Please read all enclosed safety precautions before
connecting or operating this product.
noitamrofnI ytefaS
V
erify L
MB² Series Bass am
figured for use wi
your l
120 Vol
240 Vol
UK/Austra
230 Vol
100 Vol
220 Vol
Proper AC circuit f
Co
nnecting the amplifier to a line with specifications o
and fire ha
If y
require
line vol
bef
Verify AC Circuit Capacity Before Use:
The high p
require h
di
tions. To insure proper performance and avoid
potent
tion to line circuits with amperage specified “as
above”. C
other heav
lights, may cause circuit b
always a good idea to avoid using any audio equipment on the same AC circuit as equipment with
motors, such as air conditioners or refrigerators.
This will lessen the possibility of power vari
and e
Please refer to page 10 for more instructions concerning installation.
ine Voltage and Amperage: Your new
plifier has been factory con-
th the specific line voltage for
ocation:
t/60Hz 15 A circuit for USA/Canada.
t/(50/60Hz) 10 A circuit for
lia.
t/(50/60Hz) 10 A circuit for Europe.
t/50Hz 15 A circuit for Japan.
t/50Hz 10 A circuit for Korea.
or all other countries.
ther than indicated above can create safety
zard, and may damage the amplifier.
ou have any questions about the voltage
ments for your specific model, or ab
tage in your area, contact your dealer
ore plugging the unit into a wall outlet.
ower output of your amplifier may
eavy current draw under full-load con-
ial safety hazards, we recommend connec-
onnecting to the same circuit used by
y-power devices, such as high-wattage
reakers to trip. It is
lectrical start-up noise affecting your sound.
out the
ation
AC Power Cord:
void safety hazards, use only the power cord
To a
pplied with your unit. If a replacement cord is
su
needed, make cert
compliant cord. D
be repl
certain that theAC plug is easily a
donotintend to use t
length of t
Main
Earth Grou
To prevent e
grounding plug on the power cord, or use any plug
or extension co
plug p
is p
adapter plug w
Do Not Open the Amplifier Enclosure:
There are no user serviceable parts inside this
product. Opening the amplifier enclosure may
present a shock ha
product w
enters the unit, or any m
paper c
sure, disco
source i
service s
Set
To insure pro
potential safety hazards, place the unit on a firm,
level surfa
instru
power is on.
H
M
ven tilation. Av
cold l
direct su
using in moist or high humidity areas.
BLOCK T
THE SIDES OF THE UNIT.
aced immediately. When setting up, make
ime, disconnect the plug from the AC
s Socket. Do not use an extention cord.
nding Connection:
rovided. Make certain that the AC outlet
roperly grounded as w
ill void your warranty.If liquid
lip accidentally falls inside the enclo-
nnect the unit from the AC power
mmediately and consult an authorized
tation.
up:
ce.Do not plug or unplug the
ment or speaker cable while the amplifier
eat & Ventilation:
ake sure there is s
ocations and areas that are exposed to
nlight or near heating equipment. Avoid
HE FAN VENT HOLES ON
ain to use a standard IEC
amaged power cords should
ccessible. If you
he amplifier for a considerable
lectric shock, do not remove the
rd that does not have a grounding
ell. Do not use an
ith this product.
zard. Modification to the
etal object such as a
per operation and to avoid
pac e p rovided fo r p roper
oid using in extremely hot or
NEVER
4
Page 5
MB² SERIES
Quick Start
The MB² Series amplifier is designed to be simple to operate. All controls have a well defined purpose.
These directions will take you through the basics and give you a good start for setting up your sound.
1. Plug it in:
Set the power switch to Off and connect the supplied power cord, from the amplifier AC receptacle, to
an AC power outlet of proper voltage and power rating (see safety information on page 4 for details).
2. Connect your cabinets:
Connect your speaker cabinets to the amplifier outputs marked Speaker. The MB² features dual use
speaker connections. These unique jacks allow for Speakon or 1/4” plugs to be used. Be sure not to
exceed the recommended speaker load as noted below.
