Gryphon Antileon Signature Mono User Manual

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Antileon Signature
Mono
Owner´s Manual
Antileon: In classical mythology, the son of Hercules and
Proclis, the daughter of Thespeus, whose name means
"sounds divine".
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Table of Contents:
The Gryphon....................... 3
The Man.............................. 4
Made in Denmark............... 4
Musical Objectives.............. 5
The Gryphon Master Tape
Collection............................ 5
Design Principles................ 5
Exterior Design................... 7
Manufacture and Assembly. 8
Using Your Gryphon
......... 8
AC Voltage.......................... 8
Burn-In and Warm-Up.......... 8
Placement............................ 9
Balanced Connections........ 9
Choice of Cables................. 9
Care and Maintenance........ 9
Antileon Signature............... 10
Sonic Excellence................. 10
Power Supply....................... 10
Circuit Topology.................... 11
Class A................................. 11
Protection............................. 11
Exterior................................. 11
Installation............................ 14
AC Power, Placement.......... 14
Power Cords....................... 15
Front Panel Functions............ 15
Green Bias............................ 16
Rear Panel Functions............ 17
Balancet Inputs..................... 17
Protection system.................. 17
Fuses .................................. 18
Troubleshooting ................... 19
Warranty................................ 20
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Introduction
Welcome to the global family of proud owners of fine audio com­ponents from Gryphon Audio Designs of Denmark. Your new Gryphon unit has been painstak­ingly designed to re-create the sound of live music taking place in its original recorded space. Every Gryphon product is designed to cater to the needs of the most discerning music enthusiast with sumptuous styling and superb user-friendli­ness which elevate it above the mundane world of con­ventional audio compo­nents.
As audiophiles, the members of the Gryphon design team are con­stantly reminded to keep their priorities straight. We are not involved in “hi-fi” for its own sake, but strictly as a means to an end, in the service of our life­long love of the live music expe­rience in all its sonic and emo­tional glory.
Our higher goal is to bring to the listener a “You-Are-There” sen­sation. In taking up this chal­lenge, the Gryphon designers go back to basics to analyze the essential nature of the live music experience. For us, an aware­ness of soundstaging, ambience
and concert hall dimensions are necessary components. Dynamics and an unambiguous sense of instrument location even in the loudest passages are also high priorities. To achieve these objectives, Gryphon products offer excep­tional speed and agility along with seamless coherence in the time domain.
Since 1985, Gryphon Audio Designs has quietly gone about the business of creating fine home audio components. We
know that you will appreci­ate and enjoy the benefits of our accumulated expe­rience and share our abid­ing passion for music.
The Gryphon
In Greek mythology: A fabled creature, half-lion and half­eagle, combining the power of the “King of Beasts” with the grace of the “King of Birds”. The guardian of the source of gold and protector of the Dionysian cup of infinite wealth. In the real world: An acclaimed Danish audio engineering com­pany employing cutting edge technology and common sense in the pursuit of the purest musi­cal experience. We feel that the gryphon is an appropriate sym­bol for our high sonic goals.
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The Man
Gryphon Audio Designs is the brainchild of Flemming E. Rasmussen and the fulfillment of a lifelong dream to allow the purest essence of the live music experience to be recreated in the home environment.
Rasmussen holds a degree in painting and graphic arts from the Aarhus Art Academy, Denmark. During his studies, Rasmussen developed close relationships with the local music community and designed many LP covers and concert posters. After graduation, he taught pho­tography and painting and designed textiles, before found­ing 2R Marketing, which quickly became Denmark’s leading High End audio import company.
Gryphon Audio Designs was founded in 1985 as an offshoot of 2R Marketing, The first prod­uct, the now legendary Gryphon Head Amp, grew from a one-off spare time project developed only for the designers’ own home systems. Although the Gryphon project was initially strictly a hobby, not an actively pursued commercial venture, demand generated by reviews and word­of-mouth led to the formal estab­lishment of Gryphon Audio Designs as a separate corporate entity.
