Genelec S-30-D Owners manual

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Genelec S30D
Operating
Digital Monitoring System
Manual
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S30D Digital Monitoring System
1. General description1. General description
1. General description
1. General description1. General description
The Genelec S30D is a three-way Dig­ital Monitoring System including a digital audio interface, balanced an­alog audio input, loudspeaker driv­ers, speaker enclosure, multiple pow­er amplifiers and active, low level crossovers. All these are carefully aligned and housed within the loud­speaker cabinet.
Featuring a 96 kHz/24-bit digital au­dio interface and a proprietary ribbon tweeter capable of reproducing up to 50 kHz acoustic output, the S30D is a no compromise design. The fast, low distortion amplifiers are capable of driving a stereo system to peak output levels in excess of 122 dB SPL at 1 m with program signals. Ver­satile crossover controls allow for pre­cise matching of the speaker system to different acoustic conditions. De­signed for relatively small control rooms and available in vertical and horizontal versions, this system is ideal for multichannel digital worksta­tions, mastering work, general pur­pose broadcasting and television stu­dios, post production facilities and mobile recording vehicles. The high output and absolute reproduction accuracy make the S30D an ultimate nearfield monitor in recording studios.
2. Digital audio2. Digital audio
2. Digital audio
2. Digital audio2. Digital audio
The quality of a digital audio signal is defined by two parameters: word length and sampling rate. The word length defines how precisely the au­dio signal is represented. Studio re­cording systems use word lengths of 20 bits and above, typically 24 bits. The sampling rate determines what frequencies can be represented in the digital audio signal. A higher sam­pling rate allows higher frequencies to be recorded.
Converting the digital presentation to an analog signal involves potential sources of error. The digital-to-ana­log converter may have inferior per-
formance. It may be misaligned with the amplifiers. The interface between the converter and the amplifier may distort the signal or it may change the frequency balance. Genelec S30D solves all of these problems. The align­ment of the whole system is carefully balanced to ensure precise monitor­ing of the digital signal.
3. Integrated construction3. Integrated construction
3. Integrated construction
3. Integrated construction3. Integrated construction
As the digital interface and amplifi­ers are built into the speaker enclo­sure, the only connections required are the mains supply and the digital (or analog) input signal, making the S30D very easy to set up and use.
The rugged amplifier is mounted into the enclosure with vibration isolators which act also as quick release hing­es making possible maintenance operations very easy and straightfor­ward. The speaker cabinet is con­structed of veneered MDF, which is heavily braced to eliminate structural resonances.
Digital interfaceDigital interface
Digital interface
Digital interfaceDigital interface
The digital audio interface consists of a digital audio receiver and a dig­ital-to-analog converter (D/A convert­er). The digital input accepts an AES/ EBU digital audio signal having a word length up to 24 bits. With an imped­ance adapter, the S30D can also ac­cept SP-DIF signal. Digital thru al­lows the digital audio signal to be re­transmitted to other S30D loudspeak­ers and digital audio equipment.
Crossover filtersCrossover filters
Crossover filters
Crossover filtersCrossover filters
The crossover frequencies of the ac­tive crossover network are 420 Hz and 4 kHz. Special calibrated con­trols are included in the crossover to reach uniform frequency balance in different acoustic conditions. A high pass filter is included in the LF chan­nel to protect the woofer from sub­sonic signals. Variable level control allows for accurate level matching to the digital or analog signals.
AmplifiersAmplifiers
Amplifiers
AmplifiersAmplifiers
The bass, midrange and treble am­plifiers each produce 120 W of short term power with very low THD and IM distortion. Special attention is paid to electronics design to obtain the best possible subjective sound quality. The output impedance of the woofer amplifier is negative to improve acoustic transient response. Drivers and amplifiers are also protected from thermal overload.
DriversDrivers
Drivers
DriversDrivers
The 210 mm (8") woofer is loaded with a 24 liters (0.85 cu.ft.) vented cabi­net. The woofer has a very large mag­net and a long linear excursion capa­bility. These are needed to repro­duce low frequencies with high effi­ciency and acoustic output (SPL) in a small enclosure. The -3dB point is 35 Hz and the low frequency response extends down to 31 Hz (-6dB).
A carefully designed 80 mm cone driver, sealed in a cast aluminum al­loy housing, reproduces the critical midrange frequencies where the ear is the most sensitive. To minimize coloration the diaphgram is specially impregnated. As a result, the midrange driver’s response actually extends well beyond the range re­quired by the crossovers.
4. Installation4. Installation
4. Installation
4. Installation4. Installation
Every Genelec S30D is delivered with a mains cable and an Operating Man­ual. Signal cables are not included.
