Information on the following pages provides important safety guidelines
for both Operator and Service Personnel. Specific warnings and cautions
will be found throughout the manual where they apply, but may not
appear here. Please read and follow the important safety information,
noting especially those instructions related to risk of fire, electric shock or
injury to persons.
WARNING
Any instructions in this manual that require opening the
equipment cover or enclosure are for use by qualified service
personnel only. To reduce the risk of electric shock, do not
perform any servicing other than that contained in the operating
instructions unless you are qualified to do so.
Symbols and Their Meanings
The lightning flash with arrowhead symbol, within an equilateral triangle,
alerts the user to the presence of Òdangerous voltageÓ within the productÕs
enclosure that may be of sufficient magnitude to constitute a risk of electric
shock to persons.
The exclamation point within an equilateral triangle alerts the user to the
presence of important operating and maintenance (servicing) instructions
in the literature accompanying the appliance.
The fuse symbol indicates that the fuse referenced in text must be replaced
with one having the ratings indicated.
This symbol represents an internal protective grounding terminal. Such a
terminal must be connected to earth ground prior to making any other
connections to the equipment.
xi
Safeguards and Notices
Warnings
This symbol represents an external protective grounding terminal. Such a
terminal may be connected to earth ground as a supplement to an internal
grounding terminal.
CAUTION
This equipment contains static sensitive components. Use anti-static grounding
equipment whenever handling or servicing modules and components. When circuit
modules are removed from the frame, place them on a flat static controlled surface.
Failure to follow this precaution can result in component damage due to
electrostatic discharge.
■
Heed all warnings on the unit and in the operating instructions.
Do not use this product in or near water.
■
Disconnect AC power before installing any options.
■
This product is grounded through the grounding conductor of the
■
power cord. To avoid electrical shock, plug the power cord into a
properly wired receptacle before connecting the product inputs or
outputs.
Route power cords and other cables so that they are not likely to be
■
damaged.
■
Disconnect power before cleaning. Do not use liquid or aerosol
cleaners; use only a damp cloth.
■
Dangerous voltages exist at several points in this product. To avoid
personal injury, refer all servicing to qualified personnel.
Do not wear hand jewelry or watches when troubleshooting high
■
current circuits, such as the power supplies.
During installation, do not use the door handles or front panels to lift
■
the equipment as they may open abruptly and injure you.
■
To avoid fire hazard, use only the specified correct type, voltage and
current rating as referenced in this service manual.
xii
■
To avoid explosion, do not operate this product in an explosive
atmosphere unless it has been specifically certified for such operation.
■
Have qualified personnel perform safety checks after any completed
service.
To avoid electrical shock hazard, do not open covers or access doors.
■
Dangerous voltages are present even with the AC power switch in the
OFF position.
Cautions
Safeguards and Notices
■
To prevent damage to equipment when replacing fuses, locate and
correct the trouble that caused the fuse to blow before applying power.
■
Verify that all power supply lights are off before removing the power
supply or servicing equipment.
Use only specified replacement parts.
■
Follow static precautions at all times when handling this equipment.
■
■
Leave the back of the frame clear for air exhaust cooling and to allow
room for cabling. Slots and openings in the cabinet are provided for
ventilation. Do not block them.
■
The front door is part of fire enclosure and should be kept closed
during normal operation.
To prevent damage to this equipment read the instructions in this
■
document for proper input voltage range selection.
Circuit boards in this product are densely populated with surface
■
mount and ASIC components. Special tools and techniques are
required to safely and effectively troubleshoot and repair modules that
use SMT or ASIC components. For this reason, service and repair of
GVG products incorporating surface mount technology are supported
only on a module exchange basis. Customers should not attempt to
troubleshoot or repair modules that contain SMT components. GVG
assumes no liability for damage caused by unauthorized repairs. This
applies to both in- and out-of-warranty products.
xiii
Safeguards and Notices
North American Power Supply Cords
Each power cord for this equipment is supplied with a molded grounding
plug at one end and a molded grounding connector (IEC 320-C13) at the
other end. Conductors are color coded white (neutral), black (line), and
green or green/yellow (ground).
Operation of this equipment at voltages exceeding 130 VAC will require
power supply cords which comply with NEMA configurations.
Black
White
Green or Green
with Yellow stripe
Line
Neutral
Ground
(Earth)
NOTE: This U.S. cord
is for 110/125VAC Only.
If 220VAC, it has two hot
lines and no neutral.
International Power Supply Cord
Each power cord for this equipment is supplied with a molded grounding
connector (IEC 320-C13) at one end and stripped leads (50/5 mm) at the
other end. Conductors are CEE color coded, light blue (neutral), brown
(line) and green/yellow (ground). Other IEC 320 C-13 type power supply
cords can be used if they comply with the safety regulations of the country
in which they are installed.
Brown
Blue
Green with
Yellow stripe
Line
Neutral
Ground
(Earth)
NOTE: This International cord is for
BOTH 110 and 220VAC
Europe uses single or 3-phase 230 VAC,
one hot line and 1 neutral.
xiv
EMC Regulatory Notice
Federal Communications Commission (FCC) Part 15 Information
This device complies with Part 15 of the FCC Rules. Operation is subject
to the following two conditions:
(1) This device may not cause harmful interference.
(2) This device must accept any interference received including
interference that may cause undesirable operations.
5389/336/EEC EMC Directive
Safeguards and Notices
EN500081-1
EN55022
WARNING
This is a Class A product. In a domestic en vironment this pr oduct
may cause radio interference, in which case the user may be
required to take adequate measures.
xv
Safeguards and Notices
xvi
1
Introduction
System Overview
Welcome to the Model 1200 Service manual. This manual will help you
become familiar with the Model 1200 Component Digital Production
Switcher, install it in your facility, and maintain it in good operating
condition. In order to get the most out of this manual, we suggest you
follow these steps:
Section Contents
■
Read this section to gain an overview of the system and its components.
■
Read Section 2ÐInstallation completely. Then return to the beginning of
the section and follow the instructions step by step to set up the
switcher in your studio.
Skim Section 3ÐFunctional Description to gain a deeper understanding
■
of the overall design of the system.
■
Read Section 4ÐMaintenance to become familiar with routine
maintenance requirements and the diagnostic tools available to you.
This section of the Service manual contains the following information:
Model 1200 Physical DescriptionÑpage 1Ð2
■
■
Model 1200 Features and OptionsÑpage 1Ð3
■
Model 1200 Functional OverviewÑpage 1Ð6
■
Model 1200 System SpecificationsÑpages 1-8 through 1-12
1-1
Section 1 Ñ System Overview
Model 1200 Physical Description
The Model 1200 Switcher (Figure 1-1) consists of two main assemblies: the
Control Panel and the Signal Processor Frame. The frame contains the
input/output options (back of frame), the video and key processing
boards, the system control processor, and the frame power supply. A single
Many internal mattes: background matte, matte fill for each keyer,
matte for each Borderline mode, wipe edge matte, preset pattern edge
matte, and mattes generated by specific crosspoints when enabled
using the terminal.
■Program Mixer is standard. Preview Mixer is optional.
1-3
Section 1 Ñ System Overview
Keyers
■One effects keyer and one downstream keyer (DSK) standard. A
second effects keyer is optional.
■Each keyer is a self-contained submodule that mounts on the Keyer
Board. Keyers can be swapped for troubleshooting.
■Each keyer creates luminance, linear, and preset pattern keys from any
Key Bus input. Keys can be split (separate source and fill crosspoints).
■One Chroma Keyer option submodule mounts on the Crosspoint Board
and can be assigned to any of the three keyers. Can create a chroma key
from any Key Bus input and includes its own adjustable force box
mask.
■Effects backgrounds and keys can be transitioned on or off separately
or simultaneously.
■Separate DSK controls include cut, frame-accurate automatic mix, and
frame-accurate to black.
Interfacing
■Keys can be inverted and masked, and key layers can be adjusted for
layer opacity and edge softness.
■Selectable priority (which effects key layer appears over the other).
keys, and preset patterns over switcher backgrounds using an external
DPM. (Effects Send/Aux Output option required.)
■Z-Keyª Depth option submodule mounts on Program or Preview
Mixer Board and allows keying from Graphics Factory or Kaleidoscope
depth inputs. Depth is adjustable.
■Optional Borderline
¨
Key Edger submodule mounts on each keyer
submodule and adds borders, drop shadows, outlines, or extrusions to
key effects. Up to three options may be installed (one per keyer).
■A single interconnecting cable carries data between the frame and the
control panel.
■Ports may be programmed for various protocols, baud rates, etc.
1-4
■Contact-closure GPI interface includes 8 inputs for external triggering
of switcher operations and 8 outputs for switcher triggering of other
devices. GPI Outputs can be synchronized with switcher transitions.
All GPIs, inputs and outputs, are programmable to be activated from a
wide range of switcher events.
■Sixteen tally relay outputs corresponding to the 16 video/key inputs.
■Optional Satellite Auxiliary Bus Control Panel can be installed at a
remote location for remote control of Auxiliary Buses.
E-MEM Effects Memory System
Model 1200 Features and Options
Outputs
■Twenty panel-operated E-MEM
¨
registers store and recall effects and
transitions.
■Storage of auto transitions as well as effects in a single register. Effect is
recalled first, followed by the specified transition(s).
■Built-in floppy drive saves E-MEM register contents and switcher
configuration data to floppy disk. Also allows easy loading of software
updates from floppy disks.
■All outputs are optional. Digital output options consist of submodules
that plug into the back of the frame and are secured by screws. Analog
output options use existing BNCs on the back of the frame.
■Optional parallel digital or serial digital video outputs may include
PGM 1, PGM 2, PGM KEY 1, PGM KEY 2, PVW, CLEAN FEED, AUX
OUT 1 (SEND 1), and AUX OUT 2 (SEND 2). Submodules containing
the output circuits and connectors plug into slots in the back of the
frame.
■Optional Analog Output submodules for the Program and Preview
Mixers deliver PGM and PVW component analog outputs to existing
frame BNC connectors. Outputs can be set by the user for YUV, RGB, or
Y/R-Y/B-Y format.
Miscellaneous
■PGM output delay relative to reference input is 63 µs, nominal.
■A keyboard is required to assign Signal and Crosspoint names and to
access the menu diagnostics. Use either a keyboard acquired from
Grass Valley (Marquardt Mini Board Keyboard #EA2452) or a standard
PC/AT keyboard. The keyboard requires an adaptor (CA4216) which
is included with the Model 1200.
■Optional look-ahead preview system consists of a Preview Mixer Board
that installs in the bottom slot in the front of the frame.
■A built-in power supply resides inside the frame. No mounting or
interconnection is required. The power supply provides D.C. power to
the frame. It provides .99 Power Factor Correction in compliance with
European requirements; prevents peaks from tripping circuit breakers
and reduces harmonics.
■A power supply resides inside the control panel.
■Automatic 525/625 standard selection based on reference input.
1-5
Section 1 Ñ System Overview
Model 1200 Functional Overview
The Model 1200 architecture (Figure 1-2) consists of a single mix/effects
system with two keyers and a downstream keyer. Video inputs selected on
the background crosspoint buses enter a pair of program and preview
mixers. Video and key inputs selected on the key crosspoint bus are first
processed in the keyer circuits.
If effects send mode is off, the keyer outputs go directly to the mixers, and
any aux bus selections go directly to the aux outputs. If effects send mode
is on, the source and fill outputs of one of the keyers are routed via the aux
bus outputs to a DPM.
••••••••••••
••••••••••
••••••••••••
••••••••••
••••••••••••
••••••••••
••••••••••••
••••••••••
SERIAL
INPUT
OPTION
SERIAL
INPUT
OPTION
SERIAL
INPUT
OPTION
SERIAL
INPUT
OPTION
PARALLEL
INPUT
OPTION
PARALLEL
INPUT
OPTION
CHROMATTE™
4:2:2/4:4:4 CHROMA
KEY OPTION
CROSSPOINT
MODULE
AUX 1
AUX 2
V
K
V
K
V
K
MIX/EFFECTS
KEYER 1
SECOND
MIX/EFFECTS
KEYER
OPTION
DOWNSTREAM
KEYER
KEYER CARRIER AND
EFFECTS SEND
MODULE
BORDERLINE
KEY EDGE
GENERATOR
OPTION
BORDERLINE
KEY EDGE
GENERATOR
OPTION
BORDERLINE
KEY EDGE
GENERATOR
OPTION
V
EFFECTS
K
SEND
AND
AUX BUS
SIGNAL
ROUTING
V
K
V
K
V
K
V
K
V
K
1-6
••••••••••••
••••••••••
••••••••••••
••••••••••
••••••••••••
••••••••••
••••••••••••
••••••••••
PARALLEL
INPUT
OPTION
PARALLEL
INPUT
OPTION
PROGRAM BACKGROUND
PRESET BACKGROUND
Note: Digital video/key inputs and outputs may be
either serial or parallel as specified when ordered.
Figure 1-2. Model 1200 Simplified Functional Block Diagram
Model 1200 Functional Overview
The aux buses automatically select the manipulated key and fill inputs
returning from the DPM and apply them to the corresponding mixer.
The mixers multiply the processed background and key signals to produce
mixed effects video. The effects video enters the downstream key mixers
where the DSK signal is mixed over the effects layer. The final output
signals then pass through output processing to the various analog, serial
component digital, and parallel component digital outputs.
