Hammond XM-2 User Manual

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Model :/

Thank you, and congratulations on your choice of a Hammond XM-2, Drawbar Sound Module.

In order to get the most out of this instrument for many years to come, please take the time to read this manual in full.

Owner’s Manual

IMPORTANT SAFETY INSTRUCTIONS

Before using this unit, please carefully read this “Safety Instructions” and use it correctly.Please be sure to keep this manual at hand even after reading it once.

This “Safety Instructions” section contains very important points for securing your safety. Strictly observe the instructions, please.In this manual, the degrees of dangers and damages are classified and explained as follows:

This sign shows there is a risk of death or severe injury if this unit is not properly used WARNING as instructed.

This sign shows there is a risk of injury or material damage if this unit is not properly

CAUTION used as instructed.

*Material damage here means a damage to the room, furniture or animals or pets.

WARNING

Do not open (or modify in any way) the unit or its AC adaptor.

Do not attempt to repair the unit, or replace parts in it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Hammond, or an authorized Hammond distributor, as listed on the “Service” page.

Never use or store the unit in places that are:

Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heatgenerating equipment)

Damp (e.g., baths, washrooms, on wet floors)

Humid

Exposed to rain

Dusty

Subject to high levels of vibration.

Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Hammond, or an authorized Hammond distributor, as listed on the “Service” page when:

The AC adaptor, the power-supply cord, or the plug has been damaged; or

If smoke or unusual odor occurs

Objects have fallen into, or liquid has been spilled onto the unit; or

The unit has been exposed to rain (or otherwise has become wet); or

The unit does not appear to operate normally or exhibits a marked change in performance.

In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

Protect the unit from strong impact. (Do not drop it!)

Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords - the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

Before using the unit in a foreign country, consult with your retailer, the nearest Hammond, or an authorized Hammond distributor, as listed on the “Service” page.

Do not put anything that contains water (e.g., flower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

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CAUTION

The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.

At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet of this unit.

Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.

Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet.

Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

Never climb on top of, nor place heavy objects on the unit.

In case if in the future your instrument gets too old to play or malfunctions beyond repair, please observe the instructions of this mark, or, if any question, be sure to contact your dealer or your nearest town or municipal office for its proper disposal.

Introduction

IMPORTANT - PLEASE READ

Power Supply

Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).

The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Also, do not allow lighting devices that normally are used while their light source is very close to the unit (such as a piano light), or powerful spotlights to shine upon the same area of the unit for extended periods of time. Excessive heat can deform or discolor the unit.

When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

Do not allow rubber, vinyl, or similar materials to remain on the unit for long periods of time. Such objects can discolor or otherwise harmfully affect the finish

Do not paste stickers, decals, or the like to this instrument. Peeling such matter off the instrument may damage the exterior finish.

Maintenance

To clean the unit, use a dry, soft cloth; or one that is slightly dampened.

To remove stubborn dirt off plastic parts, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth. Try to wipe the entire surface using an equal amount of strength, moving the cloth along with the grain of the wood. Rubbing too hard in the same area can damage the finish.

Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Additional Precautions

Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of losing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).

Unfortunately, it may be impossible to restore the contents of data that was stored in another MIDI device (e.g., a sequencer) once it has been lost. Hammond assumes no liability concerning such loss of data.

Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

When connecting / disconnecting all cables, grasp the connector itself - never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

To avoid disturbing your neighbors, try to keep the unit's volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

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BATTERY BACK UP

Your XM-2 uses a battery-backed RAM to remember your changes to the Parameters. When the battery voltage becomes low, the Display will show:

If you see these messages, you should immediately back up your parameter changes, if you have made any. If there is no battery installed in the unit, or if the battery is compeletely dead, the Display will show:

After the above message is displayed, the XM-2 will re-initialize itself, and the factory default settings will be restored. Therefore, it is a good idea to periodically save your data to a sequencer.

CAUTION: Ask your dealer or store for the details how to change the batteries.

Introduction

Table Of Contents

 

IMPORTANT SAFETY INSTRUCTIONS ..................................

2

IMPORTANT - PLEASE READ ...............................................

4

BATTERY BACK UP ..............................................................

5

MAIN FEATURES .................................................................

