Gotharman Anamono User Manual

Gotharman’s

Gotharman’s Gotharman’s

Gotharman’s

Anamono

AnamonoAnamono

Anamono

User Manual

User ManualUser Manual

User Manual

Index

IndexIndex

Index

Introduction 3

Main Features 4

Internal Flow 5

Front 6

Back / Connections 8

How To Get Around 9

The Preset Select Page 10

The Edit Pages 11

Overview Of The Edit Group Pages 12

Modulation Sources 13

Explanation Of The Edit Pages 17

Oscillator 1 and 2 17
Oscillator Mod 20
DSP Filter 23
FeedBack 27
Analogue Filters 30
Amp (VCA) 35
Granulator / Delay 40
Modulation Envelope 49
Modulator 1 53
Modulator 2 64
LFO 1 and LFO 2 68
Random 70
Modulation Keyboard 71
MIDI settings 72
Assign Edit Knobs 73

Save Preset 75

Exit 76

MIDI Implementation 77

Parameter List and NRPN’s 78

Introduction

IntroductionIntroduction

Introduction

Dear valued GotharMusic customer,
Thank you very much for purchasing an Anamono.

Anamono is the newest model in my compact syntesizer series, that packs a lot of power
in a small, affordable and very easy portable package.
Anamono packs a lot of analogue power. 2 analogue filters, 1 multimode and 1 bandpass,
an analogue VCA and overdrive output stage, and a newly engineered g-RAY feedback
synthesis circuit, that brings some totally new sound possibilities.
Together with the analogue section, Anamono’s digital section also packs a lot of power,
and inspiration to new sound ideas: 2 digital oscillators with continiously variable
waveforms and oscillator sync, a routable ringmodulator, a routable digital multimode filter,
a fully programable and controlable granulator/delay effects section, and many modulation
sources.
It has 2 newly engineered modulation sources: An 8-step very flexible step modulator, and
a 5-step. The 8-step variant has a selection of different trigger sources, and is able to put
out notes and gates. The 2 modulators has, like the 2 envelopes, 2 sets of settings, that
can be morped between, using any modulation source.
Anamono also has an external audio input, which makes it possible to process any audio
signal with Anamono’s ringmodulator, g-RAY feedback, filters, granulator/delay and analog
overdrive. An envelope follower makes it possible for the external audio signal to keep
control of Anamono’s output level (and any other controlable parameter), to prevent
unwanted noises. A drone parameter is also available, if you want to keep Anamono’s
output constantly open.
All Anamono parameters can be controlled using MIDI NRPN controller numbers, and
many parameters can be controlled direct with MIDI controllers.
256 preset sound can be stored in eeprom’s – no back-up battery required. All presets are
user-writable.

I sincerely hope, that you will enjoy playing your Anamono, as much as I have enjoyed
designing it.

Gotharman, June 2010

Main Features

Main FeaturesMain Features

Main Features

• Monophonic analogue feedback synthesizer with build in granulator/delay effects.

• 2 oscillators with waveforms morphable from sine to triangle to saw to square to

noise and with osc sync.

• 2 analogue filters - 1 multimode (lpf, bpf, hpf) and 1 bpf.

• 1 routable digital multimode filter.

• New Gotharman engineered analogue feedback circuit with g-RAY - NEW sound

creating possibilities.

• Analogue VCA and overdrive - fully controllable.

• Fully programable and controllable 16-step step granulator - Delay/granulator

times up to 1.5 second.

• Ring modulator, that can process both internal sounds and sounds coming via the

external audio input.

• External audio input lets you process any sound with Anamono's filters, g-RAY

feedback circuit, granulator/delay, ringmodulator and analogue overdrive.

• 2 envelopes and 2 step-modulators, all having 2 sets of settings, that can be

morphed between, using any modulation source.

• 2 LFO's with morphable waveforms and key-sync.

• 256 preset memory locations – All user-writable in eeproms – No back-up battery.

• All parameters controlable with MIDI NRPN numbers - Many direct with MIDI

controllers.

