Fender 65-Deluxe Operation Manual

THE SOUND THAT CREATES LEGENDS
‘65 Deluxe Reverb
TYPE: PR 239
Owner,s Manual
P/N 047059
INTRODUCTION
Of all the Fender amplifiers produced over the past 40 years, the Deluxe Reverb has probably been used on more recordings than any other amplifier in history. Over the years, Deluxe Reverbs have proven to be incredibly versatile, used for surf, rock, blues, soul, country and everything in between. In fact, many early hard rock and heavy metal recordings were done with the Deluxe Reverb because of its great natural distortion characteristics, an unintended feature at the time. Whatever the playing style, the Deluxe Reverb has always been able to produce “the right sound”.
Your new ‘65 DELUXE REVERB is a faithful reproduction of an original 1965 Deluxe Reverb (model AB763 for historical or technical types). Every ef fort has been made to keep the pre-amp and power amp circuits exactly like the original. For improved reliability and manufacturing efficiency, a printed circuit board for the components is used in place of the original “Leo board” style phenolic parts panel used in the older Fender amplifiers for many years. The power and output transformers used in the ‘65 DELUXE REVERB are built to the original specifications which were still in the Fender R&D department files. Some components used in this re-issue amplifier are different in size and shape from the earlier version, but the component values are identical.
The ‘65 DELUXE REVERB is 22 watts, like the original. This model (AB 763) is often referred to as a “Black-face Deluxe Reverb” (because of the control panel’s color) and was first introduced in 1964 and continued until mid 1968 when the control panel was changed to silver swirl look that lasted through 1980.
The speaker in the ‘65 DELUXE REVERB is a duplicate of the original Jensen 12 inch “Specially Designed for Fender” speaker used for many years during the I960s.
Please note, if you compare a new ‘65 DELUXE REVERB with an original model, the two units may sound slightly different. Remember that the speaker and filter capacitors in the original are over 25 years old and their performance has changed over the years.
WARNING: TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD, DO NOT EXPOSE AMPLIFIER TO RAIN OR MOISTURE!
‘65 DELUXE REVERB FRONT PANEL FUNCTIONS
A,B. NORMAL CHANNEL INPUTS-Plug-in connection for
instruments. Input 1 provides 6 dB more gain than input
2. The REVERB and VIBRATO features do not affect the NORMAL CHANNEL.
C. NORMAL CHANNEL VOLUME CONTROL- Adjusts
the overall loudness of the NORMAL CHANNEL.
D. TREBLE CONTROL-Adjusts the amount of high frequency
boost (accentuation) or cut (attenuation) in the NORMAL CHANNEL.
E. BASS CONTROL-Adjusts the amount of low frequency
boost or cut in the NORMAL CHANNEL.
H. VIBRATO CHANNEL VOLUME CONTROL- Adjusts the
overall loudness of the VIBRATO CHANNEL.
I. TREBLE CONTROL-Adjusts the amount of high frequency
boost or cut in the VIBRATO CHANNEL.
J. BASS CONTROL-Adjusts the amount of low frequency
boost or cut in the VIBRATO CHANNEL.
K. REVERB CONTROL-Adjusts the amount of reverberated
signal that is mixed in with the original dry signal. Turning the control full counter- clockwise turns the REVERB feature off. The REVERB feature can also be turned on and off using the footswitch. Note that the REVERB feature does not affect the NORMAL CHANNEL.
F,G.VIBRATO CHANNEL INPUTS-Plug-in connection for
instruments. Input 1 provides 6 dB more gain than input
2. The VIBRATO CHANNEL is affected by both the REVERB and VIBRATO features, and also provides more treble boost than the NORMAL CHANNEL.
L. VIBRATO SPEED CONTROL-Adjusts the speed of the
VIBRATO feature. Note that the VIBRATO feature does not affect the NORMAL CHANNEL.
Loading...
+ 4 hidden pages