Generalmusic Equinox User Manual

IMPOR TANT
Read Befor e U sing Keyboard!
Congratulations on your purchase of the new Equinox Synthesizer Workstation from Generalmusic. This instrument is equipped with cutting edge Flash ROM memory, so that your new keyboard can be permanently updated by disk with the latest operational advantages and new features. It is important that you f ollow the procedur e below before using your instrument for the first time to ensure that the instrument functions properly. Check with your au thorised Generalmusic dealer for exciting new features to load in your Flash ROM in the future.
STEP 1
STEP 2
FINAL STEP
With the instrument turned OFF, insert the Generalmusic Equinox Operating System Disk included in your materials packet into the disk
drive. After you have inserted the disk, turn the instrument ON. You will see a message in the instrument display screen that says:
Loading OS-DISK clears ALL MEMORY!! <Enter to Load/Escape to abort>
Press ENTER and wait about 3 minutes for the new Operating System
to load. When the new system has finished loading, you will see the following message in the instrument display screen:
Loading Successful!! <Enter to continue>
At this time, Press ENTER again and the instrument will proceed through the normal operating display screens. You can now Turn
OFF the instrument in preparation for the final step listed below. IMPORTANT: REMOVE THE OPERATING SYSTEM DISK BE­FORE PROCEEDING TO THE FINAL STEP!
As you turn the instrument ON, KEEP ROTATING THE DIAL until the following message appears in your display screen:
!!WARNING!! Dial on Power-Up Requests Memory Clear!! <Enter to clear/Escape to abort>
Press ENTER. You have now completed the
update process, and your Generalmusic Equinox has been permanently upgraded.
Note: There may be a Battery Warning message when you initially turn on the instrument. This message will not appear after the instrument has been plugged in and turned ON for a few hours. During this time, the internal battery that holds new information in memory will recharge. For now, just press ENTER or ESCAPE to continue on if the message appears when you power-up the instrument.
271221
Owner’s manual
Cod. 271221 English
The lightning flash with arrowhead symbol, within an
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation mark within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
IMPORTANT SAFETY INSTRUCTIONS
INSTRUCTIONS PERTAINING T O A RISK OF FIRE, ELECTRIC SHOCK OR INJUR Y T O PERSONS
1. Read all the instructions (Safety, Installation and FCC if applicable) before using the product.
2. Do not use this product near water (example, near a swimming pool, spa, tub, sink or wet basement) and do not expose to
rain.
3. This product should be used only with a cart or stand that is recommended by the manufacturer, or should be used with the
components supplied. If this product requires assembly before being played, take special care to follow the assembly instructions found at the back of the manual.
4. This product, whether alone or in combination with an amplifier and headphones or speakers, may be capable of producing
sound levels that could cause permanent hearing loss. Do not operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist.
5. WARNING: Do not place this product or any other objects on the power cord, or place it in a position where one could walk
on, trip over or roll anything over power or connecting cords of any kind.
6. This product should be located so that its location does not interfere with its proper ventilation.
7. This product should be located away from heat sources such as radiators, heat registers, or other products that produce heat.
8. This product should be connected to a power supply only of the type described in the operating instructions or as marked on
the product.
9. This product may be equipped with a polarised line plug (one blade wider than the other). This is a safety feature. If you are
unable to insert the plug into the wall outlet, contact an electrician to replace your obsolete outlet. Do not defeat the safety purpose of the plug.
10. The power supply cord of the product should be unplugged from the outlet when left unused for long periods of time.
11. Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.
12. This product should be serviced by qualified service personnel when:
a) the power supply cord or the plug has been damaged; or b) objects have fallen, or liquid has been spilled into the product; or c) the product has been exposed to rain; or d) the product does not appear to operate normally or exhibits marked changes in performance; or e) the product has been dropped, or the enclosure damaged.
13. Do not attempt to service the product beyond that described in the user-maintenance instructions. All servicing should be
referred to qualified service personnel.
14. Some products may have benches and/or accessory mounting fixtures that are either supplied as part of the product or as
optional accessories. Please ensure that benches are correctly assembled and stable and any optional fixtures (where applicable) are well secured before use.
15. Electromagnetic Interference (RFI) This electronic product utilises digital sample wave processing technology (S.W.P.) that
may adversely affect radio/TV reception. Read the FCC note on the inside back cover of the owner’s manual for additional information.
