing

Clock................................................... 5-5

Console Display................................... 5-5

Control P anels..................................... 5-3

Event T imer ........................................ 5-6

Faders ................................................. 5-5

Meters ................................................. 5-6

Power Supply...................................... 5-6

S/PDIF Signals ........................................ 2-21

SMPTE Master Clock ................................ 6-4

Signal Numbers ....................................... 4-10

SesFiles Folder ......................................... 4-10

Setting the Clock ........................................ 2-7

Specifications ............................................. 1-8

Studio (Monitor panel section)

Operation Quick Guide ....................... 3-8

Overview ............................................. 1-4

Table of Contents ......................................... iii

Technical Ground....................................... 2-3

Telco Channels

Auto Foldback Functions................... 3-12

Record Output .................................. 3-13

Telco/Codec Operation ...................... 3-11

Timer (See Event Timer)

Toolkit ........................................................6-5

Unbalanced Connections ........................... 2-21

VistaMax Network Connections ............... 2-30

VistaMax Link Activation...........................2-5

VistaMax Control Center (VMCC) .............. 4-3

Warning Label Identification.......................... v

Warranty................................................... 1-10

Wiring and Cabling

Crimp T ool Operation ........................ 2-19

General Information ............................ 2-2

Required Cables and Wire ................. 2-18

Wire Preparation .............................. 2-18

HARRIS CORPORATION

INDEX-4

Revision B • 8/05