Genz Benz GBE 1200 Quick Reference Manual

EFFECTS LOOP JACKS — The serial “EFFECTS LOOP” jacks are
provided to allow access to the signal for the purpose of inserting signal processing equipment such as compressors, chorus, delay & reverb processors. Individual pre-EQ loops are provided for the TUBE channel and the FET channel. An additional post EQ loop is provided for the post-EQ summed (TUBE + FET) signal.
POWERFLEX SWITCH— This switch allows optimum matching of the power supply to the speaker load. Similar in concept to output trans­former matching in tube amplifiers, this feature allows the GBE-1200 to drive 2 ohm loads at maximum efficiency compared to more traditional designs. Driving 2 ohm speakers with the switch in the 4-8 ohm
position is not recommended as the amp’s monitoring circuitry may reduce the output power to minimize stress on the amplifier. .
An amber “2 ohm” indicator LED is provided on the front panel to con­firm that the 2 ohm POWERFLEX™ mode has been selected.
XLR DIRECT OUT — Studio Quality, fully active transformerless bal­anced DI. PRE/POST switch; GROUND switch; OUTPUT LEVEL Con­trol adjustable between –50db and –10db. Fully protected from Phan­tom Power.
FOOTSWITCH INPUT — The GBE 1200 is fitted with a 6 pin DIN jacks for the 5 button footswitch (included). In order for the footswitch to func­tion correctly, the amplifier’s front panel switches for these functions must be in the “out” position. This footswitch is unique to Genz Benz due to the complex nature of it’s functions and must be factory supplied. This operates the CHANNEL SELECT, MIX, LF EXTEND, MID SCOOP and HF ATTACK functions. Th e front panel switches over-ride all
footswitch functions. SPEAKER OUTPUTS — The GBE 1200 features 2 SPEAKON® NL4
connectors. Minimum total load impedance is 2 ohms. The SPEAKON
®
is wired using pins 1+ and 1-, pins 2+ and 2– are not connected.
REFER TO YOUR TECHNICAL MANUAL FOR
GENERAL SAFTEY INFORMATION
7811 E. Pierce St. Scottsdale, AZ 85257
Ph: 480-941-0705 Fax: 480-946-2412
www.genzbenz.com
Rev. 1
QUICK REFERENCE
MANUAL
IMPORTANT FEATURES:
Blendable FET/12AX7 Tube Preamps— can be Switched or Mixed
Together via Footswitch (Footswitch included)
3 Circuit Shape Network (Footswitchable)
LF Extend, Mid Scoop, HF Attack—All adjustable Min-Max.
5 Band Active EQ for each Channel
High Powered Robust Output
550 Watts @ 8 ohms
1000 Watts @ 4 ohms
1200 Watts @ 2 ohms
XLR Direct Out w/ Level Control, Pre/Post/Ground Lift Sw.
High Velocity Heat Management w/ 2 Speed Fan
Speakon® Speaker Outputs
Unique “Soft Limit” Circuitry—Simulates Output Saturation for
warmer Limiting Action
OPERATION NOTES:
FRONT PANEL
INPUT — Selectable Active or Passive modes. Passive is a hi-gain
input and Active is –10db less. If your bass has a battery in it, choose Active.
INPUT SIGNAL MUTE SWITCH — Mutes the signal from the amp and also the D.I. The Tuner Out stays active. (Optional footswitch operates the Mute function).
TUNER OUTPUT JACK — Plug your tuner in here. This output stays active when the Mute switch is engaged.
CHANNEL AND MIX SWITCHES — The “TUBE/FET” switch provides selection between the 2 preamp channels. The ”mix” switch in the chan­nel section combines the two preamp channels together. These func­tions are footswitchable features. The front panel switches must be in the out position in order for the footswitch to operate properly.
FET CHANNEL INPUT GAIN CONTROL & O/L LED — The “FET GAIN” control, in conjunction with the red “O/L LED” (overload) , allow
you to adjust the FET preamp input gain sensitivity to the instrument you are playing. Generally, you want to see only an occasional flash of the red clip LED when you really hit the string hard, then adjust the “FET VOLUME” control for playing volume. Distortion of the preamp gain stage will occur when the red clip LED is illuminated, so plan accord­ingly.
TUBE CHANNEL INPUT GAIN CONTROL & O/L LED — The TUBE channel operates the same as the FET channel, except that it is more often desirable to operate the“TUBE GAIN” control higher, intentionally overdriving the tube preamp for a more overdriven and distorted sound. This action is indicated visually by the red “O/L LED” and generally re­quires a higher setting on the “TUBE GAIN” control and a lower setting on the “TUBE volume” control. A blueLEDlights when the TUBE chan­nel is active.
ACTIVE 5 BAND EQUALIZATION — The “active 5 band equalization” used in the GBE 1200 amplifier is composed of 1 shelving low fre­quency control, 3 peaking midrange controls and 1 shelving high fre­quency control. The filters have a cut/boost range of +/- 12dB and a smooth, musical sounding response. A separate 5 band equalizer is provided for each the TUBE and the FET channels. This fully active EQ has a wide range, so generally, a little EQ goes a long way.
GLOBAL SIGNAL SHAPING SWITCHES AND CONTROLS — Three selectable voicing circuits that are Min.-Max. adjustable.
L.F. EXTEND — Lowers the low frequency roll-off to approx. 30 Hz, producing a more pronounced low frequency rumble.
MID SCOOP —A wider bandwidth signal scoop centered at 800 Hz in the mid response.
H.F. ATTACK —Increases 4K Hz freq. for more bite or string sound when using a pick. All of these functions are footswitchable features. All switches must be in the out position for the footswitch to operate properly.
MASTER VOLUME —This adjusts the signal sent to the power amp. Best results are achieved when operated between the 9 o’clock and 3 o’clock positions.
MASTER SECTION STATUS INDICATORS —
The “power jewel light” indicates that the amplifier is on and the low voltage power supplies are active.
The red “PROTECT LED”indicates that the amplifier is in “protect” mode and the output relay is de-energized. This LED will illuminate for approximately 3 seconds during power switch-on and switch-off. It will also illuminate during any internal fault condition. If this hap­pens, turn the amp off and consult a repair technician.
The red “THERMAL LED”indicates that the amplifier has over- heated, engaged the protection circuit and shut down. This circuit is self-resetting when the offending condition (blocked air vents, foreign body stuck in fan, etc) is corrected.
The amber “2 OHM” LED indicates that the power amplifier’s 2 ohm POWERFLEX mode has been selected.
The blue “SIGNAL LED” indicates that the power amplifier is receiv- ing signal from the preamp.
The red “CLIP-LIMIT LED”indicates that the power amplifier has reached maximum power and/or the limiter threshold has been crossed. Driving approximately 6dB beyond this point with the “OUTPUT LIMITER” engaged, the amplifier will gradually begin to clip.
OUTPUT LIMITER — Engages the internal “Soft Clip” Limiter. This lim­iting action is particularly musical sounding, even when driven hard. A blue LED indicates that this feature is engaged.
REAR P A NEL FEATURES
TUNER OUTPUT JACK — A rear panel “TUNER OUTPUT” jack is also
provided. This output remains active when the “MUTE” switch is pressed. The front panel jack is in parallel with the rear panel jack.
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