The Source Four LEDSeries 2 is the evolution of LED lighting.
While it may look the same on the outside, the Series 2 offers even
more of what makes the Source Four LED the best LED profile
available. With optimised arrays and fine-tuned electronics, the Series
2 offers a combination of colour and output that cannot be matched.
Source Four LEDSeries 2Lustr
Color System
achieve true, usable broad-spectrum colour with a depth and feel
beyond any RGB fixture.
Source Four LED Series 2 Daylight HD and Tungsten HD arrays
are designed for broadcast lighting, offering flicker-free operation
and high-definition lighting. With a new mix of LED emitters, the
luminaires’ output is significantly brighter than the original Source
Four LED white-light arrays. In addition, they offer colour tint control,
so they can be tweaked to perfectly illuminate individual skin tones.
The Daylight HD array produces variable-cool white (Key
performance from 4000 to 6500K) light that imitates natural
daylight.
The Tungsten HD array matches conventional tungsten lighting,
with adjustable warm-white (Key performance from 2700 to 4500K)
light.
Series 2 light engines work with all Source Four lens tubes to deliver
a high-quality, controllable beam of LED light. For the best results,
it is highly recommended that EDLT versions are used. We also offer
a special LED-only version of the 50° lens tube, asymmetric CYC
Adapter and Fresnel Adapter (Further information - see Datasheets).
™
, utilising seven colours including high-output lime to
®
luminaires are based on the x7
ORDERING INFORMATION
Source Four CE LED Series 2
Light Engine with Shutter Barrel
(For use with fixed-field lens tubes only)
PART NO.DESCRIPTION
7461A1251 Source Four CE LED Series 2 Lustr
w/ shutter barrel, Black
7461A1261 Source Four CE LED Series 2 Tungsten HD
w/ shutter barrel, Black
7461A1271 Source Four CE LED Series 2 Daylight HD
w/ shutter barrel, Black
Source Four LED Series 2
Light Engine - Body Only
(For use with zoom lens tubes, Cyc adapters and for retrofit of existing
tungsten fixtures)
PART NO.DESCRIPTION
7461A1250Source Four CE LED Series 2 Lustr –
Body only, Black
7461A1260Source Four CE LED Series 2 Tungsten HD –
Body only, Black
7461A1270Source Four CE LED Series 2 Daylight HD –
Body only, Black
Colour options: -1 = White, -5 = Silver Grey/Custom Colour. Fixture ships with 1.8m
PowerCON to bare ends power input lead and Soft Focus Diffuser in gobo holder.
Please note: Lens Tubes, Fresnel and Cyc Adapter to be ordered
separately.
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Source Four® CE LED Series 2
Source Four LED Series
SPECIFICATIONS
GENERAL
• 60 LED colour mixing fixture
• IP20-rated for indoor dry location use
• CE compliant
• Power and DMX in/thru connections for easy setup
• User-friendly interface with multiple modes and settings
PHYSICAL
• Rugged die-cast all-metal housing
• Available in black, white and silver grey. Custom colours
available on request
• Positive-locking double-clutch yoke
• Optional Pole Operated Yokes available
(See accessories page 5)
• Slot for B-size glass, stainless steel or film gobo patterns and
Soft Focus Diffuser media
• Wide accessory slot with sliding cover for motorised effect
devices, A-size gobos or optional drop-in iris
ELECTRICAL
• 100VAC to 240VAC 50/60 Hz universal power input
• Neutrik PowerCON in and thru connections
• Up to six Lustr or seven Daylight HD/Tungsten HD luminaires
(15A max) may be linked via power thru connector when used
with Sensor or Unison Relay Modules
- Consult breaker-trip curves when used with other
equipment. Requires power from a non-dim source
• Inrush current 230V: 107A (For about one half-cycle)
LEDS*
• Lustr array tested to L70 rating of 54,000-hour LED life
Tungsten HD and Daylight HD arrays currently calculated to
20,000-hour LED life - Test pending. L70 ~ 70% intensity)
• 60 Luxeon
*See additional LED notes on page three
COLOUR
• Exclusive x7 Color System seven-colour LED array (Lustr)
• Selection from the x7 Color System to provide high quality,
variable-white light versions:
- Tungsten HD (Best performance 2700K-4000K)
- Daylight HD (Best performance 4000K-6500K)
• Beautifully illuminates skin tones for natural appearance.
