Presents
The Ultimate Virtual Tonewheel Organ
Operation Manual
1. License
2. System Requirements
3. Installation
4. Instrument Description
5. Panel Controls
6. Tips and warnings
7. MIDI Control
License
VB3 version 1.2.1, copyright Guido Scognamiglio - SoundFonts.it - June 2008
LICENSE TERMS FOR SoundFonts.it SOFTWARE
This is a license agreement between "SoundFonts.it" (hereinafter referred to as "the software
supplier") and You (hereinafter referred to as "the user").
The software is provided to the user "as is". The software supplier makes no warranties,
either express or implied, with respect to the software and associated materials provided to
the user, including but not limited to any warranty of fitness for a particular purpose. The
software supplier does not warrant that the functions contained in the software will meet your
requirements, or that the operation of the software will be uninterrupted or error-free, or that
defects in the software will be corrected.
The software supplier does not warrant or make any representations regarding the use or the
results of the use of the software or any documentation provided therewith in terms of their
correctness, accuracy, reliability, or otherwise. No information or advice given by the software
supplier shall create a warranty or in any way increase the scope of this warranty.
The software supplier is not liable for any claims or damages whatsoever, including property
damage, personal injury, intellectual property infringement, loss of profits, or interruption of
business, or for any special, consequential or incidental damages, however caused.
The user is not allowed to distribute the program. Further, the user may not modify, the user
may not decompile and the user may not debug the software. The user may use the program
on any computer he or she personally own.
This product is a shareware. You may use the unregistered version at no charge for an
evaluation period of 30 days only. To continue to use the software beyond the 30-day
evaluation period, you must register it.
By using this software, you agree the above statements.
System Requirements
Minimum System Requirements:
• Microsoft Windows 98se/ME/2000/XP
• Intel Pentium 3 @ 500 MHz or AMD Athlon @ 500 MHz
• 256 Mb of RAM
• 4 Mb of free disk space
• An ASIO compatible sound card
• A 61 keys MIDI keyboard
Recommended System Requirements:
• Microsoft Windows XP
• Intel Pentium 4 Dual Core @ 3000 MHz or AMD Athlon @ 3000 MHz
• 1 Gb of RAM
• 10 Mb of free disk space
• An ASIO compatible sound card with near-zero latency
• Two 61 keys MIDI keyboards and an expression pedal
VB3 is a VST plug-in, and needs a VST host application to run. We recommend EnergyXT or
Hermann Seib's VSThost / SAVIhost. And if you want to experience the feeling of playing "the
real thing", you should have at least two 61 keys MIDI keyboards, better with "waterfall"
keys, stacked one on top of the other, an expression pedal and at least a drawbar controller.
Or if you have a digital dual manual organ console you can map all of its physical controllers
to VB3's controls using third party applications like MIDI-OX and/or Bome's MIDI Translator in
conjunction with the Maple Virtual MIDI cable for interconnection between the applications.
Installation
Copy the file VB3.dll (or whatever it may have been renamed to, in case of future updates) to
your VSTplugins folder, usually
C:\Program Files\Steinberg\VSTPlugins\
Inserting VB3 into a project varies according to the VST Host used. For example, if you're
using EnergyXT simply right click in the middle of the main window and choose VST -> VB3,
then connect its input and output to your desired source and destination. For further
assistance, consult the documentation supplied with your host.
In the case you have bought a license, install it before running VB3 to prevent it from running
in Demo mode. To do this, just insert your full name and your 24-characters license key in
the text fields in the screen that appears when the plugin is launched.
The DEMO version shows a reminder screen
at start-up, then plays a white noise for 2
seconds every 10. No limitations are applied
soundwise.
If you would like to purchase a license,
please visit www.SoundFonts.it.
Please note that two versions of the plugin
are supplied (instrument and effect): as
such, you can use your activation key for
both versions.
Instrument Description
VB3 is a virtual tonewheel organ which simulates an american electromagnetic organ of the
old days, but it's also capable of other simulations like the italian transistor organs of the
seventies or the red-tolex organs played by famous pop bands of the sixties.
