Gilderfluke&Co AB-100 User Manual

GILDERFLUKE & CO. ¥ 205 S. FLOWER ¥ BURBANK, CA 91502-2102 ¥ 818/840-9484 ¥ 800/776-5972 ¥ FAX 818/840-9485
- Eight Bit Digital Audio Systems -
- AB-100 AudioBrick -
- AB-Clock Clock and Carillon System -
- DR-50 MiniRepeater -
- AB-50 MiniAudioBrick -
- Eight Bit Sound Compression Software -
Printed October 1, 1999
Line Level Out
R-T+ S
gnd
Unbalanced Output
T+ S
gnd
}
Amp
Aux. Port
}
Amp
1/4 J6 In
Input 'A'
1
AB-100 or AB-Clock Digital Audio Repeater
AB-100 AudioBrick
Gilderfluke & Co.
Glendale, California
Common
Status Output
Power
Supply
Input 'B'
RS-422
Serial Port
Heart
Volume
Treble
AB-100 AudioBrick
Gilderfluke & Co.
Glendale, California
Running
Delaying
Set
Start Inputs
Bass
Clock
Date
Check
Start
Manual
DR-50 MiniRepeater
power supply power supply
A input + A input ­B input + B input -
output +
ground
output -
volume
line output
bass
Mini AudioBrick
treble
AB-50 MiniAudioBrick
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A System Overview .......................................................... 1
AB-100 Digital AudioBrick ................................................................... 1
AB-Clock ............................................................................................ 1
DR-50 ................................................................................................ 1
AB-50 ................................................................................................. 1
What is a Digital Audio Repeater? ...................................... 1
Approximate Play Times ..................................................................... 4
Actual Playing Times .......................................................................... 5
2 KHz Bandwidth ........................................................................... 5
3 KHz Bandwidth ........................................................................... 5
4 KHz Bandwidth ........................................................................... 6
5 KHz Bandwidth ........................................................................... 6
7.5 KHz Bandwidth ........................................................................ 7
10 KHz Bandwidth ......................................................................... 7
15 KHz Bandwidth ......................................................................... 8
Front Panel Adjustments, Inputs & Indicators ................... 10
Adjustments ..................................................................................... 10
Volume ....................................................................................... 10
Treble .......................................................................................... 10
Bass ............................................................................................. 10
Inputs ............................................................................................... 10
'Manual Start' Button ................................................................... 10
ÔSet ClockÕ Button ........................................................................ 10
ÔCheck DateÕ Button .................................................................... 10
ÔDefault ReloadÕ Button ................................................................ 10
Indicators ......................................................................................... 11
'Running' LED .............................................................................. 11
'Start' LED .................................................................................... 11
ÔDelayÕ LED ................................................................................... 11
LCD Display ................................................................................. 11
AB-100 and AB-Clock Connections .................................. 12
Line Level Output ............................................................................. 12
Aux. Port & 1/4-J6 Input ................................................................... 12
Start Inputs and Status Outputs ........................................................ 13
Power Supply ................................................................................... 13
RS-422 Serial Port ............................................................................. 13
AB-100 AudioBrick Configuration ..................................... 15
Enter Track Number ......................................................................... 16
Baud Rate ....................................................................................... 16
Odd Parity Toggle ............................................................................ 17
Eprom Type ...................................................................................... 17
Inputs Debounce ............................................................................. 17
DR-400 Mode .................................................................................. 17
Select From Aux. .............................................................................. 17
Direct Select .................................................................................... 17
Mute if Stopped ............................................................................... 18
Start Delay ....................................................................................... 18
Early Starts ....................................................................................... 19
#1 Priority PA Station ........................................................................ 19
#2 Priority PA Station ........................................................................ 19
Standard PA Priorities ....................................................................... 19
PA Zone Priorities .............................................................................. 20
Loop All ............................................................................................ 20
Group Assignments .......................................................................... 20
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PA Zone Enables .............................................................................. 20
Half-Mute Zone Enables ................................................................... 20
Full-Mute Zone Enables .................................................................... 20
Input Triggering ............................................................................... 21
'A' Input Closing Edge ................................................................. 21
'A' Input Opening Edge ............................................................... 21
'B' Input Closing Edge ................................................................. 21
'B' Input Opening Edge ............................................................... 21
'PB' Input Closing Edge ............................................................... 21
'PB' Input Opening Edge ............................................................. 21
'Aux. Port' Input Closing Edge ...................................................... 21
'Aux. Port' Input Opening Edge ................................................... 21
eXit Setup Mode .............................................................................. 21
AB-100 AudioBrick Summary of Setup Commands ............ 23
AB-100 AudioBrick Serial Port Commands ....................... 25
All .................................................................................................... 26
Track Specific .................................................................................. 26
Group .............................................................................................. 26
Cocked ........................................................................................... 27
AB-100 AudioBrick Serial Commands .............................. 28
Enter Setup Echo Mode ................................................................... 28
Exit Setup Echo Mode ...................................................................... 28
Enter Global Echo Mode ................................................................. 28
Exit Global Echo Mode .................................................................... 28
Enter Echo All Mode ......................................................................... 28
Exit Echo All Mode ........................................................................... 29
Enter Echo Mode ............................................................................. 29
Exit Echo Mode ................................................................................ 29
Track Status Report .......................................................................... 29
Special Default Setup ...................................................................... 30
LED Port Status ................................................................................. 30
Switch Status .................................................................................... 30
Enter Configuration Mode ............................................................... 30
Memory Address Status .................................................................... 31
Dipswitch #1 Status ......................................................................... 31
Dipswitch #2 Status ......................................................................... 31
Aux. Port Status ................................................................................ 31
Configuration Dump ....................................................................... 31
Load Configuration ......................................................................... 32
Start Commands ............................................................................. 32
Start Track ................................................................................... 32
Start All ........................................................................................ 32
Start Cocked ............................................................................... 32
Start Group ................................................................................. 32
Stop Commands ............................................................................. 32
Stop Track ................................................................................... 32
Stop All ........................................................................................ 32
Stop Cocked ............................................................................... 32
Stop Group ................................................................................. 32
Reset Commands ............................................................................ 32
Reset Track .................................................................................. 32
Reset All ....................................................................................... 33
Reset Cocked .............................................................................. 33
Reset Group ................................................................................ 33
Mute Commands ............................................................................ 33
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Mute Track .................................................................................. 33
Mute All ....................................................................................... 33
Mute Cocked .............................................................................. 33
Mute Group ................................................................................ 33
Half-Mute Commands .................................................................... 33
Half-Mute Track ........................................................................... 33
Half-Mute All ............................................................................... 33
Half-Mute Cocked ...................................................................... 33
Half-Mute Group ......................................................................... 33
Un-Mute Commands ....................................................................... 33
Un-Mute Track ............................................................................. 33
Un-Mute All .................................................................................. 33
Un-Mute Cocked ......................................................................... 33
Un-Mute Group ........................................................................... 33