Following the immediate suc­cess of the Gryphon brand, all import business was phased out in 1993, so that Rasmussen could dedicate his efforts entire­ly to Gryphon.
Made In Denmark
Every product from Gryphon Audio Designs is designed and built in Denmark. This is much more than just a geographical fact. It is also a seal of approval, a stamp of quality. Living in a region with no natural resources (no oil, coal, precious metals, etc.), the Danes have learned to rely on their quick wits and skilled hands. Innovative tech­nology, beautiful craftsmanship, pride in one’s craft and a keen eye for attractive design are some of the long-standing Danish traditions which are dis­tilled to their finest essence in every unit that bears the Gryphon name.
Musical Objectives
While scientific method and sophisticated technology play an important role in our electronics design work, at Gryphon we never lose sight of the fact that the keen ears of an experienced listener are the most crucial “cal­ibration tools.” Therefore, every
The Gryphon Head Amp 1985
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Flemming E. Rasmussen painting 1967
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Gryphon product exists for one simple purpose: to bring the user closer in the never-ending quest for a more natural and convinc­ing musical illusion.
Every Gryphon design has been built to cruise effortlessly through even the most demanding musi­cal passages, regardless of vol­ume level, with a musical pres­entation defined by supreme articulation and immediacy, sub­tle dynamic shading and razor­sharp focus. Refinement and delicacy are combined with power and authority for a natu­ral, involving listening experi­ence.
The Gryphon Master Tape Collection
In the Gryphon listening rooms, we are fortunate to possess a unique library of more than 1,000 original master tapes of recordings made during the Golden Age of studio engineer­ing from 1956-1976.
Unlike conventional commercial releases, our master tapes cap­ture the dynamic contrasts and subtle inner harmonic structure of the musical event, forcing us to work to a higher standard in our efforts to maintain the integri­ty of the original musical per­formance.
Design Principles
With state of the art technical equipment and some of the finest minds in the audio engi­neering field at our disposal, the Gryphon brand name continues to define the highest audiophile standards of subjective and technical performance. The dual mono configuration radically eliminates any possibil­ity of crosstalk or other interfer­ence between channels and pro­vides infinite channel separation which contributes to the ability to create space, focus, depth and transparency.
Because the electrical power coming out of your wall fluctu­ates wildly in terms of voltage and distortion, Gryphon incorpo­rates heavily regulated multi­stage power supplies that act as effective mains conditioning fil­ters. Displays and control circuits are fed by a separate power sup­ply to isolate any digital noise artifacts and effectively prevent them from contaminating the sig­nal path.
While the printed circuit boards in more conventional audio prod­ucts utilize conductor tracks a mere 35 micron thick, Gryphon employs at least 70 micron traces of the highest purity.
Gryphon is located in beautiful tranquil sur­roundings.
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Beginning with our very first product, “The Head Amp” all Gryphon products have featured extremely wide frequency band­width, because the ability to reproduce ultra-sonic frequen­cies with no difficulty ensures lin­ear phase across the audible fre­quency range.
The implementation of circuits with wideband frequency response is a painstaking endeavor in which the actual lay­out and ground pattern of the PC boards are crucial to the achievement of superior sonic performance with no loss of inherent stability.
Wideband frequency response ensures the high slew rate essential to the realistic handling of the ultra-fast transients which routinely occur in live music and is crucial in recreating the natu­ral decay of musical instruments. Wide bandwidth also improves phase characteristics, for more correct soundstaging and imag­ing.
All Gryphon designs are realized with an absolute minimum of negative feedback, which when present in large amounts can actually increase TIM distortion. All Gryphon preamplifiers are designed with zero negative feedback. Gryphon power ampli-
fiers apply negative feedback judiciously for improved linearity and bandwidth.
Gryphon research into the detri­mental effects of magnetically induced distortion (MID) has led to the elimination of magnetiz­able materials wherever possi­ble. To eliminate the effects of stray magnetic fields, non-mag­netic materials are employed throughout, with the unavoidable exception of the transformer shield box.