Main features:
• Full polyphony (147 notes)
• Virtual 91 modeled tonewheels generator with accurate phase synchronization
• Adjustable leakage noise and cross modulation between tonewheels
• Three sets of waveforms: Set H (American Electromagnetic), Set F (Italian Transistor),
Set V (Red Tolex Transistor)
• Three different organ models
• Adjustable global tuning
• Foldback on 16" deactivable
• Realistic motor wow & flutter
• Busbars and 9 key contacts simulation
• 17 steps drawbars
• Two separate sets of drawbars per manual
• Full "inverted octave" presets
• String Bass with adjustable release time
• Dynamic pickup coil impedance loss
• Adjustable generator filters scaling
• Single triggered percussion with natural capacitor discharge/recharge
• Adjustable global Percussion Level
• Adjustable global Percussion Decay
• Vibrato/Chorus virtual scanner
• Adjustable Vibrato Scanner depth
• Electronic vibrato simulation when Sets F or V are selected
• Separated Upper and Lower V/C tablets with smooth switching
• Dynamic tube overdrive simulation
• Spring reverb
• Smooth action volume pedal with adjustable MIDI response
• Stereo wooden rotary speaker simulation with artificial environment and microphones
positioning
• Five different rotary speaker algorithms with adjustable "character"
• Tone Cabinet (stationary speaker) simulation
• Rotors brake position
• Adjustable background hum and noise
• Very low CPU consumption
• Midi controllable, supports VST automation
• Easy MIDI Learn function
• Up to four separated outputs
• Upper and Lower manuals SPLIT with adjustable split point
• Upper and Lower manuals octave transposers
How VB3 works
Have a look at this scheme:
There is a "virtual tonewheel generator" which constantly plays 91 waveforms. When you
depress a key, a connection matrix decides which "tonewheels" have to
be played according to the note played and the drawbars setting. If more
than one note requires the same tonewheel to be played, this is amplified
twice but no other "oscillators" are required other than the 91 already
available. Actually, only 79 tonewheels are used for the two manuals,
while the first 12 are only used for the first octave of the pedalboard.
You can, however, choose to use the first 12 tonewheels for
the upper and lower manuals too by deactivating the foldback on the 16"
drawbars from the Global Options Menu.
Also, you should know that VB3 doesn't use any samples. All the sound it
produces is 100% calculated in real-time. The waveforms are modeled after an accurate
examination of actual electromagnetic organ's output signals, and digitally reproduced with
the help of mathematical formulas and computations.
Nine key contacts simulation
The original american electromagnetic organ has, underneath each single key, 9 mechanical
contacts, one for each drawbar. When a key is depressed these contacts are closed
sequentially in a very short time interval, near contemporarily. In most cases you won't notice
any particular effect due to this kind of mechanics, but some great organists take advantage
of this feature in order to create some soft nuances during their playing. Unfortunately
there's no way to let the computer know exactly how deep a key has been depressed, since
the only message that a MIDI keyboard can send is that of note ON or OFF (leaving apart
velocity and aftertouch features which, in this example, are unused). Thus, the simulation
happens almost randomly.
In VB3 version 1.2 the 9 Key Contacts simulation is always active. From the
Preset Options Menu you can set the maximum time between the first and the last contact to
be closed. The range is from 1 to 39 milliseconds. The effective time is calculated according
to the MIDI velocity: the harder you hit a note, the shorter is the time required to close all 9
contacts. For softer keystrokes you'll have slower times beween contacts. And if you have
ever played one of those beautiful vintage console organs, you do know what we're talking
about, and you'll notice a great similarity between the real thing and this simulation.
Two sets of drawbars per each manual... and more.
What do you usually do with other tonewheel clone organs when
you want to switch from a drawbar setting to another, and back
again, and again, and again during a song? You can either change
presets and hope the organ is fast enough to not play any "hole", or you have to be fast to
use the drawbars / faders / knobs... if you have any. With VB3 you have two separate sets of
drawbars per each manual, two for the upper manual and two for the lower manual. The
interface will show only one set at a time, but with the new selection switch you can switch
from a set to the another simply by clicking on that switch or better you can use MIDI CC#
49 (for the upper manual) and CC# 59 (for the lower manual) using values 0=Set A,
127=Set B.
But if you have an extra octave below the 61 playing keys, you can also use the
A# and B keys for switching respectively to Set A and B, and all other keys to choose
between 9 pre-set drawbar settings, including the CANCEL (no sound) status, associated with
the lower C key, just like in the real thing. These presets are user programmable, as shown
below.