Anamono Internal Flow

Anamono Internal FlowAnamono Internal Flow

Anamono Internal Flow

Oscillator 1

sync

Oscillator 2

Ext Audio In

DSP Filter in
position 1

Analogue Filter

1

Analogue Filter

2

DSP Filter in
position 2

FeedBack

g-RAY Circuit

DSP Filter in
position 3

Amp

Amp Envelope

Granulator /
Delay

DSP Filter in
position 4

Analogue

Overdrive

MIDI Mod Envelope

Squared
Envelope

Modulator 1

LFO 1 LFO 2 Random

Modulator 1
Stepped

Modulator 2

Env Follower

Ring

Modulator

Osc1, Ext In, Ana VCF’s, Granu

Osc2, LFO1, Ana VCF’s, Granu

DSP filter, Ana VCF’s, Amp

Anamono Front

Anamono FrontAnamono Front

Anamono Front

Edit1 / Ctrl 2: When on the preset select screen (the screen showing on the picture) and on the edit

page select screen, this knob transmits midi-controller 2 internally, and tweaks all
parameters, which has midi-controller 2 selected as modulation source, except if a
parameter are assigned to it on the ”ASSIGN EDIT 1” edit page.

When on a parameter edit screen, this knob adjusts the parameter showing at the left
of the screen.

Edit2 / Ctrl 3: When on the preset select screen (the screen showing on the picture) and on the edit

page select screen, this knob transmits midi-controller 3 internally, and tweaks all
parameters, which has midi-controller 3 selected as modulation source, except if a
parameter are assigned to it on the ”ASSIGN EDIT 2” edit page.

When on a parameter edit screen, this knob adjusts the parameter showing at the
middle of the screen.

Play / Enter / Freeze: This knob starts and stops Modulator 1, if Modulator 1 trigger source = Play

or MIDI. It also works as a midi note on indicator – every time a midi note on, on the
selected midi-channel, are received it will light up.

When you select a new preset, it will start blinking, and you will have to push it to
confirm.

When on a granulator/delay edit page, this acts as a freeze knob, and freezes/un­freezes the granulator/delay every time it is pushed. It lights up, when freeze is active.

Cursor (click) value: This knob navigates around, changes preset, and changes various switch

functions on the parameter edit screens.

If the cursor is blinking, turning this knob will move the cursor. Pushing it will stop
the cursor from blinking, to change a value, or entering another screen.

If the cursor is not blinking, turning this knob, will change the value of the parameter,
where the cusor are located. Pushing it will get the cursor blinking to move it, or it
will enter another screen.

Volume: Changes the output volume on the audio and phones outputs.

Phones: Below the ”Phones” text on the front-side of Anamono, a phones output are located. It

is possible to connect a pair of stereo headphones to this.

Anamono Back / Connections

Anamono Back / ConnectionsAnamono Back / Connections

Anamono Back / Connections

9VDC: Connect the supplied 9-12 VDC power adaptor to the socket. The switch near it are
the power on/off switch. If your Anamono wasn’t delivered with a power adaptor, or you
need to replace it, it has to be:

-A 9-12 V DC, min. 500 mA unregulated power adaptor with a 2.1 mm DC connector, with
the positive voltage in the middle.

MIDI in: Connect this to the MIDI out of a MIDI transmitting device (MIDI keyboard,

sequencer, computer or whatever).

Audio In jack: This is the external audio input of Anamono. Connect any line-level audio

source to this, to process it with Anamono’s powerful audio system.

Audio Out jack: This is a line output, and needs to be amplified. Connect it to an amplifier

or a mixer.

How to get around

How to get aroundHow to get around

How to get around

Some main rules: If the cursor is blinking, you can move it by turning the
cursor(click)value encoder.
If the cursor is not blinking, you can change the value of the parameter the cursor are
located below, by turning the cursor(click)value encoder.
By pushing the cursor(click)value encoder, you change the cursor from blinking to not­blinking and vice versa.

When the cursor is located under ”Edit”, on the preset select page, pushing the
cursor(click)value encoder, will enter the edit group select pages.

On the edit group select pages, pushing the cursor(click)value encoder, will enter the edit
parameters pages, except if the edit group page is ”EXIT”, then it will exit to the preset
select page.

If the cursor is located under an ”X”, pushing the cursor(click)value encoder, will exit to the
previous level.

The Preset Select Page

The Preset Select PageThe Preset Select Page

The Preset Select Page

Every time you turn on your Anamono, it will for a short while write:

In it’s display.
Right after that, it will go to this screen:

This is the Anamono main page.

On the top of the display it writes the name of the selected preset. It remembers what preset was
selected, when it was turned off, and goes to that preset when it is turned on again.

