This product must be grounded. If it should malfunction or break down, grounding provides a path of
least resistance for electric current to reduce the risk of electric shock. This product is equipped with a
cord having an equipment-grounding conductor and a grounding plug. The plug must be plugged into an
appropriate outlet that is properly installed and grounded in accordance with all local codes and ordinances.
DANGER: Improper connection of the equipment-grounding conductor can result in the risk of electric
shock. Check with a qualified electrician or service personnel if you are in doubt as to whether the
product is properly grounded. Do not modify the plug provided with this product — if it will not fit the
outlet, have a proper outlet installed by a qualified electrician.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION : TO REDUCE THE DANGER OF ELECTRIC SHOCK
DO NOT REMOVE COVER (OR BACK)
NO USER SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL
This symbol is intended to alert the user to the
presence of uninsulated "dangerous voltage"
within the product's enclosure that may be of
sufficient magnitude to constitute a risk of electronic shock to persons.
This symbol is intended to alert the user to the
presence of important operating and maintenance (servicing) instructions in the literature
accompanying the appliance.
SEE IMPORTANT SAFETY INSTRUCTIONS ON BACK COVER!
"INSTRUCTIONS PERTAINING TO A RISK OF FIRE,
ELECTRIC SHOCK, OR INJURY TO PERSONS"
IMPORTANT SAFETY INSTRUCTIONS
WARNING—When using electric pr oducts, basic precautions should always be followed, including
the following:
1.Read all the instructions before using the product.
2.Do not use this product near water - for example, near a bathtub, washbowl, kitchen sink, in a wet
basement, or near a swimming pool, or the like.
3.This product should be used only with a cart or stand that is recommended by the manufacturer.
4.This product, either alone or in combination with an amplifier and headphones or speakers, may be
capable of producing sound levels that could cause permanent hearing loss. Do not operate for a
long period of time at a high volume level or at a level that is uncomfortable. If you experience any
hearing loss or ringing in the ears, you should consult an audiologist.
5 .The product should be located so that its location or position does not interfere with its proper
ventilation.
6 .The product should be located away from heat sources such as radiators, heat registers, or other
products that produce heat.
7 .The product should be connected to a power s upply only of the type described in the operating
instructions or as marked on the product.
8.This product may be equipped with a polarized line plug (one blade wider than the other). This is a
safety featu r e . If you are unable to insert the plug into the outlet, contact an electrician to replace
your obsolete outlet. Do not defeat the safety purpose of the plug.
9.The power supply cord of the product should be unplugged from the outlet when left unused for a
long period of time.
10. Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through
openings.
11. The product should be serviced by qualified service personnel when:
a. The power supply cord or the plug has been damaged; or
b. Objects have fallen, or liquid has been spilled into the product; or
c. The product has been exposed to rain; or
d. The product does not appear to operate normally or exhibits a marked change in performance;
or
e. The product has been dropped, or the enclosure damaged.
12 . Do not attempt to service the product beyond that described in the user-maintenance instructions.
All other servicing should be referred to qualified service personnel.