9

NAMES AND FUNCTIONS ..................................................

10

Front Panel ...................................................................................

10

Rear Panel ...................................................................................

11

HOOK-UP........................................

13

BASIC HOOK-UP ................................................................

14

CONNECTION USING A SIMPLE MIDI KEYBOARD ...............................

14

CONNECTION USING A SIMPLE MIDI KEYBOARD AND THE XMc-2 ....

15

CONNECTION USING A MULTI-FUNCTIONAL MIDI KEYBOARD ............

16

CONNECTION USING TWO MIDI KEYBOARDS .....................................

16

CONNECTION USING MULTIPLE MIDI KEYBOARDS AND THE XMc-2

.. 17

CONNECTION OF LESLIE SPEAKER ...................................

18

BASIC CONNECTION OF THE LESLIE SPEAKER ..................................

18

MIDI CONTROL OF LESLIE SPEAKER ..................................................

18

TURN ON AND PLAY......................

19

TURN ON THE POWER .......................................................

20

HOW TO TURN THE POWER ON .........................................................

20

BACK-UP ............................................................................................

20

RESET TO THE FACTORY SETTINGS ..................................................

20

LISTEN TO THE DEMONSTRATION ....................................

21

PLAY BY THE PATCH .........................................................

22

HOW TO CALL OUT THE PATCHES .....................................................

22

WHAT IS “PART” ? ..............................................................................

22

PLAY WITH THE CONTROLLERS .......................................

23

PITCH BEND .......................................................................................

23

EXPRESSION PEDAL ...........................................................................

23

FOOT SWITCH ....................................................................................

23

CREATE YOUR OWN SOUNDS ...........................................

24

SELECT PATCH 128. ...........................................................................

24

MAKE THE DRAWBAR REGISTRATION ...............................................

24

ADD PERCUSSION ..............................................................................

24

ADD EFFECTS .....................................................................................

25

VIBRATO AND CHORUS ...............................................................

25

LESLIE .........................................................................................

25

RECORD TO THE PATCH .....................................................................

26

SETTING UP ...................................

27

SOUND ENGINE STRUCTURE ............................................

28

SYSTEM STRUCTURE OF XM-2 ..........................................................

28

HOW TO USE THE PANEL BUTTONS .................................

30

EXAMPLE: Set Upper 8' of Drawbar registration at 5. ..........................

30

DRAWBAR (DRAWBAR registration) .................................

31

DRAWBARS™ ....................................................................

32

WHITE DRAWBARS ............................................................................

33

BLACK DRAWBARS ............................................................................

33

BROWN DRAWBARS ..........................................................................

33

PEDAL DRAWBARS ............................................................................

33

DRAWBAR REGISTRATION PATTERNS ...............................................

34

PERC (PERCussion) ...........................................................

36

NOTE ..................................................................................................

36

DRAWBAR CANCEL .....................................................................

36

VIB & CHO (VIBrato and CHOrus) .....................................

37

LESLIE ...............................................................................

38

PATCH ................................................................................

39

NAME THE PATCH ..............................................................................

39

RECORD A NEW PATCH ......................................................................

40

DISPLAY AND ITS OPERATION .....

41

PLAY MODE .......................................................................

42

HOW TO READ THE DISPLAY .............................................................

42

PANEL BUTTON MODE ......................................................

43

HOW TO READ THE DISPLAY .............................................................

43

BUTTON OPERATION IN THIS MODE ...................................................

43

MENU MODE .....................................................................

44

HOW TO READ THE DISPLAY .............................................................

44

BUTTON OPERATION IN THIS MENU ...................................................

44

FUNCTION MODE ..............................................................

45

HOW TO READ THE DISPLAY .............................................................

45

BUTTON OPERATION IN THIS MODE ...................................................

45

EXAMPLE: Adjusting the DECAY TIME of the Percussion [FAST] .........

46

SHORT CUT TO THE FUNCTION MODE ..............................

48

EXAMPLE: Move to the Percussion Function Mode. ...........................

48

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SETTING THE PARAMETERS .......

49

DRAWBAR .........................................................................

50

Setting the Manual (LOWER and UPPER) .................................................

