In order to get the most out of this instrument for
many years to come, please take the time to read
this manual in full.
Owner’s Manual
IMPORTANT SAFETY INSTRUCTIONS
Before using this unit, please carefully read this “Safety Instructions” and use it correctly.
Please be sure to keep this manual at hand even after reading it once.
This “Safety Instructions” section contains very important points for securing your safety. Strictly observe the instructions, please.
In this manual, the degrees of dangers and damages are classified and explained as follows:
WARNING
as instructed.
This sign shows there is a risk of injury or material damage if this unit is not properly
This sign shows there is a risk of death or severe injury if this unit is not properly used
CAUTION
used as instructed.
*Material damage here means a damage to the room, furniture or animals or pets.
WARNING
Do not open (or modify in any way) the unit or its AC adap-
tor.
Do not attempt to repair the unit, or replace parts in it (except
when this manual provides specific instructions directing you
to do so). Refer all servicing to your retailer, the nearest
Hammond, or an authorized Hammond distributor, as listed
on the “Service” page.
Never use or store the unit in places that are:
Subject to temperature extremes (e.g., direct sunlight in
an enclosed vehicle, near a heating duct, on top of heatgenerating equipment)
Damp (e.g., baths, washrooms, on wet floors)
Humid
Exposed to rain
Dusty
Subject to high levels of vibration.
Be sure to use only the AC adaptor supplied with the unit.
Also, make sure the line voltage at the installation matches
the input voltage specified on the AC adaptor’s body. Other
AC adaptors may use a different polarity, or be designed for a
different voltage, so their use could result in damage, malfunction, or electric shock.
Do not excessively twist or bend the power cord, nor place
heavy objects on it. Doing so can damage the cord, producing
severed elements and short circuits. Damaged cords are fire
and shock hazards!
This unit, either alone or in combination with an amplifier
and headphones or speakers, may be capable of producing
sound levels that could cause permanent hearing loss. Do not
operate for a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should immediately stop using
the unit, and consult an audiologist.
Immediately turn the power off, remove the AC adaptor from
the outlet, and request servicing by your retailer, the nearest
Hammond, or an authorized Hammond distributor, as listed
on the “Service” page when:
The AC adaptor, the power-supply cord, or the plug has
been damaged; or
If smoke or unusual odor occurs
Objects have fallen into, or liquid has been spilled onto
the unit; or
The unit has been exposed to rain (or otherwise has be-
come wet); or
The unit does not appear to operate normally or exhibits a
marked change in performance.
In households with small children, an adult should provide
supervision until the child is capable of following all the rules
essential for the safe operation of the unit.
Protect the unit from strong impact.
(Do not drop it!)
Do not force the unit’s power-supply cord to share an outlet
with an unreasonable number of other devices. Be especially
careful when using extension cords - the total power used by
all devices you have connected to the extension cord’s outlet
must never exceed the power rating (watts/amperes) for the
extension cord. Excessive loads can cause the insulation on
the cord to heat up and eventually melt through.
Before using the unit in a foreign country, consult with your
retailer, the nearest Hammond, or an authorized Hammond
distributor, as listed on the “Service” page.
Do not put anything that contains water (e.g., flower vases)
on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe
away any liquid that spills on the unit using a dry, soft cloth.
Do not allow any objects (e.g., flammable material, coins,
pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.
*#1 :/Owner’s Manual
CAUTION
The unit and the AC adaptor should be located so their loca-
tion or position does not interfere with their proper ventilation.
Always grasp only the plug on the AC adaptor cord when plug-
ging into, or unplugging from, an outlet or this unit.
At regular intervals, you should unplug the AC adaptor and
clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power
plug from the power outlet whenever the unit is to remain
unused for an extended period of time. Any accumulation of
dust between the power plug and the power outlet can result
in poor insulation and lead to fire.
Try to prevent cords and cables from becoming entangled.
Also, all cords and cables should be placed so they are out of
the reach of children.
Never climb on top of, nor place heavy objects on the unit.
Never handle the AC adaptor or its plugs with wet hands
when plugging into, or unplugging from, an outlet of this
unit.
Before moving the unit, disconnect the AC adaptor and
all cords coming from external devices.
Before cleaning the unit, turn off the power and unplug
the AC adaptor from the outlet.
Whenever you suspect the possibility of lightning in your
area, disconnect the AC adaptor from the outlet.
In case if in the future your instrument gets too old to play or mal-
functions beyond repair, please observe the instructions of this
mark, or, if any question, be sure to contact your dealer or your
nearest town or municipal office for its proper disposal.
Introduction
IMPORTANT - PLEASE READ
Power Supply
Do not use this unit on the same power circuit with any device that
will generate line noise (such as an electric motor or variable light-
ing system).
The AC adaptor will begin to generate heat after long hours of con-
secutive use. This is normal, and is not a cause for concern.
Before connecting this unit to other devices, turn off the power to
all units. This will help prevent malfunctions and/or damage to speak-
ers or other devices.
Placement
Using the unit near power amplifiers (or other equipment contain-
ing large power transformers) may induce hum. To alleviate the prob-
lem, change the orientation of this unit; or move it farther away
from the source of interference.
This device may interfere with radio and television reception. Do
not use this device in the vicinity of such receivers.
Noise may be produced if wireless communications devices, such
as cell phones, are operated in the vicinity of this unit. Such noise
could occur when receiving or initiating a call, or while conversing.
Should you experience such problems, you should relocate such
wireless devices so they are at a greater distance from this unit, or
switch them off.
Do not expose the unit to direct sunlight, place it near devices that
radiate heat, leave it inside an enclosed vehicle, or otherwise sub-
ject it to temperature extremes. Also, do not allow lighting devices
that normally are used while their light source is very close to the
unit (such as a piano light), or powerful spotlights to shine upon the
same area of the unit for extended periods of time. Excessive heat
can deform or discolor the unit.
When moved from one location to another where the temperature
and/or humidity is very different, water droplets (condensation) may
form inside the unit. Damage or malfunction may result if you at-
tempt to use the unit in this condition. Therefore, before using the
unit, you must allow it to stand for several hours, until the conden-
sation has completely evaporated.
Do not allow rubber, vinyl, or similar materials to remain on the
unit for long periods of time. Such objects can discolor or other-
wise harmfully affect the finish
Maintenance
To clean the unit, use a dry, soft cloth; or one that is slightly damp-
ened.
To remove stubborn dirt off plastic parts, use a cloth impregnated
with a mild, non-abrasive detergent. Afterwards, be sure to wipe
the unit thoroughly with a soft, dry cloth. Try to wipe the entire
surface using an equal amount of strength, moving the cloth along
with the grain of the wood. Rubbing too hard in the same area can
damage the finish.
Never use benzine, thinners, alcohol or solvents of any kind, to avoid
the possibility of discoloration and/or deformation.
Additional Precautions
Please be aware that the contents of memory can be irretrievably
lost as a result of a malfunction, or the improper operation of the
unit. To protect yourself against the risk of losing important data,
we recommend that you periodically save a backup copy of impor-
tant data you have stored in the unit’s memory in another MIDI
device (e.g., a sequencer).
Unfortunately, it may be impossible to restore the contents of data
that was stored in another MIDI device (e.g., a sequencer) once it
has been lost. Hammond assumes no liability concerning such loss
of data.
Use a reasonable amount of care when using the unit’s buttons, slid-
ers, or other controls; and when using its jacks and connectors. Rough
handling can lead to malfunctions.
When connecting / disconnecting all cables, grasp the connector
itself - never pull on the cable. This way you will avoid causing
shorts, or damage to the cable’s internal elements.
To avoid disturbing your neighbors, try to keep the unit's volume at
reasonable levels. You may prefer to use headphones, so you do not
need to be concerned about those around you (especially when it is
late at night).
