Fujinon UA27x6.5, UA14x4.5, UA18x5.5, MK18-55, MK50-135 User Manual
2017 PRODUCT GUIDE
New
UA14x4.5
UA27x6.5
UA18x5.5
MK18-55
MK50-135
TABLE OF CONTENTS
4K UHD Lenses ................................2-3
MK Cine Lenses ................................4-6
MK18-55 and MK50-135 .........................4-6
Premier PL Series ................................ 7
Cabrio 4K PL Lenses .............................8-9
Lenses for 1/3” HD .............................. 10
Lenses for 1/2” HD .............................. 11
Lenses for 2/3” HD ............................12-18
HD Studio Lenses ............................... 19
HD Field Lenses ..............................20-21
HD Videoconferencing Lenses ....................22-23
Accessories ENG Lenses ........................24-28
Accessories Cabrio Lenses ......................... 29
Accessories Studio Field Lenses ...................30-32
Accessories XA22x7 ............................. 33
Features HD and 4K Lenses ......................34-37
Notes ......................................38-40
Not every product shown in this guide is available worldwide.
Prefix
HA/XA/HAs 2/3” FORMAT
ZA 2/3” FORMAT
HS/HSs/XS/ZS 1/2” FORMAT
HTs/ XT 1/3” FORMAT
HK/ZK/XK PL MOUNT LENSES
MK E-Mount
UA 2/3” FORMAT
(High Definition)
(High Definition)
(High Definition)
(High Definition)
(Ultra High Definition)
Suffix
E Extender
MD Motor Drive
RM Manual Focus Servo Zoom
ZM Manual Focus Servo Zoom with Quick Frame
RD Full Servo (ENG Style)
ZD Full Servo with Quick Frame
SM Manual/Servo Module Interchangeable
Example
X
23
HA
HD 2/3” Format
Zoom Ratio
Features, specifications and availability subject to change without notice.
Not responsible for typographical errors or omissions.
7.6 E
]
Focal Length
at Wide End
Letter indicates Camera Manufacturer
and Correlates to Flange Focal Distance
Extender
R M
Manual Focus Servo Zoom
1
PLUS
Series
The FUJIFILM flagship UA Series of 4K Plus 2/3” lenses is the world’s
first for Ultra HD Broadcast applications. The UA Series delivers true
4K optical quality which is a hallmark of our cine lenses. The optical quality
is based on large diameter aspherical elements designed by latest optical
simulation system. Also, the lens achieves 4K UHD optical performance from
center to corner throughout the zoom range while suppressing image
distortion due to a multi-group zoom system. Designed to produce the
ultimate performance from today’s new 4K 2/3” HD cameras.
Main Features
• 4K Plus Ultra HD Optical Performance throughout the entire
zoom range
• Utilizes the same Operating System as our current HD Broadcast Lenses
• The 4K Plus UHD 2/3” Box Lens features an 80x zoom ratio from
9~720mm (18~1440mm w/2x) and the latest generation Optical
Image stabilization system
• The 4K Plus UHD 2/3”Portable lens offers a 22x zoom ratio from
8~176mm (16~352mm w/2x) and a 13x zoom ratio from 4.5-59mm
(9-118mm with 2x’s) and feature the latest generation Servo Drive Unit
with 16 bit encoders
UA80x9BESM 1.2 EXT
Zoom Ratio / Format
Focal Length
(2X)
Maximum Relative
Aperture
M.O.D. from Front of Lens
Object Dimensions
at M.O.D.