EFFECTS
SEND &
AUX BUS
OUTPUT
OPTION
DIGITAL-TO-ANALOG
CONVERTER
OPTION
PROGRAM
MIXER
V
K
V
K
EFFECTS
MIXER
Z-KEY™ DEPTH
PROCESSOR
OPTION
LOOK-AHEAD PREVIEW
MIXER OPTION
DOWNSTREAM
KEY MIXER
PARALLEL
PROGRAM
OUTPUT
OPTION
SERIAL
PROGRAM
OUTPUT
OPTION
••••••••••••
••••••••••
••••••••••••
••••••••••
••••••••••••
••••••••••
••••••••••••
••••••••••
SEND VIDEO
OR AUX 1 OUT
SEND KEY
OR AUX 2 OUT
ANALOG
PROGRAM
VIDEO
(YUV, RGB,
OR Y R-Y B-Y)
VIDEO
PGM 1
KEY
PGM 1
VIDEO
PGM 2
KEY
PGM 2
PGM
PST
EFFECTS
V
K
MIXER
Z-KEY™ DEPTH
PROCESSOR
OPTION
DOWNSTREAM
KEY MIXER
DIGITAL-TO-ANALOG
CONVERTER
OPTION
PREVIEW
&
CLEAN
FEED
OUTPUT
OPTIONS
PREVIEW
VIDEO
CLEAN FEED
VIDEO
ANALOG
PREVIEW
VIDEO
(YUV, RGB,
OR Y R-Y B-Y)
1-7
Section 1 Ñ System Overview
Model 1200 System Specifications
Model 1200 specifications are listed in Table 1-1. The specifications for the
Model 1200 are subject to change without notice.
Table 1-1. Model 1200 System SpeciÞcations
ParameterValue
Environmental Characteristics
Operating Ambient Temperature
Range
Ambient T emper ature for
Specifications
Relative Humidity 95% Maximum (Non-Condensing)
0 - 40° C (32 - 104° F)
20 - 30° C (68 - 86° F)
Frame Mechanical SpeciÞcations
Depth24.8 inches (630 mm)
WidthStd 19 inches (483 mm)
Height10.25 inches (260 mm)
Rack Units6
Weight80 lbs. (36.3 kg)
Control Panel Mechanical SpeciÞcations
Depth17.42 inches (443 mm)
Width29.00 inches (260 mm)
1-8
Height10.66 inches (260 mm)
Weight48 lbs. (21.8 kg)
Frame Power SpeciÞcations
Power400 Watts Maximum 99PFC
V oltage100-240 VAC autoranging
Frequency50-60 Hz
Model 1200 System Specifications
Table 1-1. Model 1200 System SpeciÞcations - (continued)
ParameterValue
Control Power SpeciÞcations
Pow er200 Watts Maximum
Voltage90-135 VAC & 180-265 VAC (Manual)
Frequency50-60 Hz
Analog External Reference Input Video
Input TypeAnalog 525 lines, 60 Hz vertical rate or Analog 625 lines,
Impedance75 ohms, BNC, Bridging
Input Signal Level1 volt pp with sync and burst
Return Loss> 36 db to 5 MHz
50 Hz vertical rate
Parallel Digital Input Characteristics
Inputs Per Module2
Connector25 Pin Female D Type with Screw Locks
Input Impedance110 ohms ± 10%, terminating
Autotiming Range± 24 µS
Maximum Cable Length Without
External Equalization
Number Of Bits10 or 8 (Selectable)
Auxiliary DataAuxiliary data is blanked
15 Meters (50 feet)
Serial Digital Input Characteristics
Inputs Per Module2 (two) 75 ohm BNC
Return Loss> 15 dB 5MHz to 270 MHz
Autotiming Range± 24 µS
Maximum Cable Length Without
External Equalization
Number Of Bits10
Auxiliary DataAuxiliary data is blanked
300 Meters (984 feet) using Belden 8281
1-9
Section 1 Ñ System Overview
Table 1-1. Model 1200 System SpeciÞcations - (continued)
ParameterValue
Analog CAV Output Characteristics
Number Of Outputs1 PGM, 1 PVW (both optional)
Luminance1.0 Volt pp with sync
Color Difference350 mV pp bipolar
DC On Output Blanking Level< 50 mV
Output Return Loss> 40 dB to 5 MHz
Output Y/C Timing Error< 10 ns
Number Of Outputs3
Number Of Outputs1 PGM, 1 PVW (both optional)
Parallel Digital Output Characteristics
Number Of Outputs Per Module2
Connector25 Pin Female D Type with Screw Locks.
Output Impedance110 ohms ± 10%
Output Amplitude800 mV pp, terminated
DC Level On Output< 50 mV
Number Of Bits8 or 10 bits (Selectable)
Maximum Cable Length15 meters (50 feet)
Auxiliary DataAuxiliary data is blanked
1-10
Model 1200 System Specifications
Table 1-1. Model 1200 System SpeciÞcations - (continued)
ParameterValue
Serial Digital Output Characteristics
Outputs Per Module2 (two) 75 ohm BNC
Return Loss> 15 dB 5MHz to 270 MHz
Output Amplitude800 mV pp terminated
DC Level On Output< 50 mV
Rise and Fall TimeBetween 0.75 ns and 1.5 ns
Maximum Cable Length300 meters (984 feet) using Belden 8281
Number Of Bits10 bits
Aux DataAuxiliary data is blanked
Video System Characteristics (Analog Out)
Frequency Response4 x 3 Aspect: 0.2 dB to 5.5 MHz, -60 dB above 8.0 MHz
Group Delay Error± 6 ns to 5 MHz
Field Rate Tilt< 0.25%
K Factor (2t Pulse)< 0.25%
K Factor (Bar)< 0.25%
K Factor (Pulse to Bar)< 0.25%
Signal/P-P Noise Ratio> 60 dB unweighted, 5 MHz bandwidth
Line Time Non Linearity< 0.5%
Gain Stability1%
Y/C Delay ± 5 ns
16 x 9 Aspect: 0.2 dB to 7 MHz, -60 dB above 10.5 MHz
Crosstalk> 50 dB
1-11
Section 1 Ñ System Overview
Table 1-1. Model 1200 System SpeciÞcations - (continued)
ParameterValue
Serial Digital Output Characteristics
Maximum Number Of Inputs16, parallel or serial digital
Blanking Width10.222 microseconds (525 line)
Number Of Quantization Bits10 minimum
Mix Tracking Error1 LSB
Linearity During MixLinearity Is Not Affected By Mix
Frequency Response During MixResponse Is Not Affected By Mix
Path Length63 microseconds, nominal
Rounding Method (Digital Only)Adaptive Bit Reduction™ (Patent Pending)
10.666 microseconds (625 line)
1-12
2
Introduction
Installation
This section describes the installation and setup of a Model 1200 Digital
Switcher. The following main topics are discussed:
■UnpackingÑpage 2Ð2
■Information Required Before InstallationÑpage 2Ð2
■Control Panel InstallationÑpage 2Ð4
■Signal Processor Frame InstallationÑpage 2Ð6
■Cable RoutingÑpage 2Ð7
■Cabling ConnectionsÑpage 2Ð8
■AC Power Connection and System PowerupÑpage 2Ð16
■System SetupÑpage 2Ð19
■Option InstallationÑpage 2Ð34
■Analog Output Option InstallationÑpage 2Ð36
2-1
Section 2 Ñ Installation
Unpacking
The Model 1200 is packaged in several boxes:
■One containing the Signal Processor Frame
■One containing the Control Panel
■One containing the panel cable, power cord, pushbutton lens chips,
keyboard adaptor cable, and instruction manuals
Check the contents of each box against the packing slip to ensure that you
received everything that you ordered. If anything is missing or damaged,
contact your supplier immediately.
Information Required Before Installation
Required Tools and Supplies
The following tools and supplies are required but not supplied:
■A standard PC/AT keyboard or a keyboard acquired from Grass
Valley (Marquardt Mini Board Keyboard #EA2452). The keyboard
requires an adaptor (CA4216) which is included with the Model 1200.
■Assorted Screwdrivers: Flat-blade, Phillips, and T10 TORX (optional)
■Nutdriver and assorted sockets
■Drill and 5/32Ó or 4 mm bit for drilling holes to mount the panel
■Ten #6 screws, nuts, and washers for securing the panel to the desk
■Four #6-32 machine screws, nuts, and washers for securing the rear
mounting brackets to the panel
■Four #6 screws, nuts, and washers for securing the rear mounting
brackets to the desk
■Four suitable screws and nylon washers for securing the frame in the
rack
■A mechanical lifting device or two or more people to lift the frame
■Video cables: serial 75 ohm BNC cables and parallel component digital
video cables with male 25-pin D connectors
2-2
■Connectors and wiring: Male 25-pin D connectors, male 9-pin D
connectors, plus wire and sheathing for assembling data cables
Summary of Installation Specifications
Helpful specifications are summarized below. For additional
specifications, refer to the end of Section 1ÐSystem Overview.
■Output Delay: 63 microseconds relative to inputs (nominal).
Information Required Before Installation
Safety Requirements
To prevent injury or equipment damage, please read and follow the safety
precautions listed below.
WARNING
The fully configured Model 1200 Signal Processor Frame weighs
about 80 lbs (36 kg). Use appropriate equipment to support it
during installation.
WARNING
To help protect users against electric shock, ensure that the
Signal Processor Frame power supply is connected to earth
ground via the ground wire provided in the AC power input cor d.
CAUTION
To prevent static damage to sensitive electronic components, protect the Model
1200 Digital Switcher from static discharge: Touch the Frame before you remove
any modules. This helps ensure that any potential difference between your body
and the frame is dissipated. If you handle the modules or make any repairs to them,
use a grounding strap, grounded mat, and grounded equipment.
2-3
Section 2 Ñ Installation
Control Panel Installation
The control panel consists of a single unit which you can place on a desktop
as shown in Figure 2-1 or flush mount in a console as shown in Figure 2-2.
Be sure to leave room behind the panel for making cable connections and
above the panel for opening the lid.
23.28 in.
(591 mm)
Note: Leave 6 inches (152 mm)
of space behind the panel for
cable connections.
10.66 in.
(271 mm)
Display
16.57 in. (421 mm)
17.36 in. (441 mm)
17.42 in. (443 mm)
Desk Mount
Lower Panel Surface
Side View
Front View
Splash Panel
2.23 in.
(57 mm)
0.83 in.
(21 mm)
2-4
Tub
27.71 in. (704 mm)
29.00 in. (737 mm)
Figure 2-1. Control Panel Dimensions
20.22 in.
(514 mm)
Control Panel Installation
6.05 in.
(154 mm)
5.31 in.
(135 mm)
Important: Install the mounting
brackets on the rear of the
panel using four #6-32
screws. Secure the brackets
to the desk using four #6
wood screws. The mounting
flange at the front is not
capable of supporting
the entire panel.
Figure 2-2. Dimensions for Flush-Mounting the Panel in a Console
2-5
Section 2 Ñ Installation
Signal Processor Frame Installation
The Signal Processor Frame (assembly 094900) mounts in a standard 19inch wide equipment rack and requires 6 rack units of vertical space. Install
the frame into the rack from the front, and secure it at the front edges with
screws and nylon washers (not supplied) and at the back with the supplied
rear support plate and bracket. Refer to Figure 2-3 for details.
NOTE:
Leave about 36 inches (914 mm) of open space in front and 18Ó (457 mm)
or more behind the equipment rack to allow use of module extenders and to provide
easy access to cables. Also leave open space at the sides for cooling air flow.
WARNING
The frame is heavy (about 80 lbs, 36 kg). To prevent injury, use a
mechanical lifting device to lift the frame into position. Also
secure the equipment rack to the floor to prevent it from toppling
when the frame is installed.
WARNING
The frame is heavy. Use a mechanical
lifting device to lift it into position.
24.8 in. (630 mm)
REAR CLEARANCE 18" (457 mm)
REAR SUPPORT BRACKET
Attach to rack rail and insert
rear support plate.
17.25 in.
(438 mm)
12.87 in.
(327 mm)
TP0626-06
COOL AIR INTAKE
Allow space on sides
for air flow
COOL AIR INTAKE
FRONT CLEARANCE
36" (914 mm)
2-6
6
RACK-UNITS
10.5 in.
267 mm
19.00 in.
(483 mm)
Standard 19" Rack
EXHAUST AIR
Allow space on
sides for air flow
REAR SUPPORT PLATE
Move as needed to fit into
rear bracket. Rear support
is required.
Figure 2-3. Installing the Signal Processor Frame in a Standard 19-inch Rack
Cable Routing
Cable Routing
To ensure that the switcher complies with electromagnetic interference
specifications, you must bundle the digital video and key input/output
cables together and route them along the rack rails away from the analog
video and data cables as shown in Figure 2-4.
Rack Rail
Bundle and route digital video
cables along rack rail away from
analog video and data cables
Bundle and route analog
video and data cables
along rack rail away from
digital video cables
PARALLEL INPUT MODULE
I
INPUT 1 J1INPUT 2 J2INPUT 3 J3INPUT 4 J4
N
P
INPUT 5 J5INPUT 6 J6INPUT 7 J7INPUT 8 J8
U
INPUT 9 J9INPUT 10 J10INPUT 11 J11INPUT 12 J12
T
S
INPUT 13 J13INPUT 14 J14INPUT 15 J15INPUT 16 J16
AUX OUT 1 J17AUX OUT 2 J18PGM OUT 1 J19PGM KEY OUT 1 J20
CLEAN FEED J21PVW OUT J22PGM OUT 2 J23
O
U
T
P
U
T
S
SERIAL INPUT MODULE
SERIAL OUTPUT MODULE
PGM KEY OUT 2 J24
REAR OF FRAME
EXT. REF. INPUT
(LOOPING)
J25J26
GPITTY/TALLY
PVW
Y
U
V
J36
J37
J38
J28J27
J31J30J32
GRASS VALLEY GROUP
MODEL 1200
VOLTAGE: 100–240VAC ~
CURRENT: 4A
FREQUENCY: 50–60HZ
CAUTION
REPLACE FUSE AS MARKED
100V–240V 5A F 250V
5A FUSE
& SPARE
MODEMDPMEDITOR
ANALOG
OUTPUTS
PGM
Y
J33
U
J34
V
J35
CONTROL
PANEL
–
RISK OF FIRE
Rack Rail
J29
J39
Figure 2-4. Proper Routing of Cables to the Frame
2-7
Section 2 Ñ Installation
Cable Connections
Refer to Figure 2-5 and Figure 2-6 while following the instructions on
page 2Ð10 through page 2Ð14, which explains how to cable the required
connections for a Model 1200.
