FSI BM090, BM210, CM172, CM240, CM250 User Manual

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Monitor User Manual

Updated 12.18.2014

BM Series CM Series BM090 CM171 BM210 CM172 BM230 CM240 CM250 CM420TD CM500TD

This manual is based on rmware version 1.0.00-1969. If you have an older or newer rmware version some of the functions mentioned in this manual may not be present or may operate differently.

E-Mail: Support@FlandersScientic.com

Flanders Scientic, Inc.

6215 Shiloh Crossing

Suite G

Alpharetta, GA. 30005

Phone: +1.678.835.4934

Fax: +1.678.804.1882

www.FlandersScientic.com

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Contents

TOPIC PAGE(S)

Safety Precautions 3-4

Parts & Their Functions 5-6

Menu Navigation / System Status 7

Function Menu 8-17 Marker Menu 18 Video Menu 19-20 Scopes & VU Meters Menu 21-23

System Menu 24-26 Alarm Menu 27-29

OSD Menu 30

GPI Menu 31

Audio Menu 32

Color Management Menu 33 Color Management Menu: DIT LUTs 34-35 Color Management Menu:

Custom Calibration LUTs 36-39

Troubleshooting Guide 40-41 Monitor Specications 42-45

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Safety Precautions

• All operating instructions must be read and understood before the product is operated.

• These safety and operating instructions must be kept in a safe place for future reference.

• All warnings on the product and in the instructions must be observed closely.

• All operating instructions must be followed.

• Do not use attachments or accessories not recommended by the manufacturer. Use of inadequate attachments may

result in serious accidents.

• Do not place heavy objects on the power cord. Route power cord to prevent people from stepping on or resting objects on the cord. Check to ensure that both outlet and product connection points are properly seated and secured.

• This product must be operated on a power source as specied on the specication label or product screening. Always operate the product within the voltage range specied.

• Do not overload AC outlets or extension cords. Overloading can cause re or serious electric shock.

• Never insert an object into the product through vents or openings as this can cause serious electric shock or damage.

• Do not expose product to water or other liquids as this can lead to electrical shock or permanent damage.

• Do not attempt to service the product yourself. Removing covers can expose you to high voltage and other unsafe

conditions. Please seek the assistance of a qualied service professional for all service needs.

• If any of the following occur, unplug the power cord from the AC outlet and consult a qualied service professional to perform repairs:

• Power cord or plug becomes damaged.

• When any liquid is spilled on or in the product.

• When the product has been exposed to rain or water.

• When the product does not operate properly as described in the instruction manual.

• When the product has been dropped or damaged.

• If the product requires replacement parts, make sure that the service person uses replacement parts specied by the

manufacturer, or those equivalent parts having the same characteristics and performance specications as the original parts. Use of unauthorized parts can result in re, electric shock, and/or other damage.

• Upon completion of any service or repair work, request that the service technician perform safety checks to ensure that the product is in proper working order.

• When mounting the product to a wall, ceiling, or within a rack/enclosure, be sure to install the product according to the instructions of both the mount and monitor manufacturer.

• Unplug the power cord from the AC outlet before cleaning the product.

• For proper screen maintenance please follow the guidelines below to prevent scratches, discoloration, or other damage to the panel:

• Avoid striking the screen with any object.

• Do not wipe screen hard. Apply only gentle pressure if cleaning.

• Do not wipe the screen with solvents such as alcohol, paint thinner, or benzene as this can cause permanent

damage to the panel.

• Do not spray detergent or other cleaners directly on the monitor or panel.

• Do not write on the panel with any substance or object.

• Do not paste or stick anything to the screen as any adhesive can cause damage to the panel.

• Screen may be cleaned by gently wiping with lint free cloth to remove dust. For more thorough cleaning use a

lint free cloth that has been very lightly dampened with distilled water. Please dry any excess moisture from the monitor or panel immediately to prevent damage.

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Safety Precautions

• For proper chassis maintenance please follow the guidelines below to avoid any potential damage:

• Do not wipe the chassis with solvents such as alcohol, paint thinner, or benzene.

• Do not expose the cabinet to any volatile substances.

• Do not allow prolonged contact with rubber or plastic.

• Apply only gentle pressure to chassis when cleaning.

• To clean use soft, lint free cloth to remove dust. A lightly dampened cloth, as described in the screen maintenance

section, may also be used to clean the chassis.

• Take care in moving this product as serious injury or death can result from the sudden shifting or falling of this object.

• The vents and openings in the product’s chassis are designed for ventilation. Do not cover, block, or otherwise obstruct

these vents and openings as insufcient ventilation can cause overheating and/or shorten the life of the product. Do not place the object on a bed, sofa, rug, or other similar surface as this can result in serious obstruction of ventilation areas. If using in enclosed space make sure to provide proper ventilation to maintain allowable operating temperature range.

• The panel used in this product contains glass and can cause serious injury if broken. If the unit is dropped or otherwise damaged take care to avoid possible injury by glass shards.

• Keep this product away from heat generating sources such as radiators, heaters, stoves, or other heat generating products.

• Avoid prolonged exposure to direct sunlight as this can cause damage to the panel

FCC (Federal Communications Commission)

This equipment has been tested and found to comply with the limits for a class A digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interface when the equipment is operated in a commercial environment.

This equipment generates, uses, and can radiate radio frequency energy, and if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications.

Warning: Changes or modications not expressly approved by the manufacturer responsible for compliance void

the user’s authority to operate the equipment.

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Page 5

Parts & Their Functions

DVI

VIDEO

YPbPr

SDI 2 SDI 1

DOWN

F1 F2

F3 F4

ENTER

PHASE / H POS CHROMA / V POS BRIGHT / Ref POS CONTRAST / F Stop VOLUME / Reset

POWER

• SDI 1: Used to select SDI Input 1 as the active Input.

• SDI 2: Used to select SDI Input 2 as the active Input.

• YPbPr: Used to select the Component Analog Input as the active Input.

• VIDEO: Used to select the Composite Analog Input as the active Input.

• DVI: Used to select the DVI-I Input as the active Input. DVI-Digital / DVI-Analog toggle is available in the System Menu

(Menu/System/DVI Selection).

• F1: Assignable function key. This key’s function is selectable from the Function Menu.

• F2: Assignable function key. This key’s function is selectable from the Function Menu.

• F3: Assignable function key. This key’s function is selectable from the Function Menu.

• F4: Assignable function key. This key’s function is selectable from the Function Menu.

• F5: Assignable function key. This key’s function is selectable from the Function Menu.

• MENU: Used to enable On Screen Menu.

• UP: Used in combination with DOWN and ENTER Keys to navigate On Screen Menu.

• DOWN: Used in combination with UP and ENTER Keys to navigate On Screen Menu.

• ENTER: Used in combination with UP and DOWN Keys to navigate On Screen Menu. The ENTER button is used to

conrm selections within the On Screen Menu.

• POWER: Used to turn power on/off.

• VOLUME: Used to adjust volume. Press down on this knob to instantly mute or unmute the volume.

• CONTRAST: Used to adjust contrast higher or lower. Pressing down on the center of this button will return the contrast

setting to its default position.

• BRIGHT / F.D. / Ref POS: Used to adjust brightness higher or lower. Pressing down on the center of this button will return the brightness setting to its default position. The brightness knob should NOT be used increase the overall peak white luminance of the unit, use the Luminance setting on the System Menu to adjust overall luminance.

• CHROMA / V POS: Used to adjust chroma higher or lower. Pressing down on the center of this button will return the chroma setting to its default position.

• PHASE / H POS: Used to adjust phase. Pressing down on the center of this button will return the setting to default. Hue is locked by default on SDI, but can be unlocked by the SDI Hue Adjustment option on the System Menu.

• Tally: Three color tally lamp controlled via remote control.

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Parts & Their Functions

DC Power AC Power

100mm VESA

LAN

RJ-485

DVI-I

Video

Component

GPI

RS-232

• LAN: IP Control via select programs. This feature is in beta.

• GPI: General Purpose Interface for Contact Closure Remote Control.

Remote Control Functions can be assigned from the GPI Menu.

• RS-485: RS-485 Ports (In/Out) for looping remote control interface.

• DVI-I: DVI-I Input. Supports both DVI-Analog & DVI-Digital.

Analog / Digital Toggle is found on System Menu.

• Video In/Out: Composite Video Input & Loop Through.

• Component In/Out: Component Video (SD & HD autosensing) Input & Loop

Through. Supports both YPbPr & RGB signals.

• Ext. Sync. In/Out: External Reference Synchronization Interface.

• SDI In 1 & SDI In 2: Two Autosensing, Autoswitching, Multi-Format 3G/Dual-Link/

HD/SD-SDI Inputs.

• SDI Out 1 & Out 2: Two looped 3G/Dual-Link/HD/SD-SDI Outputs.

• Audio In/Out: Analog Stereo Mini-phono Audio Input & Output. Unbalanced, Audio

Out delayed by exact amount of monitor video procesisng time to maintain sync.

Ext Sync

SDI

Audio

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Menu Navigation / System Status

Main Menu

Pressing the MENU button on the monitor’s keypad will call up the On Screen Menu, as shown below:

Main Menu Function

Function F1 Scopes & Audio Meters 1

Scopes & Audio Meters F2 Scopes & Audio Meters 2

Video F3 Scopes & Audio Meters 3

Audio F4 Marker 1

Marker F5 Measurement (10Bit)

System Function Display On

Alarm

OSD

GPI

Color Management

System Status

Support

Navigating the Main Menu

To navigate the Main Menu simply use the UP and DOWN keys to highlight a category and press the ENTER button to select the highlighted sub menu. Navigate the sub menu in the same way by using the UP and DOWN keys to highlight a particular function and press ENTER to toggle between that function’s settings. To exit the menu or back out of a sub menu simply press the MENU button.

System Status Category

The System Status category does not contain any congurable settings, but does provide important information regarding your monitor’s serial number, rmware version, & current conguration.

Main Menu System Status

Function Input DVI-D

Scopes & Audio Meters Input Mode 1080p 60hz

Video Overscan Off

Audio Pixel Mapping Off

Marker Volume 16

System Contrast 0

Alarm Brightness 0

OSD Chroma 0

GPI Hue 0

Color Management Model BM210

System Status Version 1.0.00-1969

Support S/N M210A0000

Note that pressing an input button will temporarily call up a secondary system status summary window that will indicate incoming signal resolution and frame rate, active color space selected on Color Management menu, gamma response selected on Video Menu, & color matching function selected on Color Management Menu*.

*Color Matching Function toggle only works on OLED units, all other units currently use CIE 1931 CMF only.

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Function Menu

Main Menu Function

Function F1 Scopes & Audio Meters 1

Scopes & Audio Meters F2 Scopes & Audio Meters 2

Video F3 Scopes & Audio Meters 3

Audio F4 Marker

Marker F5 Measurement (10Bit)

System Function Display On

Alarm

OSD

GPI

Color Management

System Status

Support

The Function Menu allows you to assign user selectable functions to any of the 5 function buttons (F1, F2, F3, F4, & F5) on the monitor keypad. Many monitor features listed as assignable options in the function menu are also selectable via the embedded menus and are present simply to provide an option for faster, single button press access to the desired function. Other features listed require a function key for activation, but may have associated customizable settings that can be found in other menus.

Assigning Function Keys

To assign a function to a function key highlight one of the 5 Function lines and press ENTER. A list of assignable functions will appear. Select the desired function with the UP and DOWN buttons and press ENTER to assign that function to the corresponding function key. The Function Display option at the bottom of the Function Menu gives you the option to have a temporary conrmation window appear on screen after a function key is pressed that will identify the function that was turned on or off.

WARNING: Changing a function button assignment does NOT automatically turn an active function off. Make sure to disable unwanted active functions before changing function button assignments.

NOTE: Many features (Waveform, Vector Scope, Audio Level Meters, etc.) require a function key in order to operate. Some menus (such as the Scopes & Audio Meters Menu) only set your display preferences while a corresponding function key must be assigned to turn the feature on and off. If you are having trouble with a monitor feature make sure you have assigned the proper function key and any corresponding menu settings.

