GEAR EPIPHONE T
ONY IOMMI G
-4
00
95
£5
PH
HO
E J
ON
US
EP
HA
Wash your mouth out with soap, foolish
young whippersnapper! Your tart’s handbag,
lollipop stick-necked, sad little widdle plank
is no match for this mighty beast. This guitar
sounds like a truck load of whup-ass and will
keep on delivering its evil-hearted goods
for years to come. Can you really say all that
about your guitar? In fact, this Epiphone
Tony Iommi G-400 is like every Rocky fi lm
ever made compared to your guitar’s Karate
Kid III. Locking trem, indeed…
Er, OK. So who’s this Tony Iommi geezer
supposed to be then?
He’s only the bleedin’ Godfather of metal
riffery. Look, years before he began
shuffling around his Los Angeles mansion,
dodging dog shit and shouting at the
kids for his reality TV show, renowned bat
muncher and self-styled Prince of Darkness
Ozzy Osbourne was in a rather important
band. We’re talking about the mighty
Black Sabbath, of course. We say important
because these guys pioneered that particular
brand of grumpy metal – all doom-laden
riffs and ‘you’re all gonna die’ lyrics – that
keeps guys like Slayer’s Kerry King in protein
bars and Bic razors to this day.
Tony Iommi, a genius with a heavy riff and
pretty nifty lead playing ability to boot. Tony
always liked to keep his rif fs simple; just a
few notes played with blinding intensity. You
must’ve heard the blistering opening salvo
from Paranoid? And surely all you metal
IP
PI
S E
You call this a rock guitar? There’s
no locking trem!
The engine of Black Sabbath was guitarist
T R
EL
NE
EA
AT
Y I
T R
ES
O
CK G
TON
RE
G
TS
D I
SE
guitarists out there are familiar with the
awesome sludge-fest that is Sweet Leaf? If
not, go to the back of the class and write ‘Numetal has rotted my brain’ 1000 times on the
blackboard. The rest of you, walk this way…
OK, I’m now up to speed with Sabbath,
what’s the deal with Tony’s new axe?
Sabbath’s line-up may have changed over
the last 30-odd years but two things
have always remained the same: the man
himself, Tony Iommi, and his ever faithful
SG. Although he occasionally played
SG-style guitars from the likes of Patr ick
Eggle, Jaydee and John Birch, Gibson’s
classic twin cutaway weapon of rock has
always been his favourite. It’s now as
much an Iommi trademark as the man’s
fearsome facial hair and false fi ngertips.
Sorry, his false fi ngertips?
Tony lost the tips of his middle and r ing
fingers on his right hand in an industrial
accident in the 1960s. But before you accuse
us of being sick-ass gore-hounds, there is a
very good reason why we’re dredging up this
gruesome nugget of trivia. Put simply, that
unfortunate injury greatly infl uenced Tony’s
choice of guitar, his set-up and his unique
‘dungeons of hell’ tone.
Go on, I’m listening…
Tony needed a guitar with a slim neck
and an easy string tension – it had to be
comfortable for his digits. Anyone who has
played a Gibson or Epiphone SG will know
that the strings are pretty easy to bend;
It’s classic SG all the
way with a tune-omatic br
stop tail-piece
OM
UI
e and a
idg
MI
ET?
R Y
TA
We love the headstock
on t
finishes the Iommi off
beautifull
almost as good as t
Gibson version
TG T
his guitar
y and look
This guitar comes full
loaded with a pair of
US-made Tony Iommi
humbuck
sound awesome
-4
G
S SO
NK
HI
even a set of 10s presents little trouble. Tony
. It
lowered the string tension on his guitars
even more by fitting an unusual mix of light
s
gauge strings (9, 9, 12, 22, 28 and 38) and
he
tuning down to C#. Tuning low gives his
guitar the booming voice that has become
synonymous with Sabbath songs. Only thing
was, such a low tuning and light strings
had to be coupled with a meaty pickup
to boost the signal to his Laney amp. A
few years ago Gibson came to the rescue
with the Tony Iommi humbucker – its fi rst
ever signature pickup.
His new Epiphone has that pickup
fi tted, right?
Yep, for your £595 you’re getting a kick-
ass SG loaded with two of Tony’s US-made
Gibson humbuckers. Now that’s what we call
value for money, and no doubt great news
for Black Sabbath fans on a budget.
What’s the guitar like?
Probably the best Epiphone electric we’ve
ever tried. The quality of finish is top class
and the guitar has all the classic elements
that we’ve come to expect from the SG.
Underneath that glorious ebony finish – it
should be called Sabbath Black, of course
– is a mahogany body: a nice thick slab with
those iconic devilish contours and sexy
curves. The neck is glued to the body, as
it should be, and is also fashioned from
mahogany. The fingerboard is rosewood with
funky crucifix inlays and 24 frets. Yes, that’s
right folks, this is a full two octave SG! Every
other SG has 22 frets, natch.
00
… WORDS
: ED MITCHELL
ers – an
y-
y
he
d t
4 |
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MARCH 2005
EPIPHONE T
ONY IOMMI G-
0 GEAR
40
Elsewhere we have the classic Gibson
control set-up (2 x volume, 2 x tone and a
three-way pickup selector), a tune-o-matic
bridge and fixed tailpiece and a striking
headstock that really suits this guitar and
gives the Gibson version a run for its money.
We have also gone ape for those chunky
Grover machineheads; built to last with rock
solid tuning.