(Hor. x Vert. in mm) (2X)
16:9 Aspect Ratio
Angular Field of View 9mm 56° 6′ × 33° 20′
16:9 Aspect Ratio 720mm 0° 46′ × 0° 26
(2X)
Size (HxWxL)
Weight (w/o Hood) 23.5 kg
Features
PC, OS-TECH, 2x, RoHS
80x / 2/3”
9-720mm
18-1440mm (1.2x) 10.8 x 864 mm
1:1.7 (9-350mm)
1:3.5 (720mm)
3.7m
9mm 3303mm × 1856mm
720mm 43mm × 24mm
18mm 1714mm × 963mm
1440 mm 22 × 12 (1.2x) 2839 x 1596
18mm 29° 50′ × 17° 2 (1.2x) 10.8mm 47° 53’ x 28° 01’
1440mm 0° 23′ × 0° 13 864mm 0° 38’ x 0° 21’
258 x 264 x 610mm
2/3”, DIGIPOWER, Virtual, Serial Com,
UA22x8BERD
UA13x4.5BERD
Zoom Ratio / Format
Focal Length 8.0-176mm 4.5 - 59mm
(2X) 16-352mm (2x) 9 - 118mm
Maximum Relative 1:1.9 (8-124mm) 1:1.8 (4.5-41mm)
Aperture 1:2.55 (176mm) 1:2.6 (59mm)
M.O.D. from Front of Lens 0.85m 0.3m
Object Dimensions 8mm 905mm × 509mm 4.5mm 744 x 418
at M.O.D. 176mm 43mm × 24mm 59mm 54 x 30
(Hor. x Vert. in mm) (2X) 16mm 472′ × 265′ (2x) 9mm 367 x 206
16:9 Aspect Ratio 352mm 22′ × 12′ 118mm 28 x 16
Angular Field of View 8mm 61° 52′× 37° 14′′ 4.5mm 93° 38’ x 61° 50’
16:9 Aspect Ratio 176mm 3° 7′× 1° 45′ 59mm 9° 18’ x 5° 14’
(2X) 16mm 33° 22′ × 19° 7′ (2x) 9mm 56° 06’ x 33° 20’
352mm 1° 34′ × 0° 53′ 118mm 4
Size (Dia x L) ′110 x 241.5mm 95 x 253mm
Weight (w/o Hood) 2.55kg 2.28kg
Features 2/3”, IF, DIGIPOWER, Virtual, Serial Com,
PC, 2x, Macro, RoHS
2
Servo only accessories for UA22 and UA13 are on pgae 24.
22x / 2/3” 13x / 2/3”
Accessories for UA80 found on pages 31 and 32.
°
39’ x 2° x 37
Series
The FUJIFILM 4K UA Series of 2/3” lenses feature excellent 4K optical
performance for versatile shooting for all applications. The lenses employ
the latest High Transmittance Electron Beam Coating (HT-EBC) resulting
in richer colors and greatly improved blue response and transmittance. The
high resolution, high contrast, and high dynamic range will produce images
that will impress. The line is designed to produce exceptional 4K UHD images
while at the same time featuring the focal lengths, F Stops and size seen in
our line of HD lenses. Like the 4K PLUS series, the optical quality is based on
large diameter aspherical elements designed by the latest optical simulation
system. The lenses achieve 4K UHD optical performance from center to corner
throughout the zoom range while suppressing image distortion due to a multigroup zoom system.
Main Features
• 4K Ultra HD Optical Performance throughout the entire zoom range
• Utilizes the same Operating System as our current HD Broadcast Lenses
• The 4K UHD 2/3” Box Lenses feature an exceptional 107x zoom ratio
from 8.4~900mm (16.8~1800mm w/2x) with the latest generation
stabilization system as well as a 27x zoom ratio from a wide 6.5~180mm
(13~360mm w/2x) for studio applications.
• The 4K UHD 2/3”Portable lenses offer the famous “2 in 1 Lens” 18x zoom
ratio from 5.5~100mm (11~200mm w/2x) while the 14x features a super
wide 4.5~63mm (9~128mm w/2x), both have the latest generation Servo
Drive Unit with 16 bit encoders
UA107x8.4
New
UA27X6.5
Zoom Ratio / Format 107X / 2/3” 27X
Focal Length 8.4 ~ 900 mm 6.5-180mm
(2X) 16.8 ~ 1800 mm (2X) 13-360mm
Maximum Relative 1:1.7 (8.4 ~ 340 mm) 1:1.5(6.5-123mm)
Aperture 1:4.5 (900 mm) 1:2.2(180mm)
M.O.D. from Front of Lens 3.05 m 0.6m
Object Dimensions 8.4 mm 3053 x 1717 6.5mm′1063x597mm
at M.O.D. 900 mm 30 x 17 180mm′38x21mm
(Hor. x Vert. in mm) (2X) 16.8 mm 1594 X 896 (2X) 13mm′529x297mm
16:9 Aspect Ratio 1800 mm 15 X 9 360mm′20x11mm
