Figure 2. RAM4 amplifier connectors and controls. RAM5 is similar
except that it has no voltage selector.
@1m with -6 dBu input level. To get the full
output level of 120 dB SPL from the HT315B
an input level of +14 dBu is needed at this
setting. Respectively, the full output level of
the HT312B is reached at an input level of
+10 dBu.
Autostart and remote control
Th e RAM 4 an d RAM 5 ampli fie rs ar e
equipped with an “Autostart” function, which
automatically turns the amplifier to “standby”
mode if an input signal has not been detected
for approximately thir ty minutes, and back
to “on” mode when the signal returns. The
function can be deactivated by turning the
“AUTOSTART” dip switch on the amplifier
back panel to “OFF”.
The amplifier power can also be switched
by a remote control unit connected to the
respective inputs on the amplifier back panel.
Two pairs of connectors are provided, 1 and 2
for a 12 V DC type remote control, and 3 and
4 for an external switch or relay type control.
Do not connect two remote controls to the
loudspeaker at the same time. Activate the
function by turning the "REMOTE CONTROL"
dip switch on the amplifier control panel to
"ON". Note that the remote control function
overrides the “autostart” dip switch function.
Setting the tone controls
The acoustic response of the system may
also have to be adjusted to match the acoustic
environment. The adjustment is done by set-
ting the five tone control switch groups ‘bass
tilt’, ‘bass roll-off’, ‘bass level’, ‘mid level’ and
‘treble level’ on the control panel of the ampli-
fier. The manufacturer’s default settings for
these controls are ‘All Off’ to give a flat ane-
choic response. See Table 2 for suggested
tone control settings in differing acoustic envi-
ronments. Figures 7 and 8 show the effect
of the controls on the anechoic response.
Always start adjustment by setting all switches
to the ‘OFF’ position. Then set only one switch
per group to the ‘ON’ position to select the
response cur ve required. If more than one
switch is set to ‘ON’ (within one switch group)
the attenuation value is no longer accurate.
Vertical / horizontal mounting
The loudspeakers are delivered either for
vertical or horizontal mounting. In the hori-
zontal mounting position the bass drivers
should point inwards to obtain better low
frequency coupling. If the loudspeaker posi-
tioning needs to be changed, the DCW plate
can be rotated so that the midrange driver
remains always located at the bottom of the
DCW. Remove the four corner screws of the
DCW and pull the plate carefully out without
stressing the wires and the gasket. Rotate
the plate 90 degrees in the appropriate direc-
tion and remount the screws.
Flush mounting
The HT312B and HT315B can be used flush
mounted into the wall structure, which offers
some acoustical benefits. No cabinet edge
diffraction will occur, resulting in an improved
response, especially at midrange frequen-
cies. Low frequency reflections from the wall
behind the loudspeaker can be avoided, which
improves the low frequency response and effi-
ciency and allows the loudspeaker to work in
half space conditions. In terms of installation
and orientation, the loudspeaker’s acoustical
axis (See Figure 1.) should also point directly
to the the reference listening position. The
loudspeakers should be vertically aimed so
that the acoustical axis of the loudspeakers
meet around ear height at the reference listen-
ing position. In the horizontal plane the loud-
speaker should be positioned according to the
standard stereophonic (60 degrees between
left-right channels) or multichannel (ITU-R
BS.775-1) placement recommendation.
Figure 3: Flush mounting the loudspe aker in
a wall constr ucted of wood
Figure 4: Flush mounting the loudspe aker in
a wall constr ucted of concrete
Figure 5: Flush mounting the loudspe aker
in a wall constructed of a combination of
materials.
The ceiling, side walls and especially the
rear wall should be acoustically absorbent at
low frequencies. The wall in which the loud-
speakers are mounted should have a high
acoustical mass to properly implement a low
frequency radiation condition into half space
and be angled so that the loudspeakers are
correctly aimed. However, the loudspeak-
ers should not be mounted too high as this
increases the required vertical tilt of the loud-
speaker (maximum tilt angle < 20 degrees)
and reduces the optimum listening area. Great
care should be taken over how the loudspeaker
is mounted into the wall. Note the following:
A space 50 to 100 mm (2 to 4”) wide can
be left around the loudspeaker. Cover the
space around the loudspeaker with a facing
panel that should be fixed to the wall. Leave
a gap of about 5 to 10 mm (¼ to ½”) between
the loudspeaker and the panel. Fill this gap
with a soft rubber gasket to allow for possible
cabinet movement (see Figure 6).
Regardless of the type of front wall con-
struction the loudspeaker cabinet should be
mounted on vibration isolators, with a resonant
frequency between 2 to 8 Hz, to prevent vibra-
tions from being transmitted to the wall and
impairing the low frequency performance.
If a heavy wooden front wall construction
is used, the space around the cabinet should
be filled with absorbent mineral wool or foam
plastic. The wooden wall structure must be
heavily braced to achieve sufficiently high
mass and rigidity (see Figure 3).
In a solid wall (e.g. concrete) structure, the
space around the cabinet should be filled
with either absorbent mineral wool or sand
bags (see Figure 4).
The wall can also be constructed of a com-
bination of materials to achieve high acousti-
cal structural mass that will disable low fre-
quency sound propagation and provide high
LF sound isolation (see Figure 5). Acoustic
consultants will be able to provide details and
design these structures.