The headstock has a discreet Tony Iommi
signature on the truss rod cover. We like that
because it means non-Sabbath fans can play
this guitar if they want to. Whether you’re
a goth, a punk, a rocker or a widdler, you’re
going to love this guitar. Trust us!
There’s a scribble on the scratchplate.
TG’s old pal Tony actually signed this guitar
for us. Normal production models come with
a plain black scratchplate only. Sorry…
What does it sound like, then?
Like Tony Iommi, funnily enough. His tone
has changed a bit over the years but we still
rate those early recordings that showcase his
edgy fuzz tone. Using our trusty Retroman
Lola fuzz box, we nailed that classic sound
on the bridge pickup without even breaking
a sweat. Add to that some modern gain and
this guitar will out-rock anything with six
strings. The pickups are truly awesome in
themselves and should be considered by
anyone struggling with weak humbuckers
– the Iommi humbuckers are available to buy
as a retrofit for your guitar.
The bridge pickup isn’t so keen on clean
settings but you can use the sweeter middle
Just how much more black
could this guitar be? Er,
none more black, frankly...
WHO’S IT FOR?
Six-string Satan
worshippers; the
hful
ait
h f
Sabbat
INFORMATION
ea
ORIGIN: Kor
TYPE: Solid body electric
BODY: Mahogany
NECK: Mahogany, set-in
RD:
OA
GERB
FIN
sewood, wit
Ro
inlays
FRETS: 24 medium
PICKUPS: 2 x Gibson USA
ny Iommi humbuck
To
HARDWARE: Black
chrome tune-omatic bridge, stop
ilpiece and Grov
ta
machineheads
CONTROLS: 2 x volume, 2
x tone, three-way pickup
select
FINISH OPTIONS: Ebony
only
LEFT-HANDERS: £599
SE: No
CA
AC
NT
CO
550033
WEB: www.epiphone.
com
or switch
T:
Ro
ucifi
h cr
x
s
er
er
76
13
tti 0
se
ALTERNATIVELY
Gibson Custom Shop
Iommi SG – £4,200
ny
To
Epiphone G-310 – £2
Epiphone
om – £429
SG Cust
75
and neck positions for the quieter songs.
The bottom line is that this guitar just wants
to rock and we ain’t gonna argue with it.
I get the feeling you guys like this guitar.
Damn! What gave it away? It’s true we have
fallen for this wonderful guitar. TG has
always had a soft spot for the SG anyway,
but the Tony Iommi version ticks all of our
boxes. And the best part is that now there’s
a left-handed version available – which only
seems appropriate since Tony is left-handed
– everyone can get a piece of the action.
THE ORIGINS OF A ROCK ICON
ed
A
its leg
to
Gibson Les Paul, the SG is actually 44
years old this year. In fact, when it was
launched in 1
as intended t
icon w
he Les P
r t
fo
ples of t
am
ex
nameplate squeezed between the neck
pickup and t
So why did Gibson chang
model name, we hear you ask? Depending
on what st
(Lester William Polfus to his mum) either
ak
t t
didn’
ply pr
sim
Les Paul model. Fair enough, but the wily
ma
ox
old f
his name r
ve
ha
. In t
ar
guit
then wife and singing partner, Mary
Ford, had dec
hat Les, r
has it t
be entitled to a share of any money
endar
1 t
96
aul r
he SG ha
he fi
nge
y you believ
or
he SG’
o t
e t
d t
re
er
ef
ve
y ha
emov
he ear
ided t
ealising how Mar
y big broth
his futur
o be a r
e. That
ang
a Les P
ve
rboard.
e, Mr Les P
adical design or
s r
he sound of his or
had anot
ed from t
0s Les and his
96
ly 1
o separ
ll only a baby com
sti
’s
hough it
lt
he
, t
er
e rock ’n’ roll
eplacement
why ear
’s
aul
he guit
e t
aul
iginal
eason t
her r
he new
end
ate. Leg
y woul
par
he made, r
contr
Gibson switched to the SG (solid
guit
th
ly
new ax
ha
If you play an SG you’re in very good
com
’s
ar
Harrison used a cherry-fi nish model
on t
Ro
wouldn’t be seen dead without
his SG S
Clapton brandished an eyecatching psychedelic SG in the
o
ear
th
Yo
ev
Can you imagine Angus
d
pla
guit
Of course, we’d all love to get our hands
on the £4,000 custom shop Gibson Iommi
model, but this Epiphone will keep us well
happy until then. You really have to try this
superb guitar for yourself. It’s a little devil…
FOR: Looks awesome; sounds great; plenty
of rock vibe
AGAINST: Not everyone will dig its gorgeous
gothic looks
ic
nde
he r
s
ter
se,
re
est
ar
✮✮✮✮✮
d,
, as
ists
e
,
TG RATING:
o sign a new
efused t
h Gibson. U
it
t w
ac
ar) model name and t
y,
sa
ey
Even if old Lester didn’t dig his
e, plenty of ot
allen f
f
ve
pany
he band’
bbie Kr
ta
ly day
e SG is also behind Angus
s a
ung’
lassic A
y c
er
ng any ot
yi
ar? It
y.
or
is hist
or its obv
96
he 1
. In t
s Rubb
er of The Door
ieg
ndard and Er
eam. Of cour
s of Cr
some t
we
C/DC r
her sty
hink
unt
’s
her guit
ious charms.
0s, Beatle Georg
er Soul album
one on
ecord.
le of
able.
MARCH 2005
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