When you need to transport the unit, package it in the box (includ-
ing padding) that it came in, if possible. Otherwise, you will need to
use equivalent packaging materials.
Do not paste stickers, decals, or the like to this instrument. Peeling
such matter off the instrument may damage the exterior finish.
*#1 :/Owner’s Manual
BATTERY BACK UP
Your XM-2 uses a battery-backed RAM to remember your changes to the Parameters.
When the battery voltage becomes low, the Display will show:
If you see these messages, you should immediately back up your parameter changes, if
you have made any. If there is no battery installed in the unit, or if the battery is
compeletely dead, the Display will show:
After the above message is displayed, the XM-2 will re-initialize itself, and the factory
default settings will be restored. Therefore, it is a good idea to periodically save your
data to a sequencer.
CAUTION: Ask your dealer or store for the details how to change the batter-
ies.
Introduction
Table Of Contents
IMPORTANT SAFETY INSTRUCTIONS.................................. 2
IMPORTANT - PLEASE READ ............................................... 4
BATTERY BACK UP .............................................................. 5
MAIN FEATURES ................................................................. 9
NAMES AND FUNCTIONS .................................................. 10
Front Panel................................................................................... 10
NOTE:You can change the time for holding down the button for
“SHORT CUT”. (P. 57 #21)
*#1 :/Owner’s Manual
SETTING THE
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PARAMETERS
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DRAWBAR
In this mode, you can set the Parameter relating to the Drawbar sound of each part.
To locate this mode:
1.Touch the [MENU/EXIT] button and display the MENU, touch the [PAGE] button and select
PAGE A, choose “DRAWBAR” by the [PARAM] button, and touch the [ENTER] button.
2.Another option is to hold down the [DRAWBAR] button for a certain length of time.
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Setting the Manual (LOWER and UPPER)
1.TONE-WHEELS
Select the TONE-WHEEL SET (waveform) for the manual part.
B-type:The traditional Tonewheel Sound of B-3/C-3
Mellow:Sine wave
Brite:The analog sound represented by X-5
2.CLICK - ATTACK LEVEL
This allows you to set the Key-Click VOLUME of the ATTACK (= when you touch the
key). The larger the value, the louder it gets. No key-click at 0.
NOTE:When this parameter is changed, also 4. Envelope - Attack Rate will be changed to
its suitable value automatically.
3.CLICK - LPF
This allows you to set the tone of the Key-Click.
The setting range is 0 - 127. The larger the value, the brighter it gets.
4.ENVELOPE - ATTACK RATE
This allows you to set the speed of the Drawbar at Attack (when you touch the key). The
more the value, the slower it gets. The volume will be maximum(= loudest) at 0 at the
time you touch the key.
15
TONE-WHEEL SET
Each Tone-wheel Set allows you to make finer adjustment. (P. 60)
KEY-CLICK
The “Key Click” is the noise heard every time the key is
touched or released on the B-3/C-3, as the voice is
generated by mechanically switching ON and OFF on
these models. The function on this model simulates
the good old noise.
5.CLICK - RELEASE LEVEL
This allows you to set the volume of the Key-Click at RELEASE (= when you release
the key). The larger the value, the louder it gets. No Key-Click at 0.
NOTE:When this parameter is changed, also 6. Envelope - Release Rate will be changed to
its suitable value automatically.
6.ENVELOPE - RELEASE RATE
This allows you to set the Decaying Speed of the Drawbar Sound at Release (when you
release the key). The higher the value, the slower the RELEASE gets. The sound dies at
0 at the same time as you release the key.
7.FOLD-BACK - LOW
This allows you to set at which key the 16' Drawbar starts the FOLD-BACK. (Fold-
back: Repeating the same octave in a certain range on the keyboard.)
The first key (= MIDI note number 36) is displayed as “1C”. The setting range is 1C -
2C.
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FOLD-BACK
As the number of the tonewheels was limited on the B3/C-3, the organs were designed to repeat the same
octave in the upper-most or lower-most range. The feature of this model is to simulate that.
8.FOLD-BACK - HIGH
This allows you to set which key the 1' Drawbar starts to FOLD-BACK (= repeat the
same octave) in the upper-most range. The set range is 4G - 5C.
NOTE:The FOLD-BACK can be set not only on the 1' but also 1 1/3', 1 3/5', 2' and 2 2/3'
Drawbars.
Setting the PEDAL
9.TONE-WHEELS
This allows you to select the Tone-wheel waveform of the PEDAL part.
Normal:The traditional B-3/C-3 Tone-wheel sound
Muted:Analog sound represented by the X-5.
Synth1:Sawtooth waveform with swept filter.
Synth2:Dull square waveform.
10. ATTACK
This allows you to set the Attack Rate and the Key-Click Volume at ATTACK and RE-
LEASE.
MAX CLK:Immediately attacks and the key-click is loud.
NORM CLK: Immediately attacks and the key-click is normal.
SOFT CLK:Immediately attacks and the key-click is soft.
NO CLK:A slightly slower attacks without key-click
SLOW ATK: Slow attack without key-click
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11. DECAY RATE
This allows you to determine whether to keep voicing or to decay, or set the decay time,
while holding down the key.
The setting range is 1 - 5 and C. The longer the value gets, the longer is the decay time.
No decay at C.
12. SUSTAIN - ON
This allows you to set whether or not to use the Sustain function.
13. SUSTAIN - LENGTH
This allows you to set the Release Rate (= the decay time after you release the key),
when the SUSTAIN - ON (item #12) is ON.
1 is the shortest. And 5 is the longest.
14. VELOCITY
This allows you to set the response to the Velocity. The setting range is OF and 1 - 4. At
OF, the volume does not change however hard you may touch the key. As the value
increases from 1 - 4, the sound gets louder even if you touch the key softly.
15. KEY MODE
This allows you to set the Pedal polyphony.
POLY:Makes it possible to play chords (up to 3 notes)
MONO:Only the lowest note will sound, when you play a chord.
NOTE:The previously released note will be cut when you touch the new one, even when
the PEDAL is in the POLY mode and SUSTAIN is ON.
NOTE:When the note-data of the Pedal are received from the MIDI IN terminal while the
value of the parameter [MIDI IN] (P. 68 #2-4) is “CH”, the Pedal produces polyphonic
sound, regardless of the value.
SUSTAIN
This is the function that the volume slowly fades out
after the key is released, not like that of the synthesizers.
VELOCITY
“Velocity” is the speed of the key is depressed.
When you touch the piano hard, the hammer hits the
string hard and so the sound is loud.
The organ key is, on the other hand, generally only the
switch to open the valve, and so the sound does not
change however hard you may touch the key.
So this function is effective if you use it when the Decay Rate is other than C, or Decay.
NOTE:All the parameters in these modes are Patch Parameters. They are recorded into
the Patch.
Setting The Parameters
52
PATCH
In this mode, you can give names to patches, set how to recall them, and set the
Preset Buttons for the Drawbar Controller XMc-2.
To locate this mode:
Touch the [MENU/EXIT] button and display the MENU, touch the [PAGE] button and select
PAGE A, choose “PATCH” by [PARAM] button, and touch the [ENTER] button.
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PATCH NAME
1.PATCH NAME (P)
This allows you to name the present Patch using up to 10 letters.
Move the cursor with the [PARAM] button, and choose the let-
ters with the [VALUE] knob.
This change will be lost if you do not record it, same as the other
Patch Parameters.
NOTE:The parameters by the names with (P) on the tail are Patch
Parameters, and are recorded to each Patch.
PATCH LOAD
This allows you to set the operation when you recall the Patch.
2.PATCH LOAD - UPPER (B)
This allows you to set whether or not to recall the Drawbar Reg-
istration of UPPER Part.