After unpacking, check that the mains voltage selector (see figure 2) is cor­rectly set for your local mains volt-
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age, and place the loudspeakers at their listening position, taking note of the reference axis (see figure 1). The reference axis should be aimed di­rectly at the listening position. En­sure that the mains switches are off and connect the mains cables.
How to set up for digital signalsHow to set up for digital signals
How to set up for digital signals
How to set up for digital signalsHow to set up for digital signals
Connect a digital audio interface ca­ble to your digital audio source. You can identify the right connector on your audio source by looking for the words “Digital Output” or “AES/EBU OUT”. Make absolutely sure that the connectors are carrying the AES/EBU formatted digital audio signal. ER ER
ER connect an analog signal cable to
ER ER
NEV-NEV-
NEV-
NEV-NEV-
S30D's digital input connector!
Connect the digital signal cable to the "DIGITAL INPUT" female XLR con­nector on a S30D (see figure 2). Next connect a second signal cable from speaker's "DIGITAL THRU" male XLR connector to the "DIGITAL INPUT" connector of another S30D as shown in Figure 3 below. You can daisy-chain practically any number of S30D's in this manner. Figure 4 overleaf shows an example of a cabling scheme for a digital 5.1 channel console.
to play "Left (A)", "Right (B)" or "Left+Right (A+B)" channel.
Adjust the desired maximum SPL at 1m for a full scale digital signal using the "DIGITAL LEVEL" switches. This compensates for differing amounts of headroom on the digital signal and enables the speaker to work at its maximum SPL if required. The "DIG­ITAL LEVEL" can be set to 112, 100 or 88 dB SPL at 1m with a full scale sine wave digital signal.
The "LEVEL CONTROL" trimmer ad­justs the level of both the digital and analog signals. Use this trimmer to give the digital level an extra 0 to -12 dB attenuation in addition to the "DIG­ITAL LEVEL" switches. Combining these makes it possible to adjust the maximum SPL at 1m for a full scale sinusoidal digital signal anywhere be­tween 112 dB and 76 dB.
Switch on the mains power and feed an AES/EBU digital signal to the sys-
Use the "CHANNEL SELECT" switch­es to select loudspeaker mode. Any S30D in the chain can be designated
Figure 2: S30D backpanel
Figure 1: S30D outer dimensions, with the reference axis located at the tweeter axis.
Figure 3. Using the "DIGITAL IN" and "DIGITAL THRU" connectors in a digital setup
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tem. When the S30D detects a digital signal it switches automatically to the digital input, and the mode LED turns yellow. The S30D will switch back to the analog input if significant errors are detected in the digital audio or the digital signal is not present. The mode LED indicates this by turning green. If the LED turns red, it indi­cates an error in the digital signal.
How to set up for analog signalsHow to set up for analog signals
How to set up for analog signals
How to set up for analog signalsHow to set up for analog signals
Turn all mains switches off and re­move the digital audio cables. Run balanced XLR cables from your line level analog audio source to the "AN­ALOG INPUT" XLR connector on each S30D unit.
Switch on the power and observe that the mode indicator LEDs should turn green. The output levels can be ad­justed at the "LEVEL CONTROL" trim­mer.
Figure 4. Cabling scheme for a 5.1 channel digital console
Setting tone controlsSetting tone controls
Setting tone controls
Setting tone controlsSetting tone controls
The response of the system may have to be adjusted to match the acoustic environment. The adjustment is done by setting the tone control switches on the rear panel. The tone controls are in five groups: Treble, Mid and Bass Level, which work in 1 dB steps and Bass Tilt and Bass Roll-Off, which work in 2 dB steps. The factory set­tings for these are 'ALL OFF' to give a flat anechoic response. See Figure 6 for suggested tone control settings in differing acoustic environments. Figure 7 shows the effect of the con­trols on the anechoic response. Al­ways start adjustment by setting all switches to "OFF" position. Then set only one switch to "ON" to select the required response curve. To obtain an accurate attenuation value, no more than one switch within a switch group should be set to "ON" at the same time.
Figure 5. Cabling scheme for analog stereo setup
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5. Monitor placement5. Monitor placement
5. Monitor placement
5. Monitor placement5. Monitor placement
Console top mountingConsole top mounting
Console top mounting
Console top mountingConsole top mounting
Avoid mounting Genelec S30D mon­itors directly on the console top. In­stead, position the speakers slightly behind the console by using floor stands or wall mounts. This minimiz­es sound colouring reflections from the console surface.