SAVE THESE INSTRUCTIONS
The information in this publication has been carefully prepared and checked. The manufacturers however decline all liability for eventual errors. All rights are reserved. This publication may not be copied, photocopied or reproduced in part or in whole without prior written consent from Generalmusic S.p.A. Generalmusic reserves the right to apply any aesthetic, design or function modifications it considers necessary to any of its products without prior notice. Generalmusic declines all liability for damage to property or persons resulting from improper use of the instrument. Make sure that all internal electronic options are installed by an authorized Generalmusic service technician. Check with an authorized Generalmusic dealer for information on the closest service center.
Copyright Generalmusic © 1998. All rights reserved.
Products and brand names that are referred to in this publication (Akai, Apple, Ensoniq,Emu, IBM,Jaz, Kurzweil, Macintosh, Microsoft, MS-DOS, Roland, Sample Vision, Windows, Zip) may either be trademarks and/or registered trademarks of their respective owners. The Publisher/s and Author/s make no claim to these trademarks.

Contents

QUICK GUIDE
USER GUIDE
Introduction i The Owner’s Manual ii
Front Panel layout 2 Rear Panel (Connections) 5 Setting up and getting to know the instrument 6 Connecting a set of headphones 6 Connecting to an amplification system 6 Turn on the power 7 Adjust the volume 7 Connect the pedals 7 Using the wheels 8 Using Aftertouch 8 Playing with or without the effects 9 Transposing the instrument up or down 9 Using the Solo button 10 The basics of Equinox 11
1 • SOUND MODE 1. 2
Sound Families 1. 2 Drum Kits and Drum Sounds 1. 3 Selecting Sounds 1. 4 Moving Between Families 1. 6 Editing and changing Sounds 1. 6 Quick Edit - (using the Sliders) 1. 8 Storing Sounds 1. 11 User sound locations 1. 11 Mirror locations 1. 12 Advanced Edit - (using the Menus) 1. 13 Wave Menu 1. 14 Layers 1. 14 Layer 1. 15 Waveform 1. 16 Volume 1. 16 Amp. Envelope 1. 16 Filter 1. 17 Pitch Envelope 1. 18 L.F.O 1. 19 Pan 1. 20 Control Menu 1. 22
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Contents a
Effects Menu 1. 24 Effects functions 1. 25 Other Menu 1. 27
2 • PERFORMANCE MODE
Parts List 2. 2 Parts Menu 2. 2 The Parts List functions 2. 4 Part selection 2. 6 Mixer Menu 2. 7 Effects Menu 2. 8 Other Menu 2. 9
3 • DRUM MODE
Editing a Drum Kit 3. 2 Bank / Prog 3. 2 Volume 3. 2 Pan 3. 2 Transpose / Tuning 3. 3 Filter 3. 3 Exclude 3. 3 Reverb / Profx Send 3. 3 Audio Out 3. 3 Dynamic Switch 3. 4 Copy button 3. 5 Expand button 3. 5 Compare button 3. 5 Restore button 3. 6 Control, Effect and Other 3. 6 Storing your new Drumkit 3. 6
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b Contents
4 • SAMPLE MODE
Sample Mode -Playback/Edit 4. 2 Sample Translator 4. 3 Assigning Samples 4. 5 Other assign functions 4. 7 Editing Samples 4. 8
5 • DRAWBAR MODE
Function buttons 5. 2 Type Menu 5. 2 Setup Menu 5. 3 Effects Menu 5. 4 Split Menu 5. 5 Storing Drawbar settings 5. 6 Copying Drawbars to Performances 5. 6
6 • ARPEGGIATOR
Edit Menu 6. 2
7 • GROOVES
Groove Library 7. 1 Groove Patches 7. 3 Creating a Groove Patch 7. 4 Storing your Groove Patch 7. 7 Transposing a Groove in real time 7. 8 Shuffle 7. 9 Editing single Grooves 7. 11 Groove Lab 7. 13
8 • DISK
Understanding the RAMFILE 8. 2 Save 8. 2 Load 8. 6 Utilities 8. 8
9 • SYSTEM 1
Controls 9. 2 Tune 9. 4 Master 9. 6 Other 9. 8
10 • MIDI
Stnth Menu 10. 2 Seq. Menu 10. 3 Master Menu 10. 4 Dump Menu 10. 7
11 • SEQUENCER
Recording a sequence - the basics 11. 2 Changing sounds and volume levels 11. 4 Navigating around your song 11. 5 Exiting and re-entering RECORD MODE 11. 5 Recording another song 11. 6 Record Mode functions 11. 7 Playback/Edit Mode functions 11. 10 The “UNDO” button 11. 11 Edit Menu 11. 12 Creating a groove from a song 11. 23 Events 11. 24 Using the Event list 11. 30 Editing Events in the list 11. 32 Master Menu 11. 41 Option Menu 11. 41
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Contents c
