This symbol is intended to alert the user of important operating and
maintenance (servicing) instructions in the literature provided with the
equipment.
This symbol is intended to alert the user of the presence of uninsulated
dangerous voltage within the product enclosure that may present a risk of
electric shock.
Caution
Read Instructions • Read and understand all safety and operating instructions before using the equipment.
Retain Instructions • The safety instructions should be kept for future reference.
Follow Warnings • Follow all warnings and instructions marked on the equipment or in the user information.
Avoid Attachments • Do not use tools or attachments that are not recommended by the equipment
manufacturer because they may be hazardous.
Warning
Power sources • This equipment should be operated only from the power source indicated on the product. This
equipment is intended to be used with a main power system with a grounded (neutral) conductor. The third
(grounding) pin is a safety feature, do not attempt to bypass or disable it.
Power disconnection • To remove power from the equipment safely, remove all power cords from the rear of the
equipment, or the desktop power module (if detachable), or from the power source receptacle (wall plug).
Power cord protection • Power cords should be routed so that they are not likely to be stepped on or pinched by
items placed upon or against them.
Servicing • Refer all servicing to qualified service personnel. There are no user-serviceable parts inside. To prevent
the risk of shock, do not attempt to service this equipment yourself because opening or removing covers may
expose you to dangerous voltage or other hazards.
Slots and openings • If the equipment has slots or holes in the enclosure, these are provided to prevent
overheating of sensitive components inside. These openings must never be blocked by other objects.
Lithium battery • There is a danger of explosion if battery is incorrectly replaced. Replace it only with the same or
equivalent type recommended by the manufacturer. Dispose of used batteries according to the instructions of
the manufacturer.
Consignes de Sécurité • Français
Ce symbole sert à avertir l’utilisateur que la documentation fournie avec le
matériel contient des instructions importantes concernant l’exploitation et la
maintenance (réparation).
Ce symbole sert à avertir l’utilisateur de la présence dans le boîtier
de l’appareil de tensions dangereuses non isolées posant des risques
d’électrocution.
Attention
Lire les instructions• Prendre connaissance de toutes les consignes de sécurité et d’exploitation avant d’utiliser
le matériel.
Conserver les instructions• Ranger les consignes de sécurité afin de pouvoir les consulter à l’avenir.
Respecter les avertissements • Observer tous les avertissements et consignes marqués sur le matériel ou
présentés dans la documentation utilisateur.
Eviter les pièces de fixation • Ne pas utiliser de pièces de fixation ni d’outils non recommandés par le fabricant
du matériel car cela risquerait de poser certains dangers.
Sicherheitsanleitungen • Deutsch
Dieses Symbol soll dem Benutzer in der im Lieferumfang enthaltenen
Dokumentation besonders wichtige Hinweise zur Bedienung und Wartung
(Instandhaltung) geben.
Dieses Symbol soll den Benutzer darauf aufmerksam machen, daß im Inneren
des Gehäuses dieses Produktes gefährliche Spannungen, die nicht isoliert sind
und die einen elektrischen Schock verursachen können, herrschen.
Achtung
Lesen der Anleitungen • Bevor Sie das Gerät zum ersten Mal verwenden, sollten Sie alle Sicherheits-und
Bedienungsanleitungen genau durchlesen und verstehen.
Aufbewahren der Anleitungen • Die Hinweise zur elektrischen Sicherheit des Produktes sollten Sie
aufbewahren, damit Sie im Bedarfsfall darauf zurückgreifen können.
Befolgen der Warnhinweise • Befolgen Sie alle Warnhinweise und Anleitungen auf dem Gerät oder in der
Benutzerdokumentation.
Keine Zusatzgeräte • Verwenden Sie keine Werkzeuge oder Zusatzgeräte, die nicht ausdrücklich vom Hersteller
empfohlen wurden, da diese eine Gefahrenquelle darstellen können.
Avertissement
Alimentations • Ne faire fonctionner ce matériel qu’avec la source d’alimentation indiquée sur l’appareil. Ce
matériel doit être utilisé avec une alimentation principale comportant un fil de terre (neutre). Le troisième
contact (de mise à la terre) constitue un dispositif de sécurité : n’essayez pas de la contourner ni de la
désactiver.
Déconnexion de l’alimentation• Pour mettre le matériel hors tension sans danger, déconnectez tous les cordons
d’alimentation de l’arrière de l’appareil ou du module d’alimentation de bureau (s’il est amovible) ou encore de
la prise secteur.
Protection du cordon d’alimentation • Acheminer les cordons d’alimentation de manière à ce que personne ne
risque de marcher dessus et à ce qu’ils ne soient pas écrasés ou pincés par des objets.
Réparation-maintenance • Faire exécuter toutes les interventions de réparation-maintenance par un technicien
qualifié. Aucun des éléments internes ne peut être réparé par l’utilisateur. Afin d’éviter tout danger
d’électrocution, l’utilisateur ne doit pas essayer de procéder lui-même à ces opérations car l’ouverture ou le
retrait des couvercles risquent de l’exposer à de hautes tensions et autres dangers.
Fentes et orifices • Si le boîtier de l’appareil comporte des fentes ou des orifices, ceux-ci servent à empêcher les
composants internes sensibles de surchauffer. Ces ouvertures ne doivent jamais être bloquées par des objets.
Lithium Batterie • Il a danger d’explosion s’il y a remplacment incorrect de la batterie. Remplacer uniquement
avec une batterie du meme type ou d’un type equivalent recommande par le constructeur. Mettre au reut les
batteries usagees conformement aux instructions du fabricant.
Vorsicht
Stromquellen • Dieses Gerät sollte nur über die auf dem Produkt angegebene Stromquelle betrieben werden.
Dieses Gerät wurde für eine Verwendung mit einer Hauptstromleitung mit einem geerdeten (neutralen) Leiter
konzipiert. Der dritte Kontakt ist für einen Erdanschluß, und stellt eine Sicherheitsfunktion dar. Diese sollte nicht
umgangen oder außer Betrieb gesetzt werden.
Stromunterbrechung • Um das Gerät auf sichere Weise vom Netz zu trennen, sollten Sie alle Netzkabel aus der
Rückseite des Gerätes, aus der externen Stomversorgung (falls dies möglich ist) oder aus der Wandsteckdose
ziehen.