Cock Track ....................................................................................... 33
Un-Cock Track ................................................................................. 33
Un-Cock All ...................................................................................... 33
Loop Commands ............................................................................ 34
Loop Track ................................................................................... 34
Loop All ....................................................................................... 34
Loop Cocked .............................................................................. 34
Loop Group ................................................................................. 34
Stop At End Commands .................................................................. 34
Stop At End Track ........................................................................ 34
Stop At End All ............................................................................. 34
Stop At End Cocked .................................................................... 34
Stop At End Group ...................................................................... 34
Select Spiel Commands .................................................................. 34
Select Spiel Track ........................................................................ 35
Select Spiel All ............................................................................. 35
Select Spiel Cocked .................................................................... 35
Select Spiel Group ...................................................................... 35
Set Delay ......................................................................................... 35
Set Memory Address ........................................................................ 35
Clock Commands ........................................................................... 35
Stop Clock .................................................................................. 35
Start Clock .................................................................................. 35
Mute Masks ...................................................................................... 36
PA Command ................................................................................. 36
Clear PA Request ............................................................................. 36
Summary of AB-100 AudioBrick Serial Port Commands ..... 38
AB-Clock Configuration ................................................... 41
Select and Play a Sound ................................................................. 42
Baud Rate ....................................................................................... 42
Odd Parity Toggle ............................................................................ 42
Eprom Type ...................................................................................... 42
Input Debounce .............................................................................. 42
Pulse Output Once .......................................................................... 43
Status Output ................................................................................... 43
Input Actions .................................................................................... 43
ÔAÕ Input Action ............................................................................ 43
ÔBÕ Input Action ............................................................................ 43
ÔPBÕ Input Action ........................................................................... 43
Sounds for Automatic Tolling ............................................................ 43
Sound On Hour ........................................................................... 43
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Sound On 1/4 Hour ..................................................................... 43
Sound On 1/2 Hour ..................................................................... 43
Sound On 3/4 Hour ..................................................................... 43
Sound On Chime 1 ......................................................................... 43
Sound On Chime 2 ......................................................................... 43
Sound On Tick .................................................................................. 44
Sound On Tick .................................................................................. 44
Tick/Tock Delay ................................................................................. 44
J-6 Direct Select ............................................................................... 44
Set Clock ......................................................................................... 44
Set Tolling Hours ............................................................................... 44
Skip Weekends ................................................................................. 45
Schedule Displayed ......................................................................... 46
Modify Schedule .............................................................................. 46
Configuration Download ................................................................. 46
Reload Defaults ............................................................................... 47
eXit Setup Mode .............................................................................. 47
Summary of AB-Clock Setup Commands .......................... 48
AB-Clock Serial Port Command ....................................... 49
Load Configuration ......................................................................... 49
Summary of AB-Clock Command ..................................... 49
MX-100 / MX-200 ........................................................... 51
DR-50 MiniRepeaters ...................................................... 53
AB-50 Mini AudioBricks ................................................... 53
Actual Playing Times for MiniRepeaters ............................................ 54
2 KHz Bandwidth ......................................................................... 54
3 KHz Bandwidth ......................................................................... 54
4 KHz Bandwidth ......................................................................... 54
5 KHz Bandwidth ......................................................................... 54
7.5 KHz Bandwidth ...................................................................... 54
10 KHz Bandwidth ....................................................................... 54
15 KHz Bandwidth ....................................................................... 54
Configuration Dipswitches .............................................. 55
Switch #1: Reset from ÔAÕ ................................................................. 55
Switch #2: Reset from ÔBÕ ................................................................. 55
Switch #3: Stop from ÔAÕ .................................................................. 55
Switch #4: Stop from ÔBÕ ................................................................... 55
Switch #5: Enable Stop ................................................................... 55
Switch #6: Mute Enable .................................................................. 55
Switch #7: ÔAÕ Input Continuous ....................................................... 55
Switch #8: ÔBÕ Input Continuous ....................................................... 55
Switch #9: ÔA2Õ Continuous .............................................................. 56
Eprom Installation ........................................................... 57
CC-3250 Connections for DR-50 MiniRepeaters .............. 57
Connecting Directly to a DR-50 ....................................... 57
CC-3251 Connections for DR-50 MiniRepeaters .............. 58
Audio Outputs .................................................................................. 58
Trigger Inputs ................................................................................... 59
AB-50 Connections ......................................................... 60
Digital Audio Compressor ........................................... 63
Internal Details ................................................................................. 67
Summary of AB-100 and AB-Clock Connections ............... 69
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Balanced Audio Output ................................................................... 69
Digital Audio Repeater/Mixer to Adjustment Card ........................... 69
RS-485 Serial Data ........................................................................... 69
Power Supply ................................................................................... 69
Digital Audio Repeater/Mixer to Memory Expansion Card ............... 70
Start Inputs, Status Output, and Audio Output ................................. 70
HEXadecimal to Decimal to Percentage .......................... 72
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- MACs Eight Bit Digital Audio System -
- A System Overview -
The MACs Eight Bit Digital Audio System has been developed to meet all of your needs for Digital Audio Repeaters. The following repeaters are avail­able:
¥ AB-100 Digital AudioBrick: Complete stand alone Digital Audio
Repeater. It comes in a 5Ó x 12Ó x 2-1/2Ó aluminum box which can be mounted wherever you need to put it. Holds up to 255 different sounds and can be expanded almost without limits. The AB-100 can be set to play continuously or only when triggered. It includes a UL listed power supply. A 12 to 24 VDC power supply is available for mobile installations.
¥ AB-Clock: As above, but with real-time clock option installed.
Schedules in the AB-Clock can be configured to play different sounds on:
¥ Quarter hours ¥ Half hours ¥ Three-Quarter hours ¥ Full hours ¥ Tolling of the hours on full hours ¥ Any of thirty special times for each of the seven days of the week ¥ Any of thirty special times every day of the week (optionally only
on weekdays)
¥ Tick and Tock sounds which alternate with each other with a one
to ninty-nine second delay between each.
¥ DR-50: Card cage mounted MiniRepeater that holds a single
Eprom. These are especially well suited in installations where you need many relatively short audio sources. Examples are ride-through attractions, shooting galleries, miniature golf courses, and museum displays. Up to 32 of these cards can be installed in each 1-3/4 inch tall CC-3250 card cage. A DR-50 can be set to play continuously or only when triggered. The DR-50 circuitry is identical to the AB-50.
¥ AB-50: As above, but comes in its own 4Ó x 5Ó x 1Ó aluminum case.
The AB-50 can be set to play continuously or only when triggered. These are used where you need just a single short audio source. It runs from the included 12 VAC power supply. The AB-50 circuitry is identical to the DR-50.
Each of these can be used alone or as part of your overall audio system. When used together, all you need to add to make a complete audio sys­tem are the power amplifiers and speakers. If higher bandwidth and dy­namic audio ranges are needed, you can use our DR-3000 series of sixteen bit Audio Repeaters. These feature CD-Quality sound and more audio pro­cessing and control options than our eight bit repeaters.
What is a Digital Audio Repeater?:
A Digital Audio Repeater is a solid state replacement for loop and car­tridge tape decks. It meets the demanding requirements for professional voice message, high quality music, and sound effects systems.
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AB-100 Digital
Ext. Inputs
Audio
Repeater
Amp
Because it is completely solid state, a Digital Audio Repeater never re­quires any maintenance. A sound which is recorded on a Digital Audio Repeater will sound just as good twenty or thirty years from now.
Each AB-100, AB-Clock, AB-50 or DR-50 is a complete Digital Audio Repeater. Their features include:
¥ Each card is a single complete audio playback system (except for
power amplification and speakers).
¥ Any sound that can be recorded can be digitized into a Digital
Audio Repeater. This includes any type of chimes, bells, voice an­nouncements, music, alarms or sound effects.
¥ Message length is virtually unlimited on the AB-100 and AB-Clock.
Memory expansion cards can be added as needed. AB/DR-50s each hold a single Eprom.
¥ Bandwidths of up to 15 KHz supported (35.1 KHz sample rate). This is
roughly equivalent to a new cassette audio tape. Each card will also reproduce at 10, 7.5, 5, 4, 3, and 2 KHz bandwidths as well.
