Gryphon Adagio Owner's Manual

Adagio
Owner´s Manual
Table of Contents:
Introduction....................... 3
The Gryphon....................... 3
Adagio................................ 4
The Man.............................. 4
Made in Denmark............... 4
Musical Objectives............... 5
The Gryphon Master Tape
Collection............................ 5
Design Principles................ 5
Exterior Design................... 7
Manufacture and Assembly. 8
Using Your Gryphon......... 8
AC Voltage.......................... 8
Burn-in and Warm-up.......... 9
Placement........................... 9
Menu Activated
functions.............................. 9
Balanced Connections......... 9
Choice of Cables................ 9
Programming the Adagio..... 10
Care and Maintenance....... 14
Warranty.............................. 15
Safety Instructions.............. 16
and concert hall dimensions are
necessary components.
Dynamics and an unambiguous
sense of instrument location
even in the loudest passages
are also high priorities. To
achieve these objectives,
Gryphon products offer excep
-
tional speed and agility along
with seamless coherence in the
Since 1985, Gryphon Audio
Designs has quietly gone about
the business of creating fine
home audio components. We
know that you will appreci
-
ate and enjoy the benefits
of our accumulated expe
-
rience and share our abid
-
In Greek mythology: A fabled
creature, half-lion and half-
eagle, combining the power of
the “King of Beasts” with the
grace of the “King of Birds”. The
guardian of the source of gold
and protector of the Dionysian
In the real world: An acclaimed
Danish audio engineering com
-
pany employing cutting edge
technology and common sense
in the pursuit of the purest musi
-
cal experience. We feel that the
gryphon is an appropriate sym
-
Welcome to the global family of proud owners of fine audio com­ponents from Gryphon Audio Designs of Denmark. Your new Gryphon unit has been painstak­ingly designed to re-create the sound of live music taking place in its original recorded space. Every Gryphon product is designed to cater to the needs of the most discerning music enthusiast with sumptuous styling and superb user-friendli­ness which elevate it above the mundane world of con­ventional audio compo­nents.
time domain.
As audiophiles, the members of the Gryphon design team are con­stantly reminded to keep their priorities straight. We are not involved in “hi-fi” for its own sake, but strictly as a means to an end, in the service of our life­long love of the live music expe­rience in all its sonic and emo­tional glory.
Our higher goal is to bring to the listener a “You-Are-There” sen­sation. In taking up this chal­lenge, the Gryphon designers go back to basics to analyze the essential nature of the live music experience. For us, an aware­ness of soundstaging, ambience
ing passion for music.
The Gryphon
cup of infinite wealth.
bol for our high sonic goals.
3
Adagio
spare time project developed
only for the designers’ own home
systems. Although the Gryphon
project was initially strictly a
hobby, not an actively pursued
commercial venture, demand
generated by reviews and word-
of-mouth led to the formal estab
-
lishment of Gryphon Audio
Designs as a separate corporate
Following the immediate suc
-
cess of the Gryphon brand, all
import business was phased out
in 1993, so that Rasmussen
could dedicate his efforts entire
-
Made In Denmark
Every product from Gryphon
Audio Designs is designed and
built in Denmark. This is much
more than just a geographical
fact. It is also a seal of approval,
a stamp of quality. Living in a
region with no natural resources
(no oil, coal, precious metals,
etc.), the Danes have learned to
rely on their quick wits and
skilled hands. Innovative tech
-
nology, beautiful craftsmanship,
pride in one’s craft and a keen
eye for attractive design are
some of the long-standing
Danish traditions which are dis
-
tilled to their finest essence in
every unit that bears the
adagio adj : (of tempo) leisurely n : a musical composition to be played in adagio tempo (slowly and gracefully) adv : (music) slowly; "here you must play ada­gio"
Flemming E. Rasmussen painting 1967
The Man
Gryphon Audio Designs is the brainchild of Flemming E. Rasmussen and the fulfillment of a lifelong dream to allow the purest essence of the live music experience to be recreated in the home environment.
Rasmussen holds a degree in painting and graphic arts from the Aarhus Art Academy, Denmark. During his studies, Rasmussen developed close relationships with the local music community and designed many LP covers and concert posters. After graduation, he taught pho­tography and painting and designed textiles, before found­ing 2R Marketing, which quickly became Denmark’s leading High End audio import company.
entity.
ly to Gryphon.