Schutz des Netzkabels • Netzkabel sollten stets so verlegt werden, daß sie nicht im Weg liegen und niemand
darauf treten kann oder Objekte darauf- oder unmittelbar dagegengestellt werden können.
Wartung • Alle Wartungsmaßnahmen sollten nur von qualiziertem Servicepersonal durchgeführt werden. Die
internen Komponenten des Gerätes sind wartungsfrei. Zur Vermeidung eines elektrischen Schocks versuchen
Sie in keinem Fall, dieses Gerät selbst öffnen, da beim Entfernen der Abdeckungen die Gefahr eines
elektrischen Schlags und/oder andere Gefahren bestehen.
Schlitze und Öffnungen • Wenn das Gerät Schlitze oder Löcher im Gehäuse aufweist, dienen diese zur
Vermeidung einer Überhitzung der empndlichen Teile im Inneren. Diese Öffnungen dürfen niemals von
anderen Objekten blockiert werden.
Litium-Batterie • Explosionsgefahr, falls die Batterie nicht richtig ersetzt wird. Ersetzen Sie verbrauchte Batterien nur
durch den gleichen oder einen vergleichbaren Batterietyp, der auch vom Hersteller empfohlen wird. Entsorgen
Sie verbrauchte Batterien bitte gemäß den Herstelleranweisungen.
Instrucciones de seguridad • Español
Este símbolo se utiliza para advertir al usuario sobre instrucciones
importantes de operación y mantenimiento (o cambio de partes) que se
desean destacar en el contenido de la documentación suministrada con los
equipos.
Este símbolo se utiliza para advertir al usuario sobre la presencia de
elementos con voltaje peligroso sin protección aislante, que puedan
encontrarse dentro de la caja o alojamiento del producto, y que puedan
representar riesgo de electrocución.
Precaucion
Leer las instrucciones • Leer y analizar todas las instrucciones de operación y seguridad, antes de usar el
equipo.
Conservar las instrucciones • Conservar las instrucciones de seguridad para futura consulta.
Obedecer las advertencias • Todas las advertencias e instrucciones marcadas en el equipo o en la
documentación del usuario, deben ser obedecidas.
Evitar el uso de accesorios • No usar herramientas o accesorios que no sean especificamente recomendados
por el fabricante, ya que podrian implicar riesgos.
Alimentación eléctrica • Este equipo debe conectarse únicamente a la fuente/tipo de alimentación eléctrica
indicada en el mismo. La alimentación eléctrica de este equipo debe provenir de un sistema de distribución
general con conductor neutro a tierra. La tercera pata (puesta a tierra) es una medida de seguridad, no
puentearia ni eliminaria.
Desconexión de alimentación eléctrica • Para desconectar con seguridad la acometida de alimentación eléctrica
al equipo, desenchufar todos los cables de alimentación en el panel trasero del equipo, o desenchufar el
módulo de alimentación (si fuera independiente), o desenchufar el cable del receptáculo de la pared.
Protección del cables de alimentación • Los cables de alimentación eléctrica se deben instalar en lugares donde
no sean pisados ni apretados por objetos que se puedan apoyar sobre ellos.
Reparaciones/mantenimiento • Solicitar siempre los servicios técnicos de personal calicado. En el interior no
hay partes a las que el usuario deba acceder. Para evitar riesgo de electrocución, no intentar personalmente la
reparación/mantenimiento de este equipo, ya que al abrir o extraer las tapas puede quedar expuesto a voltajes
peligrosos u otros riesgos.
Ranuras y aberturas • Si el equipo posee ranuras o orificios en su caja/alojamiento, es para evitar el
sobrecalientamiento de componentes internos sensibles. Estas aberturas nunca se deben obstruir con otros
objetos.
Batería de litio • Existe riesgo de explosión si esta batería se coloca en la posición incorrecta. Cambiar esta batería
únicamente con el mismo tipo (o su equivalente) recomendado por el fabricante. Desachar las baterías usadas
Class B digital device, pursuant to part 15 of the FCC rules. These limits provide
reasonable protection against harmful interference in a residential installation. This
equipment generates, uses, and can radiate radio frequency energy and, if not installed
and used in accordance with the instructions, may cause harmful interference to radio
communications. There is no guarantee that interference will not occur. If this equipment
does cause interference to radio or television reception, which can be determined by turning
the equipment off and on, you are encouraged to try to correct the interference by one or
more of the following measures:
zReorient or relocate the receiving antenna.
zIncrease the separation between the equipment and receiver.
zConnect the equipment into an outlet on a circuit different from that to which the
zConsult the dealer or an experienced radio/TV technician for help.
NOTES:• This unit was tested with shielded I/O cables on the peripheral devices.
This equipment has been tested and found to comply with the limits for a
receiver is connected.
Shielded cables must be used to ensure compliance with FCC emissions limits.
• For more information on safety guidelines, regulatory compliances, EMI/EMF
compatibility, accessibility, and related topics, see the “Extron Safety and
Regulatory Compliance Guide” on the Extron website.
Index .................................................................... 102
SSP 7.1 • Contentsvi
Introduction
This manual contains information on how to mount, install, and congure the Extron®
SSP 7.1 surround sound processor.
Unless otherwise specied, references in this manual to the SSP 7.1, “sound processor,” or
“surround sound processor” all refer to the SSP 7.1 unit.
About the SSP 7.1
The SSP 7.1 is a 7.1 channel surround sound processor with four digital inputs and one
analog input. A variety of selectable listening modes can be changed to match the source
format.
The unit can accept 2 channel analog signals, as well as digital pulse code modulation (PCM)
signals, and output them through various matrix decoding mode options for use in 5.1 to
7.1 system congurations.
The SSP 7.1 can decode and process licensed, branded digital source formats from
Dolby® Digital1 and DTS®2, in their originally encoded formats. These include:
zDolby Digital 2/0
zDolby Digital 2/0 SurroundzDolby Digital 5.1zDolby Digital Surround EX
zDTS 2-channel
zDTS Digital Surround
zDTS 96/24zDTS-ESzDTS 96/24 ES Matrix 6.1zDTS-ES Discrete 6.1
™2
®2
Matrix 6.1
™1
®2
1. Manufactured under license from Dolby Laboratories. Dolby, Pro Logic, and the double-D symbol are
trademarks of Dolby Laboratories.
