Grizzly T33952, T33953, T33954 User guide

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MODEL T33952/T33953/T33954

ACOUSTIC GUITAR KIT

OWNER'S MANUAL

(For models manufactured since 09/23)

WARNING: NO PORTION OF THIS MANUAL MAY BE REPRODUCED IN ANY SHAPE

OR FORM WITHOUT THE WRITTEN APPROVAL OF GRIZZLY INDUSTRIAL, INC.

#JM22871 PRINTED IN CHINA

***Keep for Future Reference***

V1.08.24

Some dust created by power sanding, sawing, grinding, drilling, and other construction activities contains chemicals known to the State of California to cause cancer, birth defects or other reproductive harm. Some examples of these chemicals are:

• Lead from lead-based paints.

• Crystalline silica from bricks, cement and other masonry products.

• Arsenic and chromium from chemically-treated lumber.

Your risk from these exposures varies, depending on how often you do this type of work. To reduce your exposure to these chemicals: Work in a well ventilated area, and work with approved safety equipment, such as those dust masks that are specially designed to filter out microscopic particles.

Table of Contents

INTRODUCTION ............................................................................................................................... 2

Contact Info Description Manual Accuracy Identification Glossary Of Terms

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SECTION 1: SAFETY

SECTION 2: SETUP

Unpacking Planning & Preparation Needed for Setup Inventory

SECTION 3: SANDING

Body Neck Bridge Fitting Neck to Body

SECTION 4: ASSEMBLY

Attaching Neck to Body Installing Truss Rod Attaching Fretboard Determining Bridge Location Attaching Nut Preparing to Finish Painting/Finishing Attaching Bridge Fitting Bridge Pins Attaching Sound Hole Decal Installing Strap Button Installing Tuning Machines Installing Strings Setting String Height Guitar Setup

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SECTION 5: ACCESSORIES

SECTION 6: PARTS

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Main

WARRANTY & RETURNS

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INTRODUCTION

Contact Info

We stand behind our instruments! If you have questions or need help, contact us using the information below. Before contacting, make sure you gather all the information regarding your instrument. This will aid us in helping you faster.

Grizzly Technical Support

1815 W. Battleeld

Springeld, MO 65807

Phone: (570) 546-9663

Email: techsupport@grizzly.com

We want your feedback on this manual. What did you like about it? Where could it be improved? Please take a few minutes to give us feedback.

Grizzly Documentation Manager

P.O. Box 2069 Bellingham, WA 98227-2069 Email: manuals@grizzly.com

Description

Manual Accuracy

We are proud to provide a high-quality owner's manual with your new instrument!

We make every effort to be exact with the instructions, specifications, drawings, and photographs in this manual. Sometime we make mistakes, and our policy of continuous improvement also means that sometimes the instrument you receive is

slightly different than shown in the manual.

If you find this to be the case, and the difference between the manual and instrument leaves you in doubt, check our website (grizzly.com) for an updated version. We post current manuals and manual updates for free on our website.

Alternatively, you can call our Technical Support for help. Before calling, gather all material and instructions that came with your instrument for easy reference. This will make providing you proper technical support much easier. It also will help us determine if updated documentation is available for your instrument.

The Grizzly acoustic guitar kits are available in three veneer options:

—T33952 Quilted Maple Veneer —T33953 Fiddleback Maple Veneer —T33954 Koa Variant

T33953

T33952

T33954

-2-

NOTICE

WE STRONGLY RECOMMEND that you read books, review industry trade magazines, or get formal training before beginning any projects. Regardless of the contents in this Manual, Grizzly Industrial will not be held liable for accidents caused by lack of training.

Model T33952/53/54 (Mfd. Since 09/23)

Identification

Become familiar with the names and locations of the features shown below to better understand the instructions in this manual.

Bridge

Sound

Board

Sound

Hole

Fret Inlay/

Markers

Frets

12th Fret

Nut

Headstock

Saddle Body

There is potential danger when operating woodworking machinery. Accidents are frequently caused by lack of familiarity or failure to pay attention. Use any machines with respect and caution to decrease the risk of operator injury. If normal safety precautions are overlooked or ignored, serious personal injury may occur.

Strings

Fret

Board

No list of safety guidelines can be complete. Every shop environment is different. Always consider safety first, as it applies to your individual working conditions. Use tools and any machinery with caution and respect. Failure to do so could result in serious personal injury, damage to equipment, or poor work results.

Neck

Tuning

Machines

Model T33952/53/54 (Mfd. Since 09/23)

-3-

Glossary Of Terms

The following is a list of common definitions, terms and phrases used throughout this manual as they relate to this guitar and music in general. Become familiar with these terms for assembling, adjusting, or operating this instrument.

Acoustic: An instrument that makes sound with

no amplification, utilizing its own construction and soundhole to project tone and volume.

Action: Setup of strings in relation to instrument

body and neck. Most commonly this relates to height of strings above fretboard.

Back: Rear face of instrument.

Body: Instrument housing composed of three

main parts—top, sides and back—and holds bridge on top, connecting to neck of instrument.

Bridge: Wooden piece glued on top of instrument

body and holds saddle. There are four main types of bridges: slotted, tie bar, through body, and pin.

Fretboard: Area of neck over which strings run

and into which frets are mounted. Fretboard is where your fretting hand holds notes by pressing down on strings between frets.