The Gryphon Head Amp 1985
Gryphon Audio Designs was founded in 1985 as an offshoot of 2R Marketing, The first prod­uct, the now legendary Gryphon Head Amp, grew from a one-off
Gryphon name.
4
unique library of more than
1,000 original master tapes of
recordings made during the
Golden Age of studio engineer
-
Unlike conventional commercial
releases, our master tapes cap
-
ture the dynamic contrasts and
subtle inner harmonic structure
of the musical event, forcing us
to work to a higher standard in
our efforts to maintain the integri
-
ty of the original musical per
-
Design Principles
With state of the art technical
equipment and some of the
finest minds in the audio engi
-
neering field at our disposal, the
Gryphon brand name continues
to define the highest audiophile
standards of subjective and
The dual mono configuration
radically eliminates any possibil
-
ity of crosstalk or other interfer
-
ence between channels and pro
-
vides infinite channel separation
which contributes to the ability to
create space, focus, depth and
Because the electrical power
coming out of your wall fluctu
-
ates wildly in terms of voltage
and distortion, Gryphon incorpo
-
rates heavily regulated multi-
Musical
Objectives
While scientific method and sophisticated technology play an important role in our electronics design work, at Gryphon we never lose sight of the fact that the keen ears of an experienced listener are the most crucial “cal­ibration tools.” Therefore, every Gryphon product exists for one simple purpose: to bring the user closer in the never-ending quest for a more natural and convinc­ing musical illusion.
Every Gryphon design has been built to cruise effortlessly through even the most demanding musi­cal passages, regardless of vol­ume level, with a musical pres­entation defined by supreme articulation and immediacy, sub­tle dynamic shading and razor­sharp focus. Refinement and delicacy are combined with power and authority for a natu­ral, involving listening experi­ence.
ing from 1956-1976.
formance.
technical performance.
Gryphon is located in beautiful tranquil sur­roundings.
The Gryphon Master Tape Collection
In the Gryphon listening rooms, we are fortunate to possess a
transparency.
5
stage power supplies that act as
routinely occur in live music and
is crucial in recreating the natu
-
ral decay of musical instruments.
Wide bandwidth also improves
phase characteristics, for more
correct soundstaging and imag
-
All Gryphon designs are realized
with an absolute minimum of
negative feedback, which when
present in large amounts can
actually increase TIM distortion.
All Gryphon preamplifiers are
designed with zero negative
feedback. Gryphon power ampli
-
fiers apply negative feedback
judiciously for improved linearity
Gryphon research into the detri
-
mental effects of magnetically
induced distorted (MID) has led
to the elimination of magnetiz
-
able materials wherever possi
-
ble. To eliminate the effects of
stray magnetic fields, non-mag
-
netic materials are employed
throughout, with the unavoidable
exception of the transformer
The mechanical design of the
cabinet and assembly methods
are all carefully calculated to
ensure minimal resonance,
either through the use of
mechanically grounded high
mass or decoupling. Vibration-
sensitive components, capaci
-
effective mains conditioning fil­ters. Displays and control circuits are fed by a separate power sup­ply to isolate any digital noise artifacts and effectively prevent them from contaminating the sig­nal path.
While the printed circuit boards in more conventional audio prod­ucts utilize conductor tracks a mere 35 um thick, Gryphon employs at least 70 um traces of the highest purity.
Beginning with our very first product, “The Head Amp” all Gryphon products have featured extremely wide frequency band­width, because the ability to reproduce ultra-sonic frequen­cies with no difficulty ensures lin­ear phase across the audible fre­quency range.
ing.
and bandwidth.
Typical Gryphon module
The implementation of circuits with wideband frequency response is a painstaking endeavor in which the actual lay­out and ground pattern of the PC boards are crucial to the achievement of superior sonic performance with no loss of inherent stability.
Wideband frequency response ensures the high slew rate essential to the realistic handling of the ultra-fast transients which
shield box.
6
tors in particular, are thus guar-
goes in, an absolute minimum of
By lavishing attention on each
aspect of the circuit and fully
understanding the purpose and
behavior of every single part of
the whole, our designers can
optimize performance in each
section, before moving on to the
next step. This ensures simplici
-
ty, a short signal path and a unity
of purpose with a single, well-
defined objective: musical purity.