3.PATCH LOAD - LINK LOWER/PEDAL (G)
This allows you to determine whether or not to recall the Draw-
bar Registration of the LOWER and the PEDAL Parts.
4.PATCH LOAD - DRAWBAR (B)
This allows you to determine whether or not to recall the Param-
eters relating to the Drawbars of each Part, such as the Tonewheel
Set.
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6.PATCH LOAD - SPLIT / MANUAL BASS (G)
This allows you to determine whether or not to recall the Param-
eters relating to the SPLIT or the MANUAL BASS.
7.PATCH LOAD - EQ/RV (G)
This allows you to determine whether or not to recall the Param-
eters relating to the EQUALIZER and REVERB.
8.PATCH LOAD - ANI/OD (G)
This allows you to determine whether or not to recall the Param-
eters relating to VIBRATO, OVERDRIVE and LESLIE.
PATCH NUMBERS
9. to 13. PATCH NUMBERS (G)
Set the Patch Numbers for assigning to each Preset Button
on the Drawbar Controller XMc-2.
This setting can be made not only by this operation but also by
touching the Preset buttons on the XMc-2 holding down the
[RECORD] button on this unit.
NOTE:Each Parameter (G) of Patch Load except LINK LOWER/
PEDAL is a Global Parameter, which is recorded at the
time of setting, and common in each Patch.
5.PATCH LOAD - PERCUSSION (B)
This allows you to determine whether or not to recall the Param-
eters relating to Percussion.
*#1 :/Owner’s Manual
EFFECTIVE USE OF LINK-LOWER/PEDAL
This is a function to set for switching and recording only at the Program Change to the
LOWER part, without operating the Patches of the LOWER and the PEDAL at the Program
Change to the [VALUE] knob or the UPPER part of this unit.
The Preset Keys on B-3/C-3 are independent, key by key, and so they were operated inde-
pendently. This function simulates that.
53
WHEN LINK LOWER/PEDAL IS ON:
When you call out the Patches by the [VALUE] knob of this unit,
or receive the Program Change to the UPPER part, the Patches of
all parts (UPPER/LOWER/PEDAL) change.
After this, to change the Patches for the POWER/PEDAL parts,
send the corresponding Program Change to the LOWER part.
The settings are recorded to the Patches for all parts (UPPER/
LOWER/PEDAL) in the operation of this unit.
To record only the settings of the LOWER/PEDAL parts to the
Patches, send the Program Change to the LOWER part, holding
down the [RECORD] button on this unit.
If different Patches are selected between the UPPER and the LOWER/PEDAL, the display
will be like this.
WHEN LINK LOWER/PEDAL IS OFF:
When you call out the Patches by the [VALUE] knob of this unit,
or receive the Program Change to the UPPER part, only the Patch
of the UPPER part changes.
To call out the Patches for the POWER/PEDAL parts, send the
corresponding Program Change to the LOWER part.
The settings are recorded to the Patches only for the UPPER part
in the operation of this unit.
To record the settings of the LOWER/PEDAL parts to the Patches,
send the Program Change to the LOWER part, holding down the
[RECORD] button on this unit.
LOWER&PEDALUPPER
Setting The Parameters
54
CONTROL
In this mode, settings of various controllers are made.
Effects can be set to the controllers mounted on the MIDI
keyboards connected to this unit such as Pitch Bend, Pres-
sure, etc. Also, there are connecting terminals for the Foot
Switch and the Expression Pedal on the rear panel. You
must select and set their purpose.
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To locate this mode:
Touch the [MENU/EXIT] button and display the MENU, touch
the [PAGE] button and select PAGE A, choose “CONTROL”
by the [PARAM] button, and touch the [ENTER] button.
PITCH BEND
1.BEND - L&U DOWN (P)
2.BEND - L&U UP (P)
3.BEND - PEDAL DOWN (P)
4.BEND - PEDAL UP (P)
These are for setting the changing range of the PITCH-BEND by the semi-tone.
Both the LOWER and the UPPER PARTS change at the same time, as they use the same
Tone-Wheels.
The setting range is 0 - 12 for up, 0 - 24 for down.
5.BEND - MODE (P)
It switches the function of the PITCH BEND information.
BEND:
You can slide the pitch by changing the PITCH BEND information.
MOTOR:
You can control the TONE-WHEEL motor. The motor turns on when it is in the
center or in the neutral position, stops when you turn down, and accelerates
when you turn up.
6.BEND - TIME (P)
This sets the time for slowing down to stop or accelerating the motor when it [= MODE(5)]
is in the MOTOR mode.
The value ranges from 0.1[s] to 5.0[s].
MOTOR
There is no pitch-bend function on the B-3/C-3.
So some musicians turned off the power while
playing it in order to get that effect.
If the B-3/C-3 is turned off, the Tone-wheel motor
gradually slows down and stops, and the amplifier
does as well. This function is to simulate that on
this model.
HOW PITCH BEND MODE WORKS
7.BEND - AMPLIFIER (P)
This decides whether to turn off the amplifier or not by turning down the PITCH BEND
information.
*#1 :/Owner’s Manual
BEND:The pitch immediately falls.
MOTOR:The pitch gradually falls down to the
set point.
MODULATION
8.MODULATION - LESLIE (P)
Use this for controlling the speed of the Leslie effects by the Modulation Information.
SPEED:
This changes the speed of the Leslie effects according to the Modulation Infor-
mation between Slow to Fast, continuously.
FAST:
If the Modulation value is less than 63, the mode of the Leslie effect is SLOW. If
64 or higher, FAST.
OFF:
It does not function
9.MODULATION - OVERDRIVE (P)
Use this for controlling the amount of OVERDRIVE by the Modulation Information.
ON: The amount of OVERDRIVE changes according to the Modulation Information.
OF: Does not function.
PRESSURE
10. PRESSURE - LESLIE (P)
Use this for controlling the speed of the Leslie effects by the Pressure Information.
SPEED:
The speed of the Leslie effects continuously changes between SLOW and FAST
in accordance with the Pressure Information.
FAST:
The mode of the Leslie effects gets SLOW when the Pressure value is less than
32, and goes FAST when the value is 81 or more.
OFF:
Does not function.
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BRAKE ON MODULATION
If you want to “Brake” the Leslie effect by pulling
the modulation wheel forward, set the Slow Speed
to “0” on Leslie Parameter (P. 62).
11. PRESSURE - OVERDRIVE (P)
Use this for controlling the amount of OVERDRIVE by the Pressure Information.
ON: The amount of OVERDRIVE changes according to the Pressure Information.
OF: Does not function.
12. PRESSURE - PITCH BEND (P)
Use this for controlling the amount of PITCH BEND by the
Pressure Information.
UP:
The pitch goes up in accordance with the Pressure Information.
DOWN:
The pitch goes down in accordance with the Pressure Information.
OFF:
Does not function.
NOTE:The parameters by the names with (P) on the tail are Patch Parameters, and are
recorded to each Patch. (G) is for “Global”. These parameters will be recorded
when set, and are common in each Patch.
Setting The Parameters
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EXPRESSION
13. EXPRESSION - SOURCE (G)
Determines what to use for controlling the Expression.
PED(NORM):
Uses V-20R etc.
PED(REV):
Uses KORG XVP-10 etc.
MIDI IN:
Uses the Expression Information received at the keyboard channnel UPPER.
14. EXPRESSION - MONITOR
Displays the present Expression Value. You can find the causes for such troubles as “no
sound”, “non-function” of the Expression Pedal, by checking if the Expression Value
changes normally. Also, this can be a guide when you want to play the “fade in” from
“quiet”.
15. EXPRESSION - MINIMUM LEVEL (G)
It sets the output level when the Expression is the minimum.
