Erica Synths Black Code Source User guide

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CODE SOURCE
THANK YOU FOR CHOOSING ERICA SYNTHS BLACK SERIES MODULE!
Erica Black Series include high-end, unique functionality and superior quality modules. Only the best, highest quality components are used, all inputs and outputs are protected against undesired overvoltage. When designing Black Series, we put design and usability superior. Big knobs are assigned to key functions of the module, which makes Black Series ideal for live performances. Enjoy!
Erica Synths Black Code Source is unique design true stereo digital noise or dual random CV generator, using a complicated calculation of polynomials of various configurations. The module will fit ideally in percussion synthesis or random, self generation patches. The Code Source also can be used as an extreme eects unit to bitcrush and destroy sounds in radical ways. Basically, you can consider it as a sample&hold noise generator, that is able to “rewind” or repeat incredibly long sequences of seemingly random levels. X, Y and S controls together provide over 4000 dierent dual CV sequences for every MODE switch position, that can be triggered via the S TRIG.
FEATURES:
Dual random CV generator Up to 9 noise flavours with adjustable pitch All parameters are CV controllable Expandable features with an Expander module
This is sample rate knob.
When sample rate clock is set to a
high value (or there is some VCO
plugged into CLOCK IN) , L&R
outputs provide stereo digital noise.
Noise is independent for the left
and right channels. When sample
rate is set to a low frequency (or
there is some LFO or sequencer
clock plugged into CLOCK IN), L&R
outputs provide two control voltages
that can be used as a pitch, filter,
eect or any other control
for external modules.
Set one of 16 polynomial
feedback configuration aspects Y.
MODE switch will alter the
character of the sound, and allows
to achieve perfect recreation of
most kinds of classic computer
music chip noise. In LFO range it
sets how many CV levels
L and R outputs will provide. Refer
to the table below for
MODE settings!
This is Clock Input. The external clock
replaces internal one, and you can sync the module with master clock
of the system or change pitch of the
noise in tune with your VCOs. Patch
LFO output or master clock form the
sequencer for random CVs on the
outputs or VCO or even vocals
for pitched noise.
TECHNICAL SPECIFICATIONS:
Output level ....................-5…+5V (or 0…+10V)
CV level ........................................... -10V - +10V
Power consumption ............ +143mA, -64mA
Module width ...........................................10HP
Module depth ........................................35mm
Set one of 16 polynomial feedback
configuration aspects X.
X and Y basically represent 16x16
square field, and you can move
around using the X and Y pots or CVs.
Every setting will behave dierently,
produce dierent sequence of codes
(output values), and have dierent
length of the sequence before it loops.
S TRIG button will restart the
polynomial from the SET point.
While holding this button,
S TRIG input will be ignored.
Set the starting point of selected
sequence. This will be particularly
audible in low Rate settings, when
CVs are generated on the outputs.
These are X, Y and S CV
attenuators.
These are CV Inputs
for altering Rate, X, Y and
S settings correspondingly.
S TRIG input accepts all kind of
signals from single pulses to normal
full band audio, and (re)sets the polynomial on the rising edge of
the triggering pulse or sound. When
module is used as a CV source with
sequencer ticks in the clock input,
this S TRIG input can be used to reset
the generated code sequence on, for example, every single, second or fourth. measure, or at the beginning
These are Left and Right outputs. You can have
random CVs here, if Rate is set to low sample
Output level can be configured via jumper on
the back of the module. You can select bipolar
-5V - +5V output or unipolar 0 - +10V, especially
rate, or digital noise,
if it’s set to higher sample rate.
useful for random sequencing
of the track.
of VCOs.
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Erica Synths Black Code Source Expander takes the Code Source to next level by adding autobend feature and more noise/CV modes. Autobend provides a useful attack envelope for the internal clock generator’s pitch and some outside CV control. This feature helps to quickly achieve authentic chip-tune percussion and oldschool electronic game sounds.
NB! Use the ribbon cable supplied with the module to connect the Expander to the Code Source! To connect the Expander you will need to remove the security jumper from the socket on the Code Source module. Pay close attention to the connector socket marking and do not mix it up with the PSU connector! The Code Source Expander will work only with the Code Source module and is not intended to work as standalone module. Connecting PSU to the Expander will permanently damage it.
FEATURES:
Autobend (attack) time control Autobend depth attenuverter Alternative mode switch Autobend envelope output Clock output
TECHNICAL SPECIFICATIONS:
Power consumption…..…….....+16mA, -11mA
Module width….....………………………………6HP
Module depth…..…………..………..………25mm
Adjust the envelope rate,
from very slow to rapid
This is the send level from the
autobend envelope to clock
generator’s pitch. When set to
center, autobend does not a ect
the sample rate. CW settings send
positive envelope and increase clock
rate (pitch of the noise), while CCW
settings send negative envelope and
reduce clock rate.