In the interest of ultimate fidelity,
tone controls, balance controls
and other unnecessary compo
-
nents have been banished from
Exterior Design
From the very beginning, every
Gryphon product has offered
stunning audio performance,
sumptuous styling and superb
user-friendliness, catering to the
needs of the discerning audio
-
phile who demands musicality,
convenience and aesthetics, all
In every Gryphon product, form
follows function in a unique syn
-
thesis of aesthetics and practi
-
cality. Gryphon stands for
sophisticated technology with a
high standard of industrial finish
that also incorporates the best of
anteed a non-resonant environ­ment.
The heavy, thick chassis offers a vibration-proof environment for the sensitive electronics inside and provides crucial shielding from a polluted world of low and high-frequency radio waves, power-line radiation and other electrical interference. Meticulous attention to such issues makes a significant con­tribution to the relaxing, open and transparent Gryphon sound.
Unique, non-invasive protection circuitry offers reliable, fuss-free protection without compromising signal purity and signal path sim­plicity, with no conventional relays in the signal path to degrade or compress sound.
internal wiring is included.
the signal path.
Gryphon Audio Designs in the outskirts of the small town of Ry
The ground path has been care­fully laid out in order to achieve superior sonic performance with no loss of stability. Component layout has been designed to ensure the shortest conceivable signal path.
Exhaustive investigation under­lies the selection of every com­ponent part and many original, proprietary components are cus­tom-built exclusively for Gryphon. Because what is left out is just as important as what
without compromise.
handcraftsmanship.
7
The peerless finish, build quality,
ship. In every aspect of every
Gryphon product, the same
stringent standards of excel
-
Following a 48-hour burn-in,
each product is tested again,
before being subjected to
Gryphon’s custom-developed
transport simulator which simu
-
lates the inevitable shaking that
a product will encounter in tran
-
sit. The product is placed on top
of a very large loudspeaker
which plays a special CD with
low frequencies which simulate
the vibrations of an airplane.
Each unit “travels” the equivalent
of 40 round trips from Denmark
to Australia before leaving the
Your Gryphon unit is especially
made for the AC voltage of the
country to which it has been
shipped. If the voltage has been
changed, the warranty is void
and the product may be unsafe
Correct AC polarity contributes
greatly to optimum performance.
If you are not using a three-pin,
non-reversible power plug,
please experiment with the ori
-
entation of the plug for optimum
ergonomics and pride of owner­ship that contribute to the totality of the Gryphon concept can only be fully understood and appreci­ated up close and in person.
Rasmussen’s background in fine arts and industrial design gives every Gryphon product a distinc­tive, luxuriant finish which arises organically out of the audio cir­cuit design and the user inter­face for a truly unique integration of form and function.
Manufacture and Assembly
At our laboratories and manufac­turing facilities in Denmark, we maintain full control over every aspect of development and pro­duction, and the members of our conscientious staff diligently fol­low each Gryphon model from initial concept to early prototype, through to final quality control.
Printed circuit boards are assembled by a supplier of pre­cision military and medical equipment with strict standards of quality control and pre-inspec­tion of components. Chassis parts are manufactured by a specialist chosen solely for the outstanding quality of workman-
lence apply.
factory.
AC Voltage
or malfunction.
performance.
8
limitations of the other compo
-
nents in your system, as well as
those of the interconnects and
loudspeaker cables used to con
-
Wiring should never be utilized
as "equalizers" to correct errors
elsewhere in the system.
Instead, any error should be cor
-
rected at the source, so that
interconnects and loudspeaker
cables can be selected solely on
the basis of sonic neutrality. For
this reason, we employ
Gryphon's own range of inter
-
connects and cables in every
stage of the design of every
top of power amplifiers or other
components that contains large
2.Pay attention to the routing of
3. Keep interconnects as short
very strait forward and features
The master On/Off switch on the Adagio is placed on the underside of the unit near the front.
Burn-In and Warm-Up
Your Gryphon has been thor­oughly tested and burned in before shipping. Performance will continue to improve during the first 40 – 50 hours of normal use. After this period optimum performance will be reached approximately 45 minutes after turn-on. With the exception of Class A power amplifiers, we recommend leaving your Gryphon components powered up at all times.
nect your system.
Gryphon product.
Balanced Connections
All Gryphon products uses the AES standard for balanced con­nections.
1. Ground
2. Positive
3. Negative We recommend the use of dedi­cated balanced cables. Avoid the use of adaptors as they degrade performance.
Choice of Cables
Because your Adagio is a high­resolution Gryphon audio device, it will immediately reveal the characteristics and possible
Placing the Adagio
1.Do not place the Adagio on
power supplies. AC cords to keep them from
interfering with audio intercon­nects.
as practical possible.