The setting range is OFF, -60db to 0db. “OFF” makes no sound when the Expression is
minimum, “0dB” does not reduce the volume level.
16. EXPRESSION - LIMIT LF (G)
17. EXPRESSION - LIMIT HF (G)
These are for setting the level to maintain for low and high frequencies when the Expres-
sion is the minimum.
The setting range is OFF, -60dB to 0dB. This function does not work at “OFF”. Other-
wise the level is maintained even if the Expression is minimum.
18. EXPRESSION - GAIN (S)
This is for adjusting the gain (=range of the change) of the connected expression pedal.
It sometimes occurs that, even if you press the expression pedal all the way down, the
expression value does not reach the maximum value (127), due to the difference of each
expression pedal model from model. In such a case, adjust this parameter for getting the
maximum range of the change.
NOTE:This parameter is a System Parameter. This parameter will be recorded when set. It
is common in each Patch.
EXPRESSION LIMIT
One of the human ear’s characteristics is that,
when the volume falls, the sound of high or low
frequency becomes difficult to hear.
On this model, it is rectified. The volume is maintained above a certain level even when the volume
goes down by using the Expression, in order to
keep the sound of high or low frequency audible.
The similar function is adopted on most home audio equipments. It is called the “loudness” function.
*#1 :/Owner’s Manual
FOOT SWITCH
19. FOOT-SWITCH - TIP (G)
This is used for setting the function for the Foot Switch 1 terminal.
If you are using the Foot Switch with the stereo plug, this sets the function on the tip side.
OFF:
Does not work.
LESLIE S/F ALT:
LESLIE S/F MOM:
These are for switching the SLOW/FAST Leslie Effect.
At ALT, it switches at each press and, at MOM, the Leslie effect goes Fast, as long as
you keep pressing the foot switch, and it goes slower Slow if you release it.
DAMPER UPPER:
DAMPER LOWER:
DAMPER PEDAL:
They sustain the Notes of the UPPER, LOWER and PEDAL Parts, respectively, as
long as you keep depressing the footswitch.
PATCH FWD:
PATCH REV:
They are for switching one Patch to the right (FWD) or the left (REV).
SPRING:
This is for producing a sound of the old Spring Reverb.
DELAY TIME:
It sets the delay time of the reverb effect (P. 67) along the kicked intervals.
20. FOOT-SWITCH - RING (G)
This is for setting the function on the RING side if you use the FOOT SWITCH equipped
with the Stereo plug.
DISPLAY
21. DISPLAY - SHORT CUT (G)
It sets the time limit in seconds for the short cut function.
The range is 1s to 2s and NO short cut. The short cut function does not work when the value
is in “NO”.
22. DISPLAY - TIME OUT (G)
It sets the time limit to return to the previous mode from the one displayed by using the short
cut operation.
The range is 4s to 16s and NO time out. The time out function does not work when the value
is in “NO”.
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DAMPER
The word “Damper” comes from the damper pedal
of the piano.
The piano stops sounding when you release your
finger from the key. This is because of the damper
system. While you hold the damper pedal, the system does not work and so it keeps sounding even
after you release the key.
SPRING REVERB
The Spring Reverb is a reverb effect to obtain the
reverberation using the spring resilience. It was
easily affected by a shock and it used to give a big
“clang” if it was bumped.
However, this drawback has come to be used as
an effect in the genre of progressive rock. This
module gives the simulated sound.
TIP AND RING
When you look at the plug of the stereo headphones, there are 3 metal parts. The head por tion
is called “Tip” and the middle portion is the “Ring”.
The part on the cord side is called the “Sleeve”.
The ordinary foot-switch has only the Tip and the
Sleeve, but the footswitch with two switches in
one plug or two footswitches using the L/R converting cable can be connected.
NOTE:The parameters by the names
with (P) on the tail are Patch Pa-
rameters, and are recorded to
each Patch. (G) is for “Global”.
These parameters will be re-
corded when set, and are com-
mon in each Patch.
Setting The Parameters
58
ADJUSTING THE EXPRESSION PEDAL
When you use the Expression Pedal V-20R, we suggest you follow the adjusting procedure as shown below.
12
Set at “0”
Plug-in the Expression Pedal V-20R to this module, and set the
Minimum Volume at Zero.
3
4
5
Adjust the
Maximum Level
Fully depress the toe side of the Expression Pedal.
Set the Expression - Source (13) at “PED (NORM)”.
Adjust the Expression - Gain (18) to the Minimum Value
where the Monitor (14) displays “127”.
Adjust the
Minimum Level
Set the Maximum Level you want when you
fully depress the toe side of the Expression
Pedal by the Master Volume knob, and also
by the Minimum Level (15) you want when
you depress the heel side as well.
6
*#1 :/Owner’s Manual
Adjust the
Minimum Level
An alternative way for setting the Minimum
Level:
Set the Expression - Minimum Level (15) at
“OFF”, adjusting the Minimum Volume on the
Expression Pedal V-20R.
TUNE
In this mode, you can tune and transpose for playing in ensemble with the other
instruments.
To locate this mode:
Touch the [MENU/EXIT] button. The MENU appears. Select PAGE A by the [PAGE] button,
and choose the “TUNE” by the [PARAM] button, then touch the [ENTER].
12
1.TRANSPOSE
You can transpose the entire keyboard in semi-tone increments.
The setting range is -6 to +6.
Transpose effects between MIDI IN and the built-in sound engine.
59
2.MASTER TUNE
This is for changing the pitch of this entire keyboard.
The setting range is A = 430 - 450 Hz.
NOTE:The parameters in this mode are the Global Parameters. They are recorded when
the value is set. Also, they are common at each Patch.
Setting The Parameters
60
CUSTOM TONEWHEELS
In this mode, you can select and regulate the Tone-Wheel Sets for the Manual Key-
board parts (LOWER and UPPER).
We call this “CUSTOM TONEWHEELS”.
The typical 3 (or 4) types of settings are recorded when delivered from the factory.
To locate this mode:
Touch the [MENU/EXIT] button and display the MENU, select PAGE B by the [PAGE] button, and then choose “B-type”, “Mellow”, or “Brite” by the [PARAM] button for the desired Tonewheel Set and touch the [ENTER] button.
In addition, the Temporary (= the present setting) automatically switches to the selected
Tone-Wheel Set just selcted now.
1
1.CUSTOM NUMBER
This is for selecting the “CUSTOM NUMBER” to use.
Each Custom Number has wheel-by-wheel parameters such as
“Level”, “Cut Off Frequency” etc.
NOTE:This parameter is a Global Parameter. It is common for the
same Tone-wheel Set (= “B-type” here) of each Patch.
NOTE:You can not edit the wheel-by-wheel parameters on this
model.
B-Type
Real B-3
This template faithfully simulates the classic model B-3.
It contains low motor hum and some leakage noise.
80's Clean
This template simulates the B-3 sounds in the 80’s. It
contains reduced leakage noise.
Noisy
This template is for passing all sounds of the picked-up
signal. It contains full motor hum and leakage noise.
Noisy 60
This template boosts noises. It contains full motor hum
and leakage noise.
Mellow
Full Flats
This template simulates the most ideal tone-wheel set.
Their values are same at each wheel.
Husky
This template has the characteristic of dropped middle
range.
Flute Lead
This has the characteristic of dropped bass and treble,
contrasting “Husky”.
Brite
Classic X-5
This template faithfully simulates the classic model X-5.
It contains dull triangle waveform and flat output levels
on every wheel.
Voxy Full
This template has the most bright sounds. It is suitable
for surfin’ music.
Cheap Tr.s
This template simulates old transistor organs. It contains
insufficient bass and treble.
