inside front cover
When miking groups or ensembles the Earthworks near-perfect polar response allows
placing the microphones much closer to the instruments or voices resulting in greater
detail in the sound and more gain-before-feedback.
Earthworks cardioid microphones provide incredible rejection of sound from the rear
of the microphone. Notice in
Figure C that this dead area
of the microphone covers
180 degrees. Figure D shows
the way “not to” position the
microphone. Figure E shows
the “correct” way to position
the microphone and obtain
the greatest amount of rejection of sounds coming from
the rear of the microphone.
Following these guidelines
will provide incredible results.
You should be more than
pleased!
Figure A Usable area
with full frequency re-
sponse of conventional
cardioid microphones
BEFORE YOU START Guidelines for Positioning FW430 FlexWands
Earthworks near-perfect polar response may require some changes or adjustments in
your typical miking practices. Please read the manual to gain a full understanding of
the pick-up characteristics of Earthworks cardioid microphones.
Figure B Usable area with full
frequency response of Earth-
works cardioid microphones
Figure C Rear rejection area of
Earthworks cardioid microphones
There is a dramatic difference in
the pick-up area with full frequency
response (i.e. no signicant high
frequency loss) between a conventional cardioid microphone and an
Earthworks cardioid microphone with
near-perfect polar response. These
differences can be seen in comparing
Figures A and B. So, when using an
Earthworks cardioid microphone you
must think “wider” when you position
your microphones. The Earthworks
cardioid mics have a much greater
reach on the sides than conventional
cardioid microphones.
Figure E CORRECT
maximum isolation from
the band
Figure D INCORRECT poor
isolation from the band
Congratulations on your purchase of the innovative Earthworks High Deni-
tion Microphone™ FW430 FlexWand™ System. We know you will be thrilled
with the results you achieve using the FlexWand™ System for both live per-
formance and recording.
Enclosed with your Earthworks FW430 FlexWand™ System:
FlexWand™ Models FW430 & FW430/HC with cast iron base, or
FW430TPB & FW430/HC-TPB with tripod base
1 – FlexWand™ stand/wand section *
1 – Microphone windscreen *
1 – Base for stand/wand section (either cast iron metal or tri-
pod base depending on model) *
1 – User’s Manual for FlexWand™ System
* (If you purchased a matched pair of FlexWands, you will receive two each of the
items indicated above with an asterisk.)
THE FLEXWAND™ SYSTEM
You have just purchased an Earthworks High Denition Microphone™ that is incor-
porated in the FlexWand™ System. The FlexWand™ System is a totally new concept
in microphones. It is a combination of a High Denition Microphone™ and a low
prole microphone stand and boom as a single unit. It allows the microphone head
to be positioned as high as 4.7 feet and as low as 10 inches from the oor or any-
where in between using the tripod base. Using the cast iron base (which is 4 inches
lower) changes the maximum height to 4.45 feet and minimum height to 6 inches.
Best of all there are no visible wires or cables above oor level. Visually it is low prole, smooth, sleek and clean. The FlexWand™ is the ideal solution for applications
where the utmost in sound quality and a low prole is required.
The FlexWand™ is ideal for miking a variety of applications such as acoustic in-
struments and ensembles, amplied instruments and vocal solos. Now you
don’t have to nd a microphone, attach the mic clip to the stand and then dress
the cable around the stand. Just pick up the FlexWand™, position it and plug
the mic cable into the base. You are done! Best of all it is neat and clean visually with no unsightly microphone cable wrapped around the stand and boom.
And, it sounds spectacular!
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FOR ASSEMBLY INFORMATION SEE PAGES 11-16