Serial and Parallel Component Digital Inputs 1-16
CCIR601 4:2:2 525 or 625 lines
PARALLEL INPUT MODULE
SERIAL IN
I
INPUT 1 J1INPUT 2 J2INPUT 3 J3
N
PARALLEL IN PARALLEL INPUT MODULE
P
INPUT 5 J5INPUT 6 J6INPUT 7 J7
PARALLEL INPUT MODULE
INPUT 9 J9INPUT 10 J10INPUT 11 J11
PARALLEL INPUT MODULEPARALLEL IN
U
T
PARALLEL IN
S
INPUT 13 J13INPUT 14 J14INPUT 15 J15
O
PARALLEL OUT PARALLEL OUTPUT MODULE
U
T
AUX OUT 1 J17AUX OUT 2 J18PGM OUT 1 J19
SERIAL OUTPUT MODULE
P
U
SERIAL OUT
T
S
2-8
CLEAN FEED J21PVW OUT J22PGM OUT 2 J23
Clean Feed Video
(Program without DSK)
Component Digital Output
Figure 2-5. Model 1200 Frame Backplane
Aux Bus 1 and 2
and Effects Send
Component Digital Outputs
Preview Video
Component Digital Output
Program Video
Component Digital
Outputs
Cable Connections
General Purpose I/FConnector
8 Inputs trigger switcher functions
8 Outputs trigger external devices
PUT MODULE
INPUT 4 J4
PUT MODULE
INPUT 8 J8
PUT MODULE
INPUT 12 J12
PUT MODULE
INPUT 16 J16
PUT MODULE
PGM KEY OUT 1 J20
PUT MODULE
PGM KEY OUT 2 J24
External Reference
Analog Color Black
NTSC or PAL
Video Input
EXT. REF. INPUT
(LOOPING)
J25J26
GPITTY/TALLY
MODEMDPMEDITOR
CONTROL
J28J27
J31J30J32
ANALOG
OUTPUTS
PGM
Y
PVW
Y
J33
U
U
J34
V
V
J35
GRASS VALLEY GROUP
MODEL 1200
VOLTAGE: 100–240VAC ~
CURRENT: 4A
FREQUENCY: 50–60HZ
CAUTION
REPLACE FUSE AS MARKED
100V–240V5A F 250V
J36
J37
5A FUSE
& SPARE
PANEL
–
RISK OF FIRE
J29
Panel-to-Frame
Connection
Terminal and
Tally Connector
Provides one tally for
each input. Also accepts
a VT-100 compatible
terminal or pc
Editor Serial I/O Port
Digital Picture
Manipulator
Serial I/O Port
Modem
Serial I/O Port
accepts a modem for
remote service by GVG
Program Luminance Key
Component Digital Outputs
Program and Preview Analog
Component Video Outputs
(Betacam, SMPTE, or EBU-N10)
J38
J39
AC Power Input
100-240 Vac, 50–60 Hz
.99 Power Factor Correction
400 Watts Maximum
2-9
Section 2 Ñ Installation
Control Panel J1 to Frame J29
Connect the supplied panel-to-frame control cable (assembly 054000) from
panel connector J1 (see Figure 2-6) to frame connector J29. If installing a
DPM-100/700 also, donÕt mix up the control cables because equipment
damage can result.
SERIAL COMM
ELECTRONICS FRAME
J5
J6J7
TO VIDEO
J1J2
TP0715-05
EXT REF IN
J3J4
Keyboard Connection
J5
Frame to Control Panel
Video Reference Signal Connection
Connection
J1
(typically Color Black)
Figure 2-6. Rear of Control Panel
Loop through Pair
2-10
External Reference Input to Frame J25/J26 and Panel J3/J4
Connect a reference source of analog color black video to frame connector
J25. Then connect a cable from frame connector J26 to panel connector J3 to
loop the reference to the panel. Loop the reference from panel connector J4
to another destination or terminate J4 with a 75-ohm precision termination.
The External Reference Input serves as the timing reference for all video
and key inputs to the switcher. The switcher senses the line rate (525 or 625)
and timing of the reference, and then sets the system for that line rate and
automatically times the inputs to match the reference.
Timing of the reference and the input timing window of the video inputs
can be adjusted together in the menus. This allows switcher output timing
to vary as needed to match other equipment in your system.
Digital Video and Key Inputs J1ÐJ16
Cable Connections
Digital video/key inputs J1ÐJ16 conform to CCIR 601 4:2:2 component
digital video standards and may be either serial or parallel, depending on
which input options have been ordered.
Input signals may be either 525 or 625 lines but must match the line rate of
the External Reference Input in order to function. All inputs are autotimed
and do not require timing adjustment as long as they fall within a range of
±24 mircoseconds. Inputs can be mapped to crosspoint columns, manually
adjusted for timing, and set for 8 or 10 bits using the Configuration submenus. Refer to instructions on setting up the control panel configuration
later in this section for details.
2-11
Section 2 Ñ Installation
Video and Key Outputs J17ÐJ24 and J33ÐJ38
Connect the video and key outputs to any desired destinations. Output
delay is approximately 63 µs relative to the inputs. Digital outputs conform
to CCIR 601 4:2:2 component digital video standards and may be either
serial or parallel, depending on which output options have been ordered.
All outputs match the line rate of the reference input (525 or 625). Because
outputs are optional, some outputs mentioned here may not be present in
your system.
Program (PGM) Output
The Program Output is the main signal output of the switcher. There may
be up to three identical Program outputs: PGM OUT 1 J19 (parallel digital),
PGM OUT 2 J23 (serial digital), and PGM ANALOG OUTPUTS J33ÐJ35
(analog component).
Program Key Output
The Program Key Output is a luminance key signal derived from the
Program video output. There may be up to two identical Program Key
outputs: PGM KEY OUT 1 J20 (parallel digital) and PGM KEY OUT 2 J24
(serial digital).
Preview (PVW) Output
The Preview Output, which is available only if the Preview Mixer and a
Preview Output option are installed, shows what the switcher output will
look like after the next transition occurs. Up to two identical outputs are
available: PVW OUT J22 (serial digital) and PVW ANALOG OUTPUT J36Ð
J38 (analog component).
Clean Feed Output
The Clean Feed Output J21 (serial digital) consists of PGM video minus the
downstream key.
2-12
Aux Bus/Effects Send Outputs
AUX OUT 1 J17 and AUX OUT 2 J18 provide outputs (parallel digital) for
Aux Buses 1 and 2, respectively, if the Aux Output option is installed.
When Effects Send mode is selected, J17 provides the Effects Send Key
Output, and J18 provides the Effects Send Fill Video Output.
Serial Ports J28, J30, J31, J32
The 9-pin serial interface ports may be used interchangeably for connection
to a number of serial devices as explained below. Cables and connectors are
not supplied, except for the Satellite Aux Panel.
For details about how to set the communication standard, protocol, and
baud rate for each port, see the instructions for setting serial port jumpers
and for using the terminal to set up serial ports later in this section.
Modem Connection
A modem typically connects to port J30 but can be connected to any port
except J29. The communication settings are RS-232, Modem protocol, 9600
baud, 8 bits, 1 stop bit, no parity.
Editor Connection
Cable Connections
An editor typically connects to J32 but can be connected to any port except
J28. For a Grass Valley editor, use a standard serial cable and set the port
for RS-422, Grass Valley 1200 Protocol, 38.4K baud, 8 bits, 1 stop bit, odd
parity.
DPM Connection
A DPM typically connects to port J31 but can be connected to any port
except J28. For a DPM-100/700, use a null modem cable and set the port for
RS-422, DPM Protocol, 38.4K baud, 8 bits, 1 stop bit, odd parity.
Satellite Auxiliary Panel Connection
The Satellite Aux Panel option can connect to any port except J28. Use the
control cable that comes with the option and set the port for RS-422, 200/
1200 Aux Protocol, 9600 baud, 8 bits, 1 stop bit, no parity. See the end of this
section for additional satellite panel installation details.
2-13
Section 2 Ñ Installation
Serial Port Jumper Settings
1.Remove the Control Processor module from the frame.
2.Locate the three sets of jumpers near the back left corner of the module.
3.Set the jumpers for the RS-232 or RS-422 communication standard as
4.Return the module to the frame.
required by equipment connected to the serial ports. The jumpers are
labeled to indicate which ports they control (Figure 2-7). Note that TTY
port J28 does not have a jumper because it is RS-232 only.
Jumpers shown in factory default positions. Change jumper settings
as required by the equipment connected to each serial port.
GPI J27 and Tally J28
GPI (General Purpose Interface) connector J27 (shown in Figure 2-8)
provides 8 input relay closures to a common and 8 output relays closures
to a common. The outputs allow remote triggering of external devices
(such as triggering a credit roll on a character generator). The inputs allow
remote triggering of a variety of switcher functions including transitions,
E-MEM recalls, Aux Bus Tally Back, and crosspoint map switching.
Using the GPI Inputs and GPI Outputs menus, you can assign which
switcher functions are controlled by the GPI inputs and you can assign
which switcher events will trigger GPI output relay closures. Input relays
require at least a 2-field closure to common, and outputs provide at least a
2-field closure to common.
DPM
RS232 RS422
J12
Figure 2-7. Serial Port Jumpers on the Control Processor Module
EDITOR
RS232 RS422RS232RS422
J11
MODEM
J10
2-14
Tally connector J28 provides 16 tally relay closures to a common input
corresponding to the 16 video/key inputs. These are typically used to light
camera tally lamps when the associated switcher input goes on air.
CAUTION
GPI and Tally relay maximum ratings are 28 volts, 100 mA, resistive load. To
prevent relay damage, do not exceed these ratings.
1.Plug the switcher frame power cord into the back of the Model 1200
frame at AC LINE IN connector J39 (Figure 2-9). Connect the other end
of the cord to an AC power source between 100 and 240 volts, 50Ð60 Hz.
2.Connect the control panel power cord to an AC power source.
Determine whether the power source is either within 90-135 Vac or 180265 Vac and set the manual switch located by the control panel plug to
the proper setting. Connect the other end of the cord into the back of the
Model 1200 control panel.
WARNING
To prevent danger of electric shock, ensure that the power
connector center conductor connects to a proper earth ground.
AC LINE IN
100-240V 50-60HZ
(AUTO-RANGING)
5A FUSE
& SPARE
Fuse Compartment Latch
Pull up and out to check fuse
WARNING!
Earth Ground Conductor
Connect to a proper
earth ground to prevent
danger of electric shock
Figure 2-9. AC LINE IN Connector J39
J39
3.Verify that all cabling is clear of cooling fans and that there are no loose
tools or other metal objects near power supply buses or connections.
4.Check that all Modules and Interconnect Adapters are seated firmly in
the frame.
2-16
5.Verify that the Control Panel and Signal Processor Frame AC power
cords are properly connected.
AC Power Connection and System Powerup
6.Raise the Control Panel and set the power supply switch to 1 (ON). See
Figure 2-10.
1
0
On (1)/Off (0)
Switch
Figure 2-10. Control Panel Power Switch
7.Set the power switch inside the frame front cover to the 1 (ON) position.
The following LEDs on the front of the frame modules should light:
■Control Processor Module Ñ DS1 Green +5V
■SPG Module (on Control Proc) Ñ DS1 525 Green or DS2 625 Green.
■Crosspoint Module Ñ DS1 Green +5V
■Keyer Module Ñ DS1 Green +5V, DS2 Green +5VA
■Mixer Module Ñ DS1 Green +5V, DS2 Green -5.2V
NOTE:
To meet RF/EMI specifications and to ensure proper cooling, the door on
the front of the Signal Processor must be closed.
Maintenance personnel should be familiar with the Control Panel and its usage.
For information and reference, see the Model 1200 Operation Manual.
8.In the event of a problem, refer to the Troubleshooting section of this
manual. If you are unable to resolve the problem using the
Troubleshooting information, contact your equipment supplier for
warranty service.
NOTE:
When the Model 1200 is powered up the system software installed at the
factory will automatically load. If there are any problems with the software, please
refer to Software Installation or Upgrade in the Maintenance section of this
manual.
2-17
Section 2 Ñ Installation
Restart
If the system becomes confused or locks up, you can restart it as explained
below. The effect you were working on will be lost, but E-MEM contents
and conÞguration Þles will remain intact.
MISC MENU
CLEAR
WRK BUF
1.Press the
panel (see Figure 2-11). Then press the
in the Miscellaneous Menu to clear the panel.
CLEAR
DP RAM
FACTORY
RESET
[MISC] menu button in the upper left corner of the control
[CLEAR WORK BUFFER] soft button
LAMPSAVER DELAY
= 20 MINUTES
– Warning –
CONFIRM
CANCEL
Exit
ON
OFF
LAMP SAV
ENABLE
SHUT DOWN will halt the frame
and require turning the frame
power OFF then ON or pressing the
frame reset button
SHUT
DOWN
Figure 2-11. Miscellaneous Menu
2.If clearing the panel didnÕt help, press the RESET switch on the Control
Processor module (064911) inside the switcher frame.
3.Finally, if neither of the above steps resolves the problem, turn the
frame and panel power switches off and on again.
LampSaver Panel Sleep Mode
Note that the switcher includes a ÒsleepÓ mode called LampSaver, which
is intended to extend pushbutton lamp life-span. When the switcher is idle
for an extended period (adjustable) all button lamps turn off. To wake up
the switcher, press any button or turn any knob. For details about the
LampSaver mode, see the description of the Miscellaneous menu in Section
3 of the Operation manual.
2-18
System Setup
System Setup
The following procedures allow you to configure the 1200 system to your
installation. Using the Configuration menus in the menu display, you can
assign sources to the crosspoints, configure the inputs, set output levels,
adjust system timing, and set other system parameters. These menu items
are accessed through the Configuration menu (Figure 2-12) on the Menu
Display subpanel.
CONFG
Menu Pushbuttons and Knobs
The display panel includes pushbuttons and knobs that work interactively
with the display menus to control the switcher:
■The white menu Òhot buttonsÓ at the left of the display activate the top
level menus.
■The black buttons and knobs surrounding the display are ÒsoftÓ
buttons and knobs that change function with each menu. Labels
displayed along the bottom and right edges of each menu indicate the
functions of the soft controls. The Ò>Ó display symbol indicates a lower
level menu that you can view when you press the associated soft
button.