LEAKAGE NOISE
On the B-3/C-3, the signal leakes in the route from the
pick-up mounted for the Tonewheels to the output terminal. Thus noise (= mixed Tone-wheel sound) was
also heard, This is called “Leakage Noise”.
The “Leakage Noise” is an obstacle in making pure
tones, but it is recognized as a character now.
“Mellow” and “Brite” does not include the “Leakage
Noise”.
*#1 :/Owner’s Manual
PERCUSS (PERCUSSion)
In this mode, you can set the parameter of the PERCUSSION sound.
To locate this mode:
1.Touch the [MENU/EXIT] button and display the MENU, then select PAGE B by the [PAGE]
button, choose “PERCUSS” by using the [PARAM] button and touch [ENTER] button.
2.Another option is to hold down the [PERC.] button for a certain length of time.
89
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34
12
61
1.LEVEL - SOFT
2.LEVEL - NORMAL
These are used for setting the Level of Percussion. SOFT is the
level when the VOL (P. 36) is SFT, and NORMAL is the level
when the VOL is NOR.
3.DECAY - SLOW
4.DECAY - FAST
These are used for setting the speed of the Decay of the Percus-
sion.
SLOW is the speed when the DCY (P. 36) is SLW, and FAST is
the speed when the DCY button is FST.
The setting range is 1 - 9 and C. The larger the value gets, the
longer gets the Decay Time. At C, no decay (= continuous).
5.KEYBOARD - TOUCH
This is used for setting the method of sound production of the
Percussion.
ON: If you play legato, the notes including and after the sec-
ond note do not sound. (The envelope will not be re-
set.)
OF: Even if you play legato, all the notes produce sounds
like the piano.
6.KEYBOARD - VELOCITY
Controls the Volume of Percussion with Key Velocity.
ON: The faster a key is pressed, the louder the sound.
OF: It sounds at a certain volume regardless of how fast a
key is pressed.
7.KEYBOARD - KEY TRACK
Changes the Percussion Volume by the note.
ON: The higher notes reduce the volume.
OF: It sounds at a certain volume regardless of notes.
8.DRAWBAR - 1' CANCEL
This mutes the 1' of the UPPER part while using PERCUSSION.
ON: Mute
OF: Does not mute.
9.DRAWBAR - LEVEL
Decreases the volume of the UPPER Drawbars while using PER-
CUSSION.
-3dB:Decreases the volume
0dB:Does not decrease the volume
NOTE:This parameter works only when the VOL is SFT.
NOTE:The parameters in those modes are all Patch Parameters.
They are recorded to each Patch.
TOUCH
The B-3/C-3 had only one built-in Envelope Generator, and was not
recharged until all the UPPER Manuals were released. This looks like
a drawback, but it had the advantage that the sound did not get loose
when chords were roughly played.
1' CANCEL
The B-3/C-3 had no key contact exclusive for percussion but uses
the 1' contact for percussion. In this module, this is simulated.
DRAWBAR LEVEL
On the B-3/C-3, the Drawbar Volume gets slightly smaller if the Percussion is on. This is simulated in this module.
Setting The Parameters
62
LESLIE
In this mode, you can create your own settings for the built-
in Leslie effects.
There are many parameters for the built-in Leslie effects,
and so you can create various settings but not per each Patch
independently.
The parameters are treated by the group called “CABINET”.
You can select the CABINET NUMBER in the Patches.
1617
101112131415
3456789
2
1
To locate this mode:
1.Touch the [MENU/EXIT] button to display the MENU. Then
select PAGE C by the [PAGE] button, select LESLIE by the
[PARAM] button, and touch [ENTER].
2.Another option is to hold down [LESLIE] button.
CABINET NUMBERS
1.LESLIE CABINETS
Here you select the Cabinet Number to use in the Patches.
The setting range is 1 - 8. The “*” will be displayed when the Leslie Parameters are
changed from this Cabinet Number.
LESLIE PARAMETERS
2.CABINET NAME
This is for selecting the Cabinet Names.
Move the cursor by the [PARAMETER] button and select letters by the [VALUE].
In this mode, only the present value “Temporary” changes and there is no determining
operation. You must record the name by doing “Recording the Cabinet” as explained in
the next paragraph. Otherwise the data will be lost.
3.SLOW SPEED - HORN
10. SLOW SPEED - BASS
Here the Speed of the Rotor is set for Slow Speed.
The setting range is 0, 24 - 318 rpm. It does not rotate at 0.
4.FAST SPEED - HORN
11. FAST SPEED - BASS
Here the Speed of the Rotor is set for Fast mode.
The setting range is 0, 375 - 453 rpm. It does not rotate at 0.
CONCEPT OF THE CABINET NUMBERS
Each Cabinet represents one imaginary Leslie Speaker
prepared by the Leslie Parameter.
This parameter is the only Patch Parameter in this mode.
*#1 :/Owner’s Manual
5.HORN LEVEL
12. BASS LEVEL
The Volume of each Rotor is set. The setting range is 0 to -12dB.
6.RISE TIME - HORN
13. RISE TIME - BASS
Here the time is set for the Rotor to reach the Fast Speed when you go from Slow
or Brake to Fast. The setting range for the Horn Rotor is 0.2 - 5.0s, and that for
the Bass Rotor is 0.5 - 12.5s.
7.FALL TIME - HORN
14. FALL TIME - BASS
Here the Time is set for the Rotor to reach the Slow speed when you go from Fast
to Slow Speed. The setting range for the Horn Rotor is 0.2 - 5.0s, and that for the
Bass Rotor is 0.5 - 12.5s.
8.BRAKE TIME - HORN
15. BRAKE TIME - BASS
Here the time is set for the Rotor to stop when you go from Fast state to Brake.
The setting range for the Horn Rotor is 0.2 - 5.0s, and that for the Bass Rotor is
0.5 - 12.5s.
63
9.HORN CHARACTER
Here the tone of the Horn Rotor is set.
“FLAT” is a flat tone, and the others are the tones with “peaky” characteristic.
16. MIC - ANGLE
This is the parameter to set for the LOCATIONS of the two Microphones for the
imaginary Leslie Speaker.
The ANGLE decides the distance between the two mikes.
The setting range is 0 - 180 degrees. The farther away, the more stereophonic
feeling it gives.
17. MIC - DISTANCE
This is the parameter to set for the DISTANCE between the imaginary Leslie
Speaker and the Microphones.
The setting range is 0.3 - 2.7m. The more the value increases, the less effective it
gets.
NOTE:When you operate the parameters 2 - 17, the setting range will be lost after
the power is switched off, if you do not do the recording operation of the
next page.
Setting The Parameters
64
RECORD THE CABINETS
The Leslie parameters (2 - 17 of the previous paragraph)
can be recorded with the Cabinet Numbers, and you can
choose and use them in each Patch.
1
2
3
Enter the name for the Cabinet as you want.
Touch the [RECORD] button in the setting mode of the
Leslie Parameter.
The Cabinet Selection mode is displayed.
4
Select the Cabinet Number to record by use of the
[VALUE] knob.
Touch [ENTER] and it is recorded.
The display during the recording treatment is shown in
the illustration.
NOTE:If you do not want to record, just touch the [MENU/
EXIT].
*#1 :/Owner’s Manual
OD/VIB (OverDrive / VIBrato)
In this mode, you can change the setting relating to each Effect for Overdrive and
Vibrato/Chorus.
To locate this mode:
Touch the [MENU/EXIT] button to display the MENU, select PAGE C by the [PAGE] button,
choose “OD/VIB” by the [PARAM] button, and then touch the [1] OD/VIB button.
789101112
456
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65
OVERDRIVE
1.OVERDRIVE - SWITCH
Turn ON/OFF the Overdrive effect.
2.OVERDRIVE - DRIVE
This is for adjusting the Overdrive Value.