Scopes & Audio Meters 1, 2, 3

These functions toggle on/off a Scopes & Audio Meters prole. Three prole slots are available from the Scopes & Audio Meters Menu and each prole can be set to a specic function key allowing you to instantly toggle between various types of Scope and/or Audio Level Meter congurations. Please note that if you have set both Scopes Windows to the Off position in the Scopes & Audio Meters menu nothing will appear on screen when you toggle this function (see Scopes & Audio Meters

Menu section of this manual for more details).

Cross Hatch

The Cross Hatch function toggles on/off the onscreen display of a graphical cross hatch overlay.

Marker 1, 2, 3

These functions activate the onscreen display of the preset Area, Safety, Custom Graticules, or Active Boundary Markers as set in the Marker Proles. Marker Proles can be customized via the Marker Menu. By utilizing this function you can toggle on/off your selected markers with a single function key (see Marker Menu section of this manual for more details).

Overscan

The Overscan function can work with 1:1 Pixel mapping mode on or off. With 1:1 Pixel to Pixel mapping mode turned off the Overscanned image is scaled full screen. With 1:1 Pixel to Pixel mapping mode turned on the image remains unscaled, but the area lying outside of the active scan area is blacked out. This area represents the same area not visible with Pixel to Pixel mode off.

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Function Menu

Details on Overscan Function

With the overscan function off all active lines of video can be displayed on screen. With overscan on a small percentage of the outermost active video will not be displayed. Additionally, the monitor can scale the overscanned video full screen or ‘blackout’ the outlying area while maintaining a pixel to pixel display of the video inside the active scan area. To toggle between these variations of Overscan use the 1:1 Pixel to Pixel mapping function. With both Pixel to Pixel mapping and Overscan selected the area outside of the active scan will simply be blacked out, but the active video will not be scaled outside of the 1:1 pixel scan. With Pixel to Pixel mapping off and overscan on the active scan area will be scaled full screen. To view all active lines in Pixel to Pixel mapping mode make sure to turn Overscan off.

Overscan Examples

(Images represent 720p source on BM230)

Pixel to Pixel Off

Overscan Off

Pixel to Pixel Off

Overscan On

More Overscan Examples

(Images represent 1080i source on BM230)

Pixel to Pixel Off

Overscan Off

Pixel to Pixel On

Overscan On

Pixel to Pixel On

Overscan Off

Pixel to Pixel On

Overscan On

Pixel to Pixel Off

Overscan On

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Pixel to Pixel On

Overscan Off

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Function Menu

Sub Window

Largely deprecated for use on CFE2 equipped units. For side by side viewing on CFE2 units please use the dedicated PIP

function instead. The Sub Window function enables a Picture by Picture mode. After assigning the Sub Window function

to a function key the rst key press will result in a picture by picture display of your active input. Once sub window mode is active you can press down on the H POS rotary knob to freeze the image on the right while the image on the left will continue to show your live source. Once frozen you can also switch to any other input provided that the resolution of that input is the same as the frozen source. To exit sub window simply press the assigned function key again.

Pixel Mapping

The Pixel Mapping function toggles between various available pixel mapping options. Options vary depending on the incoming source, but may include the following:

1:1 Pixel Mapping: 1 pixel of incoming source is displayed as 1 pixel onscreen. If the incoming source resolution is less than the total pixel count of the monitor your source will not ll the screen. This is often referred to as a postage stamp representation of the source. If the incoming source resolution is greater than the total pixel count of the monitor then only a portion of the incoming source will be shown onscreen, but the pixel position function (controlled by the H POS rotary knob) may be used to view different sections of the 1:1 pixel representation. The monitor’s tally light will ash to remind you that you are in 1:1 pixel mapping mode if any portion of the image is not shown on screen when in 1:1. This pixel mapping mode can be combined with the SD Aspect Function (Anamorphic toggle) to activate a PAL SD FHA viewing mode on the monitor. Once pixel mapping is active pressing down on the H POS knob will move the source to a different onscreen position when pressed. Please note that if the incoming source is the same resolution as the panel the image will not move. On monitors with lower than 1920x1080 resolution this feature can be used to view any section of a 1080 source in a native 1:1, unscaled format. Similarly, on all native 1920x1080 or 1920x1200 resolution monitors this mode will allow you to view any portion of an incoming 2K source in an unscaled 1:1 onscreen representation.

2:1 Pixel Mapping (SD sources only): Every individual pixel of the incoming source is represented by four pixels onscreen. This scaling algorithm is simple and allows for a largely artifact free double size version of the 1:1 Pixel Mapping Mode for SD sources. While 2:1 scaling will still not ll the entire screen on a 1920x1080 resolution monitor, it does use a majority of the vertical screen height and provides an excellent quality large scale representation of the SD source.

Full Screen Mapping: The full screen mode will scale the incoming source to ll as much of the screen as possible while preserving the incoming source’s native aspect ratio. If the incoming source and panel share the same resolution then there will be no difference between 1:1 pixel mapping and full screen pixel mapping. Please note that the Overscan function will be represented differently based on the pixel mapping selection that you select.

Pixel Position

This feature is a part of the Pixel Mapping function and provides a toggle for positioning a 1:1 Pixel to Pixel mapped representation of an incoming source on different areas of the screen. Once pixel mapping is active the H POS knob will move the source to a different onscreen position when pressed. Please note that if the incoming source is the same resolution as the LCD panel the image will not move. The pixel position feature does not work unless the 1:1 Pixel to Pixel mapping mode function is turned On. On 7”, 9”, and 17” monitors this feature can be used with the Pixel to Pixel Mode to view any section of a 1080 source in a native 1:1, unscaled format. Similarly, on all native 1920x1080 or 1920x1200 resolution monitors this mode will allow you to view any portion of an incoming 2K source in an unscaled 1:1 onscreen representation.

H/V Delay Mode

This mode activates the Horizontal and Vertical Delay function to highlight the horizontal and vertical blanking portions of the incoming signal.

Mono Mode

This mode activates the Monochrome function. Press once to turn on and again to turn off.

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Function Menu

SD Aspect Ratio

Toggles between 4:3 and Anamorphic display of Standard Denition source. This function should be set to match the SD source being viewed. The default setting is 4:3. If used in conjunction with 1:1 pixel mapping this function can also activate a PAL SD FHA viewing mode.

Full Screen

This function simply stretches any incoming source to ll the entire screen. Unlike the Zoom feature this full screen stretch does not preserve aspect ratio, but it does keep all of the active video signal present. Though the full screen mode has many potential uses it was designed primarily for use with rasterizers that generate a 16:10 or 16:9 aspect 1024x768 output. Enabling Full Screen mode allows the monitor to stretch the image as intended by the rasterizer.

Pixel Zoom

The Pixel Zoom function will generate a positionable and resizable rectangle on screen. The rectangle may be moved left or right using the H POS rotary knob and up or down using the V POS rotary knob. The Ref POS rotary knob may be used to change the size of the onscreen rectangle. Using these three rotary knobs you can select any area on screen and then press down on the F Stop rotary knob to zoom to the selected area. This pixel zoom feature is designed to work with any HD signal formats. A ashing tally light will be activated on your monitor whenever you are in a zoomed mode as a reminder/warning that the entire incoming signal is not being shown on the monitor. To exit the zoomed mode simply press down on the F Stop rotary knob once more. To exit the Pixel Zoom feature entirely simply press the function button assigned to this feature once more. The Pixel Zoom function allows for an essentially artifact free, high quality zoom on any portion of an HD signal.

LUM Coloring

This function generates an articial luminance map of the incoming source that can be particularly useful in identifying overexposed areas in any given shot. An onscreen scale helps indicate what articial color corresponds to what luminance level. The scale will follow the selected Waveform Scale set in the Scopes & VU Meters Prole 1: you can choose from IRE, Digital Levels, or Voltage. In its default conguration the LUM Coloring feature will highlight all levels above 100IRE as white and all levels below 0 IRE as black. In default mode levels between 0 and 100 IRE will be color coded. However, you can change the range of these color coded regions to any preferred setting by using the monitor’s rotary knobs. The H POS rotary knob will adjust the lower limit of the lower color coded region. The V POS rotary knob will adjust the upper limit of the lower color coded region. The Ref POS rotary knob will adjust the lower

LUM Coloring with Custom Range LUM Coloring with All Legal Levels Shown in Greyscale

LUM Coloring in Default Mode

Overexposed Areas in White

Underexposed Areas in Black

Underexposed Areas in Blue

Overexposed Areas in Red

LUM Coloring with Custom Range

limit of the upper color coded region. The F Stop Rotary knob will adjust the upper limit of the upper color coded region. These color coded ranges are retained in memory so you can exit and reenter LUM Coloring Mode without having to reset your desired threshold levels.

Blue/Red/Green Only

This function activates the monitor’s Blue Only, Red Only, and Green Only modes. The respective channels can be shown as just that color (Red, Green, Blue) or as monochrome.

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Function Menu

Measurement (10bit & 8bit)

This function allows you to get precise real time YRGB measurements of any point or area within your incoming signal. With the Measurement function on you can use the H POS and V POS rotary knobs to position your crosshair over the point within your source that you would like to measure. To reset the vertical or horizontal position of your crosshair back to center simply press down on the corresponding rotary knob. You may also use the Ref POS rotary knob to select the size of the sampling area for the measurement data (from a single pixel to a much larger area where the values will be an average of all pixels within your dened sample area). As you move the crosshair your Measurement data will update in real time. The Measurement function is available in a 10 bit mode or 8 bit mode and will provide you with the following data in real time:

• Line and Sample (Identies position of your crosshair)

• Y (Luminance as an absolute value between 0-255 for 8 bit and 0-1023 for 10 bit)

• Y% (Luminance level expressed as percentage)

• R% (Red level expressed as percentage)

• G% (Green level expressed as percentage)

• B% (Blue level expressed as percentage)

• R (Red level as an absolute value between 0-255 for 8 bit and 0-1023 for 10 bit)

• G (Green level as an absolute value between 0-255 for 8 bit and 0-1023 for 10 bit)

• B (Blue level as an absolute value between 0-255 for 8 bit and 0-1023 for 10 bit)

You can also press the Ref POS rotary knob to set a reference position onscreen. Once your reference position is set it will be indicated on screen by a separate crosshair and you will be able to move the active crosshair to obtain a real time readout of your current and reference positions as well as a separate readout of the precise difference between current and reference locations. Please note that your reference position is both a spatial and temporal reference meaning that the values indicated on screen for the reference are for that point on screen at the moment you set the reference.

Pressing the F Stop rotary knob button allows you to set your current crosshair position as an F-Stop Reference and view differences between this current position and your reference position as an F-Stop value. The F-Stop reference feature is independent of the Ref POS feature. The F-Stop reference value will always be based on the levels of your current active crosshair position at the precise moment when the F-Stop knob is pressed.

The crosshair color will follow the color selected for markers from the Marker Menu. To change the color of the Measurement function’s crosshair change the Marker color.

Measure Line Sample Y1024 R1024 G1024 B1024 Y% R% G% B% F/stop

Current 293 944 249 246 251 217 21.1 20.8 21.3 17.5 -0.0

Ref_Pos 316 994 240 240 241 219 20.1 20.1 20.2 17.7 -0.1

Diff -24 -51 9 6 10 -2 1.0 0.7 1.1 -0.2 0.1

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Page 13

Function Menu

CIE Measurement

This function allows you to get precise real time chromaticty measurements of any point or area within your incoming signal as well as a real time plot of the mesured position on a CIE color space diagram. With the Measurement function on you can use the H POS and V POS rotary knobs to position your crosshair over the point within your source that you would like to measure. To reset the vertical or horizontal position of your crosshair back to center simply press down on the corresponding rotary knob. You may also use the Ref POS rotary knob to select the size of the sampling area for the measurement data (from a single pixel to a much larger area where the values will be an average of all pixels within your dened sample area). As you move the crosshair your Measurement data and plot will update in real time. The CIE Measurement function will provide you with the following data in real time:

• Line and Sample (Identies position of your crosshair)

• R’ (Red signal level percentage normalized to 10 bit data range)

• G’ (Green signal level percentage normalized to 10 bit data range)

• B’ (Blue signal level percentage normalized to 10 bit data range)

• Y% (Luminance level as percentage)

• x (CIE 1931 x chromaticty coordinate)

• y (CIE 1931 y chromaticty coordinate)

• u’ (CIE 1976 u’ chromaticty coordinate)

• v’ (CIE1976 v’ chromaticty coordinate)

• dE2000 (difference between current & reference expressed as dE2000 value)

You can press the Ref POS rotary knob to dene a reference position on screen. Once your reference position is set it will be indicated on screen by a separate crosshair and you will be able to move the active crosshair to obtain a real time readout of your current and reference positions as well as a separate readout of the precise difference between current and reference locations. Please note that your reference position is both a spatial and temporal reference meaning that the values indicated on screen for the reference are for that point on screen at the moment you set the reference.