On the bottom of the display it writes the selected preset bank and number. Anamono has sixteen
banks (A-P) with each 16 sounds (256 in all). The number shown in paranthes, are the MIDI bank
select number (MIDI ctrl 32) followed by a slash and the MIDI program change number you will
have to transmit to Anamono, for selecting this preset, from an external MIDI-device.

As default, when entering the preset select page, the cursor is located under the preset number
select, so you immediately can select a preset. It is also possible to locate the cursor under the bank
select letter, or ”Edit”, if you wish to enter the edit pages.

To change preset: If the cursor is not blinking, push the cursor(click)value encoder, to make the
cursor blink. Rotate the cursor(click)value encoder in either direction to place the cursor under the
letter, if you want to change the bank number, or the number if you want to change the preset
number. Push the cursor(click)value encoder, so the cursor is not blinking. Rotate the
cursor(click)value encoder to select the preset you want. It will write the preset name in the top of
the display. The play/enter/freeze knob will now start to blink. Push the play/enter/freeze knob to
confirm change to the selected preset.

Gotharman’s

AnaMoNO

[VoiceYouJoy ]
A01 (0- 0) Edit

The Edit Pages

The Edit PagesThe Edit Pages

The Edit Pages

NOTICE: The edits you do, are not automatically stored in memory. If you would like to keep your
creation, you wil have to SAVE the preset. How to do that, are explained later in this manual.

How to enter the edit pages from the preset select page:

If the cursor is not blinking, push the cursor(click)value encoder, so the cursor is blinking. Rotate
the cursor(click)value encoder until the cursor is located under ”Edit”. Push the cursor(click)value
encoder. Now this screen should appear:

If you now want to exit back to the preset select screen, rotate the cursor(click)value encoder, until
this screen appears:

Push the cursor(click)value encoder.

If you, on the other hand, wants to start edit and create some sounds, rotate the cursor(click)value
encoder. You can now select among various edit pages. Pushing the cursor(click)value encoder,
enters an edit page.

Inside an edit page, it might look like this:

By placing the cursor under the number in the upper left corner of the display, and pushing the
cursor(click)value encoder you can select among various edit pages in the selected edit group. By
placing the cursor under the ”X” and pushing the cursor(click)value encoder, you will exit to the
edit group select page.
The two parameters shown in the left and in the middle of the display are changed by rotating the
edit1 and edit2 knobs. The parameter to the right is changed by moving the cursor to it, and use the
cursor(click)value encoder.

1 OSC 1

EXIT

1 Wave. Mod. Sorc

X Saw + 0 Mod1

Overview of the edit group pages:

Overview of the edit group pages:Overview of the edit group pages:

Overview of the edit group pages:

1 – Oscillator 1
2 – Oscillator 2

3 – Oscillator Mod

4 – DSP Filter

5 – Feedback

6 – Analogue Filters

7 – Amp (VCA)

8 – Granulator

9 – Mod Envelope

10 – Modulator 1
11 – Modulator 2

12 – LFO 1
13 – LFO 2

14 – Random

15 – Mod Keyboard

16 – MIDI
17 – Assign Edit 1
18 – Assign Edit 2

19 – Save Preset

20 – Exit (To preset select page)

Anamono Modulation Sources

Anamono Modulation SourcesAnamono Modulation Sources

Anamono Modulation Sources

1 AMP/MOD ENV:

2 SQUARED MOD ENV:

A traditional ADSR envelope. It has 2 sets of settings, that can be morphed between,
using any modulator.
It also has a squared output: When the mod envelope has a value below half of it's
max value, this will be zero. When the mod envelope reaches above it's half value,
this will be at maximum value.

The amp section has it’s own ADSR envelope, that is controlling the total output
level, before the granulator and the overdrive, unless amp control = Folr. Then the
envelope follower controls the output level.

Note On

Note Off

Attack Time

Decay
Time

Release
Time

Sustain Level

3 MODULATOR 1:

4 STEPPED
MODULATOR 1:

An 8 step very flexible modulator with a smooth output. Each step has a value
parameter, a time parameter (how long it will take to reach the next steps value), and
a selection of, if it will continue, sustain or loop, after this step. It has a flexible
trigger system: Off (freerun, no triggering), Key-reset (key triggered without re­triggering), Key-trigger (key triggered with re-triggering), Key'ed (advances one step,
every time a note-on is received), Play (the play/enter knob starts and stops the
modulator) and MIDI (synced to MIDI-clock). It has 2 sets of settings, that can be
morphed between, using any modulator.
It also has a stepped output: Every time modulator 1 reaches a new step/value this is
updated. This can also be set up to put out note and gate values, and used as a
morphable step-sequencer.