50

Setting the PEDAL ....................................................................................

51

PATCH ................................................................................

52

PATCH NAME ...........................................................................................

52

PATCH LOAD ............................................................................................

52

PATCH NUMBERS .....................................................................................

52

EFFECTIVE USE OF LINK-LOWER/PEDAL ............................................

53

WHEN LINK LOWER/PEDAL IS ON: ..............................................

53

WHEN LINK LOWER/PEDAL IS OFF: .............................................

53

CONTROL...........................................................................

54

PITCH BEND .............................................................................................

54

MODULATION ...........................................................................................

55

PRESSURE ...............................................................................................

55

EXPRESSION ............................................................................................

56

FOOT SWITCH ..........................................................................................

57

DISPLAY ...................................................................................................

57

ADJUSTING THE EXPRESSION PEDAL ................................................

58

TUNE .................................................................................

59

CUSTOM TONEWHEELS ....................................................

60

B-Type .........................................................................................................

60

Mellow .........................................................................................................

60

Brite .............................................................................................................

60

PERCUSS (PERCUSSion) ..................................................

61

LESLIE ...............................................................................

62

CABINET NUMBERS .................................................................................

62

LESLIE PARAMETERS ..............................................................................

62

RECORD THE CABINETS .....................................................................

64

OD/VIB (OverDrive / VIBrato) ............................................

65

OVERDRIVE ..............................................................................................

65

VIBRATO & CHORUS ................................................................................

65

EQUALIZ (EQUALIZer) .......................................................

66

REVERB .............................................................................

67

MIDI ..................................................................................

68

MIDI TEMPLATE .......................................................................................

68

MASTER ...................................................................................................

68

MIDI CHANNEL .........................................................................................

69

MIDI TEMPLATES AND THEIR PURPOSES ..........................................

70

THE MIDI IN MODES AND THEIR FUNCTIONS .....................................

70

KEYMAP ............................................................................

71

SPLIT .......................................................................................................

71

MANUAL BASS .........................................................................................

71

WHAT IS SPLIT? ......................................................................................

71

WHAT IS MANUAL BASS? ........................................................................

71

DEFAULT ............................................................................

72

SYSTEM ............................................................................

73

APPENDIX ......................................

75

Part and MIDI Messages ...................................................

77

MIDI Information ...............................................................

78

Drawbar Data List 1 ..........................................................

79

Drawbar Data List 2 ..........................................................

79

System Exclusive Message ...............................................

80

Global Parameters ............................................................

81

Patch Parameters ..............................................................

82

Leslie Parameters .............................................................

84

System Parameters ...........................................................

84

Specifications....................................................................

86

Demonstration Songs and Composers ..............................

87

Factory Patches ................................................................

88

SERVICE ............................................................................

89

IN THIS MANUAL:

NOTE:s and appear frequently. The NOTE: is a supplementary explanation. The are explanations of terms and applications.

Introduction

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MAIN FEATURES

9

 

 

ACCURATELY REPRODUCES THE TONE-WHEEL SOUND.

Your new XM-2 contains (96) independent oscillating digital tone-wheels which accurately reproduces the sound of the Vintage B-3.

In addition, this module has full polyphony.

DIGITAL LESLIE / VIBRATO EFFECTS.

The XM-2 module is equipped with a DSP effect generator to simulate the Scanner-Vibrato and the Leslie Speaker.

The range of sounds that you can create is expanded by the use of Vibrato and Chorus effects, and by the real sounding Leslie effects which effectively simulates the rotation of the two Rotors which are present in a traditional Leslie.

8-PIN LESLIE SPEAKER SOCKET.

Your new XM-2 contains an 8-pin Leslie speaker socket for direct connection to our Leslie 21 System Speakers.

CAN BE EXPANDED BY USE OF EXTERNAL MIDI PRODUCTS.

You can connect your XM-2 with various MIDI instruments and expand its function. You can not only play it using a single MIDI keyboard but also expand the number of keyboards (Lower Keyboard and Pedal Keyboard) by connecting it with other MIDI keyboards. You can also record your performance to an external sequencer.