APPENDIX
Clear Menu 11. 41 Undo Menu 11. 42 Effect Menu 11. 43 Track Menu 11. 44 Mixer Menu 11. 44
12 • USER PANEL
Creating a new Panel configuration 12. 2 Slider settings 12. 4 Button settings 12. 5
13 • NOTEPAD 14 • Credits
ROM-Sounds A. 2 Grooves list A. 13 Performances list A. 16 Drawbars list A. 16 Arpeggio list A. 16 Effects list - 3 Effect Configuration A. 17 Effects list - 2 + 2 Effect Configuration A. 17 PROFX Block diagrams A. 18 MIDI Implementation chart A. 28/29 Index A. 31
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d Contents
Introduction
Thank you for purchasing the new Equinox Synthesizer Work­station from Generalmusic.
The Equinox, available in 61 key and 76 key versions, contains enormous technological potential to give professional musicians the essential tools for just about any situation - whether it’s for composition, live or studio work.
An immense database (16 Mb samples) with over 1000 pre­set Sounds and user memory locations to store more than 2000 new sounds. 1 12 Performance memories and a Groove machine featuring over 1000 user-programmable Grooves.
Unique Drawbar mode for instant access to vintage electron­ic organ sounds using the 8 panel sliders as drawbars with key-click, percussion, overdrive, etc..
250.000 event, 16 track sequencer with advanced song edit­ing facilities.
Advanced Sound editing facilities with 64 note polyphony, 128 digital filters with resonance, up to 6 oscillators per voice, 3 Lfos and up to 21 independent Envelopes with 10 segment resolution.
Sample Translator to create user-samples and load new sam­ples of the most popular formats (Wav (PC), Aiff (Mac), Akai™, Kurzwail™, Smp, Snd. Future os versions will allow loading of Roland™, Ensoniq™ and Emu™ samples.
Full MIDI implementation - The Equinox is the perfect Mas­ter Controller for advanced MIDI set-ups (32 MIDI Channel control, 16 programmable Midi Zones, 8 programmable Slid­ers, 2 programmable Wheels, 3 assignable Pedals).
Flash-ROM memory which allows the instrument’s memory to be instantly upgraded by simply inserting a special floppy disk in the drive.
The Equinox can be fitted with optional memory (8 Mb backed Sample RAM and up to 32 Mb SIMMs), an internal Hard Disk (2 Gigabytes) and a SCSI port (compatible with CD-ROM, Zip™, Jaz™ external hard drives).
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Introduction i
The Owner’ s Manual
To ensure long, trouble-free operation, please read this manual carefully. The Owner’s Manual is supplied in a 3-ring binder which can easily be updated as new features are added. The Quick Guide introduces you to the functions of each button on the con­trol panel and shows how to move around the display . Graphical illustrations are included for better understanding of these exam­ples. Once you are acquainted with the instrument’s basic func­tions, use the User Guide to discover the full potential of your Equinox.
At the end of the manual is the Appendix containing various tables, MIDI information and an index.
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ii Introduction
Quick Guide
This Quick Guide explains briefly what each button and control does on the Front panel and explains more about the jacks and connectors of the Rear panel.
Following this you’ll find information about setting the instrument up and some basic operating instructions.
I/O
CAPS
DELETE A
SPACE
BCDEFGHIJKLMNOPQR12STU
345
VWX6Y7Z ,
890
.
'
Front panel
Rear panel
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Front & Rear Panel 1
Front Panel layout
3
2
5
6
4
10
7
1. T wo programmable Wheels: The left wheel is spring load-
ed and normally used for Pitch Bend. The right wheel is free­moving and normally used for Modulation.
2. Disk Drive: Handles 3.5” double density (2DD) or high den­sity (2HD) floppy disks.
8
9
3. Master and Input sliders: The Master slider controls the
overall volume of the instrument. The Input slider controls
1
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the level of the Line/Mic signals fed into the Input jacks.