L1

T1

L2

L3

L4

L5 L6

L7

L8

L1

T2 T3 T4 T5

T6

T7 T8

T: Times

L: Levels

5 MODULATOR 2:

A 5-step shapable modulator. Step 1: delay time, step 2: rise time to full value, step 3:
hold time at full value, step 4: fall time to zero, step 5: hold time at zero value. Can
be key-triggered, looped or key-triggered and looped. It has 2 sets of settings, that can
be morphed between, using any modulator.

6 LFO 1

7 LFO 2

The LFO's waveforms are continuously variable from triangle to saw to square to
pulse. The LFO's can be both wave and rate-modulated, using any modulator. Both
LFO's can also be key-synced, and LFO wave start-point can be adjusted.

8 Random Voltage

Each time it is triggered, it outputs a new random value. Trigger sources are: LFO1,
LFO2 or key.

9 Random Pulse

A squared version of the random voltage with adjustable pw. When the random
voltage puts out a value above the pw, the output of this will be zero. When the
random voltage puts out a value below the pw, the output of this will be max.

T1 T2 T3 T4 T5

10 Mod Kybd

The last received note on value are converted into a control level, using two
parameters: Offset (at what note value, will the modulation start) and spread (makes
the control curve more steep, at higher values).

11 Velo

The last received note on velocity value.

12 Env Folr

The audio signal present on the external audio input converted to a controller shape.
With adjustable smoothing.

13 MIDI Ctrl 1

14 MIDI Ctrl 2

15 MIDI Ctrl 3

16 MIDI Ctrl 4

The last received values from these four controllers or from edit knob 1 (ctrl 2) or 2
(ctrl 3). If edit knob 1 and 2 are assigned to a parameter in the assign section, MIDI
controller 2 and 3 will also be assigned to these, and ignored as modulation sources.

Explanation Of The Edit

Explanation Of The EditExplanation Of The Edit

Explanation Of The Edit

Pages

PagesPages

Pages

The Oscillator 1 and 2 Pages

Anamono does have separate settings for oscillator 1 and 2, but since these settings are equal,
except for the keyboard on/off parameter, which only affects oscillator 2, they are both explained in
this one section.
The oscillators in Anamono are, together with the external audio input if wanted, creating the basic
building block for the sound. It is also the osillators, that dictates the basic pitch of the sound.
All Anamono waveforms has a certain number of harmonics. The sound is shaped by filtering out
some of these harmonics, using the analogue and digital filters, and by adding other harmonics,
using the ring modulator, oscillator sync and the analogue overdrive.
The oscillators waveforms are continiously variable from sine to triangle to saw to square to noise.
The wave-shaping can be modulated from all 16 modulation sources. All waveforms can be
pulsewidth and pitch-modulated.

Edit 1 – Oscillator wave shape: Value 0 to 255, 0: sine, 64: triangle, 128: saw, 192: square, 255:
noise.

Edit 2 – Oscillator wave shape modulation: Value –128 to +127. A negative value inverts the
modulation source.

Encoder - Oscillator wave shape modulation source: Value: Any of the 16 modulation sources.

1 OSC 1

1 Wave. Mod. Sorc

X Saw + 0 Mod1

2 OSC 2

Edit 1 – Waveform pulse width: Value 0 to 255.

Edit 2 – Pulse width modulation: Value –128 to +127. A negative value inverts the modulation

source.

Encoder – Pulse width modulation source: Value: Any of the 16 modulation sources.

Pw does something different on each waveform:

Sine: A pure sine are a pure wave, without any harmonics. When pw is ”0”, the sinewave is pure.

The more Pw is turned up, the more the top of the sinewave is flattened out, to introduce extra
harmonics.

Triangle: When Pw is zero, a pure triangle is generated. As Pw is turned up, the triangle is
amplified more and more, but instead of clipping the waveform, it wraps the signal above maximum
over the zero point, and creates a totally different waveform.

Saw: When Pw is zero, a pure saw wave is generated. As Pw is turned up, it starts to sound more
and more like a synced sawtooth, with the sync pitch getting more and more detuned.

Square: When Pw is zero, it generates a symmetrical square wave with pulsewidth 50% / 50%. The
more Pw is turned up, the more unsymmetrical it gets, and at max value the pulsewidth is 100% /
0%.