2. Manufactured under license under U.S. patent numbers: 5,451,942; 5,956,674; 5,974,380; 5,978,762;
6,226,616; 6,487,535; 7,003,467; 7,212,872 and other U.S. and worldwide patents issued and pending. DTS,
DTS Digital Surround, ES, and Neo:6 are registered trademarks and the DTS logos, symbol and DTS 96/24 are
Advanced control and configuration — The SSP 7.1 Setup and Control Software provides
additional configuration options beyond those available through front panel control.
Emulate and Live modes for configuration — The control program can be used in
Emulate mode to create an SSP 7.1 conguration. The modications can be saved and
applied to the unit when a connection is established. In Live mode, the changes are made
directly to the unit.
Four digital audio inputs — The unit accepts four digital inputs through two optical
(TOSLINK®) digital inputs and two S/PDIF coaxial (RCA) digital inputs.
One analog input — The unit accepts one balanced/unbalanced analog input on a 5-pole
captive screw connector.
Configurable analog input — Input 5 accepts balanced or unbalanced stereo analog
inputs and can be configured to accept one or two balanced or unbalanced mono inputs
through a captive screw connector. The mono source can be left, right, or a mix summed of
the two.
Automatic surround sound format detection and decoding — The SSP 7.1
automatically detects the format of the incoming audio signal, and then applies the userdefined decoding so that signals are sent to the appropriate outputs.
Input source surround sound format indicator — The appropriate LED indicator
illuminates to indicate the incoming format of the selected input source, whether
Dolby Digital, DTS, PCM, or two-channel analog.
Dolby Digital and DTS playback — The unit is able to decode and process source format
from Dolby Digital and DTS, in their originally encoded formats.
Matrix decoding — The surround sound processor can decode stereo signals to produce
multichannel output.
Downmix multichannel source formats — Downmixing produces a mixed stereo
or mono channel with an additional option to redistribute the downmixed signal to all
channels.
Front panel audio level adjustment with LED level and analog clip indication —
Provides overall output volume adjustment for all outputs as well as adjustment of input
level for the analog input. Accompanying LEDs display input gain level, and a dedicated LED
indicator illuminates red when analog clipping has occurred.
Multiple listening modes — Not all listening modes are compatible with certain input
signals. The listening mode depends not only on the format of the source material but also
on the speaker configuration of the setting. Only those listening modes that are compatible
for a given input are available for that signal. The SSP 7.1 comes with factory default
listening modes that have been matched to the source format to take into account source
format and speaker configuration.
Listening mode override — Listening mode override customizes the listening mode to the
needs of the source format, speaker configuration, the venue, and the personal preferences
of the listener. Selections made through the front panel can be further rened by the SSP 7.1
Setup and Control Software.
This feature can be used to associate a specific listening mode with each input type, allowing
the user to switch quickly to the listening mode that suits each input type for a given room
configuration and the individual user preferences.
SSP 7.1 • Introduction2
Test signals for setup and calibration — The SSP 7.1 generates test signals, including
band-limited Dolby noise and full-bandwidth pink noise, to facilitate calibration of sound
pressure levels from all speakers, and to fine-tune the interaction of a speaker with the
acoustical environment. The SSP 7.1 also offers the option to use an external source for test
signals, which can then be directed to any speaker, or all speakers in sequence.
Speaker compensation delay — The signal to each output channel can be individually
delayed so that the sound from all speakers is synchronized when it reaches the listener.
Lip sync offset — This feature delays an audio signal so that it is resynchronized with a
video signal that has been delayed by video processing. The offset can be applied to each
input channel independently.
Equalization — Nine bands of parametric EQ are available to enhance tone, compensate
for differences in individual speaker output, and adjust frequency response for a given
acoustic environment.
SSP 7.1 • Introduction3
Features
bc
INPUTS
The next two sub-sections describe the features and operation of the SSP 7.1.
zRear Panel Features
zFront Panel Features and Operation
Rear Panel Features
100-240V .5A
50/60Hz
ad
Figure 1. SSP 7.1 Rear Panel Features
NOTE: On earlier models of the SSP 7.1, the Surround Output Channels are labeled
DIGITAL
1
Side.
INPUTS
ANALOG
3
L
4
2
FRONT
5
L
R
R
CENTER
OUTPUTS
SURROUND
L
SSP 7.1
SUB
BACK
L
R
R
WOOFER
RS-232
Tx Rx
aAC power input — Use an IEC power cable to connect the processor to a
100 - 240 VAC, 50 - 60 Hz, power source.
bAudio inputs — The SSP 7.1 accepts four digital inputs and one analog input.
zInputs 1 and 2 accept digital signals
through S/PDIF optical cables.
zInputs 3 and 4 accept digital signals
through S/PDIF coaxial cables.
zInput 5 accepts a balanced or
unbalanced, stereo or mono, analog
input through a 5-pin captive screw
connector.
The following diagram shows the correct wiring for different analog input signals.
Tip
Sleeve
Tip
Sleeve
Unbalanced Stereo Input
Tip
Sleeve
Unbalanced Mono Input
LR
LR
Tip
Ring
Sleeves
Tip
Ring
Balanced Stereo Input
Tip
Ring
Sleeve
Balanced Mono Input
(high impedance)
Figure 2. Wiring for Analog Input (Input 5)
1
DIGITAL
2
LR
LR
3
4
Do not tin the wires!
ANALOG
5
L
R
SSP 7.1 • Features4
NOTES: • The length of the exposed wires in the stripping process is critical. The
OUTPUTS
RS-232
ideal length is 3/16 inches (5 mm). Any longer and the exposed wires may
touch, causing a short circuit between them. Any shorter and the wires
can be easily pulled out even if tightly fastened by the captive screws.
• Do not tin the wires. Tinned wire does not hold its shape and can become
loose over time.
For more information about input formats, see “Front Panel Features and
Operations” on page 6 and the “Source Formats” section on page 61.
c Audio outputs — Outputs are balanced or unbalanced line level analog signals that
feed into multichannel ampliers for congurations up to 7.1 surround sound. For more
information about Speaker Setup, see page 13.
FRONT
L
CENTER
R
SURROUND
L
R
BACK
L
R
SUB
WOOFER
Figure 3. Audio Outputs
Individual output settings are configured through the SSP 7.1 Setup and Control
Software (see page 30) or SIS commands (see page 86):
Mono — Output is through the center channel only but can be reconfigured to be
output through the left and right front channels. In the absence of a center channel,
mono is also output through the left and right front channels.