¥ Dynamic range of up to 72 dB, again roughly equivalent to a new
cassette audio tape.
¥ Up to 255 different messages can be stored on each repeater. On
an AB-100, any of these can instantly be accessed through the RS­485 serial port or switch inputs. This lets you easily build interactive audio systems by just adding the buttons to select different spiels! Up
1
to 99
of these can instantly be accessed by the AB-Clock through the switch inputs. Multiple spiels can be accessed sequentially in the AB/DR-50s.
¥ An AB-100 or AB-Clock can actually stop using any memory at all if
an instant of silence occurs.
¥ Two opto-isolated switch inputs, as well as a parallel auxiliary port
and RS-485 serial port on each card (AB-100 & AB-Clock only).
¥ OP-100 optoisolator available for auxiliary port. 1/4 J6 input is com-
patible with all our animation systems (AB-100 & AB-Clock only).
¥ Operating hours for the AB-Clock can be set for 24 hours a day or
specific times for each day of the week.
¥ The AB-Clock is factory laser trimmed to within +/- 10 PPM. A lithium
battery provides protection against power failures.
¥ Clock can be programmed for daily, weekly, monthly or annual ad-
justments to correct for slow or fast timekeeping.
¥ All AB-100 & AB-Clock configuration is done through the serial port
with easy to use menus. Configuration is stored in nonvolatile EEprom memory. AB/DR-50s are configured using dipswitches.
¥ One optically isolated status output for remote ÔrunningÕ indicators
(AB-100 & AB-Clock only).
1 Although the AB-Clock can hold up to 255 different spiels, the software in the AB-Clock
limits your access to the first 97 messages from the two start inputs, push button on the front, or keyboard. The real time clock can trigger any of the first 98 spiels for the chimes and tolling of the hours. It can select and play any of the first 31 spiels from the special show tables. Only the optional 1/4 J-6 input can access all 255 messages.
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¥ Volume, Bass and Treble controls on every card. ¥ You can use any number of cards in a system to provide any num-
ber of simultaneous audio tracks.
To record a sound into a Digital Audio Repeater, a master (tape, CD, DAT, video tape) of the sound is played into a Macintosh or IBM compatible computer which has some sort of sixteen bit sound card installed. This takes the original audio and turns it into digital computer data. This data is then run through the SNDCMP8 utility program we provide and 'burned' into computer memory chips called Eproms. These are plugged into the Digital Audio Repeaters. From this point on, the repeaters can play back this sound whenever they are told to. Since the sound is stored on the repeater in com­puter memory chips, it will never change or require any service of any kind. Any tape deck would require regular cleaning and lubrication of the tape heads and moving parts, as well as their regular replacement.
The SNDCMP8 software for digitizing the audio into the AB-Clock is avail­able from Gilderfluke & Company. If you would prefer to have us digitize your sounds then simply send your master audio recording to us. When sending audio masters to us to digitize, DAT or CD recordings are preferred. 1/4Ó quarter track at 15 IPS reel to reel or a cassette with Dolby B/C encod­ing can also be used, but be aware that any tape hiss from these original masters will be permanently recorded into the AB-Clock.
Gilderfluke also has libraries of prerecorded sounds and sound effects which we can record into the AB-Clock for you if you would like.
Each AB-100 or AB-Clock can store up to 255 separate messages in its memory. Each of these can be any length from 1/35th of a second on up. Each of these individual messages is known as a 'spiel'. To access these in­dividual spiels on a card, you can use the serial port interface to the audio system or the AUX PORT available on each card. Any spiel on any card can be played through or looped at any time.
When using the AB-Clock to select and play spiels, the order of priorities is as follows. If it finds any sound it should play it will skip the remainder of the checks until the next time through. This means that if a special show is scheduled for today, it will take precedence over any weekly shows or the tolling of the hours. Everything has priority over the tick and tock sounds:
1) Once each minute checks for any special shows to play for today.
2) Once each minute checks weekly schedule for any special shows to play.
3) Once each minute checks to see if it it time to toll the quarter, half, three-quarter or full hour.
4) Once each second checks to see if it is time to make a tick or tock sound, but only if it is not already making any other sound.
Our Digital Audio Repeaters are intelligent. They know how to 'downshift' their bandwidths to whatever bandwidth the audio was recorded at. If there is a moment of silence in your recording, An AB-100 or AB-Clock will actually stop using any memory at all until the sound starts up again. Because of this, our systems are able use far less memory for an equivalent bandwidth. They are also able to play back both low and high bandwidth sounds from the same Repeater card. The Digital Audio Repeaters each check on how much memory they need to use and adjust their speeds as often as thirty-five times each second.
Although this 'downshifting' saves the amount of memory you need to use, it can make it darned difficult to estimate the number of Eproms your recording will need until it has actually been digitized. The following charts
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show the capacities with a variety of sounds using different sized Eproms:
Approximate Play Times:
Estimated Playing Times For Various Types Of Sounds
High Voices
Number Of 27C512
Memory Chips
Each Chip (1 chip) 14 Sec. 9 .3 Sec. 7.5 Sec. 5.6 Sec. 3.7 Sec. 2.8 Sec.
each Repeater (16 chips) 3.7 Min. 2.5 Min. 2 Min. 89.5 Sec. 1 Min. 44.6 Sec
each Expansion (32 chips) 5 Min. 4 Min. 3 Min. 2 Min. 89.5 Sec. 1 Min.
Low Rumbles
2 Khz 3 Khz 4 Khz 5 Khz 7.5 Khz 10 Khz 15 Khz
7.5 Min.
Music
High MusicVoices
Sharp Sound Effects
1.7 Sec. 30 Sec.
High Voices
Number Of 27C010
Memory Chips
Each Chip (1 chip) 28 Sec. 18.6 Sec. 14.9 Sec. 11.2 Sec. 7.5 Sec. 5.6 Sec.
each Repeater (16 chips) 7.4 Min. 4.9 Min. 4 Min. 2.75 Min. 2 Min. 1.5 Min.
each Expansion (32 chips) 9.9 Min. 8 Min. 5.5 Min. 4 Min. 3 Min. 2 Min.
Number Of 27C020
Memory Chips
Each Chip (1 chip) 55.9 Sec. 37.3 Sec. 30 Sec. 22.4 Sec. 14.9 Sec. 11.1 Sec.
each Repeater (16 chips) 14.9 Min. 9.9 Min. 8 Min. 6 Min. 4 Min. 3 Min.
each Expansion (32 chips) 19.9 Min. 16 Min. 12 Min. 8 Min. 6 Min. 4 Min.
Number Of 27C040
Memory Chips
Each Chip (1 chip)
each Repeater (16 chips) 29.8 Min. 19.9 Min. 15.9 Min. 11.9 Min. 8 Min. 6 Min.
each Expansion (32 chips) 39.8 Min. 31 Min. 23 Min. 16 Min. 12 Min. 8 Min.
Number Of 27C080
Memory Chips
Each Chip (1 chip)
each Repeater (16 chips) 59.6 Min. 39.8 Min. 32 Min. 24 Min. 16 Min. 12 Min.
each Expansion (32 chips) 79.5 Min. 64 Min. 48 Min. 32 Min. 24 Min. 16 Min.