Noise: Pw adjusts noise intensity.

2 Pw . Mod. Sorc

X 0 + 0 Env

Edit 1 – Tune: Tunes the oscillator in semitone steps.

Edit 2 – Fine: Fine tuning of the oscillator.

Encoder – Kybd –Oscillator 2 only: Oscillator 2 keyboard pitch control on/off.

Edit 1 – Pitch modulation: Value –128 to +127. A negative value inverts the modulator.

Edit 2 – Pitch modulation source: Value: Any of the 16 modulation sources.

Encoder – Pitch modulation level source: Selects a source, that modulates the level of the pitch

modulation. Value: Off, first 15 modulation sources.

3 Tune. Fine. Kybd

X + 0 0 On

4 Mod. Sorc. Levl

X +127 Env Off

The Oscillator Mod Pages

This section controls the common oscillator modulation: Portamento, sync, pitchbend range and
ring modulator.
Portamento creates a ”sliding” pitch effect, between two different notes.
Sync syncronizes the pitch of oscillator 2 to the pitch of oscillator 1. Every time the oscillator 1
waveform has reached a complete cycle (i.e. played back it’s waveform one time), it sends out a
syncronizing signal to oscillator 2, which is then resettted. If the frequency of oscillator 1 and 2 are
not equal, oscillator 2 will be reset at a point where it wouldn’t normally be reset, and this will
create the metallic sounding ”extra” frequency on top of the oscillator 2 waveform. The same effect
can be obtained by choosing waveform: saw, and adjust the pw, but now that Anamono has real
sync, this effect can be obtained on all waveforms.
The ring modulator takes the sum and the difference of the 2 signals present on it inputs, and puts
that signal out on the selected destination. This will add harmonic sidebands to the signals.
Depending on the waveforms and frequencies of the input signals, this will create a signal ranging
from metallic to ringing.

Edit 1 – Portamento: Value 0 to 255. The higher the value of this parameter, the slower the
oscillators will ”slide” from one frequency to another, when hitting a key on a connected MIDI
keyboard. At value ”0”, there will be no sliding between notes – the oscillators pitch will
immediately change to the new value.

Encoder - Oscillator sync: Value: On/off. When on, oscillator 2 will syncronize to the frequency
of oscillator 1. If the frequency of oscillator 1 and 2 are not equal, the classic sync effect will be
created.

3 OSC MOD

1 Porta. Sync 2<1

X 0 Off

Edit 1 – Ring Modulator input 1 source: Value: osc1, ext audio in, analogue filters output,
granulator output.

Edit 2 – Ring Modulator input 2 source: Value: osc2, LFO1, analogue filters output, granulator
output.

Edit 1 – Ring Modulator output destination: Select where in the signal chain, you want the
ringmodulated signal to appear. Value: Digital filter input, analogue filters input, amp section
(VCA) input.

Edit 2 – Ring Modulator volume: The output level of the ring modulated signal. Value: 0-255.

Edit 1 – Ring Modulator output level modulation: Value –128 to +127. A negative value inverts

the modulator.

Edit 2 – Ring Modulator output level modulation source: Value: Any of the 16 modulation
sources.

2 Rin1. Rin2. .

X osc1 osc2 .

3 Rout. Rvol. .

X Dvcf 255 .

4 Rout. Sorc. .

X +127 Env .

Edit 1 – Bender: Adjusts how much incoming MIDI pitch bend messages will affect both of the

oscillators pitch. From 0 to 255 (about 12 semitones at maximum).

5 Bender. .

X 128 .

The Dsp Filter Pages

Anamono has 3 filters in all, 2 analogue and one digital. This section describes the digital one. The
digital filter is created using digital signal processing (DSP). It can be placed in 4 different positions
(routing is done in the analogue filters section, described later in this manual):

-In serial connection with and before the analogue filters.

-In parallel connection with the analogue filters.

-In the g-RAY feedback.

-After the granulator/delay.

A filter shapes the sound, by removing certain harmonics from the source audio signal, and by
amplifying certain harmonics around the cutoff frequency point (using resonance).

Edit 1 – External audio input level: Value 0 to 255. Adjusts the level of the audio signal present
on the external audio input, going to the DSP filter input.

Edit 2 - Boost: Value: 0 to 255. Boost the DSP filter output signal, to make it stronger. Higher
settings might introduce clipping.

4 DSP FILTER

1 Inp . Boost .

X 67 24 .