Introduction

10

NAMES AND FUNCTIONS

 

 

Front Panel

1

2

3

4

8

10

12

13

 

 

 

 

5

 

 

 

 

 

 

 

6

 

 

 

 

 

 

 

7

 

 

 

 

 

 

 

 

9

 

 

 

 

 

 

 

11

14

15

FRONT LEFT SIDE

1.POWER Switch

This switches ON/OFF the module.

2.CONTROLLER Jack

This is the terminal for connecting the Drawbar Controller XMc-2 (to be separately purchased).

Use the exclusive cable HMC-1 for connection.

3.VOLUME Knob

Controls the total volume.

4.DISPLAY

Displays various information.

EDIT BUTTONS

5.PLAY Button

Jumps to the PLAY mode, the basic mode.

6.MENU/EXIT Button

Recalls the MENU mode. This is also used to return from each function mode.

7.RECORD Button

Records the Patches.

This is also used for controlling the other recording.

8.PAGE Buttons

Selects Pages in the menu.

9. PARAMETER Buttons

Selects Parameters.

10. VALUE Knob

Increases and decreases the Patch or value of the selected parameter.

11. ENTER Button

This is used for deciding the selected items.

PANEL BUTTONS

12. DRAWBAR Button

Calls out the Drawbar Registration mode.

13. PERC. Button

Calls out the Percussion Switch mode.

14. VIB. & CHO. Button

Calls out the Vibrato Switch mode.

14. LESLIE Button

Calls out the Leslie Switch mode.

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Rear Panel

16

19

17

18

20

21

22

25

24

23

POWER SUPPLY

16. DC IN Jack

Connects the attached AC Adaptor AD1-1508 (100 - 120V) AD3-1508 (220 - 240V).

SOUND OUTPUT TERMINAL

17. LINE OUT L/MONO Jack

If your amplifier has only a single (1) female 1/4" audio input connector (MONO input), use this Jack.

CONTROLLER TERMINAL

21. EXP. PEDAL Jack

This terminal is for the Expression Pedal (V-20R - optional). You can control the volume while you play.

22. FOOT SWITCH Jack

This terminal is for the Foot Switch (FS-9H - optional). You can switch the speed of the Leslie effect and the Patch, etc. while playing.

18. LINE OUT R Jack

This is the Right channel output of the XM-2.

Use the Left and Right output Jacks if your mixer or amplifier has stereo inputs.

Use only the L/MONO terminal, if the input is monaural. The built-in Leslie Effect is only on L (the left), when the Leslie Speaker (20) is connected.

19. HEADPHONE Jack

This is for connecting a set of stereo headphones.

Sound is sent out from the LINE-OUTS (17, 18) and LESLIE 8PIN (20), also when this terminal is used.

The built-in LESLIE is only on L (the left), when the LESLIE SPEAKER (20) is connected.

20. LESLIE 8PIN Jack

This is for connecting the Leslie 21 System Speaker. Read “CONNECTING THE LESLIE SPEAKER” for more details.

MIDI

23. MIDI OUT Jack

Outputs the internal information of this unit and the playing information from the MIDI IN terminal (according to the setting).

24. MIDI IN 1 Jack

Receives the MIDI information.

The factory setting of this terminal is for receiving the information through the MIDI channel.

You can also set it for receiving only a specified part information, regardless of the channel.

25. MIDI IN 2 Jack

Receives the MIDI information.

The factory setting of this terminal is for receiving the information through the MIDI channel.

You can also set it for receiving only a specified part information, regardless of the channel.

Introduction

12

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13

HOOK-UP

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14

BASIC HOOK-UP

 

 

Be sure to turn OFF the power of your XM-2 and connecting devices before you do the hookup.

CONNECTION USING A SIMPLE MIDI KEYBOARD

This is the simplest example.

You can play as many as 3 parts by a single-manual MIDI Keyboard, using the Split and Manual Bass functions of the XM-2.

Set the MIDI Keyboard for sending a single channel. (The channel number does not matter.) Call out “Single KBD” by the MIDI Template (P. 68) of this unit.

In this case of connection, you can record to and play out of an external sequencer.

Stereo

Headphones

MIDI Sequencer,

Computer etc. (optional)

 

Foot Switch

AC Adaptor

(optional)

 

(Provided)

Expression Pedal (optional)

To Mixer, Amplifier etc.