Angular Field of View 8.4 mm 59° 26’ X 35° 35’ 6.5mm′72.8°x45.0°
16:9 Aspect Ratio 900 mm 0° 37’x 0° 21’ 180mm′3.1°x1.7°
(2X) 16.8 mm 31° 52’ x 18° 14’ (2X) 13mm′40.5°x23.4°
1800 mm 0° 18’ x 0° 10’ 360mm′1.5°x0.9°
Size (HxWxL) 258 m x 264 x 610 mm 258x264x536mm
Weight (w/o Hood) 23.9 kg 22.8kg
Features 2/3”, DIGIPOWER, Virtual, Serial Com, PC, OS-TECH, 2x, RoHS
UA14X4.5
UA18X5.5
Zoom Ratio / Format 14x 18x
Focal Length 4.5-63mm 5.5-100mm
Maximum Relative 1:1.8(4.5-41mm) 1:1.8(5.5-62mm)
Aperture 1:F2.8(63mm) 1:F2.9(100mm)
M.O.D. from Front of Lens 3.05 m 0.4m
Object Dimensions 4.5mm 744mmx418mm 5.5mm 800mmx450mm
at M.O.D. 63mm 51mmx29mm 100mm 44mmx25mm
(Hor. x Vert. in mm) (2X) 9mm 365mmx205mm (2X) 11mm 395mmx222mm
16:9 Aspect Ratio 126mm 27mmx15mm 200mm 22mmx12mm
Angular Field of View 4.5mm 93.6°x61.8° 5.5mm 82.2°x52.2°
16:9 Aspect Ratio 63mm 8.7°x4.9° 100mm 5.5°x3.1°
(2X) 9mm 56.1°x33.3° (2X) 11mm 47.1°x27.5°
126mm 4.4°x2.5° 200mm 2.7°x1.5°
Size (HxWxL) 95x238.5mm 95x240.5mm
Weight (w/o Hood) 2.21kg (without hood) 2.04kg(without hood)
Features 2/3”, DIGIPOWER, Virtual, Serial Com, PC, OS-TECH, 2x, RoHS
Accessories for UA107 and UA27 found on pages 31 and 32.
Accessories for UA14 and UA18 found on pgae 24.
NewNew
3
MK CINE LENS SERIES
FUJINON Cine Lenses are used to shoot movies, commercials, and television
dramas all over the world. These lenses have world-class performance and
quality ingrained in their DNA. Now, with the debut of the MK Lens series,
that heritage finds a new form. Fujifilm has developed a new pair of cinema
lenses to resolve the less-than-satisfactory aspects of DSLR lenses when
used for cine applications. These new lenses produce the high performance
and high-quality images demanded by newly developing production markets
such as movie distribution services, independent film production, and
wedding videos.
MK18-55
New
MK50-135
LENS (Focal Length) 18-55 mm T2.9 (MK18-55) 50-135 mm T2.9 (MK50-135)
T-No. T2.9 18-55 mm T2.9 50-135 mm
Close Focus Limit 0.85m/2ft 9in 1.2m/3ft 11in
(with macro function (with macro function
0.38m/1ft 2.9in) 0.85m/2ft 9in)
Mount E-mount E-mount
Object Dimensions at Close Focus 18 mm 924mm x 520 mm 50 mm 534 mm x 300 mm
16:9 Aspect Ratio 55 mm 291 mm x 164 mm 135 mm 196 mm x 110 mm
Angular Field of View 18 mm 69.2° × 42.4° 50 mm 27.9° x 15.9°
16:9 Aspect Ratio 55 mm 25.5° x 14.5° 135 mm 10.5° x 5.9°
Dia ø x Length ø 206.3 mm ø 206.3 mm
Weight 980 kg 980 kg
*Note: MK50-135 T.29 will be available summer 2017.
SUPPRESS FOCUS SHIFTS WHILE ZOOMING
With a conventional DSLR lens, the focal point shifts while zooming. This
means you have to refocus the lens each time you change the angle of view.
MK Lenses suppress focus shifts by driving the front focus group and the zoom
group independently. Since MK Lenses suppress optically and mechanically,
it also eliminates the time lags you get with electric controls.
Before zooming After zooming
MK Lens
Focal point does not
move while zooming
DSLR Lens
Need to refocus since the
focal point moves while
zooming
SUPPRESS LENS
Before focusing Before focusing
BREATHING
When you are focusing with
a conventional DSLR lens,
you may notice an unnatural
change in the angle of view—
making it look as if you are
zooming. This effect, called
“lens breathing,” is suppressed
thanks to MK Lenses’ front
inner focus system. This allows
you smooth and comfortable
focusing of dramatically
important scenes.