The mechanical design of the cabinet and assembly methods are all carefully calculated to ensure minimal resonance, either through the use of mechanically grounded high mass or decoupling. Vibration­sensitive components, capaci­tors in particular, are thus guar­anteed a non-resonant environ­ment.
The heavy, thick chassis offers a vibration-proof environment for the sensitive electronics inside and provides crucial shielding from a polluted world of low and high-frequency radio waves, power-line radiation and other electrical interference. Meticulous attention to such issues makes a significant con­tribution to the relaxing, open and transparent Gryphon sound.
Typical Gryphon module
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Unique, non-invasive protection circuitry offers reliable, fuss-free protection without compromising signal purity and signal path sim­plicity, with no conventional relays in the signal path to degrade or compress sound.
The ground path has been care­fully laid out in order to achieve superior sonic performance with no loss of stability. Component layout has been designed to ensure the shortest conceivable signal path.
Exhaustive investigation under­lies the selection of every com­ponent part and many original, proprietary components are cus­tom-built exclusively for Gryphon. Because what is left out is just as important as what goes in, an absolute minimum of internal wiring is included.
By lavishing attention on each aspect of the circuit and fully understanding the purpose and behavior of every single part of the whole, our designers can optimize performance in each section, before moving on to the next step. This ensures simplici­ty, a short signal path and a unity of purpose with a single, well­defined objective: musical purity.
In the interest of ultimate fidelity, tone controls, balance controls
and other unnecessary compo­nents have been banished from the signal path.
Exterior Design
From the very beginning, every Gryphon product has offered stunning audio performance, sumptuous styling and superb user-friendliness, catering to the needs of the discerning audio­phile who demands musicality, convenience and aesthetics, all without compromise.
In every Gryphon product, form follows function in a unique syn­thesis of aesthetics and practi­cality. Gryphon stands for sophisticated technology with a high standard of industrial finish that also incorporates the best of handcraftsmanship.
The peerless finish, build quality, ergonomics and pride of owner­ship that contribute to the totality of the Gryphon concept can only be fully understood and appreci­ated up close and in person.
Rasmussen’s background in fine arts and industrial design gives every Gryphon product a distinc­tive, luxuriant finish which arises organically out of the audio cir­cuit design and the user inter­face for a truly unique integration of form and function.
Gryphon Audio Designs in the outskirts of the small town of Ry
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Manufacture and Assembly
At our laboratories and manufac­turing facilities in Denmark, we maintain full control over every aspect of development and pro­duction, and the members of our conscientious staff diligently fol­low each Gryphon model from initial concept to early prototype, through to final quality control.
Printed circuit boards are assembled by a supplier of pre­cision military and medical equipment with strict standards of quality control and pre-inspec­tion of components. Chassis parts are manufactured by a specialist chosen solely for the outstanding quality of workman­ship. In every aspect of every Gryphon product, the same stringent standards of excel­lence apply.
Following a 48-hour burn-in, each product is tested again, before being subjected to Gryphon’s custom-developed transport simulator which simu­lates the inevitable shaking that a product will encounter in tran­sit. The product is placed on top of a very large loudspeaker which plays a special CD with low frequencies which simulate the vibrations of an airplane. Each unit “travels” the equivalent
of 40 round trips from Denmark to Australia before leaving the factory.
AC Voltage
Your Gryphon unit is especially made for the AC voltage of the country to which it has been shipped.
If the voltage has been changed, the warranty is void and the product may be unsafe or malfunction.
Correct AC polarity contributes greatly to optimum performance. If you are not using a three-pin, non-reversible power plug, please experiment with the ori­entation of the plug for optimum performance.
Burn-In and Warm­Up
Your Gryphon unit has been thoroughly tested and burned in before shipping. Performance will continue to improve during the first 40 – 50 hours of normal use. After this period optimum performance will be reached approximately 45 minutes after turn-on. With the exception of Class A power amplifiers, we recommend leaving your Gryphon components powered up at all times.
