Epiphone G-400 User Manual

GEAR EPIPHONE T
ONY IOMMI G
00
95
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Wash your mouth out with soap, foolish young whippersnapper! Your tart’s handbag, lollipop stick-necked, sad little widdle plank is no match for this mighty beast. This guitar sounds like a truck load of whup-ass and will keep on delivering its evil-hearted goods for years to come. Can you really say all that about your guitar? In fact, this Epiphone Tony Iommi G-400 is like every Rocky fi lm ever made compared to your guitar’s Karate Kid III. Locking trem, indeed…
Er, OK. So who’s this Tony Iommi geezer supposed to be then?
He’s only the bleedin’ Godfather of metal riffery. Look, years before he began shuffling around his Los Angeles mansion, dodging dog shit and shouting at the kids for his reality TV show, renowned bat muncher and self-styled Prince of Darkness Ozzy Osbourne was in a rather important band. We’re talking about the mighty Black Sabbath, of course. We say important because these guys pioneered that particular brand of grumpy metal – all doom-laden riffs and ‘you’re all gonna die’ lyrics – that keeps guys like Slayer’s Kerry King in protein bars and Bic razors to this day.
Tony Iommi, a genius with a heavy riff and pretty nifty lead playing ability to boot. Tony always liked to keep his rif fs simple; just a few notes played with blinding intensity. You must’ve heard the blistering opening salvo from Paranoid? And surely all you metal
IP
PI
S E
You call this a rock guitar? There’s no locking trem!
The engine of Black Sabbath was guitarist
T R
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T R
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TON
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guitarists out there are familiar with the awesome sludge-fest that is Sweet Leaf? If not, go to the back of the class and write ‘Nu­metal has rotted my brain’ 1000 times on the blackboard. The rest of you, walk this way…
OK, I’m now up to speed with Sabbath, what’s the deal with Tony’s new axe?
Sabbath’s line-up may have changed over the last 30-odd years but two things have always remained the same: the man himself, Tony Iommi, and his ever faithful SG. Although he occasionally played SG-style guitars from the likes of Patr ick Eggle, Jaydee and John Birch, Gibson’s classic twin cutaway weapon of rock has always been his favourite. It’s now as much an Iommi trademark as the man’s fearsome facial hair and false fi ngertips.
Sorry, his false fi ngertips?
Tony lost the tips of his middle and r ing fingers on his right hand in an industrial accident in the 1960s. But before you accuse us of being sick-ass gore-hounds, there is a very good reason why we’re dredging up this gruesome nugget of trivia. Put simply, that unfortunate injury greatly infl uenced Tony’s choice of guitar, his set-up and his unique
‘dungeons of hell’ tone.
Go on, I’m listening…
Tony needed a guitar with a slim neck and an easy string tension – it had to be comfortable for his digits. Anyone who has played a Gibson or Epiphone SG will know that the strings are pretty easy to bend;
It’s classic SG all the way with a tune-o­matic br stop tail-piece
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e and a
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We love the headstock
on t
finishes the Iommi off
beautifull almost as good as t
Gibson version
TG T
his guitar
y and look
This guitar comes full loaded with a pair of US-made Tony Iommi humbuck sound awesome
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even a set of 10s presents little trouble. Tony
. It
lowered the string tension on his guitars even more by fitting an unusual mix of light
s
gauge strings (9, 9, 12, 22, 28 and 38) and
he
tuning down to C#. Tuning low gives his guitar the booming voice that has become synonymous with Sabbath songs. Only thing was, such a low tuning and light strings
had to be coupled with a meaty pickup
to boost the signal to his Laney amp. A few years ago Gibson came to the rescue
with the Tony Iommi humbucker – its fi rst
ever signature pickup.
His new Epiphone has that pickup
fi tted, right?
Yep, for your £595 you’re getting a kick-
ass SG loaded with two of Tony’s US-made Gibson humbuckers. Now that’s what we call value for money, and no doubt great news for Black Sabbath fans on a budget.
What’s the guitar like?
Probably the best Epiphone electric we’ve ever tried. The quality of finish is top class and the guitar has all the classic elements that we’ve come to expect from the SG. Underneath that glorious ebony finish – it should be called Sabbath Black, of course
– is a mahogany body: a nice thick slab with
those iconic devilish contours and sexy curves. The neck is glued to the body, as it should be, and is also fashioned from mahogany. The fingerboard is rosewood with funky crucifix inlays and 24 frets. Yes, that’s right folks, this is a full two octave SG! Every other SG has 22 frets, natch.
00
WORDS
: ED MITCHELL
ers – an
y-
y
he
d t
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EPIPHONE T
ONY IOMMI G-
0 GEAR
40
Elsewhere we have the classic Gibson control set-up (2 x volume, 2 x tone and a three-way pickup selector), a tune-o-matic bridge and fixed tailpiece and a striking headstock that really suits this guitar and gives the Gibson version a run for its money. We have also gone ape for those chunky Grover machineheads; built to last with rock solid tuning.