4
After focusing After focusing
MK Lens No lens
breathing while
focusing
DSLR Lens
Lens breathing occurs
while focusing
MK CINE LENS SERIES
SUPPRESS OPTICAL AXIS SHIFTS WHILE ZOOMING
In a conventional DSLR lens, optical axis shifts occur while zooming,
causing the lens to skew off center from the subject. MK Lenses suppress
such skewing by adopting assembly technologies proven in FUJINON Cine
Lenses. This lets you shoot a composition just the way you intended.
Before zooming After zooming
MK Lens
Focal point does not move
while zooming
DSLR Lens
Need to refocus since the
focal point moves while
zooming
SOPHISTICATED OPERABILITY THAT
BRINGS OUT ITS FULL POTENTIAL AS A
CINEMA LENS
200° FOCUS ROTATION
ANGLE
MK Lenses feature a 200° focus
rotation angle—more than double
that of a typical DSLR lens. This
allows you to focus on images
with shallow depths of field,
which requires high accuracy.
0.8M STANDARDIZED
GEAR PITCH
Each of the three operating
rings (focus, zoom, and iris)
features an identical 0.8M
gear pitch — the same as on
all FUJINON Cine Lenses.
This allows you to use followfocus and other standard cine
accessories.
FULLY MANUAL OPERATION
WITH THREE MECHANICAL
LENS RINGS
MK Lenses are equipped with three
independently operated mechanical lens
rings for focus, zoom, and iris. Because you
can adjust the zoom, focus, and iris via fully
manual mechanisms, you can operate the
camera intuitively without the time lags you
get with electric controls.
SEAMLESS IRIS
The iris ring features a
seamless mechanism that
gives you greater precision
when adjusting exposure.
It operates without the
vibrations and noise that
you get with a clicking
mechanism.
5
MK CINE LENS SERIES
1
2
1 Front diameter: 85mm
MK Lenses feature a front diameter
of 85mm, ensuring compatibility
with standard matte boxes.
2 Filter diameter: 82mm
The filter diameter of MK Lenses
is standardized at 82mm, making
it easy to share filters between
models.
3 Gear rings are located at the
same position
The gear rings for focus, zoom, and
iris are located at the same position
on two MK Lenses, so there’s no
need to readjust the position of
accessories.
4 Macro function
MK Lenses feature a macro
function that lets you close focus
from 0.38 m with the MK18-55m
and from 0.85 m with the
MK50-135mm at the wide end.
3
6
7
5 Flange focal distance
adjustment function
MK Lenses feature a flange focal
distance adjustment mechanism,
which lets you adjust the distance
for individual cameras.
6 Bundled zoom lever
A zoom lever is included to improve
zoom ring operability.
7 Bundled support foot
A bundled support foot provides
stability to reduce blurring due to
the weight of the lens.
Bundled lens hood (not shown)
A dedicated lens hood to suppress
flare and ghosting further
expands the possibilities for visual
representation.
4
5
COMPACT, LIGHTWEIGHT BODY THANKS TO
SUPER 35MM SENSOR COMPATIBILITY AND
DEDICATED E-MOUNT DESIGN
Both the MK18-55mm and
MK50-135mm achieve a
compact, lightweight body
thanks to Super 35mm
sensor compatibility and
dedicated E-mount design.
This portability is ideal for
solo operation and run-
and-gun shooting, where
mobility is crucial.
6
FUJINON SERIES
FOR FILM AND DIGITAL CINEMATOGRAPHY
Designed for current and emerging digital cinema motion picture and
35mm format film cameras, Fujinon’s PL Series offer T-stop, focal
range and optical performance previously unavailable in a family of PL
zooms. With workable size, industry-inspired functionality and focal
range from 14.5 mm to 400 mm, these zooms provide top performance
and cost efficiency.
14.5 - 45 mm (HK3.1x14.5)
18 - 85 mm
LENS (Focal Length) 14.5 - 45 mm (HK3.1x14.5)
Zoom Ratio 3.1x
Focal Length T2.0 14.5 - 45 mm T2.0
T-No.
