D200i
Userguide
Contents:
Safety instructions 3
Unpacking 4
Connecting the input cables 4
Warming up 4
Sensitivity (Gain) 4
Cleaning the cabinet 5
The protection circuitry 5
A second of silence 5
Connecting your loudspeakers 5
Loudspeaker impedance 6
A lifetime of enjoyment 6
Normal use 6
What you can check if there is no sound 7
The service 7
A few useful specications 8
Interesting trivial facts 8
Recommended CDs 9
SAFETY INSTRUCTIONS:
Never push anything into holes or slots in the case - this could result in an electric shock and could
cause damage of the set.
Never guess or take chances with electrical equipment of any kind - it is better to be safe than
sorry.
Warning: To prevent re or shock hazard do not expose this appliance to rain or moisture
No user serviceable parts inside. Refer servicing to a qualied technician. Never remove covers
unless qualied to do so. This unit contains dangerous voltages.
DO read the user’s guide before you attempt to use this equipment.
DO ensure that all electrical connections are properly set in accordance with the manufacturer’s
instructions (this includes the mains plug, extension leads and interconnections between pieces
of equipment).
DO check that the mains fuse rating is set correct for your local mains voltage.
DO NOT obstruct the necessary all-around ventilation: Especially DO NOT place the set close to
curtains or on soft furnishing such as carpets. Overheating can cause unnecessary damage and
shorten the life of the set.
DO NOT switch the amplier on, then o, then on again quickly. The blue light must disappear
completely before you switch on again. Only switch on and o using the power switch.
DO NOT unplug the mains cables while they carry current. This will corrode and damage the surface
of the metal of the mains plugs and sockets. This can cause reduced sound quality and electrical res.
The mains switches have special metals in the contact points selected for handling high in-rush
currents, as well as to break large currents. Plugs and sockets are not made of such metals.
DO NOT use the ‘direct’ speaker output for tests with square waves or sine waves and a capacitor
across the output terminals, as you may damage the amplier.
DO NOT connect output ground to input ground. Do not connect any output grounds together.
DO NOT connect headphones to this amplier without using protecting resistors.
Make sure that you do not let any tiny part of the speaker cable going to a terminal touch the other
terminals. Only connect this amplier to loudspeakers, and only one loudspeaker on each channel.
Do not connect the output of this amplier to another ampliers outputs or inputs.
DO NOT connect a red terminal to another red terminal
DO NOT bridge the amplier
Unpacking
Open the inner box, remove the 2 top blue foam parts
Lift the amplier up and place it on its feet. Be careful not to damage the gold plated connectors
on the rear panel. Keep the box and the blue foam, it is specially made to protect the amplier well,
and you may need it some day, when you move or if you want to upgrade the amplier.
Connecting the input cables
The main inputs are the two 3-pin XLR sockets. They are electronically balanced, and they will
therefore reduce hum pickup in the input cables. So the best choice of cable is a balanced
XLR cable, coming from a balanced output on your preamplier.
In case you have a preamplier with only RCA outputs, you can use the RCA inputs. Remember to
plug in the two XLR Terminator plugs, when you use the RCA inputs. They connect the negative
input to ground, making sure that the input is not “oating” with the risk of noise or oscilliation
comming in to the amplier circuits.
You release the XLR connector by pressing on the release button next to the XLR socket, and
pulling the XLR plug out at the same time. Do not pull on the cable, only on the plug.
The XLR connector: always connect Pin 1 (the ground) rst and disconnect it last. This way,
XLR connectors can be plugged and unplugged while the amplier is switched on.
However, some DC from the preamplier may still cause loud clicks, so it is recommended to
wait 10 seconds and then switch the power amplier on as the last precaution. If you use a tube
preamplier, please wait several minutes the rst time you use it. Always switch o the power
amplier rst before switching o your preamplier or any source. Always remember to turn down
the volume before switching on of o the poweramplier, if you fail to do so, the output relays
will ware down faster.
DO NOT CONNECT LOUDSPEAKER WIRES OR OTHER HIGH VOLTAGE CABLE TO THE INPUTS.
Warming up
The GamuT power amplier will play sound a few seconds after you turn it on. However, please
allow minimum 30 minutes before you start serious listening, as the sound quality will slowly
improve, because all the parts need to reach their optimum operating temperature.
