Please refer to circuit diagram for DC voltages and other information
INPUT SECTION AND PREAMP
SK1 and SK3 are the LO and HI sensitivity inputs respectively. When the LO socket is used
R5, R39 and R3 act as a potential divider to reduce the input level to the preamp.
C3 has two purposes, firstly to block any DC from the input that may unintentionally be
present, this would otherwise change the bias point of the first valve stage, secondly the value
of the capacitor has been chosen so that there is a slight roll off of lower frequencies, this
prevents the sound from getting too muddy.
V1a is the first gain stage and is configured as a cathode bias, common cathode, voltage
amplifier with bypassed cathode resistor for increased gain.
R6 and C6 give a slight presence lift and the frequency of the Bright effect is set by C7, which,
when switched in, is across pins 2 and 3 of RV1 (Volume). Obviously connected like this the
amount of brightness added will decrease as RV1 is turned up.
V1b is the second gain stage configured similar to before, C9 is added across the anode
resistor R8 to smooth out the top end.
The Tone network is passive and controlled by RV2. This is a dual ganged potentiometer, one
part of which effectively controls the mids (RV2B) while the other part inversely controls the
treble (RV2A).
R28, R34 and R35 act as a potential divider to lower the signal sent to the reverb circuitry.
REVERB SECTION
The signal from the preamp is fed into IC1A which is configured as a boot strapped voltage
follower. Z1 and Z2 have been added to prevent any nasty spikes from damaging the opamp,
this should in practise never happen.
C4 and R44 roll off a lot of the lower frequencies before the signal gets sent to IC1B and
IC2A. These opamps are configured for current gain, the actual gain being dependant on the
impedance/frequency curve of the reverb tray. Because of this it is crucial to the correct
operation of the reverb that the right reverb tray is used. This should be an Accutronics
8CA3B1B.
The output of the reverb tray goes into IC2B. This is configured as a differential amplifier as a
way of reducing any hum that may be picked up on the sensitive reverb return leads.
1
RV3 controls the level of the reverb. Across pins 1 and 2 is TR6, a J175 FET. When SK4 is
shorted out, by a footswitch, TR6 is also effectively shorted which results in the reverb being
turned off.
The reverb signal is then mixed with the dry signal, via R58, before going into the phase
splitter.
POWER STAGE
The phase splitter (V2A and V2B) is a differential input splitter which produces the two anti
phase signals necessary to drive the push pull output stage.
V3 and V4 are the two EL84 output valves connected as a push pull, cathode biased class A
power amplifier.
The quiescent current is set by R24, which is bypassed by C19 for extra gain.
SW1A and SW1B is an electrically robust slider switch used to switch the power valves from
Pentode to Triode operation. For Pentode operation the screen grid (grid 2, pin 9) is
connected, via the screen grid current limiting resistors R25 and R26, to the highly smoothed
screen grid supply, G2 - positive pin of C23. For Triode operation the screen grid of each
valve is connected to the corresponding anode.
Triode operation basically reduces the power output to a bit less than half and also reduces
the high frequencies in the overall sound.
D5 and D10 have been added to give protection to the output transformer should a fault arise.
OUTPUT TRANSFORMER AND SPEAKER CONNECTIONS
The output transformer has secondary taps for 16Ω, 8Ω and 5.3 Ω. The 16Ω tap is used to
drive the External Speaker Output, SK2. When a jack plug is inserted into SK2 the internal
speaker is disconnected.
The three LINK positions are provided on the PCB so that different impedance internal
speakers can be used in production. Depending on whether the internal speaker is 16Ω, 8Ω
or 5.3 Ω the correct LINK should be fitted. This has been done purely so that different
impedance speakers can be used if there are any problems with supply.
POWER SUPPLIES
All three supplies, HT, ac heater, and DC supplies have secondary fusing on the PCB. This is
to protect the mains transformer and for approvals.
The HT supply is a very simple bridge rectifier diode network, with 4n7 1KV capacitors
across each diode for EMC reasons, which is then smoothed by C22, to supply the centre tap
of the output transformer. This is then further smoothed by R32/C23, R30/C25 and R31/C26
to supply the screen grids, phase splitter and preamp respectively.
R29 is added to discharge the high voltage capacitors when then unit is turned off.
2
The ac heater supply is simply connected via a twisted pair connecting lead to V3 and V4
after first going through the secondary fuses
The 25.2V DC supply is highly regulated supply using a BD647 (TR7) as the main regulating
device. (Please ensure that the small clip on heat sink is attached to TR7)
TR1 and TR2 provide a constant current source for Z3 the 15 volt zener.
The output voltage is set by the ratio of R59 and R67 which provide the feedback to TR7 via
TR9 and TR10 to stabilise the whole circuit, and TR11 with R80 and R81 form a current
limiter. This allows the supply voltage to ramp up at switch on when the heater filaments of the
preamp valves draw considerably more current while cold.
R27 and R57 halve the supply voltage to provide the opamp bias voltage, and as shown on
the circuit diagram the DC supply is routed first through the two filaments in V2 in series and
then through the two filaments in V1. This will result in each filament having the nominal 6.3
volts across them.
Paul Stevens
30 June 1999
3
GIBSON ‘GOLDTONE’ GA-15RV
The GA-15RV is part of the Gibson ‘GoldTone’ valve guitar amplifier range. It is a no
nonsense, compact, purists valve guitar amplifier and has the minimum controls necessary to
produce a good range of sounds, from clean to overdriven, into its single speaker.
