Gryphon Prelude Owner's Manual

Prelude
Owner´s Manual
Table of Contents:
Introduction....................... 3
The Gryphon....................... 3
Prelude................................ 4
The Man.............................. 4
Made in Denmark............... 4
Musical Objectives............... 5
The Gryphon Master Tape
Collection............................ 5
Design Principles................ 5
Exterior Design................... 7
Manufacture and Assembly. 8
Using Your Gryphon......... 8
AC Voltage.......................... 8
Burn-in and Warm-up.......... 9
Placement........................... 9
Menu Activated
functions.............................. 9
Balanced Connections......... 14
Choice of Cables................ 14
Care and Maintenance....... 14
Warranty.............................. 15
Safety Instructions.............. 16
and concert hall dimensions are
necessary components.
Dynamics and an unambiguous
sense of instrument location
even in the loudest passages
are also high priorities. To
achieve these objectives,
Gryphon products offer excep
-
tional speed and agility along
with seamless coherence in the
Since 1985, Gryphon Audio
Designs has quietly gone about
the business of creating fine
home audio components. We
know that you will appreci
-
ate and enjoy the benefits
of our accumulated expe
-
rience and share our abid
-
In Greek mythology: A fabled
creature, half-lion and half-
eagle, combining the power of
the “King of Beasts” with the
grace of the “King of Birds”. The
guardian of the source of gold
and protector of the Dionysian
In the real world: An acclaimed
Danish audio engineering com
-
pany employing cutting edge
technology and common sense
in the pursuit of the purest musi
-
cal experience. We feel that the
gryphon is an appropriate sym
-
Welcome to the global family of proud owners of fine audio com­ponents from Gryphon Audio Designs of Denmark. Your new Gryphon unit has been painstak­ingly designed to re-create the sound of live music taking place in its original recorded space. Every Gryphon product is designed to cater to the needs of the most discerning music enthusiast with sumptuous styling and superb user-friendli­ness which elevate it above the mundane world of con­ventional audio compo­nents.
time domain.
As audiophiles, the members of the Gryphon design team are con­stantly reminded to keep their priorities straight. We are not involved in “hi-fi” for its own sake, but strictly as a means to an end, in the service of our life­long love of the live music expe­rience in all its sonic and emo­tional glory.
Our higher goal is to bring to the listener a “You-Are-There” sen­sation. In taking up this chal­lenge, the Gryphon designers go back to basics to analyze the essential nature of the live music experience. For us, an aware­ness of soundstaging, ambience
ing passion for music.
The Gryphon
cup of infinite wealth.
bol for our high sonic goals.
3
Prelude
spare time project developed
only for the designers’ own home
systems. Although the Gryphon
project was initially strictly a
hobby, not an actively pursued
commercial venture, demand
generated by reviews and word-
of-mouth led to the formal estab
-
lishment of Gryphon Audio
Designs as a separate corporate
Following the immediate suc
-
cess of the Gryphon brand, all
import business was phased out
in 1993, so that Rasmussen
could dedicate his efforts entire
-
Made In Denmark
Every product from Gryphon
Audio Designs is designed and
built in Denmark. This is much
more than just a geographical
fact. It is also a seal of approval,
a stamp of quality. Living in a
region with no natural resources
(no oil, coal, precious metals,
etc.), the Danes have learned to
rely on their quick wits and
skilled hands. Innovative tech
-
nology, beautiful craftsmanship,
pride in one’s craft and a keen
eye for attractive design are
some of the long-standing
Danish traditions which are dis
-
tilled to their finest essence in
every unit that bears the
A piece or movement that serves as an introduction to another section or composition and establishes the key, such as one that precedes a fugue, opens a suite, or precedes a church serv­ice ( Websters )
Flemming E. Rasmussen painting 1967
The Man
Gryphon Audio Designs is the brainchild of Flemming E. Rasmussen and the fulfillment of a lifelong dream to allow the purest essence of the live music experience to be recreated in the home environment.