You may also note a slight improvement in the rst months of use. This is caused by the
capacitors, which do improve with use.
A CD player in repeat mode can speed up the process while you are not at home.
Do not play too loud.
After this break-in period is over, simply switch the GamuT on when you get home, and it will be
ready to perform at its best after dinner.
Sensitivity (Gain)
Inside the cabinet, at the top edge of the circuit boards, is a dual piano switch marked -6 dB and
-12 dB. Normally, gain is factory set at -6dB or 29dB total voltage gain.
Your dealer can set them for you, so that you get the best match for your preamplier. To match
a passive "preamplier" like our GamuT control unit, the gain has to be high, so set both switches
to "o". Some preampliers also need maximum gain, others have a lot of gain in their output
section and therefore should be used with the -6 dB or -12 dB switch moved away from "o".
If both switches are moved away from "o", then the gain is reduced by 14 dB. We recommend
that with 4 Volt sources like our GamuT CD player. Noise levels will be lower. We use switches,
because they can be set precisely identical and will preserve the stereo balance.
The maximum voltage gain of GamuT D200i is 35dB. The GamuT C100, D100, M200 and M250i
also have 35 dB maximum gain, so they will all work together in a bi-amped system.
Cleaning the cabinet
The front panel is made of aluminium. It can be cleaned by using normal mild solvents and clean paper
tissue or cloth. Do not use excessive amounts of solvents, and do not let any of the solvent spill into
the amplier.
The Brass logopanel is covered with a protective layer.
DO NOT USE ANY BRASS POLISH. You will remove the protective layer.
The protection circuitry
The ideas for the protection circuit come from our professional ampliers, where it has worked
well since 1982. Due to the rugged MOSFET, we can allow high peak currents , and we only need to
mute the input signal in case of long-term overload.
The protection detects DC errors, high level subsonic signals, longterm ultrasonic signals, high
temperature, and to low impedance loads or short circuits.
If needed, the protection will simply mute the input signal, and if necessary open the output relay.
The relay will normally open only after muting the input signal to avoid relay switching of strong
currents that could corrode the relay contacts.
So in case of i.e. a short circuit the input is muted for a second. Then a 1 millisecond long pulse is
sent out to test again. If the short circuit still is present, it waits a second and tries again, and so on.
One second after the user has removed the faulty cable, the system will quickly remove the muting.
The protection also detects too low impedance loads, and alerts the user by muting for a second.
So the user can be sure to hear only clean non-distorted audio. The normal current limiting and
momentary distortions of the music are avoided in the GamuT D200i power amplier.
A second of silence
You may experience a second of silence while the music is playing loudly. This is the protection
acting to protect your tweeters. Any amplier will start to clip the top of the music if you exceed
the maximum power level. Technically, clipping generates a lot of high frequency energy, which
can burn out the tweeters in your loudspeakers. The protection constantly checks the energy
above 20 kHz, which humans do not hear. The distortion is momentarily very high anyway, because
you have exceeded the maximum power, so just reduce the level a bit.
You can also provoke the subsonic protection by playing warped records without using a subsonic
lter. Please check your tonearm/cartridge resonance frequency, which should be about 8-12 Hz
to reduce the eect of warped records.
Connecting your loudspeakers
Normal power ampliers have a coil in parallel with a resistor between the amplier and the output
connector. Its purpose is to protect the amplier against capacitive speaker and cable loads.
However, this will slightly reduce the delity of the sound in the treble range, when the amplier is
used with normal loudspeakers. So we have added a direct output in addition to the normal lter
protected output.
The red terminal closest to the heat sinks is the direct output. The other red terminal is the lter output.
The white terminals are ground.
Biwiring: This also gives you the ability to connect biwiring nicely, using the lter output for the bass
and the direct output for the treble. However, you will achieve the best possible sound and the most
correct tonal balance when biwiring both bass and treble from the same pair of output terminals,
choosing either direct or normal.
NB: When biwiring an electrostatic loudspeaker, please connect both cables to the normal
(lter) output.
Inside the cabinet the ground terminals are kept biwired until they meet at the main star ground
point.
So please do not connect them together.
The red terminals go positive when there is a positive signal on the Pin 2 on the input XLR. In other
words, GamuT ampliers are noninverting. Some other brands of ampliers do not follow this
standard.