4. Controllers section: Totally programmable slider and but­ton panel. In Sound mode, the sliders are used for real time sound editing (Envelope, Filter and LFO). In Drawbar mode, the sliders operate as drawbars and the buttons 5-8 activate typ-ical electronic organ functions (Click, Perc, Slow/Fast Rotary). In Performance and Song modes, the sliders con­trol the volumes of the 16 parts and the buttons select the parts (Tracks).
5. User: Allows you to specify your own functions for the 8 sliders and buttons.
6. Drawbar: Activates Drawbar mode.
7. Transpose
+/– 24 semitones).
b
/#: Master transposer in semitone steps (range
2 Quick Guide
12
11
12
14 15 16
13
17
18
19
20
21
22
23
24
25
8. Octave –/+: Master and section octave transposer (range +/
– 5 octaves).
9. Solo: Isolates a single sound from the rest in multi-track situations.
10. FX OFF: when on (LED on), the effects processors are by­passed and the sounds are emitted dry.
11. Display and selection buttons (F1 … F4): A 128 x 64 pixel, backlit graphic LCD display . The four buttons below F1 … F4 select functions shown in the display which change according to the current mode.
12. Contrast: A small knob to control the display contrast.
13. Notepad: Utility to view text files, (song lists, lyrics etc.).
14. Undo: Cancels the last performed task in edit situations.
15. Help: Shows the on-line help menu in several different lan-
guages.
16. Store: Saves your modifications to memory (Performances, Sounds, etc.).
17. Keypad: A numeric keypad used for entering specific values (data selection, parameter editing, etc.).
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Front & Rear Panel 3
18. Data Entry Dial, Navigational cursors and Enter/Escape
buttons: A data entry Dial for the continuous selection of
data. 4 directional buttons (cursors) which move the display’s negative highlight cursor in the direction of the arrow (up/ down/left/right). The Enter button is used in different situa­tions either to delve deeper into a function or to confirm a decision. The Escape button cancels operations and can also be used to exit from certain edit menus.
19. Libraries: 4 buttons, used to recall the different types of internal sounds (Sound, Performance, Drum, Sample).
20. System: Contains a number of different functions which af­fect the instrument as a whole (pedals, tuning, keyboard ve­locity, etc.).
21. Midi: Allows you to modify the functions which affect the instrument’s Midi and Computer ports.
22. Disk: Contains all the necessary functions to load, save and organize data on Floppy disks, the internal Hard Disk or any external SCSI devices.
23. Sequencer: 5 buttons which control the sequencer func­tions (Play, Stop, Rew [<<], FF [>>], Record) and 2 buttons for Song Selection and Song Edit.
24. Grooves: Allows you to listen to the on-board groove librar­ies as well as edit and create your own groove patches.
25. Arpeggiator: Activates the on-board Arpeggiator and allows you to create your own custom arpeggio patterns.
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4 Quick Guide
Rear Panel (Connections)
1
2
5
1. SCSI port (optional). Allows external storage media to be
connected to the unit (CD-ROM, Jaz™, Zip™ etc.).
2. Pedals: Damper, 1, 2, Volume. Three programmable pedal jacks (Damper, 1, 2) for continuous control pedals and switch action pedals (with reversible polarity) and a Volume jack for a volume pedal.
3. Computer port: Serial connector for direct computer con­nection (Apple Macintosh or IBM PC and compatibles).
4. MIDI: Twin set of independent ports for MIDI connections. MIDI IN 1/2, MIDI THRU 1/2, MIDI OUT 1/2).
5. Outputs: (Left, Right, 1, 2). Stereo Left/Right jacks and aux­iliary 1, 2 jacks to monitor the Equinox through an external amplification system. For Mono reproduction, use either the Left or Right jack. Outputs 1 & 2 emit “dry” sounds (no ef­fects).
6. Mic/Line Inputs: (1, 2, Gain 1, Gain 2). Audio inputs for Microphone or Line signals (musical instrument, cassette re­corder, CD player or microphone). For Mono connections, use the In 1 jack. The volume of the Mic/Line signal fed into the In 1 & 2 jacks is controlled by the Input panel slider. The two Gain controls 1 & 2 control the impedance of the signal fed into the respective In jacks. Fully anti-clockwise = Line level. Fully clockwise = Mic level.