2-channel (stereo) — Only the front left and front right channels are used.
2.0 to 2.1 surround configurations — Audio is output through front left and front
right channels with (2.1) or without (2.0) a subwoofer.
3.0 to 3.1 surround configurations — Audio is output through front left, front right,
and center channels with (3.1) or without (3.0) a subwoofer.
4.0 to 5.1 surround configurations — Audio is output through a combination of front
left and right, left and right surround, center and subwoofer channels.
6.0 to 6.1 surround configurations — Adds a back channel to 5.0 or 5.1
configurations. The back left channel receives the sixth channel information and serves
as the center back speaker in this configuration.
7.0 to 7.1 surround configurations — Both the back left and right channels are
active. Listening modes designed for 6.1 channel outputs pass the same signal to both
the back left and right channels. Listening modes designed for 7.1 channel outputs pass
separate signals to each channel to produce a stereo back sound effect.
For more information about speaker configuration and output formats, see the
“Listening Mode Options and Usage” section on page 66.
dRS-232 port — The SSP 7.1 can be congured using the SSP 7.1 Setup and Control
Software or SIS commands, using this 3-pole captive screw connector (or the 2.5 mm
Tip Ring Sleeve (TRS) mini jack plug on the front panel).
For more information about the SSP 7.1 Setup and Control Software, see
page 22. For more information about SIS commands, see page 78.
SSP 7.1 • Features5
Tx Rx
Front Panel Features and Operation
MODE OVERRIDE
CONFIG
SOURCE
DTS
PCM
2-CH
D
12345
DOWNMIX
PL II/IIx
DTS NEO:6
TO ALL
INPUTS
VOLUME
CLIP
SURROUND SOUND PROCESSOR
SSP 7.1
f
g
i
Figure 4. SSP 7.1 Front Panel Features
e Configuration port — The SSP 7.1 can be congured using Extron Simple Instruction
Set™ (SIS™) commands through this 2.5 mm Tip Ring Sleeve (TRS) mini jack plug (or
through the 3-pole captive screw connector on the rear panel). For more information
about SIS commands, see page 78.
NOTE: Both the rear panel RS-232 port and the front panel configuration port can
be used at the same time. Neither has precedence. The SSP 7.1 responds to
commands in the order received.
Source Format
f Input source format indicator — The bank of four LEDs identify the format of the
audio input.
zDolby Digital ( D): Dolby Digital 2/0, Dolby Digital 2/0 Surround, Dolby Digital 5.1,
zPCM: 2-channel uncompressed digital source format.
NOTES:• A digital signal that does not have a supported sampling rate or is
compressed PCM is considered an unrecognized signal and is muted.
• When a DVD player is paused during playback, the SSP 7.1 may or
may not continue to receive source format information from the
DVD player. Some players continue to send the same source format
information in a loop, allowing the SSP 7.1 to retain the previous
settings. Other DVD players completely disconnect the signal from the
SSP 7.1 (unlocked state), so that the active input blinks as if there is no
connection present. The remainder of DVD players change the source
output to PCM without an actual signal being sent (digital silence).
During digital silence, the PCM LED lights but the 2-CH source LED
does not.
z2-Channel (2-CH):
zAny source coming through analog input 5.
zIf a PCM digital signal is present on any of the digital inputs, both the PCM and
the 2-CH LEDs light.
zIf a Dolby Digital 2/0 or Dolby Digital 2/0 Surround source is present, both the
D and the 2-CH LEDs light.
zIf a DTS 2-Channel source format is present, both the DTS and 2-CH LEDs light.
To understand more about source formats, see page 61.
SSP 7.1 • Features6
Mode Override Selection
MODE OVERRIDE
g Mode Override selector — The SSP 7.1 has a wide range of listening modes,
although not all listening modes are compatible with every source format. The speaker
configuration of the system may further limit which listening mode is available for a
source format. Other factors, such as the room layout and listener preferences, may also
influence the listening mode selection.
The SSP 7.1 has default listening modes associated with each source format. The front
panel provides the user with a limited set of Mode Override settings. These can change
the listening mode that is associated with a specific combination of source format
and input. The override selections can be further defined using the SSP 7.1 Setup and
Control Software, or SIS commands.
The new, user-defined listening mode continues to be associated with that source
format until Mode Override is used, again, to associate a new listening mode with the
source format. To select a listening mode:
1. Use the push button to toggle through the available listening
modes. When no mode override is chosen, none of the LEDs
light, indicating that a user-defined listening mode is in use.
Otherwise, one of the four LEDs shows the current selection.
2. Release the button when the desired LED is lit to select that
listening mode. If a listening mode is not an available option
for the current input source, toggling the button skips that mode and goes to the next
available mode.
3. If required, further dene the selection using the SSP 7.1 Setup and Control Software
Listening Mode Setup Tab (page 45).
The mode override selections that are available through the front panel are:
zDownmix (DOWNMIX) — Downmixes any multichannel source format (digital
inputs only). It also downmixes a 2-channel source format, if the listening mode is
set to mono.
It is further defined from the Setup and Control Software (see page 48). Options
include:
zStereo, output on left front and right front channels.
zMono, output to center channel only or to left and right front channels equally.
zDolby Pro Logic II/IIx ( PL II/IIx) — uses Dolby Pro Logic II or Dolby Pro Logic IIx
surround processing technology.
zDolby Pro Logic II extends 2-channel sources to output 5.1 channels. It can be
further defined by control software as either Dolby Pro Logic II Movie (default)
or Dolby Pro Logic II Music.
zDolby Pro Logic IIx extends 2-channel sources to output 6.0 to 7.1 channels
(depending on the speaker setup). It can be further defined by control software
as either Dolby Pro Logic IIx Movie or Dolby Pro Logic IIx Music.
zDolby Pro Logic IIx also provides an extended surround option for multichannel
sources such as DTS Digital Surround or Dolby Digital 5.1.
to extend analog or 2-channel digital source formats (PCM, Dolby Digital 2/0,
Dolby Digital 2/0 Surround, DTS 2-Channel) to output up to 7.1 channels. It
is further defined by control software as either DTS Neo:6 Cinema (default) or
DTS Neo:6 Music.