Pressing the F Stop rotary knob button allows you to toggle the CIE color space diagram between CIE 1931 and CIE 1976 views. Your chromaticty plots are calculated using signal input data relative to your active Color Space selection on the Color Management menu. Since your reference color gamut for chromaticty calculation follows this selection it allows you to have Rec709, DCIP3, EBU, or SMPTE C as your reference color gamut. Please note that if you have the Color Space selection set to Wide Gamut or a custom USER position the reference gamut used for the CIE Measurement feature will default to Rec709.

The crosshair color will follow the color selected for markers from the Marker Menu. To change the color of the Measurement function’s crosshair change the Marker color.

CIE Line Sample R’ G’ B’ Y% x y u’ v’ dE2000

Current 542 960 971 0 1 18.93 0.6400 0.3300 0.4507 0.5229

Ref_Pos 541 961 1023 1023 1023 100 0.3127 0.3290 0.1978 0.4683

Diff 1 -1 -52 -1023 -1022 -81.7 0.3273 0.0010 0.2529 0.0546 47.678

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Page 14

Function Menu

Focus Assist

The focus assist feature is comprised of two main parts: a numerical focus meter and a graphical focus highlight. The numerical focus meter is shown on screen as your current focus value over your reference focus value (i.e. 560/300). When the focus assist feature is activated the rotary knob labeled Ref POS allows you to adjust the reference focus value. The reference focus value represents the in-focus threshold for the focus highlight portion of the focus assist feature. Adjusting the focus reference value higher means that the threshold at which the focus highlight begins to trace in-focus items with a red boundary will be higher. In other words a greater degree of focus will need to be achieved before the focus highlight feature is visible on screen as a red trace around in-focus objects.

In Focus Shot with Default Focus

Reference Value

Less Focused Shot with Default

Focus Reference Value

Example of Shot with Focus Reference Value Turned Up

Level B Variable Wipe

When monitoring a Level B 3Gbps SDI signal (monitor must have 3Gbps SDI Input) comprised of two multiplexed 1.5Gbps HD-SDI signals the monitor will allow you to view these signals in a vertical or horizontal split screen mode. By activating the Level B Variable Split function while in split screen mode the positioning of the split can be adjusted using the H POS rotary knob. To quickly reset the split screen positioning to the default center position simply press down on the H POS rotary knob while the Level B Variable Wipe function is active. Once your desired split screen wipe position is set you can the Level B Variable Wipe function off to remove the guide line between the two signals.

Still Frame

This function allows you to freeze a video source at anytime. To unfreeze simply press the function key assigned to Still Frame a second time.

Zoom

This function zooms in on the incoming source until the entire screen is lled. This is strictly a zooming function and does not alter the native aspect ratio of the source to ll the screen. When viewing a 4:3 source in Zoom mode on a 16:9 display the aspect ratio of the visible video will remain 4:3 though the entire 16:9 screen will be lled. Essentially the Zoom mode results in viewing a 16:9 section of the 4:3 source and is most useful when viewing a letterboxed SD source on a widescreen display so that the letterboxing is not shown and only the video within the letterboxing is present.

DSLR Zoom

This function is designed to be used with many popular DSLR cameras that have preview/record monitoring output in 1080 & 480 resolutions. When DSLR Zoom is active the 16:9 area that will be recorded is scaled to ll the screen. On DSLR cameras that switch from 1080 to 480 while recording the DSLR Zoom can be left on and the same correct aspect zoom will be maintained regardless of whether the DSLR is in preview or recording mode. While DSLR Zoom is active the markers may also be turned on and will be correct relative to the 16:9 video that will be captured to the camera’s memory card. Please note it may be necessary to toggle the viewing mode preference (Info button on many DSLRs) to ll the screen correctly.

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Page 15

Function Menu

DSLR Zoom (continued)

DSLR in 1080i Preview with DSLR Zoom feature Off DSLR in 1080i Preview with DSLR Zoom Feature On

DSLR in 480p Record Mode with DSLR Zoom feature off DSLR in 480p Record Mode with DSLR Zoom feature On

Safety Broadcast

Safety Broadcast is a special monitoring mode designed for Control Room and QC station environments. With Safety Broadcast mode activated you can have simultaneous display of two audio level meters, Enhanced Source ID display (large overlay, remotely or manually set), Enhanced Alarm Window Display (large window, red background), and enhanced timecode display (large timecode overlay window). Please note that as with the standard Alarm Monitoring feature the monitor may respond slowly to user toggles/inputs if a constant alarm condition is occurring. Toggles for UMD Display, Color, and Position are found in the Alarm Menu. Vertical or Horizontal Safety Broadcast Audio Meter selection is also found in the Alarm Menu.

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Page 16

Function Menu

AFD (Active Format Description)

Activating this function will enable an Active Format Description reader on the monitor that will provide both a text readout of AFD data and display corresponding markers onscreen indicating the portions of the image described by the AFD code. If no AFD data is present while this feature is active the monitor will show AFD: NONE in its AFD readout window.

Anamorphic De-Squeeze

This feature gives you the ability to de-squeeze HD signals coming from cameras utilizing anamorphic lenses that may not have a built in de-squeeze feature of their own. This can be particularly useful in applications outside of post production, especially onset monitoring, where de-squeezing such signals in real-time may otherwise not be possible. The de-squeeze modes available are 1.3, 2.0, and 2.0mag. This feature is in addition to, and not a substitute for, the SD Aspect Ratio function. To use this feature set Anamorphic DeSqueeze to a function button, which will allow you to toggle the de-squeeze on and off. To set the desqueeze ratio/magnication go to the Video Menu and select your desired Anamorphic De-Squeeze mode.

Anamorphic De-Squeeze Modes

image position horizontal center

with alternative 14:9 center

AFD: 0x0d code frame 16:9 active image 4:3

1.3x Anamorphic Original 1.3x Anamorphic De-Squeeze

2.0x Anamorphic Original 2.0x Anamorphic De-Squeeze

2.0x Anamorphic Original

2.0x mag Anamorphic De-Squeeze

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Page 17

Function Menu

Invert Screen (LM-0950W Only)

Allows the image to be ipped onscreen in real-time. This function only works on the LM-0950W.

CX Scale

This scaling mode was designed specically to allow the scaled down and top centered ’gate check’ output from Codex™ ARRIRAW Recorders to be scaled full screen. Once assigned to a function key you can quickly enter or exit this custom scaling mode with a single button press. Please note that some functions, such as markers, will not work while this mode is active. However, other useful functions such as Waveform and Vector Scope will continue to operate normally.

C-Log, S-Log, S-Log2, S-Log 3 and BMD-Log Modes (Also selectable via Video Menu)

These modes allow for easier on-set monitoring of uncorrected of C-Log, S-Log, S-Log2, or BMD Cinema Camera Film Mode Output by roughly normalizing the footage. For all Log modes there is both a Standard and Full selection. The Standard selection is suitable for most applications, but does clip highlights to allow for a brighter overall image. The Full mode is best used for scenes with extremely wide latitude or scenes that are just very bright overall. Full mode preserves the entire native latitude of the signal (nothing is clipped), but this can result in a rather dark image in many applications. We provide both for this reason and you can quickly toggle between them as needed for different applications by assigning these modes to function keys. These modes should only be used to offer on set viewers a rough normilization of the footage to give them an idea of what the content might look like as a starting point in post production. In other words, it provides you with a helpful tool to show on set viewers something that does not look ‘at’. These modes are not a replacement for full 3D LUT transforms and not a substitution for proper color correction in post production applications. For more advanced Log mode normalization use a custom 3D DIT LUT.

Rec. Status Tally

This function is designed for use with cameras that output Start/Stop Record ags in the ancillary data of their serial digital output. To activate this function set Rec. Status Tally to a function button and press that function button once. While active the monitor’s red tally light will turn on when the Start Record SDI ag is detected and will turn the red tally light off when the Stop Record SDI ag is detected.

On-Screen Tally

When activated this function will generate an onscreen box that mirrors the status of the physical tally on the monitor’s bezel. This can be particularly useful in applications where the physical tally may be obscured.

Picture In Picture (PIP) - Live Side by Side and Picture In Picture Viewing

On BM and CM series monitors (excluding CM-170W), the Picture In Picture function will allow you to toggle Picture In Picture. Corresponding controls can be found in the System Menu to change your PIP Secondary Input and PIP Mode, allowing you to select Picture In Picture, Picture And Picture (Side-By-Side Monitoring), or Picture On Picture.

Max Sharpness

In addition to the Sharnpess Level Setting found on the Video Menu there is an assignable function called Max Sharpness that will allow you to use a function button to toggle in/out of maxium sharpness mode quickly.

Dual Link

CM & BM sereies units equipped with FSI’s second generation Color Fidelity Engine (CFE2) can support Dual Link SDI (2 x 1.5Gpbs SDI) in addition to single link 3Gbps SDI for advanced signal format support. 3Gbps SDI is the preferred connectivity method if available, but if single link 3Gbps SDI output from your source is not available you can use the Dual Link funciton to activate Dual Link SDI support. To activate this capability rst select SDI 1 as your input. Then set Dual Link to a function button. Then press that designated function button to to turn on Dual Link mode. Once active you may need to set your SDI format manually if no payload ID is present in the signal. To do this go to the SDI format section of the Video Menu and select the appropriate format.

4K Display (CFE2 Units Only)

This feature is currently in limited beta testing only. Further support & documentation may be offered in conjunction with future rmware releases.

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Page 18

Marker Menu

Main Menu Marker

Function Marker Select Prole 1

Scopes & Audio Meters Area Marker 4:3

Video Safety Marker 90%

Audio Marker BG. Normal

Marker Center Marker On

System Marker Color White

Alarm Safety in Area On

OSD Active Boundary Off

GPI Graticules Off

Color Management

System Status

Support

Marker Select

Toggles between three Marker Proles. Each prole stores all marker preferences and can be recalled from the function menu by assigning a function button to a specic marker prole.

Area Marker

Use the Area Marker function to select what type of marker is displayed when the marker function is active. The marker selections available from this option include most commonly used markers and more complex user designed custom markers. Area Markers and Safety Markers may be displayed simultaneously provided that the Marker Background function (described below) is set to Normal.

NOTE: The Marker Menu only sets your marker preferences. To toggle the onscreen display of your congured marker assign the Marker function to one of the function keys. See the Function Menu section of this manual for more details.

Safety Marker

Use the Safety Marker function to toggle the size, in percentage, of the safety marker displayed. This option can be used by itself or in conjunction with the Area Marker function provided that the Marker Background function (described below) is set to Normal. The Safety Marker may be displayed relative to the incoming source or the Area Marker by toggling the Safety in Area option on the Marker Menu.

Marker BG.

The Marker Background setting can be used to toggle how the area that lies outside of the Area Marker or Safety Marker boundaries is represented. You can select from Normal, Transparent, or Solid.

Center Marker

Toggles whether the center marker (crosshair) is displayed when the marker is activated.

Marker Color

This setting allows you to select the color of the marker being used. This can be especially useful when one color dominates the screen and an easily visible high contrast marker is desired.