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Figure 6. Suggested tone control settings for various acoustic environments
Placement in a roomPlacement in a room
Placement in a room
Placement in a roomPlacement in a room
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located at identical distance from the
listener. When placed in a room mon­To produce a true and accurate ster­eo or multichannel image the moni­tors must have exactly similar fre­quency responses, and they shall be
itor responses change due to reflec-
tions of the sound waves from the
room’s boundaries. Place the moni-
tors at the same height and also at
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the same distance from the front and
50
55
60
65
70
100k
10k
20k
30k 40k 50k
60k 70k
80k
Hz
S30D 19.1.2000
Mic. B&K 4135 1/4"
dBr
side walls so that reflections, and therefore changes to the frequency response, are similar. Smaller objects, such as equipment racks also cause reflections and disturb the imaging, so they too should be placed sym­metrically in the room.
To avoid differences in low frequency responses due to reflections from the front wall, the monitors should be placed either nearer than 1m or fur­ther than 3m from the front wall. Place­ment close to the front wall (<1m) will boost low frequencies, and the tone controls should be adjusted appro­priately (see figure 6).
S30D units may only be done by qual­ified service personnel.
7. T7. T
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oubleshootingoubleshooting
7. T
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oubleshooting
7. T7. T
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oubleshootingoubleshooting
To help you solve any problems, here are a few pointers:
• Make sure that your audio signal source has been set to transmit the audio to the AES/ EBU output.
• Make sure the digital cables are specified for use with AES/EBU digital audio signals and properly connected at both ends.
8. Safety considerations8. Safety considerations
8. Safety considerations
8. Safety considerations8. Safety considerations
Genelec S30D has been designed in accordance with international safety standards. To ensure safe operation and to maintain the instrument in safe operating condition, the following warnings and cautions must be ob­served:
• Servicing and adjustment may only be performed by qualified service personnel.
• Do not use this product with an unearthed mains cable as this may compromise electrical safety.
The monitors should be aimed toward the listening position. This maximiz­es the ratio of direct sound to reflect­ed sound and the listener is able to hear more of the material and less of the room effects. Subjectively this is perceived as cleaner sound and su­perior imaging.
• Make sure the LED turns yellow as you plug in the digital audio ca­ble to the S30D unit. If this is not the case, go back to your audio source and check once more that the right output is selected. If the LED stays green you do not have a valid digital audio carrier on the cable.
6. Maintenance6. Maintenance
6. Maintenance
6. Maintenance6. Maintenance
• If you see the LED flashing red
colour, check your cabling. Red co­There are no user serviceable parts in the unit. Maintenance or repair of the
Mic. B&K 4133 1/2"
dBr
90
85
80
90
85
80
Figure 7. The effect of 'treble tilt', 'bass tilt' and 'bass roll-off' controls in free field.
BASS TILT
BASS LEVEL
90
85
80
75
BASS ROLL-OFF
20 20k50 100 200 500
MIDRANGE LEVEL
1k
lour indicates a bit error in trans-
mission.
S30D 19.1.2000
TREBLE LEVEL
5k
2k
10k
• This equipment is capable of pro­ducing sound pressure levels in excess of 85 dB, which may cause permanent hearing damage.
• Free flow of air behind the loud­speaker is necessary to maintain sufficient cooling. Do not obstruct airflow around the loudspeakers.
• Do not insert any objects through the bass reflex port(s) on the face of the unit, as this may damage the drive units inside the loudspeaker.
• Do not run an analog audio sig­nal to the digital input XLR connec­tor. Doing so may overload your audio equipment output and cause them permanent damage.
9. Guarantee9. Guarantee
9. Guarantee
9. Guarantee9. Guarantee
This product is guaranteed for a pe­riod of ONE year against faults in ma­terials or workmanship. Refer to sup-
Hz
plier for full sales and guarantee terms.
Mic. B&K 4133 1/2"
dBr
95
90
85
80
75
70
65
60
55
50
20
50
Figure 8. Horizontal directivity characteristics and power response of S30D in its vertical configuration measured at 1m in free field.
100
200 500
1k 2k 5k
S30D 19.1.2000
30°
15°
45°
10k
Hz
60°
20k
Figure 9. The on-axis free field response of the S30D between 10 and 100 kHz.