System Params
Define Inputs
Crosspoints
Outputs
Timing
Ports
GPI
Tally
4:3/16:9, Edit Field Dom, System Clock
Define Inputs, Select CK Source, Xpt Legends
Map Inputs to Crosspoints
Configure Outputs
Switcher Timing Adjustment
Serial Port Configuration
GPI Setup
Tally Relay Output Monitoring and Testing
Figure 2-12. 1200 Configuration Menu Tree
■The [EXIT] button takes you up one menu level.
2-19
Section 2 Ñ Installation
Configuration Menu
The Configuration menu (Figure 2-13) and its s sub-menus allow you
to set up the switcher to meet your requirements. To begin the setup
process, press the
[CONFIG] button next to the menu display to bring up
the Configuration menu, which includes the following sub-menus and
functions:
[SYSTEM PARAMS>] Ñ4:3/16:9 Picture Aspect, Edit Field Dominance, and
System Clock.
[DEFINE INPUTS>] ÑDefine Inputs, Chroma Key Sources, and Crosspoint
Legends.
[XPT MAP] ÑMap physical inputs to crosspoints.
[OUTPUTS>] ÑConfigure Outputs.
[TIMING>] ÑSwitcher Timing.
[PORTS>] ÑSerial Port Configuration.
[GPI>] ÑGPI Input and Output Setup.
[TALLY>] ÑTally Relay Setup.
CONFIGURATION MENU
SYSTEM
PARAMS >OUTPUTS > TIMING >GPI >PORTS >
DEFINE
INPUTS >
XPT
MAP >
Figure 2-13. Configuration Menu
TALLY >
Exit
2-20
System Parameters Menu
Use the System Parameters menu (Figure 2-14) as explained below to
set the aspect ratio (ratio of television picture width to height), to set the
field dominance for use with an editor, and to set the system clock.
System Setup
1.Press the
[SYSTEM PARAMS>] soft button to display the System
Parameters menu.
2.Use the
[VIDEO ASPECT] soft button to highlight the selection that reads
4:3. Press the button to switch between 4:3 and 16:9.
3.If appropriate, change the Field Dominance using the
soft button. Setting Field Dominance to ODD or EVEN helps ensure that
edits always take place during a particular color field to prevent color
shifts. Some editing systems may require a particular selection; see
your editor manual for details. The default is
4.Set the date by selecting
the soft knobs to select the appropriate
the date is correct, confirm it using the
5.Set the time by selecting
Figure 2-14) and turning the soft knobs to select the appropriate
(HOURS) , (MINUTES) , and (SECONDS) . When the time is correct, confirm it
using the
SYSTEM PARAMETERS MENU
[CONFIRM TIME] soft button.
CLOCK
January 1, 1995
8:30 am
[EDITOR FLD DOM]
BOTH fields.
DATE with the [SELECT] soft button and turning
(YEAR) , (MONTH) , and (DAY) . When
[CONFIRM DATE] soft button.
TIME with the [SELECT] soft button (see
YEAR
= 1995
MONTH
= JAN
16:9
4:3
VIDEO
ASPECT
BOTH
ODD
EVEN
EDITOR
FLD DOM
DATE
CONFIRM
TIME
SELECT
CONFIRM
DATE
Figure 2-14. \System Parameters Menu
DAY
= 1
Exit
2-21
Section 2 Ñ Installation
Define Inputs Menu
From the Configuration menu select [INPUTS>] to display the Define Inputs
menu (Figure 2-15). This menu is typically configured during switcher
installation. However, you may want to change configurations for different
types of production sessions. The Inputs menu allows you to do the
following:
■Give each physical input a descriptive name which is carried forward
■Attach characteristics to each physical input, such as bit resolution of
■Designate a video/key pair as the return inputs in systems where an
■Select 4:2:2 chroma key inputs or full-bandwidth 4:4:4 chroma key
into several other menu levels.
the source, identification of the signal type, and association of key
cutters with fills. The signal type tells the switcher whether the input is
to be treated as video, shaped video, key, or key with depth.
effects send and return will be used. This information is needed by the
switcher for automatic switching of the effects loop.
inputs. Two physical inputs are needed to accommodate a fullbandwidth chroma key signal. The Inputs/4:4:4 CK Sources sub-menu
designates those two physical inputs.
■Associate a four-character legend with each physical input. These
legends appear in the Inputs menus and also in the LED displays that
may be installed between the Key and Aux crosspoint pushbutton
rows.
Define Inputs
Using the Inputs menu, define each input as follows:
1.Select a Physical Input using the
physical input numbers are the same as the jack numbers on the back
of the electronics frame.
2.Assign an Auto Select key input to a video fill input using the
KEY SRC) soft knob. Auto Select provides automatic selection of the
associated key input when you select the fill input on the Key
crosspoint bus.
3.Enter a Signal Name by pressing the
name on the keyboard, and pressing the
4.Using the
[BITS] soft button, identify the input as either an 8 or 10 bit
signal.
(PHYSICAL INPUT) soft knob. The
(AUTO SEL
[CLEAR NAME] soft button, typing a
[ENTER NAME] . soft button.
2-22
5.Using the
[TYPE SELECT] soft button, identify the input type: DEPTH
(depth key signal from a digital picture manipulator), KEY, SHAPED
(video shaped by a key), or
VIDEO (unshaped).
System Setup
6.Assign the Effects Return Flag to a video and a key source by
highlighting them and pressing
identifies that video/key input pair as the Effects Send signals
returning from a Digital Picture Manipulator. When Effects Send is on,
the switcher will automatically select these inputs.
[EFX RTN FLAG] soft button. This
DEFINE INPUTS MENU
PHYSICAL
INPUT
SIGNAL NAMEBITSTYPE
J1VTR 110VIDEO
J2
CHAR GEN VID
CHAR GEN KEY
J3
VTR 210
J4
VTR 3
J5
J6R-VTR
J7
DPM-700 KEY
J8
DPM-700 VIDEO
CLEAR
NAME
ENTER
NAMEBITS
Figure 2-15. Define Inputs Menu
Chroma Key Sources Menu
Display the 4:4:4 Chroma Key Sources menu by selecting [4:4:4 CK
SOURCES>] from the Define Inputs menu (Figure 2-16).
To assign a 4:4:4 video fill to the Chroma Keyer, use the soft knobs:
EFFECTS
RETURN
SHAPED
10
10
KEY
VIDEO
8
VIDEO
VIDEO
8
10KEY
10J7
SHAPED
DEPTH
KEY
8
SHAPED
10
VIDEO
TYPE
SELECT
KEY
VIDEO
EFX RTN
FLAG
AUTO
4:4:4 CK
SOURCES >
SEL
J3
PHYSICAL INPUT
AUTO SEL
KEY SRC
XPT DISP
LEGENDS >
= J2
= J3
Exit
1.Select the Physical Input source for channel A by using the
CHANNEL A) soft knob.
2.Select the Physical Input source for channel B by using the
CHANNEL B) soft knob.
4:4:4 CHROMA KEY SOURCES MENU
Figure 2-16. 4:4:4 Chroma Key Sources Menu
4:4:4 CK
CHANNEL A
=J15
4:4:4 CK
CHANNEL B
=J16
(4:4:4 CK
(4:4:4 CK
Exit
2-23
Section 2 Ñ Installation
Crosspoint Display Legends Menu
Display the Crosspoint Display Legend menu by selecting [XPT DISP
LEGENDS>] from the Define Inputs menu (Figure 2-17). This menu allows
you to assign a unique name (up to 4 characters) to each physical input. The
name will display above the crosspoint column to which that physical
input is mapped.
1.Use the
(PHYSICAL INPUT) soft knob to select a Physical Input. The Signal
Name column displays the descriptive name of the selected Physical
Input. (Signal Name is created in the Define Inputs menu.)
2.To enter a new Local Name for the highlighted physical input, press the
[CLEAR LOCAL] soft button, type a descriptive name using the keyboard,
and press the
CROSSPOINT DISPLAY LEGENDS MENU
PHYSICAL
INPUT
J1
J2
J3
J4
J5
J6
J7
J8
SIGNAL NAME
VTR 1
CHAR GEN VIDEO
CHAR GEN KEY
VTR 2
VTR 3
R-VTR
DPM-700 KEY
DPM-700 VIDEO
CLEAR
LOCAL
[ENTER LOCAL] soft button.
LOCAL
NAME
VTR1
CGV
CGK
VTR2
VTR3
RVTR
DPMK
DPMV
ENTER
LOCAL
PHYSICAL INPUT
= J5
Exit
2-24
Figure 2-17. Crosspoint Display Legends Menu
Crosspoint Map Menu
The Crosspoint Map menu (Figure 2-18) is selected by pressing the [CONFIG]
button and then the [XPT MAP>] button.
System Setup
1.Set the
[[XPT MAP SELECT] soft button to the NORMAL or ALTERNATE
crosspoint map. Using this function, you can define two completely
different crosspoint maps and switch between them as desired. If you
plan to use only one map, select
2.Use the
3.Use the
(XPT) soft knob to select the crosspoint to be highlighted.
(PHYSICAL INPUT) soft knob to assign a Physical Input to the
highlighted crosspoint. The Signal Name column will display the
descriptive name of the selected Physical Input. (Signal Name is
created in the Define Inputs menu.)
CROSSPOINT MAP MENU
PHYSICAL
XPT
INPUT
1BLACKBLACK
2J1
3J4
4J6R-VTR
5J2CHAR GEN V
6J3
7
J8
8
J7
9
10J8
11
12
13
14
J9
J11
J12
MATTE
J16
SIGNAL NAME
VTR 1
VTR 2
CHAR GEN K
DPM-700 VIDEO
DPM-700 KEY
CAMERA 1
CAMERA 2
PAINTBOX
STILL STORE
MATTE
BARS
ALTERNATE
NORMAL
XPT MAP
SELECT
NORMAL .
PHYSICAL INPUT
XPT
= 5
= J2
Figure 2-18. Crosspoint Map Menu
Exit
2-25
Section 2 Ñ Installation
Outputs Menu
From the Configuration menu, select
menu (Figure 2-19). This menu allows you to set up signal formats for
Model 1200 outputs.
1.Use the
2.Use the
3.Use the
4.Use
OUTPUTS MENU
OUTPUT NAME
PROGRAM 110OFF
PROGRAM 2
PREVIEW
CLEAN FEED
KEY OUT 1
KEY OUT 2
AUX 1
AUX 2
PROGRAM DAC
PREVIEW DAC
(OUTPUT)
[OUTPUTS>]
soft knob to highlight the name of the output to be
to display the Outputs
configured.
[BITS RES] soft button to select either 8 or 10 bits to match the bit
resolution of your output destination.
[SHAPING] soft button to turn shaping ON or OFF for that output.
Shaping
ON produces a video output shaped by the key signal and
matted over black. (Shaping for the Program and Preview DAC
outputs follows the Program 1/2 or Clean Feed output shaping
selection.)
[SIGNAL SOURCE]
key) or
PROGRAM
BITS
RES
10
10ON
10
10
10
8
10
-
-
SHAPING
OFF
ON
ON
ON
OFF
OFF
to select either CLEAN (clean feed; video with no
(video with key).
SIGNAL
SOURCE
-
-
-
-
PROGRAM
CLEAN
-
-
PROGRAM
PROGRAM
OUTPUT
2-26
8
10
BITS
RESSHAPING
ON
OFF
Figure 2-19. Outputs Menu
CLEAN
PROGRAM
SIGNAL
SOURCE
Exit
Timing Menu
System Setup
Input timing is automatic; however, you can adjust the overall timing
manually in the Timing menu (Figure 2-20) to ensure that auto-timing
captures all inputs. When you make this adjustment, you are advancing or
delaying the Reference input, which causes a corresponding movement of
the auto-timing capture window for the primary inputs and also causes a
corresponding movement of the switcher outputs.
TIMING
INPUT
J1
J2
J3
J4
J5
J6
J7
J8
To adjust the overall timing, use the
timing value, then adjust the
[REF TIMING (FINE)]
[COARSE] soft knob to set a rough
soft knob to fine tune the
timing. The maximum timing range is ±330 clocks (a clock equals 69.84
nanoseconds).
REF TIMING (FINE)
6.54
3.49
0.73
0.00
2.18
µS
= +170 CLOCKS
COARSE
Exit
CLOCKS
+28
-56
+170
-210
-300
+250
-40
+80
µS
2.04
4.07
12.36
15.27
21.82
18.18
2.91
5.82
MAXIMUM TIMING RANGE = +/- 330 CLOCKS
INPUT
J9
J10
J11
J12
J13
J14
J15
J16
Figure 2-20. Timing Menu
CLOCKS
+180
-90
-315
+48
+10
-200
+30
13.09
22.90
0
14.54
2-27
Section 2 Ñ Installation
Ports Menu
The Ports Configuration menu (Figure 2-21) is displayed by pressing the
[CONFIG] button on the main subpanel and then the [PORTS>] soft button.
1.Use the
(PORT) soft knob to highlight the port you wish to configure.
(Ports are listed in the left-most display column.)
2.Use the
(PROTOCOL) soft knob to select the protocol for the port. Protocol
DPM-100/700 PORT ÑUse DPM protocol (RS-422, address 30H, 38.4 Kbaud,
8 bits, 1 stop bit, odd parity).
EDITOR PORT ÑUse GRASS VALLEY PRODUCTS 1200
(address 30H).
Communication is RS-422, 38.4Kbaud, 8 bits, 1 stop bit, odd parity. You
may also use
110 or 200 switcher protocol if your editor does not have a
1200 interface, but functionality will be reduced.
AUX SATELLITE PANEL PORT ÑUse 200
or 1200 AUX protocol (RS-422, 9600
baud, 8 bits, 1 stop bit, no parity). Any available port may be used for
the Aux Satellite Panel.
3.The
[FACTORY DEFAULT] soft button resets the selected port to its factory-
assigned protocol.
4.If assigning a particular protocol does not yield the correct
communication parameters, you may highlight and change those
parameters individually. Use the
and the
[BITS] , [PARITY] , and [STOP BITS] menu buttons.
