FAR AV10.D, AV15.D, AV30 D, AV40.D, AV12.D User Manual
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PROFESSIONAL AUDIO MONITORING
AV10 D AV 12 D AV 15 D
AV30 D AV 40 D
USER MANUAL
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TABLE OF CONTENT
1 INTRODUCTION ............................................................................................... 6
1.1 This Manual ............................................................................................. 6
1.2 The Product Concept................................................................................. 6
1.3 Digital Precision ....................................................................................... 6
2 PRODUCT DESCRIPTION ................................................................................... 7
3 SPEAKER SETUP .............................................................................................. 9
3.1 Connectivity ............................................................................................ 9
3.1.1 Analogue Input..................................................................................... 9
3.1.2 AES/EBU Input ....................................................................................10
3.1.3 AES/EBU Output ..................................................................................10
3.1.4 FAR Link Network ................................................................................10
3.2 Operation Overview .................................................................................10
3.3 Parameter definition ................................................................................11
3.3.1 Speaker Volume ..................................................................................11
3.3.2 Digital Channel Selection ......................................................................11
3.3.3 Signal Input Selection ..........................................................................12
3.3.4 Digital Output Selection ........................................................................12
3.3.5 Analogue Full scale selection .................................................................13
3.3.6 Curve selection....................................................................................13
3.3.7 EQ Set selection ..................................................................................15
3.3.8 Speaker relative level ...........................................................................15
3.3.9 Relative speaker delay..........................................................................15
3.3.10 Shelves and Tilts ..............................................................................16
3.3.11 Speaker ID ......................................................................................18
3.3.12 Network mode .................................................................................19
3.4 Network Operation ..................................................................................20
3.4.1 Control chaining constraints ..................................................................20
3.4.2 Digital audio chaining constraints...........................................................20
4 SYSTEM SETUP ...............................................................................................21
4.1 Analogue Setup ......................................................................................21
4.1.1 Stereo System.....................................................................................21
4.1.2 Multi-channel 5.1 System .....................................................................21
4.2 Digital setup ...........................................................................................22
4.2.1 Stereo 2.0 System ...............................................................................22
4.2.2 Stereo 2.1 System ...............................................................................23
4.2.3 Multi-channel 5.1 System .....................................................................24
4.2.4 Multi-channel 6.1 System .....................................................................26
5 TECHNICAL SPECIFICATIONS ...........................................................................28
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REVISION HISTORY
Date Version Author Change
2011-02-12 1.0 X. Lambrecht Initial revision
PRODUCT COMPLIANCE
The AV20 monitors comply with the following specifications:
- EN 55103-1: Product family standard for audio, video, audio-visual and
entertainment apparatus for professional use – Part 1: Emission
- EN 55103-2: Product family standard for audio, video, audio-visual and
entertainment apparatus for professional use – Part 2: Immunity
- EN 55022: Information technology equipment. Radio disturbance characteristics.
Limits and methods of measurement (Class B)
- EN 60065: Safety requirements for main operated electronics and related
apparatus for household and similar general use.
- 89/336/EEC European Directive on electromagnetic compatibility (harmonized
standard)
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SAFETY INSTRUCTIONS
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus
(including amplifiers) that produce heat.
9. Protect the power cord from being walked on or pinched particularly at plugs, convenience
receptacles, and the point where they exit from the apparatus.
10. Only use attachments/accessories specified by the manufacturer.
11. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with
the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to
avoid injury from tip-over.
12. Unplug this apparatus during lightning storms or when unused for long periods of time.
13. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has
been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled
or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture,
does not operate normally, or has been dropped.
..Warning!..
• To reduce the risk of fire or electrical shock, do not expose this equipment to dripping or splashing
and ensure that no objects filled with liquids, such as vases, are placed on the equipment.
• Use a three wire grounding type line cord like the one supplied with the product.
• This equipment should be installed near the socket outlet and disconnection of the device should
be easily accessible.
• To completely disconnect from AC mains, disconnect the power supply cord from the AC
receptacle.
• The mains plug of the power supply shall remain readily operable.
• Do not install in a confined space.
• Do not open the unit - risk of electric shock inside.
..Service..
There are no user-serviceable parts inside. All service must be performed by qualified personnel.
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1 INTRODUCTION
1.1 This Manual
The latest manual revision is always available for download from www.atd2.com. Please
compare to the revision number of the manual (see page 4) available for download from
our web-site and download if newer. The present document will describe how to connect
and setup a speaker system.