7. Power On/Off Switch and mains socket: The switch turns the instrument on and off. Insert the supplied power cord into the mains socket and the other end into a suitable wall outlet.
3
6
4
7
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Front & Rear Panel 5
Setting up and getting to know the instrument
The Equinox does not have it ‘s own built in amplification so either headphones or an external amplifier/speaker system are required.
For external amplification, a high quality stereo keyboard ampli­fier system is recommended.
Connecting a set of headphones
If you prefer to play with headphones for high quality personal monitoring, plug a standard stereo headphone set (8 of the two headphones jacks located on the left side of the instru­ment, under the Wheels panel.
Use the Master volume slider to adjust the headphone volume.
) into one
Stereo
amplification
system
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6 Quick Guide
Connecting to an amplification system
Before connecting audio cables, be sure that the power switch on the rear panel is off and the master volume is at minimum.
Connect the power cord to the rear panel mains socket and in­sert the other end of the power cord into a suitable grounded wall outlet.
Connect the audio cables to the stereo audio outputs (Left, Right) and the other ends to your amplifier system. Use audio cables with standard 1/4” jacks. To connect to domestic stereo units, use RCA jacks. For mono reproduction, connect to either the Left or Right output jack. The auxiliary outputs 1 and 2 emit “dry” signals (i.e. no effects).
Note: better results are obtained by adjusting the volume of the mixer or amplifier controls rather than lowering the volume of the instrument.
Turn on the power
The power switch is located on left side of the rear panel (when sitting in front of the keyboard).
Turn the power on only after all the connections to other equip­ment (amplifiers, Midi devices, etc.) have been made.
After a short scanning period, the display will appear showing the last used mode (Sound, Performance, Drawbar, etc.).
The various modes available are explained afterwards.
Adjust the volume
Adjust the general volume of the instrument with the Master pan­el slider.
If you are using headphones, you should find that about three quarter volume is a comfortable listening level.
(All Generalmusic control pedals are optional accessories).
Connect the pedals
There are four rear panel PEDALS jacks marked Volume, 1, 2 and Damper which accept control pedals.
The Volume jack is a non-programmable port for a standard Vol­ume Pedal. The remaining three jacks (Damper, 1, 2) are fully editable although their functions have been pre-set at the facto­ry.
The default configuration of the pedals is as follows:
Ped1 = Expression Ped2 = Start/Stop Damper = Damper (sustain) Volume = Volume
Y our pedals settings can either be stored with each performance or they can be “locked” so that their functions are global.
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Setting-up 7
The pedal jacks 1, 2 and Damper are function assignable and can be independently enabled or disabled for each of the 16 parts in a Performance.
All three pedals (1, 2, Damper) can be programmed to accept Switch action (on/off) or Continuous (graduated levels) control pedals (Volume type). It is also possible to reverse the polarity of the Switch action pedals.
Pitch Bend wheel
Modulation wheel
Using the wheels
The on-board controlling devices include two wheels on the left key block.
The default configuration of the wheels is as follows: Wheel 1 (left) = Pitch Bend Wheel 2 (right) = Modulation Wheel 1 is spring loaded to return to the central position. Wheel 2 is free-moving and remains at the last set position. The programmed Wheel configuration is a general setting which
applies to the instrument as a whole. The Wheels can be independently enabled or disabled for each
of the 16 parts in a Performance.
Using Aftertouch
This feature makes is possible to vary the degree of modulation by varying the pressure applied to the keys. No effect is pro­duced with normal key pressure, but the effect can be introduced by applying pressure to the keys after playing them.
Press harder after playing
the keys
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8 Quick Guide
The Aftertouch effect can be independently enabled or disabled for each of the 16 parts in a Performance.
Playing with or without the effects
Whether you are playing single Sounds, Performances, Draw­bars, etc., you’ll find that in all cases one or more effects will be applied to the sounds you are playing. If you prefer to play with­out effects, you can instantly bypass the internal digital effects processors by pressing the FX OFF button.
When the LED is off, the sound(s) will play with their programmed effects.
When the LED is ON, the sound(s) will play “dry” (without ef­fects).
The on/off status of the FX OFF button cannot be memorised.
Transposing the instrument up or down
Master Transpose
The TRANSPOSE b/# buttons allow real time pitch adjustments (transpositions) in steps of one semitone (range = 2 octaves).