Maximum Recommended Speaker Loads:
One 4 Ohm, or two 8 Ohm cabinets.
3. Initial front panel control settings:
Set all EQ controls and contour knob to 12 o’clock. Set the Input Volume, Master and Master B
controls at 0. The Boost knob should be set to 12 o' clock and the boost button (between Boost and
Master B konbs) in the out position.
tratS kciuQ
4. Plug in your bass:
Using an instrument (shielded) cable, connect your bass to the Input jack and press the power switch
on. If you have active tone controls on your bass, turn all of the controls to the middle or flat position
and turn the volume all the way up. If you have conventional, passive tone controls, turn all tone and
volume controls all the way up.
5. Level and Master Volume settings:
Set the Master Volume to 3 o’clock. Turn the Input Volume knob up as you play to the desired output
level. If the clip light (pad button) flashes more than occasionally, press the -10db pad button in and
turn the Input Volume knob up. If it is still lighting often, try turning the volume down on your bass.
6. Boost/Master B:
Engage the button located between the Boost and Master B knobs. This will activate the Boost section
of the pre amp. This can also be done with the included foot switch. Turn up the Master B knob to the
desired volume level.
You should be hearing your bass quite well through the Master and Master B channels. At this point
you can experiment with different EQ, Contour and Boost settings. Various sample settings can also be
found on page 8.
5
Page 6
MB² SERIES
ON
OFF
ON
OFFONOFF
ON
OFF
serutaeF lenaP tnorF
INPUT
-10dB
CLIP
1
2
GAINCONTOUR TREBLEHI-MID LOW-MIDBASSBOOSTMASTER-B M
MUTE
4
3
56
7
8
9
10
G.I.V.E
11
12
ASTER
MB 500
13
2
Front Panel Features
1
Input: A standard ¼” input jack to connect act
2
-10 dB Pad/Clip indicator: Input attenuator button. This button is generally set to the out
position except in cases where the clip LED flashes more than occasionally. It may be necessary to “pad” the input if you are using a bass w
pad button light flashes red when the input is be
clip indicator still flashes frequently, reduce the
3
Mute: Set this switch to “on” when tuning or unplugging your bass. No signal will be sent to
the speakers or the P.A. system. When muted this button turns red.
4
Gain: Sets the preamp gain after the input stage. It is used in conjunction with the input pad to
optimize the amplifier’s headroom.
ive or passive basses using a shielded cord.
ith active electronics or very high output. The
ing overdriven. If the -10dB is pressed and the
volume on your bass.
POWER
14
5
Contour: As part of the amps active equalization the contour control decreases the mid-range
frequencies while boosting low and high frequencies.
6
Treble: Boost and cut at 7 kHz +14 dB shelving type. Use this control to add or remove edge
and definition.
7
Hi-Mid: Boost and cut at 1 kHz +6 dB. A “Q Optimized,” band pass type, this works on lower
string harmonics and effects the punch of your
8
Low-Mid: Boost and cut at 250Hz +6dB/-10 dB. A “Q optimized” band pass type, this works
sound.
for main body of your sound.
9
Bass: Boost and cut a 60Hz +10 dB, shelving type. This is used to control the low end push.
10
Boost: This is a post E.Q. gain stage using G.I.V.E. technology which adds “growl” as it is
turned up.
11
GIVE: This button activates the Boost and Master B volume control.. This can also be
activated using the foot switch (included).
12
Master B: This is the master volume control when boost is activated.
13
Master: This is the master volume control when the boost is inactive.
14
Power Switch: Turns the amplifier on and off. In the on position, the ring surrounding the
button will light red during power up then changes to blue, indicating the amp is ready for
normal operation. Should the amp experience a fault (over heat or over current) the amp will
mute and the ring will light red until the condition is corrected. This LED turns off when the
power is switched off. This turns the amp off but it does not completely disconnect the power
from the AC mains.