Edit 1 – Oscillator 1 / Analogue filters level: Value 0 to 255. Adjusts the level of oscillator 1,
going to the DSP filter input. Except when DSP filter routing = feedback or granulator. When
routing = feedback, this parameter adjust the level of the analogue filters output, going to the DSP
filter. When routing = granulator, this parameter does nothing.

Edit 2 – Oscillator 2 level: Value 0 to 255. Adjusts the level of oscillator 2, going to the DSP filter
input.

Edit 1 – DSP filter cutoff frequency: Value 0 to 255.

Edit 2 – DSP filter resonance: Value 0 to 255.

Encoder – DSP filter type: Choices are: BPF: band pass mode, LPF: low pass mode, HPF: high

pass mode, BP8: Sharp bandpass mode, ADD: add filter mode. The ”ADD” filter is not actually a
filter, since it doesn’t filter out any harmonic. Instead it amplifies the harmonics around the cutoff
point.

2 Osc1. Osc2. .

X 100 74 .

3 Cut . Reso. Type

X 255 66 bpf

Edit 1 – DSP filter cutoff modulation A: Value –128 to +127. A negative value inverts the
modulator.

Edit 2 – DSP filter cutoff modulation source A: Value: Any of the 16 modulation sources.

Edit 1 – DSP filter cutoff modulation B: Value –128 to +127. A negative value inverts the

modulator.

Edit 2 – DSP filter cutoff modulation source B: Value: Any of the 16 modulation sources.

Edit 2 – Cutoff modulation B level source: Selects a source, that modulates the level of cutoff

modulation B. Value: Off, first 15 modulation sources.

4 CutA. Sorc. .

X + 0 env .

5 CutB. Sorc. .

X + 0 env .

6 ModB Level .

X Off .

Edit 1 – DSP filter resonance modulation: Value –128 to +127. A negative value inverts the
modulator.

Edit 2 – DSP filter resonance modulation source: Value: Any of the 16 modulation sources.

7 Reso . Sorc. .

X + 0 env .

The FeedBack Pages

Anamono’s analogue feedback circuit creates an audio feedback loop from the output of the
analogue filters or the granulator/delay, to the input of the analogue filters. Inside the feedback loop
are a new Gotharman creation called ”g-RAY”. This creates a kind of intermodulation on the
feedback signal, and makes it possible to create sounds similar to FM plus new and never before
heard sounds.

The feedback signal can be delayed, to create comb filter like effects, and it is also possible to place
the DSP filter inside the feedback loop, so only certain frequencies are fed back.

Edit 1 – FeedBack level: Value 0 to 255.

Edit 2 – FeedBack delay: Value: 0 to 255. The amount of time that the fed back signal will be

delayed. 0 = 0 mSec, 255 = 6.4 mSec.

Encoder – FeedBack mode: Values:

-Norm: Normal 1:1 feedback.

-Neg: 1:1 feedback with the signal inverted (a 180 degree

phase shift)

-Ultr: Boosted feedback.

-Uneg: Boosted feedback with the signal inverted (a 180

degree phase shift)

5 FEEDBACK

1 Feed . Dly. Mode

X 100 0 Norm

Edit 1 – FeedBack modulation 1: Value –128 to +127. A negative value inverts the modulator.

Edit 2 – FeedBack delay modulation 1: Value –128 to +127. A negative value inverts the

modulator.

Encoder – FeedBack modulation source 1: Value: Any of the 16 modulation sources.

Edit 1 – FeedBack modulation 2: Value –128 to +127. A negative value inverts the modulator.

Edit 2 – FeedBack delay modulation 2: Value –128 to +127. A negative value inverts the

modulator.

Encoder – FeedBack modulation source 2: Value: Any of the 16 modulation sources.

Edit 2 – FeedBack modulation 2 level source: Selects a source, that modulates the level of

FeedBack modulation 2. Value: Off, first 15 modulation sources.

2 Feed . Dly. Sorc

X + 0 + 0 Env

3 Feed . Dly. Sorc

X + 0 + 0 Env

4 Mod2 Level .

X Off .

Edit 1 – FeedBack source: VCF: Analogue filters output

Gran: Granulator/delay output

Edit 2 – g-RAY: Value: 0 to 3. Adjusts the amount of g-RAY intermodulation. 0: no g-RAY, 3:
max g-RAY.

5 From . gRAY. .
X VCF 3 .