[ADDRESS] and [BAUD RATE] soft knobs
2-28
PORT CONFIGURATION MENU
BAUD
PORTPROTOCOL
TTY
TERMINAL
PANEL
MODEM
EDITOR
FACTORY
DEFAULT
DPM
1200 PNL
MODEM
1200
DPM
ADDR
00
30
00
30
30
RATE
9600
38.4K
2400
38.4K
38.4K
Figure 2-21. Ports Configuration Menu
BITSPARITY
8
NONE
8
ODD
8
NONE
8
8
8
7
BITSPARITY
ODD
ODD
ODD
NONE1
STOP
BITS
1
1
STOP
BITS
System Setup
PORT
1
1
1
2EVEN
PROTOCOL
= MODEM
ADDRESS
= 00
BAUD RATE
= 2400
Exit
2-29
Section 2 Ñ Installation
GPI Menus
The GPI Inputs menu (Figure 2-22) is displayed when you press the
[CONFIG] top menu button followed by the [GPI>] soft button. From this
menu, you can view the GPI Inputs or access the GPI Outputs menu
(Figure 2-23). Together, these two menus allow you to assign, view, and
test the 8 GPI inputs and 8 GPI outputs.
GPI inputs are trigger signals that come from external equipment (via the
GPI connector at the back of the frame) and start a specified event in the
switcher, such as an auto transition. GPI outputs are trigger signals
generated by switcher events that go out via the GPI connector to external
devices to cause them to take some action. You can assign events to the GPI
Inputs or Outputs as follows:
1.Display the GPI Input or Output menu.
2.Change the event assigned to a GPI using the
(SELECT GPI INPUT/OUTPUT)
soft knob to highlight the desired input or output.
3.Use the
(SELECT EVENT) soft knob to assign an event to the highlighted
GPI.
Two events deserve special mention. The
ALTERNATE XPT MAP selection
allows you to use a GPI input to switch between two different crosspoint
maps stored in the Input Map menu. This can be convenient when you
have two different uses for the switcher, for example, a live news show and
off-line post production. The
AUX BUS TALLY BACK selection uses the GPI as
an input condition that the switcher detects in order to tally the selected
aux bus crosspoint. This permits an external DPM to tally the aux buses
when aux bus video is on air at the DPM. Aux tallyback can be turned on
and off in the Tally menu.
The
[TEST] soft button in the GPI Outputs menu, when set to ON, cycles
through each output, closing its relay for approximately 1/2 second. This
allows you to check whether your GPI connections are working properly.
When finished testing, set the
[TEST] button to OFF.
2-30
System Setup
GPI INPUTS
GPI
INPUT #
STATEEVENT
OPEN
1
OPEN
2
CLOSED
3
CLOSED
4
OPEN
5
OPEN
6
OPEN
7
OPEN
8
GPI Inputs are ENABLED
GPI OUTPUTS
GPI
OUTPUT #
STATEEVENT
1
OPEN
2
OPEN
3
CLOSED
4
CLOSED
5
OPEN
6
OPEN
7
OPEN
8
OPEN
EFFECT CUT
EFFECT AUTO TRAN
DISK CUT
E-MEM 1 LEARN
E-MEM RECALL
AUX 1 TALLY BACK
EFFECT KEY 1 CUT
AUX 2 CROSSPOINT 3
Figure 2-22. GPI Inputs Menu
EFFECT CUT
EFFECT AUTO TRAN
DISK CUT
E-MEM 1 LEARN
E-MEM RECALL
AUX 1 TALLY BACK
EFFECT KEY 1 CUT
AUX 2 CROSSPOINT 3
SELECT
GPI INPUT
SELECT
GPI
OUTPUTS>
SELECT
GPI OUTPUT
SELECT
EVENT
= 4
EVENT
= 10
= 4
= 10
Exit
GPI Outputs are ENABLED
ON
OFF
GPI OUTPUT
TEST
Figure 2-23. GPI Output Menu
Exit
2-31
Section 2 Ñ Installation
Tally Menu
The Tally menu (Figure 2-24) allows you to test and observe the switcherÕs
tally outputs to determine whether your connections to external devices
are working. This menu also includes an
Back)
Aux Bus 1 whenever the effects send Þll crosspoint is tallied and Aux Bus
2 whenever the effects send source crosspoint is tallied. This provides tally
back for an external DPM without requiring a tally back input from the
DPM. To use this feature, it must be enabled in the Tally menu and assigned
as an event to a GPI input in the GPI Inputs menu.
The Tally menu displays a table listing the 16 physical inputs along with
the signal name for each input. If a physical input is currently being hightallied, that physical input will be highlighted in the table.
To test a tally output, select the desired input on the PGM bus and watch
the Tally menu display to see that the selected input highlights. To test all
of the tally outputs, set the
cycles each output on for about 1/2 second. When finished testing, set the
[TALLY TEST] button to OFF .
AUX TLY BACK (Aux Bus Tally
ON/OFF selection. When ON, this feature allows use of a GPI to tally
[TALLY TEST] soft button to the ON position; this
TALLY MENU
PHYSICAL
INPUT
BLACKBLACK
J1
J4
J6R-VTR
J2CHAR GEN V
J3
J8
SIGNAL NAME
CHAR GEN K
DPM-700 VIDEO
VTR 1
VTR 2
ON
OFF
AUX TALLY
BACK
PHYSICAL
INPUT
J7DPM-700 KEY
J9
J8
J11
J12
MATTE
J16
OFF
TALLY
TEST
ON
SIGNAL NAME
CAMERA 1
CAMERA 2
PAINTBOX
STILL STORE
MATTE
BARS
Figure 2-24. Tally Menu
Exit
2-32
Installing Panel Pushbutton Lens Chips
After assigning inputs to crosspoints, you can install the supplied lens
chips (button labels) in the crosspoint pushbuttons. To remove a
pushbutton lens, grasp the pushbutton lens firmly with your fingers and
pull the lens off of the button. Then install the lens chip on top of the
pushbutton and push the lens back into place. See Figure 2-25 for details.
System Setup
TP0400-202
LENS
LENS CHIP
PUSHBUTTON
Figure 2-25. Pushbutton Lens Chip Installation
2-33
Section 2 Ñ Installation
Option Installation
Options ordered with the switcher are installed and fully tested at the
factory and require no installation. However, if you order options at a later
time, you can use the instructions that follow to help you install them. After
installing the option(s), refer to the previous pages for setup instructions.
Each option consists of a submodule that mates with a motherboard via 50pin header connectors. Screws at the corners of the option submodule
secure it in place.
Figure 2-26 shows how to mount the options, and Figure 2-27 shows the
locations of the submodule options on the main modules.
Special instructions for Analog Output (DAC: Digital-to-Analog) option
installation and the Satellite Aux Panel installation are given on the
following pages.
One screw at each corner, typical
Typical
Option
Submodule
Main PC
Board
TP0630-210
Motherboard Connector on
Frame Backplane
Typical
Input/Output
Option
2-34
Figure 2-26. Typical Installation of Submodule and Input/Output Options
Figure 2-27. Locations of Submodule Options on Main Modules
To J9To J10
Depth
Mixer Module
J2 to J13
J3 to J14
J4 to J15
2-35
Section 2 Ñ Installation
Analog Output Option Installation
Installation of the Analog Output (DAC: Digital-to-Analog) option consists
of the following steps, which are explained in detail on the following pages:
■Mounting the option mezzanine boards on the Program or Preview
Mixer module.
■Setting jumpers for the desired video output format and other
parameters (if necessary).
■Fine-tuning analog output signal gain (if necessary).
■Selecting whether you want the Analog Output to output Program or
Program Clean Feed video (Preview or Preview Clean Feed for a
Preview Analog Output).
Installing the Option Modules
The Analog Output Option consists of two mezzanine boards: the 064912
Analog Output Support module and the 064815 Analog Output module.
Install these mezzanines as explained below.
1.Remove the Program or Preview 064910 Mixer module from the
switcher frame and place it on an anti-static mat where you can work
on it.
2.Install the assembled option mezzanine boards onto the 064910 Mixer
module, matching up the connectors on the Analog Output Option
Support board to the connectors on the Mixer. See Figure 2-28 for
details.
3.Insert the supplied screws through the bottom of the Mixer module
into the four spacers that hold the Analog Output option assembly in
place. Tighten the screws gently to secure the option.
2-36
DAC
DAC SUPPORT
SPACE FOR
DAC
OPTION
Analog Output Option Installation
PROGRAM
OR
PREVIEW
MIXER MODULE
Figure 2-28. Installing the Analog Output Option (DAC) Modules
2-37
Section 2 Ñ Installation
Setting Analog Output Option Jumpers
The Analog Output Option leaves the factory set to produce the following
analog output signal parameters:
■RGB
■0.700V peak signal level
■No Setup
■RP125 narrow blanking
To change any of these parameters, follow the steps given below:
Blanking Width and Video Setup
1.On the 064912 Analog Output Support board (the larger mezzanine
board), set jumper J6 for the blanking width that you want on the
analog output: RS-170 or RP-125.
When the jumper is set to RS-170 (wide blanking), blanking edges
follow RS-170 specifications for 60 Hz systems or follow the CCIR 470-2
recommendation for 50 Hz systems. When set to RP-125, blanking is
active from end of active video (EAV) to start of active video (SAV),
inclusive, as described in SMPTE RP-125.
2.On the 064912 Analog Output Support board (the larger mezzanine
board), set jumper J7 for the appropriate setup level on the analog
output: Setup (54 mV) or No Setup. See Table 2-1 for the setup
requirements of various video formats.
2-38
Analog Output Option Installation
Video Format
1.Remove the 064815 Analog Output mezzanine board (the small
mezzanine on top) from the 064912 Analog Output Support mezzanine
board. This entails removing four (4) screws around the perimeter of
the Analog Output board and gently pulling the board straight up.
When you have removed the 064815 Analog Output mezzanine board,
turn it over to view the component side.
2.Locate jumpers J5, J6, J9, and J11 on the Analog Output board and set
all four jumpers to either a for Color Difference format, or b for RGB
format. See Table 2-1 for details.
3.Locate jumpers J4, J8, and J10 on the Analog Output board. Refer to
Table 2-1, and set each jumper to the desired analog output format.
Note that some formats require installing two jumpers on J8 and J10.
Extra jumpers are stored in an inactive socket, J7. If you are changing to
a format that uses one jumper at J8 and J10, store the extra jumpers at
J7. If you lose a jumper, you can make a suitable substitute from a short
piece of 24 gauge solid tinned copper wire.
4.Carefully reinstall the Analog Output board onto the Analog Output
Support board, making sure all connector pins match up with their
sockets correctly so that no pins become bent. Secure the Analog
Output board using the four screws that you removed earlier.
2-39
Section 2 Ñ Installation
Table 2-1. Analog Output Option Jumper Settings
J7
Format
Selection
Analog Output
Support
Setup
EBU/SMPTENo Setupaabc
RGB .714 vNo Setupbbb & db & d
RGB .714 vSetupbcda & d
RGB .700 vNo Setupbaa & db & d
MII 50 HzNo Setupaacc
MII 60 HzNo Setupaace
MII 60 HzSetupacce
Beta 50 HzNo Setupaadd
Beta 60 HzNo Setupabdd
Beta 60 HzSetupacdd
J5, J6, J9, J11
Analog Output
Format
J4 (Y)
Analog
Output
Format
J8 (R-Y)
Analog
Output
Format
J10 (B-Y)
Analog
Output
Format
5.Press the [Confg] button on the main subpanel and then the [OUTPUTS>]
soft button to display the Outputs menu. Use the [SIGNAL SOURCE] soft
button to select whether you want the Analog Output to provide a
Program Output or a Program Clean Feed Output. If the Analog
Output is mounted on the Preview Mixer, the choices are Preview
Output or Preview Clean Feed Output. (Clean feed video consists of
Program or Preview video without the downstream key.)
2-40
Adjusting Analog Output Gain
The format selection jumpers provide a convenient way to select signal
levels that are accurate enough for most monitoring purposes. However, if
your application demands precise signal levels, you may need to adjust
signal gain using the gain adjustments on the Analog Output mezzanine
board:
1.Place the Mixer module on the Module Extender, and select 100% Color
Bars as the Program and Preview switcher output.
2.Connect a waveform monitor or oscilloscope to the analog output
BNCs on the back of the frame. Terminate the scope or monitor inputs
with 75 Ohms.
3.Observe the analog output on the scope or monitor and adjust the Y,
R-Y, and B-Y gain controls on the Analog Output board to match the
waveform to the desired signal levels shown in Figure 2-29 for color
difference signals or Figure 2-30 for RGB signals. The gain adjustment
trim pots are accessible through holes in the back of the 064815 Analog
Output mezzanine board with the mezzanines installed on the Mixer
module.
Analog Output Option Installation
NOTE:
results, adjust Y gain while observing the green output so that the white color bar
achieves the specified level. Then observe the red output and adjust R-Y gain for
equal level bars having red content; similarly, observe blue output and adjust B-Y
gain for equal level bars.
In RGB formats, the gain controls are somewhat interactive. For best
2-41
Section 2 Ñ Installation
0
4
4
.
OLOR DIFFERENCE FORMATS
RP-125
3AC
EBU/
700
H
SMPTE
700
BETA 50
––
BETA 60
BETA 60
NO SETUP
714
MII 50
700
MII 60
––
MII 60
NO SETUP
700
Y:
R–Y:
B–Y:
Y with
Setup:
SYNC
WHITE
YELLO W
CYAN
GREEN
MAGENT A
RED
BLUE
BLA CK
040
3C0
200
040
3C0
200
040
3AC
040
0
0
H
-300
350
H
H
-350
H
350
H
H
-350
H
H
H
––
––
––
––
-300
467
0
-467
467
0
-467
––
––
––
––
––
––
467
0
0
-467
467
0
0
-467
714
54
0
-286
0
-286
467
0
-467
467
0
-467
––
––
––
––
0
-300
350
0
-350
350
0
-350
––
––
––
––
––
––
324
0
-324
324
0
-324
70
52.5
0
-300
0
-30
324
0
-32
324
0
-32
––
––
––
––
2-42
NOTE: All voltage levels are in millivolts
Figure 2-29. Color Difference Standard Signal Levels
RGB FORMATS
Analog Output Option Installation
G:
R:
SYNC
WHITE
YELLO W
CYAN
GREEN
MAGENT A
RED
BLUE
BLA CK
RGB 714
NO SETUP
714
0
0
-286
714
0
0
-286
714
RGB 700
700
0
0
-300
700
0
0
-300
700
RGB 714
714
54
0
-286
714
54
0
-286
714
B:
0
0
-286
NOTE: All voltage levels are in millivolts.