Please Note: for the upper manual you have access to the percussion feature only if Set B is
selected. Please also note that there's a protection against accidental and unwanted preset
switching that requires a keypress of at least 100 milliseconds in order to activate the desired
preset.
Difference between Instrument Programs (or Patches) and Organ Presets.
VB3 comes with 32 programs, easily accessible from the Preset Options Menu or by using
your host's program functions. These programs store and recall almost all instrument's
settings, including rotary speed selector, swell pedal and all other GUI controls, but excluding
the Global Options (which are stored separately) and the SPLIT functions.
Organ Presets are a different matter. Like in the original console tonewheel organ, here you
have two separate sets of drawbars per each manual, plus 9 pre-set drawbar combinations.
These presets are accessible by clicking on the numbered stripes below the drawbars or using
the octave below the first playable C key.
These 9 combinations are pre-set by the instrument manufacturer, but they can be freely
edited by accessing the DAT file which is created the first time the instrument is run. This is a
plain text file, open it with a common text editor. The last 18 rows of the file should read:
PresetU1=005320000
PresetU2=004432000
PresetU3=008740000
PresetU4=004544222
PresetU5=005403000
PresetU6=004675300
PresetU7=005644320
PresetU8=006876540
PresetU9=327645222
PresetL1=004545440
PresetL2=004432220
PresetL3=007373430
PresetL4=004544222
PresetL5=006644322
PresetL6=005642200
PresetL7=006845433
PresetL8=008030000
PresetL9=427866244
Each digit corresponds to a drawbar position, and the 9
digits correspond to the 9 drawbars as seen from left to
right. Feel free to edit these numbers when the plugin is
not in use, but be careful to not leave blank spaces at the
end of each row and between rows. Also, be sure that
each number has 9 digits, and leave the rest of the file
untouched.
Erroneous alterations of the DAT file may cause instrument malfunctions. However, you can still delete the DAT file and let the software create it again in case of troubles.
Virtual Acoustics
VB3 also provides an accurate simulation of the famous Rotary
Speaker vastly used to amplify those amazing organs, but it
not only simulates the speaker itself. As you surely know, all
the sounds we hear in nature are the result of the actual sound
source (a car's motor, a human's voice, a bird, etc.) and the
natural reflections which happen in the surrounding
environment, that is what we also know as "reverberation".
VB3 recreates the environment where an imaginary Rotary
Speaker is in, and is recorded with three or four microphones
at a distance from the cabinet of about one feet each.
In version 1.2 the rotary speaker simulation
has been greatly improved. Now you can choose from five
different algorithms:
1. Rock 147: the “Rock” algorithms are based on a four
microphone configuration with a wider stereo separation, much
amplitude modulation and a less reflective ambience. This
considers a close miking with 4 dynamic mics;
2. Rock 122: very similar to the previous algorithm but
supposed to simulate the use of two large diaphragm
condenser microphones for the upper horn;
3. Jazz 122: almost the same as in VB3 version 1.1, based on
a three condenser microphone configuration with a wide stereo
image and a notable distance from the cabinet. This gives a
brighter sound and a nice stereo effect, and is particularly
suitable for Jazz and for the STOP position;
4. Rock 760: similar to “Rock 147” but the rotary cabinet is
inspired to a solid-state stage model, supposedly with the horn
deflectors removed, like many Rock and Prog bands of the
seventies used to do. This results in a very pulsating
modulation and a wide stereo image;
5. Monaural: same as algorithm “Rock 147” but based on a
two-mics recording. This can be particularly useful in live
situations where it's impossible or impractical to amplify the
instrument in stereo.
6. Tone Cabinet: this is a simulation of a two-channel
stationary speaker, presumably miked in stereo.
Also you can choose between a clean sound and an
"aggressive" character, which gives a nice saturation on the
high frequencies at high volumes. With the few controls you have on the interface, you can
vary the sonic result of the virtual recording of a Rotary Speaker: use the Distance knob to
set the virtual microphones near or far from the cabinet: when you are very far, the sound
becomes almost monaural, and the resonances of the wooden cabinet are prevalent on the
dry speaker outputs. Basically, this control mixes between the cabinet resonance and the
rotary sound. Use the Balance knob to balance between the bass rotor and the treble horn.
Use the Spread knob to set the position of the two upper microphones relative to the cabinet
louvers (wider or narrower stereo image).