Iris Range T2.0 - T22 T2.0 - T22
Close Focus Limit 0.71 m 2.3’ 0.82 m 2.7’
Application
Format Cover S35 (Super 35 Film Format/24x13.5mm) S35 (Super 35 Film Format/24x13.5mm)
Mount PL Mount PL Mount
Angular Field of View 14.5 mm 79° 13’ x 49° 56’
16:9 Aspect Ratio 45 mm 29° 52’ x 17° 04’
Object Dimensions 14.5 mm 693 x 390 mm 18 mm 656 x 369 mm
at Close Focus 45 mm 215 x 121 mm 85 mm 139x78 mm
16:9 Aspect Ratio
Dia ø x Length ø 136 x 310 mm ø 136 x 352 mm
Weigh 6.5 kg / 14.3 lbs
(HK4.7x18)
18 - 85 mm (
4.7x
35 mm Film and Digital Cinema Camera 35 mm Film and Digital Cinema Camera
18 mm 67° 23’
85 mm 16° 04’
7.0 kg / 15.2 lbs
HK4.7x18)
18 - 85 mm
x 41° 07’
x 9° 05’
24 - 180 mm (HK7.5x24)
75 - 400 mm
LENS (Focal Length) 24 - 180mm (HK7.5x24)
Zoom Ratio 7.5x
Focal Length 1:2.6 24 - 180 mm T2.8 (75-270mm), T3.8 (400mm)
T-No.
Iris Range T2.6 - T22 T2.8 - T22
Close Focus Limit 1.24 m 4’ 2.0 m 6.6’
Application
Format Cover S35 (Super 35 Film Format/24x13.5mm) S35 (Super 35 Film Format/24x13.5mm)
Mount PL Mount PL Mount
Angular Field of View 24 mm 53° 08’ x 31° 25’
16:9 Aspect Ratio 180 mm 7° 38’ x 4° 18’
Object Dimensions 24 mm 924 x 520 mm 75 mm 580 x 326 mm
at Close Focus 180 mm 119 x 67 mm 400 mm 113x64 mm
16:9 Aspect Ratio
Dia ø x Length ø 136 x 405 mm ø 136 x 444 mm
Weight 8.9 kg / 19.6 lbs 9.7 kg / 20.0 lbs
(HK5.3x75)
75 - 400mm (
5.3x
75 - 400 mm
35 mm Film and Digital Cinema Camera 35 mm Film and Digital Cinema Camera
75 mm 18° 11’
400 mm 3° 26’
HK5.3x75)
x 10° 17’
x 1° 56’
7
FUJINON SERIES
The Cabrio lenses present a breakthrough design in PL lenses. Cabrio
lenses are designed to be the most versatile. The removable ENG style
digital drive has focus, iris and zoom motors which allows for
dynamic hand-held and documentary style shooting. Fujinon zoom &
focus controllers, as well as cine industry standard wired or wireless
controllers, can be connected. The 16 bit digital servo can be removed
by means of 4 screws. To reattach to the lens, a newly developed
self-aligning system is employed for easy and accurate calibration.
The lens will accept standard 0.8 geared cine accessories. Power to
the lens is through an external connector or the hot shoe Lens data
output is provided.
Breakthrough Design,
Unparalleled Flexibility!
Digital servo interface
connector. Barrel
markings are luminous
for visibility in dark
shooting situations.
Distance markings are
Unique detachable 16 bit
digital drive. Can easily
be reattached with 4
screws. With the digital
auto-aligning system,
it will be quickly and
accurately calibrated.
available in feet or
meters.
Hot shoe interface,
pins shown on rear
mount.
Interface on the digital servo
allows for control using industry
standard cinema controls as well
as Fujinon wired and wireless
units.