Figure 2-30. RGB Signal Level Standards
0
0
-300
54
0
-286
2-43
Section 2 Ñ Installation
Satellite Auxiliary Bus Control Panel Option
The Satellite Auxiliary Bus Panel provides remote control of the switcherÕs
auxiliary buses. See Figure 2-31 and the text below for installation.
1.Install the Satellite Panel in the rack or console. See the figure for
dimensions.
2.Connect Satellite port J2 to any switcher serial port using the cable
supplied with the panel.
3.Set the port jumpers on the switcher Control Processor Module for
RS-422. Using the Port Configuration menu, set the Aux Satellite Panel
protocol (9600 baud, 8 bits, 1 stop bit, no parity). These settings match
the port to the fixed requirements of the Satellite Panel.
4.Select 120 Vac or 230 Vac on the satellite power supply transformer.
Then connect the transformer to J1 on the Satellite Panel and to your AC
source.
CAUTION
To prevent damage to the Satellite Panel, be sure to set the power transformer for
120 Vac or 230 Vac before you connect the transformer to the panel.
2-44
1.72"
(4.4CM)
Analog Output Option Installation
7.50"
(19.0CM)
17.00"
(43.2CM)
19.00"
(48.3CM)
DC connector
Removable Rack Ears
May be repositioned or removed
for flush mounting in a console
AC Connector
4 GND
5 GND
2 RX -
3 TX +
1 GND
J2-Serial Control
Port (male 9-pin D)
Port fixed at RS-422,
9600 baud, 8 bits,
1 stop bit, no parity.
6 GND
8 TX -
9 GND
7 RX +
Figure 2-31. Satellite Aux Bus Control Panel Installation
Power Supply Transformer
120 or 230 Vac selectable,
50–60 Hz, 10 Watts
J1-DC Power input
12–22 Vdc
2-45
Section 2 Ñ Installation
2-46
3
Introduction
Functional Description
This section describes the internal architecture of the Model 1200 Switcher.
The following main topics are discussed:
■System OverviewÑpage 3Ð2
■Frame ModulesÑpage 3Ð10
■Control PanelÑpage 3Ð38
3-1
Section 3 Ñ Functional Description
System Overview
As you read the overview, please refer to Figure 3-1.
••••••••••••
••••••••••
••••••••••••
••••••••••
••••••••••••
••••••••••
••••••••••••
••••••••••
SERIAL
INPUT
OPTION
SERIAL
INPUT
OPTION
SERIAL
INPUT
OPTION
SERIAL
INPUT
OPTION
PARALLEL
INPUT
OPTION
PARALLEL
INPUT
OPTION
CHROMATTE™
4:2:2/4:4:4 CHROMA
KEY OPTION
CROSSPOINT
MODULE
AUX 1
AUX 2
V
K
V
K
V
K
MIX/EFFECTS
KEYER 1
SECOND
MIX/EFFECTS
KEYER
OPTION
DOWNSTREAM
KEYER
KEYER CARRIER AND
EFFECTS SEND
MODULE
BORDERLINE
KEY EDGE
GENERATOR
OPTION
BORDERLINE
KEY EDGE
GENERATOR
OPTION
BORDERLINE
KEY EDGE
GENERATOR
OPTION
V
EFFECTS
K
K
K
SEND
AND
AUX BUS
SIGNAL
ROUTING
V
V
V
K
V
K
V
K
3-2
••••••••••••
••••••••••
••••••••••••
••••••••••
••••••••••••
••••••••••
••••••••••••
••••••••••
PARALLEL
INPUT
OPTION
PARALLEL
INPUT
OPTION
PROGRAM BACKGROUND
PRESET BACKGROUND
Note: Digital video/key inputs and outputs may be
either serial or parallel as specified when ordered.
Figure 3-1. System Overview
System Overview
EFFECTS
SEND &
AUX BUS
OUTPUT
OPTION
DIGITAL-TO-ANALOG
CONVERTER
OPTION
PROGRAM
MIXER
V
K
EFFECTS
MIXER
Z-KEY™ DEPTH
PROCESSOR
OPTION
DOWNSTREAM
KEY MIXER
PARALLEL
PROGRAM
OUTPUT
OPTION
SERIAL
PROGRAM
OUTPUT
OPTION
••••••••••••
••••••••••
••••••••••••
••••••••••
••••••••••••
••••••••••
••••••••••••
••••••••••
SEND VIDEO
OR AUX 1 OUT
SEND KEY
OR AUX 2 OUT
ANALOG
PROGRAM
VIDEO
(YUV, RGB,
OR Y R-Y B-Y)
VIDEO
PGM 1
KEY
PGM 1
VIDEO
PGM 2
KEY
PGM 2
V
K
LOOK-AHEAD PREVIEW
MIXER OPTION
PGM
PST
EFFECTS
V
MIXER
DOWNSTREAM
KEY MIXER
K
Z-KEY™ DEPTH
PROCESSOR
OPTION
DIGITAL-TO-ANALOG
CONVERTER
OPTION
PREVIEW
&
CLEAN
FEED
OUTPUT
OPTIONS
PREVIEW
VIDEO
CLEAN FEED
VIDEO
ANALOG
PREVIEW
VIDEO
(YUV, RGB,
OR Y R-Y B-Y)
3-3
Section 3 Ñ Functional Description
Service Philosophy
Because of the surface mount parts, specialized PALS, and multipurpose
parts used in the Model 1200, troubleshooting and field repair of the
individual printed circuit modules is not practical. This section is designed
to help you determine which module in the Model 1200 may be at fault in
the event of a problem. You should then contact your equipment supplier
or Grass Valley Products Customer Support for module replacement or
repair.
Power Distribution
The Model 1200 Signal Processor Frame contains an enclosed power
supply which provides all power for the frame. The power supply has been
designed for easy removal and replacement in case of a problem. A second
power supply in the control panel supplies panel power. Power supply
characteristics are as follows:
Frame Input Voltage
■100 to 240 volts, 50 to 60 Hz. Autoranging and power factor corrected
Output Voltages
■To Signal Processor Frame: +5.0 Volts, -5.2 Volts
■To Fan: +12 Volts
Control Panel Input Voltage: 90 to 135 volts or 180 to 265 volts, 50 to 60 Hz.
Manual setting of voltage range.
The Model 1200 uses a 10-bit parallel digital component signal internally
with serial digital video converters at input and output. The signal is split
into luminance and chrominance channels. If the input signal is 8 bits, the
extra two bits are internally forced low.
The Standard Model 1200 system consists of a control panel, a signal
processor frame and an interconnect cable. With the standard system the
video takes the following paths (see Figure 3-1 on page 3Ð2):
Input ModulesÑEach input goes through a Serial or Parallel Input Module
where the signal is converted to the TTL level parallel video that is required
by the Model 1200. The clock is also stripped off for timing the video.
Crosspoint ModuleÑAfter going through the Input Module the video is sent
to the Crosspoint Module. The Crosspoint Module has several functions:
■Timing all the inputs
■Splitting the inputs into luminance and chrominance (video) or key and
depth (keys)
■Connecting inputs to the internal buses
■Generating mattes
■Interfacing to the Chroma Keyer Submodule option
First the signal enters the auto timing circuit which times all the inputs and
splits the signals into luminance and chrominance. The video then enters
the main crosspoint matrix which assigns each input to a particular input
pushbutton on the control panel. The matrix also connects the inputs to
the appropriate internal bus. Each crosspoint also has a matte generator
built in.
Keyer ModuleÑIf the selected video is a key or aux bus, the video is
transferred to the Keyer Module. The Keyer Module does the following:
■Interfaces to the Key Processor Submodule
■Does the Effects Send
■Creates control signals for the wipes (wipe solid generator)
The Effects Send circuit can send the selected video and key from the key
process to the aux bus outputs to a DPM. The modified signals are then
reentered into primary inputs and routed to the mixer circuit. This allows
a DPM to be inserted into the signal path between the Key Proc and the
Mixer.
3-5
Section 3 Ñ Functional Description
Key Processor SubmoduleÑThe standard system has a Key Processor
Submodule for Key 1 and the DSK. The Key Processor Submodule uses the
key source and the key fill video to create a key cutter and video fill that are
put over the background video in the mixer.
Program Mixer ModuleÑ The Mixer Module does the following:
■Combines the video signals, the key signals, and the wipe solid signal
to create the program video
■Interfaces to the Depth Processor Submodule option
■Interfaces to Analog Output (DAC) option
The Program Mixer Module uses the video signals, key signals, and the
wipe control signals from the Keyer Module to create a video with all the
requested elements. A composite key signal is also created and sent to the
output. These signals enter the optional output module for conversion to
either a serial or parallel digital video signal.
Options
Input and Output ModulesÑThe Input and Output Modules are required to
operate the system but have been made optional to allow the user to select
either the serial or parallel version. These options convert the signal levels
between the ECL levels of the external signal and the TTL signals used
internally in the system. The Serial Input Module also converts the signal
between serial and parallel. The Input modules strip the clock off the input
signal for timing. The Output Modules reassemble the clock and data.
Chroma KeyerÑThe Chroma Keyer option mounts on the Crosspoint
Module. This submodule creates the chroma key and key fill from any
selected Key Bus input. The chroma key and key fill are sent to the Keyer
Module where they are handled the same as any other key. The chroma key
can be sent to any of the three keyers.
Second M/E KeyerÑA second M/E keyer is available optionally. It is identical
to the other two keyers and allows a third key to be placed on the video.
BorderlineÑA Borderline option can be mounted on each of the Keyer
Modules. The Borderline modifies the timing of the key and inserts a
border or shadow on the key.
Preview MixerÑThe Look Ahead Preview Mixer option operates identically
to the Program Mixer and provides preview video outputs.
3-6
Depth SubmoduleÑThe Depth Submodule mounts on the Program or
Preview Mixer and processes depth inputs to create depth keys.
Analog Output ÑThe Analog Output options for the Program and Preview
outputs convert the digital video outputs into a component analog video
signal for driving a monitor.
Control Signals
System Overview
The control signals begin in the control panel. The pushbuttons and
potentiometers of the control panel are scanned and any change in the
status of the controls is noted by the panel controller. If the signal is an
analog one (i.e. potentiometers), it is digitized and sent along with the
digital signals (i.e. pushbuttons), to the Control Processor Module in the
signal processor frame.
The Control Processor Module interprets these signals and sends each of
the modules in the signal processing frame the correct signal to do the
requested operation. Information which is programmed in the system (e.g.
which input is assigned to which pushbutton) is stored on the Control
Processor Module and is called upon to interpret the information from the
control panel.
Each module and submodule tells the CPU that it is installed and what
version number it is. The CPU writes control values only to modules that
are installed.
Timing Signals
In the Model 1200, all timing signals are generated in the Sync Pulse
Generator Submodule. This submodule plugs into the Control Processor
Module. The timing signals are sent to the Control Processor Module
where they go through fanout and distribution to the various video
modules. Each video module uses them to generate the clocks needed by
that module. All video signals are reclocked periodically to avoid video
jitter.
Processing Amplifiers
Every video output bus has a Proc Amp (processing amplifier). These can
be used for adjusting the gain, offset, and hue of the video. The settings of
the Proc Amps are determined by the settings associated with the
particular input being used on that bus. If a new input is selected for that
bus, the settings for that Proc Amp automatically change to the settings
associated with the new input. Proc amp settings are stored on the Control
Processor Module.
3-7
Section 3 Ñ Functional Description
Scaling
All of the key, video, and control signals must go Òfrom black to whiteÓ
when the signals are sent outside the switcher. Internally the signals are
scaled down. Each place where these signals are sent outside there is a
Scaling circuit to modify the signals appropriately.
Shaped and Unshaped Video
Shaped video is video that has been multiplied by a key signal to create a
partial-raster image that is matted over black. A good example of shaped
video is the fill video output of some character generators, which consists
of characters on a black matte. Typically, the shaped fill video is also
accompanied by a matching key signal that may be used in a keyer to cut a
hole in background video into which the already-shaped fill video may be
inserted.
The 1200 configuration menus ask you to identify video inputs as shaped
or unshaped because the switcher handles those two types of fill video
signals differently. For keying with shaped fill video, the keyer multiplies
only
the background video with the key signal to cut a hole in the
background, and then adds the already-shaped fill video into the hole. For
fill video that is not already shaped, the keyer first multiplies both
background and the fill video with the key to cut a hole in the background
and shape the fill to match the hole. Then the background video and the fill
video are added together to create the finished key.
If you incorrectly identify the type of fill video in the Define Inputs
configuration menu, selecting shaped when you should select unshaped or
vice versa, your keys will have dark lines at the edges or other artifacts.
Changing the video type in the Define Inputs configuration menu will
correct the problem.
the
3-8
Internal Accuracy
System Overview
The outputs of the Model 1200 system are 10 bit precision. In order to
provide this precision, internal processes for arithmetic operations
significantly exceed 10 bits.
When the video enters the Model 1200, it is split into luminance and
chrominance, each running at 13.5 MHz. The luminance is carried down
one bus at the full 13.5 MHz. The Chrominance is carried in alternating
bytes (R-Y, B-Y, R-Y) with each of the chrominance alternating bytes
carried at a 6.75 MHz rate. The key and depth information is carried in the
same way. The key is carried at full rate; the depth information, which is 20
bits wide, alternates between the MSB and the LSB.
On the Chroma Keyer Submodule, the chrominance signal is split. The
clock rate is then upsampled to its full 13.5 MHz rate on each bus. This is
done by creating new bytes between each of the existing bytes by averaging
between the last byte and the next byte.
