The Source Four LEDSeries 2 is the evolution of LED lighting.
While it may look the same on the outside, the Series 2 offers even
more of what makes the Source Four LED the best LED profile
available. With optimized arrays and finely-tuned electronics, the
Series 2 offers a combination of light quality and output that cannot
be matched.
Source Four LEDSeries 2Lustr
Color System
achieve true, usable broad-spectrum color with a depth and feel
beyond any RGB fixture.
Source Four LED Series 2 Daylight HD and Tungsten HD arrays
are designed for broadcast lighting, offering flicker-free operation
and high-definition lighting. With a new mix of LED emitters, the
luminaires’ output is significantly brighter than the original Source
Four LED white-light arrays. The Daylight HD array produces variablecool white (4000 to 6500K) light that imitates natural daylight. The
Tungsten HD array matches conventional tungsten lighting, with
adjustable warm-white (2700 to 4500K) light. They offer tint control,
so they can be tweaked to perfectly illuminate individual skin tones.
Series 2 light engines work with all Source Four lens tubes to deliver
a high-quality, controllable beam of LED light. For the best results, it
is highly recommended that EDLT versions are used. We also offer a
special LED-only version of the 50° lens tube.
™
, utilizing seven colors including high-output lime to
®
luminaires are based on the x7
ORDERING INFORMATION
Source Four LED Series 2 Light Engine with Shutter
Barrel
(For use with fixed-field lens tubes only)
MODELDESCRIPTION
S4LEDS2LS-0Source Four LED Series 2 Lustr with shutter
barrel, black
S4LEDS2THDS-0 Source Four LED Series 2 Tungsten HD with
shutter barrel, black
S4LEDS2DHDS-0 Source Four LED Series 2 Daylight HD with
shutter barrel, black
Source Four LED Series 2 Light Engine Body
(For use with zoom lens tubes and retrofit of existing fixtures)
MODELDESCRIPTION
S4LEDS2L-0Source Four LED Series 2 Lustr, body only, black
S4LEDS2THD-0Source Four LED Series 2 Tungsten HD, body
only, black
S4LEDS2DHD-0Source Four LED Series 2 Daylight HD, body
only, black
Color options: -1 = white, -5 = silver gray/custom colors
Fixture ships with a soft-focus diffuser in a gobo holder and a 1.5m PowerCON
power-input cable with a connector of choice. See page 2 for connector options.
™
1 of 8
Please note: Lens tubes to be ordered separately.
Page 2
ETC
PRELIMINARY
®
Source Four LED Series 2
Source Four LED Series
SPECIFICATIONS
GENERAL
• 60-LED array
• ETL listed to UL1573 – the standard for stage and studio
lighting units
• IP20-rated for indoor use
• Power and DMX in/thru connections for easy setup
• User-friendly control interface with multiple modes and
fixture settings
PHYSICAL
• Rugged die-cast all-metal housing
• Available in black (standard), white or silver gray or custom
colors (contact factory)
• C-clamp
• Positive-locking double-clutch fixture body
• Slot for glass or stainless steel patterns and soft-focus diffuser
• Wide accessory slot with sliding cover for motorized pattern
devices or optional iris
• Hanging yoke standard. Optional yoke/floor-stand available
ELECTRICAL
• 100VAC to 240VAC 50/60Hz universal power input
• Neutrik power in and thru connections
• Up to nine Lustr or seven Daylight HD/Tungsten HD luminaires
(15A max) may be linked via power thru connector (10 Lustr
or 8 Daylight HD/Tungsten HD fixtures total per circuit) when
used with R20 Relay Module or Unison
- Consult breaker-trip curves when used with other
equipment. Requires power from a non-dim source
• Inrush
- 120V: 50A (First half-cycle)
- 240V: 107A (First half-cycle)
LED*
• 20,000-hour LED life (20,000 hours to 70% intensity)
• 60 Luxeon
*See additional LED notes on page four
COLOR
• Exclusive x7 Color System seven-color LED array (Lustr)
• Selection from the x7 Color System to provide high quality,
variable-white light
- Tungsten HD (2700K-4000K)
- Daylight HD (4000K-6500K)
• Beautifully illuminates skin tones and other objects for
natural appearance and high color rendering
• Broad-spectrum color interacts seamlessly with
conventional sources