Active Boundary

When turned on, the Active Boundary marker will highlight the edges of any active video area not directly bordering the monitor’s bezel. This is useful for detecting missing lines in the active video area.

Safety in Area

Toggles whether Safety Marker is shown relative to incoming source or relative to Area Marker (i.e. 4:3)

Graticules & Graticules Info

Toggles Custom Marker Feature On/Off. Use rotary knobs to adjust line positioning. Set Graticules Info to Off to clear line position and span size readouts.

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Page 19

Video Menu

Main Menu Video

Function Gamma Select Gamma 2.4

Scopes & Audio Meters Log Mode Off

Video Color Temperature 6500K

Audio Sharpness Level Default

Marker SD Enhancement Off

System Anamorphic De-Squeeze 4:3

Alarm Signal Mode Auto

OSD Processing Normal Mode

GPI Composite Setup 7.5 IRE

Color Management Component Setup YPbPr SMPTE/N10

System Status SDI Format Auto

Support

Gamma Select

This setting allows you to specify the desired gamma response of the monitor in 0.2 step increments ranging from a gamma response of 1.8 to 2.8 as well as 2.35 and 1.0. The default gamma setting is 2.4, but any selection may be chosen for instant adjustment of the monitor’s gamma response. The monitor will override this manual selection in DCI-P3 mode (unless SDI Format is set to XYZ) & operate with a 2.6 gamma response. Attempting to change the value while in DCI-P3 mode will result in the monitor exiting this color space mode.

Log Mode (Also selectable via Function Buttons)

This mode allows for easier on-set monitoring of uncorrected of C-Log, S-Log, or BMD Cinema Camera Film Mode Output by roughly normalizing the footage. For all Log modes there is both a Standard and Full selection. The Standard selection is suitable for most applications, but does clip highlights to allow for a brighter overall image. The Full mode is best used for scenes with extremely wide latitude or scenes that are just very bright overall. Full mode preserves the entire native latitude of the signal (nothing is clipped), but this can result in a rather dark image in many applications. We provide both for this reason and you can quickly toggle between them as needed for different applications by assigning these modes to function keys. These modes should only be used to offer on set viewers a rough normilization of the footage to give them an idea of what the content might look like as a starting point in post production. In other words, it provides you with a helpful tool to show on set viewers something that does not look ‘at’. These modes are not a replacement for full 3D LUT transforms and not a substitution for proper color correction in post production applications.

Color Temperature

Use this setting to set the desired color temperature. You can instantly toggle between 3200K, 5000K, 5600K, 6500K, and 9300K. 6500K is the default setting. Please note that in DCI-P3 mode the monitor will override this manual setting. Attempting to select a Color Temperature setting manually with DCI-P3 mode active will result in the monitor exiting DCI-P3 color space mode.

SDI Black Level

Use this toggle to set the monitor’s black level for Video (Legal) range or Data (Full) range. Please ensure that your video signal is setup to match this setting. When set to Video, bit level 16/64 (8 or 10 bit) will be the blackest level on screen. Levels below 16/64 will not be distinguishable from level 16/64. When set to Data, bit level 0/4 will be the blackest level on screen and any levels above this will be dinstinguishable as brighter levels. Once set to match your video signal path the brightness knob can be used to make subtle adjustments to optimize lowlevel response for your particular viewing environment.

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Page 20

Video Menu

Sharpness Level

This function is a peaking level adjustment and produces an effect very similar to a physical aperture adjustment. By adjusting sharpness lower the image will look softer and by adjusting sharpness higher the image will look sharper. Please note that perceived sharpness may also be affected by video processing and pixel mapping settings.

SD Enhancement

This toggle applies maximum sharpening and video quality enhancement to SD video sources.

Anamorphic De-Squeeze

Toggles between 1.3, 2.0, and 2.0mag HD Anamorphic De-Squeeze ratios. This is used in conjunction with the Anamorphic De-Squeeze function described in the Function Menu portion of this manual.

Signal Mode

Selecting ‘Film’ for this setting allows the monitor to compensate for material with 2:3 pulldown to provide a smoother image. Selecting ‘TV’ for this setting processes the incoming video signal with no 2:3 pulldown compensation. Selecting ‘Auto’ will automatically trigger ‘Film’ mode anytime 2:3 pulldown is detected.

Processing

The Processing setting has three options: Normal, Fast, & Noise Reduction. In Normal mode the monitor will display interlaced video as interlaced and have a very low latency processing delay. In Fast mode the video processing delay is further improved to provide the lowest possible processing latency, but ancillary functions and menu displays are updated more slowly. In Noise Reduction mode video processing delay is increased to allow for additional noise reduction processing and the monitor will deinterlace the signal and display it as progressive.

Show PsF as

Select between Interlaced or Progressive to instruct the monitor how to handle and show PsF content on screen. Please note that when to set Progressive this will add processing delay even if the signal is not PsF. Set to interlaced for lowest possible processing delay. Please note that some features, like Horizontal Audio Level Meters, are NOT compatible with ‘Show PsF as’ set to Progressive.

Composite Setup

Allows you to toggle between 0 or 7.5 IRE setup selection for composite sources.

Component Setup

Using the Component Setup feature allows you to specify what type of component signal you are sending to the monitor. Select from YPbPr SMPTE/N10, YPbPr Betacam, YPbPr MII.

SDI Format (ONLY APPLIES TO 3Gbps & Dual-Link SDI ENABLED MONITORS)

FSI Monitors are capable of detecting the payload ID contained in an SDI signal. However, some sources or upstream equipment may not generate or pass payload ID. For sources lacking proper Payload ID you may override the SDI Format auto detect function and manually select the appropriate format. It may be necessary to force the monitor to re-sync to a signal when changing formats at the source even when set to Auto. You can force the monitor to re-sync by either reselecting Auto from the SDI Format menu, selecting the appropriate format manually from the SDI Format Menu, or simply toggling to another input and back to the input in use. Please note that on monitors with a selectable color space option that XYZ signals will be mapped to the color space selected on the Color Management menu.

Flicker Free Mode (Only applies to OLED units)

When turned ON this mode eliminates the low frame rate icker typical of OLED monitors with ultrafast pixel respone times. For optimal display performance and comfortable viewing we suggest setting Flicker Free Mode to ON for 24p and 25p material and setting Flicker Free Mode to OFF for higher frame rate material (e.g. 59.94i/p, 50i/p, etc.)

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Page 21

Scopes & Audio Meters Menu

Main Menu Scopes & Audio Meters

Function Scopes & Audio Meters Prole 1

Scopes & Audio Meters Window 1 Luminance

Video Window 2 Vector

Audio Waveform Position Bottom Right

Marker Scopes Stack Horizontal

System Waveform Scale IRE Level

Alarm Audio Display Mode Pairs

OSD Alignment Level -18 dBFS

GPI Permitted Max Level -9 dBFS

Color Management Audio Display Channels 1-16

System Status Ballistics True Peak

Support Peak Hold Time 2

Scopes & Audio Meters Prole 1, 2, 3

The Scopes & Audio Meters menu allows you to setup three Scopes & Audio Meters Proles, each capable of storing all of the congurable settings found on the Scopes & Audio Meters Menu. To congure a Prole simply select the Prole number, 1 through 3, from the top of the Scopes & Audio Meters menu page. Once you have selected the desired prole number any settings you change will become associated with that prole number. Changing from one prole to another from the Scopes and Audio Meters menu will automatically recall your last settings for that prole. Once you have congured your Scopes & Audio Meters proles you can assign a specic function key to a particular prole, which allows you to instantly switch between different types of Scope and/or Audio Meters modes without having to go back into the onscreen menu.

NOTE: The Scope & Audio

Meters Menu only sets your Waveform, Vector, & Audio Level Meter display preferences. To toggle the onscreen display of your congured Scopes & VU Meters proles assign the Scopes & VU Meters proles to specic keys. See the Function Menusection of this manual for more details.

Window 1 & Window 2

Two scope windows can be displayed simultaneously so you can view any two of the following modes at the same time: Luminance (Standard Waveform), Vector Scope, Hue Vector*, RGB Parade, GBR Parade, RGB Overlay, YCbCr, YCbCr Overlay, Column (YRGB Peak), Histogram, Color Histogram, RGB Histogram, Audio Loudness, Audio Phase, and Vertical Audio Level Meter. Please note that displaying two Scope Windows at the same time will cause the Scopes to update more slowly than displaying just one Scope Window. To display just one scope Window select OFF in the secondary window selection. An additional audio level meter mode called horizontal audio level meter is also selectable. This mode displays meters horizontally across the top of the screen, but cannot be used in conjunction with any other Scope modes. Waveform

Intensity and Gain can be adjusted by turning the H POS and V POS rotary knobs. Default Scope Intensity as

of rmware version 9.42 is 75% of the maximum level. Hue Vector Intensity, Gain, Reference Vector Angle, and Percentage of Reference Vector can be adjusted with the H POS, V POS, Ref POS, and F Stop rotary knobs. Audio

Loudness metering can be pasued and reset using the RESET rotary knob.

*Hue Vectors graticule designed by Alexis Van Hurkman and used under Creative Commons Liscense.

Waveform Position

Use the Waveform Position toggle to select in what area of the screen you would like your Scopes to be displayed.

Scopes Stack

Use this option to select whether the Scope Windows are stacked vertically or positioned horizontally next to each other when utilizing two Scope Windows.

Waveform Scale

This option allows you to choose what type of scale is used on the Waveform Monitor. You may select from V Level (for a voltage based scale), IRE Level (for an IRE based scale 0-100), or Digital Level (for a 8 bit digital level based scaled, 0-255).

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Page 22

Scopes & VU Meters Menu

Main Menu Scopes & VU Meters

Function Scopes & VU Meters Prole 1

Scopes & Audio Meters Window 1 Luminance

Video Window 2 Vector

Audio Waveform Position Bottom Right

Marker Scopes Stack Horizontal

System Waveform Scale IRE Level

Alarm Audio Display Mode Pairs

OSD Alignment Level -18 dBFS

GPI Permitted Max Level -9 dBFS

Color Management Audio Display Channels 1-16

System Status Peak Hold Time 2

Support OSC Mode Off

Alignment Level

Allows audio level meter alignment level to be set to -12dBFS, -14dBFS, -16dBFS, -18dBFS or -20dBFS, -22dBFS.

Audio Display Mode

This option can be set to either Groups or Pairs. When organized in pairs the odd channels will be displayed on the left side of the screen and even channels of the right side of the screen. When organized in groups the channels will be arranged with all channels of an Audio Group displayed on the same side of the screen together.

NOTE: The Scope & VU Meters

Menu only sets your Waveform, Vector, & Audio Level Meter display preferences. To toggle the onscreen display of your congured Scopes & VU Meters proles assign the Scopes & VU Meters proles to specic keys.

See the Function Menusection

of this manual for more details.

Audio Display Channels

Allows you to select the Audio Level Meters Channels that will be shown on the Vertical or Horizontal Audio Level Meters. Select from Channels 1-2, 1-8, 9-16, or 1-16.

Permitted Max Level

Allows you to specify the Max Audio Level for your onscreen Audio Level Meters: Select from: -10 dBFS, -9 dBFS, -8 dBFS,

-7 dBFS, -6dBFS, -5dBFS.

Peak Hold Time

Allows you to specify the number of seconds that a peak audio level will be held (shown) by the Audio Level Meters.

OSC Mode (LM-0750W Only)

Activating this mode, only available on the LM-0750W, will generate a quad viewing mode with 2 Scopes of your choice (Window 1 and Window 2) as well an Audio Phase Meter and 2 Channel Audio Level Meters in addition to a preview window showing the active signal whenever the corresponding Scopes and VU Meters prole is selected.

Ballistics

This allows you to select the the type of Audio Level Meters to display. You can select from PPM Type I, PPM Type II, or True Peak.