16 X 9
The Model 1200 can handle 16 X 9 video. The digital video 16 X 9 signal is
handled the same as 4 X 3 video. For 16 X 9, the Model 1200 must have the
setup reflect that input. The system can not handle 4 X 3 and 16 X 9 video
at the same time. When the setup is changed, it changes the counters and
the clock frequency on the Sync Pulse Module. The clock frequencies listed
in this manual are for standard 4 X 3 digital video.
3-9
Section 3 Ñ Functional Description
Frame Modules
Power Supply
The frame Power Supply Module is a switching power supply that
generates the following voltages:
VoltageCurrent Use
+5 Volts60 AmpsFrame, I/O Modules
-5.2 V olts12 AmpsI/O Modules
+9 Volts1 Ampnot used with Model 1200
Table 3-1. Power Supply Module
+15 V olts2 Ampnot used with Model 1200
+12 V olts0.5 AmpsFan
The input voltage can be 100 to 240 Volts, 50 to 60 cycles. The power supply
is autoranging and power factor corrected.
The power supply along with the fan is enclosed in a removable sled to
make it easy to exchange broken power supples. The power supply is not
designed to be user serviceable.
The Control Panel has a separate Power Supply, refer to the Control Panel
section titled, Power Supply on page 3Ð10.
3-10
Control Processor Module
The Control Processor Module (Figure 3-2) has overall control of the
system. All of the control and interface functions originate here. There are
two microprocessors and associated circuitry on the module.
The 68302 I/O processor handles the following:
■The system boot
■The operating system
■The external interface
■The watchdog timer
The 68020 state processor handles the following:
■The reading and writing between the control panel and the signal
processor frame
■Calculations necessary to do the video functions
Frame Modules
68881
MATH
COPROCESSOR
BUS
ARBITRATOR
■Reading system configuration
68020
STATE
PROCESSOR
FIELD LED
BACKGND LED
68302
I/O
PROCESSOR
PARAMETER
EEPROM
RAM
TALLY
RELAYS
SENSING
INTERFACE
OUTPUTS
I/O
FRAME
GPI
To
and
From
Frame
Modules
and
Submodules
GPI
INPUTS
Reference
FIELD LED
BACKGND LED
SYNC
PULSE
GENERATOR
SUBMODULE
Clocks
and
Syncs
RAM
FLASH
EEPROM
BOOT
PROM
MODULE
REVISION
CONTROL
SERIAL
BUSES
Figure 3-2. Control Processor Module Block Diagram
PANEL,
TTY, MODEM,
EDITOR, DPMS,
I/O
RS-232
OR
RS-422
3-11
Section 3 Ñ Functional Description
System Boot
On a power up or a reset the reset line on the 68302 is pulsed low while the
reset line on the 68020 is held low. The 68302 then boots from the boot
PROM. The first step in the boot is for the processor to run diagnostics
checks. It checks its own RAM, the 68020 RAM, and does a check of the
peripherals on both processors.
If any of the diagnostics fail, LED DS9 will light and the system will hang
up in a loop trying to access the failed location. This allows easy
troubleshooting of errors. If the boot is interrupted by pressing the space
bar the system then goes into a mode which allows access to a low level
debugger or the loading of a new operating system.
After the diagnostics run, the 68302 looks for an operating system in the
flash EEPROM. If a system is found, the system is transferred to the RAM
of both processors; then the Model 1200 boots from RAM.
The field LEDs are on during the vertical interval while that processor is
reading and writing. The Background LEDs are on while that processor is
doing background tasks. Since the background tasks take up most of the
processor time, the Background LEDs will be on bright and the field LEDs
will be on dim.
When there is activity on any of the serial ports LED DS8 will flash. In
addition, there are ten LEDs which indicate activity on particular serial
ports by flashing whenever there is transmitted or received data on that
serial port.
The parameter EEPROM for the 68020 contains the setup items that do not
change much, such as the UART setups, default inputs, default matte
settings, and default proc amp settings. These settings are loaded into RAM
at bootup.
The Control Processor Module also contains all of the clock fanouts for the
Sync Pulse Submodule.
The 68302 can read and write to the 68020 RAM using the bus arbitration
circuit.
The Control Panel contains an RDY/EPC-31 Motherboard which
communicates with the control processor in the frame through the I/O
board.
3-12
Sync Pulse Submodule
The Sync Pulse Generator Submodule (Figure 3-3) does the following:
■Determines the television standard of the reference input (525, 625)
■Automatically switches the Model 1200 to the correct standard
■Has the system clock which is locked to the input reference
■Generates the timing clocks for the other modules
■Generates sync for the other modules
■Has the system delay adjust
There are two main circuits on the Sync Pulse Generator Module, one for
creating sync signals from the reference video and one for generating
clocks from a phase-locked oscillator. H sync from the sync generator
circuit is compared to an H sync created by counting down the clock. The
phase difference between these two signals is used to adjust the clock
frequency so that the clock remains locked to the input reference.
Frame Modules
Reference
CPU
BUFFER
CPU
I/F
H SYNC
SEP
LOW
PASS
FILTER
CLAMP
PULSE
GEN
DC Offset Feedback
50 / 60
16 X 9
Revision
Version
Video Present
525
625
TRI -STATE
PHASE
DETECTOR
CLOCK
DIVIDER
Low Passed Reference
SAMPLE
AND
HOLD
Back
Porch
VIDEO
PRESENT
STANDARD
ID
525 LED
625 LED
Ref Comp Sync
ERROR
AMP
4.5
MHZ
VCO
FROM
CONTROL
MODULE
Sync
Tip
50%
PICKOFF
AND
SYNC
STRIPPER
CLOCK
MULTI
Vertical
Field ID
Comp Sync
13.5 MHz
or
18 MHz
From CPU
CLOCK
DIVIDER
TRI-PHASE
GENERATOR
TO
CONTROL
MODULE
GENERATOR
VARIABLE
AND
SPG
RESET
DELAY
Field
ID
SPG
Reset
RX
TX
BD
13.5 MHz
SPG
18 MHz
SPG
Figure 3-3. Sync Pulse Submodule
3-13
Section 3 Ñ Functional Description
Sync Pulse Generator Circuit
The reference black signal is first buffered and low pass filtered to remove
the subcarrier. From the resulting signal the clamp pulse generator creates
burst flag and sync. Signals from the clamp generator are then used as
control signals on a sample and hold.
The sample and hold has the low pass reference video on its inputs. When
the clamp pulse generator outputs sync, the sample and hold outputs a DC
level equal to the video during sync (sync tip) on one output. When the
clamp pulse generator outputs burst flag, the sample and hold outputs a
DC level equal to the video during back porch on another output. The two
signals are averaged to create the sync slicer (50% of sync). The back porch
level is sent to the input buffer to set the input back porch to ground.
Burst flag is also used to create a video presence signal which keeps the
clamp loop working when there is no video present. This signal is also fed
back to the Control Processor Module.
The Reference low pass video and the 50% of sync level are sent to a
comparator which strips sync off the input reference to create composite
sync. The composite sync is sent to three places: a sync separator, a
standard ID circuit, and a reset generator. The sync separator generates H
sync. This H sync is sent to the phase detector which locks the clock to the
input reference video. The standard ID circuit decides whether the
reference is 525 or 625 line video. The reset generator circuit generates
vertical sync (reset) and a field ID pulse which time the sync pulse
generators. There are programmable delays in the reset path to allow
adjustment of system timing.
The sync pulse generators and many of the counters are duplicated in the
Sync Pulse Generator Submodule.
Clock Pulse Generator
Clock generation starts with a 4.5 MHz VCO. The output of the VCO is sent
to a multiplier/divider circuit which multiplies the clock frequency and
then divides it down to either 13.5 MHz or 18 MHz. This clock is then split
into 3 phases for TX (transmit clock), BD (board clock), and RX (receive
clock). These clocks are sent off the Sync Pulse Generator Submodule to the
Control Processor Module, which has all of the clock fanouts.
Some of the clocks re-enter the Clock Pulse Generator Submodule. One of
the reentered clocks is sent to a counter which divides the clock down to an
H rate. This H signal is compared with the H signal generated by the sync
pulse generator. An error signal is sent back to the Clock generator to
correct for any timing error between the two H signals.
3-14
Input Modules
Frame Modules
Each of the Input Modules contains the circuitry for two serial or parallel
inputs. Both circuits in one module are identical. The circuits convert from
the ECL level signal on the cable to the TTL levels that are used in the
Model 1200. The video or key goes from the Input Module into the
Crosspoint Module.
Serial Input Module
The Serial Input Module (Figure 3-4) has two circuits. The first converts
from serial to parallel video and the second converts from ECL to TTL
signal levels. The output of the Serial Input Module is a TTL version of
Parallel video. The clock is stripped off the serial signal and sent to the
Crosspoint Module.
VID_IN 0:9
Serial Video In
SERIAL
DECODER
ECL TO TTL
CONVERTER
VIDCLK
Figure 3-4. Serial Input Module
Parallel Input Module
The Parallel Input Module (Figure 3-5) converts the signal from ECL to
TTL and then runs the signal through a latch to align all of the bits. The
clock is sent to the Crosspoint Module.
Video 0 : 9
/ Video 0 : 9
VCP
/ VCP
ECL to TTL
CONVERTER
LATCH
VID_IN 0 : 9
V/CLK 1
Figure 3-5. Parallel Input Module
3-15
Section 3 Ñ Functional Description
Crosspoint Module
Autotiming and Chrominance/Luminance Split
On the Crosspoint Module (Figure 3-6) the video first enters a circuit which
auto-times all of the input signals to the reference black signal then splits
the signal into luminance and chrominance signals. The key signals are
handled the same way except that they are split into key and depth.
Auto-timing is done by locating the horizontal interval of the video signal
and comparing it to H Blanking generated from the input reference black.
This data is sent to the Control Processor Module which then sends delay
data to a variable delay. The variable delay uses the data to delay the signal
so that all of the video sources are timed.
C Dual Link Channel A
C Dual Link Channel B
27 MHz D1 In
Clk In
Clock
HBI
50/60
To / From CPU
D1 DECODER
Phase Count
to CPU
BUFFER
Typical 1 of 16
Circuits Shown
Y
C
Delay Count
From CPU
Y, C
DELAY
DELAY
Y
16 X 16 X 10 X 2
C
CROSSPOINT
MATRIX
RECLOCK
Y, C, K
Y, C, K
Y, C, K
Y MASK
K1 DEPTH
K2 DEPTH
Y, C
Y, C or K, D
Y, C
K
Y, C
K
Figure 3-6. Crosspoint Module
TX
Chroma Key Xpts
SELECT
SELECT
SELECT
LATCH
CHROMA KEY
SUBMODULE
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
DELAY
Y, C, K
Test
Header
TX
RECLOCK
TX
RECLOCK
RX
RECLOCK
TX
RECLOCK
TX
RECLOCK
TX
RECLOCK
TX
RECLOCK
TX
RECLOCK
Background A
Background A Key
Background B
Background B Key
Key 1
Key 2
DSK Key
Mask/Depth Key 1
Depth Key 2
Aux 1
Aux 2
3-16
Frame Modules
Crosspoint Matrix
The Crosspoint Matrix (Figure 3-6) consists of 16 inputs by 16 outputs by
10 bits repeated twice, once for luminance and once for chrominance. Not
all of the available outputs are used.
The crosspoint matrix is designed so that any of the inputs can be
connected to any of the outputs without limits. To accomplish this, all 16
zero bits (from the 16 inputs) go into one crosspoint, all of the one bits go
into the next crosspoint, and so on for all of the crosspoints. Then if input
one is mapped to output seven in the mapping menu, each of the 20
crosspoints connects input one to output seven. This connects each of the
10 luminance bits and each of the 10 chrominance bits from pin 1 input to
pin seven output. The outputs of the crosspoints are then reorganized into
video buses.
The Output buses for the Y (luminance) crosspoints are the following:
■Luminance for Background A and B (2 buses)
■Key and Luminance for Key 1, Key 2, and DSK (6 buses)
■Luminance for Aux 1 and Aux 2 (2 buses)
■Luminance for Chroma Key (1 bus)
The Output buses for the C (chrominance) crosspoints are the following:
■Chrominance for Background A and B (2 buses)
■Chrominance for Key 1, Key 2, and DSK (3 buses)
■Mask/Depth for Key 1 and Depth for Key 2 (2 buses)
■Chrominance for Aux 1 and Aux 2 (2 buses)
■Chrominance for Chroma Key (1 bus)
One crosspoint in the matrix takes the output of the Chroma Keyer
Submodule and can place it on any or all of the three key buses.
The crosspoints can create a matte for each output. They do this by simply
generating the bits required to create a given color.
The Crosspoint Module includes delays on all of the buses so all signals can
be timed to arrive at their destination simultaneously. This compensates
for the various delays through the system.
3-17
Section 3 Ñ Functional Description
Chroma Keyer Submodule
The crosspoint module sources four buses to the chroma keyer (see
Figure 3-7 on page 3Ð20). Two of these carry Y and C signals in standard
decoded 4:2:2 format. The other two carry odd and even chroma samples
from a full bandwidth 4:4:4 chroma key source. For normal operation of the
switcher, the full bandwidth buses are not usedÑthe 4:2:2 chrominance
signal is upsampled and substituted for the full bandwidth buses. The
upsampling or interpolation is followed by a switch that allows normal or
full bandwidth operation. The signal after the switch has U and V samples
occurring at 13.5 MHz rate.
These U and V signals describe the chroma content of the input signal. The
Hue Correlation circuits compare the chroma content to a reference hue to
produce a signal that describes how closely the input signal color is to the
reference hue. The closer the hue in the input signal is to the reference hue,
the larger the response is at the output of the Hue Correlation circuit (if the
reference hue is blue, the output signal will be greatest in the blue areas of
the input signal).
Other functions associated with the Hue Correlation circuit are the
Aperture Control and the Fringe Control. The Aperture Control
determines how sensitive the circuit is to color matching. As aperture is
decreased, the circuit requires tighter matching in the hue for the same
response. The Fringe Control causes the Hue Correlation circuit to respond
to areas in the input scene that have little or no chroma.