The circuit topology has been based on traditional guitar amplifier designs, with new ideas
incorporated where beneficial.
The main preamp and power stage sections are 100% valve. The valves used are two
ECC83/12AX7’s and two EL84/6BQ5’s run in Cathode Biased Class A.
CONTROLS
INPUTS - HI & LO/LINK
Two jack sockets are provided for connection to your instrument.
The HI input is a high impedance, high sensitivity input. This can be used with both passive
and active guitars and, depending on the level of output from the guitar and the VOLUME
setting, allows the amplifier to be driven hard into overdrive, if desired.
The LO/LINK socket can be used in two ways. Firstly as a lower impedance, low sensitivity
input, for use with high output guitars when the user wishes to keep the overdrive under
control. Alternatively this socket can be used as a LINK to chain together two or more
‘GoldTone’s, simply plug your guitar into the HI socket, take an output from the LO/LINK
socket and plug this into the input of the next amplifier in the chain.
BRIGHT
The BRIGHT switch adds more high frequencies when selected. It works in the traditional way,
therefore it has more effect at lower VOLUME settings.
VOLUME
This sets the overall volume level of the amplifier as well as having a huge effect on the tone
and the amount of overdrive. From low to about halfway, depending on the output level of the
guitar and which input socket is used, the sound should remain reasonably clean. Increasing
the control further will progressively increase the level of overdrive in the sound, obviously
being a valve amp it will respond to the player’s dynamics and use of the instruments volume.
TONE
Unlike other single tone controls on other amplifiers, which act merely as a treble roll off, this
control works in a different way. It is a dual gang potentiometer which controls two functions
simultaneously. In the fully anti-clockwise position the midrange is dominant in the sound,
turning the control clockwise decreases the mids while at the same time increasing the higher
frequencies.
REVERB
This single control is for adjusting the amount of reverb effect in the sound. The effect is
produced by a three spring reverb tray inside the cabinet.
FOOTSWITCH SOCKET
This socket is for connecting to a latching footswitch and allows the user to turn the reverb
effect on or off during a performance.
EXTERNAL SPEAKER OUTPUT
This is provided so that the user can connect the GA-15RV to an external 16Ω speaker
cabinet, such as a 4x12, for a different sound. This is useful for both live and studio use and
can radically change the sound of the amplifier. Try it at high volume into a 4x12 and you will
not believe you are playing a 15 watt amp!
When a jack is inserted into this socket the internal speaker is disconnected. Always ensure
that the amplifier is correctly loaded when in use.
PENTODE/TRIODE SWITCH
This allows the user to set the power stage to either PENTODE or TRIODE operation.
PENTODE position is the full power mode and has generally a more powerful sound with a
spread of both even and odd harmonics, when pushed into distortion.
TRIODE mode produces around half as much power. It therefore has less headroom and
produces power amp distortion earlier. It also has less high frequency content, therefore it is
not as bright as pentode mode, and produces mainly even order harmonics.
The choice as to which mode to use will depend on several factors including playing situation,
instrumentused and, most importantly, personal taste.
POWER SWITCH (OFF/STANDBY/ON)
As the name implies, this switches the amplifier from OFF to STANDBY mode, where only the
valve heaters are on, to ON for actual use. This should be used correctly every time the unit is
used to prevent problems with valves and to increase their life.
Before mains is applied to the unit, check that it is the correct voltage and make sure the
POWER switch is in the OFF position. Connect power lead to mains outlet then switch to
STANDBY and wait about a minute before switching to ON. This will ensure that the valves
have time to warm up before large voltages are applied to the plates. During short breaks the
amplifier can be switched to standby and will therefore be ready to play when next needed.
After switching off it is recommended, as with all valve amplifiers, that it does not receive any
sudden physical shocks while the valves are still hot, i.e. through moving the unit. If possible try
to give the amplifier a few minutes to cool down before transporting it.
IEC SOCKET/MAINS FUSE
The IEC socket is for connection to universally used IEC mains leads to connect to
appropriate domestic mains supply.
In the event of having to replace the mains fuse always use the same rating and type as
marked on the unit’s rear panel. Using one of higher rating will invalidate the guarantee.
If after replacement the mains fuse should blow a second time, immediately refer the unit to a
TRACE ELLIOT approved service engineer for checking.
ORIENTATION OF VALVES
Looking at the GA-15RV from the rear with the rear paneI removed you will see four valves,
the two on the left (V1 and V2) should be ECC83/12AX7’s and the two on the right (V3 and
V4) should be EL84/6BQ5’s. For improved performance and reliability the EL84/6BQ5’s
should be a matched pair.
If the need should arise to replace any of the valves we recommend the following types:-
V1 and V2Sovtek 12AX7WB or 12AX7WA
V3 and V4Ruby Tubes Tesla EL84
TECHNICAL SPECIFICATIONS
INPUT IMPEDANCEHI - 1M Ω
LO/LINK - 136KΩ
TONE CONTROLSINGLE DUAL FUNCTION PASSIVE CONTROL
REVERB3 SPRING TRAY
CIRCUIT TOPOLOGYPREAMP AND POWER STAGE 100% VALVE
REVERB SECTION DRIVEN BY INTEGRATED CIRCUITS
SPEAKER SINGLE 12” CELESTION
POWER RATING~ 15W PENTODE