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Page 23

Scopes & Audio Meters

Luminance Vector Scope Hue Vector

RGB & GBR Parade Color Histogram YCbCr

RGB Histogram Column (YRGB Peak) Histogram

YCbCr Overlay RGB Overlay Audio Phase Meter

Audio Loudness

Audio Level Meters

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Page 24

System Menu

Main Menu System

Function DVI Selection DVI-D

Scopes & Audio Meters DVI Pixel Format Full RGB

Video Component Input COMPONENT

Audio Component Pixel Format YPbPr

Marker 3G Level B Stream 1

System SDI Hue Adjustment Off

Alarm Back Light 35

OSD Back Light Interval On

GPI LED Light On

Color Management Language English

System Status Part Display Off

Support Load Prole Default

Save Prole Prole 1

DVI Selection / DVI Pixel Format

FSI Monitors are equipped with a DVI-I Input, which supports both DVI Digital and DVI Analog sources. To select between DVI-D (Digital) and DVI-A (Analog) simply toggle this control accordingly. Use DVI Pixel Format to select between Full RGB (0-255), Limited RGB (16-235), or YCbCr modes.

Component Input / Component Pixel Format

Use Component Input to toggle between Component & Composite Video on the LM-0750W’s or LM-0950W’s shared analog inputs. Use Component Pixel Format to toggle the Analog Component Video Inputs between YPbPr or RGB mode on all models.

3G Level B

When monitoring a 3Gbps SDI Level B signal (monitor must be equipped with 3Gbps SDI Inputs) comprised of two distinct 1.5Gbps HD-SDI signals that have been muxed together you can use this 3G Level B selection to select different monitoring options including: Stream 1, Stream 2, PAP, PIP, POP, Vertical Split, Horizontal Split, Overlay Mode. Please note that Level B 3Gbps SDI requires that both 1.5Gbps signals share the same frame rate and resolution and that Link A and Link B are genlocked. For signals using SMPTE 425M-B image format mapping to transport SMPTE 372M formatted Dual Link information (4:4:4) YCbCr or RGB / 1080p50/60) the Overlay Mode should be used to view the combined LinkA and LinkB data as a

Link A

Picture in Picture Picture by Picture

3Gbps SDI (Level B)

Split Screen (Vert or Horiz)

Link B

Link B Full ScreenLink A Full Screen

Overlay Mode (4:4:4 or 1080p50/60)

4:4:4 SMPTE 425M-B

= 4:2:2 Link A +

0:2:2 Link B

single video signal.

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Page 25

System Menu

Main Menu System

Function DVI Selection DVI-D

Scopes & Audio Meters DVI Pixel Format Full RGB

Video Component Input COMPONENT

Audio Component Pixel Format YPbPr

Marker 3G Level B Stream 1

System SDI Hue Adjustment Off

Alarm Back Light 35

OSD Back Light Interval On

GPI LED Light On

Color Management Language English

System Status Part Display Off

Support Load Prole Default

Save Prole Prole 1

3G Level B 3D Monitoring Modes

FSI’s passive 3D technology 3D monitors, such as the CM500TD and CM420TD, are equipped with a circular polarizing lter that allows signals that have been interleaved before reaching the monitor to be viewed in 3D by simply viewing the content through passive polarized 3D glasses. However, in addition to viewing interleaved sources FSI’s 3D monitors can also accept two full resolution sources that have been multiplexed over 3Gbps SDI and interleave them for 3D viewing. If you have such a 3G Level B signal compromised of full resolution left and right eye channels you can select Line by Line from the 3G Level B Menu selection, which will instruct the monitor to interleave the sources and display them onscreen for 3D viewing through passive 3D glasses. In addition to this Line by Line mode all FSI monitors with 3Gbps SDI inputs will have the following diagnostic modes for monitoring 3D signals without glasses:

3D Checkerboard: Checkerboard display of both signals with alternating blocks shown from Link A and Link B of the multiplexed 3Gbps SDI signal. The checkerboard size is adjustable using the Checkerboard Size menu option.

3D Disparity: This shows an overlay of Link and Link B with differences between the links highlighted.

Stream 1, Stream 2, PAP, Horizontal Split, and Vertical Split: As with all Level B 3Gbps SDI signals these 3G Level B

viewing modes can be useful for analyzing and comparing Left and Right Eye streams.

*Helpful Tip: When viewing 3D signals on any passive 3D device try to sit as eye level to the center of the screen as possible. Viewing from the left or right of center should not prevent proper 3D viewing, but passive 3D technology has a very small vertical position window. If the monitor is viewed from too high or too low of a position the 3D image will not be seen properly

PIP Input

Select the input for use with the Picture In Picture Function.

PIP Mode

Select between Picture In Picture, Picture On Picture, and Picture And Picture for the PIP Function.

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Page 26

System Menu

Main Menu System

Function DVI Selection DVI-D

Scopes & Audio Meters DVI Pixel Format Full RGB

Video Component Input COMPONENT

Audio Component Pixel Format YPbPr

Marker 3G Level B Stream 1

System SDI Hue Adjustment Off

Alarm Back Light 35

OSD Back Light Interval On

GPI LED Light On

Color Management Language English

System Status Part Display Off

Support Load Prole Default

Save Prole Prole 1

SDI Hue Adjustment

This option allows you to activate the HUE (PHASE) adjustment knob while monitoring in SDI. In analog monitoring modes (i.e. Composite Video) the HUE (PHASE) adjustment will always be active. Technically speaking Serial Digital being both a Digital and YCbCr or RGB video format should not require a HUE (PHASE) adjustment, but should you wish to have such an adjustment in SDI you should set this option to On.

Lock Chroma/Bright/Contrast

When set to On this option will lockout the Chroma, Brightness, & Contrast knobs to help prevent accidental adjustment.

Luminance

This setting adjust peak white luminance on the display and is the correct way to increase or decrease overall display luminance (not the brightness knob).

Luminance Interval

The luminance interval is a power saving feature; It allows you to specify the amount of time without an active signal being shown on the monitor that should be allowed to expire before the monitor’s backlight (if applicable) is turned off to reduce the power consumption of the unit. When placed in the On position the monitor will not enter the power saving mode and will keep the backlight on so long as the monitor is left on.

LED Light

Allows you to turn off the LED lights on the Monitor’s Keypad.

UDisk Mode

As of rmware version 9.53-1907 or later you can set this to ON, now the default, to allow your monitor to permanently remain in update mode. When on you can simply plug your monitor into any compatible computer with the provided USB to RJ-45 update cable and it will be recongized as a USB mass storage device for transfer of new rmware and/or 3D LUTs. This should only be turned OFF when using GPI control.

Part Display

Toggles whether just the center part (On) or entire source (Off) is shown in Sub Window Mode.

Load Prole

Recall Saved Prole Settings. Highlight desired prole & press ENTER to activate the saved prole selection.

Save Prole

Saves all current monitor settings under a recallable prole by highlighting Prole number & pressing ENTER.

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Page 27

Alarm Menu

Main Menu Alarm

Function Alarm Off

Scopes & Audio Meters Visual Alarm Off

Video Remote Alarm Monitoring Off

Audio IRE Trigger Level 100 IRE

Marker Audio Trigger Time 5s

System UMD Display UMD

Alarm UMD Color White

OSD UMD Position Bottom

GPI Audio Meter Vertical

Color Management Select Alarm Area

System Status RS422 Address 1

Support Baud Rate 9600

Parity None

The monitor’s built in Alarm system allows for simplied QC monitoring of signals with minimal overlap of active video. The alarm monitoring system allows you to specify alarm parameters that will trigger onscreen and/or remotely monitored warnings when a specied condition is met. This feature provides an unobtrusive QC viewing mode compared to having onscreen scopes active at all times. Please note the alarm monitoring capabilities are limited by the processing power of the monitor. The signal will be sampled at a variable rate depending on other processing loads placed on the monitor. With minimal additional processing demands the fastest sample rate is approximately every 2 to 3 frames. It is therefore possible that an alarm event occurring for only 1 or 2 frames may be missed by the alarm monitoring system. The alarm monitoring system is a useful tool for quick analysis of content to make sure no serious errors exist, but it should not be used as substitute for standalone legalizers and signal level monitoring systems in ultra-critical level monitoring applications.

NOTE: Onscreen Alarms are processing power intensive. When active the monitor may respond more slowly to user input via buttons/remote control if a large number of successive alarm events are occurring.

Switching to an unused input with

no video will allow the monitor to respond quickly to user input should the operator simply want to turn Alarm monitoring off in scenarios where monitor menu response is slowed by such successive alarm events.

Alarm

Selects the type of alarm events that will be monitored. This selection only affects onscreen (visual) alarms and does not change what alarm events can be monitored through the remote control alarm monitoring software.

Safety Alarm: Will trigger an alarm if a loss of signal is detected, a full black eld is detected, a full blue eld is detected, and/or embedded audio goes mute for the amount of time specied in the Audio Trigger Time setting. The audio mute alarm will only trigger if audio is being embedded into the signal and is mute for the specied amount of time, there will be no audio mute warning if audio is not being embedded into the SDI signal. Safety Video Alarm: Same as Safety Alarm minus audio alarms.

IRE Alarm: Will trigger an alarm if the IRE level specied in the IRE Trigger Level setting is exceeded.

RGB Alarm: Will trigger an alarm if any RGB Levels exceed 100 IRE.

IRE & RGB Alarm: Combines IRE and RGB Alarms and will trigger an alarm if either or both exceed their set parameters.

All Alarms: Will trigger an alarm if any alarm condition is met (Loss of Signal, Black Field, Blue Field, Audio Mute, IRE

threshold exceeded, RGB levels over 100 IRE).

Visual Alarm

When set to ON a small box will appear on the monitor’s screen whenever the alarm condition set in the Alarm menu selection explained above is triggered.

Alarm

IRE

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Page 28

Alarm Menu

Main Menu Alarm

Function Alarm Off

Scopes & Audio Meters Visual Alarm Off

Video Remote Alarm Monitoring Off

Audio IRE Trigger Level 100 IRE

Marker Audio Trigger Time 5s

System UMD Display UMD

Alarm UMD Color White

OSD UMD Position Bottom

GPI Audio Meter Vertical

Color Management Select Alarm Area

System Status RS422 Address 1

Support Baud Rate 9600

Parity None

Remote Alarm Monitoring

When set to ON allows for remote alarm monitoring via FSI’s remote alarm monitoring software.

IRE Trigger Level

Sets the luminance threshold at which IRE alarms will be triggered, adjustable from 90 to 109 IRE

Audio Trigger Time

Sets the amount of time with mute audio that should elapse before the mute audio alarm is triggered.

Select Alarm Area

The screen area monitored for Alarm Triggers can be adjusted using the Select Alarm Area feature. To set the alarm area simply highlight Select Alarm Area and press ENTER. Once active you can use the monitor’s rotary knobs to adjust 4 lines on screen, similar to the custom graticules feature on the marker menu, to dene the onscreen area that will be monitored. Once your desired area has been set simply use the MENU button to back out of the Select Alarm Area function. The default alarm monitoring area is the whole screen, but this function allows users to specify smaller regions if only a portion of the screen area needs to be monitored.

UMD Display

Only applies to Safety Broadcast feature. Allows you to select whether the Source ID overlay displayed is based on the manually set source ID on the monitor’s OSD menu or based on remotely set UMD information over RS232 or RS422. You may also turn the selection to off to remove the Source ID overlay.

UMD Color

Only applies to Safety Broadcast feature. Toggles the Source ID text color between White and Black.

UMD Position

Only applies to Safety Broadcast feature. Select top or bottom of screen. Please note that when Timecode Overlay is active the UMD will automatically be positioned at the bottom of the screen.

Audio Meter

Only applies to Safety Broadcast feature. Determines position of 2 channel audio level meters. Select from Horizontal or Vertical.

RS422 Address

Sets the monitors RS422 address for remote control and alarm monitoring. Set between 0~126.

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Page 29

Alarm Menu

Main Menu Alarm

Function Alarm Off

Scopes & Audio Meters Visual Alarm Off

Video Remote Alarm Monitoring Off

Audio IRE Trigger Level 100 IRE

Marker Audio Trigger Time 5s

System UMD Display UMD

Alarm UMD Color White

OSD UMD Position Bottom

GPI Audio Meter Vertical

Color Management Select Alarm Area

System Status RS422 Address 1

Support Baud Rate 9600

Parity None

Baud Rate

Sets the RS422 baud rate. This should be left at the default 9600 value unless otherwise specied by Flanders Scientic’s support department.