Finish: The manufacture or decoration of an

instrument by giving it an attractive surface appearance.

Fret: Thin strips of metal set into neck of an instru-

ment to allow changing notes.

Fret Markers: Dots inlaid in fretboard of instru-

ment to help finger placement and locating notes.

Intonation: Ability of an instrument to play and

hold correct note at any point on neck. This usually refers to quality of an instrument’s construction, and ability for each fret, when depressed, to sound correct note for its position.

Joint: Where neck meets body of instrument.

Neck: Wood that holds fretboard, and runs

between body of instrument and headstock.

Nut: A strip of material located at top end of

fretboard over which strings are held in slots prior to tuning pegs.

Tuning Machine: Tuning pegs that work using

a gearing system to turn string post altering instrument tone.

Tuning Peg: Tuning device that is turned to

tighten or loosen string.

Saddle: Section of instrument over which strings

are secured.

Scale Length: Dimension of string length mea-

sured between nut and saddle. Length needs to be accurate in relation to placement of frets to ensure accuracy in notes being played. Top of 12th fret always denotes exact halfway point of string.

Sound Board: Flat piece of wood that holds

bridge and sound hole.

Headstock: Flat piece of wood at top of neck that

holds tuning pegs and usually displays instrument brand logo.

Inlay: Material inlaid into surface parts of

instrument.

-4-

Sound Hole: Hole in sound board of instrument

that projects sound.

Model T33952/53/54 (Mfd. Since 09/23)

SECTION 1: SAFETY

Always wear safety glasses or goggles when operating equipment. Everyday glasses or reading glasses are not safety glasses. Be certain the safety glasses you wear meet the appropriate standards of the American National Standards Institute (ANSI).

Because there are various ways to cut and join wood, you can make substitutions for the methods stated in this plan. We try to suggest the easiest methods possible. However, only you know your skills with each piece of machinery. Never compromise your safety by using a cutting method with which you are not comfortable. Instead, find an alternative approach that will yield the same result.

These instructions assume that you are intimately familiar with the safe operation and use of woodworking machinery and woodworking tools, and understand the techniques used to reproduce this project. If you do not qualify for both of these criteria, STOP building this project for your own safety. Read and

understand the owner’s manual for the machinery you intend to use, take a woodworking class or visit

your local library for more information. Woodworking machinery and tools are inherently dangerous, because they use sharp edges that can and will cause serious personal injury including amputation and death. Do not underestimate the ability of these tools and machinery to cause injury. Never operate any tool without all guards in place and always wear approved safety glasses. For your own safety, please heed this warning.

Model T33952/53/54 (Mfd. Since 09/23)

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SECTION 2: SETUP

Needed for SetupUnpacking

This instrument was carefully packaged for safe transport. When unpacking, separate all enclosed items from packaging materials and inspect them for shipping damage. If items are damaged, please call us immediately at (570) 546-9663.

IMPORTANT: Save all packaging materials until your are completely satisfied with the instrument and have resolved any issues between Grizzly or the shipping agent. You must have the original packaging to file a freight claim. It is also extremely helpful if you need to return your instrument.

Wear safety glasses during the entire setup process!

Planning &

Preparation

Total time building this instrument will vary on many factors. Variables such as glue manufacturers instructions and curing time, temperature and humidity at the time of building, and your schedule are just a few of the factors that can affect the length of time spent on this project.

Perhaps the biggest determinant of time spent completing this instrument is the type of finish and the finishing process used. Finishing this instrument can be as simple as applying a single coat of stain or lacquer that can be done relatively quickly, up to a multi-coated finish that takes weeks to harden.

Careful planning and budgeting ample time will make this project easier and ensure you end up pleased with your results. Good luck building your instrument, and Grizzly hopes it turns out looking, and sounding great.

The majority of the wooden components in this kit are fully machined from the factory and are ready for assembly. A small amount of sanding and finishing is required to complete your guitar.

Description Qty

• Safety Glasses (Per Person) ...................... 1

• NIOSH-Approved Respirator (Per Person) .. 1

• Ratchet or Frame Clamp ............................ 1

• Hobby Knife or Chisel ................................ 1

• T-Handle Reamer (1⁄8" to 5⁄8") ..................... 1

• Drill Press or Cordless Drill w/Depth Stop ... 1

• Forstner Bit 5⁄32" .......................................... 1

• Sanding Block ............................................ 1

• Band Clamp ................................................ 1

• Fine Tooth Saw (Coping, Fret, or Curved) ..... 1

• Bridge Clamp (4" Minimum) ....................... 1

• Mini-Clamps (1" Minimum) ......... As Needed

• Straightedge (18" Minimum) ....................... 1

• Small File (Fine) ......................................... 1

• Rubber Bands ............................ As Needed

• 2" x 2" x 18" Wood Stock ........................... 1

• Thread or Thin String ................ As Needed

• Pencil .......................................................... 1

• Phillips Head Screwdriver #0 ....................... 1

• Wire Cutters ............................................... 1

• Precision Ruler ........................................... 1

• Disposable Nitrile Gloves ........... As Needed

• Wood Glue ................................. As Needed

• Super Glue ................................. As Needed

• Finishing Supplies ...................... As Needed

• Wood Filler/Putty ........................ As Needed

• Tack Cloth................................... As Needed

• Lint-Free Rags ............................ As Needed

• Sandpaper #180, #240, #320 .... As Needed

• Sandpaper Wet/Dry #800,

#1000, #1200 .............................. As Needed

• Masking or Painter's Tape .......... As Needed

• C-Clamps (3" Minimum) ............. As Needed

• Masking Paper ........................... As Needed

• Silicone Sealant .......................... As Needed

• Masking Tape 3⁄4" ........................ As Needed

• Tuning Fork (Optional) ................................ 1

• Binding Tape (Optional) .............. As Needed

• Drill Bit 7⁄64" ................................................. 1

• Palm Sander (Optional) .............................. 1

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Model T33952/53/54 (Mfd. Since 09/23)

Inventory

The following is a list of items shipped with your instrument. Before beginning assembly, lay these items out and inventory them.