DOWNMIX
PL II/IIx
DTS NEO:6
TO ALL
SSP 7.1 • Features7
zTo All (TO ALL) — Distributes a mono or 2-channel source to all applicable
channels.
zMono sources are sent to all available output channels, including center.
z2-channel sources are sent to all stereo pairs only.
zMultichannel sources are downmixed and output to Mono to All or Stereo to
All, as defined by the user.
zDigital or analog stereo sources may be output to Mono to All or Stereo to All,
as defined by the user. If Mono to All is selected, the signal is downmixed to
mono before being output to all channels.
NOTE: If an analog mono source is on the left channel, Stereo to All listening
mode outputs only to the left channels of available stereo pairs. A right
channel analog mono source is output only to the right channels of
available stereo pairs.
When used in conjunction with the Input buttons, the Mode Override button is used to
mute all outputs (see page 10).
The Mode Override button is used to perform a complete system reset (see “Complete
System Reset” on page 10).
To learn more about listening modes, see “Listening Mode Options” on page 66. To
learn how listening modes depend on both source format and speaker configuration,
see “Source Formats and Listening Modes with Different Speaker Setups” on
page 75.
SSP 7.1 • Features8
Input Selection
INPUTS
12345
CLIP
Figure 5. SSP 7.1 Input Selection Switches
h Input selections — Push one of the buttons to select between five possible audio
inputs. The LED next to the currently active input lights.
In conjunction with the Mode Override button, the input buttons are used to mute all
outputs (see page 10).
The input buttons are also used to enable or disable front panel security lockout
(executive mode). For more information, see page 12.
In conjunction with the volume adjust knob, the analog input (Input 5) is used to set
analog input gain level for the analog source (see page 11).
The SSP 7.1 accepts four digital inputs and one analog input (see Rear Panel Features
on page 4):
zInputs 1 and 2 accept digital signals through S/PDIF optical cables. The optical
cable supports TOSLINK or TOSLINK-compatible optical connectors that conform to
IEC-958, S/PDIF standards.
zInputs 3 and 4 accept digital signals through S/PDIF coaxial cables.
All four digital inputs accept 16-24 bits PCM audio at 32, 44.1, 48, 88.2, and 96 kHz
sample rates. They support Dolby Digital and DTS source formats.
NOTE: For digital inputs, if there is no valid clock signal at the input and no lock is
achieved, the LED associated with the source blinks twice per second.
zInput 5 accepts a balanced or unbalanced analog input through a 5-pin captive
screw connector. The unit can be configured to accept:
zA stereo signal
zA mono signal from the right channel
zA mono signal from the left channel
zA mixed sum of right and left channels
The input can also be selected using the SSP 7.1 Setup and Control Software (see Input
Source on page 26).
SSP 7.1 • Features9
Mute Output
When the mute state is enabled, all channels are muted simultaneously. To toggle between
mute and unmute:
1. Press and hold the active input button (the button next to the LED that is lit).
2. While still holding the active input button, press the Mode Override button.
When the mute state is enabled, the individual LEDs of the Volume Adjustment LED bar light
in sequence from the top down. This scrolling down pattern repeats while the mute state
persists.
All channels can also be muted using the SSP 7.1 Setup and Control Software (see Master
Volume and Mute on page 29).
NOTES:• Selecting another input button while the mute function is enabled, disables
the mute function.
• Adjusting the volume control encoder to change the volume (or the analog
input gain) settings while the mute function is enabled, disables the mute
function and increases (or decreases) the volume (or gain) from its previous
setting.
• If SIS commands have been used to mute a specific channel, muting and
unmuting all channels also unmutes the channel that was specifically muted. It
does not remain in its previously muted state.
Complete System Reset
The SSP 7.1 has three levels of System Reset.
Standard system reset — All parameters that can be adjusted by the control program are
reset to default.
Factory reset — In addition to resetting all the parameters of the standard system reset, the
baud rate for communicating with the computer is also reset.
Complete system reset — In addition to resetting all the parameters of the factory reset,
the firmware is reset to the factory-installed version.
The standard and factory resets are performed using SIS commands (see the System Reset
SIS commands on page 94).
To perform a complete system reset, hold the Mode Override button while shutting off and
restoring power.
SSP 7.1 • Features10
Volume Adjustment
VOLUME
VOLUME
i Volume adjust knob and LED bar or Analog input gain level
control and LED bar — Use the rotary encoder to adjust the output
volume from 0 (-100 dB) to 100 (0 dB). The default setting is 50
(-50 dB).
The degree to which the volume is incremented or decremented for
each step the encoder is turned, depends on the current volume
setting (see the last column in the table below).
As the volume increases or decreases, the LED bar lights to indicate the current volume
range, as shown in the table below. As the volume is increased or decreased within a
volume range, the top LED to be lit flashes once. If the knob is turned past maximum
volume, all 8 LEDs flash, for as long as the knob continues to be turned.
Volume steps for
each LED (dB)
>0All LEDs blink if user tries to turn knob further
0All 8 LEDs on
-4 to -1All 8 LEDs on
-9 to -5Bottom 7 LEDs on
-14 to -10Bottom 6 LEDs on
-19 to -15Bottom 5 LEDs on
-29 to -20Bottom 4 LEDs on2
-49 to -30Bottom 3 LEDs on
-69 to -50Bottom 2 LEDs on
-99 to -70Bottom LED on
-100All LEDs off
Table 1. Volume Level and Lighting of LED Bar
The volume can also be controlled using the SSP 7.1 Setup and Control Software
(see Master Volume and Mute on page 29).
LEDs litIncrement
(dB/knob step)
1
4
5
Analog Input Gain Adjustment
Alternatively, the rotary encoder controls the gain level
of the analog signal on input 5. Analog input gain is
adjustable from 0 dB (fully counterclockwise) to +24 dB
(fully clockwise).
To adjust input gain, press and hold the Input 5 button,
while turning the rotary encoder.
CLIP
5
NOTES: • If the gain level is too high, clipping may occur. When clipping occurs, the red
LED above the Input 5 button lights.
• When using Mono or Mono to All listening mode, the left and right signals
are summed (in the digital domain), which can cause a boost in level up to
6 dB. This type of clipping does not cause the clip indicator LED to light but
is audible. If using a mono mode, it is recommended that the input gain be
reduced by 9 dB below clipping to prevent clipping from occurring.