• Use the included soft-focus diffuser for creating washes or
soft light
• Best performance using ETC’s EDLT lens tubes
• Can use all ETC Source Four interchangeable lens barrels: 5°,
10°, 14°, 19°, 26°, 36°, 50°, 70°, and 90° field angles, as well
as 19°, 26°, 36°, and 50° EDLT lenses
• For better performance, use the LED 50° barrel
CONTROL
• DMX512 in and thru via five-pin XLR connectors
• Multiple control options, including RGB, strobe, and console free Master/Slave mode
• See DMX Control Table for additional information
®
Rebel LED emitters
®
Echo™ Relay Panel
2 of 8
SPECIFICATIONS
CONTROL
• 15-bit virtual dimming engine provides smooth, high-quality
theatrical fades and minimizes color shift during dimming
• RDM functionality for address and setting changes
THERMAL
• Ambient operating temperature of 32° to 104°F (0° to 40°C)
• Active electronic thermal management for
droop-free operation
• Quiet fan cooling
• Fixture is designed for continuous operation up to 104°F
(40°C) ambient temperature and requires free flow of air
around fixture housing
ADDITIONAL ORDERING INFORMATION
Power Input Cables
Use information below to order 5’ power input leads with factory-fitted connectors
MODELDESCRIPTION
DPA-A
DPA-B
DPA-C5’ PowerCon to grounded 20A twistlock connector
DPA-X5’ PowerCon to bare-end power input lead
5’ PowerCon to parallel blade U-ground
(Edison) connector
5’ PowerCon to 20A two-pin and ground
(stage pin) connector
Power Thru Jumpers
Note: Power thru jumpers connect to fixture’s output (thru) connector to provide link
to successive fixtures
MODELDESCRIPTION
DPJ-55’ PowerCon-to-PowerCon
DPJ-1010’ PowerCon-to-PowerCon
fixture-to-fixture jumper
fixture-to-fixture jumper
Diffusers
MODELDESCRIPTION
S4LED-SFDSource Four LED - Soft Focus Diffuser (included)
S4LED-SWD6
S4LED-SWD7
S4LED-SWD12
S4LED-SWD14
The Soft Focus Diffuser fits into a standard A-Size pattern holder and delivers
beautiful homogenized light when not in sharp focus. Also, use with patterns for
dappled and soft-edge projections.
The Smooth Wash Diffuser is used when extra-smooth blending of multiple Source
Four LED fixtures is required. The smooth wash diffuser is placed into the gel-frame
slot of the lens tube.
Source Four LED - Smooth Wash Diffuser for
6.25” gel frame slots
Source Four LED - Smooth Wash Diffuser for 7.5”
gel frame slots
Source Four LED - Smooth Wash Diffuser for 10°
lens tubes
Source Four LED - Smooth Wash Diffuser for 5°
lens tubes
Page 3
ETC
PRELIMINARY
®
Source Four LED Series 2
Source Four LED Series
FIXTURE COMPARISON - LUSTR
• The data below was measured on a Source Four LED Series 2 Lustr and a Source Four LED Lustr+, both in Regulated mode. Gel colors
shown are standard selections from the Rosco Labratories Inc. and Lee Filters catalogs.
5600K
3000K
Chrome Orange
Medium Yellow
Special Lavender
L179
L010
L106
Primary Red
R05
Rose Tint
L194
Surprise Pink
R54
L019
Fire
1,118 (33W)
647 (28W)
895 (36W)
831 (30W)
575 (22W)
873 (575W)
1,103 (36W)
795 (30W)
2,031 (74W)
1,643 (575W)
1,723 (575W)
3,136 (99W)
2,726 (84W)
3,227 (106W)
2,978 (91W)
3,160 (98W)
3,952 (81 Watts)
4,181 (97W)
5,043 (127W)
3,853 (575W)
5,309 (111W)
7,489 (575W)
5,182 (105W)
5,636 (575W)
Source Four LED Series 2 Lustr
Source Four LED Lustr+
Source Four 575WX
R08
Pale Gold
R89
Moss Green
L213
White Flame
Green
R80
Primary Blue
L202
Half C.T. Blue
L328
Follies Pink
R3314
Minusgreen
1,859 (71W)
698 (38W)
2,082 (67W)
641 (51W)
743 (45W)
353 (575W)
1,234 (43W)
938 (37W)
01,0002,0003,0004,0005,0006,0007,0008,000
1,771 (575W)
2,962 (75W)
2,621 (575W)
3,186 (95W)
2,352 (83W)
4,803 (106W)
5,955 (575W)
5,838 (144W)
6,026 (575W)
5,801 (150W)
4,324 (575W)
4,926 (112W)
5,952 (575W)
Lumens
3 of 8
Page 4
ETC
PRELIMINARY
84
86
88
90
92
94
96
98
27003200370042004700520057006200
Tungsten HDDaylight HD
®
Source Four LED Series 2
Source Four LED Series
FIXTURE COMPARISON - DAYLIGHT HD AND TUNGSTEN HD
• The data below was measured on a Source Four LED Series 2 Daylight HD and Tungsten HD against a Source Four LED Series 1 Studio
HD, Studio Daylight and Studio Tungsten. All in Regulated mode.