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Balanced Connections
All Gryphon products use the AES standard for balanced con­nections.
1. Ground
2. Positive
3. Negative We recommend the use of dedi­cated balanced cables. Avoid the use of adaptors as they degrade performance.
Choice of Cables
Because your Antileon is a high­resolution Gryphon audio device, it will immediately reveal the characteristics and possible limitations of the other compo­nents in your system, as well as those of the interconnects and loudspeaker cables used to con­nect your system. Wiring should never be utilized as "equalizers" to correct errors elsewhere in the system. Instead, any error should be cor­rected at the source, so that interconnects and loudspeaker cables can be selected solely on the basis of sonic neutrality. For this reason, we employ Gryphon's own range of inter­connects and cables in every stage of the design of every Gryphon product.
Care and Maintenance
Gryphon products are handcraft­ed by individuals who take great pride in the high level of fit and finish which we achieve. To maintain your Gryphon compo­nents in pristine condition, please follow these simple instructions.
Metal surfaces may be cleaned with a damp cloth. Some product made for treatment of vinyl inte­riors in cars may be useful. Test the product on a non-visible sur­face, before using any fluids.
Acrylic surfaces should only be wiped with a very soft, dry cloth. Small scratches may be removed with fiberglass polish. Fingerprints may be removed with a damp cloth. Do NOT use spirits or paper tissue.
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Antileon Signature
User Guide & Introduction
Features:
*Fully balanced circuit 175 Watts per channel Pure Class A *40 High current bipolar output transistors *440,000 µF power capacitor bank *Flat frequency response to beyond 350 kHz *Minimum negative feedback *No output relays *User-programmable Green Class A bias *DC servo coupling *Frequency-independent damp­ing factor *Rigid mechanical structure *Microprocessor controlled, non-invasive “smart” protection system *Upgradeable software. *Double sealed, mil spec PCB with 105 µm copper trace *Integrated service log.
Sonic excellence
The Antileon impresses immedi­ately with its ability to cruise effortlessly through even the most demanding musical pas­sages, regardless of volume level. As a result of the constant high power reserves available at all times, the amplifier simply does not "see" the speaker, so the speaker's reactive load can­not degrade amplifier perform­ance. Unlike other high power amplifiers, Gryphon's no com­promise pure Class A topology allows the Antileon to offer high power as well as refinement and delicacy in musical presenta­sion. It is our fundamental phi­losophy that all electronics in the playback chain must ideally be neutral and not add or subtract anything from the recording no matter how "attractive" such dis­tortions may be. The Antileon is by nature a product for the fortu­nate few who can afford such a statement, just as it is a product for the increasing number of audiophiles who seek purity in the reproduction of music, a product for the music lover who respects both the musicians and recording engineers enough to refrain from adding or subtract­ing anything in relation to the original intention of the record­ing.
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Circuit Topology
Power is the name of the game and the Antileon is equipped to take on even the most vicius and nightmarish of speaker loads. The output section uses Sanken bipolar output devices which have demonstrated extreme reli­ability in addition to outstanding sonic performance. These tran­sistors can be called upon to deliver momentary peak power of 4,000 watts per channel with­out overload. Each of the 40 transistors is bypassed with indi­vidual film capacitors. The sepa­rate driver section has its own supply from individual windings on the custom-made toroidal transformers. Unique mechani­cal design ensures optimal ther­mal tracking between drivers and output devices. The driver section features its own gener­ous bank of proprietary Gryphon capacitors. The power capacitor bank is an astounding 400,000 uF array of capacitors. Negative feedback is minimal and DC coupling employs DC servo circuitry. Internal wiring in the signal path is kept to an absolute minimum. The input wiring is Gryphon Guideline Reference gold-embedded silver cable. Only balanced inputs are provided. Unique even in this price range, the Gryphon Antileon utilizes a
completely independent trans­former and power supply for dis­play and control circuits, effec­tively preventing digital noise generated by these circuits from reaching the amplifier circuits. Gryphon proprietary speaker ter­minals accept bare wire, spade lugs, banana connectors or any combination. Because of the considerable power consumption inherent in a Class A design, the Gryphon Antileon constantly monitors AC voltage status. Variations caused by heavy industry in the daytime may also be registrered by the display.