Rasmussen holds a degree in painting and graphic arts from the Aarhus Art Academy, Denmark. During his studies, Rasmussen developed close relationships with the local music community and designed many LP covers and concert posters. After graduation, he taught pho­tography and painting and designed textiles, before found­ing 2R Marketing, which quickly became Denmark’s leading High End audio import company.
entity.
ly to Gryphon.
The Gryphon Head Amp 1985
Gryphon Audio Designs was founded in 1985 as an offshoot of 2R Marketing, The first prod­uct, the now legendary Gryphon Head Amp, grew from a one-off
Gryphon name.
4
Musical
unique library of more than
1,000 original master tapes of
recordings made during the
Golden Age of studio engineer
-
Unlike conventional commercial
releases, our master tapes cap
-
ture the dynamic contrasts and
subtle inner harmonic structure
of the musical event, forcing us
to work to a higher standard in
our efforts to maintain the integri
-
ty of the original musical per
-
Design Principles
With state of the art technical
equipment and some of the
finest minds in the audio engi
-
neering field at our disposal, the
Gryphon brand name continues
to define the highest audiophile
standards of subjective and
The dual mono configuration
radically eliminates any possibil
-
ity of crosstalk or other interfer
-
ence between channels and pro
-
vides infinite channel separation
which contributes to the ability to
create space, focus, depth and
Because the electrical power
coming out of your wall fluctu
-
ates wildly in terms of voltage
and distortion, Gryphon incorpo
-
rates heavily regulated multi-
Objectives
While scientific method and sophisticated technology play an important role in our electronics design work, at Gryphon we never lose sight of the fact that the keen ears of an experienced listener are the most crucial “cal­ibration tools.” Therefore, every Gryphon product exists for one simple purpose: to bring the user closer in the never-ending quest for a more natural and convinc­ing musical illusion.
Every Gryphon design has been built to cruise effortlessly through even the most demanding musi­cal passages, regardless of vol­ume level, with a musical pres­entation defined by supreme articulation and immediacy, sub­tle dynamic shading and razor­sharp focus. Refinement and delicacy are combined with power and authority for a natu­ral, involving listening experi­ence.
ing from 1956-1976.
formance.
technical performance.
Gryphon is located in beautiful tranquil sur­roundings.
The Gryphon Master Tape Collection
In the Gryphon listening rooms, we are fortunate to possess a
transparency.
5
stage power supplies that act as
routinely occur in live music and
is crucial in recreating the natu
-
ral decay of musical instruments.
Wide bandwidth also improves
phase characteristics, for more
correct soundstaging and imag
-
All Gryphon designs are realized
with an absolute minimum of
negative feedback, which when
present in large amounts can
actually increase TIM distortion.
All Gryphon preamplifiers are
designed with zero negative
feedback. Gryphon power ampli
-
fiers apply negative feedback
judiciously for improved linearity
Gryphon research into the detri
-
mental effects of magnetically
induced distorted (MID) has led
to the elimination of magnetiz
-
able materials wherever possi
-
ble. To eliminate the effects of
stray magnetic fields, non-mag
-
netic materials are employed
throughout, with the unavoidable
exception of the transformer
The mechanical design of the
cabinet and assembly methods
are all carefully calculated to
ensure minimal resonance,
either through the use of
mechanically grounded high
mass or decoupling. Vibration-
sensitive components, capaci
-
effective mains conditioning fil­ters. Displays and control circuits are fed by a separate power sup­ply to isolate any digital noise artifacts and effectively prevent them from contaminating the sig­nal path.
While the printed circuit boards in more conventional audio prod­ucts utilize conductor tracks a mere 35 um thick, Gryphon employs at least 70 um traces of the highest purity.
Beginning with our very first product, “The Head Amp” all Gryphon products have featured extremely wide frequency band­width, because the ability to reproduce ultra-sonic frequen­cies with no difficulty ensures lin­ear phase across the audible fre­quency range.
ing.
and bandwidth.
Typical Gryphon module
The implementation of circuits with wideband frequency response is a painstaking endeavor in which the actual lay­out and ground pattern of the PC boards are crucial to the achievement of superior sonic performance with no loss of inherent stability.
Wideband frequency response ensures the high slew rate essential to the realistic handling of the ultra-fast transients which
shield box.