If any non-proprietary parts are missing (e.g. strings or tuning machine screws), we will gladly replace them; or for the sake of expediency, replacements can be obtained at your local music shop.

Body and Neck (Figure 1)

Body ........................................................... 1

Neck ........................................................... 1

Qty

Guitar Components (Figure 2) Qty

Fretboard .................................................... 1

Trus s R od ................................................... 1

Bridge ......................................................... 1

Nut .............................................................. 1

Saddle ........................................................ 1

Bridge Pins ................................................. 6

Dowels ........................................................ 3

Strings ........................................................ 6

Tuning Machine Seats ................................ 6

Tuning Machine Washers ........................... 6

Tuning Machine Screws ............................. 6

Tuning Machines ........................................ 6

Soundhole Decal ........................................ 1

Bridge template (2 Pieces) ......................... 1

Tap Screw M3 x 20 .................................... 1

Felt Pad ...................................................... 1

Strap Button ............................................... 1

Figure 1. Body and neck.

NOTICE

If you cannot find an item on this list, carefully check around/inside the machine and packaging materials. Often, these items get lost in packaging materials while unpacking or they are pre-installed at the factory.

E F G H I

J K L M

Q R S

Figure 2. Guitar components.

Model T33952/53/54 (Mfd. Since 09/23)

-7-

SECTION 3: SANDING

Body

The guitar body was assembled and rough sanded at the factory. However, no finish has been applied. The joint where the neck meets the body and the sound hole should NOT be sanded. For the best appearance, be careful not to round the edges of the guitar body.

To sand body:

1. Sand body with #180-grit aluminum-oxide

sandpaper until there is a consistent scratch pattern on entire surface.

Note: When hand sanding, always sand in

same direction as wood grain.

Repeat Step 1 with #240 grit sandpaper.

3. Repeat Step 1 with #320 grit sandpaper.

Neck

Like the guitar body, most of the guitar neck has been machined and rough sanded at the factory, however, the neck headstock can be customized to reflect personal taste. Additional cutting, inlay, or design work can give a guitar that personalized custom look that makes it unique.

Note: If you do choose to customize the neck area, take your time with this sub-section and consider testing ideas on scrap wood before performing the work on the actual headstock.

To sand neck:

1. Perform any custom cutting, inlay, or design

work to neck headstock.

2. Using sanding technique described in body

section, sand entire neck.

Wipe body with a damp, lint-free cloth. Wiping

workpiece with a damp cloth before final sanding helps to "raise" wood grain; thus, allowing "raised" grain to be sanded smooth.

Once body is dry, repeat Step 4.

Wipe body with a tack cloth to remove all

remaining sanding dust.

To reduce risk of eye injury from airborne particles or lung injury from breathing dust, always wear safety glasses and a respirator when sanding.

Note: DO NOT sand fret board mounting sur-

face. This will affect playability of guitar and could lead to irreparable damage.

Bridge

The bridge has been sanded and finished at the factory. Sanding and finishing the bridge is not nec es s ar y.

-8-

Model T33952/53/54 (Mfd. Since 09/23)

Fitting Neck to Body

Attaching the neck to the guitar body is the most crucial part of the assembly process. Attaching the neck incorrectly could result in difficult bridge and string adjustments. Additionally, it can exert stress on the instrument that could lead to irreparable damage.

Test fit the neck to the body using the provided dowels (see Figure 3).

2. Lay body face down on flat, level surface.

3. Start by gently sanding neck where it mates with body (see Figure 5).

Guitar

Body

Figure 3. Test fitting neck to body.

— If neck is flush to body, no sanding is

necessary. Proceed to Assembly on Page 10.

— If neck is not flush to body, neck will

need to be shaped by sanding before it can be attached. Follow instructions below.

To sand neck:

Guitar

Neck

Dowel

(1 of 3)

Figure 5. Sanding neck.

4. Sand until neck profile matches guitar body

profile.

5. Wipe guitar body with a damp, lint-free cloth and let dry.

Wipe guitar body with a tack cloth to remove

6. all remaining sanding dust (see Figure 6).

1. Attach sandpaper with masking or painter's

tape at location shown in Figure 4.

Masking

Tape

Sandpaper

Figure 4. Body masked for neck sanding.

Model T33952/53/54 (Mfd. Since 09/23)

Figure 6. Neck and body flush.

. Test fit neck to body.

— If neck is flush to body, sanding is com-

plete. Proceed to Assembly on Page

10.

— If neck is not flush to body, repeat

Steps 4–7 until a flush mount is achieved.

-9-

SECTION 4: ASSEMBLY

Attaching

Neck to Body

As noted earlier, attaching the neck to the guitar body is the most crucial part of the assembly.