Class A
True Class A operation has always been a Gryphon bench­mark, simply because nothing in our experience can match the sonic glories of pure Class A. Unfortunately, true Class A is even rarer today than when we introduced the DM100. Rising consumer awareness has forced some manufacturers to stop making outrageous unsubstanti­ated claims of Class A power rat­ings that only exist in the fevered imagination of some marketing "expert". Still, there is a growing number of so-called "new" Class A topologies based on automatic biasing which, simply explained, somehow allow the amplifier to
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sense when the bias should increase to ensure constant Class A performance! If such thing were to actually work as claimed, it would be tan­tamount to a re-writing of the laws of physics. In order for an amplifier to be able to increase bias and stabilize thermally to instantaneously track the dynamics of the input, it would have to be able to predict what is going to happen next on the recording. Auto-biasing can by nature only respond to some­thing that has already happened and the bias will rush up and down in a desperate attempt to follow the last note. Put bluntly, there is no such thing as a free lunch when it comes to pure Class A, so we repeat with no apologies: TRUE PURE CLASS A means heavy trans­formers, very large heatsinks, lots of heat, lots of electricity, expensive parts and costly assembly. While we appreciate and endorse every effort to conserve energy and preserve our global resources, our research into efforts to obtain Class A perform­ance from class A/B topologies makes it clear that there simply is no substitute for the sheer magic of pure class A. However, based on thorough analysis of typical listening situa­tions, we have devised Green
bias (green for reduced environ­mental impact). Green bias offers TRUE, PURE CLASS A with considerably lower power consumption than the traditional solution. With the DM100, Gryphon was the first amplifier manufacturer ever to offer programmable Class A bias as a means of reducing power consumption without compromising Class A performance. Green bias in the Gryphon Antileon allows the user to select the amount of Class A at any given time, taking into account such factors as speaker sensitiv­ity, room size , musical dynamics and overall volume level.
Green bias improves on our pro­grammable bias by giving the fortunate owners of a Gryphon preamplifier the option of letting the preamplifier automatically control the bias. Instead of a conventional poten­tiometer, the Gryphon Preamplifier employs a 44-positi­ion volume attenuator which can be used to select the bias to match the overall playback level, thus ensuring pure Class A at all times. Unlike signal-sensing "auto-bias­ing systems" Green bias does not attempt to follow the signal at all, the current position of the
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Protection
The unique, non-invasive protec­tion system offers reliable, fuss­free protection without compro­mising signal purity and signal path simplicity, with no conven­tional relays in the signal path to degrade or compress sound. When DC or HF is detected at the input, the amplifier mutes until the error condition is cor­rected. The output signal is constantly compared to the input, so that, in the presence of a difference which exceeds predetermined limits (typically a short circuit condition), the amplifier mutes until the error condition has been corrected or take out the internal protection fuse will blow. Heatsink temperature is con­stantly monitored by a thermis­tor. In the event of overheating (temperature in excess of 90° C), the amplifier will muteand go in stand-by mode. Normal opera­tion will resume when a safe operating temperature is reached. At temperatures above 100°, the amplifier will turn off and can not be turned on again before temperature is below 50°.
Exterior
Non-magnetic materials are employed throughout, the only exception being the mechanical­ly isolated transformer housing
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volume control determines the bias setting whether music is playing or not. In effect, this means that if the user selects, for instance, position 11 ( Sonata Allegro ) on the volume control, then the bias will increase to 100% (High Bias) producing 150 Watts pure Class A. This bias level will be maintained even when music is absent or when the amplifier or preamp is muted. If the user turns the volume con­trol down below position 10, the Preamplifier will automatically instruct the amplifier to reduce bias to 50 watts of pure Class A. Standby is selected manually from the front panel. To leave standby ,you must select low og high bias on the front panel. If Green bias is activated,
GB
will be lit for 5 sec. in the dispaly and the amplifier will automati­cally adjus bias to match the postion of the preamp volume control. While Green bias does not offer the extreme low power con­sumption of Class A/B, or even the low power consumption of "auto-biasing" systems, it does offer significantly lower power consumption without sacrifice or compromise of even a fraction of its PURE CLASS A performance. The Antileon user who do not own a Gryphon preamplifier can access the progammable bias system manually.