Explore the ZR-76 Sounds.............................................................................................................................................................................................................................2
Jam with the ZR-76 Drum Machine.............................................................................................................................................................................................................5
The Inspiration Catcher.....................................................................................................................................................................................................................................7
Listening to The ZR-61 and ZR-76 Demos .............................................................................................................................................................................................9
Playing Standard MIDI Files ..........................................................................................................................................................................................................................10
The ZR-61 and ZR-76 Onscreen Help.................................................................................................................................................................................................. 11
Conceptual Overview of the ZR-61 and ZR-76..................................................................................................................................................................................12
ZR-61 and ZR-76 Controls ........................................................................................................................................................................................................................16
ZR-61 and ZR-76 Accessories .................................................................................................................................................................................................................17
Available Options for Your ZR-61 or ZR-76........................................................................................................................................................................................18
If You Experience Odd Behavior................................................................................................................................................................................................................18
Need More Help?...........................................................................................................................................................................................................................................19
What Connections Need to be Made? .......................................................................................................................................................................................... 21
Making MIDI Connections............................................................................................................................................................................................................................21
Using the ZR-76 as a Stand-Alone Studio ....................................................................................................................................................................................22
Using the ZR-76 as the Center of a MIDI Studio.........................................................................................................................................................................22
Using the ZR-76 with a Computer.................................................................................................................................................................................................. 23
Using the ZR-76 with an Audio Recorder ....................................................................................................................................................................................23
Using the ZR-76 with an Alternate Controller.............................................................................................................................................................................24
Using the ZR-76 with a MIDI Patchbay.......................................................................................................................................................................................... 25
Making Audio Connections.......................................................................................................................................................................................................................... 25
Making the Power Connection...................................................................................................................................................................................................................27
How the ZR-76 Remembers System Settings ............................................................................................................................................................................29
General System Editing Techniques.......................................................................................................................................................................................................... 29
The System Groupings.......................................................................................................................................................................................................................29
Setting Your System Preferences............................................................................................................................................................................................................... 31
Adjusting the KeyboardÕs Response to Velocity.......................................................................................................................................................................... 31
Adjusting the KeyboardÕs Response to Pressure.........................................................................................................................................................................32
Using the ZRÕs Four Outputs.............................................................................................................................................................................................................33
Routing Sounds to Specific Outputs ................................................................................................................................................................................................33
Determining the Behavior of the Aux Outs...................................................................................................................................................................................35
Enabling or Disabling Automatic Effect Routing ...........................................................................................................................................................................36
Protecting Track Settings in the 16 Track Recorder.................................................................................................................................................................. 38
Protecting the ZR-76Õs Memory.....................................................................................................................................................................................................39
The 16 Track Recorder Rewind Sound.........................................................................................................................................................................................40
Editing Global Pitch Settings .........................................................................................................................................................................................................................41
Using the Global Pitch Bend Settings .............................................................................................................................................................................................. 41
Global Pitch Bend Up and Down......................................................................................................................................................................................................41
Setting the Global Pitch Bend Mode ...............................................................................................................................................................................................43
Fine Tuning the ZR-76 ....................................................................................................................................................................................................................... 44
Using Pitch Tables.................................................................................................................................................................................................................................45
Setting Up Foot Switches............................................................................................................................................................................................................................... 46
Using Foot Switches.............................................................................................................................................................................................................................. 46
Using a CV Pedal as a Modulator.....................................................................................................................................................................................................49
Synchronizing the ZR-76 to MIDI ...................................................................................................................................................................................................52
Synchronizing Other MIDI Devices to Your ZR-76..................................................................................................................................................................53
Setting the Global Reception of MIDI Bank Selects and Program Changes........................................................................................................................54
Responding to MIDI.............................................................................................................................................................................................................................. 54
Receiving Reset All Controllers MIDI Messages.......................................................................................................................................................................... 55
Setting the Response to All Notes Off MIDI Messages..............................................................................................................................................................55
Using SysEx Device IDs....................................................................................................................................................................................................................... 56
Setting Up New Real-Time Controllers..........................................................................................................................................................................................57