19 - 90 mm (ZK4.7x19)
85 - 300 mm (ZK3.5x85)
LENS (Focal Length) 19-90 mm (ZK4.7x19) 85-300 mm (ZK3.5x85)
Zoom Ratio 4.7x 3.5x
Focal Length T-No. T2.9 19 - 90 mm T2.9 85-218mm T4.0 300mm
Iris Range
Close Focus Limit 0.85 m 2.79’ 1.2 m 3.94’
Application
Format Cover S35+ (31.5 ø) S35+ (31.5 ø)
Mount PL Mount PL Mount
Angular Field of View 19 mm 71° 41’ x 44° 14’ 85 mm 18° 21’ x 10° 23’
16:9 Aspect Ratio 90 mm 17° 20’ x 9° 48’ 300 mm 5° 14’ x 2° 57’
Object Dimensions at Close Focus 19 mm 915 x 515 mm 85 mm 274 x 154 mm
16:9 Aspect Ratio 90 mm 193 x 109 mm 300 mm 79 x 44 mm
Dia ø x Length ø 114 x 226 mm ø 114 x 249 mm
Weight 2.85 kg w/ servo - 2.45 kg w/o 3.0 kg w/ servo - 2.6kg w/o
Features Detachable, auto-centering servo drive, Flange focal distance
adjustment, Macro, LDS and i/Tech Data compatible*
*Metadata only available with drive fitted
8
T2.9 - T22 T2.9 - T22
35 mm Film and Digital Cinema Camera 35 mm Film and Digital Cinema Camera
14 - 35 mm (ZK2.5x14)
25 - 300 mm (ZK12x25)
LENS (Focal Length) 14-35 mm (ZK2.5x14) 25-300 mm (ZK12x25)
Zoom Ratio 2.5x 12x
Focal Length T-No. T2.9 14 - 35 mm T3.5 25-273 mm T3.85 300 mm
Iris Range
Close Focus Limit 0.6 m 2.0’ 1.2 m 3.94’
Application
Format Cover S35+ (31.5 ø) S35+ (31.5 ø)
Mount PL Mount PL Mount
Angular Field of View 14 mm 88° 52’ x 57° 45’ 25mm 57° 32’ × 34°19’
16:9 Aspect Ratio 35 mm 42° 49’ x 24° 53’ 300 mm 5° 14’ x 2° 57’
Object Dimensions at Close Focus 14 mm 701 × 394 mm 25 mm 937 × 527 mm
16:9 Aspect Ratio 35 mm 193 x 109 mm 300 mm 77 x 43 mm
Dia ø x Length ø 114 x 231 mm ø 136 x 401 mm
Weight 2.9 kg w/ servo - 2.4 kg w/o 8.9 kg
Features Detachable, auto-centering servo drive*, Flange focal distance
adjustment, Macro, LDS and i/Tech Data compatible**
*Detachable servo for PL 25-300 optional
*Metadata only available with drive fitted
T2.9 - T22 T3.5 - T22
35 mm Film and Digital Cinema Camera 35 mm Film and Digital Cinema Camera
20 - 120 mm (XK6x20)
LENS (Focal Length) 20-120 mm (XK6x20)
Zoom Ratio 6x
Focal Length T-No. T3.5 - 20-120 mm
Iris Range
Close Focus Limit 1.1 m / 3’ 8”
Application
Format Cover S35 (Super 35 Film Format 24.84x13.97)
Mount PL Mount
Angular Field of View 20 mm 63° 41’ x 38° 30’
16:9 Aspect Ratio 120 mm 11° 49’ x 6° 40’
Object Dimensions at Close Focus 20 mm 1109 x 624 mm
16:9 Aspect Ratio 120 mm 182 x 102 mm
Dia ø x Length ø 114 x 239 mm
Weight 2.9 kg w/ servo - 2.4 kg w/o
Features Detachable, auto-centering servo drive, Flange focal distance
adjustment, Macro, LDS and i/Tech Data compatible*
*Metadata only available with drive fitted
T3.5 - T22
35mm Film and Digital Cinema Cameras
9
LENSES FOR 1/3” HD CAMERAS
The XT17sx4.5BRM and the XT20sx4.7BRM telephoto lens features
minimized chromatic aberrations and improved corner resolution.
The HTs18x4.2BERM high performance lens feature superior
resolution, high contrast and Fujinon’s exclusive Digi Power servo with
Quick Zoom, One Shot preset, Cruise Zoom, zoom limit and zoom speed
adjust.