• Broad-spectrum colour interacts seamlessly with
conventional sources
• Use included Soft Focus Diffuser for creating washes
• Best performance using ETC’s EDLT lens tubes
• Can use all ETC Source Four interchangeable lens tubes: 5°,
10°, 14°, 19°, 26°, 36°, 50°, 70°, and 90° fixed field angles,
15°-30° and 25°-50° zoom angles as well as 19°, 26°, 36°,
and 50° EDLT lens tubes and Source Four LED CYC and Fresnel
Adapters
• For better performance, use the LED-specific 50° lens tube
CONTROL
• DMX512-A/RDM in and thru via five-pin XLR connectors
• Multiple control options, including RGB, strobe, and consolefree Master/Slave mode
• See DMX Control Table for additional information
• 15-bit virtual dimming engine provides smooth, high-quality
theatrical fades and minimises colour shift during dimming
• RDM functionality for address and setting changes
®
Rebel LED emitters
SPECIFICATIONS
THERMAL
• Ambient operating temperature of 0° to 40°C
• Active electronic thermal management for
droop-free operation
• Quiet, temperature-controlled fan cooling
• Fixture is designed for continuous operation up to 40°C
ambient temperature and requires free flow of air around
fixture housing
ADDITIONAL ORDERING INFORMATION
Power cable options
Note: Power thru jumpers connect to fixture’s output (thru) connector to provide link
to successive fixtures
PART NO.DESCRIPTION
TM
7410B7013
7410K1101
7410K1102
7410K1103
7410K1104
7410K1105
7410K1106
7410K1107
1.8m PowerCON
(Spare)
1m PowerCON
2
3x1mm
1m PowerCON
jumper cable 3x1mm
2m PowerCON
jumper cable 3x1mm
5m PowerCON
jumper cable 3x1mm
1m fixture to fixture twin jumper cable with both
power and DMX connectors
2m fixture to fixture twin jumper cable with both
power and DMX connectors
5m fixture to fixture twin jumper cable with both
power and DMX connectors
to bare-end power input cable
TM
to bare end power thru cable
TM
to PowerConTM fixture to fixture
2
TM
to PowerConTM fixture to fixture
2
TM
to PowerConTM fixture to fixture
2
Diffusers
PART NO.DESCRIPTION
7460A4019Source Four LED—Soft Focus Diffuser (spare)
Source Four LED—Smooth Wash Diffuser media for
use in 159mm Colour Frames (19°-26°-36° and 50°
Lens Tubes)
Source Four LED—Smooth Wash Diffuser media
for use in 190mm Colour Frames (14°-50° LED-70°
and 90° Lens Tubes)
Source Four LED—Smooth Wash Diffuser media for
use in 305mm Colour Frame (10° lens tube)
Source Four LED—Smooth Wash Diffuser media
for use in 356mm Colour Frame (5° lens tube)
The Soft Focus Diffuser delivers beautiful homogenised light when not in sharp focus.
Also, use in combination with gobo patterns for dappled and soft-edge projections
The Smooth Wash Diffuser is used when extra-smooth blending of multiple Source
Four LED fixtures is required. The smooth wash diffuser is placed into the gel-frame
slot of the lens tube.within it’s frame.
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Source Four® CE LED Series 2
Source Four LED Series
FIXTURE COMPARISON - LUSTR
• The data below was measured on a Source Four LED Series 2 Lustr and a Source Four LED Lustr+, both in Regulated mode. Gel colours
shown are standard selections from the Rosco Labratories Inc. and Lee Filters catalogs.