MIDI OUT

MIDI Keyboard

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Hammond XM-2 User Manual

15

CONNECTION USING A SIMPLE MIDI

KEYBOARD AND THE XMc-2

The hook-up example shown below is for making the Drawbar Registration change at hand using the Drawbar Controller XMc-2.

Set the MIDI Keyboard for sending a single channel. (The channel number does not matter.) Call out “Single KBD” by the MIDI Template (P. 68) of this unit.

In this case of connection, you can record to and play out of an external sequencer.

MIDI Sequencer, Computer etc.

(optional)

TO XM-2

MIDI IN

MIDI OUT

MIDI Keyboard

Hook-Up

16

CONNECTION USING A MULTI-FUNCTIONAL MIDI KEYBOARD

This hook-up shown below is for using a MIDI Keyboard that can send data to multiple MIDI channels or an electronic organ that has multiple keyboards.

Call out “By Channel” by the MIDI template (P. 68) of this unit.

Set appropriate values for the MIDI channels on this unit and on each keyboard. The default settings of the receiving channels on this unit are Upper = 1, Lower = 2, and Pedal = 3.

MIDI Keyboard (for UPPER / LOWER / PEDAL)

MIDI OUT

CONNECTION USING TWO MIDI KEYBOARDS

This hook-up example is for using two MIDI Keyboards; one for playing UPPER and the other for playing LOWER part.

Set each of the MIDI Keyboard to send a single channel. (The channel numbers do not matter.) Call out “2KBD for L&U” by the MIDI Template (P. 68) of this unit.

MIDI Keyboard (for UPPER)

MIDI OUT

MIDI Keyboard (for LOWER)

MIDI OUT

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17

CONNECTION USING MULTIPLE MIDI

KEYBOARDS AND THE XMc-2

Using the Drawbar Controller XMc-2 allows you not only to change the Drawbar Registration at hand, but also to easily build the double or triple manual systems using the built-in MIDI IN terminal of the XMc-2.

Set each MIDI Keyboard to send a single channel. (The channel number does not matter.)

Call out “2/3KBD via XMc” by the MIDI Template (P. 68) of this unit. This example of connection allows you to record into an external sequencer.

MIDI Sequencer, Computer etc.

(optional)

TO XM-2

MIDI IN

MIDI Keyboard (for UPPER)

MIDI OUT

MIDI Keyboard (for LOWER)

MIDI OUT

MIDI OUT

MIDI Pedalboard

Hook-Up

18

CONNECTION OF LESLIE SPEAKER

 

 

This unit has an 8-pin Leslie Connector which can directly connect the Leslie Speaker.

Be sure to turn OFF the power before you connect to the Leslie Speaker.

BASIC CONNECTION OF THE LESLIE SPEAKER

Connect the Leslie Speakers #2101, 2102 and the Leslie 8-pin terminal by use of the exclusive 8-pin Leslie Cable LC-7-8M(= optional, to be separately purchased).

NOTE: The Leslie terminal on this unit has 8 pins. For connecting a 11-pin Leslie Speakers, you need a Leslie Adaptor XLD-811 (= optional, to be separately purchased).

The volume of the Leslie Speakers #2101, 2102 is adjusted by the Rotary knob. Set the Stationary knob at Minimum. The sound circuit on this unit is specified for a single channel. Refer to the Leslie Speaker manual as well to make sure.

MIDI CONTROL OF LESLIE SPEAKER

For MIDI-controlling the parameters (=fine adjustment of the Rotary speed, rise time, etc.) on the Leslie #2101, 2102:

1.Connect the MIDI OUT of this unit and the MIDI IN on the Leslie Speaker by the MIDI cable.

2.Set the MIDI channel - UPPER of this unit and the MIDI channel of the Leslie Speaker to the same channel. (P. 69 #11)

3.Set the MIDI - Leslie Parameter of this unit at “21”. (P. 69 #8)

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19

TURN ON AND PLAY

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20

TURN ON THE POWER

 

 

HOW TO TURN THE POWER ON

After the connection is completed, turn on the power in the following order: If you do not follow this order, it may cause malfunctions or damages to the speakers etc.