Low Rumbles
2 Khz 3 Khz 4 Khz 5 Khz 7.5 Khz 10 Khz 15 Khz
14.9 Min.
Low Rumbles
2 Khz 3 Khz 4 Khz 5 Khz 7.5 Khz 10 Khz 15 Khz
29.8 Min.
Low Rumbles
2 Khz 3 Khz 4 Khz 5 Khz 7.5 Khz 10 Khz 15 Khz
111.8 Sec. 74.6 Sec. 59.7 Sec. 44.7 Sec. 29.8 Sec. 22.3 Sec.
59.6 Min.
Low Rumbles
2 Khz 3 Khz 4 Khz 5 Khz 7.5 Khz 10 Khz 15 Khz
223.7 Sec.149.1 Sec. 119.3 Sec. 89.5 Sec. 59.7 Min. 44.7 Sec.
119.3 Min.
Music
High Voices
Music
High Voices
Music
High Voices
Music
High MusicVoices
Sharp Sound Effects
3.7 Sec.
1 Min.
High MusicVoices
Sharp Sound Effects
7.5 Sec.
2 Min.
High MusicVoices
Sharp Sound Effects
14.9 Sec. 4 Min.
High MusicVoices
Sharp Sound Effects
29.8 Sec. 8 Min.
Each AB-100 or AB-Clock holds sixteen Eproms. If your recording needs more space than this, you can add memory expansion cards to the Repeater cards. Each expansion card holds another thirty-two Eproms. Each AB-100 or AB-Clock can support unlimited amount of data storage. The only limitation is the physical mounting of the memory expansion cards. In the AB-100 or AB-Clock there is room for up to three memory expansion cards if you plan to leave the lid on. With the lid off, the sky is the limit.
Each DR-50 or AB-50 MiniRepeater holds one Eprom. There is no expan­sion available on these repeaters.
The AB-100 or AB-Clock can support any type of Eprom memory chips from 27C512 up to 27C080. Each AB-100 or AB-Clock must be told what type of memory chips are being used. This is done in the configuration mode. The AB/DR-50s support memory chips from 27C010 through 27C080.
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Actual Playing Times:
The following tables show in seconds the capacities of several different types of Eproms at several different fixed bandwidths. All values shown are in seconds.
2 KHz Bandwidth (4,687 Hz UPDATE RATE) -
-
Eprom type: 27C512 27C010 27C020 27C040 27C080
Size: 64K x 8 128K x 8 256K x 8 512K x 8 1 M x 8 Number of bytes per Eprom: 65,536 131,072 262,144 524,288 1,048,576
1 Eprom (1 DR-50 MiniRepeater) 13.98 27.96 55.92 111.85 223.70 2 Eproms 27.96 55.92 111.85 223.70 447.39 3 Eproms 41.94 83.89 167.77 335.54 671.09 4 Eproms 55.92 111.85 223.70 447.39 894.78 5 Eproms 69.91 139.81 279.62 559.24 1,118.48 6 Eproms 83.89 167.77 335.54 671.09 1,342.18 7 Eproms 97.87 195.73 391.47 782.94 1,565.87 8 Eproms 111.85 223.70 447.39 894.78 1,789.57
9 Eproms 125.83 251.66 503.32 1,006.63 2,013.27 10 Eproms 139.81 279.62 559.24 1,118.48 2,236.96 11 Eproms 153.79 307.58 615.16 1,230.33 2,460.66 12 Eproms 167.77 335.54 671.09 1,342.18 2,684.35 13 Eproms 181.75 363.51 727.01 1,454.03 2,908.05 14 Eproms 195.73 391.47 782.94 1,565.87 3,131.75 15 Eproms 209.72 419.43 838.86 1,677.72 3,355.44 16 Eproms 223.70 447.39 894.78 1,789.57 3,579.14
Each Expansion: 32 Eproms 447.39 894.78 1,789.57 3,579.14 7,158.28
Repeater + 1 Expansion: 48 Eproms 671.09 1,342.18 2,684.35 5,368.71 10,737.42 Repeater + 2 Expansions: 80 Eproms 1,118.48 2,236.96 4,473.92 8,947.85 17,895.70 Repeater + 3 Expansions: 112 Eproms 1,565.87 3,131.75 6,263.49 12,526.99 25,053.98 Repeater + 4 Expansions: 144 Eproms 2,013.27 4,026.53 8,053.06 16,106.13 32,212.25 Repeater + 5 Expansions: 176 Eproms 2,460.66 4,921.32 9,842.63 19,685.27 39,370.53 Repeater + 6 Expansions: 208 Eproms 2,908.05 5,816.10 11,632.20 23,264.41 46,528.81 Repeater + 7 Expansions: 240 Eproms 3,355.44 6,710.89 13,421.77 26,843.55 53,687.09
- 3 KHz Bandwidth (7,031 Hz UPDATE RATE) -
Eprom type: 27C512 27C010 27C020 27C040 27C080 Size: 64K x 8 128K x 8 256K x 8 512K x 8 1 M x 8 Number of bytes per Eprom: 65,536 131,072 262,144 524,288 1,048,576
1 Eprom (1 DR-50 MiniRepeater) 9.32 18.64 37.28 74.57 149.13
2 Eproms 18.64 37.28 74.57 149.13 298.26
3 Eproms 27.96 55.92 111.85 223.70 447.39
4 Eproms 37.28 74.57 149.13 298.26 596.52
5 Eproms 46.60 93.21 186.41 372.83 745.65
6 Eproms 55.92 111.85 223.70 447.39 894.78
7 Eproms 65.24 130.49 260.98 521.96 1,043.92
8 Eproms 74.57 149.13 298.26 596.52 1,193.05
9 Eproms 83.89 167.77 335.54 671.09 1,342.18 10 Eproms 93.21 186.41 372.83 745.65 1,491.31 11 Eproms 102.53 205.05 410.11 820.22 1,640.44 12 Eproms 111.85 223.70 447.39 894.78 1,789.57 13 Eproms 121.17 242.34 484.68 969.35 1,938.70 14 Eproms 130.49 260.98 521.96 1,043.92 2,087.83 15 Eproms 139.81 279.62 559.24 1,118.48 2,236.96 16 Eproms 149.13 298.26 596.52 1,193.05 2,386.09
Each Expansion: 32 Eproms 298.26 596.52 1,193.05 2,386.09 4,772.1
Repeater + 1 Expansion: 48 Eproms 447.39 894.78 1,789.57 3,579.14 7,158.28 Repeater + 2 Expansions: 80 Eproms 745.65 1,491.31 2,982.62 5,965.23 11,930.46 Repeater + 3 Expansions: 112 Eproms 1,043.92 2,087.83 4,175.66 8,351.33 16,702.65 Repeater + 4 Expansions: 144 Eproms 1,342.18 2,684.35 5,368.71 10,737.42 21,474.84 Repeater + 5 Expansions: 176 Eproms 1,640.44 3,280.88 6,561.76 13,123.51 26,247.02 Repeater + 6 Expansions: 208 Eproms 1,938.70 3,877.40 7,754.80 15,509.60 31,019.21 Repeater + 7 Expansions: 240 Eproms 2,236.96 4,473.92 8,947.85 17,895.70 35,791.39
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- 4 KHz Bandwidth (8,789 Hz UPDATE RATE) -
Eprom type: 27C512 27C010 27C020 27C040 27C080 Size: 64K x 8 128K x 8 256K x 8 512K x 8 1 M x 8 Number of bytes per Eprom: 65,536 131,072 262,144 524,288 1,048,576
1 Eprom (1 DR-50 MiniRepeater) 7.46 14.91 29.83 59.65 119.30
2 Eproms 14.91 29.83 59.65 119.30 238.61
3 Eproms 22.37 44.74 89.48 178.96 357.91
4 Eproms 29.83 59.65 119.30 238.61 477.22
5 Eproms 37.28 74.57 149.13 298.26 596.52
6 Eproms 44.74 89.48 178.96 357.91 715.83
7 Eproms 52.20 104.39 208.78 417.57 835.13
8 Eproms 59.65 119.30 238.61 477.22 954.44