6
tors in particular, are thus guar-
goes in, an absolute minimum of
By lavishing attention on each
aspect of the circuit and fully
understanding the purpose and
behavior of every single part of
the whole, our designers can
optimize performance in each
section, before moving on to the
next step. This ensures simplici
-
ty, a short signal path and a unity
of purpose with a single, well-
defined objective: musical purity.
In the interest of ultimate fidelity,
tone controls, balance controls
and other unnecessary compo
-
nents have been banished from
Exterior Design
From the very beginning, every
Gryphon product has offered
stunning audio performance,
sumptuous styling and superb
user-friendliness, catering to the
needs of the discerning audio
-
phile who demands musicality,
convenience and aesthetics, all
In every Gryphon product, form
follows function in a unique syn
-
thesis of aesthetics and practi
-
cality. Gryphon stands for
sophisticated technology with a
high standard of industrial finish
that also incorporates the best of
anteed a non-resonant environ­ment.
The heavy, thick chassis offers a vibration-proof environment for the sensitive electronics inside and provides crucial shielding from a polluted world of low and high-frequency radio waves, power-line radiation and other electrical interference. Meticulous attention to such issues makes a significant con­tribution to the relaxing, open and transparent Gryphon sound.
Unique, non-invasive protection circuitry offers reliable, fuss-free protection without compromising signal purity and signal path sim­plicity, with no conventional relays in the signal path to degrade or compress sound.
internal wiring is included.
the signal path.
Gryphon Audio Designs in the outskirts of the small town of Ry
The ground path has been care­fully laid out in order to achieve superior sonic performance with no loss of stability. Component layout has been designed to ensure the shortest conceivable signal path.
Exhaustive investigation under­lies the selection of every com­ponent part and many original, proprietary components are cus­tom-built exclusively for Gryphon. Because what is left out is just as important as what
without compromise.
handcraftsmanship.
7
The peerless finish, build quality,
ship. In every aspect of every
Gryphon product, the same
stringent standards of excel
-
Following a 48-hour burn-in,
each product is tested again,
before being subjected to
Gryphon’s custom-developed
transport simulator which simu
-
lates the inevitable shaking that
a product will encounter in tran
-
sit. The product is placed on top
of a very large loudspeaker
which plays a special CD with
low frequencies which simulate
the vibrations of an airplane.
Each unit “travels” the equivalent
of 40 round trips from Denmark
to Australia before leaving the
Your Gryphon unit is especially
made for the AC voltage of the
country to which it has been
shipped. If the voltage has been
changed, the warranty is void
and the product may be unsafe
Correct AC polarity contributes
greatly to optimum performance.
If you are not using a three-pin,
non-reversible power plug,
please experiment with the ori
-
entation of the plug for optimum
ergonomics and pride of owner­ship that contribute to the totality of the Gryphon concept can only be fully understood and appreci­ated up close and in person.
Rasmussen’s background in fine arts and industrial design gives every Gryphon product a distinc­tive, luxuriant finish which arises organically out of the audio cir­cuit design and the user inter­face for a truly unique integration of form and function.
Manufacture and Assembly
At our laboratories and manufac­turing facilities in Denmark, we maintain full control over every aspect of development and pro­duction, and the members of our conscientious staff diligently fol­low each Gryphon model from initial concept to early prototype, through to final quality control.
Printed circuit boards are assembled by a supplier of pre­cision military and medical equipment with strict standards of quality control and pre-inspec­tion of components. Chassis parts are manufactured by a specialist chosen solely for the outstanding quality of workman-
lence apply.
factory.
AC Voltage
or malfunction.
performance.
8
Burn-In and
Menu-activated
The Gryphon Prelude incorpo
-
rates several functions which are
To access the Menu, press
Menu. MENU will appear in the
display and the Prelude will mute
its output. CONTINUE will blink
in the display. To enter the Menu,
press Monitor. If you do not wish
to access the menu-controlled
functions, press an Input button
so that EXIT blinks in the display,
then press Monitor to return to
normal playback and to the nor
-
When you enter the Menu,
NAME INPUT will appear in the
display. Press Menu again to
move through the menu-con
-
trolled functions in the following
Name Input - Change Max Level
- Change Start Level -
Brightness Control - Restore
Settings - Dedicate input 3 to AV
At the end, you can either con
-
tinue from the beginning of the
list or exit the Menu. To return to
the top of the list, press Monitor
and NAME INPUT will appear in
the display. To exit the Menu,
The master On/Off switch on the Prelude is placed on the underside of the unit near the front.