5600K
3000K
Chrome Orange
Medium Yellow
L179
L010
L106
Primary Red
R05
Rose Tint
L194
Surprise Pink
Special Lavender
R54
L019
Fire
1,118 (33W)
647 (28W)
895 (36W)
831 (30W)
575 (22W)
873 (575W)
1,103 (36W)
795 (30W)
2,031 (74W)
1,643 (575W)
1,723 (575W)
3,136 (99W)
2,726 (84W)
3,227 (106W)
2,978 (91W)
3,160 (98W)
3,952 (81 Watts)
4,181 (97W)
5,043 (127W)
3,853 (575W)
5,309 (111W)
7,489 (575W)
5,182 (105W)
5,636 (575W)
Source Four LED Series 2 Lustr
Source Four LED Lustr+
Source Four 575WX
R08
Pale Gold
R89
Moss Green
L213
White Flame
Green
R80
Primary Blue
L202
Half C.T. Blue
L328
Follies Pink
R3314
Minusgreen
4,803 (106W)
5,955 (575W)
5,838 (144W)
6,026 (575W)
5,801 (150W)
4,324 (575W)
4,926 (112W)
5,952 (575W)
698 (38W)
641 (51W)
743 (45W)
353 (575W)
938 (37W)
1,859 (71W)
2,962 (75W)
2,621 (575W)
2,082 (67W)
3,186 (95W)
1,234 (43W)
1,771 (575W)
2,352 (83W)
01,0002,0003,0004,0005,0006,0007,0008,000
Lumens
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86
88
90
92
94
96
98
27003200370042004700520057006200
Tungsten HDDaylight HD
®
Source Four® CE LED Series 2
Source Four LED Series
FIXTURE COMPARISON - DAYLIGHT HD AND TUNGSTEN HD
• The data below was measured on a Source Four LED Series 2 Daylight HD and Tungsten HD against a Source Four LED Series 1 Studio
HD, Studio Daylight and Studio Tungsten. All in Regulated mode.
10000
LUMENSCRI
9000
8000
7000
6000
5000
4000
Series 2Tungsten HD
Studio Tungsten
Series 1 Studio HD
27003200370042004700520057006200
COLOUR TEMPERATURE
Series 2 Daylight HD
Studio Daylight
Series 1 Studio HD
COLOUR TEMPERATURE
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Source Four® CE LED Series 2
Source Four LED Series
RECOMMENDED LENSING OPTIONS
(Lense Tubes sold separately)
Fixed Field Lens Tubes
Use with light engine body w. shutter barrel.
PART NO.DESCRIPTION
7460A2008LED specific 50° EDLT Lens Tube, Black
7060A204836° EDLT Lens Tube, Black
7060A204726° EDLT Lens Tube, Black
7060A204619° EDLT Lens Tube, Black
7060A2052-K90° Lens Tube, Black
7060A2051-K70° Lens Tube, Black
7060A2050-K14° Lens Tube, Black
7060A2001-K10° Lens Tube, Black
7060A2000-K5° Lens Tube, Black
Zoom Lens Tubes
Use with light engine body models.
PART NO.DESCRIPTION
7060A2030-K15°-30° Zoom Lens Tube, Black
7060A2032-K25°-50° Zoom Lens Tube, Black
Source Four LED Cyc Adapter
Use with light engine body models.
PART NO.DESCRIPTION
7460A2011Source Four LED CYC Adapter, Black
7460A2014Source Four LED CYC Barndoor (horisontal leaves)
PSF1118Source Four LED CYC Floor Base
Source Four LED Fresnel Adapter
Use with light engine body models.