Parity

Sets Parity for RS422 communication. This should be left at the default None position unless otherwise specied by Flanders Scientic’s support department.

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Page 30

OSD Menu

Main Menu OSD

Function Status Display 5 Sec.

Scopes & Audio Meters Menu Pos. Top Right

Video Status Pos. Top Left

Audio Rotary Pos. Bottom

Marker Source ID Off

System Source ID Position Bottom

Alarm Source ID Character CAM1

OSD Time Code VITC1

GPI Time Code Size Small

Color Management Time Code Position Top

System Status

Support

Status Display

Toggles settings for pop up window indicating resolution and frame rate of source when input button is pressed or a new signal type is routed to monitor. Setting this option to Off turns the Status Display function completely off, setting to 5 Sec. enables a 5 second onscreen status display when the input button is pressed or source format is changed, and setting to On leaves the Status Display onscreen permanently.

Menu Pos.

Changes position of onscreen menu between three choices: Center, Top Left, or Top Right.

Status Pos.

Changes position of onscreen status display window. Select from Top Left, Top Right, Bottom Left, Bottom Right, or Center.

Rotary Pos.

Changes position of onscreen window indicating status of any rotary knob (Volume, Contrast, etc.) during adjustment. Select from Top, Center, or Bottom.

Source ID

Allows you toggle source ID function on/off. The Source ID function can be used to set a manual onscreen label of up to 5 characters. This is often used to allow for the labeling of a monitor as PGM, PVM, CAM, etc. without using placards or tape.

Source ID Position

Changes position of onscreen Source ID function.

Source ID Character

Allows you to customize text for Source ID label using ENTER, UP, and DOWN buttons.

Time Code

Allows you to select whether to display Time Code on screen pulled from an HD/SD-SDI signal. Select between Off, LTC, VITC 1, or VITC 2. Please note that Time Code cannot be displayed at the same time as Scopes, Markers, or other onscreen ancillary functions.

Time Code Size

Allows you to toggle between Large or Small Timecode Display.

Time Code Position

Use this toggle to change the onscreen position of Time Code.

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Page 31

GPI Menu

Main Menu GPI

Function GPI 1 Keyboard Locking

Scopes & Audio Meters GPI 2 SDI 2 Input

Video GPI 3 Red Tally

Audio GPI 4 Green Tally

Marker GPI 5 UNDEF

System GPI 6 Toggle Back Light

Alarm GPI 7 DVI Input

OSD

GPI

Color Management

System Status

Support

This menu allows you to set 7 assignable functions for remote control via the GPI interface on the back of the monitor (RJ45 connector labeled GPI). Simply select one of the GPI slots, 1 through 7, and press ENTER to generate a list of available functions that can be toggled using the GPI interface.

NOTE: As of rmware version

9.53-1907 or later you must set the UDisk Mode (System Menu) to OFF in order to use the GPI Contact Closure port for remote control.

87654321

When looking at the GPI RJ-45 Connector located on the back of the monitor the pins are arranged 1 through 8 from right to left. This GPI interface is a contact closure based system and PIN 5 is always the ground. The GPI numbering on the GPI menu corresponds to the physical Pin assignments as follows:

Menu RJ-45 Pin

GPI 1 Pin 1

GPI 2 Pin 2

GPI 3 Pin 3

GPI 4 Pin 4

GPI 5 Pin 6

GPI 6 Pin 7

GPI 7 Pin 8

To prevent conicts between menu toggles and GPI commands some features such as the marker selection toggle must be set to GPI in their respective menus (i.e. Marker Menu) in order to function properly.

If using FSI’s GPI Keypad Lock to lockout the monitor’s keypad or menu the corresponding Keyboard Locking or Menu Locking function must be set to GPI 1.

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Page 32

Audio Menu

Main Menu Audio

Function SDI 1 Audio Digital CH1&2

Scopes & Audio Meters SDI 2 Audio Digital CH1&2

Video Component Audio Analog

Audio CVBS Audio Analog

Marker DVI-D Audio Analog

System DVI-A Audio Analog

Alarm Audio Sync Signal Clock

OSD Audio Lockout Off

GPI

Color Management

System Status

Support

SDI 1 Audio

Allows you to select what audio source should be active (audible) when SDI 1 is the selected video input. You may select any single channel or stereo pair of embedded audio (i.e. Digital Channel 1, 1&2, 3&4, etc.), Analog Audio (from minijack input), or No Sound. The active stereo pair selected here will be the stereo pair shown when the Audio Phase Meter is activated on the SDI 1 Input.

SDI 2 Audio

Allows you to select what audio source should be active (audible) when SDI 2 is the selected video input. You may select any single channel or stereo pair of embedded audio (i.e. Digital Channel 1, 1&2, 3&4, etc.), Analog Audio (from minijack input), or No Sound. The active stereo pair selected here will be the stereo pair shown when the Audio Phase Meter is activated on the SDI 2 Input.

NOTE: All FSI Monitors can monitor embedded audio in SD-SDI, HD-SDI, and 3G-SDI signals. However, on LM series units 3G-SDI audio monitoring is only possible over 3Gbps Level A signals, not Level B signals. All CFE2 equipped units can monitor 3G Level A and Level B audio.

Component Audio

Allows you to select between Analog Audio input (via minijack connector) or No Sound when Component Video is the selected video input.

CVBS Audio

Allows you to select between Analog Audio input (via minijack connector) or No Sound when Composite Video is the selected video input.

DVI-D Audio

Allows you to select between Analog Audio input (via minijack connector) or No Sound when DVI-Digital is the selected video input. On monitors shipped AFTER October 27th, 2014 you can also use the Channel 1 & 2 selection listed here for stereo HDMI audio support when using a HDMI or Display Port to DVI cable.

DVI-A Audio

Allows you to select between Analog Audio input (via minijack connector) or No Sound when DVI-Analog is the selected video input.

Audio Sync

Choose between Signal Clock or Internal Clock for Audio Sync. Some embedded audio sources may have a poor quality signal clock that may lead to audio distortion. Switching to Internal Clock can help to eliminate or minimize such distortion.

Audio Lockout

When set to On this feature will lock the Volume Knob, which retains the last used audio setting used. While On no adjustments to Audio volume will be possible.

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Page 33

Color Management Menu

Main Menu Color Management

Function Start Display Alignment

Scopes & Audio Meters Reset Factory Alignment

Video Red Gain 50

Audio Green Gain 50

Marker Blue Gain 50

System Red Bias 50

Alarm Green Bias 50

OSD Blue Bias 50

GPI Color Space Rec 709

Color Management Video Clipping Off

System Status Update Firmware

Support

NOTE: All FSI Monitors are precisely calibrated before shipping with NIST traceable color analyzers specically setup to measure the model in question. However, if you would manually like to adjust the white balance of the monitor you may do so by using the RGB Gain and Bias adjustment. Please DO NOT use the Reset Factory Alignment or Start Display Alignment functions unless asked to do so by an authorized FSI service representative. For uorescent backlight equipped monitors a warm-up period of 30 to 60 minutes should be allowed before making adjustments.

Start Display Alignment

Used at the factory level or with the CA310 DCAA kit. Not used for 3D LUT based calibration with third party calibration software.

Reset Factory Alignment

The password protected Reset Factory Alignment option is for use by FSI and/or authorized FSI service centers only. This option does not reset your monitor to factory default mode, but rather deletes factory calibration data. To reset to factory default mode go to the System Menu, select Load Prole, select Default, and then conrm by pressing enter.

Red/Green/Blue Gain & Bias

These settings allow you to manually adjust the white balance of the monitor. We suggest using a 100% white eld for Gain adjustment and a 30 to 40IRE grey eld for Bias adjustment.

Color Space

The new BM & CM series monitors & CM-170W, LM-2450W (wiht CFE), LM-2460W, LM-2461W, & LM-2470W are equipped with the FSI Color Fidelity Engine and have the ability to work in several different color spaces. Select from available options to instantly change the active color space. Please note that switching to DCI P3 may take up to 10 seconds.

Color Matching (Alternate CMF Selection for OLED Monitors)

FSI’s OLED monitors are capable of operating with calibration based on the standard CIE 1931 Color Matching Function (CMF) or the Judd Modied CMF, which has largely become the preferred CMF for use with OLEDs. As the Judd Modied CMF is an easy to apply known offset from CIE 1931 for any given display type you can easily toggle between these without having to recalibrate the monitor. This also allows for calibration using software and equipment based on the the more common CIE 1931 CMF with the ability to quickly and easily apply the Judd based offset after calibration is complete.

Video Clipping

Setting Video Clipping to On will clip all levels exceeding legal broadcast limits. With Video Clipping on you can see how source content will look if clipped within legal broadcast limits. Setting Video Clipping to Off will show you the full range of levels onscreen, this is the recommended operating mode.

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Page 34

Color Management Menu

DIT LUTs

As of rmware update 1.0.00-1958, CFE 2 equipped monitors are capable of loading multiple custom DIT LUTs which do not require you to prole the panel. You can use Lattice, the main component of Light Illusion’s LightSpace, or LightSpace FSI LUTs software to convert and export LUTs in the FSI format. The LightSpace workow is shown below.

Open LightSpace CMS

Select File \ Import \ YourLUT

Select File \ Export \ Choose FSI17_32bits (*.dat) as the export format.

In Lattice you should select .dat V2 as the export type.

Once the le is saved, change the le name to ditXX.dat where XX is a 2 digit number ranging from 00 to 16. The monitor can store up to 16 DIT LUTs at a time. The naming structure is ditXX.dat with valid LUT names ranging from dit01.dat to dit16.dat.

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Page 35

Color Management Menu

Verify that the monitor’s update mode is turned on via the System Menu: System -> UDisk Mode -> On

Connect the FSI update cable that came with your monitor (USB to RJ45) to an available USB port on your computer.

After a short time, the computer should recognize the FSI monitor as a mass storage device, viewable in Mac’s Finder or PC’s My Computer.

Drag and drop the ditXX.dat le(s) you created to the monitor. All 16 DIT LUTs can be transfered at one time.

System

LED Light On

UDisk Mode On

DHCP On

Select Menu \ Color Management \ Update LUT to save the LUT(s).

Once saved the DIT LUTs can be turned on/off by assigning DIT 3D LUT to a funciton key.

The active 3D LUT that is enabled by the function key can be selected with the DIT 3D LUT Channel Selection on the Color Management Menu.

As of rmware version 1.0.00_1960 you can also simply use the up and down arrow keys while the DIT LUT funciton is active to toggle between 3D DIT LUTs you have loaded to the monitor.

NOTE: When a DIT LUT is active it will impact the Scope and Measurement feature values accordingly to reect your DIT LUT’s impact on the signal. This is in contrast to the simpler Log mode selections found on the Video menu, which will not change scope or measurement values even when active.

Color Management

Red Bias 50

Green Bias 50

Blue Bias 50

Color Space Rec 709

Video Clipping Off

Lut Bypass None

Update LUT ----

DIT 1D LUT Channel 1

DIT 3D LUT Channel 1

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Page 36

Color Management Menu

Custom Calibration LUTs

Starting with Firmware 0.9.49, FSI models equipped with the Color Fidelity Engine are capable of loading custom calibration 3D LUTs. This advanced feature requires use of color management software (such as Light Illusion’s LightSpace CMS or SpectraCal’s CalMAN, both of which are currently supported) and a professional grade probe. The steps below cover the general process of updating LUTs on the monitor.

Check your monitor’s rmware version by accessing System Status from the Main Menu. If necessary, update your FSI CFE equipped monitor to rmware version 9.50 or newer. Firmware updates and instructions can be found at FlandersScientic.com.

If you already have rmware 9.50 or newer and the supporting CFE les installed

on your monitor, skip ahead to Page 38: Generating Custom LUTs.

Download the latest CFE distribution package from the Firmware section of

FlandersScientic.com.