Loudspeaker impedance
Most loudspeaker are 8 or 4 Ohm, and they are specied so by the manufacturer.
Unfortunately, some loudspeakers have an impedance, which is much lower than specied. They
will not damage the GamuT power amplier, because it will simply mute.
In the GamuT D200i, we use a gem of a MOSFET transistor. It handles 500 Watts, and a peak
current of 500 Ampere and 100 Ampere longterm.
Such high currents will destroy any HiFi loudspeaker we know of.
The lower the impedance, the higher the current will be.
Somewhere, we have to draw a line between what is a loudspeaker load, and what is a short circuit.
We have set this line at 1.5 Ohm, which will draw about 47 Ampere peak.
The impedance of a few electrostatic loudspeakers does go down below 1.5 Ohm at high frequencies.
The protection circuit will not allow this long-term on test signals. However, it works well with Quad
ELS-63 and most Martin Logan electrostatic loudspeakers.
Please also note that a Quad ELS-63 electrostatic loudspeaker cannot handle more than 55V peak,
and the GamuT can give more than 70V peak. So be careful.
A lifetime of enjoyment
So far, our oldest ampliers from 1982 still work in professional recording studios, often doing
their job 16 or 24 hours a day. So we expect our GamuT ampliers to do likewise.
A more likely cause for change would be your wish to upgrade in some years time. Here our
modular approach serves to keep the upgrade cost low, and you avoid sell¬ing with a loss on
the second hand market.
The cabinet should last a lifetime, and the GamuT Logo is engraved down into the surface; wearing
the text out will be quite dicult.
Apart from being good economy, this long term approach is also better for the environment.
Most parts of the cabinet are made of aluminium, which is easy to recycle.
All parts are screwed together to enable easy disassembly. Your grandchildren will be pleased
with your choice.
Normal use
When you switch on, the blue light in the front will light up to conrm you have mains power on.
One second later two small clicks can be heard from inside the amplier, they conrm, that the
amplier has connected the loudspeakers using the output relay.
One second later still, there will be two clicks in the loudspeakers.
These clicks are your conrmation that the protection system have found everything to be OK.
The input signal can now pass through to the loudspeakers.
Each channel has its own protection circuit, so the click from one channel may arrive delayed
compared to the other channel.
What you can check if you there is no sound
Is there light on the front panel? If not, have you plugged in the mains cable correctly?
Is the fuse broken? Check both in the plug and on the back panel of the amplier.
Do you have mains power on? Check the mains socket by plugging in another working unit.
Only change a blown fuse once, and use the spare slow blow fuse located in the mains socket on
the back panel of GamuT D200. Use only the special spare fuse in the fuse holder.
For 230-240 Volt Mains use sand lled 6.3 Ampere slow blow fuse type marked T6.3AH
For 115-120 Volt Mains use sand lled 10 Ampere slow blow fuse type marked T10AH
If the fuse blows again you must consult your dealer, the amplier is most likely defective, and it
can not repair it self, so changing fuses many times will not help, it could even make things worse!
Changing the fuse more than once can increase the repair price, and you can cause a re or a deadly
electrical shock.
These sandlled types can break up to 1000 Ampere current, a normal slow blow fuse can only break
35 Ampere, so it may not stop the current!
If you have light on the front panel and only one channel is playing sound, then take its input cable,
and put it into the quiet channel.
If it still is quiet, then unplug the loudspeaker cable from the OK channel, and use it on the quiet
channel.
If it still refuses to play sound, it is likely to be defective. Call your dealer.
If both channels are silent, but the blue power lights are on, you can check them in the following way:
Switch o power and wait 10 seconds and then switch it on and listen carefully. There should be two
quiet mechanical clicks coming from the inside of the amplier.
If not, disconnect the input cables and try again. Now listen closely to the loudspeaker. A small click
should come from the loudspeaker, just after the click from inside the amplier.
If not, check the loudspeaker cables.
If you hear clicks in the loudspeakers, and still do not get sound, the amplier is probably OK..
If you only get the mechanical click (it comes from the relay closing inside) and you have checked the
loudspeaker cables and the loudspeaker, then you should call your dealer.
If you hear small clicks every second from the loudspeaker, then you have a bad input signal, or a
short circuit on the output, which causes the protection circuit to take action.
Check that the input cable screen is OK and that all plugs are tightly and correctlt connected.