9 Eproms 67.11 134.22 268.44 536.87 1,073.74 10 Eproms 74.57 149.13 298.26 596.52 1,193.05 11 Eproms 82.02 164.04 328.09 656.18 1,312.35 12 Eproms 89.48 178.96 357.91 715.83 1,431.66 13 Eproms 96.94 193.87 387.74 775.48 1,550.96 14 Eproms 104.39 208.78 417.57 835.13 1,670.27 15 Eproms 111.85 223.70 447.39 894.78 1,789.57 16 Eproms 119.30 238.61 477.22 954.44 1,908.87
Each Expansion: 32 Eproms 238.61 477.22 954.44 1,908.87 3,817.75
Repeater + 1 Expansion: 48 Eproms 357.91 715.83 1,431.66 2,863.31 5,726.62 Repeater + 2 Expansions: 80 Eproms 596.52 1,193.05 2,386.09 4,772.19 9,544.37 Repeater + 3 Expansions: 112 Eproms 835.13 1,670.27 3,340.53 6,681.06 13,362.12 Repeater + 4 Expansions: 144 Eproms 1,073.74 2,147.48 4,294.97 8,589.93 17,179.87 Repeater + 5 Expansions: 176 Eproms 1,312.35 2,624.70 5,249.40 10,498.81 20,997.62 Repeater + 6 Expansions: 208 Eproms 1,550.96 3,101.92 6,203.84 12,407.68 24,815.37 Repeater + 7 Expansions: 240 Eproms 1,789.57 3,579.14 7,158.28 14,316.56 28,633.12
- 5 KHz Bandwidth (11,718 Hz UPDATE RATE) -
Eprom type: 27C512 27C010 27C020 27C040 27C080 Size: 64K x 8 128K x 8 256K x 8 512K x 8 1 M x 8 Number of bytes per Eprom: 65,536 131,072 262,144 524,28 1,048,576
1 Eprom (1 DR-50 MiniRepeater) 5.59 11.18 22.37 44.74 89.48
2 Eproms 11.18 22.37 44.74 89.48 178.96
3 Eproms 16.78 33.55 67.11 134.22 268.44
4 Eproms 22.37 44.74 89.48 178.96 357.91
5 Eproms 27.96 55.92 111.85 223.70 447.39
6 Eproms 33.55 67.11 134.22 268.44 536.87
7 Eproms 39.15 78.29 156.59 313.17 626.35
8 Eproms 44.74 89.48 178.96 357.91 715.83
9 Eproms 50.33 100.66 201.33 402.65 805.31 10 Eproms 55.92 111.85 223.70 447.39 894.78 11 Eproms 61.52 123.03 246.07 492.13 984.26 12 Eproms 67.11 134.22 268.44 536.87 1,073.74 13 Eproms 72.70 145.40 290.81 581.61 1,163.22 14 Eproms 78.29 156.59 313.17 626.35 1,252.70 15 Eproms 83.89 167.77 335.54 671.09 1,342.18 16 Eproms 89.48 178.96 357.91 715.83 1,431.66
Each Expansion: 32 Eproms 178.96 357.91 715.83 1,431.66 2,863.31
Repeater + 1 Expansion: 48 Eproms 268.44 536.87 1,073.74 2,147.48 4,294.97 Repeater + 2 Expansions: 80 Eproms 447.39 894.78 1,789.57 3,579.14 7,158.28 Repeater + 3 Expansions: 112 Eproms 626.35 1,252.70 2,505.40 5,010.80 10,021.59 Repeater + 4 Expansions: 144 Eproms 805.31 1,610.61 3,221.23 6,442.45 12,884.90 Repeater + 5 Expansions: 176 Eproms 984.26 1,968.53 3,937.05 7,874.11 15,748.21 Repeater + 6 Expansions: 208 Eproms 1,163.22 2,326.44 4,652.88 9,305.76 18,611.52 Repeater + 7 Expansions: 240 Eproms 1,342.18 2,684.35 5,368.71 10,737.42 21,474.84
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- 7.5 KHz Bandwidth (17,578 Hz UPDATE RATE) -
Eprom type: 27C512 27C010 27C020 27C040 27C080 Size: 64K x 8 128K x 8 256K x 8 512K x 8 1 M x 8 Number of bytes per Eprom: 65,536 131,072 262,144 524,288 1,048,576
1 Eprom (1 DR-50 MiniRepeater) 3.73 7.46 14.91 29.83 59.65
2 Eproms 7.46 14.91 29.83 59.65 119.30
3 Eproms 11.18 22.37 44.74 89.48 178.96
4 Eproms 14.91 29.83 59.65 119.30 238.61
5 Eproms 18.64 37.28 74.57 149.13 298.26
6 Eproms 22.37 44.74 89.48 178.96 357.91
7 Eproms 26.10 52.20 104.39 208.78 417.57
8 Eproms 29.83 59.65 119.30 238.61 477.22
9 Eproms 33.55 67.11 134.22 268.44 536.87 10 Eproms 37.28 74.57 149.13 298.26 596.52 11 Eproms 41.01 82.02 164.04 328.09 656.18 12 Eproms 44.74 89.48 178.96 357.91 715.83 13 Eproms 48.47 96.94 193.87 387.74 775.48 14 Eproms 52.20 104.39 208.78 417.57 835.13 15 Eproms 55.92 111.85 223.70 447.39 894.78 16 Eproms 59.65 119.30 238.61 477.22 954.44
Each Expansion: 32 Eproms 119.30 238.61 477.22 954.44 1,908.87
Repeater + 1 Expansion: 48 Eproms 178.96 357.91 715.83 1,431.66 2,863.31 Repeater + 2 Expansions: 80 Eproms 298.26 596.52 1,193.05 2,386.09 4,772.19 Repeater + 3 Expansions: 112 Eproms 417.57 835.13 1,670.27 3,340.53 6,681.06 Repeater + 4 Expansions: 144 Eproms 536.87 1,073.74 2,147.48 4,294.97 8,589.93 Repeater + 5 Expansions: 176 Eproms 656.18 1,312.35 2,624.70 5,249.40 10,498.81 Repeater + 6 Expansions: 208 Eproms 775.48 1,550.96 3,101.92 6,203.84 12,407.68
Repeater + 7 Expansions: 240 Eproms 894.78 1,789.57 3,579.14 7,158.28 14,316.56
- 10 KHz Bandwidth (23,437 Hz UPDATE RATE) -
Eprom type: 27C512 27C010 27C020 27C040 27C080 Size: 64K x 8 128K x 8 256K x 8 512K x 8 1 M x 8 Number of bytes per Eprom: 65,536 131,072 262,144 524,288 1,048,576
1 Eprom (1 DR-50 MiniRepeater) 2.80 5.59 11.18 22.37 44.74
2 Eproms 5.59 11.18 22.37 44.74 89.48
3 Eproms 8.39 16.78 33.55 67.11 134.22
4 Eproms 11.18 22.37 44.74 89.48 178.96
5 Eproms 13.98 27.96 55.92 111.85 223.70
6 Eproms 16.78 33.55 67.11 134.22 268.44
7 Eproms 19.57 39.15 78.29 156.59 313.17
8 Eproms 22.37 44.74 89.48 178.96 357.91
9 Eproms 25.17 50.33 100.66 201.33 402.65 10 Eproms 27.96 55.92 111.85 223.70 447.39 11 Eproms 30.76 61.52 123.03 246.07 492.13 12 Eproms 33.55 67.11 134.22 268.44 536.87 13 Eproms 36.35 72.70 145.40 290.81 581.61 14 Eproms 39.15 78.29 156.59 313.17 626.35 15 Eproms 41.94 83.89 167.77 335.54 671.09 16 Eproms 44.74 89.48 178.96 357.91 715.83
Each Expansion: 32 Eproms 89.48 178.96 357.91 715.83 1,431.66
Repeater + 1 Expansion: 48 Eproms 134.22 268.44 536.87 1,073.74 2,147.48 Repeater + 2 Expansions: 80 Eproms 223.70 447.39 894.78 1,789.57 3,579.14 Repeater + 3 Expansions: 112 Eproms 313.17 626.35 1,252.70 2,505.40 5,010.80 Repeater + 4 Expansions: 144 Eproms 402.65 805.31 1,610.61 3,221.23 6,442.45 Repeater + 5 Expansions: 176 Eproms 492.13 984.26 1,968.53 3,937.05 7,874.11 Repeater + 6 Expansions: 208 Eproms 581.61 1,163.22 2,326.44 4,652.88 9,305.76 Repeater + 7 Expansions: 240 Eproms 671.09 1,342.18 2,684.35 5,368.71 10,737.42
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- 15 KHz Bandwidth (35,156 Hz UPDATE RATE) -