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which incorporates a special epoxy resin to optimise trans­former vibration damping. The faceplate is machined from a solid 40 mm black acrylic block. An LED display provides continuous information on Class A status and AC condition. With the exception of the face­plate, the Antileon exterior con­sists entirely of brushed, black anodized alluminium. Allen screws are countersunk for clean appearance.
Installation
Unpacking
Obviously, the purpose of pack­ing materials in the transporta­tion of heavy amplifiers is to pro­tect the product on its perilous journey from manufacturer to proud owner. Unfortunately, in our experience this often results in sprained backs and bleeding fingers at the moment of truth: the uncrat­ing of hefty power amplifier. The instructions found on top of the box you will find instructions and illustrations for disassemble and assembling the transporta­tion box. The cases can be completely dismantled for easy storage. Keep the boxes and all the parts in a dry place The following items are
enclosed:
2 Antileon Signature mono´s 1 Pair of gloves 1 Acrylic polish 2 XLR adaptors 2 AC power cords 1 Warranty card
If anything is missing or dam­aged, please contact your Gryphon dealer immediately.
AC Power
VERY IMPORTANT
Before installation, you must ensure that sufficient current is available from you domestic AC power supply:
Minimum: 10A for 220/240 V Minimum: 20A for 100/120 V It is also very important that the wiring from your AC breaker can carry the high constant AC volt­age with only a minimum of loss. A conductor with a minimum gauge of 1.5 sq. mm. Is recom­mended. The Antileon should ideally be connected to a separate AC breaker group independent of other equipment.
Placement
The Antileon is a high bias Class A design and
MUST be placed
so that air may circulate freely around the heatsinks. The
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Antileon is equipped with tall feet for free air circulation, even on thick carpets. The feet also allow you to push the amplifier across the floor without lifting it.
AC Fuses Antileon Fuseholder: 220-240v. 2x6.3 AT 100-120v. 2x12 AT
AC Power Cords
Use only a dedicated AC power cord. Do NOT use loudspeaker cable or other wire not expressly designed to carry high current. Improper cable or cables of insufficient gauge will generate heat and the insulation may melt with disastrous results. AC cords DO have an audible effect on sound quality, but experiments should be carried out with due consideration to safety.
Power Line Conditioners?
We do not recomend the use of any kind of power line condition­ing with the Antileon Signature. If you wish to experiment with external line conditioners or other devices, we strongly rec­ommend that you listen to the Antileon without these devices before making your decision. Remember to listen for correct sound and not merely different sound.
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AC Polarity
Do not run, thin, coiled, exten­sion cords. The Antileon Signature is a true dual mono construction and we must stongly emphasize the importance of symmetrical AC power polarity for each channel. Asymmetrical AC polarity will seriously degrade soundstage recreation and other important aspects of the Antileon perform­ance. The Antileon Signatures display will warn you if AC polar­ity is assymetrical.
Front panel functions
From left:
1.ON/OFF Turns off all active circuitry, but there is still AC power inside the Amplifier. For full shutdown use the 2 master AC power switches on rear or disconnect the AC cords. When turning the Antileon on from the front, the Gryphon logo and all display indications will flash for approx 15 sec. before the amplifier is fully operational. When the amplifier is ready the Gryphon logo will stay on and 2 green
OK indicators will be on
for 5 sec. If Green bias cable is connected, Green bias (GB) light will also be on for 5 sec. If AC the cords are not connect­ed with the same polarity, the
PHASE indicator remain on until
problem is solved.
