Glide Gear SYL 1000 User manual

Glide Gear
GLIDEGEAR 1000 VIDEO & DSLR CAMERA STABILIZER
MODEL SYL-1000 Platinum
Setup and Operation Manual
Glidegear 1000 Video & DSLR Camera Stabilizer
Congratulations! You are now the lucky owner of the Glidegear SYL-1000, the number one pick for serious hobbyists among the Glidegear Camera Stabilizer selection.
Before you start, let us remind you that effective stabilization requires that you balance your specific camera with the Glidegear Camera Stabilizer. You will need to invest a few minutes to get to know the equipment but there’s nothing to worry about; it’s a just a little game of weights and balances.
Camera stabilization is both a dynamic science and a true art at the same time; the essence of which, Glidegear has captured in its products. Actually, Glidegear had gone one better; it has made it simpler. This is true for the Glidegear SYL-1000. With this precision-engineered camera stabilizer, a balanced camera is easier to achieve than ever. You can see for yourself the clear difference between a stabilized, professional-quality moving shot and the standard hand-held, jittery one with the best proof of all, a video. See it for yourself at: http://youtu.be/Jozyg7T2N5k
Made from non-rust, powder-coated, stainless steel and aluminum parts, the Glidegear SYL-1000 Camera Stabilizer is cause for extra congratulations. With your Glidegear Camera Stabilizer, you now have a gadget that weighs less than 5 oz., capable of balancing a camera. So, whether you are using an iPhone, a DSLR camera, or a camcorder, the Glidegear SYL-1000 Camera Stabilizer has you covered. So long as the camera is between 1.0 oz. and 3lbs., your Glidegear SYL-1000 will have no trouble balancing it.
www .glideg earhd slr.c om 2
Table of Contents
Overview ...................................................................................................................... 2
A Brief Tour of the Glidegear 1000 ......................................................................... 4
Expanded View of Parts ........................................................................................... 5
Balancing Your Glidegear 1000 ............................................................................... 7
Troubleshooting ....................................................................................................... 10
Operation .................................................................................................................... 11
Advanced Glidegear Technique ............................................................................. 21
3 www .glid egea rhd slr.c om
A Brief Tour of Glidegear 1000
To start with, let’s identify the Glidegear SYL-1000’s main functional components. It is important to get to know the parts by name and sight especially if or when you should need a replacement or a spare. No need to start unpacking the unit, why not try to stick to reading this comprehensive guide first?
Amateur video is usually unstable because video cameras do not have the built-in stabilization that your brain does when walking, jogging, going up and down the stairs, etc. Because your camcorder does not have this capability, any slight movement will have a dramatic and usually, unpleasant effect on your footage.
The Glidegear SYL-1000 Camera Stabilizer is not only an amazing solution to this dilemma, it also provides an ergonomic way to hold your camera to take those spectacular shots and produce smooth, fluid motion that can rival those taken by trolleys, dollies, cranes, and jibs. The Glidegear SYL-1000 removes your camera from the camera support, and when balanced correctly, will float it in the air while giving you enhanced ability to frame and aim your shots.
The Glidegear SYL-1000 is your gateway to professional quality camera work. With this latest Glidegear Camera Stabilizer, you can finally dim the lights on jittery shots and shoddy, shaky framing. Now, you can indulge your inner filmmaker without having to spend a whole lot for equipment. All you need is your existing camera and the Glidegear SYL-1000.
www .glideg earhd slr.c om 4
Expanded View of Parts
Camera Cushion Strips
Gimbal Joint
Gross Adjustment Screw ­Fore and Aft
Handle Grip
Fine Adjustment Knob
• Camera Cushion Strips and Gross Adjustment Screw – Fore and Aft: Your camera will mount onto the camera cushion strips and the gross adjustment screw forward and aft for a secure and protected grip.
5 www .glid egea rhd slr.c om
Counterweight Arm
Counterweights
• Gimbal Joint and Handle Grip: The design of the Glidegear SYL-1000 Camera Stabilizer is engineered to stabilize the camera by moving the center of gravity below the camera and under the actual gimbal joint. The gimbal will not permit any angular disturbance to pass through it, so the shakes and bumps caused by your hand or anything attached to your hand will be absorbed by the gimbal and isolated from the camera. The handle grip meanwhile is an easy and ergonomic way to hold your equipment for as long as you need. Now made even more comfortable with its improved cushioning.