Using the ZR-76 with General MIDI ...............................................................................................................................................................................................58
The SoundFinder Favorites Buttons ................................................................................................................................................................................................62
How to Find Sounds.............................................................................................................................................................................................................................. 64
How SoundFinder Works...................................................................................................................................................................................................................65
Transposing the ZRÕs Keyboard In SoundFinder..................................................................................................................................................................................67
General Sound-Editing Techniques........................................................................................................................................................................................................... 69
Working with the SoundFinder Parameters............................................................................................................................................................................................71
Using Special Pitch Tables..................................................................................................................................................................................................................76
Editing ZR-76 Drum and Percussion Kits................................................................................................................................................................................................88
Working with Special Drum/Percussion Kit Parameters.....................................................................................................................................................................91
Changing a Drum KeyÕs Sound ........................................................................................................................................................................................................92
Splitting the ZR-76 Keyboard .....................................................................................................................................................................................................................98
To Save a Split and/or Layer as a Preset.......................................................................................................................................................................... 103
To Select a Preset ................................................................................................................................................................................................................... 104
To Edit a Preset ........................................................................................................................................................................................................................ 105
To Save a Split and/or Layer as a Split/Layer Single Sound ......................................................................................................................................106
Moving a Sound to the 16 Track Recorder........................................................................................................................................................................................ 108
Transmitting MIDI from the ZR-76............................................................................................................................................................................................. 109
Using the ZR as a Master Controller for External Sequencing ................................................................................................................................. 111
Receiving MIDI on the ZR-76....................................................................................................................................................................................................... 112
Using RPNs and NRPNs to Edit Parameters ....................................................................................................................................................................................... 113
Playing the Drum Machine....................................................................................................................................................................................................................... 116
The ZR-76 Rhythms....................................................................................................................................................................................................................... 116
Setting the Rhythm Tempo...................................................................................................................................................................................................................... 120
General Drum Machine Editing Techniques ...................................................................................................................................................................................... 121
Selecting a New Drum Kit for a Rhythm ............................................................................................................................................................................................... 123
Changing a RhythmÕs Loudness............................................................................................................................................................................................................. 124
Learning a RhythmÕs Time Signature and Length .............................................................................................................................................................................124
Editing the Sounds Within a RhythmÕs Kit.............................................................................................................................................................................................125
Drum Kits and Zones....................................................................................................................................................................................................................... 125
The RthmEditKit....................................................................................................................................................................................................................... 126
Arranging Your Own Variations and Fills............................................................................................................................................................................................. 134
Saving Your Rhythms ................................................................................................................................................................................................................................138
Sending a Rhythm to the 16 Track Recorder.....................................................................................................................................................................................140
Using MIDI to Play the Drum Machine .................................................................................................................................................................................................143
The Inspiration Catcher.............................................................................................................................................................................................................................. 145
How the Idea Pad Works .......................................................................................................................................................................................................................... 146
Customizing the Idea Pad .........................................................................................................................................................................................................................148
Using the Idea Pad with the 16 Track Recorder................................................................................................................................................................................ 151
Erasing Ideas from the Idea Pad .............................................................................................................................................................................................................. 155
How the ZR-76 Records Your Music ........................................................................................................................................................................................ 158
Song Playlists and Songs .................................................................................................................................................................................................................160
Understanding the Recording LEDs............................................................................................................................................................................................ 161
Introducing the 16 Track Recorder....................................................................................................................................................................................................... 162
Selecting Sounds for Tracks........................................................................................................................................................................................................... 164
Recording Your First Track............................................................................................................................................................................................................ 165
Overdubbing on a Track ................................................................................................................................................................................................................ 168
Track Tools and Techniques................................................................................................................................................................................................................... 169
Changing the Sound on a Track and Assigning a Sound to a New Track....................................................................................................................... 169
Scooping Notes From a Track...................................................................................................................................................................................................... 170
The Fast Forward Button ................................................................................................................................................................................................................ 172