6
Page 7
F U L L P O W E R
5 8 0 W
AC I N PU T
12 0 V / 60 H z
ND
GND
LIF T
D IR E C T O U T
MB² SERIES
H B A Y
PA TC
EQG
PRE
POS T
FX
SE N DRE T U R NTU N E RFT . SW I T C H
HE A D P HO N E S ( 1 )
LI N E OU T ( 2)
1
2
50 0 WAT TS @ 4 OH MS
S PE A K E R
CLA SS 2 WIR IN G
1
2
4
3
5
6
7
89
10
11
Rear Panel Features
1
AC Receptacle: The detachable power cord plugs in here.
2
Ground Lift: This switch disconnects the ground
and buzz when connecting to equipment that is running on a different ground system.
3
Balanced Direct Out: This electronically balanced output allows a direct connection to a P.A.
system.
4
Pre/Post EQ Button: This button switches the direct out signal to be before or after the EQ.
5
Foot switch Input:
6
Tuner Output: This output comes directly off of the input stage and can be patched to a tuner
A foot switch is provided to engage Boost and Master B modes.
using a shielded patch cord. This output is unaffected by the Tuning Mute Feature.
7
Return: This input allows the signal from outboard effects devices to be inserted before the boost
section.
of the balanced, XLR output to eliminate hum
serutaeF lenaP raeR
8
Send: This output allows signal from the preamp
to be fed to outboard effects devices from a point
after the EQ section.
9
Headphone/Line out: When switched, this output allows the user to send a direct (unbalanced) line
out to devices with unbalanced inputs such as personal multitrack recorders. This connection requires
a shielded patch cord. Unswitched, this headphone jack can be used to monitor your playing with
headphones.
10
Headphone/Line out switch: This switch toggles the output from headphone to line out.
11
Speaker: Power amp output to speaker cabinet. Delivers 500w into 4 Ohm loads. Lower
impedances such as 8 Ohms or 16 Ohms and no l
oad are acceptable. One 4 Ohm speaker and
one 8 Ohm speaker is not recommended. This unique speaker output allows you to use a ¼”
plug or the high current, twist-lock Speakon conn
ector.
7
Page 8
MB² SERIES
ON
OFF
ON
OFFONOFF
ON
OFF
ON
OFF
ON
OFFONOFF
ON
OFF
ON
OFF
ON
OFFONOFF
ON
OFF
ON
OFF
ON
OFFONOFF
ON
OFF
Settings & Sounds :
The MB² Series is versatile in its sound and tone. Below are a few suggested amp settings that can
be used as starting points to define your own sound.
*Volume settings should be adjusted to appropriate
level.
sgnitteS elpmaS
Note: At higher playing levels the contourshould be set lower for mid-range clarity. To get
800RB voicing, the contour should be set to 0 or 10 only.
Slap:
INPUT
-10dB
CLIP
GAIN CONTOUR TREBLE HI-MID LOW-MID BASSBOOSTMASTER -B M
MUTE
Rock:
INPUT
-10dB
CLIP
GAIN CONTOUR TREBLE HI-MID LOW-MID BASSBOOSTMASTER -B M
MUTE
Both pickups recommended.
ASTER
G.I.V.E
POWER
2
MB 500
Both pickups recommended.
ASTER
G.I.V.E
POWER
2
MB 500
Reggae:
INPUT
-10dB
CLIP
GAIN CONTOUR TREBLE HI-MID LOW-MID BASSBOOSTMASTER -B M
MUTE
Jazz/Fusion:
INPUT
-10dB
CLIP
GAIN CONTOUR TREBLE HI-MID LOW-MID BASSBOOSTMASTER -B M
MUTE
Front pickup recommended.
ASTER
G.I.V.E
POWER
2
MB 500
Both pickups recommended.