• Counterweight Arm: This allows you to distribute the mass of the system along the horizontal axis. If your camera has most of the weight to the right side of midline, then you would need to adjust the counterweight arm to the left appropriate to obtain level condition along the horizontal - X-axis.
• Counterweights: These allow you to balance the system along the vertical-Y-axis. This is totally going to depend on the weight of your camera, which for the Glidegear SYL-1000 should not exceed 3 lbs., and general rule of thumb would be to start out with ¼ or less weight of your camera on the counterweight arm and then fine tune from there. For example, if your camera weighs 1 lb., then you would start with about 3 oz. of weights and then fine tune by adding or subtracting small weights from there. Your Glidegear SYL-1000 Camera Stabilizer comes with 6 pieces of large weights (0.6 oz.) and 3 pieces of small weights (.25 oz.)
• Fine Adjustment Knob: This is an advanced feature and allows for a fine adjustment of the fore/aft balance of your rig.
*If your camera is 6 oz. or less, you need to use a small camera adaptor or the system will not balance.
www .glideg earhd slr.c om 6
Balancing Your Glidegear 1000
Once you’ve mounted your camera on the Glidegear SYL-1000 (with battery and memory card), the unit must be balanced to achieve optimal and effective image stabilization. The center of gravity (COG) of the entire system must be manipulated to be just below the fulcrum (gimbal). Usually this means you need to have about 1/4 of your camera weight on the bottom (counterweight arm) so that the system is slightly bottom heavy. Let’s take just a minute to understand this:
Try to balance a shallow bowl on the end of your thumb. You will find this very difficult to do. This is because the COG is above the fulcrum, your thumb, in this example:
7 www .glid egea rhd slr.c om
Now turn the bowl upside down, you will see this becomes much easier. This is because the COG is now below the fulcrum in this system and you can even move your thumb from side to side without having the bowl fall over:
So, the key to effective balancing of your Glidegear SYL-1000 is to make sure the COG is just below the gimbal joint. You can achieve this by distributing the weights such that the system is slightly bottom heavy. As a general rule of thumb, it is a good idea to start with 1/4 of weight of your camera or less and then fine tune it from there by adding or removing weights appropriately.
Although the pictures and explanations are pretty clear, we can do you one better, you can also watch our video on balancing Glidegear Camera Stabilizers at: http://youtu.be/Jozyg7T2N5k
www .glideg earhd slr.c om 8
With the small camera adaptor, the Glidegear SYL-1000 has the capability to stabilize cameras from 1 oz. (28 g.) to 3 lbs. (1.36 kg.).
Always begin your balancing with the batteries and memory card installed in your camera. There are three axes of balance that need to be achieved: vertical (Y-axis), horizontal (X-axis), and fore/aft (Z-axis). To keep it simple, better do them one at a time.
Vertical
For this explanation we will start with the vertical balancing. You can simply start with all weights removed and keep adding weight until the system is vertically balanced. The large counterweight discs are 0.6 oz., and the small counterweight discs are 0.25 oz. It is an important point to make that the nut that holds the weights in place also has weight and when fine tuning your system, you may improve the balance by the addition or removal of one or both of these nuts.
Horizontal
Next, make sure the horizontal is balanced by use of the counterweight arm. Some cameras will have the mounting hole well off to the left or right of the center of mass of the camera. To compensate for this simply loosen the attachment knob and carefully adjust the counterweight arm to the opposite direction that the system is leaning. You will know the horizontal has been balanced properly when the system is completely level along the X-axis. (Hint: use a small camera bubble leveler for precision).
Fore-and-Aft
If your camera is way out of balance in the Fore and Aft department, you may want to make this adjustment first. Simply slide the camera forward or backward along the mounting cushion strips with the gross adjustment screw.
This process will be a little different for every type of camera so it always takes a little fiddling and fine-tuning adjustments. So, how do you know if your system is balanced? Your system will be balanced when it is completely level and you can move right to left and forward to aft without the camera tipping over, and with negligible pendulum effect from the bottom of the counterweight arm.
9 www .glid egea rhd slr.c om
Loading...
+ 19 hidden pages