Connections
The backside of the Adagio is
A. 1 Pair of analoqe outputs to
9
be connected to any line input
-
automatically added to the total
-
While playing a disc, the display
number, playing time and musi
-
The track numbers in the musi
-
the remote while playing a disc,
A. Playing time of current track.
instead of the remaining time.)
C. Remaining time on the disc.
100 minutes in Programme Play
-
on your pre amplifier or integrat­ed amplifier. * B. 1 Pair of balanced outputs to be connected to any line input on your pre amplifier or integrat­ed amplifier. * C. 1 AES/EBU balanced digital output to be connected to an external D/A converter. D.1 S/PDIF 75 Ohm BNC Coax connection * We do not recommend the use of direct connection to power amplifiers via a passive volume control.
We know that the Adagio is not your first CD player and you do not need to learn how to use the basic functions of a CD player. In the following we shall only address the more complicated features of the Adagio
All programming of the Adagio is made from the remote control..
Checking the total number and playing time of tracks.
Press TIME on the remote before start playing. The display shows the total number of tracks, total playing time and musical calendar.
While in shuffle play mode
(SHUFFLE appears in the dis play ) a one-second access time blank is added between each track. This increase is
playing time in the display. This information also appears when you press OPEN/CLOSE to close the disc tray.
Display information while play ing a disc.
shows ( from left to right ) the current track number, index
cal calendar. cal calendar dissapears after
they are played. Checking the remaining time. Each time you press TIME on the display changes from: B. Remaining time on current
track. (If the track number exceeds 24 “—,—” appears
(If the remaining time exceeds mode or when the disc has
more than 24 tracks “—.-” appears instead of the remain ing time.
10
Checking the information on CD
playing a disc, the display turns
Even when the display is turned
to turn off the display, “DISPLAY
Locating a specific track or par
-
You can quickly locate any track
or back buttons on the remote.
-
-
TEXT Discs
Turning off indications in the display.
CD TEXT discs have informa­tion, such as the disc titles or artist names, memoriesed in a blank space on the disc where, on normal discs there is no information. The display shows the CD TEXT information of the disc so you can check the current disc title, artist name and track title. When the Adagio detects CD TEXT discs the “CD TEXT”indi­cation appears in the display. If your CD TEXT disc has multi language capacity, “CD TEXT” and “MULTI” indicators appears in the display.
Display information before you start playing the disc.
Each time you press TIME on the remote, the display changes from: A. Disc title B. Artist name C. Total number of tracks and total playing time. *Note: The display may not show all the characters dependig on the disc.
Each time you press DISPLAY ON/OFF on the remote while
off and on alternately. off, the display turns on if you
pause or stop play. When you resume play, the display turns off again. Before you start playing, when you press “DISPLAY ON/OFF”
OFF” appears, and when you press the button to turn on the display again, “DISPLAY ON” appears.
ticular point in a track.
while playing a disc using the number buttons, scan forward
The 2 different scan buttons allow you to scan for a specific track or a specific point in the track.
When you choose a track num ber over 10 A. Press >10 first then the cor responding number buttons. B. To enter “0” use button 10.
Example: To play track 30 Press >10 first than 3 and 10.
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Playing tracks repeatedly
find the starting point ( Point A )
point ( point B )press A-B again.
A. Press A-B while the player is
the new starting point A. “A” of
-
ending point ( point B ) press A-
player repeats between the new
You can play tracks repeatedly in any play mode.
Press repeat while playing a disc Repeat appears in the display. The player repeats the tracks as follows:
A. Continuos play - all the tracks B. Shuffle play - all the tracks in random order C. Programme play - The same programme.
Repeating the current track. ( repeat 1 )
A-B on the remote when you to be played repeatedly.
“A” of “REPEAT A” flashes in the display. B. When you reach the ending
“REPEAT A-B”appears in the display. The player plays this specific portion repeatedly.
*To cancel A-B repeat Press “REPEAT”
Setting a new starting point: You can move the repeating
point ahead by changing the starting point.
You can repeat the current track in any play mode. While playing the track you want, press REPEAT repeatedly until REPEAT 1 appears in the display. * To cancel repeat - press REPEAT.
Repeating a specific point ( A-B REPEAT )
You can play a specific portion in a track repeatedly. This might be useful for equipment evalua­tion. * You cannot repeat any portion extending covering more than 1 track. A. While playing a disc, press
repeating the specific portion. The ending point B becomes
“REPEAT A” flashes in the dis play. B. When you reach the new
B again. “REPEAT A-B” appears. The
starting and ending point. * When you want to restart
from the starting point A * Press play during the A-B repeat
12
Playing in random order (
You can check your programme
before or after you start playing.