The sweet contour: the "Vibrato Scanner"
VB3 brings you a Vibrato / Scanner simulation
100% faithful to the original. In the
electromechanical organ, the vibrato is
accomplished using a series of LC filters which form
an analogue delay line. This line is divided into a
number of "taps", and each tap is connected to a
terminal of a circular variable capacitor which, in
turn, carries the sound from the organ's generator
to the preamplifier through a moving pickup. This fast movement causes a variation in pitch
that generates the well known Vibrato effect. If this effect is coupled with the dry audio
signal, you have a Chorus effect. In VB3 each single element of this electronic circuit is
perfectly reproduced with the use of digital synthesis, with the aim to bring you the warm and
alive sound of an electromechanical vintage organ.
When you're using waveform Sets F or V (transistor organs), the V/C effect
automatically switches to a common electronic vibrato simulation. The six steps are: Type V
Min, Type V Max, Type F Slow Shallow, Type F Slow Deep, Type F Fast Shallow, Type F Fast
Deep.
The warm element: the "Tube Overdrive"
VB3 uses an all new approach
to tube overdrive simulation. This new simulation
is mainly based on the dynamic response of tube
amplification electronics. If the nominal dynamic
range is exceeded, the sound gets "saturated"
and the result is a very musical and pleasant
distorted sound. On the interface you only have
two knobs and a switch: use the switch to turn
on and off the distortion; the Drive knob lets you
adjust the distortion amount along an
exponential scale; the Edge knob lets you choose
the harshness of the distortion: if you just want
a sweet saturation, mostly on the low-end, keep
this knob low, but if you need a very distorted
sound for your hard rock songs, you may want to increase this parameter. Move it at little
steps and hear the result for yourself.
And what about the spring reverb? VB3 brings you the warmth of the famous "Type 4"
american spring reverb of the sixties, driven by a tube preamplifier. The right tone for a great
organ sound.
The digital breath
Among the many features that make VB3 a realistic simulation of the electromagnetic organ,
there are a couple of internal “facts” that make it yet more “alive”. As you may know, the
tonewheel generator of the electromagnetic organ is driven by an asynchronous motor and is
stabilized by a long series of springs, and is hung by four springs for more stability.
Nevertheless, the intonation still flutters, even if in some models this fluctiation is hardly
noticeable. Also, you should know that the passive components used for the generator
filtering, mostly responsible of the “leakage” defect, can vary their value from time to time
according to weather, humidity, wear, temperature, etc. resulting in a slightly different
leakage component in the sound. Not to mention that not all the keys have the same
keyclick. Well, VB3 reproduces all these behaviours randomly every time it is run.
Panel Controls
VB3 reflects the same controls you will find on one of the most famous models of the
american tonewheel organ, with the same look, in the same positions and with almost the
same lables, so if you're familiar with the real thing you won't find yourself confused when
looking at VB3's interface. Other controls are there for further sound customization.
Here are just a few guidelines for a better and quicker use of the software.
• Like a real organ, turning on the percussion mutes the 1' upper drawbar.
• Like a real organ, when the percussion is set to "Normal", the volume of the upper
drawbars is decreased.
The Preset Options Menu
Here you can set a number of options that will be
saved with your presets:
1. Waveform set:
2. Set H: American Electromagnetic
3. Set F: Italian Transistor
4. Set V: Red Tolex Transistor
When waveform Set F or V is selected, the
Vibrato effect switches automatically to
"Electronic Vibrato" and the leakage noise will be turned off.
5. Set the KeyClick type: dark or bright. This is not a simple equalization: this settings
actually affects the algorithm used to generate the electrostatic discharge noise that you
hear at each keypress. Some of the older tonewheel organs have a darker tone, while
modern ones (and for “modern” we mean those build in the seventies) usually have a
brighter tone. This is particularly audible in the high frequency range.
6. Set the max time delay between keycontacts. As already explained in the dedicated
chapter, with this option you can choose the maximum time lapse between the first and
the last key contact to be closed (and reopened) when you depress (or release) a key. The
actual time is calculated based on the MIDI note velocity: the harder you press a key, the
faster the contacts are closed, resulting in a shorter keyclick.
7. Set the volume of the background hum noise: Off, Low, Mid, High. This is the continuous
playback of a long sample that gets generated during the plugin initialization phase. This
noise produces the AC current hum, the circuitry hiss and the tonewheel leakage.