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2. MUTE Use this function when changing speaker cables or interconnects without turning the amplifier off.
3.
STANDBY
Use to keep circuitry in amplifier ready for listening without initial warm-up. If left in stand-by for longer periods, use the mute function, too.
4.
LOW BIAS Can only be used
when the Automatic Green bias is disabled. This position pro­vides 50 Watts of pure class A, more than enough for normal lis­tening conditions and speakers with normal sensitivity. In this setting 150 watts of Class A/B power is available.
5.
HIGH BIAS - 100% Class A
power for the ultimate perform­ance.
6.
CHECK This function allows
you to check that all indicators are operational. The selectors (4-5) determines­the degree of Class A operation. In the 100% mode the Antileon provides 150 watts of PURE CLASS A power into an 8 ohm load. The bias adjustments do not change total output power, but only the Class A operation range. With very efficient speakers, 175Watts of pure Class A might
rightly be considered overkill. With LOW BIAS, efficient speak­ers will be driven in Class A most of the time. Naturally, lowering the Class A operation range reduces AC power consumption at idle.
When evaluating the sonic effect of the 3 bias adjustment modes, it must be taken into considera­tion that the Antileon requires time to settle when bias is changed. (5 min.) Bias may be adjusted with the Antileon turned on. However, we recommende that bias adjust­ment be made once and for all during initial installation. If the Antileon has been turned off using the front panel on/off switch, it will remember the last bias setting. After using the mas­ter on/off switch at the rear panel, it will return to its last set­ting.
Green Bias
If you own a Gryphon preampli­fier with the green bias link, The Antileon will automatically change bias with reference to the current position of the Preamplifier´s volume control, independent of the music signal. If you wish the Antileon to go to Stand-by for idling, you must use the stand-by switch on the front panel. Remember, the Green
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bias system is not in the signal path and has only reference to a separate deck on the Preamplifier´s attenuator. The Antileon responds to prepro­grammed switching points at the volume control, based on our experience with most speakers. It is however, possible to lower the switching positions if you have efficient speakers or if you wish to play at 100% Class A even at low playback levels. Please refer to the preamplifier´s manual for further information about this. If you remove the link between the Antileon and the preamplifier, the Antileon will automatically revert to manual operation only.
Rear Panel Functions
Speaker terminals The binding posts are custom designed by Gryphon. The spe­cial design will provide a tight reliable connection to: plugs, lugs or bare wire. Do not use tools or excessive force when tightening the terminals.
Balanced Input.
The Antileon provides only bal­anced input. There are no deteri­orating phono sockets in parallel with the balanced input. The Antileon balanced inputs are made to AES standards:
Pin # 1 Shield Pin # 2 Positive Pin # 3 Negative
The single-ended to balanced adaptors provided with the amplifier should only be used as a temporary solution and MUST be replaced with a dedicated balanced cable connection, or a cable that converts single ended to balanced.
BIAS Connection for Green bias link between compatible Gryphon preamplifier´s and the Antileon
The Antileon protection System
Gryphon has designed a unique comprehensive system with no circuit breakers in the signal path. The “smart” Gryphon pro­tection system constantly moni­tors the amplifier by checking 10 times per sec. when the amplifi­er is on regardless if whether the amplifier is on stand-by or active.
DC & HF: When DC or HF from the source component is detected, the Antileon will mute immediately: Normal operation will resume when the error condition is cor­rected.
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OVERHEATING: When excessive heat is detect­ed, the thermal sensor will mute and the amplifier will go in stand­by mode. Normal operation can resume when the temperature is within safe operating limits.
SHORT CIRCUIT: Special care should be taken at all times to avoid shorting the loudspeaker outputs. If a short circuit should occur, the Antileon will open an internal (not user­replacable) fuse. Contact your dealer/distributor for service.