Eprom type: 27C512 27C010 27C020 27C040 27C080 Size: 64K x 8 128K x 8 256K x 8 512K x 8 1 M x 8 Number of bytes per Eprom: 65,536 131,072 262,144 524,288 1,048,576
1 Eprom (1 DR-50 MiniRepeater) 1.86 3.73 7.46 14.91 29.83
2 Eproms 3.73 7.46 14.91 29.83 59.65
3 Eproms 5.59 11.18 22.37 44.74 89.48
4 Eproms 7.46 14.91 29.83 59.65 119.30
5 Eproms 9.32 18.64 37.28 74.57 149.13
6 Eproms 11.18 22.37 44.74 89.48 178.96
7 Eproms 13.05 26.10 52.20 104.39 208.78
8 Eproms 14.91 29.83 59.65 119.30 238.61
9 Eproms 16.78 33.55 67.11 134.22 268.44 10 Eproms 18.64 37.28 74.57 149.13 298.26 11 Eproms 20.51 41.01 82.02 164.04 328.09 12 Eproms 22.37 44.74 89.48 178.96 357.91 13 Eproms 24.23 48.47 96.94 193.87 387.74 14 Eproms 26.10 52.20 104.39 208.78 417.57 15 Eproms 27.96 55.92 111.85 223.70 447.39 16 Eproms 29.83 59.65 119.30 238.61 477.22
Each Expansion: 32 Eproms 59.65 119.30 238.61 477.22 954.44
Repeater + 1 Expansion: 48 Eproms 89.48 178.96 357.91 715.83 1,431.66 Repeater + 2 Expansions: 80 Eproms 149.13 298.26 596.52 1,193.05 2,386.09 Repeater + 3 Expansions: 112 Eproms 208.78 417.57 835.13 1,670.27 3,340.53 Repeater + 4 Expansions: 144 Eproms 268.44 536.87 1,073.74 2,147.48 4,294.97 Repeater + 5 Expansions: 176 Eproms 328.09 656.18 1,312.35 2,624.70 5,249.40 Repeater + 6 Expansions: 208 Eproms 387.74 775.48 1,550.96 3,101.92 6,203.84 Repeater + 7 Expansions: 240 Eproms 447.39 894.78 1,789.57 3,579.14 7,158.28
The Digital Delay feature allows the AB-100 or AB-Clock to delay the start time of any audio track. Delays can be anywhere from approximately 1/35th of a second to about 1/2 an hour from the time it is given a start command. The delay will occur any time a start command is received after a AB-100 or AB-Clock has received a reset command. In many applications this allows a single start signal to be used for a number of the Digital Audio Repeaters. The actual start of the spiels is then adjusted in the field as need­ed. The 'DELAY' LED on the front of each AB-100 or AB-Clock shows when it is in delay mode before starting its spiel.
When a AB-100 or AB-Clock is in looping mode, the delay will be inserted between each iteration of the playback loop. In normal looping mode a single spiel is played repeatedly. If the LOOP ALL option is on, then all the spiels on the card will be played sequentially, with the delay inserted be­tween each one.
Both the 'start' inputs and 'running status' output for the AB-100 or AB­Clock are optically isolated from all other parts of the system. Connections are made through four screw terminals. They can be configured to run ei­ther from the isolated 'Dirty' power supply or from external power. Eight ad­ditional inputs are available through the AUX PORT on each card. These are used to select specific spiels from manual push buttons or switches. The AUX PORT can be configured to select 'one of eight' with individual switch clo­sures to each input or 'one of 255' with a binary spiel select to the inputs.
The AB-100 or AB-Clock checks both the rising (switch closure) and falling (switch opening) edges of each input. This allows you to configure a AB-100 or AB-Clock to do one action on one edge of a switch opening or closing, and then take a different action on the opposite edge. An example of this feature would be if you told the AB-100 or AB-Clock to start on finding a clo­sure on one of the inputs, and then stop when the same input is opened again.
The two optically isolated inputs on an AB-100 and the push button on the front of the case can be configured to:
1) MUTE AUDIO
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2) HALF MUTE AUDIO
3) UN-MUTE AUDIO
4) RESET REPEATER TO START
5) STOP REPEATER IMMEDIATELY
6) START REPEATER
7) START REPEATER LOOPING A SPIEL
8) STOP REPEATER AT END OF CURRENT SPIEL
The two optically isolated inputs on an AB-Clock and the push button on the front of the case can be configured to:
1) do nothing
2) select and play any spiel numbered 1 to 97
3) select and play whatever the next spiel in line is
4) prevent the clock from starting any spiel (ÒmutingÓ)
There are several options which you can select for start commands which come while the AB-100 or AB-Clock is still playing the last spiel. You can tell the AB-100 or AB-Clock to:
1) Ignore early starts.
2) Jump immediately to the beginning of the current spiel.
3) Jump immediately to the beginning of the next spiel.
4) Ignore the early start for now, but save and do it as soon as the current spiel is
done.
Also available on all AB-100 and AB-Clocks is a single optoisolated status output. On the AB-100 this output is active whenever a spiel is being played. On an AB-Clock it can be configured to:
¥ pulse once each minute
¥ pulse once each second
¥ turn on whenever the AB-Clock is making sound
This output can also be pulsed from the keyboard when you are configur­ing the AB-Clock. The one pulse per minute setting is used to run ÔregulatorÕ or ÔremoteÕ type clock faces. The one pulse per second setting as well as the single pulse command are normally used for setting any clocks which are slaved to the AB-Clock.
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Front Panel Adjustments, Inputs & Indicators:
Several adjustments and indicators are available on the front panels of the AB-100, AB-Clock, DR-50 and AB-50. The front of an AB-100 or AB-Clock is shown below:
AB-100 AudioBrick
Gilderfluke & Co.
Glendale, California
Heart
Volume
Treble
Bass
Running
Delaying
Start Inputs
Set
Clock
Date
Check
Start
Manual
Adjustments:
The following adjustments are available on all of our Digital Audio Repeaters:
Volume: This control sets the volume of the output from the Repeater.