PART NO.DESCRIPTION
7460A2016Source Four LED Fresnel Adapter, Black
PSF1101Source Four Fresnel Barndoor, Black
Power Consumption at Full Capacity
MODELVOLTAGE
(V)
Source Four LED Series
2 Lustr
Source Four LED Series
2 Tungsten HD
Source Four LED Series
2 Daylight HD
230 0.811680.90
2300.992050.90
2301.142410.92
CURRENT
(A)
MAX
POWER
(W)
POWER
FACTOR
ADDITIONAL ORDERING INFORMATION
Accessories
PART NO.DESCRIPTION
PSF1121Pole Operated Yoke Pan&Tilt
(Fixture w. any Lens Tube or Adapter)
PSF1122Pole Operated Yoke Pan&Tilt+Zoom
(Fixture w. Fresnel Adapter only)
PSF1123Pole Operated YYoke Pan&Tilt+Focus
(Fixture w. Fixed Field Lens Tubes only)
7060A1012Source Four Drop-In Iris
7060A1075Size B Metal Gobo Holder
7060A1075-1 Size B Glass Gobo Holder
7060A1074Size A Metal Gobo Holder (For use in Effects slot)
7060A1074-1 Size A Glass Gobo Holder (For use in Effects slot)
NOTES ABOUT LED LUMINAIRES
All LED sources experience some lessening of light output and some
colour shift over time. LED output will vary with thermal conditions.
Based on lab testing to the L70 specification, a Source Four LED
Series 2 luminaire will achieve ~70% of its initial output after 54,000
hours of typical usage. In individual situations, LEDs will be used for
different durations and at different levels. This can eventually lead
to minor alterations in colour performance over time, necessitating
slight adjustments to presets, cues or programs.
CRI AND CQS RATINGS
Source Four LED fixtures were evaluated for CRI and CQS
performance using measured output spectrum and optimized mix
solutions for a best spectral match to black body sources at 3200K
and 5600K.
FIXTURECRI CQS Colour Fidelity Duv
Source Four LED Series 2 Lustr
Reg at 3200K
Source Four LED Series 2 Lustr
Reg at 5600K
Source Four LED Series 2
Tungsten HD Reg at 3200K
Source Four LED Series 2
Daylight HD Reg at 5600K
All Source Four LED luminaire versions provide excellent colour
rendering to the eye, particularly at higher colour temperature
settings, such as 5600K. In most cases, the Duv is 0.000. A Duv
rating of 0.000 indicates that the colour mix used is exactly on the
black body line, with no green or magenta tint.
8688880
9091910
9491910.002
9189880.002
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Source Four® CE LED Series 2
Source Four LED Series
CONTROL OPTIONS
User settings on Source Four LED Series 2 fixtures allow multiple
operational modes and settings for either console operation via DMX
protocol or stand-alone operation. The expanded LCD display provides
easy navigation to all possible settings and options. Some of the
setting options are:
• Multiple DMX choices ranging from a simple RGB profile
– which effectively controls all seven LED colours via three
channels – to nine-channel ‘direct’ colour and intensity control
• Multiple dimming curve options
• Preset colours and sequences for stand-alone (no console
required) operation
• White point selection – white light and colour behavior based
on a specific colour-temperature white light, i.e. 3200K,
5600K, etc.
• Loss of data behavior options – instant off, hold last look for
two minutes, etc.
• Output modes – three output options that offer the user a
choice between maximum output and maximum consistency
See the user manual for a complete explanation of all of the control
settings and options for the Source Four LED Series 2.
Quick Setups
To assist in managing the numerous control and fixture behavior choices, five
combinations of operational settings are available to quickly get started. These
settings are specifically created for different applications and are easily accessible at
the fixture display. Each setting can then be modified as required to take advantage
of all of the possible control features.