Warm-Up
Your Gryphon unit has been thoroughly tested and burned in before shipping. Performance will continue to improve during the first 40 – 50 hours of normal use. After this period optimum performance will be reached approximately 45 minutes after turn-on. With the exception of Class A power amplifiers, we recommend leaving your Gryphon components powered up at all times.
Placement
Care must be taken to position the Prelude only on a stable sur­face which can reliably support the weight of the unit. Keep the Prelude away from large power­amplifers or high current carry­ing AC cords. Do never place the unit on top of an power amplifier.
functions
accessed via a Menu system.
mal display.
order:
- Continue/Exit
9
press an Input button so that
the first line of the display. The
selected input number will
appear in the second line, fol
-
lowed by a colon (:) and a cursor
marking the first position in the
8-character name which you can
create. If a custom name has
already been assigned to this
input, it will be displayed. To
select a character (letter, num
-
ber, symbol, empty space or
punctuation mark) for the first
position, continuously press one
of the Volume buttons until the
desired character is displayed.
Press Input Up to move to the
next position, then use the
Volume buttons to select the
desired character. Repeat for
each character in the name. If
you make a mistake or change
your mind, use the Input Down
button to move back and change
a previously selected character.
When the name is complete,
press Monitor. The name is now
stored in memory and will be dis
-
played each time you select that
input. NAME INPUT will appear
in the display. You can go back
to step 1 above to name another
input or press Menu to select the
1.b. If you have chosen standard
naming, SELECT STANDARD
NAME will appear in the first line
of the display. The selected input
number and the first name in the
standard list (CD) will appear in
EXIT blinks in the display, then press Monitor to return to normal playback and to the normal dis­play. Any settings which you have changed are automatically stored in memory.
Naming Inputs
You can assign a specific name to each input, either a pre-pro­grammed standard name or a custom name of your choice of up to 8 characters. When NAME INPUT appears in the display, press Monitor. SELECT INPUT: 1 will appear in the display. To choose a different input for nam­ing, press an Input button to move up or down through the five inputs. When the number of the input which you wish to name is displayed, press Monitor. CUSTOM will blink in the display. If you wish to create a custom name for the input, press Monitor and skip to section
1.a. below. If you wish to select a name from the standard list, press an Input button so that STANDARD blinks, then press Monitor and skip to section 1.b. below. Please note: If a name has previously been assigned to the input, that name will be delet­ed if you press Monitor while STANDARD is blinking.
next menu-controlled function.
1.a. If you have chosen custom naming, CUSTOM will appear in
10
the second line. To select the
is displayed. Press Monitor. The
selected maximum volume set
-
ting is now stored in memory.
CHANGE MAX LEVEL will
appear in the display. Press
Menu to select the next menu-
You can select and store in
memory a default volume level
(between 00 and 20) which will
automatically be set by the
amplifier each time you turn it
on. When CHANGE START
LEVEL appears in the display,
press Monitor. START LEVEL:
and the current default start level
will appear in the display. To
change this setting, press
Volume Up or Down until the
desired start level is displayed.
Press Monitor. The selected start
level is now stored in memory
and will be set each time you
turn on the amplifier. CHANGE
START LEVEL will appear in the
display. Press Menu to select the
You can select and store in
memory the desired level of
brightness in the front-panel dis
-
play. When BRIGHTNESS CON
-
TROL appears in the display,
press Monitor. BRIGHTNESS
will appear in the first line of the
display. 100% 75% 50% 25%
OFF will appear in the second
name which you wish to assign to the input, press the volume buttons to move up or down through the standard name list in the following order:
CD – DVD – DSD – TUNER – TAPE – PHONO – DAT – MINI­DISC – AUX
When the name which you wish to assign to the input is dis­played, press Monitor. The name is now stored in memory and will be displayed each time you select that input. NAME INPUT will appear in the display. You can go back to step 1 above to name another input or press Menu to select another menu­controlled function.