This adjustment is available on the AB-100, AB-Clock, DR-50 and AB-
50.
Treble: This control is used to adjust the level of the high end of the
Shelving Equalizer. This adjustment is available on the AB-100, AB­Clock, DR-50 and AB-50.
Bass: This control is used to adjust the level of the low end of the
Shelving Equalizer. This adjustment is available on the AB-100, AB­Clock, DR-50 and AB-50.
Inputs:
The 'Manual Start' Button on the front of each AB-100 or AB-Clock feeds directly into the Digital Audio Repeater's circuitry, and so doesn't light the 'Start' LED. Other than this one detail, the Manual Start Button acts just like any other 'Start' input. It can be configured identically.
ÔSet ClockÕ Button: An AB-Clock adds two additional recessed buttons that are used to check and set the clock. You must use the end of a pencil or paper clip to press this button. This button is used to set the clock. Each time you press it, the minutes will be incremented by one. If the ÔCheck DateÕ Button is held in when this button is pressed, then the hours will be in­cremented.
ÔCheck DateÕ Button: An AB-Clock adds two additional recessed buttons that are used to check and set the clock. You must use the end of a pencil or paper clip to press this button. This button is used to check the date. The first single digit is the day of the week (1-7). If it is pressed in and held, the ÔSet ClockÕ Button will advance the hours of the clock each time it is pressed.
ÔDefault ReloadÕ Button: The AB-100 and AB-Clock have a button hid­den inside the case which is used to reload the default configuration on the repeater. It is labeled as DIPSW1-2. To use it you must:
a) Power down the AB-100 or AB-Clock. You should always do this by
unplugging the power supply from the wall rather than unplugging the 5 pin DIN connector at the AB-100/AB-Clock.
b) Remove the AB-100 or AB-Clock case top.
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c) Press and hold the button down while plugging the power supply
back into the wall. d) After the repeater reboots, release the button. d) Reassemble the AB-100/AB-Clock.
The defaults are now reloaded. You can reconfigure the AB-100/AB-Clock
through the serial port at address 00h operating at 9600 baud, no parity.
Indicators:
The 'Running' LED on the front of each Digital Audio Repeater shows
when each is currently running. When this LED is lit on the front, then sound should be coming out the back. This indicator is available on the AB-100, AB-Clock, DR-50 and AB-50.
The 'Start' LED on the front of each AB-100 or AB-Clock is actually a com-
bination of the two opto-isolated start inputs. This shows the actual start in­puts' status as it is seen by the Digital Audio Repeater, and not a processed version of them.
The ÔDelayÕ LED on the front of each AB-100 or AB-Clock shows when: a) The repeater is performing a delayed start or the delay between
each iteration of a loop. b) The repeater is skipping over a part of the audio that has been en-
coded in the Eproms as a moment of silence. You can tell when the
repeater is doing a Ôrunning delayÕ because the 'Running' LED will
also be lit at the same time. LCD Display: AB-Clocks also have a LCD Display added to them which
is used to display and set the current time and calendar. This display nor­mally shows the current time in twenty-four hour ÔmilitaryÕ time format. Following the time, ÒdsÓ will be displayed if the clock is currently using day­light savings time. The clock will also display ÒmuteÓ if an external input is keeping any sound from playing or ÒrunÓ if the time is currently between the hours that have been set for automatic tolling.
Pressing the ÔCheck DateÕ Button will cause the display to momentarily
switch to displaying the day (1=Sunday through 7= Saturday) and date (mm/dd/yy).
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- AB-100 and AB-Clock Connections -
The connections to the AB-100 and AB-Clock are identical. See the sec-
tions of this manual that cover the AB-50 and DR-50 for their connections.
Line Level Out
Balanced Output
R-T+ S
}
Unbalanced Output
T+ S
gnd
gnd
}
Amp
Amp
Aux. Port 1/4 J6 In
Input 'B'
Input 'A'
1
AB-100 AudioBrick
Gilderfluke & Co.
Glendale, California
Common
Power
Supply
Status Output
RS-422
Serial Port
Line Level Output:
The output of the AB-100 and AB-Clock is a +10 dB balanced output.
The connection is through a 1/4Ó stereo phone plug. If this output is operat­ed in single ended mode, the unused output MUST be grounded. If it is not, then the output will be excessively noisy. As shown by the illustration on the end of the case, using a mono 1/4Ó phone plug will automatically ground this unused output in single ended applications. Use a 1/4Ó stereo phone plug only in balanced applications.
Aux. Port & 1/4-J6 Input:
The AUX PORT is used to select a specific spiel on a single AB-100 or AB-
Clock. You will need to select the OP-100 AUX PORT OPTO-ISOLATOR option if you want to use the Aux. port. The input to the Aux. Port is the same 1/4 J-6 connection used by all of our Animation Control Systems. If you are using a source other than our Animation Control Systems, the connections are as follows:
(Brown) PIN #1
(red) PIN #2
(orange) PIN #3
(yellow) PIN #4
(green) PIN #5
(blue) PIN #6
(violet) PIN #7
(grey) PIN #8
(white) PIN #9
(black) PIN #10
+
GROUND (not used)
DATA BIT 7
DATA BIT 6
DATA BIT 5
DATA BIT 4
DATA BIT 3
DATA BIT 2
DATA BIT 1
DATA BIT 0
+ 5 to 24 VDC SUPPLY
(Brown) PIN #1
(red) PIN #2
(orange) PIN #3
(yellow) PIN #4
(green) PIN #5
(blue) PIN #6
(violet) PIN #7
(grey) PIN #8
(white) PIN #9
(black) PIN #10
GROUND
DATA BIT 7
DATA BIT 6
DATA BIT 5
DATA BIT 4
DATA BIT 3
DATA BIT 2
DATA BIT 1
DATA BIT 0
SUPPLY (not used)
Internal PowerExternal Power
JP-11 is used to select whether the 1/4-J6 input is to be run from external
power or from the same power supply as the AB-100 or AB-Clock. With JP-11 in the Left position, the inputs use same power supply as the AB-100 or AB­Clock. Any switch closure between the data bits and ground will trigger a spiel. With JP-11 in the Right position, an external source of power is needed by the 1/4-J6 input. This is the safer method of operating this port, since any spikes on these input lines wonÕt be coupled into the AB-100/AB-Clock through its power supply. The input to the 1/4 J-6 connection is simply eight opto-isolators. Each input is equivalent to turning on a LED with a 4.7 Kohm in series.
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Start Inputs and Status Outputs:
Both the 'start' inputs and 'status' output for the AB-100 or AB-Clock are
optically isolated from all other parts of the system. Connections are made through four screw terminals on the back of the AB-100 or AB-Clock. They can be configured to run either from the same power as the AB-100 or AB­Clock or from external power supply. The jumper selection and connections for these two modes of operation are as follows:
INTERNAL POWER EXTERNAL POWER
2.2K
'S
'C
B I
NPUT 'RESTART'
NPUT ' START'
A I
TATUS '
OMMON'
2.2K 'S
'C
B I
NPUT 'RESTART'
NPUT ' START'
A I
TATUS '
OMMON'
In the vast majority of cases, the ÔEXTERNALÕ power configuration is pre­ferred, as it isolates the audio circuitry inside the AB-Clock from any possible interference from the wires leading to your switches.