STEPS TO TAKE

1. Before turning the unit ON, make sure that the [VOLUME] knob of this unit is at MIN.

2. Turn the [POWER] switch ON. In the display, the title and then the PLAY mode appears. (See the illustration.)

It does not immediately start up after turning the power on because of circuit protection.

BACK-UP

3.Turn on the power of the connected amplifier etc.

4.Turn the [VOLUME] knob for fine adjustment.

5.Adjust the volume of the amplifier etc.

You can adjust the volume more easily if you use the demonstration play.

When you turn off the power, do the above procedure backwards. Turn OFF the amplifier etc. first.

This unit memorizes the status of the settings immediately before it is turned off. For this reason, the settings when the unit is powered up is the same as they were just before the unit was shut off. This is called BACK-UP.

RESET TO THE FACTORY SETTINGS

To return all settings on this unit to the original Factory Settings, do the following:

STEPS TO TAKE

1.Turn OFF the power on this unit.

2.Turn the power ON, holding down the [RECORD] button.

3.Keep pressing the [RECORD] button until “Loading Default” appears in the display.

4.The procedure is completed when the PLAY mode appears.

*# 1 :/Owner’s Manual

LISTEN TO THE DEMONSTRATION

21

 

 

Demonstration Plays are built in for introducing the features, sounds, etc. of this unit.

STEPS

1

Touch the [MENU/EXIT] button and display the menu.

2

Touch the [PAGE] button and go to Page E.

3

Touch the [ENTER] button.

The Demo mode appears.

4

Select the tune you want to listen to by touching the [PAGE] button.

The play starts when you touch the [ENTER] button.

NOTE: When the tune ends, the next one automatically starts.

For selecting another tune while playing, touch the [ENTER] button again. (The play stops.)

5

To stop the Demo Play, touch either the [MENU/EXIT] or [PLAY] button.

NOTE: Demo Plays do not affect the existing settings.

Turn On and Play

22

PLAY BY THE PATCH

 

 

This unit memorizes various settings up to 128 [PATCHES]. For your immediate play after purchasing this unit, the factory settings are recorded in the patches 001 to 120.

HOW TO CALL OUT THE PATCHES

EXAMPLE: Select 041.

 

1

GO TO THE PLAY MODE

 

If the present mode is not PLAY, touch [PLAY] and go to the

 

PLAY mode.

2

SELECT THE PATCH NUMBER

Select Patch No. 041 by the [VALUE] knob.

Call out various patches and play.

When you call out a patch, not only does the Drawbar registration of each part change but also the effects such as Leslie and Reverb also change.

NOTE: You can set the type of parameter you call out. (P. 52 #2 to 8)

WHAT IS “PART” ?

A [PART] is like a player in a band or in an orchestra.

Like an organ with 3 manuals can produce 3 different sounds, this unit also can produce 3 different parts, Upper, Lower, and Pedal, because it has these 3 different parts.

NOTE: The function that makes it possible to use multiple sounds is called [Multi-Timbre].

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PLAY WITH THE CONTROLLERS

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You can play more expressively if you operate the controller while playing. Let us explain in this page about the controller generally used in electronic musical instruments. (About the unique HAMMOND Controller, let us explain in the next page.)

PITCH BEND

You can change the pitch while playing, by receiving the Pitch Bend information.

NOTE: You can adjust the amount of the pitch change by the Pitch Bend information. (P. 54 #1 to 4)

This figure shows an example: XK-1.

EXPRESSION PEDAL

On an organ, generally not like on the piano, the velocity, i.e. touch on the keys, does not give any dynamics.

However, if you connect an expression pedal ( = optional) to this unit, or receive the expression information from the MIDI, you can change the volume and give expression to your play.

The volume of the Expression Pedal gets maximum when fully depressed on the toe-side and gets minimum when fully returned on the heel-side.

NOTE: Set this unit to match the model of your expression pedal. (P. 56 #13)

This figure shows V-20R ( = optional, to be separately purchased).

FOOT SWITCH

This is used for controlling various switches by foot instead of doing it by hand.

In the default settings, “Leslie Fast” is assigned here.