Press the TRANSPOSE # or TRANSPOSE b buttons to raise (#) or lower (
b
) the pitch.
±
24 semitones
Note: Transposing with the #/ buttons affects the instrument as a whole. If, for example, you switch from Sounds mode to Performance mode, the Performances will also play at the new pitch. If you turn the instrument off, turning on again will restore normal pitch.
b
To clear the keyboard transpose setting
Press both TRANSPOSE buttons at the same time.
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Transp #: Transp
b:
The pitch of the instrument is instantly raised (#) or lowered (b) one step and a window will appear showing the current Transpose value (0 = standard pitch).
Press the Transpose # or
b
button as many times as neces­sary until you reach the desired pitch. The display returns to normal after a few seconds. The LED of the Transpose # or
b
button remians on to show that the instrument has been
transposed up or down.
Setting-up 9
Section transposer (Octaves)
If you are playing a single Sound (in Sounds mode), you can transpose in octave steps within the range +/– 5 octaves (60 semitones) by means of the Octave +/– buttons.
If you are playing in Performance mode, the Octave +/– buttons affect the currently selected part (shown in negative highlight in the parts list).
Press the OCTAVE + or OCTA VE – button as many times as desired until you reach the correct octave..
Octave +: Octave –:
Note: Unlike the Master transpos­er, Octave transpositions only af­fect the current Sound or Perform­ance part. If, for example, you are playing in Sounds mode and you change Sound or switch to Perform mode, the octave transposition will be cancelled.
Using the Solo button
In multi-part situations (Performance, Drawbars, Song), the Solo button isolates a sound from the rest in order that you may make some changes and listen to the result without listening to all the other sounds. Once you have obtained the sound you want, you can select another part to solo or deactivate Solo to restore the multi-part situation to normal.
Simply press the SOLO button to activate the function (LED
The setting is shown in a temporary window and the LED on the octave button turns on to show the raised or lowered sta­tus of the sound (or part). The display returns to normal after a few seconds.
on). In Performance and Song modes, the current Sound is shown
in the Parts list. To select another sound, simply press the corresponding Part select button.
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10 Quick Guide
In Drawbar mode, the sound heard will correspond to the selected Drawbar, shown in the Drawbar Setup display. To listen to another Drawbar, simply move the corresponding Slider.
The basics of Equinox
The more you work with the Equinox, the more you will appreci­ate the user-friendly and logical panel layout.
The panel layout allows simple and direct access to all the func­tions and the backlit 128 x 64 pixel LCD graphic display tells you where you are at all times, using simple, concise terminology combined with easy to understand graphics.
The graphic LCD display
The Equinox display is the principal user interface which tells you the status of the instrument at all times.
Each time you turn the instrument on, the display will be in the same basic mode that you left it in before you switched it off, (Sound, Performance, Drawbars etc.)
Current mode
Current Sound
Bank and
Sound number
Menu of
Sound functions
The last selected playing mode is memorized when you turn the instrument off.
The display tells you where you are at all times by showing the name of the current mode at the top and a menu of associated functions at the bottom.
For example (opposite), the Sound mode display shows the name of the current Sound, the Bank and Sound number and a menu of four associated functions.
Other displays will be explained further on in this manual.
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The basics of Equinox 11
Selection, Navigation and Data Entry
In Play modes, the Dial and the Cursor buttons operate as the principal selection tools. In other modes (Sequencer, Function, Edit, Store), these controls transform into navigating and data entry devices.
Selection - the Dial and the Cursors
In Play mode, the Dial is the principal selection device (Sounds, Performances, etc.). Clockwise rotation selects continually in in­creasing numerical order, counter-clockwise rotation selects in reverse order.
The Cursor Up/down buttons select items (Sounds, Perfs, etc.) sequentially in single steps; the Up button in ascending numeri­cal order, the Down button in descending order.
The Cursor Left/Right buttons activate a temporary window which allows you to switch between banks (factory and user).
The Function buttons F1 - F4
The 4 buttons under the display select the functions that appear at the bottom of many screens. Selecting one of these functions will take you to a new edit environment.
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12 Quick Guide
Getting back to the main menu in a single step can be achieved by pressing the MENU button, (F4), where applicable.
The Numeric Keypad
A secondary data entry tool is the numeric keypad (to the right of the cursor buttons) which enters specific values.