This guitar kit comes with dowels to make sure alignment and bonding are secure and easy.

ALWAYS follow the adhesive manufacturer's instructions for your safety and best results.

To attach guitar neck to body:

1. Insert (3) wooden dowels into holes at top of body (see Figure 7).

2. Fit dowels into dowel holes in guitar neck,

and press neck into body, gently but firmly (see Figure 8).

Before neck can be glued to body, two critical

points must be verified (see Figure 7):

— Truss rod grooves in neck and body

must align perfectly.

— Neck surface and body surface must

be perfectly flat.

Note: Use a straightedge to verify this

critical point. Once neck is glued to body, little can be done to correct alignment.

Guitar

Body

Guitar

Neck

Dowel

(1 of 3)

Guitar

Body

Dowel Hole

Location

(1 of 3)

Figure 7. Dowel hole positions.

Truss

Rod

Groove

Figure 8. Dry fitting neck and body.

4. Using a straightedge, check to see if neck is flush with body of guitar (see Figure 9).

Straightedge

Adjustment

Needed

Sanding Needed

Flat

Guitar

Body

Neck

Guitar Body and Neck are Not Flush

Guitar Body and Neck are Flush

-10-

Figure 9. Aligning neck to body.

Model T33952/53/54 (Mfd. Since 09/23)

— If neck is not flush with body, use sand-

ing block or file to flatten neck until it is flush with surface of body. Mask body to avoid damaging veneer.

— If neck is flush, proceed to Step 5.

Disassemble neck, body, and wood dowels,

then re-assemble with wood glue.

Verify that truss rod grooves are aligned and

neck is flush with body.

Once desired neck position is achieved, use

band clamp or binding tape to secure neck to body (see Figure 10).

To install truss rod:

1. With flat side of truss rod facing up, press rod

into groove in neck and body (see Figure 11). Face of truss rod must be flush with face of neck and body along entire length of groove.

Truss Rod

Groove

Adjustment

Screw

Sound Hole

Figure 11. Truss rod pressed into groove.

Figure 10. Neck secured to guitar body with band

clamp.

. Use damp cloth to wipe away excess glue

from neck/body joint.

Let glue dry for at least 24 hours.

Installing Truss Rod

To guard against neck warping or breakage, this guitar kit comes with a truss rod to stabilize and strengthen the neck against the tremendous force that can be generated by the tension on the strings.

— If truss rod is flush along entire length

of groove, proceed to Step 2.

— If truss rod is not flush along entire

length of groove, use sanding block or file to flatten groove until truss rod sits flush with face of neck and body. Mask body to avoid damaging veneer.

Remove truss rod from groove and vacuum

up any dust or chips remaining from Step 1.

Apply a couple of dabs of silicone sealant at

each end of truss rod groove, and a couple of dabs along bottom of groove, then press truss rod into place, ensuring adjustment screw at end of truss rod faces sound hole in guitar body (see Figure 11).

Note: Use silicone sealant sparingly. Purpose

of sealant is to prevent truss rod from vibrating when instrument is played, not to cement truss rod in position.

Use damp, lint-free rag to wipe away any

excess silicone sealant from neck and body.

IMPORTANT: To prevent corrosion, the truss rod comes shrink wrapped. This wrapping should NOT be removed.

Model T33952/53/54 (Mfd. Since 09/23)

Allow silicone sealant time to set up accord-

ing to manufacturer's instructions.

Proceed to Attaching Fretboard on Page 12.

-11-

Attaching Fretboard

With the major components sanded and the neck and truss rod installed, it is time to attach the fretboard to the neck and body.

To attach fretboard:

. Cover face of truss rod along its entire length

. Apply a thin layer of glue to face of neck, then

3. Position fretboard on neck, making sure it is

⁄4" masking tape. This will prevent glue

with from seeping into truss rod groove and hampering functionality.

carefully remove masking tape.

centered across width of neck, and that 14th fret is positioned over neck-to-body joint (see Figure 12).

4. Secure fretboard position with C-clamps or rubber bands and wood stock, as shown in Figure 13. Use wedges if necessary to ensure a tight fit. Wipe off any excess glue with a damp, lint-free rag.

Nut Position

Fretboard

Neck-to-Body

Joint

Guitar

Body

Headstock

Top of Fretboard

14th Fret

Figure 13. Fretboard secured to neck.

5. Let glue dry a minimum of 24 hours, then proceed to Step 6.

6. Use #320 grit sandpaper or a fine file to sand

edge of neck flush with edge of fretboard. Do this gently and slowly to avoid sanding fretboard.

Figure 12. Fretboard correctly centered on neck.

-12-

Model T33952/53/54 (Mfd. Since 09/23)

Determining Bridge

Location

The bridge is glued directly to the top of the body at a distance that is consistent with the scale length of the instrument. This instrument's scale length is calculated by measuring the distance from the bottom edge of the nut, where it butts against the end of the fretboard, to the center of the 12th fret, and then doubling that number.

It is important to leave an area of the sound board unfinished that is slightly smaller than the footprint of the bridge. This will increase the strength of the glue joint that attaches the bridge to the sound board. The reduced size of this area allows the finish of the guitar to be consistent around the bridge.

A template has been provided for placement of the bridge. In the event the template is misplaced or damaged, contact Grizzly for a replacement. However, it is possible to correctly place the bridge without the template. Instructions for attaching the bridge with or without the template are included.