The two Hue Correlation circuits on the 1200 chroma keyer are called
background and foreground. The Background Hue Correlation circuit is
used for background color suppression and for generation of the chroma
key signal. The Foreground Hue Correlation circuit affects colors in the
foreground that have been polluted by the background. The signal output
from the foreground circuit is used only for foreground color suppression
and has no effect on the generation of the key signal.
The output of the Background Hue Correlation circuit goes to a multiplier
where it can be multiplied to zero by the force mask signal coming from the
soft box mask generator. A zero level signal represents no response and
results in no suppression or key generation, a ÓblueÒ part of the scene is
preserved. After the multiplier, the signal can be processed for noise
suppression. The noise suppression is done using a circuit with a coring
function that measures the level and if the level does not exceed a set level
the output does not respond. Low level noise does not cause suppression
or key generation.
3-18
The signal then goes to background suppression. This is done by shaping
a matte signal with the signal from the correlation circuit. The shaped
matte signal (generally the same color as the background) is subtracted
from the chroma keyer input signal. The color background is suppressed to
black.
Frame Modules
Key generation is done by scaling the signal from the Background Hue
Correlation circuit using a variable gain comparator. The scaled output is
now a suitable multiplier control signal, is used for coring, and sent to the
key size, position, and softness circuit before going to the keyer module.
The Foreground Hue Correlation circuit output also goes through a force
mask multiplier. The force mask multiplier can be controlled
independently for foreground and background processing by way of
switches. The foreground output signal then goes to a difference circuit
that prevents suppression in the foreground from duplicating suppression
in the background.
The coring circuit removes noise in the video path by forcing the signal to
black when the signal is less than a set level. This process is further
qualified by the key signal, which must be non-zero to cause noise
suppression.
The AutoCKey circuit works in conjunction with the crosshair generator
and the cursor insertion switches. These circuits control the autosetup of
the chroma keyer. The crosshair generator inserts a cursor signal into the
video path. The cursor is positioned by the control panel joystick. The
cursor generator also produces a strobe used by the AutoCKey circuit to
capture luminance and chrominance data at the location identified by the
cursor. The captured data is read by the 1200 CPU for each field and used
to calculate the reference hue, luma suppression level, VGC clip and gain,
and shadow clip level. The operator can select an area of the scene using
the cursor and cause the system to set up a chroma key based on the video
in that area.
The 1200 chroma keyer also has the ability to add a luminance-based
shadow to the chroma key. The luminance Y signal is processed in a
variable gain comparator to generate a shadow control signal that is
combined with the key signal in the NAM. The video outside the key is
suppressed to black causing the shadow part of the new background signal
to be attenuated.
The key size, position, and softness circuit uses vertical and horizontal
filters to reposition, resize and soften key edges. This circuit is composed
of field and line delays, filter circuits, and motion detection. When vertical
processing is not used, most of the circuitry is bypassed.
The outputs of the chroma keyer are chroma key Y, chroma key C, and the
chroma key signal. The output signals then return to the crosspoint module
to be routed to one of the three keyers in the system.
3-19
Section 3 Ñ Functional Description
Codd
Ceven
Y
C
4:4:4 Interface
& Multiplexer
To Shdw Proc
Interpolation
Limit
Hposition
FGD Chroma
FGD Hue
Crosshair
Generator
Autockey
Circuit
BKGD Hue
Correllation
Circuit
Ref Hue
Aperture
Supp
FGD Hue
Correllation
Circuit
Vposition
BKGD
Color
Suppression
C(U)Bkgd
C(V)Bkgd
YBkgd
Fringe
Control
Multiplier
Multiplier
FGD
Color
Suppression
CPU
Reduction
Multiplier
Noise
Subtract/
Limit
Coring
White
CBlack
Key/Shadow
Y
Key
Size,
Softness,
Position
CK_Y
CK_C
(Outputs to
Crosspoint
Module)
CK_Key
TP0715-02
Soft Box
Mask Generator
1-X
1-X
"1"
"1"
Aperture
Figure 3-7. Chroma Keyer Submodule
3-20
Keyer Module
WIPE SOLID
GENERATOR
From XPT
Matrix or
Chroma Key
From XPT
Matrix or
Chroma Key
From XPT
Matrix or
Chroma Key
DSK
Key 2
Key 1
From
XPT Matrix
Frame Modules
The Keyer Module (Figure 3-8) contains the Effects Send crosspoints, proc
amps, and Wipe Pattern Generator. The Keyer Module also holds the Key
Processor Submodules and the Borderline Submodules.
PAT_PATCEN
T o Mixer Module
BORDERLINE
GENERATOR
Pst Ptn
Aux 1
Aux 2
BORDERLINE
GENERATOR
SUBMODULE
KEY
PROCESSOR
SUBMODULE
SUBMODULE
KEY
PROCESSOR
SUBMODULE
BORDERLINE
GENERATOR
SUBMODULE
KEY
PROCESSOR
SUBMODULE
RECLOCK
Rx
RECLOCK
Rx
RECLOCK
Rx
RECLOCK
SCALE
AND
SHAPE
DSK
EFFECTS
SEND
CROSSPOINTS
KEY 2
KEY 1
AUX 1
AUX 2
DELAY
DELAY
DELAY
EFFECTS
SEND
OUTPUT
PROC
AMP
PROC
AMP
PROC
AMP
DSK Y, C, K
Buses to
Mixer Module
Tx
RECLOCK
Key 2 Y, C, K
Buses to
Mixer Module
Tx
RECLOCK
Key 1 Y, C, K
Buses to
Mixer Module
Tx
RECLOCK
Aux 1
Aux 2
From
XPT Matrix
Depth 1
Depth 2
RECLOCK
DEPTH 1
DEPTH 2
Depth 1
Depth 2
Figure 3-8. Keyer Module
Effects Send Crosspoints
The Effects Send crosspoints constitute a crosspoint matrix which has all of
the Key Buses, Aux Bus 1, Aux Bus 2, and the key depth buses as inputs and
outputs. This crosspoint matrix will allow any of the three keys and fills to
be placed on the Aux 1 and Aux 2 output buses, which can be connected to
a DPM for manipulation of the key. The signal returning to the Model 1200
from the DPM re-enters on one of the primary inputs and is routed to the
effects send crosspoints on the Aux 1 and Aux 2 input buses. The effects
send crosspoints place this signal on any of the key output buses.
3-21
Section 3 Ñ Functional Description
Wipe Pattern Generator
The Wipe Pattern Generator (Figure 3-9) produces a single wipe pattern
output which is used two places:
■A 16-bit signal is sent to the Mixer Module for wipe transitions
■A 10-bit signal which has been Clip and Gain adjusted goes to each of
the Key Processor Submodules to create the Preset Pattern Key
The Wipe Waveform Generator creates digital horizontal and vertical
ramps. From these ramps the Wipe Solid Generator creates the various
wipe patterns by modifying them according to various mathematical
formulas. Counters divide the horizontal and vertical ramps into segments
to produce pattern multiplication. The pattern outputs consist of a full 16bit signal which is sent to the Wipe Module to be used for wipe transitions
and a 10-bit version which is sent through a proc amp to the Preset Pattern
Generator on the Keyer Module.
H_RST
V_RST
CLKBD
WIPE
WAVEFORM
GENERATOR
WIPE
SOLID
GENERATOR
DELAY
Wipe Pattern
RECLOCK
CLKTX
Pattern Old
CPU Address
and Data
TRI-CLIP
AND
GAIN
RECLOCK
Pattern New
Figure 3-9. Wipe Pattern Generator
Effects Send Output
This circuit converts the effects send signals from the switcherÕs internal
format to standard digital video.
3-22
Key Processor Submodule
The Key Processor Submodule (Figure 3-10) generates the following
signals:
■Preset pattern key with or without border
■Luminance key with or without mask
■Linear key with or without mask
The functions of some Key Processor circuits change according to the type
of key being generated. Luminance and linear keys are handled identically
except for Tri Clip and Gain settings. The Additive Mixer and its input
from the Select circuit are used in the following ways:
■Lum key, unmasked, unshaped video: shape video with key
■Lum Key, unmasked, shaped video: not used
■Lum Key, masked, unshaped video: shape video using masked key
■Lum Key, masked, shaped video: unshape video during mask
Frame Modules
Key
Signal
Pattern
Old
Pattern
New
RX
RECLOCK
RX
RECLOCK
RX
RECLOCK
■Preset Pattern Key: Pattern New is used to shape the video
Pattern Old and Pattern New are used to generate the preset pattern key.
Pattern Old is also used to create a mask on non-preset pattern keys. The
Borderline option and its associated Tx reclocks and selects are used to put
a border or shadow on any of the keys.
TRI
CLIP
AND
GAIN
CPU Data
(Key Opacity)
SUBTRACT
MULTI
MULTI
SELECT
DELAY
INVERT
DELAY
TX
RECLOCK
BORDERLINE
TX
RECLOCK
SELECT
OPTION
RECLOCK
TX
Key
Signal
Video
RX
RECLOCK
PST PTN
BORDER
MIXER
PROC
AMP
Figure 3-10. Key Processor Submodule
ADDITIVE
MIXER
SELECT
TX
RECLOCK
Key
Video
3-23
Section 3 Ñ Functional Description
Preset Pattern Keys
Pattern New is the outer edge of the new video and Pattern Old is the
inside edge of the old video. The space between (if any) is the border. The
positions of these signals are determined by the Keyer Module.
The Pattern Old signal passes through the Tri Clip and Gain circuit and
gets selected by the multiplier. The key opacity multiplier uses data from
the CPU to determine how opaque the key signal should be. The key signal
is then delayed, and if the Borderline is not used, the signal is sent to the
Mixer Module. If the Borderline is used, the signal is sent to the Borderline
Submodule where the key is modified. The signal is then sent to the Mixer
Module. Pattern Old is also selected by the Select circuit and sent to the
additive mixer where it is used to shape the video.
The preset pattern border is created by subtracting the Pattern Old and
Pattern New signals. The resulting signal enters the Preset Pattern Border
Mix circuit which creates the border matte. The border then goes to the
Additive Mixer.
The video signal is first sent through a Proc Amp before going to the
Additive Mixer.
The Additive Mixer combines the video and border using the Pattern Old
signal to create the video with the border inserted. The video signal is then
sent to the Mixer Module if the Borderline is not used. If the Borderline is
used, then the video goes through the Borderline Submodule before it is
sent to the Wipe Module.
Luminance, Linear, and Chroma Keys
The Key signal and the Pattern Old signal enter the Clip and Gain circuit.
If there is no mask applied to the key, only the Key signal exits the Clip and
Gain. If there is a mask applied to the key, both the Key and the Pattern Old
exit. The multiplier then multiplies the Key and Pattern Old to produce the
masked key.
The masked Key signal enters a multiplier with opacity data from the CPU
to give the key the desired opacity. If there is no Borderline, the signal is
delayed and sent out to the Mixer Module. If Borderline is selected, the
signal is sent to the Borderline circuit and then out to the Mixer Module.
The signals being sent to the Additive Mixer depend on several factors. See
the previous page for details.
The video first passes through a Proc Amp and is then applied to the
Additive Mixer where the key and video are combined. If the Borderline
Submodule is used, the video passes through the Borderline Submodule
before it is sent to the Mixer Module.
3-24
A Chroma Key is handled the same as a Linear Key.
Borderline Submodule
A Borderline Submodule option (Figure 3-11) can be mounted on each of
the Key Processor Submodules. The purpose of the Borderline is to expand
the key horizontally and/or vertically to put a border or shadow around it.
The Horizontal Key Stretch circuit will, under the control of the CPU, delay
the key one pixel and then do a Non Additive Mix (NAM) between the
original signal and the delayed signal. This process is repeated until the key
is widened enough for the required border. At the same time the Vertical
Key Stretch is widening the key vertically.
The stretched key is sent to a NAM. At the same time the key is sent to the
adjustable 3 line delay where the key is delayed the required number of
lines and pixels. The delayed key signal is also sent to the NAM. The output
of the NAM is the difference between the delayed key and the stretched
key, which is the border.
The border is sent to the Border Opacity Mixer which, under the control of
the CPU, sets the opacity of the border. The border signal then is sent to
both the Border Mixer and the Combiner circuit. The Combiner circuit
combines the key signal and the border signal and outputs the resultant
key signal.
Frame Modules
CPU Data
HORIZONTAL
Number
of Pixels
KEY
STRETCH
The key video goes through a delay and into the Border Mixer. The Matte
Generator generates the border matte which is sent to the border Mixer.
The Border Mixer then combines these signals with the output from the
border opacity mixer to create a key video with border.
Key Video
Number
of Lines
VERTICAL
KEY
STRETCH
Y and C
NAM/
SELECT
GENERATOR
What Color
DELAY
MATTE
SUBTRACT
Amount
of Opacity
BORDER
BORDER
OPACITY
MIXER
MIXER
Key Video
with Border
COMBINE
Key Signal
Key Signal
ADJ
3 LINE
DELAY
DELAY
Figure 3-11. Borderline Submodule
DELAY
3-25
Section 3 Ñ Functional Description
Program Mixer Module
The Program Mixer Module (Figure 3-12):
■Generates the Clean Feed Out
■Generates the Program Out
■Processes the depth information
■Has the Transition Generator
Bkgnd A
Bkgnd B
Key 1 Video
Key 2 Video
DSK Video
DSK Key
PROC
AMP
PROC
AMP
Key 1 and 2 Depth
Key 1, 2, and DSK
Transition Center
MIXER
MIXER
COMBINER
DEPTH
SUBMODULE
Border Matte
Combiner
MIXER
Border
Matte
Priority Depth
Clean Key Depth
DSK Depth
Wipe Pattern
Key 1 Key
Key 2 Key
Background A Key
Background B Key
KEY AND DEPTH
OUTPUT
PROCESSING
OUTPUT
PROCESSING
DSK Mixer
MIXER
TRANSITION
GENERATORS
AND
KEY PROCESSING
Key Out A
Key Out B
Clean Feed
Video
OUTPUT
PROCESSING
Program
Video
Clean Key
Dsk Key
Key 1 Mix
Key 2 Mix
Background A
Background B
Border
3-26
Figure 3-12. Program Mixer Module
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