SSP 7.1 • Features11
The LED bar lights from the bottom up to indicate the current gain level. No LEDs lit indicates
no gain (0 dB, or unity gain); all the LEDs lit indicates maximum gain (24 dB). Each solidly lit
LED represents 3 dB. A slowly blinking LED indicates an additional 1 dB or a quickly blinking
LED indicates an additional 2 dB:
Number of LEDs lit
solidly
824-7212223
6181920
5151617
4121314
391011
2678
1345
NoneNo LEDs lit; 0 dB12
Table 2. Gain level and lighting of LED bar
The analog input gain can also be controlled using the SSP 7.1 Setup and Control Software
(see Master Volume and Mute on page 29).
No BlinkingSlow BlinkingFast Blinking
Gain (dB)
Front Panel Security Lockout (Executive Mode)
When the front panel is locked, the user cannot make any changes from the front panel
(except disabling the security lockout). If the user attempts to make changes with the
front panel locked out, all the input LEDs ash simultaneously. The lockout does not block
changes made using SIS commands or the SSP 7.1 Setup and Control Software. To lock out
the front panel:
1. Press and hold the active input button (the button next to the LED that is lit).
2. While holding the active input button, press and hold any other input button. All the
LEDs blink in ascending order (from 1 to 5) and then the active input button lights.
3. The front panel is unlocked in exactly the same way. All the LEDs blink in descending
order (5 rst and 1 last) and then the active input button lights.
This feature can also be set, using the SSP 7.1 Setup and Control Software (see Front Panel
on page 52).
SSP 7.1 • Features12
Setup
This section provides background information about arranging speakers in a room and about
some of the settings that can be adjusted by the SSP 7.1 Setup and Control Software. Extron
strongly recommends that the control software is used to make any configuration changes
to the SSP 7.1. (See “Setup and Control Software” on page 22).
zSpeaker Setup
zBass Management
zSpeaker Delay Settings
zTest Signals
zOutput Channel Trim Settings
zListening Mode Settings
zDynamic Range Compression Control
zTone Controls
zVolume Output
zEqualization
Speaker Setup
The following figures show the recommended speaker placement, relative to the listener, for
a five, six, or seven speaker system and for subwoofer placement.
NOTE: All speakers should be angled inwards so that they face towards the listener.
L
LS
Figure 6. Five Speaker Setup
C
0°
22°
R
30°
90°
110°
RS
For an explanation of speaker abbreviations, see page 14.
SSP 7.1 • Setup13
L
C
0°
22°
R
30°
LS
180°
90°
110°
RS
CB
Figure 7. Six Speaker Setup
LS
LB
L
C
0°
22°
150°
R
30°
135°
RB
90°
110°
RS
Figure 8. Seven Speaker Setup
Abbreviations
C = Center
CB = Center Back (Six Speaker Setup only)
L = Left
LB = Left Back (Seven Speaker Setup only)
LS = Left Surround
R = Right
RB = Right Back (Seven Speaker Setup only)
RS = Right Surround
SW = Subwoofer
SSP 7.1 • Setup14
L
CB
C
R
DVD-RW/-R RECORDING
Cinema Progressive
Precision
SW
RS
LS
RB
CB
LB
Figure 9. Subwoofer Placement
NOTES: • To produce a good bass response from the subwoofer, it should be located at
the front of the room, somewhere between either corner and a point about
one third of the way along the front wall.
• The output channel used for the Left Back speaker (in 7.1 configurations) is
also used for the Center Back speaker (in 6.1 configurations).
Bass Management
Speaker Size Settings
Low frequency sound is usually better handled by the subwoofer. Bass management creates
the subwoofer channel by separating the low frequency information from the satellite
speakers at a user-dened crossover point. This is summed with the Low Frequency Effects
(LFE) information encoded in the source format. When no subwoofer is present, subwoofer
content is sent to speakers set to Large (excluding the center speaker).
This feature sets bass management on or off for a particular speaker, defining the frequency
range output by that speaker. These settings also enable or disable the subwoofer and set
the crossover frequency.
zLeft and right front speakers and left and right surround speakers are set in pairs.
zThe center speaker is set as an individual speaker.zBack speaker(s) can be set as a single speaker or as a pair of speakers, depending on the
system configuration.
Small — Bass management is on for that speaker. The output to each speaker (other than
the subwoofer) is limited to frequencies above the crossover frequency. By default, center
and surround speakers are set to Small.
SSP 7.1 • Setup15
Large — Bass management is off for that speaker. The full range of audio frequencies from
the audio source is fed through the output of each individual channel. This may be set in the
absence of a subwoofer. By default, front speakers are set to large.
When there is no subwoofer, all speakers set to Large (except the center channel) receive the
summed audio from the filtered low frequency signals of speakers set to Small.
None — This mode prevents any signal from being sent to that output channel. It is not an
option for front speakers.
One Small Speaker, Two Small Speakers, One Large Speaker, Two Large Speakers, or
None (Surround back speakers only) — This mode determines whether the audio output
channels for the back speaker(s) are passed to the left back and right back (in 7.1 setups) or
to the center back (in 6.1 setups).
If either of the one speaker options are chosen, the highest possible number of outputs is
6.1 speakers. In this case, the output is directed to the left back channel output.
If either of the two speaker options are chosen, the SSP 7.1 is able to output up to 7.1
channels. Source formats with discrete or matrix mixed 6.1 encoded channels output the
surround back channel signal equally to the left and right back channels. Dolby Pro Logic
IIx and DTS Neo:6 listening mode options output a stereo signal to the left and right back
channels.
NOTE: If the surround speakers have been disabled, the back speaker options are also
disabled.
By default, the back speaker is set to None, which prevents a signal from being output on
the back channel(s).
Subwoofer — This option allows the subwoofer to be enabled or disabled. When the
subwoofer is enabled, the signal contains filtered low frequency signals from speakers set
to Small in addition to the LFE signal from the source format. If the subwoofer is absent or
disabled, the LFE signal is mixed with the bass information of all speakers in the system that
are set to Large, except the center speaker.
NOTES:• When the surround and back speakers are set to None, all multichannel input
signal formats are downmixed and output on all remaining channels.