Pressing any of these buttons activates an entry window where you can type in the number required. Sometimes you may need to enter two numbers separated by a dash (e.g. 55 - 2). In this case, use the cursor right button to move to the right side of the separator dash. When you’ve finished, confirm by pressing EN­TER.
Also, for stepping through options in single steps, you can use the Increase (>) and Decrease (<) buttons of the keypad.
Navigating and entering data
In all modes other than Play mode, the Cursors are the principal navigating tools and the Dial the data entry device. The display cursor is a negative highlight zone which is moved up or down with the cursor up/down buttons. In all displays that show a menu, two small up/down arrows representing the cursors tell you at a glance whether or not additional features are out of view.
Two white arrows means that no other features are available, one black arrow means that other features are available if you scroll in the direction of the black arrow , two black arrows means that other features are available in either direction.
The value of the selected parameter is changed with the Dial (or keypad). Clockwise rotation of the Dial enters data in increasing order, counter-clockwise rotation in decreasing order.
Sliders and control buttons
The 8 Sliders and the 8 buttons underneath are used for select­ing and controlling pre-defined functions or they can be re-pro­grammed to control the functions that you choose.
In SOUND, DRUM and SAMPLE mode, the sliders operate as real time editors, modifying the characteristics of the current Sound according to the function assigned to the slider (Enve­lope, Filter, Lfo). When you edit a sound, the first three buttons operate as switches for the three layers in the sound.
In PERFORMANCE and SONG mode, the sliders operate as volume controls for the 16 parts or tracks while the buttons be­neath the sliders are used as on/off switches for the correspond­ing part or track.
Enter/Escape
Generally, Enter confirms operations and, in some cases, also executes a function, such as note copy or quantization in Song Edit. Often you use the ENTER button to go a little deeper into a particular edit menu. Sometimes an edit task may require step­ping through various “levels” of edit pages using the ENTER but­ton.
The ESCAPE button generally cancels operations and returns to the previous display page. In editing situations, Escape steps back through the various levels that you have been working on.
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The basics of Equinox 13
Text entry
When entering names (Sound name, Performance name, Song name, etc.), the keys of the keyboard become a kind of typewrit­er where most of the keys are assigned to a particular letter, symbol or number. The alphanumeric configuration of the key­board is shown in the following illustration::
The white keys (A2 - B6) insert letters (A-Z) and various punctu­ation marks. The black keys (C#5 - A#6) insert the numbers 1-9 and 0. The keys D2, D#2, E2, F2 and G2 provide various word processing functions. The letters and numbers are printed on the metal rail which runs beneath the keyboard.
You enter the new name by pressing the corresponding keys of the keyboard. Numbers can also be inserted using the key-pad.
The lower notes of the keyboard provide the following word processing functions:
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14 Quick Guide
D2:CAPS - Caps On / Caps Off. Caps on inserts uppercase letters. Caps off inserts lowercase letters.
D#2: INS/OVER - toggles between Insert and Overwrite mode. Insert mode inserts a character at the flashing cursor position and all characters to the right of the cursor move one space to the right. Overwrite mode replaces the select­ed character (flashing) with the new one.
E2:SPACE - inserts a space between two entries. F2: DELETE - cancels the character to the right of the flash-
ing cursor. G2:<— (BACKSPACE) - cancels the previous character and
moves the cursor one step backwards.
Once you have entered the name, press ENTER to confirm and close the name window, or press ESCAPE if you realize that you don’t want to enter a name at this time.
User Guide
The chapters of the User Guide explain all you need to know about the Equinox.
The subjects discussed here are:
1. Sound mode, Quick Edit & Advanced Edit.
2. Performance mode.
3. Drum mode.
4. Sample mode.
5. Drawbar mode.
6. Arpeggiator.
7. Grooves.
8. Disk.
9. System.
10. Midi.
11. Sequencer.
12. User panel.
13. Notepad.
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Sound mode 1•1
1 • SOUND MODE
Note: All examples in this section require that the Equinox is in SOUND MODE.
If you are uncertain how to return to the instrument to SOUND MODE, simply turn the unit on from scratch and press the SOUND button beneath the screen.
Sound Families
Because the Equinox has well over 1000 factory sounds as standard, these sounds have been divided into 1 1 families, mak­ing it easier to find the right type of sounds quickly and easily. Each family , (also called “Banks”), can contain up to 128 sounds.