Series
HTs18x4.2BERM
Zoom Ratio / Format 18X / 1/3”
Focal Length 4.2 to 76 mm
(2X) 8.4 to 152 mm
Maximum Relative 1:1.4 (4.2 ~ 76 mm)
Aperture (2X) 1:2.8 (152 mm)
Angular Field of View 4.2 mm 63° 49’ x 39° 35’
16:9 Aspect Ratio 76 mm 3° 56’ x 2° 13’
(2X) 8.4 mm 34° 35’ x 19° 51’
152 mm 1° 58’ x 1° 6’
M.O.D. from Image Plane 0.84 m
M.O.D. from Front of Lens 0.60 m
Object Dimensions 4.2 mm 697 x 392 mm
at M.O.D. 16:9 Aspect Ratio 76 mm 41 x 23 mm
(2X) 8.2 mm 360 x 202 mm
152 mm 21 x 12 mm
Filter Size ø 82 mm P=0.75
Dia ø x Length (w/o Hood) ø 85 x 214.1 mm
Weight (w/o Hood) 1.58 kg
Features Inner Focus / Quick Zoom / Zoom Limit / 16-Bit Encoders
Series
XT17sx4.5BRM
XT20sx4.7BRM
LENS XT17sx4.5BRM XT20sx4.7BRM
Zoom Ratio / Format 17X / 1/3” 20X / 1/3”
Focal Length 4.5 to 77 mm 4.7 to 94 mm
Maximum Relative 1:1.6 (4.5 ~ 77 mm) 1:1.4 (4.7 ~ 88 mm)
Aperture 1:1.5 (94 mm)
Angular Field of View 4.5 mm 60° 19’ x 36° 11’ 4.7 mm 58° 11’ x 34° 44’
16:9 Aspect Ratio 77 mm 3° 53’ x 2° 11’ 94 mm 3° 11’ x 1° 48’
M.O.D. from Image Plane 1.16 m 1.12 m
M.O.D. from Front of Lens 0.95 m 0.9 m
Object Dimensions 4.5 mm 999 x 562 mm 4.7 mm 901x506 mm
at M.O.D. 16:9 Aspect Ratio 77 mm 60 x 34 mm 94 mm 47x26 mm
Filter Size ø 82 mm P=0.75 ø 82 mm P=0.75
Dia ø x Length (w/o Hood) ø 85 x 175.6 mm ø 85 x 189.8 mm
Weight (w/o Hood) 1.28 kg 1.48 kg
Features Inner Focus / Quick Zoom Inner Focus / Quick Zoom
10
Accessories for above lenses on pages 24 — 27.
LENSES FOR 1/2” HD CAMERAS
Fujinon features the highest quality and most versatile line of 1/2” lenses.
From the Select series XS13x3.3BRM that boasts an exceptional wide
angle of 3.3mm and a 13x zoom range, to the ZS17x5.5BERM, featuring
an integral 2x extender and both employing the latest digital drive unit
with powerful features and functions. QuickZoom, CruiseZoom, One-shot
Preset, as well as a multitude of Digi-Power control functions provide the
operator with all the tools at hand to ensure a great shot! The 1/2” Select
Exceed series XS20sx6.3BRM rounds out our offerings and provides the
user with a very high quality yet economical lens with unrivaled performance for News and Production applications.
Series
XS13x3.3BRM
Zoom Ratio / Format 13X / 1/2”
Focal Length 3.3 to 43 mm
Maximum Relative 1:1.4 (3.3 ~ 32 mm)
Aperture 1:1.9 (43 mm)
Angular Field of View
16:9 Aspect Ratio
M.O.D. from Image Plane 0.58 m
M.O.D. from Front of Lens 0.30 m
Object Dimensions
at M.O.D. 16:9 Aspect Ratio
Filter Size
Dia ø x Length (w/o Hood) ø 95 x 240.5 mm
Weight (w/o Hood) 1.93 kg
Features Inner Focus / Quick Zoom
3.3 mm 93° 07’ x 61° 25’
43 mm 9° 16’ x 5° 13’
3.3 mm 752 x 423 mm
43 mm 54 x 30 mm
ø 127 mm P=0.75 (In Hood)
Series
ZS17x5.5BERM
Zoom Ratio / Format 17X / 1/2”
Focal Length 5.5 to 94 mm
(2X) 11 to 188 mm
Maximum Relative 1:1.4 (5.5 ~ 77 mm)
Aperture 1:1.7 (94 mm)
Angular Field of View 5.5 mm 64° 43’ x 39° 14’
16:9 Aspect Ratio 94 mm 4° 15’ x 2° 23’
(2X) 11 mm 35° 09’ x 20° 12’
188 mm 2° 07’ x 1° 12’
M.O.D. from Image Plane 0.84 m
M.O.D. from Front of Lens 0.6 m
Object Dimensions 5.5 mm 692 x 389 mm
at M.O.D. 16:9 94 mm 42 x 24 mm
Filter Size ø 82 mm P=0.75 (On Barrel)
Dia ø x Length (w/o Hood) ø 85 x 206.6 mm
Weight (w/o Hood) 1.58 kg
Features Inner Focus / Quick Zoom / Zoom Limit / 16 Bit Encoders
Series
XS20sx6.3BRM
Zoom Ratio / Format 20X / 1/2”
Focal Length 6.3 to 126 mm
Maximum Relative 1:1.4 (6.3 ~ 88 mm)
Aperture 1:2.0 (126 mm)
Angular Field of View 6.3 mm 57° 54’ x 34° 34’
16:9 Aspect Ratio 126 mm 3° 10’ x 1° 47’
M.O.D. from Image Plane 1.11 m
M.O.D. from Front of Lens 0.9 m
Object Dimensions 904 x 508 mm
at M.O.D. 16:9 Aspect Ratio 47 x 26 mm
Filter Size ø 82 mm P=0.75 (In Hood)
Dia ø x Length (w/o Hood) ø 85 x 181.9 mm
Weight (w/o Hood) 1.4 kg
Features Inner Focus / Quick Zoom / Zoom Limit
Accessories for above lenses on pages 24 — 27.