10000
9000
8000
7000
LUMENS
6000
5000
4000
Series 2 Daylight HD
Series 2Tungsten HD
Studio Daylight
Studio Tungsten
Series 1 Studio HD
Series 1 Studio HD
27003200370042004700520057006200
COLOR TEMPERATURE
CRI
COLOR TEMPERATURE
4 of 8
Page 5
ETC
PRELIMINARY
®
Source Four LED Series 2
Source Four LED Series
PREFERRED LENSING OPTIONS
(Lenses sold separately)
Fixed Beam Lenses
MODELDESCRIPTION
LED50LTLED-specific 50° EDLT with lenses installed
LED50LT-1LED-specific 50° EDLT (white) with lenses installed
436EDLT36° EDLT w/lens installed
436EDLT-1 36° EDLT (white) w/lens installed
426EDLT26° EDLT w/lens installed
426EDLT-126° EDLT (white) w/lens installed
419EDLT19° EDLT w/lens installed
419EDLT-119° EDLT (white) w/lens installed
490LT90° w/lens installed
490LT-190° (white) w/lens installed
470LT70° w/lens installed
470LT-170° (white) w/lens installed
414LT14° w/lens installed
414LT-114° (white) w/lens installed
410LT10° w/lens installed
410LT-110° (white) w/lens installed
405LT5° w/lens installed
405LT-15° (white) w/lens installed
Zoom Lens Assemblies
Use with light-engine body models.
MODELDESCRIPTION
41530LTSource Four 15-30° Zoom lens assembly
42550LTSource Four 25-50° Zoom lens assembly
Power Consumption at Full Capacity
MODELVOLTAGE
(V)
Source Four LED
Series 2 Lustr
Source Four LED
Series 2 Tungsten
HD
Source Four LED
Series 2 Daylight
HD
120 1.44171
1201.76208
1202.08246
CURRENT
(A)
MAX
POWER (W)
ADDITIONAL ORDERING INFORMATION
FixtureAccessories
MODELDESCRIPTION
400CCC-Clamp (included)
400SCSafety Cable
400PH-APattern holder (A size)
400PH-BPattern holder (B size)
400PH-GGlass pattern holder
400RSDrop-In Iris
400CFColor frame (6.25”)
407CF7.5” square color frame
400DNDonut
400THTop Hat
400HHHalf Hat
DPSJ-X25’ PowerCon to Edison
inline switch
input power cable with
NOTES ABOUT LED LUMINAIRES
All LED sources experience some lessening of light output and some
color shift over time. LED output will vary with thermal conditions.
Based on the LED manufacturer’s B50 L70 specification, a Source
Four LED Series 2 luminaire will achieve ~70% of its initial output
after 20,000 hours of typical usage. In individual situations, LEDs
will be used for different durations and at different levels. This
can eventually lead to minor alterations in color performance,
necessitating slight adjustments to presets, cues or programs.
CRI AND CQS RATINGS
Source Four LED fixtures were evaluated for CRI and CQS
performance using measured output spectrum and optimized mix
solutions for a best spectral match to black body sources at 3200K
and 5600K.
FIXTURECRICQSColor
Source Four LED Series 2 Lustr
Reg at 3200K
Source Four LED Series 2 Lustr
Reg at 5600K
Source Four LED Series 2
Tungsten HD Reg at 3200K
Source Four LED Series 2
Daylight HD Reg at 5600K
8688880
9091910
96xxxxxx
92xxxxxx
Fidelity
Duv
5 of 8
All Source Four LED luminaire versions provide excellent color
rendering to the eye, particularly at higher color temperature
settings, such as 5600K. In most cases, the Duv is 0.000. A Duv
rating of 0.000 indicates that the color mix used is exactly on the
black body line, with no green or magenta tint.
Page 6
ETC
PRELIMINARY
®
Source Four LED Series 2
Source Four LED Series
CONTROL OPTIONS
User settings on Source Four LED Series 2 fixtures allow multiple
operational modes and settings for either console operation via DMX
protocol or stand-alone operation. The expanded LCD display provides
easy navigation to all possible settings and options. Some of the
setting options are:
• Multiple DMX choices ranging from a simple RGB
profile – which effectively controls all seven LED colors via
three channels – to nine-channel ‘direct’ color and
intensity control
• Multiple dimming curve options
• Preset colors and sequences for stand-alone (no console
required) operation
• White point selection – white light and color behavior based
on a specific color-temperature white light, i.e. 3200K,
5600K, etc.