ASTER
G.I.V.E
POWER
2
MB 500
8
Page 9
Sound Tips
MB² SERIES
The MB² Series has several unique features which, if
used properly, will obtain the sound you have been
searching for.
The Equalizer:
The Equalizer is used to fine tune your sound. When
adjusting making adjustments, do it just a little at a
time. These are active circuits and small changes can
make a big difference in your sound. With a little
experimentation you will find that this equalizer is
very easy to use and provides you with a large variety of great sounds unique to GK.
Contour:
Increasing the Contour level will scoop out midrange frequencies while boosting the highs and lows.
The sound, once again, is unique to GK and available on any other Bass amp. Lower contour settings
are recommended for midrange clarity at higher
playing levels.
Boost/Master B:
Turning up the Boost control will add a little growl
to your tone by adding a small amount of ever order
harmonic distortion. This is an unmistakable GK
trade mark sound that you will surely grow to appreciate. Raising the Boost while lowering Master B
will add more growl while keeping the sound level
the same. You can use Master B to increase or lower
the overall output volume when switching the Boost
on via the front panel or from the included foot
switch. In either normal or boost mode, the cleanest
sound is obtained with Master Volume settings at 3
o'clock.
Direct Out:
The MB² Series provides a low noise, high quality
balanced direct output for connection to PA and
recording consoles. A Ground Lift switch is
included to remove hum and buzz when connecting
to equipment powered by a different ground system.
With the Pre/Post EQ switch set to “Pre” (Out), the
direct output signal is fed directly from the input
stage providing a low noise output superior to external direct boxes and impedance transformers. In the
"Pre" position, the direct output signal is only
effected by the Input Volume, -10db Pad and Mute.
This allows you to adjust your tone and volume on
stage without changing the Direct Output signal
level and confusing your sound man.
Changing the Pre/Post EQ switch to “Post” ( In),
sends the "GK Sound" (EQ settings etc.) and
preamp response to the Direct Out jack. This gives
you complete control over the Direct Out’s tone and
volume.
spiT dnuoS
9
Page 10
MB² SERIES
Installation:
nsure proper operation and to avoid potential
To i
safety h
surface.
V
noitallatsnI
entilation:
ake c
M
tilation. N
ides of the amplifier. If the amplifier will be
the s
installed i
sure t
the e
nclosure to allow proper cooling. Consult
your d
n extremely hot or cold locations, and areas
tion i
re exposed to direct sunlight, or near heating
that a
equipment. A
Remember, p
ventilation s
designed t
other e
dissipation s
term r
other equipment.
azards, place the unit on a firm, level
ertain that proper space is provided for ven-
ever block the fan vent holes located on
n a rack or other enclosed area, make
hat there is sufficient air movement within
ealer for more information. Avoid installa-
void moist or humid locations.
ower amplifiers generate heat. The
lots on the enclosure are specifically
o remove this heat. Blocking or placing
lectronic equipment near the heat-
ystem may possibly affect the long-
eliability of both your amplifier and the
oving the Unit:
M
efore m
B
any i
and m
the AC outlet.
leaning:
C
W
hen t
cloth. N
other volatile cleaning agents. Do not use abrasive
leaners, a
c
parts. Avoid spraying insecticides near the unit.
aintenance:
M
Y
our n
you a l
operated i
tained i
required i
amplifier a
case to protect it from scratches and road wear.
Pac
The c
your new amplifier were spe
cushion it from the shocks and vibration that occur
during transport.We suggest that you save the
carton and packing materials for use in shipping, in
the event you move, or the amplifier needs repair.
oving the unit, be certain to disconnect
nterconnection cords with other components,
ake sure that you disconnect the unit from
he unit gets dirty, clean only with a dry
ever use benzene, thinner, alcohol, or
s they may damage the finish of metal
ew amplifier is rugged. It was built to give
ifetime of trouble-free operation, if it is
n accordance with the instructions con-
n this manual. The only maintenance
s cleaning. If you are going to move your
round frequently, we recommend a road
kaging:
arton and packing materials used in shipping
cifically designed to
10
Page 11
Tech Talk
MB² SERIES
Characteristics of the MB² Series:
The MB² Series is a flexible, state-of-the-art
amplifier designed to deliver maximum performance while remaining small, lightweight and
simple to operate. This is accomplished through a
few, very important features:
· Class D power supply and power amp.