Select your monitor’s model from the left hand side and then click on the download link.

A verication box will appear with a warning about downloading the correct update for your model of monitor.

The download will be a zip le containing a code le, and data les related to each color space.

Unzip this le on your computer.

Load the default prole on the monitor.

Menu \ System \ Load Prole \ Default

Hit ENTER and conrm with Yes.

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Page 37

Color Management Menu

After the monitor has loaded the prole and restarted, turn the monitor off by using the POWER button on the keypad.

Connect the FSI update cable that came with your monitor (USB to RJ45) to the GPI port on your monitor.

If you misplaced your update cable, they are available from ShopFSI.com.

Verify that the monitor’s update mode is turned on via the System Menu: System -> UDisk Mode -> On

Connect the FSI update cable that came with your monitor (USB to RJ45) to an available USB port on your computer.

After a short time, the computer should recognize the FSI monitor as a mass storage device, viewable in Mac’s Finder or PC’s My Computer.

Drag and drop the downloaded (unzipped) CFE les to the monitor. It will take a few moments to transfer.

It is important to transfer ALL of the new downloaded CFE les to the monitor.

System

LED Light On

UDisk Mode On

DHCP On

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Page 38

Color Management Menu

Once the les have nished transferring, on the monitor go to:

Menu \ Color Management \ Update LUT

Press ENTER to begin the process, and conrm with Yes when the monitor prompts you.

The update process can take several minutes. Upon completion of the LUT transfer, power cycle the monitor and load the default prole.

Menu \ System \ Load Prole \ Default

Hit ENTER and conrm with Yes.

Note: If you notice image solarization, the CFE update did not complete correctly. It may be necessary to repeat this process.

Loading Custom Calibration LUTs

If you are now running rmware version 9.50 or later you can follow the steps outlined below to load a custom calibration LUT to the monitor. For guidance on proling a monitor with a third party program that outputs LUTs in a compatible FSI LUT format please see the program specic instructions for the solution you are using. The instructions in this manual will only cover pre-proling setup and how to load a completed 3D LUT to the monitor.

In the Color Management menu, set LUT Bypass to 3D LUT, effectively placing the monitor in Wide Gamut mode and bypassing the factory 3D LUTs. The monitor should be placed in this mode before proling with any third party solution.

Special Notes for OLED Monitors

We suggest setting the Color Matching Function (CMF) selection to CIE 1931 for proling and 3D LUT creation. Once calibration is complete you can switch to Judd modied if you prefer to operate with a Judd modied CMF based calibration. Please note the Judd Mode selection adds a slight delay to signal locking speed when switching sources.

When using LightSpace to generate custom user LUTs for FSI monitors, the colorspace image name typed into the Convert Color Space Window MUST match the monitor model name. Valid Model Names: LM-2461W, BM210, BM230, CM170, CM171, CM172, CM240, CM250, CM320TD, CM500TD

Once you’ve generated your custom LUT, You must rename

the .dat le saved by the third party program to “user1”, “user2”, or “user3” if not already named this way before you

attempt to import it.

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Page 39

Color Management Menu

Drag and drop the custom LUT les to the monitor. It will take a few moments to transfer.

You may load up to three custom LUTs at a time. (“user1”, “user2”, and “user3”)

Once the le has nished transferring, on the monitor go to:

Menu \ Color Management \ Update LUT

Press ENTER to begin the process, and conrm with Yes when the monitor prompts you.

The update process will take approximately 6 minutes per LUT on monitors with rst generation CFE boards and about 15 seconds per LUT on units with CFE2 boards. Upon completion of the LUT transfer, power cycle the monitor.

Custom LUTs can be accessed from the Color Management menu by selecting Color Space: USER1, USER2, USER3. Press ENTER to conrm your selection.

Monitors with a rst generation CFE board (LM-2461W, LM-2460W, CM-170W) utilize the .dat LUT format for calibration LUTs.

Monitors with a second generation CFE board (CFE2) running rmware version 9.53-1935 or later utilize a .cfe LUT format for calibration LUTs and a .dat LUT format for DIT LUTs. Units with CFE2 boards include:

-CM171

-CM172

-CM240

-CM250

-CM320TD

-CM420TD

-CM500TD

-BM090

-BM210

-BM230

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Page 40

Troubleshooting Guide

Problem Solution Notes

Image has a heavy green or magenta cast over DVI

Image has a heavy green or magenta cast over SDI

Too much video processing delay On the Video Menu make sure Show

Function button not responding Reload Default Prole (System Menu

Rotary knob not responding Disable any active functions. To acti-

Set DVI Pixel Format selection on System Menu to match your signal format (RGB or YCbCr)

Set SDI Format to match your signal type. This is found at the bottom of the Video Menu.

PsF as is set to Interlaced. For further reduction in processing delay set Pro-

cessing to Fast Mode on the Video

Menu.

Processing speed in all modes is a set interval of the frame rate so the higher your frame rate is the lower your delay will be in milliseconds. For this reason if your camera is capable of independent recording and monitor out frame rates a 50 or 60Hz monitor output will provide the lowest possible delay.

-> Load Prole -> Default)

If you have custom settings selected that you want to retain please make sure to take note of those custom

settings or save them to a Prole (1

through 5) for future reference as re-

loading the default prole will reset all

custom settings to factory default.

vate the Phase rotary knob in SDI set SDI Hue Adjustment to On from Sytem Menu. Ensure the Lock Chroma/Bright/ Contrast setting is set to Off on the System .

A heavy green cast to the image typically means you are feeding the monitor a YCbCr signal, but have the DVI Pixel Format Selection set to RGB. A heavy Magenta cast to the image typically means you are sending RGB to the monitor, but have DVI Pixel Format set to YCbCr.

FSI monitors detect payload ID, if present, and automatically set the monitor to receive RGB, YCbCr, or XYZ signals over SDI. However, if payload ID is missing or corrupt from the source it may be necessary to manually select the SDI format to match your signal type.

Setting Show PsF as to Progressive, even if the signal is not PsF, adds signicant processing delay. Setting this to Interlaced greatly reduces processing delay. Normal Mode processing offers the best balance between anciallary feature speed (e.g. scopes) and video processing speed. Fast Mode can reduce video processing even further, but pulls processing resources away from scopes and other ancillary features so menu artifacts and slower scope update speeds may occur. However, there is no loss in video quality in Fast Mode vs. Normal Mode.

If a function button is not responding it is typically because a conicting function is active. For example if you set a marker to a function button and enable the marker, then reassign the marker function button to a different feature without turning the marker off rst the marker will stay on screen and prevent other functions from being activated. Avoiding such conicts will prevent the problem or for a quick solution you can reload the default prole to clear the conict.

The Phase knob is locked by default in SDI as there is no phase to adjust in a digital component signal. Rotary knobs may serve secondary purposes (e.g. Vector Scope Gain) or may be inaccessible with certain functions active.

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Page 41

Troubleshooting Guide

Problem Solution Notes

Progressive signal looks interlaced and/or there are unexpected lines on screen.

External audio leads video Ensure that the ‘Show PsF as’ option

Image is ickering On OLED units verify that Flicker Free

Image not as sharp as desired Adjust sharpness level from the Video

Scopes refreshing slowly Displaying 1 scope window instead of

Ensure that you are sending the monitor a true progressive signal, not PsF. You can verify whether the signal is PsF or P from the System Status Menu. The monitor will indicate PsF or P accordingly. If PsF is your only output option you can set Show PsF as to Progressive on the Video Menu.

on the Video Menu is set to Interlaced, even if your signal is not PsF. This will greatly reduce video processing delay.

Setting Processing to Fast Mode on

the Video Menu can further reduce video delay.

Mode is turned ON. With all monitors verify the frame rate being received on the System Status menu. If interlaced or PsF the icker may be normal and part of the signal. Feeding the montior progressive instead of PsF or setting Show PsF as to Progressive instead of interlaced may further eliminate icker.

Menu or use the Max Sharpness function.

2 will greatly increase scope update speed. Normal update speed with a single scope active is approximatley every other frame.

Setting show PsF as to Progressive, instead of interlaced, adds processing delay to the signal so if at all possible feeding the monitor a true progressive signal is preferred.

You can also use the monitor’s audio out to ensure perfect audio/video sync as disembedded audio is always delayed by the exact amount of video procesing time.

No artical dithering or image enhancement is applied to the image by default.

Scope refresh rate is governed by avaialble processing power.

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Page 42

Monitor Specications

LM Series

Panel Specications

Screen Size 7”

Resolution 800x480

Aspect Ratio 15:9

Bit Depth (Colors) 8 (16.7M)

3D Polarizing Filter No

Processing 12 Bit

Contrast Ratio 500:1

Backlight White LED

Max Luminance 300nit

Viewing Angle 160°

Inputs

1x DVI-I DVI-I (Analog/Digital)

2x BNC 3gbps/HD/SD-SDI

1x BNC Composite

3x BNC Component

Outputs

2x BNC N/A

1x BNC 3Gbps/HD/SD-SDI

3x BNC N/A

LM-0750W

(YPbPr/RGB)

BM Series

Panel Specications

Screen Size 9” 21.5” 23”

Resolution 1920x1080 1920x1080 1920x1080

Aspect Ratio 16:9 16:9 16:9

Bit Depth (Colors) 8 (16.7M) 8 (16.7M) 8 (16.7M)

3D Polarizing Filter No No No

Processing 12 Bit 12 Bit 12 Bit

Contrast Ratio 750:1 1000:1 1000:1

Backlight White LED White LED White LED

Max Luminance 250nit 250nit 250nit

Viewing Angle 178° 178° 178°

Inputs

1x DVI-I DVI-I (Analog/Digital) DVI-I (Analog/Digital) DVI-I (Analog/Digital)

2x BNC 3Gbps/Dual Link/HD/SD-SDI 3Gbps/Dual Link/HD/SD-SDI 3Gbps/Dual Link/HD/SD-SDI

1x BNC N/A Composite Composite

3x BNC N/A Component

Outputs

2x BNC 3Gbps/Dual Link/HD/SD-SDI 3Gbps/Dual Link/HD/SD-SDI 3Gbps/Dual Link/HD/SD-SDI

1x BNC N/A Composite Composite

3x BNC N/A Component

BM090 BM210 BM230

(YPbPr/RGB)

Component

(YPbPr/RGB)

Component

(YPbPr/RGB)

Audio

Audio Disembedding Ye s

Audio Level Meters Yes

Internal Speakers 2

Audio In N/A

Audio Out 1 Mini-Phono

Supported SDI Formats

ITU-R BT.656 (PAL) 576i (50)

SMPTE-125M 480i (59.94)

SMPTE-274M 1080i (60/59.94/50) 1080p

SMPTE-296M 720p

2K 2048x1080 (23.98PsF/24Ps-

SMPTE-372M N/A

SMPTE-425M Standard (Level A & B)

Supported DVI Formats

DVI-A & DVI-D VGA (640x480), NTSC (720x480),

DVI Digital Only 1280x720, 1440x900, 1920x1080

(30/29.97/25/24/24Ps-

F/23.98/23.98PsF)

(60/59.94/50/30/29/25/24/23.98)

F/23.98p/24p)

SVGA (800x600), XGA

(1024x768), SXGA (1280x1024)

Audio

Audio Disembedding Ye s Ye s Ye s

Audio Level Meters Yes Yes Ye s

Internal Speakers 2 2 2

Audio In N/A 1 Mini-Phono 1 Mini-Phono

Audio Out 1 Mini-Phono 1 Mini-Phono 1 Mini-Phono

Supported SDI Formats

ITU-R BT.656 (PAL) 576i (50)

SMPTE-125M 480i (59.94)

SMPTE-274M

SMPTE-296M 720p (60/59.94/50/30/29/25/24/23.98)

2K 2048x1080 (23.98PsF/24PsF/23.98p/24p)

SMPTE-372M 1080i (29.97/25/24/23.98) 1080p (30/29.97/25/24/23.98) 720p (60/59.94/50) 4:4:4 YCbCr, RGB

SMPTE-425M Standard (Level A & B)