Setting Maximum Level
You can select and store in memory a maximum volume level (between 01 and 50) which cannot be exceeded, manually or by remote, until you re-set this function. This effectively protects your audio system from expen­sive accidents. When CHANGE MAX LEVEL appears in the dis­play, press Monitor. MAX LEVEL: and the currently assigned maximum volume set­ting will appear in the display. To change this setting, press Volume Up or Down until the desired maximum volume level
controlled function.
Setting Start-Up Level
next menu-controlled function.
Setting Display Brightness
11
line. The 100% indicator will
line. NO will blink. If you do NOT
wish to delete your custom set
-
tings, press Monitor, while NO is
blinking, then press Menu to
select the next menu-controlled
function. If you do wish to delete
all your custom settings, press
Input Up until YES blinks, then
press Monitor. You have now
deleted all your custom settings.
The factory pre-set default set
-
tings are now in effect.
RESTORE SETTINGS will
appear in the display. Press
Menu to select the next menu-
Assigning Input 3 as a
You can use the Prelude and
your power amplifier with a sep
-
arate surround processor by
connecting the left and right front
channels from your surround
processor to Input 3 of the
Prelude and using the Menu to
configure this input so that the
signal bypasses all preamplifier
stages in the Prelude. This
allows you to enjoy the full per
-
formance of the Prelude for
stereo and surround listening
without placing any surround
components in the stereo signal
blink. Press an Input button repeatedly until the desired level of brightness blinks. The display will immediately change to the selected brightness, unless you have selected OFF. If OFF is selected, the display will turn off after you exit the Menu. Press Monitor. The selected brightness level is now stored in memory. BRIGHTNESS CONTROL will appear in the display. Press Menu to select the next menu­controlled function.
NOTE: When the display is turned completely off, pressing any button on the front panel or on the remote will cause the dis­play to turn on briefly so that you can see the current volume level and selected input. Press a sec­ond time to activate the desired function.
controlled function.
Dedicated AV Connection
Restoring Default Settings
You can delete all of your custom Menu settings and return to the factory pre-set default settings. Doing so deletes all input names, sets Maximum Level at 50, sets Start Level at 00, sets Brightness at 100% and sets Input 3 as a normal audio input. When RESTORE SETTINGS appears in the display, press Monitor. RESTORE? appears in the first line of the display. NO and YES appear in the second
path.
12
CAUTION: When Input 3 is set
Monitor. Input 3 is now config
-
ured as a dedicated connection
which bypasses the Prelude vol
-
ume control and should ONLY
be used with a source which has
its own volume control, such as
a surround processor. NEVER
connect a normal line-level
source such as a tuner, CD play
-
er, etc. directly to this input, while
it is configured in this manner.
You can always restore Input 3
to normal operation via the
When you have configured Input
3, DEDICATE INP.3 TO AV will
appear in the display. Press
Menu to select the next menu-
When CONTINUE and EXIT
appear in the display, you can
either exit the Menu or return to
the beginning of the list of menu-
To go to the top of the list, press
Monitor while CONTINUE is
To exit the Menu, press an Input
button so that EXIT blinks, then
press Monitor to return to normal
playback and to the normal dis
-
up as a dedicated AV connec­tion, the Prelude’s volume con­trol is automatically set at a fixed level. The signal from the sur­round processor goes direct to the power amplifier and MUST be calibrated and attenuated by the surround processor.
When DEDICATE INP.3 TO AV appears in the display, press Menu to select the next menu­controlled function, if you do NOT wish to connect the left and right front channels from a sur­round processor to Input 3 of the Prelude. If you do wish to make a dedicated AV connection, press Monitor. WARNING! NO ATTENUATION will blink in the display for 5 seconds, after which you will be asked to con­firm that you wish to configure Input 3 as a dedicated AV con­nection which bypasses the Calisto volume control. ARE YOU SURE? will appear in the first line of the display. NO and YES will appear in the second line. NO will blink.