3. Place template (see Figure 14) back in posi- tion and use a pencil to lightly trace top and sides lines for bridge.

4. Remove template (see Figure 14) and place bridge in relation to marks made on tape.

Headstock

Top of Fretboard

Bridge

Template

Bridge

Location

Locating Bridge With Template

1. Place template at top of fretboard (see Figure

14), making sure fretboard and sound hole

are clearly visible and properly aligned.

2. Remove template and place a layer of mask-

ing or painter's tape on instrument where bridge will be located.

Note: Make sure taped area is larger than

bridge footprint.

Figure 14. Using template for bridge placement.

5. Use a pencil to lightly mark bottom of bridge

on masking tape.

6. Gently use a hobby knife to cut tape at marked location for bridge, then remove excess tape.

Tip: Angle knife inward as you cut.

Model T33952/53/54 (Mfd. Since 09/23)

-13-

Locating Bridge Without Template

1. Measure from top of fretboard to center of

12th fret. Measurement should be 325mm (12.79") (see Figure 15).

Double measurement to 650mm (25.59") to

determine scale length and placement of bridge and saddle.

Note: Your measurement might vary depend-

ing on final placement of your fretboard.

Position bridge so front will be 317.6mm

3. (12.5") from center of 12th fret (see Figure

15).

4. To correctly center bridge, attach (2) pieces

of thread to 1st and 6th nut slots, then tape opposite ends to corresponding holes in bridge (see Figure 16).

Center bridge so there is an equal amount of

space between fretboard edges and threads (see Figure 16).

Equal

Distance

Note: This shorter measurement will com-

pensate for front of bridge in relation to saddle position, and give you proper scale length.

Space for

Nut

Top of Fretboard

325mm

(12.79")

12th Fret

14th Fret

317.6mm (12.50")

Front

of Bridge

Tape

Figure 16. Centering bridge.

Place a layer of masking tape or painter's

tape on top of guitar body where bridge will be mounted.

Place bridge back in position and use a pencil

to lightly mark footprint of bridge on masking tape.

Use a hobby knife to gently cut tape at

marked location for bridge, then remove excess tape.

Tip: Angle knife inward as you cut.

Saddle

Bridge

Scale Length for this Acoustic Guitar

650mm (25.59")

Figure 15. Example of determining scale length

and bridge positioning.

-14-

Model T33952/53/54 (Mfd. Since 09/23)

Attaching Nut

Preparing to Finish

The nut is located at the top of the fretboard and holds the strings in place. The nut can be held in place with string tension, or it can be spot glued in place for more security.

If you prefer to glue, we recommend using wood glue so that future adjustments can be made. For a more permanent bond, super glue can be used, but future adjustments will be more difficult.

ALWAYS follow the adhesive manufacturer's instructions for your safety and best results.

To attach nut:

Test fit nut on top of fretboard.

Note: Curved part of nut should face head-

stock.

To prepare for applying the finish, cover the fretboard, nut, and bridge footprint with masking paper and secure it with masking tape, then fill the sound hole with paper (see Figures 18–19).

Sound Hole

Filled with Paper

Figure 18. Sound hole filled with paper and bridge

footprint masked.

Bridge Footprint

Masked

Apply a small amount of glue to top of

fretboard and neck. Press nut into position and to secure (see Figure 17).

Glue Point

Nut Positioned

w/Curved Side

Facing Headstock

Figure 17. Attaching fretboard to neck.

3. Let glue dry a minimum of 24 hours, then proceed to Preparing to Finish.

Figure 19. Example of fretboard and nut covered

with masking paper.

Carefully press all masking tape edges securely to guitar pieces. Finish can seep under these edges, especially near corners, uneven edges, and where frets meet fretboard.

Note: Failure to properly mask these areas could result in irreparable damage to guitar.

Model T33952/53/54 (Mfd. Since 09/23)

-15-

Painting/Finishing

Attaching Bridge

Finishing supplies are not supplied with the guitar kit.

There are many resources (books, videos, websites) that discuss guitar finishing. Grizzly recommends consulting these sources before finishing your instrument.

Listed below are a few general tips that can be helpful in finishing your instrument.

Painting/Finishing Tips:

• Always work in a well ventilated area when using finishing materials.

• Wear an ANSI-approved respirator mask and safety glasses when using finishing materials!

• Fabricate hooks from metal hangers to suspend guitar components during finishing process.

Remove the tape from the masked areas in preparation for attaching the bridge. Refer to Pages 13 –14 for details on determining bridge location.

We recommend using wood glue so that future adjustments can be made. For a more permanent bond, super glue can be used, but future adjustments will be more difficult.

Attaching Bridge With Clamp

Remove masking tape from bridge location.

Apply a thin, even layer of wood glue or super

glue to bottom of bridge.

Position bridge on pre-determined bridge

position and gently press bridge down.

Clamp bridge down with a bridge clamp or

large depth C-clamp (see Figure 20).

• Several thinner coats usually produce a nicer finish than one heavy coat.

Note: Always follow finish manufacturer’s

instructions.

• Dust particles suspended in air will settle on wet finishes, resulting in less than satisfactory results. To avoid this problem:

1. Have guitar components positioned for

finish application upon entering room.

Leave room where finishing will take place

completely undisturbed for 24 hours prior to applying finish.