· Four, Bass specific bands of active equalization for precise tone control.
· Balanced direct output eliminates the need for
a direct box.
· Continuously variable fan cooling.
Equalization:
Standard tone controls and graphic equalizers give
you plenty of variation, but they don’t provide
what the instrument really needs. The fact is,
graphic equalizers are intended for room equalization. The equalization in Gallien-Krueger amplifiers reflects 40 years of continuous development
and refinement.
The GK equalizer is unique to the industry, it’s not
just a normal four band equalizer, each section is a
special circuit optimized to perform a Bass
specific job in its range of operation.
These sections are wired in series, so they add to
one another creating a tremendously flexible
equalizer, that sounds natural at any setting. Now
it is possible to obtain the sound you desire.
Contour:
The Contour is used to completely revoice the amplifier.
The Contour control tunes between two different shaping
circuits, with greatly different responses. With the control
all the way up, the low end is slightly boosted, the mids are
dropped and the high end is pushed up. This is only found
in GK amplifiers.
.
“G.I.V.E.” Technology:
As in all GK pre-amps, the MB² Series pre-amp incorpo-
rates what we call G.I.V.E (Gate Induced Valve Effect)
Technology. We use field effect devices with the gate
biased in a way that emphasizes the optimum harmonic
content of the signal. Working in concert with our unique
Four Band Active Equalizer, and three stage Voicing Filter
Section, G.I.V.E. technology produces a consistently pleas-
ing bass tone.
Cool Running = Reliability:
To cool the amp when its being driven hard, we’ve
designed a temperature sensitive fan cooling system. When
the amp is under a light load, the fan is off or running at a
low speed, reducing fan noise. As the amp works harder,
the fan speed increases to keep everything cool.
Smart Protection Circuitry:
The MB² Series protection circuitry constantly monitors
for unsafe operating conditions such as short circuits,
miss-wired speaker cables, blown speakers, improper
ventilation, and incorrect speaker configurations. In
addition, protection is provided during power up/down. If
the MB² Series senses any unsafe operating conditions, the
output signal is immediately muted and the power light
changes from Blue to Red. The amplifier will remain
muted until the fault is removed. If the protection circuit
activates while playing, turn the amplifier off and check
the amplifier speaker output connections. Be sure that you
are not exceeding the maximum recommend load
described in this manual. If the problem persists, contact
GK directly for technical advice.
In Closing:
You should now have a thorough understanding of how
your new MB² Series amplifier works and what advantages it can offer you in getting “your” sound. We thank
you for reading the Owner’s Manual and wish you the best
of times! Please send us your comments via www.gallienkrueger.com or email us at sales@gallien.com.
T hceTkla
11
Page 12
Noise: -90 dB reference to 500W/350W, “A” Weighted
Cooling: Variable Speed Fan
Amplifier Protection:
Full short circuit, thermal and RF protection.
Stable into reactive and mismatch loads.
Five second muted warm-up.
Dimensions (HxWxD):
1.75”[44.45mm] x 11”[279.4mm] x 9”[228.67mm].
1 Rack spaces.
Weight:
3 lbs. 12 oz. 1.7 Kg.
Power requirements:
U.S.A./Canada 120V/60Hz.
580W(full power), 75.6W(average power)
Europe 230V/50Hz/60Hz
580W(full power), 75.6W(average power)
Japan 100V/50Hz
580W(full power), 75.6(average power)
Output Power:
Input Section:
Maximum Input Level
With -10dB pad
Input Impedance
Send Output Impedance
Return Input Impedance
Tuner Output Impedance
Direct Output Impedance