The Fast Forward Button ................................................................................................................................................................................................................ 173
The Fast Forward Button ................................................................................................................................................................................................................ 173
The Rewind Button........................................................................................................................................................................................................................... 175
Jumping to Any Location in a Sequence ....................................................................................................................................................................................176
Punching In on a Track .................................................................................................................................................................................................................... 177
Step Recording in the 16 Track Recorder ................................................................................................................................................................................178
Erasing a Track................................................................................................................................................................................................................................... 186
Using a Quantization Template.....................................................................................................................................................................................................197
Using Normal Quantization ........................................................................................................................................................................................................... 200
Using Delta Quantization ................................................................................................................................................................................................................205
Making Your Own Quantization Template.............................................................................................................................................................................. 206
Working with the Rhythm Track ............................................................................................................................................................................................................207
Rhythm Track: Two Tracks in One............................................................................................................................................................................................. 208
Putting a Rhythm on the Rhythm Track..................................................................................................................................................................................... 208
Playing a Drum Machine Rhythm in the 16 Track Recorder.............................................................................................................................................. 209
Recording Variation and Fill Selections .......................................................................................................................................................................................210
Recording Your Own Drum or Percussion Notes.................................................................................................................................................................. 211
Transmitting the Rhythm Track Into an External Sequencer............................................................................................................................................... 214
Sequence Tools and Techniques........................................................................................................................................................................................................... 216
Selecting a Sequence....................................................................................................................................................................................................................... 216
Sequence Parameters and Values ............................................................................................................................................................................................... 217
Using Regions .................................................................................................................................................................................................................................... 225
Copying a Sequence........................................................................................................................................................................................................................229
Erasing a Sequence........................................................................................................................................................................................................................... 232
Renaming a Sequence..................................................................................................................................................................................................................... 234
Recording Automated Sequence Tempo Changes............................................................................................................................................................... 235
Song Tools and Techniques .................................................................................................................................................................................................................... 237
Creating a New Song....................................................................................................................................................................................................................... 237
Creating a Song Playlist ................................................................................................................................................................................................................... 237
55
77
ENSONIQ ZR-76 Musician's Manualiii
Table of Contents
Playing a Song .................................................................................................................................................................................................................................... 239
Renaming a Song .............................................................................................................................................................................................................................. 240
Editing an Existing Song Playlist..................................................................................................................................................................................................... 242
Selecting Another Song................................................................................................................................................................................................................... 242
Erasing a Song Playlist or an Entire Song.................................................................................................................................................................................... 246
Working with Standard MIDI Files (SMFs)...........................................................................................................................................................................................248
The Two-Step Process of Converting an SMF into a ZR Sequence................................................................................................................................. 249
Transmitting MIDI from 16 Track Recorder ............................................................................................................................................................................252
Receiving MIDI on the ZR-76....................................................................................................................................................................................................... 254
Recording Into the 16 Track Recorder From MIDI.......................................................................................................................................................................... 256
Using the ZR-76 with a Computer Sequencer.................................................................................................................................................................................. 260
ZR to Computer to ZR .................................................................................................................................................................................................................... 260
The Transportability of ZR-76 Sequences ............................................................................................................................................................................... 261
Using the ZR as a Master Controller for External Sequencing............................................................................................................................................ 261
Mixing Your ZR-76 Music ...................................................................................................................................................................................................................... 263
Two Mixers In One .................................................................................................................................................................................................................................... 264
Mixing with the SoundFinder FX/Mixdown Strip ............................................................................................................................................................................. 264
Mixing with the 16 Track Recorder FX/Mixdown Strip................................................................................................................................................................. 268
Recording Real-Time Mix and Pan Changes in a Sequence ...............................................................................................................................................269
Recording Volume Changes for Multiple Tracks ................................................................................................................................................................... 270
Working with the Mix Knob..................................................................................................................................................................................................................... 271
Working with the Pan Knob...................................................................................................................................................................................................................... 273
Understanding How the ZR-76 Effects Work ................................................................................................................................................................................... 275