Avoid making unnecessary movements

upon entering finish room.

Apply finish to desired guitar parts and

immediately leave finish room.

DO NOT return to room until specified dry-

ing time has elapsed.

Note: DO NOT overtighten clamp.

Figure 20. Bridge clamped in position.

Check to make sure bridge is still in correct

position and adjust if necessary.

Let dry for a minimum of six hours.

7. Remove clamp and place saddle in position.

Note: Saddle does not need to be glued in.

String tension will keep saddle in place.

-16-

Model T33952/53/54 (Mfd. Since 09/23)

Attaching Bridge With Wood Blocks

If a bridge clamp is not available, it is possible to successfully mount the bridge with rubber bands and wood blocks.

1. Follow Steps 1–3 in Attaching Bridge with Clamp on Page 16.

Carefully position wood blocks over bridge

and under back of guitar, then secure with rubber bands (see Figure 21).

Fitting Bridge Pins

Now that the bridge is securely attached, it is time to prepare the bridge for bridge pin fitting.

To protect the finish on the instrument, you should mask off the top of the guitar around the bridge before proceeding with these instructions.

Unless otherwise indicated, we strongly recommend using a drill press for the majority of drilling to obtain the most precise results. However, an electric/cordless drill fitted with a depth stop or a drill stand can be used if you do not have a drill press.

To fit bridge pins:

1. Carefully drill (6) holes in bridge using 5⁄32" Forstner bit at marked locations (see Figure

22).

Figure 21. Bridge secured with wood blocks.

Make sure to check bridge and verify that it is

still in correct position and adjust if necessary.

Let dry for a minimum of six hours.

5. Remove rubber bands, blocks, and clamps,

and place saddle in position.

Note: Saddle does not need to be glued in.

String tension will keep saddle in place.

Note: Be careful to keep drill straight, and

drill only until you break through the sound chamber. Do not drill through bottom of guitar.

Sound Board

Bridge Pin Hole

(1 of 6)

Figure 22. Bridge pin locations.

2. Remove debris and sawdust from top and

make sure holes are free of debris.

. Test fit bridge pin.

Model T33952/53/54 (Mfd. Since 09/23)

Note: Bridge pin should not fit in hole at this

time.

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T-Handle

4. Place T-handle reamer in (1) bridge pin hole,

and gently twist reamer clockwise, making one complete revolution (see Figure 23).

Note: It is important not to take too much

material out of hole. Bridge pins should be snug fitting.

3. Gently slide decal off decal sheet into position around sound hole, as shown in Figure

24.

Reamer

Figure 23. Reaming bridge pin hole.

5. Test fit bridge pin in reamed hole.

— If bridge pin does go into hole and fits

snugly, fitting is complete. Proceed to next hole.

— If bridge pin does not go into hole and

fit snugly, repeat Step 3.

Bridge Pin

Hole

Bridge

Guitar

Body

Guitar

Neck

Figure 24. Sliding decal onto body.

Lightly press down on decal with dampened

fingers and slowly slide decal sheet from underneath decal (see Figure 25).

Note: As you get closer to fitting bridge pin, it

may be advisable to only rotate reamer turn. This will avoid removing too much material and having bridge pins that fit too loosely.

⁄2

Attaching Sound

Hole Decal

The sound hole decal decorates the guitar and is easy to attach.

To attach sound hole decal:

1. Submerge decal sheet in water until decal

slides around easily with finger pressure. This usually only takes a few minutes.

2. Remove decal sheet (with decal) from water,

letting excess water run off.

Figure 25. Pressing decal flat to body.

When decal sheet is completely removed,

lightly press on decal with a dry cloth to remove excess water trapped underneath.

Let decal dry for at least eight hours.

Installing

Strap Button

The strap button is mounted at the bottom of the guitar body and acts as an anchor point for a strap. This installation should be performed after the finish has been applied to the guitar body.

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Model T33952/53/54 (Mfd. Since 09/23)

Button

To install strap button:

1. Locate centerpoint at bottom of instrument

and mark with pencil.

. Drill a hole 3⁄8" deep at marked location.

. Install strap button with M3 x 20 tap screw

and felt pad, as shown in Figure 26.

2. From back of headstock, slide tuning

machine posts through headstock and seat (see Figure 27).

Headstock

Tuning Machine Seat

Tuning Machine

Washer

Figure 26. Strap button installed.

Installing Tuning

Machines

The supplied tuning machines are mirrored pairs: three for the left side of the headstock, three for the right. Each tuning machine consists of the parts shown in Figure 27.

Note: Unless otherwise indicated, we recommend using a drill press for drilling in this manual to obtain the most precise results. However, an electric/cordless drill fitted with a depth stop or a drill stand can be used if you do not have a drill press.

Tuning

Machine

Screw

Figure 27. Installing tuning machines.

3. Position tuning machine buttons to outside of

headstock.

4. Set a straightedge across the top of each pair of machine tuners to ensure they are parallel with each other from side to side (see Figure

28).

Secure each tuning machine to headstock

with (1) tuning machine screw, as shown in Figure 28.

Checking

Machine

Tuner

Parallelism

from Side

to Side

Tuning Machine Post

Tuning Machine

x 6

To install tuning machines:

1. Using a non-marring mallet, tap each of (6)

machine seats with washers into pre-drilled holes on front of headstock.