The higher the value gets, the more distortion you can get.
3.OVERDRIVE - EXPRESSION
This is for varying the amount of Overdrive by changing the Ex-
pression value.
EXJOD:
If you operate the Expression value, not only the vol-
ume but also the distortion will be changed.
ODJEX:
The Expression value affects only the volume and not
the distortion value.
OD ONLY:
The Expression value affects only the distortion value
and not the volume.
VIBRATO & CHORUS
4.VIBRATO - RATE
This is for setting the Speed of the Vibrato and Chorus Effect.
The setting range is 6.10 - 7.25 Hz.
5.VIBRATO - TREMOLO
This is for setting the Tremolo (amplitude modulation) of the
Vibrato and Chorus Effect.
The setting range is 0 - 15.
6.VIBRATO - EMPHASIS
This is for setting the Emphasis (boost the high frequency) of the
Chorus Effect (C1/C2/C3).
The setting range is 0 - 9dB.
7.VIBRATO - DEPTH V1
8.VIBRATO - DEPTH V2
9.VIBRATO - DEPTH V3
10. VIBRATO - DEPTH C1
11. VIBRATO - DEPTH C2
12. VIBRATO - DEPTH C3
These are for setting the Depth of each Vibrato and Chorus Effect
mode.
The setting range is 0 - 15.
NOTE:The parameters in these modes are Patch Parameters and
are recorded to each Patch.
Setting The Parameters
66
In this mode, the Equalizer settings are made.
The Equalizer is an effect for adjusting the tonal quality. The built-in Equalizer in
this unit consists of 3 bands. You can divide the whole range from bass to treble into
3 independent ranges and adjust/control each of them individually.
To locate this mode:
1.EQ BOOST/CUT - BASS
EQUALIZ (EQUALIZer)
Touch the [MENU/EXIT] button to display the MENU, select Page C by [PAGE]. Next,
select “EQUALIZ” by [PARAM] button and then touch [ENTER] button.
124
3
2.EQ BOOST/CUT - MIDDLE
4.EQ BOOST/CUT - TREBLE
This is for changing the Boost/Cut of Bass, Mid-range and Treble respectively.
The setting range is -9 to +9. The gain is flat at 0.
3.EQ FREQUENCY - MIDDLE
This is for changing the center frequency range - Middle (item #2).
The frequency center range is 480Hz - 2.9kHz.
NOTE:These parameters are Patch Parameters and are recorded to each Patch.
THE EFFECTIVE USE OF THE MIDDLE
FREQUENCY
The frequency response of the horn rotor in the
Leslie speaker is not flat. It has a peak from 1kHz
to 3kHz, The sensitive range for human ears.
When you use this module on line out without a
Leslie speaker, you can get the similar effect by
setting the FREQUENCY - MIDDLE to about 2kHz,
and the BOOST/CUT - MIDDLE to “+”.
PATCH PARAMETERS
Equalizer is a Patch Parameter designed to actively
use as one of the tone-making parameters.
However, it is not practical to use Equalizer as a
tonal complementary tool to match the location.
In such a case, if you switch OFF the P.LOAD RV/
EQ in the PATCH function mode, the Equalizer value
does not change when the patch is recalled. (P. 52
#7)
*#1 :/Owner’s Manual
REVERB
In this mode, you can change the setting for the REVERB EFFECT.
To locate this mode:
Touch the [MENU/EXIT] button for the MENU display, select PAGE C by the [PAGE] button,
choose “REVERB” by the [PARAM] button, and touch the [ENTER] button.
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67
1.REVERB ON
This is for switching ON/OFF the Reverb Effect.
2.DEPTH
This sets the Depth (= Volume) of the Reverb Effect.
The setting range is 0 - 15. If you increase the value, it will give
the audience the impression that the player is performing in a
larger room.
3.TYPE
This sets the Types of Reverb Effect.
Room 1:Inside the room (short)
Room 2:Inside the room (long)
Live:Live house
Hall 1:Concert Hall (long)
Hall 2:Concert Hall (short)
Church:Church
Plate:Iron-plate Reverb
Delay:Delay
PanDly:Panning Delay
RevDly:Reverb + Delay
4.REVERB TIME
When the Type (3) is set at Room 1 to Plate, it sets the Time for
Reverb to fade out.
The setting range is 0 - 31. The higher the value, the greater the
impression of a large building.
6.DELAY FEEDBACK
When the Type (3) is at Delay, PanDly, or RevDly, it sets the
amount of the Feedback. (The delaying sound repeats.)
The setting range is 0 - 96%. The higher the value, the higher the
Feedback you get.
7.LESLIE ON REVERB
This sets the route of the Reverb and Leslie Effect.
OF: Leslie to Reverb
ON: Reverb to Leslie
NOTE:These parameters are Patch Parameters and are recorded
to each Patch.
5.DELAY TIME
When the Type (3) is set at Delay, PanDly, RevDly, it sets the
delaying time.
The setting range is 4.7 - 1000 ms. The higher the number, the
longer the delay gets.
NOTE:You can set the Delay Time by the Foot-switch. (P. 57 #19)
PATCH PARAMETERS
Reverb is a Patch Parameter, designed to be actively
used as one of the tone-making parameters.
However, it is not practical to use Reverb as a tonal
complementary tool to match the room/stage/hall. In
such a case, if you switch off the PLOAD RV/EQ in the
Patch function mode, the Reverb On/Off value does not
change when the patch is recalled. (P. 52 #7)
Setting The Parameters
68
MIDI
This mode is for making the basic settings for the MIDI.
To locate this mode:
Touch the [MENU/EXIT] button to display the MENU, select PAGE D by the [PAGE]
button. Then select “MIDI” by the [PARAM] button and touch the [ENTER] button.
111213
23456789
1
MIDI TEMPLATE
1.MIDI TEMPLATE
This mode is used for easily making the purpose-by-purpose settings for each MIDI terminal.
Call out a typical settings by selecting the purposes by the [PARAM] button and touching the
[ENTER] button.
For example, select “2/3KBD via XMc” if you want to play a full-manual organ using the Draw-
bar Controller XMc-2 (= optional) and multiple MIDI Keyboards.
NOTE:The MIDI Template is a function for setting the following modes (2 to 4) by one step. Read
the details for each MIDI Template in the page 70.
MASTER
2. 3. 4. MIDI IN MODE
This is for setting the functions of each MIDI IN terminal.
IN1 and IN2 set the functions for the MIDI IN 1 and 2 respectively on this unit, and the XMc sets
that of the MIDI IN of the XMc-2 connected to this unit.
For example, set the Parameter IN2 to PED if you want to play the PEDAL part by the MIDI
message received at the MIDI IN2 terminal.
NOTE:Read the page 70 for the details of each MIDI IN mode.
5.PROGRAM CHANGE
This is for switching ON/OFF the transmission of the Program Change.
Use the Program Change for switching the Combination Presets on this unit.
ON: Transmit. OF: Don’t transmit
6.REGISTRATION
This is for switching ON/OFF the transmission of the Drawbar Registration.
ON: Transmit. OF: Don’t transmit.
7.NRPN
This is for switching ON/OFF the NRPN (= Non-Registered Parameter Number) transmission.
On this unit, it switches ON/OFF the message transmission such as the Drawbar Foldback and
the Leslie ON.
ON: Transmit. OF: Don’t transmit.
*#1 :/Owner’s Manual
10
8.LESLIE
This is used for switching the methods of the Leslie Parameter transmission.
XM: The Leslie Parameters are transmitted by the original NRPN and data of the XM-2.
21: The Leslie Parameters are transmitted by the NRPN and data for the Leslie #2101/2102. In
addition, when you select the Patch, the Leslie Parameters are transmitted.