Check the loudspeaker cables. In case you cannot solve the fault by doing the above, call your dealer.
The Service
Most of the parts are on the circuitboard, which can be changed at a low cost, should your amplier
ever need service.
You can contact your dealer, whom may solve your problems locally, or you can contact us in Denmark.
Please note your dealer’s telephone number here:
A few useful specications:
Shipping weight is 31 kg.
Dimensions are 164 mm high, 431 mm wide, and 470 mm deep.
Idle power consumption is 100 Watts.
The slow blow mains fuse limits power consumption at 1,150 Watts long-term.
Output power in 8 Ohms resistive load is 200 Watts or 23dbW.
Speaker loads below 1.5 Ohms are not allowed by the protection circuit
Noise is at least 100 dB below 200 Watts in 8 Ohms. This depends on the gain selected, and it is below
the noise from a CD.
Strong external electromagnetic elds can increase the noise level. Use only shielded signal cables.
The balanced XLR input has a 40 kOhm input impedance. The 3-pin XLR socket has Pin 2 as plus,
Pin 3 as minus, and Pin 1 as ground. The RCA unbalanced input has a 20 kOhm input impedance.
Sensitivity can be selected internally by your dealer to be 0.775V, 1.55V, 3.1V or 3.9V for full power.
The output for a loudspeaker is single or biwiring, using 4 mm banana plugs, spade lugs or stripped
wire.
Interesting trivial facts
It may interest you to know that the output voltage is 55 times the input voltage at maximum gain.
However the input signal current in the 20kOhm RCA input is only 38.8uA at full power, and the output
current is 10.7 Ampere at full power in 4 Ohm, as current gain is 275,000.
Power is voltage multiplied by current, so output power is 15,100,000 times larger than the power
of the input signal.
Yes, a power amplier is a suitable name for what it does.
And note that this input signal power is still more than 10,000,000,000 times more powerful than the
residual noise power at the input.
So in 4 Ohm, full output power is more than 151,000,000,000,000,000 times larger than the input
noise power.
So do take care to place your signal cables apart from your loudspeaker cables.
They should not lie close together, and if they need to cross, they should cross at a 90 degree angle.
Do not use un-screened interconnect cables.
The current in the mains power cable is a very distorted version of the signal, and it contains very
high frequencies.
A special power cable can reduce radiation of interference, and it can improve your sound quality.
Recommended CDs
This is a list some of the recordings that have been used to evaluate the sound quality of this
amplier. The LP version can be superior, but it is dicult to obtain.
Most recording engineers today try to make the music sound ne on the cheapest stereo systems,
simply because they are in majority and thus brings more sales of CDs.
The following recordings will test the limits of a high-end system, from the subtle to the outrageous.
They combine this with being very enjoyable for the artistry of the musicians and composers.
Verve 521485-2
Verve Grammy Winners Stan Getz/Joao Gilberto track 9, "The Girl from Ipanema"
This recording gave Phil Ramone a Grammy for best sound in 1964.
Many years later, it still allows you to dim the lights, make a nice cool drink and imagine you are in
Brazil with the girl standing very close to you, singing her song quietly in your right ear.
This is what a high-end system is all about, to recreate the past so vividly, that the emotions of the
past performances can be experienced again and again.
It is interesting to hear how dierent the same track sounds on Verve 521 414-2, the digitally
re-mastered version of the album. And then try hearing the LP from 1963, Verve V6-8545.
Reference Recordings RR-70CD Stravinsky, Eiji Oue conducting the Minnesota Orchestra
The full dynamics of Stravinsky requires a HDCD recording. The quiet opening of the rst track lets
you hear the sound of the concert hall, and the big drum will surprise your friends or your speakers.
Almost visual three dimensional sound.
"The rite of spring", well, Stravinsky wrote this based on the sacrice of young girls to please the old
gods. It is not pleasant for the humans involved, and it should not sound pleasant.
If you want to relax, choose the next CD instead.
dmp CD-457, Warren Bernhardt, “Hands On”
The rst track opens up with a very grand piano played in classical music style, which later transforms
into very relaxed jazz. Natural detail indeed; you hear the piano sound as felt hammers hitting metal
strings, and also the unique series of resonances from strings, metal frame and wood.
A ne Steinway or a Bösendorfer grand piano costs about EURO 100,000.