Note: Install tuners in pairs, from side to side.

Place a straight edge across tops of tuning machines to ensure they are parallel (see Figure 27).

Model T33952/53/54 (Mfd. Since 09/23)

Figure 28. Tuning machine components

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Installing Strings

4. Route string to inside of corresponding tuning

peg and through peg hole.

The correct position of the guitar strings is shown in Figure 29. The thin High E string is called the "1st" string and the thick Low E string is called the "6th" string.

Figure 29. Correct guitar string position.

To install guitar strings:

Insert ball end of string into corresponding

bridge hole.

. Slide a bridge pin over string.

Slide bridge pin down string and into bridge

3. hole (see Figure 30).

Note: Allow enough string slack to complete

2–3 winds around tuning peg.

Turn tuning button counterclockwise to tight-

en string.

Note: DO NOT over-tighten string at this

time. Final string tuning will be discussed later in manual.

Use wire cutters to cut off excess string.

7. Repeat above process for remaining strings.

Setting String Height

The string height is the distance between the top of the fret and the bottom of the string (see Figure 31). Correct string height is crucial for maximizing the playability of the guitar. Measurements are taken at the 1st and 12th frets.

You can use a variety of tools to check string heights on guitars, including feeler gauges, a fine ruler ( gauges, all of which are available at your local shop or online.

⁄64") resolution, and guitar string height

Note: Press bridge pin securely so it will not

come loose under string tuning tension.

Figure 30. Installing strings.

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String

String Height

Fretboard

Figure 31. String height measurement (side view).

Model T33952/53/54 (Mfd. Since 09/23)

To set string height:

Check string heights of 1st and 6th strings at

1st fret. Measurements should be 1⁄64" at 1st

string and

Guitar Body

1st Fret

⁄32" at 6th string (see Figure 32).

Nut

6th String:

1st String:

⁄32"

⁄64"

Figure 32. Correct 1st fret string heights.

— If string heights are correct, then move to

continue to Tuning on this page.

— If string heights are not correct at 12th fret,

this is an indication that grooves in saddle need to be adjusted. We recommend having a qualified guitar technician raise or lower nut before continuing with string height adjustment at saddle.

Tuning

Tuning is the most important concept of playing a guitar. If the guitar is not in tune with itself, or the other instruments in an ensemble, the resulting music will not sound pleasing to the ear. Having a good understanding of tuning is essential to maximizing the full potential of any guitar.

— If string heights are correct, then proceed

to Step 2.

— If string heights are not correct at 1st fret,

this is an indication that grooves in string nut need to be adjusted. We recommend having a qualified guitar technician raise or lower nut before continuing with string height adjustment at 12th fret in next step.

Check string heights of 1st and 6th strings at

12th fret. Measurements should be 3⁄64" at 1st

string and

6th String:

⁄64" at 6th string (see Figure 33).

⁄64"

Guitar Body

Important issues to consider when tuning a guitar:

• Get into the habit of tuning the guitar every time it is picked up to be played.

• Always tune the strings "up." The final tuned tension of each string should be reached while tightening the string, not loosening it. If the string is tensioned too far, loosen the tension and tune "up" again.

• The goal when tuning is to make the strings in tune with one another. Standard tuning is shown in Figure 34.

12th Fret

1st String: 3⁄64"

Figure 33. Correct 12th fret string heights.

Model T33952/53/54 (Mfd. Since 09/23)

Figure 34. String tuning notes.

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• The easiest way to tune a guitar is using an electronic tuner. There are a wide variety of these available in music stores, or online with a wide variety of prices as well. However, with practice, you can learn how to tune a guitar by ear—a skill used by many accomplished guitar players.

To tune guitar:

Perform same tuning steps on 4th and 3rd

strings.

. When tuning 2nd string, 3rd string should be

fretted at 4th fret instead of 5th fret.

Tune 1st string in same manner as 6th, 5th,

4th, and 3rd strings.

1. Play a known Low E pitch. A piano, a tuning fork, or an electronic computer file will work.

Play an open (non-fretted) 6th string. Goal is

to match open 6th string to known Low E pitch.

Adjust tuning peg until pitch of open 6th string

sounds exactly like known Low E source.

— If string is tuned too high, back tension off

and return string back up to match Low E pitch. Now other strings can be tuned to 6th string.

Next, 5th string needs to be tuned. Tone of

5th string must be matched to tone of 6th string by playing same note on each string, one after another. This is done by playing 6th string while it is being pressed (fretted) at 5th fret, and immediately after, playing open 5th string.

Listen to two tones. As two notes are still

resonating, adjust tuning peg of 5th string until two notes have matching tones. Remember to tune "up."

Guitar Setup

Congratulations—construction of your guitar kit is now complete!

At this point you may want to consider setting up the guitar to your own personal specifications.

"Setting up" your guitar can be as simple as swapping out the strings provided to the brand that is your personal favorite.

Setting up your guitar can also be a bit more complicated and technical. You can modify or adjust the guitar to match your preference for not only strings, but string height, or action, through nut and saddle adjustments, dialing in truss rod adjustments, and raising or lowering the bridge, to name just a few.

There are plenty of resources including books and websites that will guide you through that process. It is also possible to have your guitar taken to a guitar shop or licensed luthier and have them set up the guitar for you.

Again, congratulations and enjoy your new guitar!