Setting
Title
GeneralDirectFactory Default:
StageHSI
XT ArchHSIExterior architectural lighting:
High
Impact
StudioStudioStudio factory default:
*See user manual for complete list of features for each Quick Setup
ProfileDescriptionTypical Features*
For general-purpose
use, including interior
architectural applications
Plus 7
Enabled
RGBEvent lighting:
Theatrical lighting:
Duplicates the colour
and dimming behavior of
tungsten stage lighting
fixtures
Provides a high degree
of colour consistency in
high ambient temperature
environments
Enables quickest response,
simple RGB control and
strobe channel for maximum
effect usage
Enables three-parameter
control of white light
(intensity, white point, and
tint) via DMX from console
or console-free from fixture
display
• Standard dimming curve
• Regulated output for
colour consistency
• Incandescent dimming
curve
• Regulated output for
colour consistency
• 3200K white-point setting
• Standard dimming curve
• Protected output
• 3200 white-point setting
• Quick dimming curve
• Boost mode for
maximum intensity
• 5600K white-point setting
• Linear dimming curve
• Regulated output mode
for color consistency
LUSTR CONTROL OPTIONS
DMX Input Channel Profiles
DMX
Profile
Direct10 1 – Red
HSI6 1 – Hue (coarse)
HSIC7 1 – Hue (coarse)
RGB6
Studio6
Additional profile options
Plus 7Seven additional colour-control channels are available in
StrobeVariable strobe control: 0% is no strobe. The fixture
DMX
Channels
(Ch. 4
not used)
(Ch. 4
not used)
Channel
Assignments
Direct control of each individual
2 – Lime
3 – Amber
4 – Green
5 – Cyan
6 – Blue
7 – Indigo
8 – Intensity
9 – Strobe
10 – Fan Control
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
7 – Colour Point
(CCT)
1 – Red
2 – Green
3 – Blue
4 – n/a
5 – Strobe
6 – Fan Control
1 – Intensity
2 – Colour Point
(CCT)
3 – Tint
4 – n/a
5 – Strobe
6 – Fan Control
RGB, HSI and HSIC input-profile settings. For example,
HSI with ‘Plus 7’ enabled becomes a 15-channel profile:
1 – Hue (coarse)
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
7 – n/a
8 – Plus 7
Control on/off
9 – Red
10 – Lime
11 – Amber
12 – Green
13 – Cyan
14 – Blue
15 – Indigo
output will strobe more rapidly as the strobe channel
value approaches 100%.
colour with a separate master-
intensity channel. Colour calibration
of LEDs is not active in this mode.
This profile will produce additive
colour crossfades.
High-resolution hue (two channels),
saturation, and intensity control. HSI
mode will produce colour crossfades
around the colour space.
High-resolution hue, saturation and
intensity control as above, with the
addition of a colour- point channel
to adjust the colour temperature
of the fixture in both white light
and colour. Colour crossfade
performance is the same as HSI.
Effectively addresses all seven
colours via three channels of
control. RGB profile will produce
additive colour crossfades.
Controls fixture as a white light
unit. If no DMX, (console input,
for example), is present, the fixture
can be adjusted for these three
parameters on the user interface at
the back of the unit.
The desired colour and intensity
is achieved by using the HSI or RGB
channels
Placing channel seven at a value
over 51% gives the fixture a
15-channel profile
Channels 9-15 represent the
native colours of the fixture and
allow the operator to adjust
individual colour channels to fine
tune the colour output
Notes
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Source Four® CE LED Series 2
Source Four LED Series
DAYLIGHT HD CONTROL OPTIONS
DMX Input Channel Profiles
DMX
Profile
Studio6
Direct10 1 – Red
HSI6 1 – Hue (coarse)
HSIC7 1 – Hue (coarse)
RGB6
Additional profile options
Plus 7Seven additional colour-control channels are available in
StrobeVariable strobe control: 0% is no strobe. The fixture
DMX
Channels
(Ch. 4
not used)
(Ch. 4
not used)
Channel
Assignments
1 – Intensity
2 – Colour Point
(CCT)
3 – Tint
4 – n/a
5 – Strobe
6 – Fan Control
2 – Mint
3 – Blue
4 – Indigo
5 – Intensity
6 – Strobe
7 – Fan Control
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
7 – Color Point
(CCT)
1 – Red
2 – Green
3 – Blue
4 – n/a
5 – Strobe
6 – Fan Control
RGB, HSI and HSIC input-profile settings. For example,
HSI with ‘Plus 7’ enabled becomes a 15-channel profile:
1 – Intensity
2 – Color Temp
3 – Tint
4 – Strobe
5 – Fan Control
6 – n/a
7 – Plus 7
Control on/off
8 – Red
9 – Mint
10 – Blue
11 – Indigo
output will strobe more rapidly as the strobe channel
value approaches 100%.