69
9.RECEIVE DUMP
This is for switching ON/OFF the MEMORY DUMP receiving.
On this unit, you can transmit the whole current settings by the System Exclusive Messages as a
Memory Dump. However, switch it off if you do not want the settings on this unit changed by
playing the Sequencer.
ON: Receive. OF: Don’t receive.
10. SEND DUMP
This is for sending the Memory Dump.
Touch the [ENTER] button on this page. All the setting contents of this unit are sent out from the
MIDI OUT terminal as a whole.
MIDI CHANNEL
11. UPPER
12. LOWER
13. PEDAL
You can set which MIDI channel to use for transmitting each part.
The options are 1 to 16, OF. It does not transmit at OF.
On MIDI IN terminal, this Parameter works when the MIDI IN mode is CH.
NOTE:The settings in these modes are System Parameters. They are recorded at the same time when
they are set, and are common in all Patches.
Setting The Parameters
70
MIDI TEMPLATES AND THEIR PURPOSES
Single KBD2KBD for L&UBy Channel2/3KBD via XMc
XM-2 IN1
XM-2 IN2
XMc-2 IN
Description
SINGLEUPPERCHANNELLOWER
CHANNELLOWERCHANNELPEDAL
SINGLEUPPERCHANNELUPPER
This template is for the
play using the Split and
Manual Bass functions
of this unit, by
connecting a MIDI
Keyboard, to be sent by
a single channel, to this
unit or the Drawbar
Controller.
This template is for
playing the UPPER and
LOWER part
respectively on each
MIDI Keyboard, by
connecting 2 MIDI
Keyboards sent by a
single channel to this
unit.
This template is for the
play with a connected
MIDI Keyboard, to send
out plural MIDI
channels to this unit or
the Drawbar Controller.
This template is for
playing 3 manuals,
connecting a MIDI
Keyboard to the
Drawbar Controller, and
another MIDI Keyboard
and a MIDI Pedalboard
to this unit.
THE MIDI IN MODES AND THEIR FUNCTIONS
SINGLEUPPERLOWERPEDALCHANNEL
PART played
SPLIT
MANUAL
BASS
SOFT-THRU
Description
UPPERUPPERLOWERPEDALby MIDI channel
YesNoNoNoNo
YesNoYesNoNo
YesYesYesYesNo
The note-data received
at the port set in this
mode basically plays the
UPPER part, regardless
of the MIDI channels.
By using the SPLIT and
MANUAL BASS
functions, it is possible
to play 3 separate parts
by a single MIDI
Keyboard. The date
received is separated
into each part inside and
runs Soft-Thru the set
MIDI channel.
The note-data received
at this port set in this
mode always plays the
UPPER part, regardless
of the MIDI channel. It
runs Soft-Thru the set
MIDI channel.
The note-data received
at the port set in this
mode always plays the
LOWER part, regardless
of the MIDI channel.
By the Manual Bass
function, the PEDAL
part can be played at the
same time. It runs SoftThru the set MIDI
channel.
The note-data received
at the port set in this
mode always plays the
PEDAL part, regardless
of the MIDI channel. It
runs Soft-Thru the set
MIDI channel.
The note-data received
at the part set in this
mode works in
accordance with the
MIDI channel. It
neglects SPLIT or
MANUAL BASS, nor
runs Soft-Thru, either.
*#1 :/Owner’s Manual
KEYMAP
In this mode you can set the zones to play the built-in sound engine in this unit
for Split, Manual Bass, etc.
To locate this mode:
Touch the [MENU/EXIT] button to display the MENU, select PAGE D by the [PAGE]
button. Then select “KEYMAP” by the [PARAM] button and touch the [ENTER]
button.
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SPLIT
SPLIT functions when the settings of the MIDI IN mode is “SNG”.
1.SPLIT - SWITCH
This is for switching ON/OFF the SPLIT function.
If you switch it ON, the received Note Data is divided/distributed
to each of the LOWER/UPPER parts at the Split Point ( = See
below.), which allows you to play both (LOWER/UPPER) parts
by a single MIDI Keyboard.
2.SPLIT - POINT
This is for setting the point ( = the note) at which to split the
LOWER and the UPPER parts, when you use the SPLIT func-
tion.
The setting value is the highest note used in the LOWER part.
3.SPLIT - LOWER OCTAVE
This is for setting the pitch of the split LOWER part by the oc-
tave.
If you use the SPLIT function, the pitch of the LOWER part may
be too low and so may not be suitable for playing chords.
In such a case, you can raise the pitch of the lower octave.
WHAT IS SPLIT?
It is a function to divide a single MIDI Keyboard into two sepa-
rate (right and left) parts (LOWER/UPPER) at a certain note.
MANUAL BASS
MANUAL BASS functions when the settings of the MIDI IN
mode is “SNG” or “LOW”.
4.MANUAL BASS - SWITCH
This is for switching ON/OFF the Manual Bass function.
If you switch it ON, the PEDAL part plays by receiving the Note
Data in the range upto the Manual Bass Point ( = See below.).
Thus you can play both (Manual and Pedal) parts on a single
MIDI Keyboard.
NOTE:You can choose POLY (for playing chords) or MONO
(sounding only lowest note). (P. 51 #15)
5.MANUAL BASS - POINT
This is for setting the uppermost note where the Manual Bass
functions.
WHAT IS MANUAL BASS?
It is a function to assign a certain range on a single MIDI Key-
board as the LOWER part to allow you to play together with the
Manual part at the same time.
Setting The Parameters
72
DEFAULT
In this mode, you can initialize the whole or a part of this unit back to the factory
settings.
To locate this mode:
Touch the [MENU/EXIT] button to display the MENU, select PAGE D by the [PAGE] button.
Then select “DEFAULT” by the [PARAM] button and touch the [ENTER] button.
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To initialize each Parameter, touch the [PARAM] button to choose the Parameter and touch
[ENTER].
4
1.PATCH
This is for Initializing the Patch.
Select the Patch you want to initialize by the [VALUE] knob. The selection range is 1 to 128,
ALL ( = All Patches).
2.GLOBAL
This is for initializing the Global Parameters such as Master Tune, Foot Switch assignment.
3.LESLIE
This is for initializing the Cabinet(s). Select the Cabinet you want to initialize by the [VALUE]
knob.
The selection range is 1 to 8, ALL ( = All Cabinets).
4.ALL
This is for initializing all the Parameters of this unit.
If the system of this unit gets unstable unexpectedly, you may cure the trouble by doing
DEFAULT ALL.
NOTE:Initializing all Parameters can be made by turning the power on, and holding down the
[RECORD] button.
*#1 :/Owner’s Manual
In this mode, you can display the system information of this unit.
To locate this mode:
Touch the [MENU/EXIT] button to display the MENU, select PAGE D by the [PAGE] button.
Then select “SYSTEM” by the [PARAM] button and touch the [ENTER] button.
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1.VERSION - MAIN PROGRAM
2.VERSION - TONE INFORMATION
3.VERSION - DEMO SONG
SYSTEM
73
4
4.VERSION - BOOT PROGRAM
These are the versions of each software built-in on this unit.
They are only for display and not the items to set.