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Model T33952/53/54 (Mfd. Since 09/23)

ACCESSORIES

order online at www.grizzly.com or call 1-800-523-4777

SECTION 5: ACCESSORIES

NOTICE

Refer to our website or latest catalog for additional recommended accessories.

H5332—Titebond Original Wood Glue

The industry standard for general woodworking applications. Provides strong initial tack and fast setting speed to reduce clamp time. Develops a bond stronger than the wood itself.

H5890—Repairman's Taper Reamer.

This Repairman's Taper Reamer reams holes

from for compact storage and 7 flutes for smooth bores. Reamer measures 5" long. Handle measures 3

⁄8" to 5⁄8" and features a removable handle

⁄2 " long.

Figure 35. H5332 Titebond Original Wood Glue.

H0927—Insta-Cure+ 2 oz.

Insta-Cure+ is a powerful CA or Cyanoacrylate adhesive in a two ounce bottle. Apply to one surface and then hold parts tightly together for about 5 to 15 seconds for a fast, permanent bond.

Figure 36. H0927 Insta-Cure+ 2 oz.

Figure 37. H5890 Repairman's Taper Reamer.

T30674—Pony 15' Band Clamp.

This clamp is ideal for round, irregular or awkwardly-shaped projects. It features 15' of 1" width high-strength nylon webbing and has a self-locking cam with quick release.

Figure 38. T30674 Pony 15' Band Clamp.

Model T33952/53/54 (Mfd. Since 09/23)

-23-

SECTION 6: PARTS

We do our best to stock replacement parts when possible, but we cannot guarantee that all parts shown are available for purchase. Call (800) 523-4777 or visit www.grizzly.com/parts to check for availability.

Main

6 7

11 12

8 9

17 18 19

REF PART # DE S CRIP TI ON REF PART # DE S CRIP TI ON

1 PT33952001 BODY QUILTED MAPLE 10 PT33952010 STRING SET 12-GAUGE 1 PT33953001 BODY FI DDLEBACK MAPLE 11 PT33952011 TUNING MACHINE SEAT 1 PT33954001 BODY KOA 12 PT33952012 TUNING MACHINE WASHER 2MM 2 PT33952002 NECK 13 PT33952013 WOOD SCREW M2 X 9 3 PT33952003 FRETBOARD 14 PT33952014 TUNING MACHINE 4 PT33952004 TRUSS ROD 15 PT33952015 SOUND HOLE DECAL 5 PT33952005 BRIDGE 16 PT33952016 BRIDGE TEMPLATE 6 PT33952006 STRING NUT 17 PT33952017 TAP SCREW M3 X 20 7 PT33952007 SADDLE 18 PT33952018 FELT PAD 8 PT33952008 BRIDGE PIN 19 PT33952019 STRAP BUTTON 9 PT33952009 DOWEL PIN 5 X 19

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BUY PARTS ONLI NE AT GRIZZLY.COM!

Scan QR code to visit our Parts Store.

Model T33952/53/54 (Mfd. Since 09/23)

WARRANTY & RETURNS

Grizzly Industrial, Inc. warrants every product it sells for a period of 1 year to the original purchaser from the date of purchase. This warranty does not apply to defects due directly or indirectly to misuse, abuse,

negligence, accidents, repairs or alterations or lack of maintenance. This is Grizzly’s sole written warranty

and any and all warranties that may be implied by law, including any merchantability or fitness, for any particular purpose, are hereby limited to the duration of this written warranty. We do not warrant or represent that the merchandise complies with the provisions of any law or acts unless the manufacturer so warrants.

In no event shall Grizzly’s liability under this warranty exceed the purchase price paid for the product and

any legal actions brought against Grizzly shall be tried in the State of Washington, County of Whatcom.

We shall in no event be liable for death, injuries to persons or property or for incidental, contingent, special, or consequential damages arising from the use of our products.

The manufacturers reserve the right to change specifications at any time because they constantly strive to achieve better quality equipment. We make every effort to ensure that our products meet high quality and durability standards and we hope you never need to use this warranty.

In the event you need to use this warranty, contact us by mail or phone and give us all the details. We will

then issue you a “Return Number,’’ which must be clearly posted on the outside as well as the inside of

the carton. We will not accept any item back without this number. Proof of purchase must accompany the merchandise.

Please feel free to write or call us if you have any questions about the machine or the manual.

Thank you again for your business and continued support. We hope to serve you again soon.

For further information about the

scan the QR

code below

to be automatically directed to our warranty page.

warranty, visit https://www.grizzly.com/forms/warranty or

WARRANTY

Grizzly T33952, T33953, T33954 User guide

Specifications and Main Features

Frequently Asked Questions

User Manual

INTRODUCTION

Contact Info

Description

Manual Accuracy

Identification

Glossary Of Terms

SECTION 1: SAFETY

SECTION 2: SETUP

Needed for SetupUnpacking

Inventory

SECTION 3: SANDING

Body

Neck

Bridge

Fitting Neck to Body

SECTION 4: ASSEMBLY

Attaching

Neck to Body

Installing Truss Rod

Attaching Fretboard

Attaching Nut

Preparing to Finish

Painting/Finishing

Attaching Bridge

Fitting Bridge Pins

Installing Strings

Setting String Height

Guitar Setup

SECTION 5: ACCESSORIES

SECTION 6: PARTS

Main

WARRANTY & RETURNS