Is it reasonable to expect a stereo system costing much less to reproduce it perfectly?
Deutsche Grammophone 427 772-2, “Horowitz at home”
The poor studio technician had to come to the master’s home this time and make this recording.
Fascinating, very dicult recording to reproduce, but with a core of golden inner details..
Compare the two types of piano sound, this and dmp. A good stereo system must highlight the
dierences between dierent recordings and play both of them well.
Vertigo 800 051-2, Dire Straits, “Dire Straits”.
Track 4, "six-blade knife", is actually better than several of the later recordings.
This is due to the mixing console; the expensive console used for the later recordings is known for
its harsh sound, but it was used in many large studios due to its excellent automated mixing
computer system
Yes, there is tape hiss, but the detailed bass guitar and soft drums are wonderful to hear.
Warner Bros. 7599-27313-2, Fleetwood Mac, “Rumours”
Many excellent tracks, "Oh Daddy" being one of the best.
It was a huge bestseller, nice to see that quality is rewarded by the public.
It has some threedimensional qualities, which normally is a nonexistent feature in rock or pop
recordings. Compare depth to:
EMI CDS 7 54368 2 Georges Bizet “Carmen” with Maria Callas
The conclusion of Act II opens the second disc. You can hear the male singer walking across at
the rear of the hall while singing, and later walking towards stage center front.
The recording is a reference for threedimensional sound.
On a ne system, you can measure the size of the hall with your ears, and on the best systems you
can hear that he walks deeper into the stage while walking across from right to left.
You can clearly hear the acoustics change while he is walking.
The recording is from 1964, it has some distortion at high levels, and Mrs Callas was always a bit
shrill sounding, but who cares when the drama unfolds like this. It is like "seeing" with your ears.
The new remastering EMI 7543 5 566281 2 1 fortunately retains most of the magic.
Telarc CD-80098, Erich Kunzel and Cincinnati Pops Orchestra, „Ein Straussfest“
Telarc show here that CD strings can be sweet sounding, and the rst track, "Explosions Polka", will
jolt everybody when it starts.
On a ne system, the explosion is extremely fast and splits in an airblowing attack, a roar and a
decay of the hall, just like a real New Year’s celebrational explosion sounds.
Warner Bros. 7599-26656-2 “Fourplay”
Bob James, Lee Ritenour, Nathan East and Harvey Mason cooking together is an experience to
be savoured.
A dry studio recording, not much depth to speak of, but exceptionally clean.
The rst track builds slowly into a crescendo, which will test the system’s ability to resolve a
complex sound at high levels over a longer time. A power supply and heat sink test. When the
level goes down at the end, the sound should be the same as in the beginning.
This CD has been used at many shows, and it does not fail, many visitors ask for the label and
number, so that they can go out and buy it.
Every musical note…
Congratulations! You have just invested in one of the nest powerampliers available!
Many years ago, we chose the word “GamuT” to be our company name. This single phrase in Latin
means ‘a complete array’ or ‘an all-encompassing spectrum’. In our case, it refers to the entire range
of musical notes.
The GamuT name therefore ts our philosophy perfectly: Our goal is not missing out on one single
element among the myriads of tiny bits of information that create a realistic sound experience.
There are many more things to reproducing music than just reproducing the individual musical tones.
But it is the complex spectrum of multiple individual tones created by the musicians’ instruments and
voices, and not least the reected signals thereof that create the sounds we detect with our ears and
send to our brain to give us the wonderful sensations only music is capable of. It is Gamut´s mission
to give to you these unique musical feelings.
As with every GamuT product, our ampliers are designed with the capability of giving you the best
possible musical experience, which is synonymous with reproducing all of the essential information
in the recording to create the illusion of “being there”.
To ensure this, we use only the best “raw materials” trimmed and crafted to perfection by the best
engineers and sound enthusiasts in the industry.
Following the guidance lines in this manual will assure you of an exquisite sound experience, so be
ready for “the entire range of musical notes”
We wish you years of proud ownership and happy listening. We feel condent that you will cherish
this amplier for both its amazingly clear reproduction as well as for its splendid craftsmanship and
beautiful appearance.
Should you have any questions or other matters that you would like to share with us, then please
do not hesitate to get in touch with us.
Best wishes
GamuT Audio
info@gamutaudio.com
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