We are aware that the Antileon is the choice of the very experi­enced audiophile, so please bear with us while we repeat cer­tain ground rules:
TURN-ON PROCEDURE:
1. Turn on source components, Turntable, CD Player, etc.)
2. Turn on preamplifier
3. Allow a few moments for com­ponents to stabilize, (tube equip­ment may require more time).
4. Turn on power amplifier
TURN-OFF PROCEDURE:
1. Turn off power amplifiers.
2. Turn off rest of the system. PLEASE ALWAYS TURN OFF OR MUTE THE POWER AMPLIFIER BEFORE CONNECTING OR
DISCONNECTING ANY CABLES IN THE SYSTEM. INTERNAL FUSES Under the small top cover, behind faceplate.
From left Fuse # 1 1 A F (spare) Fuse # 2 1 A F (spare) Fuse # 3 1 A F Fuse # 4 200 mA T
Fuses 1 & 2 are only spare fuses for fuseholder # 3
Fuse # 3 is the protection system fuse. Fuse # 4. is the fuse for the AC power-up system.
Main AC fuse is located on the back plate.
Replace only with same value fuses. Be very carefull when replacing fuses not to drop fuse inside amplifier.
WARNING
Do not remove cover of amplifier unless AC cords are removed from amplifier.
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TROUBLE­SHOOTING
No Light in Gryphon Logo
*Check both AC cords *Check both on/off switches on rear panel *Check your domestic AC supply *Check AC fuses on rear panel *Check fuse no.4 under top plate (200 mA )
Logo Light is on but amplifi-
er will not start up.
*Check error indicators on dis­play
Error and Fuse indicator is
flashing.
*Check Fuse no. 3 under top plate. ( Remove AC cords first )
Error and Low Power indi-
cators are flashing.
*Available AC power is too low. Minimum requirement is: 100 - 120v. countries : 95 v. 200 - 240v. countries : 190 v.
Error and Temp. L indica-
tors are flashing:
Left channel is overheating. Turn off amplifier and secure air circu­lation around the unit. Start amplifier again after 5 min.
Error and Temp R. indica-
tors are flashing:
Right channel is overheating. See above.
Tweak Alert
In the best Gryphon tradition we have spent a huge amount of time with our prototypes before we release a new product. We are obsessed with what we do and consider ourselves to be open-minded and are fascinated by the "Grey area" between logi­cal, technical facts and things we just hear that make no obvious technical sense.We will imple­ment them as long as it does not sacrifice safety or reliability. In the Antileon design a number of tweaks can be found and the result is a fine balance that can easily be disturbed. We strongly advise against any alteration of the original design, it will void the warranty and most certainly only provide a diffence, not a real improvement of musi­cal realism. We are fully aware of the fun of playing with AC conditioners, bricks, platforms, cables and so on. We appreciate much of it, but please listen to our intentions before you go ahead and if you do, do yourself (and us) the favor of now and then going back and listening to the "naked" design as it was intended.
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Warranty
The Gryphon Antileon is war­ranted against failures arising through faulty workmanship and materials for a period of 2 years from date of purchase. The war­ranty is not transferable.
This warranty is only valid in the country where the product was purchased
. All claims under this warranty must be made to the distributor in the buyer
`
s country by returning the unit securely packed in the original box with all accessories, postage/freight pre­paid and insured. The unit will be repaired or replaced at no charge for parts and labor.
This warranty remains valid only if the serial number of the unit has not been defaced or removed and if repairs are per­formed only by authorized Gryphon dealers or distributors.
It does not cover damage due to misuse, accident or neglect. This warranty is not valid if the oper­ation voltage of the product has been changed. The distributor or manufacturer, Gryphon Audio Designs, Denmark, retains the exclusive right to make such judgement on the basis of inspection. The retailer, distributor or manu­facturer of the Gryphon shall not be liable for consequential dam­age arising from the use, misuse or failure of this product, includ-
ing injuries to persons or proper­ty.
To qualify, the enclosed warranty registration card must be filled out and returned to the manufac­turer within 10 days of purchase.
Alternatively, you may choose to register your Gryphon on our website:
www.gryphon-audio.dk
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