ALTERNATIVE MODE switch
provides two additional modes for
every main MODE. Refer to the
table below!
Autobend Trigger IN - when nothing
is connected to this jack, autobend
envelope triggers from the main module’s S TRIG and button. This input accepts both trigger pulses
and conventional audio, and triggers
on the rising edge.
CODE SOURCE
AutoBend Manual Trig - This button allows the envelope to be triggered manually, as well as block incoming
trigger pulses while the button is
CLOCK OUT jack outputs internal
generator’s clock for use on some
external modules that may need to
be synchronised. You can connect a
second codesource module’s
CLOCK IN there to make both
modules synchronised. This output
provides the internal generator’s
clock even when something else is
used as the main module’s clock
(other clock source connected to its
clock in), and therefore can be used
as an additional clock for something
else. However, since this output
always outputs internal clock, to
synchronise more than two modules,
you need to split the CLOCK OUT of
the master module using a splitter,
and then pass to all other module
This is Autobend envelope output —
use it for simultaneous control of
VCFs or any other modules.
held.
clock inputs.
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MODE SWITCH FUNCTIONS
WITHOUT EXPANDER WITH EXPANDER
CODE SOURCE
MODE switch position
down
ZX - in this mode, module outputs an encoded data in the very exact way a ZX Spectrum home computer tape loading did, only it’s now in stereo! It has a very specific sound that cannot be mistaken with anything else. Just set the right samplerate (2 o’clock). For extra icing on the cake, adjust polynomial configuration to make it sound like loading real data (image, character color, sprites...). Some ZX Spetrum games featured a “fast loader” that actually was just a form of protection, and had a slightly dierent sound. For a typical fast loader sound, set the rate to slightly below 3 o’clock and viola - it perfectly matches it! Sound of this coding is more melodic than the “normal” 2 level mode.
BMC - Biphase Mark Code is an old, yet still very popular encoding, used to this day in many kinds of simple-yet-robust communication channels and data storage - like, for example, magnetic cards. Sound of this coding is significantly lighter in low frequencies, having the most emphasis on higher frequencies.
SOFT - in this mode, while there are still 64 output levels, codes are generated in a dierent way, producing a softer sound with more bass. When used as a pitch CV source, it will produce a lot of discrete glissandos, since now subsequent output codes are placed much closer together and have smaller jumps for the most of the time.
L/R output coding MODE ALT switch
up
64 levelsup
middle
down
up
middle8 levelsmiddle
down
up
middle2 levels
down
L/R output coding
64 levels SOFT
64 levels
32 levels
16 levels
8 levels
4 levels
2 levels ZX
2 levels
2 levels BMC
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SAFETY INSTRUCTIONS
CODE SOURCE
Please follow the instructions for use of this Erica Synths module below, ‘cause only this will guarantee proper operation of the module and ensure warranty from Erica Synths.
Water is lethal for most of the electric devices, unless they are made waterproof. Erica Synths module is NOT intended for use in a humid or wet environment. No liquids or other conducting substances must get into the module. Should this happen, the module should be disconnected from mains power immediately, dried, examined and cleaned by a qualified technician.
Do not expose the module to temperatures above +50° C or below -20° C.
Transport the instrument with modules installed carefully, never let it drop or fall over. Warranty does not apply to modules with visual damages.
The module has to be shipped in the original packaging only. Any module shipped to us for return, exchange and/or warranty repair has to be in its original packaging. All other deliveries will be rejected and returned to you. Make sure you keep the original packaging and technical documentation.
You will find Erica Synths terms of warranty at http://ericasynths.lv/en/terms/
Items for return, exchange and/or warranty repair have to be sent to: Erica Synths, Andrejostas Str. 43, Riga, Latvia, LV-1045
DISPOSAL
This device complies to the EU guidelines and is manufactured RoHS conforming without use of lead, mercury, cadmium and chrome. Nevertheless, this device is special waste and disposal in household waste is not recommended.
Designed and made in Latvia. User manual by Girts Ozolins@Erica Synths. Design by Edmunds Pavlovskis. Copying, distribution or any commercial use in any way is prohibited and needs the written permission by Erica Synths. Specifications are subject to change without notice. In case of any questions feel free to contact us via e-mail info@ericasynths.lv
Check out other Erica Synths modules & devices at www.ericasynths.lv
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