Each time you press this button,
programme , the display shows
“-END-”and returns to the origi
-
order after you start playing, the
-
Shuffle play )
* To select a number over 10 : Use the > 10 button.
You can have the player “shuf­fle” tracks and play in a random order
A. Press SHUFFLE on the remote. “SHUFFLE” appears in the display. B. Press PLAY to start shuffle play. The (( )) indications appears while the player is shuffling the tracks. * To cancel shuffle play. Press CONTINUE
** You can start shuffle play while playing. Press SHUFLE , “SHUFFLE” appears in the display window . Shuffle play starts from the cur­rent track.
Creating a programme using the remote
A. Press PROGRAM before you start playing. “PROGRAM” appears in the display. B. Press the number buttons of the tracks you want to pro­gramme in the order you want. C. Press play to start Programme Play. Example: To programme the tracks 2, 8 and 5. - press the number but­tons 2,8 and 5.
* If you have made a mistake: Press CLEAR, then press the correct track number.
* To cancel programme play: Press continue.
Checking the track order.
Press Check. the display shows the track
number in the programmed order. After the last track in the
nal display. You you check the display shows only the remain
ing track numbers. Changing the track order You can change your pro-
gramme before you start play­ing.
Erase a track Press CHECK until the track
you don´t want appears in the display, then press CLEAR.
13
Erase the last track in the pro-
Gryphon products are handcraft
-
ed by individuals who take great
pride in the high level of fit and
finish which we achieve. To
maintain your Gryphon compo
-
nents in pristine condition,
please follow these simple
Metal surfaces may be cleaned
with a damp cloth. Some product
made for treatment of vinyl inte
-
riors in cars may be useful. Test
the product on a non-visible sur
-
Acrylic surfaces should only be
wiped with a very soft, dry cloth.
Small scratches may be
removed with fiberglass polish.
Fingerprints may be removed
with a damp cloth. Do NOT use
gramme Press CLEAR, each time you
press the button, the last track will be cleared.
Add tracks to the programme Press the number buttons of the
track to be added. Erase the whole programme
completely Hold down CLEAR until
“CLEAR”appears in the display. Create a new programme fol­lowing the programming proce­dure.
Care and Maintenance
instructions.
face, before using any fluids.
spirits or paper tissue.
14
Warranty
The retailer, distributor or manu
-
facturer of the Gryphon shall not
be liable for consequential dam
-
age arising from the use, misuse
or failure of this product, includ
-
ing injuries to persons or proper
-
To qualify, the enclosed warranty
registration card must be filled
out and returned to the manufac
-
turer within 10 days of purchase.
Alternatively, you may wish to
register online from our website.
The Gryphon Adagio is warrant­ed against failures arising through faulty workmanship and materials for a period of 3 year from date of purchase. The war­ranty is not transferable. This
warranty is only valid in the country where the product was purchased. All claims under this
warranty must be made to the distributor in the buyer`s country by returning the unit securely packed in the original box with all accessories, postage/freight pre­paid and insured. The unit will be repaired or replaced at no charge for parts and labor.
This warranty remains valid only if the serial number of the unit has not been defaced or removed and if repairs are per­formed only by authorized Gryphon dealers or distributors. If the voltage has been changed, the warranty is void and the product may be unsafe or mal­function.
the basis of inspection.
ty.
www.gryphon-audio.com
Warranty does not cover dam­age due to misuse, accident or neglect. This warranty is not valid if the operation voltage of the product has been changed. The distributor or manufacturer, Gryphon Audio Designs, Denmark, retains the exclusive right to make such judgement on
15
SAFETY INSTRUCTIONS
Hazardous live
Do not expose the unit to drip­ping water or moist.
Placement:
Do not place your Adagio on top of any heat producing products, such as power amplifiers or DACs. If you place the Adagio inside any Hi-FI furniture or cab­inets, there must be a clearance of a minimum of 10cm (4 inch­es) above the product and a minimum of 5cm (2 inches) along the sides. To allow a flow of cooling air the back of the cabinet must be open. If these guidelines are not observed, overheating may result.
Mains Switch:
To place your Adagio off use the main switch. The switch is located in the bot­tom on the right side just beneath the acrylic front panel.
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