Setting The Parameters
74
*#1 :/Owner’s Manual
APPENDIX
Appendix76
[Drawbar Sound Module]
Model: XM-2
Function
Basic
Channel
Default
Changed
Default
Mode
Messages
Altered
Note
Number
Velocity
After
Touch
: True Voice
Note ON
Note OFF
Key's
Ch's
Pitch Bender
12 - 20
21 - 29
33, 35
49, 50, 51
80, 81, 82
98, 99
100, 101
Program
Change
: True #
System Exclusive
System
Common
System
Real Time
: Song Position
: Song Select
: Tune
: Clock
: Commands
: Local On/Off
Aux
Messages
: All Notes Off
: Active Sense
: Reset
6, 38
11
48
64
120
121
MIDI Implementation Chart
TransmittedRecognizedRemarks
11Upper Channel *1
1 - 161 - 16
33
XX
*****X
X36 - 96
*****36 - 96
OO
XX
XX
XO
XO
1
XOModulation
OOData Entry MSB, LSB
OOExpression
XODrawbar Reg. Upper
XODrawbar Reg. Lower
XODrawbar Reg. Pedal
OOSpring Shock
XOLeslie On, Brake, Fast
OOHold 1
OODrawbar Reg. U, L, P
OONRPN LSB, MSB
XXRPN LSB, MSB
XOAll Sound Off
XOReset All Controllers
O0 - 127O0 - 127
*****O0 - 127
OO
XX
XX
XX
XX
XX
XX
XO
OO
XX
Date: 26-Jun-2006
Version: 1.0
Mode 1:OMNI ON, POLYMode 2: OMNI ON, MONOO: Yes
Mode 3:OMNI OFF, POLYMode 4: OMNI OFF, MONOX: No
Spring Shock(48)OXX
RPN(100, 101)XXX
NRPN(98, 99)OXX
All Notes Off(123)OOO
All Sounds Off(120)OOO
Reset All Ctrl.(121)OOO
After TouchOXO *3
Bank Select(0, 32)XXX
Program ChangePatch
CC#80,
12 - 20
CC#81,
21 - 29
Patch
(for Lower /
Pedal only)
CC#82,
33, 35
Patch
Appendix
77
*1: It works for both Upper and Lower.
*2: It work for all parts (audio controlled).
*3: Pitch Bend only
When this message is received, all currently-sounding notes on the
corresponding channel will be turned off immediately.
Reset All Controllers
Status 2nd Byte 3rd Byte
Bn7900
n=MIDI Channel Number:0 - F(Ch.1 - 16)
When this message is received, the following controllers will be set to
their reset values.
ControllerReset Value
Pitch Bend Change±0 (Center)
Modulation0 (off)
Expression127 (Maximum)
Hold 10 (off)
RPNunset; previously set data will not change
NRPNunset; previously set data will not change
All Notes Off
Status 2nd Byte 3rd Byte
Bn7B00
n=MIDI Channel Number:0 - F(Ch.1 - 16)
When All Notes Off is received, all notes on the corresponding channel
will be turned off. However if Hold 1 is On, the sound will be continued
until these are turned off.
n=MIDI Channel Number:0 - F(Ch.1 - 16)
mm=Upper Byte of the Parameter Number designated by NRPN[MSB].
ll=Lower Byte of same[MSB].
The value set by NRPN is not reset even if "Program Change",
"Reset All controllers", etc. are received.
NRPN- "Non Registered Parameter Number"
The expansive range named NRPN is provided in the Control Change,
which function is specific on each equipment and not defined in the
MIDI Standard.
When you use it, designate the parameter to control, by giving NRPN MSB
and NRPN LSB (cc#98 and 99), and then set the value of the designated
parameter by the Data Entry MSB(cc#6).
Once the NRPN parameter is designated, all the data entry received into
the same channel after that is regarded as the change of the value of the
parameter. To avoid any mis-operation, we suggest you to set RPN Null
(RPN = 7F 7F), after setting the necessary parameter value.
On this sound module you can change the voice parameter by using
NRPN.
Data Entry
Status 2nd Byte 3rd Byte
Bn06mm(MSB)
Bn26ll(LSB)
n=MIDI Channel Number:0 - F(Ch.1 - 16)
mm,ll=Value for the Parameter designated by RPN/NRPN.
*#1 :/Owner’s Manual
Drawbar Data List 1
Control number:Upper
Lower
Pedal
Data Map:
Level16'5 1/3'8'4'2 2/3'2'1 3/5'1 1/3'1'16'8'
0
1
2
3
4
5
6
7
8
ex: Set Lower 8' to level 7 via MIDI...Bx 51 19(x=Lower Channel)
1.Each PacketFull Parameters Reset
F0
55
00
10Model ID MSB42Model ID for DT1
16
11Command: Data Packet40Address MSB
[TYPE]
[PNH]
[PNL]Packet Number LSB42Check Sum
[DATA]
[CHD]
F7End of ExclusiveIt takes about 50ms to process this message.
2.Acknowledge
F0
55SUZUKI ID
00
10Model ID MSB
16
14Command: Acknowledge
[AK]
[PNH]
[PNL]Packet Number LSB
F7End of Exclusive
System Exclusive
SUZUKI ID
Device ID
Model ID LSB
Data Type
02h= Setup Dump7FAddress LSB
Packet Number MSB
64 Bytes Data
128 Bytes nibblized ASCIIWhen this device receives this message, it is reset to
ex: 7Eh = 37h, 45hthe initial status of Full Parameter, and gets ready
Check Digitfor receiving the music data for this device
Lower 7 bits of XOR [DATA]correctly.
System Exclusive
Device ID
Model ID LSB
Result:00h=OK
05h=Check Digit Error
06h=Receive Protected
Packet Number MSB
F0
55
10
12
00
7F
F7
Take an interval before the next message.
System Exclusive
SUZUKI ID
Device ID for DT1
Command: DT1
Address
Reset
End of Exclusive
3.Hand shake communication
MasterSlave
Packet 0->
Packet 1->
This device will wait for 20ms if no acknowledge
is received and transmit the next data of the
00 - 04
00: Slow Attack
01: No Click
02: Soft Click
03: Normal Click
04: Max Click
00 - 0C (0 - 12)
00 - 04 (Off, 1 - 4)
for details
P. load
Link L/P
Link L/P
Link L/P
*#1 :/Owner’s Manual
Appendix84
,
,
Leslie Parameters
Category
Cabinet
#1 - 8
Parameter
Name
Slow Speed Horn
Slow Speed Bass
Fast Speed Horn
Fast Speed Bass
Rise Time Horn
Rise Time Bass
Fall Time Horn
Fall Time Bass
Brake Time Horn
Brake Time Bass
Volume Horn
Volume Bass
Mic. Angle
Mic. Distance
Horn Character
Hammond maintains a policy of continuously improving and upgrading its instruments and therefore reserves the
right to change specifications without notice. Although every attempt has been made to insure the accuracy of the
descriptive contents of this Manual, total accuracy cannot be guaranteed.
Should the owner require further assistance, inquiries should first be made to your Authorized Hammond Dealer.
If you still need further assistance, contact Hammond at the following addresses:
In the United States contact:
HAMMOND SUZUKI USA, Inc.
733 Annoreno Dr.
Addison, IL 60101
UNITED STATES
Website:
www.hammondorganco.com
Technical materials are available and can be obtained by mailing a request to the appropriate address listed above
marked ATTENTION: SERVICE DEPARTMENT.
SUZUKI MUSICAL INSTRUMENT MFG. CO., Ltd.
HAMMOND SUZUKI EUROPE
E-mail: Info@hammondsuzuki.com
Website: www.hammondsuzuki.com
Hamamatsu 430-0852 (Shizuoka)
In Europe contact:
B.V.
IR. D.S. Tuynmanweg 4A
4131 PN Vianen
THE NETHERLANDS
Manufacturer:
25-12, Ryoke 2 Chome
JAPAN
All other countries contact:
HAMMOND SUZUKI Ltd.
25-11, Ryoke 2 Chome
Hamamatsu 430-0852
(Shizuoka)
JAPAN
Website: www.suzuki-music.co.jp
*#1 :/Owner’s Manual
HAMMOND SUZUKI, LTD., Hamamatsu, JapanPrinted in Japan
00457-50023
V1.00-060825
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