In this same menu you can see other functions:
1. Preset List: here you have the complete list of all factory presets;
2. “Revert to factory presets”: with this function, you can recall all the factory presets and
cancel all your editing. You can save your own preset bank by using your VST host's
internal facilities;
3. “Save current as Start-Up”: with this function, you can save a special preset which will be
loaded automatically each time the plugin is run. This way, you can have your “start-up”
setting. VB3 will save a standard “FXP” preset file named {name_of_the_DLL}.fxp in the
same folder where the DLL file resides.
The Global Options Menu
1. Choose the MIDI channels for UPPER, LOWER and
PEDALBOARD;
2. Choose whether to invert the response to the MIDI CC
for the drawbars;
3. Receive MIDI Program Change: enable this option if you
wish to switch programs from your MIDI keyboard
sending Program Change events;
4. Use MIDI Velocity for KeyClick: this option is ON by
default, but you may need to switch it off if your
keyboard controller doesn't send the Velocity
information. This is only used for the keyclick simulation
as described before;
5. Enable/Disable Organ Preset Octave: if you don't want
to use the first octave for switching organ presets, set
this option to 'no';
6. Set the Global Tuning, from A=437 Hz to A=443 Hz;
7. Choose between different models of organs, based on
measurements from actual console organs;
8. Set the Leakage noise level: None, Low, Mid, High;
9. Set the ToneWheel volume scaling:
10.Flat: default setting, based on actual organ
measurements;
11.Ascending: higher harmonics (tonewheels) are louder, brighter timbre;
12.Mid Cut: harmonics in the middle range play quieter;
13.Mid Boost: harmonics in the middle range play louder (this setting particularly boosts the
last 2 octaves for all drawbar configurations);
14.Descending: higher harmonics are softer, resulting in a darker overall timbre;
15.Set the overall Percussion Decay Time;
16.Set the overall Percussion Level;
17.Set the overall Vibrato Scanner Depth;
18.Choose whether to disable the foldback on the 16" drawbar or not;
19.Choose the appropriate volume pedal scaling that matches best your physical volume
pedal; P settings are positive course, N settings invert the pedal response;
20.Choose wether to use a single controller or two different controller for the Rotary Speaker
speed changes;
21.Adjust the wind noise level caused by the virtual Speaker rotors;
22.Choose your preferred virtual Rotary Speaker type;
23.Choose the sonic "character" of the Rotary Speaker;
24.Choose the number of outputs:
25.Single stereo output: output from the rotary effect;
26.Two outputs: a stereo couple plus a mono out coming from the dry organ;
27.Three outputs: adds a mono out coming from the reverb effect.
When in Demo mode, you can see two further functions:
- Register on-line, opens your default web browser pointing to the web site where you can
purchase your license;
- Enter registration key, re-opens the registration screen in case you already own a key and
you wish to activate the software.
Note: the global options are saved automatically at every modification and when the
instrument is closed.
Using the GUI controls
When you move a knob on the User Interface, a small display appears on the screen showing
the current value of the active control.
Tips on using the interface:
- to reset a control to its default value, hold down CTRL and click it;
- for "fine tuning" knob movements, hold down SHIFT while moving the knob;
- all knobs react to both vertical and horizontal movement;
- hold down the ALT key to activate the circular control of the knobs.
Useful Tips
To hear the dry sound from the virtual tonewheel generator:
1. Turn off the Rotary effect
2. Keep the TONE knob at max
3. Turn off the overdrive effect
4. Select Hum Type = OFF
For a transistor organ simulation:
1. Do everything as above described
2. Select TW Set = Set F or Set V
3. Lower the keyclick
4. Preferably only use the even drawbars up to 2'
To connect VB3 to a real rotary speaker
1. Do everyting as above described (turn off rotary, overdrive, Tone at max)
2. Preferably set TW. Scaling = Flat
General Warnings
1. When changing parameters like TW Set, TW Scaling, Leakage and Tuning the software
must recompute the internal wavetables, so a glitch in the audio could be heard or, if
any notes are still depressed, the sound could be muted. It is adviced not to play when
changing these parameters.
2. When the brake is used, i.e. when you set the Rotary effect in stop position, the horns
stop randomly after they gradually slow down, and sometimes the position they take
could cut or amplify certain frequencies. This also happens with the real thing. If you
don't like the position they are at, just set the speed at slow and intermittently disable
the brake until you hear the sound you like.