• Loss of data behavior options – instant off, hold last look for
two minutes, etc.
• Output modes – three output options that offer you a choice
between maximum output and maximum consistency
See the user manual for a complete explanation of all of the control
settings and options for the Source Four LED Series 2.
Quick Setups
To assist in managing the numerous control and fixture behavior choices, five
combinations of operational settings are available to quickly get started. These
settings are specifically created for different applications and are easily accessible at
the fixture display. Each setting can then be modified as required to take advantage
of all of the possible control features.
Setting
Title
GeneralDirectFactory Default:
StageHSI
XT ArchHSIExterior architectural lighting:
High
Impact
StudioStudioStudio factory default:
*See user manual for complete list of features for each Quick Setup
ProfileDescriptionTypical Features*
For general-purpose
use, including interior
architectural applications
Plus 7
Enabled
RGBEvent lighting:
Theatrical lighting:
Duplicates the color and
dimming behavior of
tungsten stage lighting
fixtures
Provides a high degree of
color consistency in high
ambient temperature
environments
Enables quickest response,
simple RGB control and
strobe channel for maximum
effect usage
Enables three-parameter
control of white light
(intensity, white point, and
tint) via DMX from console
or console-free from fixture
display
• Standard dimming curve
• Regulated output for
color consistency
• Incandescent dimming
curve
• Regulated output for
color consistency
• 3200K white-point setting
• Standard dimming curve
• Protected output
• 3200 white-point setting
• Quick dimming curve
• Boost mode for
maximum intensity
• 5600K white-point setting
• Linear dimming curve
• Regulated output mode
for color consistency
LUSTR CONTROL OPTIONS
DMX Input Channel Profiles
DMX
Profile
Direct10 1 – Red
HSI6 1 – Hue (coarse)
HSIC7 1 – Hue (coarse)
RGB6
Studio6
Additional profile options
Plus 7Seven additional color-control channels are available in
StrobeVariable strobe control: 0% is no strobe. The fixture
DMX
Channels
(Ch. 4
not used)
(Ch. 4
not used)
Channel
Assignments
Direct control of each individual
2 – Lime
3 – Amber
4 – Green
5 – Cyan
6 – Blue
7 – Indigo
8 – Intensity
9 – Strobe
10 – Fan Control
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
7 – Color Point
(CCT)
1 – Red
2 – Green
3 – Blue
4 – n/a
5 – Strobe
6 – Fan Control
1 – Intensity
2 – Color Point
(CCT)
3 – Tint
4 – n/a
5 – Strobe
6 – Fan Control
RGB, HSI and HSIC input-profile settings. For example,
HSI with ‘Plus 7’ enabled becomes a 15-channel profile:
1 – Hue (coarse)
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
7 – n/a
8 – Plus 7
Control on/off
9 – Red
10 – Lime
11 – Amber
12 – Green
13 – Cyan
14 – Blue
15 – Indigo
output will strobe more rapidly as the strobe channel
value approaches 100%.
color with a separate master-
intensity channel. Color calibration
of LEDs is not active in this mode.
This profile will produce additive
color crossfades.
High-resolution hue (two channels),
saturation, and intensity control.
HSI mode will produce color
crossfades around the color space.
High-resolution hue, saturation and
intensity control as above, with the
addition of a color- point channel to
adjust the color temperature of the
fixture in both white light and color.
Color crossfade performance is the
same as HSI.
Effectively addresses all seven colors
via three channels of control. RGB
profile will produce additive color
crossfades.
Controls fixture as a white light
unit. If no DMX, (console input,
for example), is present, the fixture
can be adjusted for these three
parameters on the user interface at
the back of the unit.