Ensure that the cabinet is flush with the
surface of the wall. Discontinuities in the loud-
speaker mounting wall will cause diffraction,
which leads to inferior frequency response
and imaging. So, if a decorative cloth frame
is used to cover the wall, make sure that the
edges adjacent to the loudspeaker are less
than 20 mm (3/4”) deep. The cloth must be very
thin Tricot or an acoustically transparent mate-
rial otherwise the high frequency response of
the system will be adversely affected. Genelec
approved cloth grilles are available.
Mode indicator LED
The loudspeaker is provided with a three-
colour indicator LED on the DCW™ panel.
When the LED is green, it indicates that the
loudspeaker is ready for use. Standby mode
is indicated by yellow colour. Amplifier clipping
is indicated by a blinking red light and ther-
mal protection mode by a constant red light.
If clipping is indicated reduce the signal level
so that the LED stops blinking. If the red LED
stays on constantly, switch off the loudspeaker
and the audio source and let the amplifier cool
down. Check that the ventilation around the
amplifier is not blocked. There should be a
Figure 6: Covering the gap betwee n the
wall and the loudspeaker cabinet.
clearance of more than 100 mm (4”) between
the amplifier back panel and any solid surface
at the back. If the red light does not come off,
contact authorised Genelec service.
The LED can be deactivated if you find it
disturbing in a darkened room by turning both
the "POWER LED" and "STANDBY LED"
switches on the amplifier panel to "OFF".
Maintenance
The air filter on the left side of the RAM4/5
amplifier must be cleaned every six months.
Remove the decorative front plate and pull
the filter out. Check the filter and replace it
with a new one if any damage or brittleness
can be found.If the filter is in a good condi-
tion, carefully clean it with compressed air.
No other serviceable parts are to be found
wit hin the loudspe aker enc losure or the
amplifier unit. Any maintenance or repair
should only be undertaken by qualified serv-
ice personnel.
Figure 7: The curves above show the effect of the ‘bass’, ‘mid ’ and
‘treble’ level con trols, and the ‘bass til t’ and ‘bass roll-off ’ controls
on the free field response of the HT312B, measured a t 2 m.
Figure 8: The curves above show the effect of the ‘bass’, ‘mid ’ and
‘treble’ level con trols, and the ‘bass til t’ and ‘bass roll-off ’ controls
on the free field response of the HT315B, measured a t 2 m.
Figure 9: The upper curve group shows the horizontal directivity
character istics o f the HT312B in i ts verti cal configuration
measured at 2 m. The lower cur ve is a 1/6 octave power
response measurement, derived from 144 individual directivity
measurements.
Safety considerations
Although the HT312B and HT315B loudspeak-
ers have been designed in accordance with
international safety standards, to ensure safe
operation and to maintain the instrument under
safe operating conditions, the warnings and
cautions listed overleaf must be observed:
producing sound pressure levels in
excess of 85 dB, which may cause
permanent hearing damage.
4. Free flow of air around the amplifier is
necessary to maintain sufficient cooling.
Do not obstruct airflow around the
amplifier.
5. To prevent fire or electric shock, do not
1. Servicing and adjustment must only
be performed by qualified service
personnel. The amplifier must not be
opened.
2. Do not use the loudspeakers with an
unearthed mains cable or unearthed
mains connection as this may lead to
personal injury.
3. These loudspeakers are capable of
expose the unit to water or moisture. Do
not place any objects filled with liquid,
such as vases on or near the
loudspeaker or the amplifier.
6. Note that the amplifier is not completely
disconnected from the AC mains
service unless the mains cable
is removed from the amplifier or the
mains outlet.
Figure 10: The upper cur ve group shows the horizontal directivity
character istics o f the HT315B in i ts verti cal configuration
measured at 2 m. The lower cur ve is a 1/6 octave power
response measurement, derived from 144 individual directivity
measurements.
Guarantee
These products are supplied with two year
guarantee against manufacturing faults or
defects that might alter their performance.
Refer to supplier for full sales and guarantee
terms.
HT312B and HT315B Operating Manual
system specifications
Ht312BHt315B
Lower cut-off frequ ency, -3 dB
Upper cut-off fr equency, -3 dB
Free field frequency r esponse
of system
Maximum shor t term sine wave
acoustic output on axis in half spa ce,
averaged from 100 Hz to 3 kHz
Maximum long ter m RMS acoustic
output in same c onditions with IECweighted noise (l imited by driver unit
protection circu it)
Maximum peak acou stic output per
pair in half spa ce with music mater ial
Self generated no ise level in free field
@ 2 m on axis
Harmonic dist ortion at 95 d B SPL at
1 m on axis:
Drivers
Bass
Midrange
Treble
All drivers are m agnetically shielde d
Weight33 kg (73 lb)52 kg (114 lb)
Dimensions
Height
Width
Depth
<35 Hz
>22 kHz
37 Hz - 21 kHz ( ±2.5 dB)
@ 1 m >116 dB SP L@1 m >120 dB SPL
@ 1 m >107 dB SP L@ 1 m >116 dB SP L
@ 2 m >123 dB@ 2 m >124 dB
<15 dB (A weighte d)
freq. <100 Hz <1%
freq. >100 Hz <0.5%
305 mm (12") con e
130 mm (5") cone
25 mm (1") metal dome
680 mm (26 3/4")
400 mm (15 3/4")
380 mm (14 15/16 ")
<33 Hz
>20 kHz
35 Hz - 20 kHz ( ±2.5 dB)
freq. 50...100 Hz <1%
freq. >100 Hz <0.5%
385 mm (15") con e
130 mm (5") cone
25 mm (1") metal dome
810 mm (31 7/8")
480 mm (18 7/8")
420 mm (16 9/16" )