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SYSTEM SPECIFICASYSTEM SPECIFICA
SYSTEM SPECIFICA
SYSTEM SPECIFICASYSTEM SPECIFICA
TIONSTIONS
TIONS
TIONSTIONS
CROSSOVER SECTIONCROSSOVER SECTION
CROSSOVER SECTION
CROSSOVER SECTIONCROSSOVER SECTION
DIGITDIGIT
DIGIT
DIGITDIGIT
AL SECTIONAL SECTION
AL SECTION
AL SECTIONAL SECTION
Lower cut-off frequency, -3 dB: <35 Hz Upper cut-off frequency, -3 dB: >50 kHz
Free field frequency response of system:
Maximum short term sine wave acoustic output on axis in half space, averaged from 100 Hz to 3 kHz:
Maximum long term RMS acoustic output in same conditions with IEC-weighted noise (limited by driver unit protection circuit):
Maximum peak acoustic output per pair on top of console, @ 1m from the engineer with music material: >122 dB
Self generated noise level in free field @ 1m on axis: <10 dB (A-weighted)
Harmonic distortion at 90 dB SPL at 1m on axis:
Drivers: Bass 210 mm cone
Weight: 20 kg (44 lb)
Dimensions: Height 495 mm (19
36 Hz - 48 kHz (±2.5 dB)
>111 dB SPL
@1m
>117 dB SPL
@0.5m
@1m >102 dB SPL
>108 dB SPL
@0.5m
<200 Hz <2%
freq. freq. >200 Hz <1%
Midrange 80 mm cone Treble 9x65 mm
Width 320 mm (12 5/8") Depth 290 mm (11 7/16")
ribbon
1
/2")
Analog input connector: XLR female
Input impedance: 10 kOhm
Input level for maximum short term output of 111 dB SPL @1m:
Output level for -6 dBu analog input:
Subsonic filter below 33 Hz : 18 dB/octave
Ultrasonic filter above 60kHz: 12dB/octave
Crossover frequency:
Crossover acoustical slopes:
Crossover level control operating range in 1 dB steps:
Bass roll-off control in 2 dB steps:
Bass tilt control in 2 dB steps:
The 'CAL' position is with all tone controls set to 'off' and level control to maximum.
OPTIONSOPTIONS
OPTIONS
OPTIONSOPTIONS
Flight case Order Code 1001-401 Wall mount Order Code 1010-404-V/H* Floor stand Order Code 1010-405-V/H* Grille Order Code 1010-409
*V=Vertical (for S30D V), H=Horizontal (for S30D H)
variable from +17 to +5 dBu
variable from 88 to 100 dB SPL@1m
bass/mid 420 Hz mid/treble 4 kHz
18 - 24 dB/octave
bass from 0 to -6 dB mid from 0 to -6 dB treble from 0 to -6 dB
from 0 to -8 dB @35 Hz
from 0 to -8 dB @80 Hz
pin1 gnd pin2 + pin3 -
Digital input : XLR female Digital thru output: XLR male
Maximum input word length: 24 bits Input format: AES/EBU,
Input termination impedance: 110 Ohms*
Input sampling rate:
Jitter resiliance: 0.15 unit intervals
Dynamic range:
De-emphasis: 50/15us, automatic
Recovered clock jitter:
Output level for full scale digital input:
* An optional impedance matching adapter is required for 75 Ohm signal source.
AMPLIFIER SECTIONAMPLIFIER SECTION
AMPLIFIER SECTION
AMPLIFIER SECTIONAMPLIFIER SECTION
Amplifier output power with an 8 Ohm load (Short term):
Long term output power is limited by driver unit protection circuitry.
Slew rate: 80V/µs
Amplifier system distortion at nominal output:
Signal to Noise ratio, referred to full output:
Mains voltage: 100/200V or 115/230V AC
29-100 kHz (no de-emphasis)
44.1 kHz (using de-emphasis)
113dB (A weighted, triangular PDF dither, 24 bit data)
200 picoseconds RMS typical
variable from 76 to 112 dB SPL @1m
Bass 120 W Midrange 120 W Treble 120 W
THD SMPTE-IM <0.05% CCIF-IM <0.05% DIM 100
Bass >100 dB Midrange >100 dB Treble
SP-DIF*
<0.05%
<0.05%
>100 dB
Genelec Oy, Olvitie 5 FIN - 74100 IISALMI, FINLAND Phone: +358 - 17 - 83881 Telefax: +358 - 17 - 812267 Web: http://www.genelec.com E-mail: genelec@genelec.com
Genelec Inc, 7 Tech Circle Natick, MA 01760, USA Phone: +1 - 508 - 652 - 0900 Fax: +1 - 508 - 652 - 0909 E-mail: genelec@compuserve.com
Voltage operating range: nominal ±10%
Power consumption:
Idle 30W Full output 200W
Genelec document D0001R001a
COPYRIGHT GENELEC OY 8.2001
All data subject to change without prior notice
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