The desired color and intensity
is achieved by using the HSI or RGB
channels
Placing channel seven at a value
over 51% gives the fixture a
15-channel profile
Channels 9-15 represent the
native colors of the fixture and
allow the operator to adjust
individual color channels to fine
tune the color output
Notes
6 of 8
Page 7
ETC
PRELIMINARY
®
Source Four LED Series 2
Source Four LED Series
DAYLIGHT HD CONTROL OPTIONS
DMX Input Channel Profiles
DMX
Profile
Studio6
Direct10 1 – Red
HSI6 1 – Hue (coarse)
HSIC7 1 – Hue (coarse)
RGB6
Additional profile options
Plus 7Seven additional color-control channels are available in
StrobeVariable strobe control: 0% is no strobe. The fixture
DMX
Channels
(Ch. 4
not used)
(Ch. 4
not used)
Channel
Assignments
1 – Intensity
2 – Color Point
(CCT)
3 – Tint
4 – n/a
5 – Strobe
6 – Fan Control
2 – Mint
3 – Blue
4 – Indigo
5 – Intensity
6 – Strobe
7 – Fan Control
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
7 – Color Point
(CCT)
1 – Red
2 – Green
3 – Blue
4 – n/a
5 – Strobe
6 – Fan Control
RGB, HSI and HSIC input-profile settings. For example,
HSI with ‘Plus 7’ enabled becomes a 15-channel profile:
1 – Intensity
2 – Color Temp
3 – Tint
4 – Strobe
5 – Fan Control
6 – n/a
7 – Plus 7
Control on/off
8 – Red
9 – Mint
10 – Blue
11 – Indigo
output will strobe more rapidly as the strobe channel
value approaches 100%.
Controls fixture as a white light
unit. If no DMX, (console input,
for example), is present, the fixture
can be adjusted for these three
parameters on the user interface at
the back of the unit.
Direct control of each individual
color with a separate masterintensity channel. Color calibration
of LEDs is not active in this mode.
This profile will produce additive
color crossfades.
High-resolution hue (two channels),
saturation, and intensity control.
HSI mode will produce color
crossfades around the color space.
High-resolution hue, saturation and
intensity control as above, with the
addition of a color- point channel to
adjust the color temperature of the
fixture in both white light and color.
Color crossfade performance is the
same as HSI.
Effectively addresses all seven colors
via three channels of control. RGB
profile will produce additive color
crossfades.
The desired color and intensity
is achieved by using the HSI or RGB
channels
Placing channel seven at a value
over 51% gives the fixture a
15-channel profile
Channels 9-15 represent the
native colors of the fixture and
allow the operator to adjust
individual color channels to fine
tune the color output
Notes
TUNGSTEN HD CONTROL OPTIONS
DMX Input Channel Profiles
DMX
Profile
Studio6
Direct10 1 – Red
HSI6 1 – Hue (coarse)
HSIC7 1 – Hue (coarse)
RGB6
Additional profile options
Plus 7Seven additional color-control channels are available in
StrobeVariable strobe control: 0% is no strobe. The fixture
DMX
Channels
(Ch. 4
not used)
(Ch. 4
not used)
Channel
Assignments
1 – Intensity
2 – Color Point
(CCT)
3 – Tint
4 – n/a
5 – Strobe
6 – Fan Control
2 – Red Orange
3 – Mint
4 – Blue
5 – Indigo
6 – Intensity
7 – Strobe
8 – Fan Control
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
2 – Hue (fine)
3 – Saturation
4 – Intensity
5 – Strobe
6 – Fan Control
7 – Color Point
(CCT)
1 – Red
2 – Green
3 – Blue
4 – n/a
5 – Strobe
6 – Fan Control
RGB, HSI and HSIC input-profile settings. For example,
HSI with ‘Plus 7’ enabled becomes a 15-channel profile:
1 – Intensity
2 – Color Temp
3 – Tint
4 – Strobe
5 – Fan Control
6 – n/a
7 – Plus 7
Control on/off
8 – Red
9 – Red Orange
10 – Mint
11 – Blue
12 – Indigo
output will strobe more rapidly as the strobe channel
value approaches 100%.
Controls fixture as a white light
unit. If no DMX, (console input,
for example), is present, the fixture
can be adjusted for these three
parameters on the user interface at
the back of the unit.
Direct control of each individual
color with a separate master-
intensity channel. Color calibration
of LEDs is not active in this mode.
This profile will produce additive
color crossfades.
High-resolution hue (two channels),
saturation, and intensity control.
HSI mode will produce color
crossfades around the color space.
High-resolution hue, saturation and
intensity control as above, with the
addition of a color- point channel to
adjust the color temperature of the
fixture in both white light and color.
Color crossfade performance is the
same as HSI.
Effectively addresses all seven colors
via three channels of control. RGB
profile will produce additive color
crossfades.
The desired color and intensity
is achieved by using the HSI or RGB
channels
Placing channel seven at a value
over 51% gives the fixture a
15-channel profile
Channels 9-15 represent the
native colors of the fixture and
allow the operator to adjust
individual color channels to fine
tune the color output
Notes
7 of 8
Page 8
ETC
PRELIMINARY
®
Source Four LED Series 2
Source Four LED Series
PHOTOMETRY
The Source Four LED Photometry Guide and complete IES photometry data files may be downloaded from the ETC website.
Go to http://www.etcconnect.com