The headstock has a discreet Tony Iommi signature on the truss rod cover. We like that because it means non-Sabbath fans can play this guitar if they want to. Whether you’re a goth, a punk, a rocker or a widdler, you’re going to love this guitar. Trust us!
There’s a scribble on the scratchplate.
TG’s old pal Tony actually signed this guitar for us. Normal production models come with a plain black scratchplate only. Sorry…
What does it sound like, then?
Like Tony Iommi, funnily enough. His tone has changed a bit over the years but we still rate those early recordings that showcase his edgy fuzz tone. Using our trusty Retroman Lola fuzz box, we nailed that classic sound on the bridge pickup without even breaking a sweat. Add to that some modern gain and this guitar will out-rock anything with six strings. The pickups are truly awesome in themselves and should be considered by anyone struggling with weak humbuckers
– the Iommi humbuckers are available to buy
as a retrofit for your guitar.
The bridge pickup isn’t so keen on clean settings but you can use the sweeter middle
Just how much more black could this guitar be? Er, none more black, frankly...
WHO’S IT FOR?
Six-string Satan worshippers; the
hful
ait
h f
Sabbat
INFORMATION
ea
ORIGIN: Kor TYPE: Solid body electric BODY: Mahogany NECK: Mahogany, set-in
RD:
OA
GERB
FIN
sewood, wit
Ro inlays
FRETS: 24 medium PICKUPS: 2 x Gibson USA
ny Iommi humbuck
To HARDWARE: Black chrome tune-o­matic bridge, stop
ilpiece and Grov
ta machineheads CONTROLS: 2 x volume, 2 x tone, three-way pickup select FINISH OPTIONS: Ebony only
LEFT-HANDERS: £599
SE: No
CA
AC
NT
CO
550033 WEB: www.epiphone. com
or switch
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ALTERNATIVELY
Gibson Custom Shop
Iommi SG – £4,200
ny
To
Epiphone G-310 – £2
Epiphone
om – £429
SG Cust
75
and neck positions for the quieter songs. The bottom line is that this guitar just wants to rock and we ain’t gonna argue with it.
I get the feeling you guys like this guitar.
Damn! What gave it away? It’s true we have fallen for this wonderful guitar. TG has always had a soft spot for the SG anyway, but the Tony Iommi version ticks all of our boxes. And the best part is that now there’s a left-handed version available – which only seems appropriate since Tony is left-handed
– everyone can get a piece of the action.
THE ORIGINS OF A ROCK ICON
ed
A
its leg
to Gibson Les Paul, the SG is actually 44 years old this year. In fact, when it was launched in 1
as intended t
icon w
he Les P
r t
fo
ples of t
am
ex nameplate squeezed between the neck pickup and t
So why did Gibson chang model name, we hear you ask? Depending on what st (Lester William Polfus to his mum) either
ak
t t
didn’
ply pr
sim Les Paul model. Fair enough, but the wily
ma
ox
old f
his name r
ve
ha
. In t
ar
guit then wife and singing partner, Mary Ford, had dec
hat Les, r
has it t be entitled to a share of any money
endar
1 t
96
aul r
he SG ha
he fi
nge
y you believ
or
he SG’
o t
e t
d t
re
er
ef
ve
y ha
emov
he ear
ided t
ealising how Mar
y big broth
his futur
o be a r
e. That
ang
a Les P
ve
rboard.
e, Mr Les P
adical design or
s r
he sound of his or
had anot
ed from t
0s Les and his
96
ly 1
o separ
ll only a baby com
sti
’s
hough it
lt
he
, t
er
e rock ’n’ roll eplacement
why ear
’s
aul
he guit
e t
aul
iginal
eason t
her r
he new
end
ate. Leg
y woul
par
he made, r contr Gibson switched to the SG (solid guit th
ly
new ax ha If you play an SG you’re in very good com
’s
ar
Harrison used a cherry-fi nish model on t Ro wouldn’t be seen dead without his SG S Clapton brandished an eye­catching psychedelic SG in the
o
ear th Yo ev Can you imagine Angus
d
pla guit
Of course, we’d all love to get our hands on the £4,000 custom shop Gibson Iommi model, but this Epiphone will keep us well happy until then. You really have to try this superb guitar for yourself. It’s a little devil…
FOR: Looks awesome; sounds great; plenty
of rock vibe
AGAINST: Not everyone will dig its gorgeous
gothic looks
ic
nde
he r
s
ter
se,
re
est
ar
✮✮✮✮✮
d,
, as
ists
e
,
TG RATING:
o sign a new
efused t
h Gibson. U
it
t w
ac
ar) model name and t
y,
sa
ey
Even if old Lester didn’t dig his
e, plenty of ot
allen f
f
ve
pany
he band’
bbie Kr
ta
ly day
e SG is also behind Angus
s a
ung’
lassic A
y c
er
ng any ot
yi
ar? It
y.
or
is hist
or its obv
96
he 1
. In t
s Rubb
er of The Door
ieg
ndard and Er
eam. Of cour
s of Cr
some t
we
C/DC r
her sty
hink
unt
’s
her guit
ious charms.
0s, Beatle Georg
er Soul album
one on
ecord.
le of
able.
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