Controls fixture as a white light
unit. If no DMX, (console input,
for example), is present, the fixture
can be adjusted for these three
parameters on the user interface at
the back of the unit.
Direct control of each individual
colour with a separate masterintensity channel. Colour calibration
of LEDs is not active in this mode.
This profile will produce additive
colour crossfades.
High-resolution hue (two channels),
saturation, and intensity control.
HSI mode will produce colour
crossfades around the colour space.
High-resolution hue, saturation and
intensity control as above, with the
addition of a colour- point channel
to adjust the colour temperature
of the fixture in both white light
and color. Colour crossfade
performance is the same as HSI.
Effectively addresses all seven
colours via three channels of
control. RGB profile will produce
additive colour crossfades.
The desired colour and intensity
is achieved by using the HSI or RGB
channels
Placing channel seven at a value
over 51% gives the fixture a
15-channel profile
Channels 9-15 represent the
native colours of the fixture and
allow the operator to adjust
individual colour channels to fine
tune the colour output
Notes
TUNGSTEN HD CONTROL OPTIONS
DMX Input Channel Profiles
DMX
Profile
Studio6
Direct10 1 – Red
HSI6 1 – Hue (coarse)
HSIC7 1 – Hue (coarse)
RGB6
Additional profile options
Plus 7Seven additional color-control channels are available in
StrobeVariable strobe control: 0% is no strobe. The fixture
DMX
Channels
(Ch. 4
not used)
(Ch. 4
not used)
Channel
Assignments
1 – Intensity
2 – Color Point
(CCT)
3 – Tint
4 – n/a
5 – Strobe
6 – Fan Control
2 – Red Orange
3 – Mint
4 – Blue
5 – Indigo
6 – Intensity
7 – Strobe
8 – Fan Control
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
7 – Colour Point
(CCT)
1 – Red
2 – Green
3 – Blue
4 – n/a
5 – Strobe
6 – Fan Control
RGB, HSI and HSIC input-profile settings. For example,
HSI with ‘Plus 7’ enabled becomes a 15-channel profile:
1 – Intensity
2 – Colour Temp
3 – Tint
4 – Strobe
5 – Fan Control
6 – n/a
7 – Plus 7
Control on/off
8 – Red
9 – Red Orange
10 – Mint
11 – Blue
12 – Indigo
output will strobe more rapidly as the strobe channel
value approaches 100%.
Controls fixture as a white light
unit. If no DMX, (console input,
for example), is present, the fixture
can be adjusted for these three
parameters on the user interface at
the back of the unit.
Direct control of each individual
color with a separate master-
intensity channel. Colour calibration
of LEDs is not active in this mode.
This profile will produce additive
color crossfades.
High-resolution hue (two channels),
saturation, and intensity control.
HSI mode will produce colour
crossfades around the colour space.
High-resolution hue, saturation and
intensity control as above, with the
addition of a colour- point channel
to adjust the colour temperature
of the fixture in both white light
and colour. Colour crossfade
performance is the same as HSI.
Effectively addresses all seven
colours via three channels of
control. RGB profile will produce
additive color crossfades.
The desired colour and intensity
is achieved by using the HSI or RGB
channels
Placing channel seven at a value
over 51% gives the fixture a
15-channel profile
Channels 9-15 represent the
native colors of the fixture and
allow the operator to adjust
individual colour channels to fine
tune the colour output
Notes
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®
Source Four® CE LED Series 2
Source Four LED Series
PHOTOMETRY
The Source Four LED Photometry Guide and complete IES photometry data files may be downloaded from the ETC website.
Go to http://www.etcconnect.com