Supported DVI Formats

DVI-A & DVI-D VGA (640x480), NTSC (720x480), SVGA (800x600), XGA (1024x768), SXGA (1280x1024)

DVI Digital Only 1280x720, 1440x900, 1920x1080

1080i (60/59.94/50) 1080p (30/29.97/25/24/24PsF/23.98/23.98PsF)

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Page 43

Monitor Specications

LM Series

Features

Rack Mount Kit Single or Dual

Desktop Stand N/A

External Mounting 1/4” x 20 Top & Bot

VESA to Light Stand

Mount

Carrying Bag w/ Integrated Hood

Clear Protective Panel Cover

16 Scope Modes Yes

Measure Function Yes

H/V Delay Yes

Reverse Scan No

Timecode Display LTC, VITC1, VITC2

Color Fidelity Engine No

Overscan Yes

1:1 Pixel Mapping Ye s

Picture by Picture Freeze Frame

Blue Only Mode Yes

Monochrome Mode Yes

3D Lut Color Space

Selection

Color Temp Select 3200K, 5000K, 5600K, 6500K,

Gamma Selection Instantly adjustable between 1.0 /

SD Aspect Ratio

Selection

Tally Lights 3 Color Front & Rear (Talent)

Power

AC Input Standard with Adaptor

DC Input Standard

Battery Plate V-Mount or Gold Mount

Power Requirement 12 VDC

DC Power Consump-

tion

Energy Saving Mode No Load Power Consumption <

Physical Characteristics

Weight (w/o stand) 3.0 lbs

Weight (with stand) N/A

Weight in Carrying Bag with Hood

Aluminum Frame Ye s

1.8 / 2.0 / 2.2 / 2.35 / 2.4 / 2.5 / 2.8

LM-0750W

N/A

Optional

Optional (CPC 7)

Yes

N/A

9300K

4:3 or Anamorphic

15 Watts

0.75W

4.6 lbs

BM Series

Features

Rack Mount Kit Optional Optional Optional

Desktop Stand Optional Standard Standard

External Mounting 1/4” x 20 Top & Bot 100mm VESA 100mm VESA

VESA to Light Stand

Mount

Carrying Bag w/ Integrated Hood

Clear Protective Panel Cover

16 Scope Modes Yes Yes Ye s

Measure Function Yes Yes Ye s

H/V Delay Yes Yes Ye s

Reverse Scan No No No

Timecode Display LTC, VITC1, VITC2 LTC, VITC1, VITC2 LTC, VITC1, VITC2

Color Fidelity Engine CFE2 CFE2 CFE2

Overscan Yes Ye s Ye s

1:1 Pixel Mapping Ye s Ye s Yes

Picture by Picture Freeze Frame

Blue Only Mode Yes Ye s Ye s

Monochrome Mode Ye s Yes Ye s

3D Lut Color Space

Selection

Color Temp Select 3200K, 5000K, 5600K, 6500K, 9300K

Gamma Selection Instantly adjustable between 1.0 / 1.8 / 2.0 / 2.2 / 2.35 / 2.4 / 2.5 / 2.8

SD Aspect Ratio

Selection

Tally Lights Red / Green / Amber

Power

AC Input Standard with Adaptor IEC / C14 IEC / C14

DC Input Standard 4 PIN XLR 4 PIN XLR

Battery Plate V-Mount or Gold Mount Optional Optional

Power Requirement 12 VDC 100~240 VAC / 12 VDC 100~240 VAC / 12 VDC

DC Power Consump-

tion

Energy Saving Mode

Physical Characteristics

Weight (w/o stand) 3.35 lbs 9 lbs 10 lbs

Weight (with stand) N/A 11.2 lbs 12.5 lbs

Weight in Carrying Bag with Hood

Aluminum Frame Ye s Yes Ye s

SMPTE C/EBU/REC709/DCI-P3

BM090 BM210 BM230

N/A Optional Optional

Optional Optional Optional

Optional (CPC UP 9) Optional (CPC UP 21) Optional (CPC UP 23)

Yes Yes Ye s

USER

23 Watts 28 Watts @ 120 cdm2

4.95 lbs 17.8 lbs N/A

SMPTE C/EBU/REC709/DCI-P3

USER

4:3 or Anamorphic

37 Watts @ 275 cdm2

SMPTE C/EBU/REC709/DCI-P3

USER

30 Watts @ 120 cdm2 40 Watts @ 275 cdm2

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Page 44

Monitor Specications

CM Series

Panel Specications

Screen Size 17.3” 16.5” 24” 24.5” 42” 50”

Resolution 1920x1080 1920x1080 1920x1200 1920x1080 1920x1080 1920x1080

Aspect Ratio 16:9 16:9 16:10 16:9 16:9 16:9

Bit Depth (Colors) True 10 bit (1.073B) 10 bit OLED (1.073B) 10 bit FRC (1.073B) 10 big OLED (1.073B) True 10 bit (1.073B) True 10 bit (1.073B)

3D Polarizing Filter No No No No Ye s Ye s

Processing 12 Bit 12 Bit 12 Bit 12 Bit 12 Bit 12 Bit

Contrast Ratio 1000:1 ≥ 5000:1 1100:1 ≥ 5000:1 1600:1 1600:1

Backlight RGB LED N/A OLED CCFL N/A OLED White LED White LED

Max Luminance 250nit TBA 350nit TBA 250nit 250nit

Viewing Angle 178° 179° 178° 179° 178° 178°

Inputs

1x DVI-I DVI-I (Analog/Digital) DVI-I (Analog/Digital) DVI-I (Analog/Digital) DVI-I (Analog/Digital) DVI-I (Analog/Digital) DVI-I (Analog/Digital)

2x BNC 3Gbps/Dual Link/HD/

1x BNC Composite Composite Composite Composite Composite Composite

3x BNC Component

Outputs

2x BNC 3Gbps/Dual Link/HD/

1x BNC Composite Composite Composite Composite Composite Composite

3x BNC Component

CM171 CM172 CM240 CM250 CM420TD CM500TD

SD-SDI

(YPbPr/RGB)

SD-SDI

(YPbPr/RGB)

3Gbps/Dual Link/HD/

SD-SDI

Component

(YPbPr/RGB)

3Gbps/Dual Link/HD/

SD-SDI

Component

(YPbPr/RGB)

3Gbps/Dual Link/HD/

SD-SDI

Component

(YPbPr/RGB)

3Gbps/Dual Link/HD/

SD-SDI

Component

(YPbPr/RGB)

3Gbps/Dual Link/HD/

SD-SDI

Component

(YPbPr/RGB)

3Gbps/Dual Link/HD/

SD-SDI

Component

(YPbPr/RGB)

3Gbps/Dual Link/HD/

SD-SDI

Component

(YPbPr/RGB)

3Gbps/Dual Link/HD/

SD-SDI

Component

(YPbPr/RGB)

3Gbps/Dual Link/HD/

Component

(YPbPr/RGB)

3Gbps/Dual Link/HD/

Component

(YPbPr/RGB)

SD-SDI

Audio

Audio Disembedding Ye s Ye s Yes Yes Yes Yes

Audio Level Meters Yes Yes Yes Yes Yes Yes

Internal Speakers 2 2 2 2 2 2

Audio In 1 Mini-Phono 1 Mini-Phono 1 Mini-Phono 1 Mini-Phono 1 Mini-Phono 1 Mini-Phono

Audio Out 1 Mini-Phono 1 Mini-Phono 1 Mini-Phono 1 Mini-Phono 1 Mini-Phono 1 Mini-Phono

Supported SDI Formats

ITU-R BT.656 (PAL) 576i (50)

SMPTE-125M 480i (59.94)

SMPTE-274M 1080i (60/59.94/50) 1080p (30/29.97/25/24/24PsF/23.98/23.98PsF)

SMPTE-296M 720p (60/59.94/50/30/29/25/24/23.98)

2K 2048x1080 (23.98PsF/24PsF/23.98p/24p)

SMPTE-372M 1080i (29.97/25/24/23.98) 1080p (30/29.97/25/24/23.98) 720p (60/59.94/50) 4:4:4 YCbCr, RGB

SMPTE-425M Standard (Level A & B)

Supported DVI Formats

DVI-A & DVI-D VGA (640x480), NTSC (720x480), SVGA (800x600), XGA (1024x768), SXGA (1280x1024)

DVI Digital Only 1280x720, 1440x900, 1920x1080, 1920x1200

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Page 45

Monitor Specications

Model CM171 CM172 CM240 CM250 CM420TD CM500TD

Features

Rack Mount Kit Included Included Optional Optional N/A N/A

Desktop Stand Standard Standard Standard Standard Standard Standard

External Mounting 100mm VESA 100mm VESA 100mm VESA 100mm VESA 400mm VESA 400mm VESA

VESA to Light Stand

Mount

Carrying Bag w/ Integrated Hood

Clear Protective Panel Cover

16 Scope Modes Yes Ye s Yes Ye s Yes Ye s

Measure Function Ye s Yes Ye s Ye s Yes Ye s

H/V Delay Ye s Ye s Ye s Yes Ye s Ye s

Reverse Scan No No No No No No

Timecode Display LTC, VITC1, VITC2 LTC, VITC1, VITC2 LTC, VITC1, VITC2 LTC, VITC1, VITC2 LTC, VITC1, VITC2 LTC, VITC1, VITC2

Color Fidelity Engine CFE CFE2 CFE2 CFE2 CFE2 CFE2

Overscan Yes Yes Yes Yes Ye s Ye s

1:1 Pixel Mapping Yes Ye s Yes Ye s Yes Ye s

Picture by Picture Freeze Frame

Blue Only Mode Ye s Ye s Ye s Ye s Ye s Yes

Monochrome Mode Ye s Yes Ye s Ye s Ye s Yes

3D Lut Color Space

Selection

Color Temperature Select 3200K, 5000K, 5600K, 6500K, 9300K

Gamma Selection Instantly adjustable between 1.0 / 1.8 / 2.0 / 2.2 / 2.35 / 2.4 / 2.5 / 2.8

SD Aspect Ratio 4:3 or Anamorphic

Tally Lights Red / Green / Amber

Power

AC Input IEC / C14 IEC / C14 IEC / C14 IEC / C14 IEC / C14 IEC / C14

DC Input 4 PIN XLR 4 PIN XLR 4 PIN XLR 4 PIN XLR 4 PIN XLR 4 PIN XLR

Battery Plate Optional Optional Optional 12V Conversion Optional 12V Conversion N/A N/A

Power Requirement 100~240 VAC / 12 VDC 100~240 VAC / 12 VDC 100~240 VAC / 24 VDC 100~240 VAC / 24 VDC 100~240 VAC / 24 VDC 100~240 VAC / 24 VDC

DC Power Consumption 28 Watts 42 Watts 50 Watts 50 Watts 46 Watts 53 Watts

Physical Characteristics

Weight (w/o stand) 6.4 lbs (2.9kg) 11.3 lbs (5.1kg) 15.8 lbs (7.1kg) 17 lbs (7.7kg) 34.6 lbs (15.7kg) 46.2 lbs (20.9kg)

Weight (with stand) 10.4 lbs (4.7kg) 13.5 lbs (6.1kg) 19.8 lbs (8.9kg) 19.2 lbs (8.7kg) N/A N/A

Weight in Carrying Bag with Hood

Die Cast Aluminum Frame

Optional Optional Optional Optional Optional N/A

Optional Optional N/A N/A N/A N/A

Optional Optional Optional Optional N/A N/A

Yes Ye s Yes Ye s Yes Ye s

SMPTE C/EBU/REC709/

DCI-P3/USER

14.5 lbs (6.6kg) 19.4 lbs (8.7kg) N/A N/A N/A N/A

Yes Ye s Yes Ye s Yes Ye s

SMPTE C/EBU/REC709/

DCI-P3/USER

SMPTE C/EBU/REC709/

DCI-P3/USER

SMPTE C/EBU/REC709/

DCI-P3/USER

SMPTE C/EBU/REC709/

DCI-P3/USER

SMPTE C/EBU/REC709/

DCI-P3/USER

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