NOTE: You can change the assignment of the foot switch. (P. 57 #19 to 20)

This figure shows FS-9H ( = optional, to be separately purchased).

Turn On and Play

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CREATE YOUR OWN SOUNDS

 

 

Let us here explain how to create the unique HAMMOND sounds such as Drawbars, Percussion sounds and the sounds obtained by using the Vibrato or Leslie effects. The example here is after a MIDI Keyboard (set for MIDI Channel 1) is connected to the MIDI IN 1 terminal of this unit (immediately after delivery from your dealer).

SELECT PATCH 128.

Call out Patch Number 128. The default setting of this Patch is the simplest of all, so it is best suited for creating new sounds.

MAKE THE DRAWBAR REGISTRATION

Touch the [DRAWBAR] button. The display turns into the Drawbar Registration (how far the bars are drawn) mode.

In this mode, the basic sounds using the Drawbars are created. Adjust the volume of each footage in the range of the displayed “UPPER”, while touching the keys.

The volume gets loud when the value of each footage (each digit of Drawbar Registration) increases. It gets quieter when the value gets smaller. Basically, the pitch gets higher from left to right.

Select the footage by the [PARAM] button, and change the value by the [VALUE] knob. Operate the other parameters in the same way. The most frequently used registrations are 3 fully drawn left-side bars and all 9 fully drawn bars.

NOTE: You can change the characters of the Drawbars. (P. 50 )

ADD PERCUSSION

The “Percussion” here is not the ordinary percussion instrument but that of decaying sounds that adds lively and articulate sounds. Mix the sounds with the Drawbar sounds whenever you want.

Touch the [PERC] button. The display turns into the PERCUSSION mode.

Turn ON and OFF each value of “2ND” and “3RD” of the parameter by the [PARAM] button and the [VALUE] knob. The decay sounds of an octave higher “DO” (the second harmonics) and “SO” (the third harmonics) are added to the note on the keyboard.

The decay speed gets faster if you change “DCY” from SLW to FST. The Percussion volume goes down if you change “VOL” from NOR to SFT.

NOTE: You can fine-adjust the percussion volume etc. (P. 61)

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ADD EFFECTS

VIBRATO AND CHORUS

Warmth can be added to the sound by slightly changing the Drawbar pitch in a certain cycle.

Touch the [VIB&CHO] button. The display changes to Vibrato and Chorus mode.

“MODE”

This sets the depth of the Vibrato effect. At OF no effect is added. As the value gets larger from 1 to 3, the effect gets deeper.

“CHORUS”

Vibrato sound is mixed to the original tone, and thickness is added to the sound when you turn this on.

LESLIE

This gives the effects of a live performance feelings by the feeling of turning rotors.

Touch the [LESLIE] button. The display changes to the Leslie mode.

“SW”

Turn this ON to get the Leslie effects.

“S/F”

This switches the Rotor speed to SLOW or FAST (2 steps). The most popular style is to play at SLOW basically and then to change to FAST only at the climax.

“OFF”

This sets the action when the value of the parameter “SW” of the Leslie effect is OF. BRAK stands for Brake. (The Rotor gradually slows down and then finally stops.) THRU stands for Through. (The Leslie effect is bypassed.)

NOTE: These parameters are used for controlling, in the case Leslie speakers are connected externally.

NOTE: Fine settings are possible for the turning speed of the built-in Leslie effects etc.

In this chapter we have explained the settings you can make from the panel buttons.

Let us explain in the next page about the Overdrive and Reverb; elements for creating the

HAMMOND ORGAN sounds.

Turn On and Play

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RECORD TO THE PATCH

The settings you have made so far can be recorded or memorized to your desired

Patches.

You can also freely rewrite the built-in Patches when delivered from the factory.

EXAMPLE: RECORD INTO “011”

1

Touch the [RECORD] button. The Record mode appears.

2

Select the Patch Number (011 in this example) to record to by the [VALUE] knob.

3

Touch the [ENTER] button. The Patch is decided and the following is displayed in the mode for certain seconds:

Recording Patch...

When the recording is completed, the display returns to the immediate previous mode.

NOTE: The recorded Patch data are not lost even after the power is turned off.

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SETTING UP

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