3. Use the knobs "Distance", "Ambience", "Balance" and "Spread" to search the right
position of the virtual microphones with respect to the rotary speaker and the virtual
environment, according to your tastes. Do this in order to obtain the correct balance
between the direct sound from the speaker and the environmental reflections. This
situation also applies to the real instrument.
4. VB3 can support sample rates up to 96 Khz, but it is strongly recommended to not
exceed the 48 Khz sample rate, for optimal performance and reliability (and lower CPU
usage).
The SPLIT and Transpose Functions
If you only have a 61 keys or an 88 keys master keyboard and you still wish to
play both upper and lower organ manuals, you can take advantage of the SPLIT function. To
activate the keyboard split, click the SPLIT button on the middle of the interface. This way,
the keyboard is split into two portions: left side plays the lower manual, right side plays the
upper manual, and the instrument is now receiving notes from all MIDI channels. If you wish
to set another split point other than the middle C, right click on the active note (visible in
yellow) and press the disired key on your keyboard. The choosen key is the fist playable key
of the upper manual. You can also transpose both manuals individually by one octave lower
or one octave upper. This can be useful in the case you have an 88 keys controller.
Please note: these settings will be automatically stored when the program is closed. Also,
please note that when the SPLIT function is active, only the upper preset “inverted” octave is
accessible. Notes exceeding the playable range (61 notes per manual) are muted.
MIDI Mapping
You can assign your MIDI controllers to
any of the available controls using the MIDI Learn
function. It's very easy: just right-click on a knob or
switch of your choice. A menu should pop-up. The first
item shows the control's name, the second item shows
the MIDI CC# currently associated to that control, the
last item activates the MIDI Learn status. Click on "MIDI
Learn", the tooltip text should say "Waiting for incoming
MIDI data...". Now move a knob/slider/whatever on your physical controller. At this point you
should see the virtual control following the movements of the physical control. To abort the
"wait state" click on the first menu item, and to reset the assigned control (MIDI Forget) click
the second menu item.
The MIDI Map is automatically stored when you quit the plugin in a file named
"{name_of_the_dll}.dat" located in the same directory where the DLL file resides. This is a
plain text file, but please don't edit it manually.
Please note: MIDI Controllers respond on all Channels, so be sure that your controller sends
all controls with the same channel, or else you'll find two different physical controls (knobs,
faders, etc.) moving the same parameters on the screen, or a single physical control moving
more than one parameter on screen.
Plase also note that VB3:
- doesn't allow assignment of CC# 0;
- doesn't respond to Pitch Bend messages, or maybe it does... who knows;
- responds on CC#120 & CC#123 for "All Notes Off" (muting and reset).
Default MIDI Map
CONTROL TYPE Control Change Number
Upper Manual Drawbars A/B Switch 49 (can be changed manually from the .dat file)
Upper Manual Drawbars - SET A 40-48
Upper Manual Drawbars - SET B 12-20
Lower Manual Drawbars A/B Switch 59 (can be changed manually from the .dat file)
Lower Manual Drawbars - SET A 50-58
Lower Manual Drawbars - SET B 21-29
Pedal Drawbars 16'=33, 8'=35
Vibrato Type 73
Vibrato Lower 30
Vibrato Upper 31
Percussion On/Off 66
Percussion Volume 70
Percussion Decay 71
Percussion Harmonic 72
Keyclick Level 75
Tube Overdrive Switch 67
Tube Overdrive Drive 76
Tube Overdrive Edge 78
Reverb 84
Rotary Speaker Bypass 85
Rotary Speaker Speed (Fast/Slow) 1
Rotary Speaker Treble Horn Slow Speed 81
Rotary Speaker Treble Horn Fast Speed 82
Rotary Speaker Treble Horn Acceleration 83
Rotary Speaker Bass Horn Slow Speed 91
Rotary Speaker Bass Horn Fast Speed 92
Rotary Speaker Bass Horn Acceleration 93
Rotary Speaker Brake 68
Rotary Speaker Spread 9
Rotary Speaker Balance 10
Overall Tone 8
Expression Pedal 11
Overall Volume 7
Last Update: June 28, 2008 - www.SoundFonts.it
All trademarks mentioned in this document belong to their respective owners.
VST is a trademark of Steinberg Media Technologies AG.
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