1.2 The Product Concept
The FAR Active monitor systems take a quantum leap forward in near-field / mid-field
monitoring and ATD2 is very proud to present these systems. The AV series include high
quality analogue Class D amplification with the addition of powerful DSPs and CPU. New
possibilities are opened for easy, convenient and central control of both audio and setupinfo via dedicated PC software and remote control. The networking possibilities will fit
nicely into today's applications and can be taken far into the future studio.
Unlike many rear ported monitors that can be very unpractical to set up, the 3 ways AV
series feature sealed box bass principle design that allows flush mounting, easy
placement in the room and very accurate bass/medium reproduction.
The 3 ways AV monitors are Pro Audio mid-field monitors and are excellent for stereo
and surround setups in applications such as Music Recording/Mixing, Post production,
Film, Broadcast, Video-editing etc.
1.3 Digital Precision
The frequency response and timing of the woofer, medium and tweeter signals (gain and
delay) of the 3 ways AV monitors is controlled to a level of precision only practically
obtainable with DSP.
All the filters available in the speaker are implemented in the digital domain. This
guarantees a perfect repeatability from speaker to speaker. They will never vary with
temperature, humidity and aging. It cannot be made more accurate and stable.
The monitor impulse response has been optimized to guarantee the best possible
dynamics and accuracy.
As most productions do end up in a digital format these days, the FAR Active monitors
allow direct monitoring of the digital signal. Simply feed the monitors directly with an
AES/EBU signal (IEC60958 compliant).
However, as many studios are today still working with analogue signals for monitoring,
all the FAR Active monitors have, as standard feature, a very high quality analogue input.
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2 PRODUCT DESCRIPTION
The AV10, AV20, AV30 and AV40 monitors are multi-amplified (3 amplifiers in total).
There is one amplifier per driver unit. Refer to chapter 5 [Technical Specifications] for
details.
The 3 ways AV monitors all feature the same medium/tweeter assembly. The medium
driver is optimally loaded and the acoustic load is built in such a way that there cannot
be any destructive interference at the back side of the medium membrane due to wave
reflection inside the volume. This type of construction helps having a flat frequency
response of the medium driver without any significant equalization. It’s a step towards
sound purity and clarity.
This allows a very consistent sound signature across all models.
The plate being square, it is also possible to order the speakers with a medium/tweeter
assembly rotated by 90 degrees.
AV10.D-HL
AV20.D-HL
AV30.D-HL
AV40.D-HL
AV10.D-HR
AV20.D-HR
AV30.D-HR
AV40.D-HR
The box construction is such that the internal resonances are minimal. The internal
structure makes it very stiff though not excessively heavy. This is especially true for the
AV10 and AV20 models.
There is no also such a concept of Master and Slave monitors. All FAR Active monitors
have the same capabilities and features. There are also no special requirements on
power ON and OFF sequences of the monitors. The speakers were designed to be “clicks
and plops” free, in any conditions.
The following figure describes the speaker synoptic.
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Figure 1: Monitor Synoptic
The signal processing can be subdivided in multiple functional blocks, as described in the
next figure.
SPEAKER
EQUALIZATION
10 BAND
EQUALIZER
CURVE
FILTERS
SPEAKER
DELAY
3 WAY
XOVER
DRIVER TIME
ALIGNMENT
DRIVER TIME
ALIGNMENT
DRIVER TIME
ALIGNMENT
DRCGAIN
GAIN
GAIN
SPEAKER
LEVEL
DRC
DRC
Figure 2: Monitor DSP Functional blocks
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3 SPEAKER SETUP
All controls, display and connectors are located at the rear of the monitor with the
exception of a front LED that indicates when the speaker is powered ON and that also
signal with various types of blinking the network activity, amplifier limiter in service and
hardware faults.
PUSH PUSH
NETWORK
DIGITAL OUT DIGITAL IN ANALOG IN
OUT
IN
POWER
Figure 3: Monitor rear
3.1 Connectivity
The speaker provides the following connectors:
- XLR Analogue balanced input
- RJ45 FAR Link Network input
- RJ45 FAR Link Network output
- XLR AES/EBU digital input
- XLR AES/EBU digital output
The power input is an IEC connector.
3.1.1 Analogue Input
The monitor has a balanced analogue input on a XLR combo plug. The full scale
sensitivity of the analogue input is selectable via the monitor control menu. It can be set
to +3 dBu, +9 dBu, +15 dBu, +21 dBu and +24 dBu.
The standard broadcast full scale input level is +6 dBu with 9 dB headroom. In this case,
the full scale input shall be set to +15 dBu.
The analogue signal is converted to the digital domain by a very high-end converter
(96kHz – 24 bits). It is then treated as the other digital audio streams that can be fed to
the monitor.
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