Power Supply:
Five position 180¡ DIN connector 2. Plugging and unplugging this con­nector from the AB-100/AB-Clock is not recommended while the power sup­ply is plugged in. You should always unplug the power supply from the wall before plugging/unplugging the 5 pin DIN connector at the AB-100/AB­Clock. The pinout for the Power Supply connector is as follows:
SIGNAL NAME:
Pin #1 Ground Pin #2 N/C Pin #3 + 5 VDC Pin #4 - 12 to 15 VDC Pin #5 + 12 to 15 VDC
RS-422 Serial Port:
For AB-100 and AB-Clocks, a six position RJ-11 (modular telephone style connector) is used for the serial data. Facing the end of the cable with the release latch upwards, its pin out is as follows:
COLOR
SIGNAL NAME:
LEFT WHITE SIGNAL GROUND
BLACK - SERIAL DATA OUT FROM REPEATER
RED + SERIAL DATA OUT FROM REPEATERS
GREEN - SERIAL DATA IN TO REPEATERS
YELLOW + SERIAL DATA IN TO REPEATERS
RIGHT BLUE SIGNAL GROUND
To communicate with the AB-100 and AB-Clocks through the serial port, you can use just about any computer or terminal that has a serial port on it. Some newer computer designs, like the Apple Macintosh, come with serial ports that are directly compatible with the RS-422/RS-485 signal levels the AB-100 and AB-Clocks want to see. These signal levels are close enough to be used with the RS-232 signal levels found on most older computers (like all IBM PCs and compatibles). They can be attached with only a simple
2 Use extreme caution when making discrete wire connections to this connection! Five
pin 180¡ DIN connectors are numbered 3, 5, 2, 4, 1 as you face the socket on the out­side of the AudioBrick.
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adapter cable, so long as the wire isn't too long and there arenÕt too many AB-100s and AB-Clocks attached to the same serial line. To gain the full ad­vantage of the RS-422/RS-485 signal levels (multidrop networking, distances of up to a mile) you will need to use a signal level adapter.
To cross wire the RS-422/RS-485 signals from the digital audio system to the RS-232 serial port of an IBM compatible, cross connect the signals as follows:
DB-25
DE-9 SIGNAL SIGNAL FROM/TO AUDIO SYSTEM
2 3 DATA OUT - SERIAL DATA IN TO REPEATERS (GREEN) 3 2 DATA IN - SERIAL DATA OUT FROM REPEATER
(BLACK)
7 5 GROUND SIGNAL GROUND (BLUE or WHITE)
Apple Macintosh computers have true RS-422 serial ports built in. To con­nect to the digital audio system, the pin out is as follows (view is of connec­tor on the outside of a Macintosh):
from + serial data out from repeaters (red)
from - serial data out from repeaters (black)
678
345
12
to + serial data in to repeaters (yellow)
to - serial data in to repeaters (green)
signal ground (white or blue)
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- AB-100 AudioBrick Configuration -
To configure the system through the serial port, you need to connect the system just as you do for any serial communications (see the 'AB-100 AudioBrick Serial Port Commands' section of the manual). The configuration mode is entered by the command:
"m" (5AA5) (TRACK#)
This command will bring up the following menu from the Repeater which was addressed.
EXAMPLE: to bring up the configuration screen for a card addressed as Ôtrack 00Õ (this is the normal default configuration address when a Repeater is shipped): m5AA500
This would bring up the following configuration screen (the screen shown is the default configuration):
-MACs DIGITAL AUDIO SYSTEM revision 1.12 copyright 1991 GILDERFLUKE & Co. DCM-
a) Channel number- 00 | g) Select from AUX- yes | l) #1 PA station- 01 b) Baud rate- 9600 | h) Direct select- yes | m) #2 PA station- 02 c) Odd parity- no | i) Mute if stopped- no | o) Std PA priorities- no d) EPROM type- 27C010 | j) Start delay- 0010 | p) Zone Priorities- no e) Inputs Debounce- 0A | k) Early starts- Jmp Fwd | q) Loop all mode- no f) DR-400 mode- no | X) exit
1 2 3 4 5 6 7 8 G) Group assignments: | 1 | 0 | 0 | 0 | 0 | 0 | 0 | F | H) PA Zones Enabled: | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | I) Half Mute Zones Enabled: |yes|___|___|___|___|___|___|___| J) Full Mute Zones Enabled: |yes|___|___|___|___|___|___|___|
STOP
INPUT and EDGE HALF MUTE UN STOP RESET START LOOP AT END K) A input Closing: |______|______|______|______|______|__on__|______|______| L) A input Opening: |______|______|______|______|______|______|______|______| M) B input Closing: |______|__on__|______|__on__|______|______|______|______| O) B input Opening: |______|______|__on__|______|______|______|______|______| P) PB input Closing: |__on__|______|______|______|__on__|__on__|______|______| Q) PB input Opening: |______|______|__on__|______|______|______|______|______| R) Aux input Closing:|______|______|______|______|______|______|__on__|______| S) Aux input Opening:|______|______|______|______|______|______|______|______|
Enter command- _
The (5AA5) part of the command is a key to keep this mode from being inadvertently entered. The card addressed by the TRACK# will put a config­uration menu on the screen. When this mode is entered by any card, it dis­ables all of the other serial commands on all the cards in the system. As with the normal serial command mode, the upper and lower 'case' of all input is important. An 'a' is a command while an 'A' is a number. All numeric val­ues are entered in HEX (0 - 9, A - F).
If another command is entered while the last command is waiting for additional input, the new command will be started. If at any point you enter a command in error and it is waiting for additional input, you can leave the command by entering an <ESC>ape key. With the exception of the GROUP ENABLE and PA ZONE ENABLE commands, this will leave the origi­nal configuration unaltered. These two commands will only be changed up to the point where you <ESC>aped.
If you want to keep a hard copy printout of the current configuration of
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any card, you should use the <ESC>ape key to redraw the screen while saving the print in the modem program running on your computer. This file can then be printed out at any time.
Note that only one card in the entire system is allowed to be in configura­tion mode at one time. For this reason, if you try to put a card which doesnÕt exist into configuration mode, not only will you not see a configuration screen from that nonexistent card, no other card in the system will want to listen to you until you take the nonexistent card out of configuration mode. To do this, type a: x n
The other cards will then start listening to you again.
The AB-100 and AB-Clock have a button hidden inside the case which is used to reload the default configuration on the repeater. It is labeled as DIPSW1-2. To use it you must:
a) Power down the AB-100 or AB-Clock. You should always do this by
unplugging the power supply from the wall rather than unplugging
the 5 pin DIN connector at the AB-100/AB-Clock. b) Remove the AB-100 or AB-Clock case top. c) Press and hold the button down while plugging the power supply
back into the wall. d) After the repeater reboots, release the button. d) Reassemble the AB-100/AB-Clock.
The defaults are now reloaded. You can reconfigure the AB-100/AB-Clock
through the serial port at address 00h operating at 9600 baud, no parity.
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"a" Enter Track Number:
This command is used to tell the card which addresses it should respond
to from the serial commands. No two cards in the system should have the same address assigned to them. When loaded with the default con­figuration, the address assigned to a card is 00. If more than one card is used in the system, they should be plugged in one at a time and have their addresses changed. Once it has been changed, each card can stay plugged in the card cage.
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"b" Baud Rate:
The serial port on each Repeater card can support any of the following
baud rates:
1) 110
2) 150
3) 300
4) 600
5) 1200
6) 2400
7) 4800
8) 9600 (default value)
9) 19,200
10) 48,000
11) 96,000
The lower baud rates may require that the dead man circuit will need to
be disconnected (U-7 pin #6) while in configuration mode. The reason for this is that the dead man needs to be updated about once a second, and at the lowest baud rates it will be spending so much time printing that it will time out and reset the system. 9600 baud is an average speed to run the
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