Microsoft Word, ever y thing will app ear alien and
nightmarishly complicated. But if you think in
terms of actual pieces of paper, celluloid, and
scissors then it all become s much easier to grasp.
For a good example of layering we thought
we’d look to the vintage gaming magazines that
we’re imitating, where they take bright edgy
shapes and use them for eye- c atching boxouts.
First we’ll put a coloure d pol ygon in an image
frame, then put a tex t f rame o n top. Finally, we’ll
put a prett y b ackground behind it all.
First we created the image fram e to fit both an
image and a separate tex t f rame inside it , which
meant deliberately sp illing over the column
borders (which was a very ’9 0s thing to do!).
To achieve the right size we opened the
frame’s Properties, and op ened the Image tab.
From here we enabled Scale To Frame Size but
didn’t enable Proportional, which meant we
could resize the shape and frame to per f ec tly fit
a paragraph inside. Ne x t, we drew a text frame
on top of the shape and inser ted som e
informative and entertaining tex t.
Now is a good point to e xplo re Scribus’s layer
controls. For now the text is sit ting ab ove the
image as it should be, but what if mis- clicking an
option somehow got it the wrong w ay around
– how would you correct that? So for now we’re
deliberately going to obs cure the tex t layer
behind the image layer, but then bring it back.
Right-click the tex t fram e and choos e Level >
Lower. The text should now be hidden while the
image sits on top. To bring back the text, you’ll
need to lower the level of the image, so rightclick and choose Level > Lower again. T his will
move the image back behind the tex t an d
restore the text layer to the top.
Now to give it all a background. We already
prepared a simple background with a pretty
colour-fade in using GIMP, though any por tr ait
image should do. Then we simply drew an Image
Frame across the entire page and inser ted an
image. Initially this just obscured everything, but
by clicking Level > Lower to Botto m it put
every thing else ba ck in the foreground whil e
providing a nice background.
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For the last piece of the puz zle, Scribus makes it
possible to place graphics any where you like
within text and fo rce the surrounding tex t flow
around it. If you create an image frame that
overlaps text frames, you c an tr y out the feature
by right-clicking on the image, choosing
Properties, and o pening the Shap e tab. In the
field Text Flow Around Frame we want to focus
on four options: Disable d, Use Frame Shape, Use
Bounding Box, and Use Contour Line.
Disabled turns off the feature entirely an d tex t
will just run over or under the image, ignoring its
shape altogether. Use Frame Shape will make
your text stric tly adhere to whatever shape you
have given the frame. Use Bounding Box will
make sure that text will always conform to a
perfe c tly rec tangular fie ld around the image.
This can leave big empty gaps, b ut it may be just
the look some pe ople are going fo r.
For the advanced users out there, there’s the
Use Contour Line option. This is hard to explain
without a live demonstration, b ut this adds a
second shape for tex t to flow around,
independent of however the imag e may look
right now. The contour will be based o n
whatever the image’s original frame was, but by
clicking Edit you can make the shape jus t ab out
anything you like using fairly intricate controls.
Ready for mor e?
After you’ve finished your formatting and
established a feel, you can create an entire
magazine base d up on your own s t yl e an d t astes.
You can also use this as a template, creating a
distinct s t yle your readers may enjoy.
This month we’ve only covered the basic s of
a magazine layout, taking a more text-based
approach. N ex t month we ’ll fo cus more on
graphics, su ch as covers, pos ters, and so on.
Obviously this isn’t an environment to replace
your word processor, but if this were something
like Word or Libre Offi ce Writer, you would
agonise endlessl y trying to get a gr aphic to sit
in the right place, constantly afraid you would
upset the f ragile format ting. In Scribus you just
click this, dr ag that , and you’re done. The
interface isn’t necessarily diffi cult, it’s just
different. Stick with it and you ’ll b e rew arded.
Q
USING GUIDES
Guides are a tricky thing in Scribus. If you open the main menu and click
View > Show Guides, it turns on the big ugly lines that show where
everything goes. This may or may not be enabled by default according to
the whims of the document. Turning them on or off will probably result
in nothing with a brand new document, as they are generally things you
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For new documents, Page > Snap to Guides is less useful than Snap to
Grid, because it will only snap to the page borders and not the columns
– one would assume Snap to Guides would work with columns from the
outset. Unfortunately, if you want to have your frames snap to columns,
you will need to enter these manually in the Guide Manager (from the
main menu click Page > Manage Guides). This is a right faff and we just
don’t have space to cover it this month.
For most people, drawing boxes freehand with a visible guide will
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where each row and column sits as it’s beyond tedious to try and write
about! Maybe next month. Maybe.
Here’s we’ve created our own magazine all about the Commodore 64, the faithful home
computer from the 1980s.
BEST TIP
The Sample Text
function is very handy,
especially the option
for different languages.
If you use different
languages between
Text Frames, you can
spot linking errors you
mightn’t otherwise see.
Exp l o re
Desi gn with Sc ribu s
December 2019
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