• In addition, in the absence of a center channel, mono signals are output
equally between the front left and front right channels. Multichannel sources
are downmixed to all remaining channels, but Mono to All and Stereo to All
options are disabled. Choosing Mono listening mode first downmixes the
multichannel source and outputs it to the front left and right channels equally
as a dual mono signal.
Crossover Frequency — The crossover frequency sets the boundary below which
the low frequency signals from designated output channels are incorporated into bass
management. Low frequency signals are only taken from speakers that have been set to
Small (see ”Speaker Size Settings” on page 15). The bass management signal is passed
to the subwoofer (if present) or speakers that have been set to Large (except for the center
speakers) if a subwoofer is not present.
The crossover frequency can be adjusted within the range of 40 Hz to 250 Hz, with a default
setting of 100 Hz. Speakers set to Small (see “Speaker Size Settings” on page 15) play
only signals above the set frequency.
SSP 7.1 • Setup16
Speaker Delay Settings
There are two different signal delays that compensate for different needs.
Compensation delay — In a room where speakers are not equidistant from the listener,
sound from the closest speaker reaches the listener before sound from the farthest speaker.
This feature allows the user to enter the speaker distance value for each speaker output
channel. The application calculates the delay values for the closest speakers, up to 100.0 ms,
so that all audio arrives at a central location (the “sweet spot”) at the same time.
Lip sync offset — Video delays occur due to changes in programming from a source (TV,
Cable, Satellite, or DVD player) and also if the video signal has to be processed through
another device between the source and the display. The lip sync offset feature allows the
user to delay the audio sent to all output channels so that video and audio output are
synchronized.
Since each source may need a different level of compensation, the lip sync offset for each
input is independently adjustable from 0.0 to 100.0 ms. Apply lip sync offset to the audio
until what is heard matches up with what is seen on the display.
To congure these settings using the SSP 7.1 Setup and Control Software, see “Speaker
Delay Tab” on page 32.
Test Signals
Test signals are used during setup to calibrate the level for each channel and to ensure
proper connection between the individual output channels of the SSP 7.1 and the line
level input channels of an audio signal processor, a receiver with built in amplifier, or a
stand alone amplifier that powers the loudspeakers.
The three options for test signal source are pink noise, Dolby noise, and an external source.
By default, the test signal is switched off.
Pink Noise — Pink noise is a random signal, generated by the SSP 7.1, with all audio
frequencies present. It provides equal energy per octave to provide a flat response over all
frequencies. The main purpose of pink noise is to calibrate the interaction of a speaker with
its environment.
Dolby Noise — Dolby noise provides a bandpass-ltered noise, centered at 750 Hz with a
12 dB/octave roll off. This signal is also generated by the SSP 7.1 and is used to set speakers
to the same level when calibrating the room.
Active Input — This option requires an external test signal source, such as a signal
generator, played through the selected input source. Generally, this is a device with an
analog signal output, with the SSP 7.1 analog input used as the active input.
Signal generators are usually used to test specic decoding mode outputs. When the
External Source option is chosen, the speakers that receive the test signal can be specied.
To calibrate speaker output, use any of these test signals with the SSP 7.1 Setup and Control
Software, see Test Signals on page 36.
Output Channel Trim Settings
This control adjusts the output channel trim level for each output channel to match the
levels to the unique needs of any listening environment. The level can be adjusted within the
range from -24 dB to +12 dB. The default setting for each speaker is 0 dB. See Output Trim
on page 39 for more information.
SSP 7.1 • Setup17
Listening Mode Settings
The SSP 7.1 provides a range of settings that rene the sound distribution for each listening
mode, depending on the decoding mode that has been selected.
Dolby Pro Logic II or IIx Music
Dimension control — This feature alters the ratio of L+R to L-R for two-channel input
signals, which adjusts the sound field towards the front or towards the back. The available
settings are Front, Neutral, or Back. The default setting is Neutral.
Center width control — Pro Logic decoding produces a single center signal that comes
from the center speaker. If there is no center speaker, a “phantom” center image is
produced that is split between the right and left speakers.
If right, left, and center speakers are present, center width control allows variable adjustment
of the center image so that is heard only from the center speaker, only from the right and
left speakers, or from all three speakers in varying degrees.
There are up to eight different settings, with each corresponding to a specific calculation
angle (Φ). When the setting is 0, the sound comes from the center speaker, when the setting
is 7, the sound is from the L/R speakers. The default setting is 3.
NOTE: The level of the center speaker (C Level) is related to cosine Φ. The level of the
left and right speakers (L/R Level) is related to sine Φ.
Panorama control — This feature extends the center width control, so that all or part of
the center image can be heard from the surround speakers for a “wraparound” effect. The
feature may be On or Off. The default setting is Off.
C Level (dB)L/R Level (dB)
DTS Neo:6 Music or Cinema
Center image control — The center image control varies the amount of attenuation
applied to the left and right channel information of the input source that is used for creating
the output center channel effects. When it is set to 0, the mixed input signal information,
intended for use in creating the center output channel of the DTS Neo:6 listening modes, is
filtered back to the front left and right output channels. This creates the effect of spreading
the centralized audio signal across all three front output channels. When this control is
set to 10, the matrixed information intended for the center output channel effects is fully
attenuated, allowing the center channel to create a more centralized effect from the front
channels.
The default setting for DTS Neo6: Music is 3. The default for DTS Neo6: Cinema is 10.
SSP 7.1 • Setup18
Dynamic Range Compression Control
This control is available only with Dolby Digital and DTS source formats that have a Dynamic
Range Compression flag.
This control adjusts the gain applied to Dolby Digital or DTS listening modes to compress the
signal outputs during the decoding process. The three possible settings are None, Minimum,
and Maximum. The default setting is None.
Off — The signal is uncompressed and is played with the full original dynamic range.
Minimum — The audio is partially compressed. In this mode, the volume of the loudest
passages is reduced but quieter passages are kept at their original level. This level is
recommended for normal listening.
Maximum — The audio is fully compressed. This level is recommended for environments
where loud audio is not permitted.
NOTE: DTS source formats have only two states (On and Off) for dynamic range
compression. Therefore, Minimum and Maximum both apply the same dynamic
range compression.
SSP 7.1 • Setup19
Tone Controls
These controls regulate the bass and treble settings for the system. To adjust the bass or
treble tone controls, see Tone Controls on page 27.