Menu.
controlled function. Exiting the Menu
controlled functions.
blinking.
If you do NOT wish to make a dedicated AV connection, press Monitor while NO is blinking, then press Menu to select the next menu-controlled function. If you do wish to make this con­nection, press Input Up so that YES blinks in the display. Press
play.
13
Balanced
Gryphon products are handcraft
-
ed by individuals who take great
pride in the high level of fit and
finish which we achieve. To
maintain your Gryphon compo
-
nents in pristine condition,
please follow these simple
Metal surfaces may be cleaned
with a damp cloth. Some product
made for treatment of vinyl inte
-
riors in cars may be useful. Test
the product on a non-visible sur
-
Acrylic surfaces should only be
wiped with a very soft, dry cloth.
Small scratches may be
removed with fiberglass polish.
Fingerprints may be removed
with a damp cloth. Do NOT use
Care and
Connections
All Gryphon products uses the AES standard for balanced con­nections.
1. Ground
2. Positive
3. Negative We recommend the use of dedi­cated balanced cables. Avoid the use of adaptors as they degrade performanc
Choice of Cables
Because your Prelude pre ampli­fier is a high-resolution Gryphon audio device, it will immediately reveal the characteristics and possible limitations of the other components in your system, as well as those of the intercon­nects and loudspeaker cables used to connect your system. Wiring should never be utilized as "equalizers" to correct errors elsewhere in the system. Instead, any error should be cor­rected at the source, so that interconnects and loudspeaker cables can be selected solely on the basis of sonic neutrality. For this reason, we employ Gryphon's own range of inter­connects and cables in every stage of the design of every Gryphon product.
Maintenance
instructions.
face, before using any fluids.
spirits or paper tissue.
14
Warranty
ing injuries to persons or proper
-
To qualify, the enclosed warranty
registration card must be filled
out and returned to the manufac
-
turer within 10 days of purchase.
The Gryphon Prelude is warrant­ed against failures arising through faulty workmanship and materials for a period of 5 year from date of purchase. The war­ranty is not transferable. This
warranty is only valid in the country where the product was purchased. All claims under this
warranty must be made to the distributor in the buyer`s country by returning the unit securely packed in the original box with all accessories, postage/freight pre­paid and insured. The unit will be repaired or replaced at no charge for parts and labor.
This warranty remains valid only if the serial number of the unit has not been defaced or removed and if repairs are per­formed only by authorized Gryphon dealers or distributors.
It does not cover damage due to misuse, accident or neglect. This warranty is not valid if the oper­ation voltage of the product has been changed. The distributor or manufacturer, Gryphon Audio Designs, Denmark, retains the exclusive right to make such judgement on the basis of inspection. The retailer, distributor or manu­facturer of the Gryphon shall not be liable for consequential dam­age arising from the use, misuse or failure of this product, includ-
ty.
15
SAFETY INSTRUCTIONS
Hazardous live
Do not expose the unit to dripping water or moist.
Mains Switch:
To place your Prelude into standby mode use the main switch. The switch is located in the bottom on the right side just beneath the acrylic front panel.
16
USING THE
OPTIONAL
Prelude PHONO MODULE.
Gain:
Moving coil (MC) : 64dB Moving magnet (MM) : 42dB
Impedance:
Moving Coil ( MC ) 20 or 100 Ohm Moving Magnet ( MM ) 47 kOhm/200pf.
S/N ratio:
MC Input 250mV 1kHz : >72dB MM Input 2.5mV 1kHz : >84dB
Input impedance in MC mode
With the (red) jumper placed to the right side of the jumper sockets (JP101) and (JP301) the input impedance will be 100 Ohm in MC mode. With the jumper placed to the left sider of the jumper socket the input impedance will be 20 Ohm in MC mode.
Input impedance in MM mode
The input impedance in MM mode is 47kOhm/200pF. Switching between MM and MC ( yellow illustration )
The selection of MC or MM is made with jumpers JP100, JP102, JP104, JP300, JP302, and JP304.
17
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