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1•2 User Guide
Let’s take a closer look at these families;
1. SYNTH A
2. SYNTH B
3. SYNTH C
4. SYNTH D
5. ORCHESTRA
6. GMX 1
7. GMX 2
8. GMX 3
14. DRUM KITS
15. DRUM SOUNDS 1
16. DRUM SOUNDS 2
SYNTH A, B, C, D
These are the “core” sounds of the Equinox. Many of these sounds have been specially created by some of the most prom­inent programmers and musicians in the world. The sounds in these families will also give you some insight of the creative pos­sibilities of the Equinox as a synthesizer.
ORCHESTRA
In this family you will find authentic reproductions of traditional orchestral instruments. Many of these sounds are further en­hanced by appropriate effects, typical of the instrument’s playing style, being assigned to either velocity or aftertouch.
GMX 1, 2 and 3
GMX is Generalmusic’s own standard set of sounds which are included in every Generalmusic product. The first bank, GMX1, contains the industry standard General MIDI sound library. This family is designed to be used when the Equinox is required to play General MIDI song disks or when the instrument is being controlled by a computer program or some other device which requires a General MIDI sound library . The second and third GMX banks contain 256 sounds taken from Generalmusic’s own ex­tensive sound library. These sounds, along with the 128 sounds in the GMX1 bank, ensure compatibility with Generalmusic’s own GMX song library , (not available in the U.S.A), and also with song disks created on other Generalmusic instruments.
Drum Kits and Drum Sounds
The Drum Kits family includes just about every type of drum kit you could imagine - from jazz to rock, orchestra to techno and beyond. However, unlike many other keyboards, on the Equi- nox you can not only create your own drum kits but you can edit each and every individual drum sound. For this reason, two fam­ilies are provided in which you can find every single individual drum sound. These sounds can be freely edited just like any other sound. They can then be stored as new sounds, either for individual use or for incorporating into the drum kits.
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Sound mode 1•3
Selecting Sounds
Sounds can be selected in three different ways.
1. Scrolling with the dial
Moving the dial in either direction will scroll sequentially through all the sounds in the instrument’s memory. When you reach the last sound of a particular family you automatically pass into the next family until you have reached the end of all sounds in the instrument’s memory.
2. Single steps
Using either the Cursor Up/Down buttons or the INC / DEC but­tons of the numeric keypad you can step through individual sounds one by one.
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1•4 User Guide
3. Directly entering a number
This method is the quickest way to go directly to the sound you need but, first, you must know the exact number and location of this sound. Pressing any of the buttons in the numeric keypad will open up a small window as shown below:
You need to enter two numbers separated by a dash, (which is inserted automatically for you). The first is a number between 1 and 128. This is the location of the desired sound within it’s fam­ily. After you’ve entered this first number, use the cursor right button to move the display cursor to the right of the separator dash. The next number you enter will indicate which family the sound is in, (you can use the family numbers in the list on the previous page as a guide).
Example: How to directly select the sound SOLO VOX from the keypad. SOLO VOX is sound number 86 in family number 6 (GMX 1).
Step 1. Press any numbered key on the numeric keypad.
Step 2. Type the number 86.
Step 3. Press the cursor right button to move the cursor to the
right side of the separator dash.
Step 4. Type the number 6.
Step 5. Press ENTER.
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Sound mode 1•5
Moving Between Families
Sometimes you might want to jump directly from one sound fam­ily to another when looking for a particular sound. Pressing ei­ther the Cursor Left button or the Cursor Right button will open the BANK SELECT window.
The current family is highlighted and you can select any other family by moving up or down in the families list using the cursor controls. When the family you want is highlighted press ENTER. You will now return to sound selection as before but you’ll be working within the newly selected family.
Editing and changing Sounds
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1•6 User Guide
Immediately following the factory sound banks you will find the USER sound banks, (called USER 1, 2, 3 etc.). There are 16 of these USER banks and any new sounds which you create on the instrument can be stored in any of these 2048, (16 x 128) loca­tions.
Any sound on the Equinox can be edited to your taste. This editing can consist of anything from the simplest adjustment of the sound’s tone or volume level to a complete reconstruction of the sound, resulting in a totally original and personal sound.
Editing always begins by selecting one of the sounds currently in the instrument’s memory as a starting point for the sound you’re going to create. When you edit a sound, you can decide, at any
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