11
LENSES FOR 2/3” HD CAMERAS
Fujinon’s Premier Series lenses are designed to compliment and
enhance the quality of the world’s most advanced 2/3 inch HDTV
cameras.
The highest optical, mechanical, and electrical specifications are
incorporated into every Premier lens, along with powerful features
& functions. QuickZoom, CruiseZoom, One-shot Preset, as well as a
multitude of Digi-Power control functions provide the operator with
all the tools at hand to ensure a great shot! And now all of this is in
an ergonomically redesigned and performance enhanced New Digital
Drive Grip.
Series
HA14x4.5BE RM/RD*/ZD
Zoom Ratio / Format 14X / 2/3”
Focal Length 4.5 to 63 mm
(2.2X) 9.9 to 138 mm
Maximum Relative 1:1.8 (4.5 ~ 41 mm)
Aperture (2.2X) 1:2.8 (63 mm)
Maximum Photometric T2.0 (4.5 ~ 41 mm)
Aperture T-No. T2.9 (63 mm)
Angular Field of View
16:9 Aspect Ratio
M.O.D. from Image Plane 0.59 m
M.O.D. from Front of Lens 0.3 m
Object Dimensions
at M.O.D.
16:9 Aspect Ratio
Filter Size ø 127 mm P=0.75 (In Hood)
Dia ø x Length (w/o Hood) ø 95 mm x 238.5 mm
Weight (w/o Hood) 2.08 kg (RM) / 2.14 kg (RD)* / 2.2 kg (ZD)**
Options 16 Bit Encoders (ZD only) / Quick Frame
Fea tur es Inner Focus / Zoom Limit / Quick Zoom
16 Bit Encoders (RM / RD only)
**
4.5 mm 93° 38’ x 61° 50’
63 mm 8° 42’ x 4° 54’
(2.2X) 9.9 mm 51° 41’ x 30° 27’
138 mm 3° 57’ x 2° 13’
4.5 mm 743 x 418 mm
63 mm 59 x 63 mm
(2.2X) 9.9 mm 329 x 185 mm
138 mm 24 x 13 mm
Series
HA18x5.5BE RM/RD*/ZD
Zoom Ratio / Format 18X / 2/3”
Focal Length 5.5 to 100 mm
(2X) 11 to 200 mm
Maximum Relative 1:1.8 (5.5 ~ 62 mm)
Aperture 1:2.9 (100 mm)
Maximum Photometric T1.9 (5.5 ~ 62 mm)
Aperture T-No. T3.1 (100 mm)
Angular Field of View
16:9 Aspect Ratio
M.O.D. from Image Plane 0.69 m
M.O.D. from Front of Lens 0.4 m
Object Dimensions
at M.O.D.
16:9 Aspect Ratio
Filter Size ø 127 mm x 0.75 mm (In Hood Mounting Only)
Dia ø x Length (w/o Hood) ø 95 mm x 240.5. mm
Weight (w/o Hood) 1.97 kg / 2.04 kg* / 2.10 kg**
Options 16 Bit Encoders (ZD only) / Quick Frame
Features Inner Focus / Zoom Limit / Quick Zoom / Virtual
Serial Com / PC / Macro / 16 Bit Encoders (RM / RD only)
*RD contain Servos for Zoom and Focus.
**ZD contains Quick Frame / Precision Zoom Focus System.
12
5.5 mm 82° 10’ x 52° 13’
100 mm 5° 29’ x 3° 05’
(2X) 11 mm 47° 06’ x 27° 32’
200 mm 2° 45’ x 1° 33’
5.5 mm 800 x 450 mm
100 mm 44 x 25 mm
(2X) 11 mm 395 x 222 mm
200 mm 22 x 12 mm
Accessories for above lenses on pages 24 — 27.
**
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