Bass — The bass control regulates the amount by which low frequency signals are boosted
or cut (see figure below). It is applied to outputs for all speakers, including the subwoofer.
Figure 10. Bass Range
Treble — The treble control regulates the amount by which high frequency signals for all
speakers, except the subwoofer, are boosted or cut (see figure below).
Figure 11. Treble Range
SSP 7.1 • Setup20
Volume Output
Equalization
This control sets the volume of the audio output through all channels, globally, to either
Variable (the default value) or Fixed.
Variable — When the Volume output is set to Variable, the volume can be attenuated using
the front panel knob, the SSP 7.1 Setup and Control Software, or SIS commands.
Fixed — The Fixed option sets the volume to the current attenuation level. Likewise, all the
Output Channel Trim levels (see Output Trim on page 39) are fixed at the values they had
immediately before the Volume Output was set to Fixed.
When Fixed is selected, the volume cannot be adjusted through the front panel knob, by the
SSP 7.1 Setup and Control Software, or by SIS commands.
Parametric equalization (or parametric “EQ”) allows the control of amplitude of each band,
center frequency (which can be shifted, widened, or narrowed) and bandwidth (which may
be labeled “Q” for Quality). Parametric equalization is used to improve the audio output in a
specific acoustic environment.
Resonance reduction — Reduces the level at specific frequencies that are too loud.
Speaker compensation — Compensates for peaks and dips in individual speaker output
response.
Tonal enhancement — Increases the level of frequencies within a broad or narrow range
that sound too quiet.
SSP 7.1 • Setup21
Setup and Control
Software
The SSP 7.1 Setup and Control Software provides an intuitive, easy to operate, graphical
user interface that allows the user to configure the audio system quickly and efficiently. It
provides more options than the front panel. As selections are made, only the options that
are available for the current conguration are displayed by the software. Extron strongly
recommends using the SSP 7.1 Setup and Control Software for all conguration.
The program comes on a disk, supplied with the unit. It can also be downloaded, free of
charge, from the Extron Web site (www.extron.com).
The following sections describe:
zInstalling the SSP 7.1 Setup and Control Software
zLive and Emulate Modes
zRunning the SSP 7.1 Setup and Control Software
zSSP 7.1 Setup and Control Software Help File
zFirmware Updates
Installing the SSP 7.1 Setup and Control Software
The minimum system requirements for installing the program on the computer are:
zOperating system — Microsoft
zCPU — IntelzHard disk space — At least 10 MBzMemory — At least 64 MB of RAM
zDevice connection — Serial COMM Port
Insert the disk provided into the CD or DVD ROM drive of the computer. If the setup
program does not start automatically, run Launch.exe from the CD or DVD ROM directory
in Windows My Computer. Select the Software tab, locate the SSP 7.1 Setup and Control
Software, and click Install. Follow the on-screen instructions to install the program.
Alternatively, go to the Extron Web site, click on the Download tab, and click on the
Software option in the left sidebar. Navigate to the SSP 7.1 Setup and Control Software and click Download. Follow the on-screen instructions to install the program.
By default, the Installer program creates a C:\Program Files\Extron\SSP7.1 folder
to contain the SSP 7.1 Setup and Control Software. An icon may also be placed
on the Windows desktop.
NOTE: Updating the SSP 7.1 Setup and Control software may also require a more recent
®
Pentium® II processor with a 400 MHz clock speed or faster
version of the firmware to be installed (see Firmware Updates on page 56).
®
Windows® 2000 or higher
SSP 7.1 • Setup and Control Software22
If the new software detects an old version of the Firmware, a pop-up window informs the
user that the firmware should be updated and also prompts the user to save the existing
conguration for reloading onto the SSP 7.1 when the new rmware has been installed.
When the rmware has been updated, open the SSP 7.1 software in Emulate mode
(see below) and open the saved configuration. Click on the Live button and, when
the Synchronize with Device pop-up appears, select Pushthedatafromthisconfigurationtodevice,overwritinganydatacurrentlyinit. option.
Live and Emulate Modes
The SSP 7.1 Setup and Control Software offers a choice of Live or Emulate mode. In Live
mode, any changes made using the software directly affect the configuration of the sound
processor.
In Emulate mode, the computer is not connected to the sound processor and any
changes you make must be saved as an *.esp file. The file can be used later to update
the configuration of the sound processor when the computer is directly connected to the
SSP 7.1 in Live mode.
You may choose between Live and Emulate modes either when the program rst starts up
in the Connect to Device? dialog box (see page 24) or, when the main program window
is running, using the Live and Emulate buttons in the top right corner (see the figure at
right). You can also toggle between the two modes, by using the F5 and F6 keys or clicking
on Connect... (F5) or Disconnect (F6) under the Device menu (see page 52).
When you switch from Emulate to Live mode, you are prompted to synchronize the settings
in the SSP 7.1 Control and Setup Software with the current
conguration in the SSP 7.1 device. Select Push to overwrite the
configuration in the device with the software settings made in
Emulate mode, or select Pull to overwrite the software settings
with the configuration in the device.
Figure 12. Synchronize with Device Dialog Box
SSP 7.1 • Setup and Control Software23
When the SSP 7.1 Control and Setup software is opened directly to Live mode, the current
conguration in the device is read from the SSP 7.1 unit, automatically overwriting the
settings in the software. When the program is closed, you are prompted to save any changes
that have been made during that session.
Figure 13. Save changed configuration Box
Running the SSP 7.1 Setup and Control Software
Connect to device? Dialog Box
The computer must be connected to the SSP 7.1 using either the RS-232 captive screw
connector on the rear panel or the Config port on the front panel.
To start the program, click on the desk-top icon or click on the Windows Start button and
select AllPrograms>ExtronElectronics>SSP7.1>SSP7.1. When the program
launches, the “Connect to device?” dialog box (shown below) opens.
To work ofine in Emulate mode, check the Emulate/Work offline box. To connect
directly to the SSP 7.1, leave the box unchecked. See the previous section, “Live and
Emulate Modes,” for a description of each mode.
If you choose to work directly with the SSP 7.1:
1. The Device name (SSP 7.1) and Connection Method (RS-232) are already entered and no
other selections are available for these fields.
2. Select the correct Com Port and Baud Rate (default 38400).
Figure 14. Connect to device? Dialog Box — Live Mode
SSP 7.1 • Setup and Control Software24
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