The ZR-76 Effects ............................................................................................................................................................................................................................ 275
Understanding the Special Alt. FX Bus ....................................................................................................................................................................................... 277
Effects, Sounds, Sequences and Songs ...................................................................................................................................................................................... 277
A Diagram of the ZR-76 Effects .............................................................................................................................................................................................................278
Applying an Effect to a Sound or Track ................................................................................................................................................................................................278
Assigning a SoundFinder Sound to an Effect.............................................................................................................................................................................278
Assigning a Split or Layer Sound to an Effect............................................................................................................................................................................ 279
Assigning a 16 Track Recorder Track to an Effect................................................................................................................................................................. 280
Working with the Insert Effect.................................................................................................................................................................................................................. 281
Selecting an Insert Effect.................................................................................................................................................................................................................. 285
General Technique for Editing an Insert Effect .........................................................................................................................................................................286
Working with the Global Chorus............................................................................................................................................................................................................ 295
General Technique for Editing the Global Chorus.................................................................................................................................................................. 295
Working with the Global Reverb ............................................................................................................................................................................................................ 301
General Technique for Editing the Global Reverb.................................................................................................................................................................. 301
Working with Dry Sounds and Tracks.................................................................................................................................................................................................. 309
Bypassing the ZR-76 Effects ................................................................................................................................................................................................................... 310
Muting and Soloing Tracks in the 16 Track Recorder.....................................................................................................................................................................312
Introducing The Librarian ............................................................................................................................................................................................................... 314
Working with Floppy Disks ...................................................................................................................................................................................................................... 323
About the ZR-76 Disk Drive......................................................................................................................................................................................................... 323
Saving Files to Floppy Disk .............................................................................................................................................................................................................324
Loading Files from Floppy Disk..................................................................................................................................................................................................... 335
Loading and Using Samples In the ZR-76........................................................................................................................................................................................... 346
Disk File Management ............................................................................................................................................................................................................................... 351
Using EXP and MR-FLASH Expansion Boards.................................................................................................................................................................................. 357
Installing And Removing Expansion Boards In The ZR-76............................................................................................................................................................ 358
Updating the ZR-76 Operating System .............................................................................................................................................................................................. 360
List of ZR-76 Insert Effects ....................................................................................................................................................................................................................... 366
List of Insert Effect Modulators ................................................................................................................................................................................................................ 366
System Editor Parameters ........................................................................................................................................................................................................................ 429
List of Wave Names and Classes............................................................................................................................................................................................................ 433
List of Rhythm Pattern Files....................................................................................................................................................................................................................... 439
EXP-4: The Perfect Piano™ by William Coakley.............................................................................................................................................................................. 440
The Perfect Piano™ Waves .......................................................................................................................................................................................................... 440
The Perfect Piano™ Sounds.......................................................................................................................................................................................................... 440
Built-In ROM Presets.................................................................................................................................................................................................................................. 442
Velocity Response Curves in the ZR-76............................................................................................................................................................................................. 442
What Is MIDI?............................................................................................................................................................................................................................................... 443
What Is General MIDI?............................................................................................................................................................................................................................... 445
General MIDI Sound Map ........................................................................................................................................................................................................................ 447
GM and GS Percussion Key Maps (Channel 10)............................................................................................................................................................................. 448
Registered and Non-Registered Parameters (RPN/NRPN) .......................................................................................................................................................... 455
List of ROM System Pitch Tables ........................................................................................................................................................................................................... 457
Using the ZR-76 Outputs ........................................................................................................................................................................................................................ 459
A Note about Stereo Foot Switches....................................................................................................................................................................................................... 460
A Note about Mono Foot Switches........................................................................................................................................................................................................ 460
Global Error Message ................................................................................................................................................................................................................................ 468
These provide instant
access to your favorite
sounds. See Chapter 4.
rr
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This module controls the
volume and pan settings,
and accesses the effects
settings. See Chapter 8.
nn
Strings B ra ssSaxVocals Synth
nn
This module provides control
over each sequence.
SoundFinder Favorites
1
23
Piano E . Piano Organ Keys Guitar B as s
7
9
8
5
4
101112
Pad
Synth
Lead
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See Chapter 7.
6
rr
Chapter 1ÑWelcome
Congratulations on the purchase of your new ZR-76, and thank you for choosing ENSONIQ, the leader in
workstation design since the 1987 introduction of the first affordable workstation, the ESQ-1. The ZR-76 is
an exciting, third-generation product. Based on the popular MR-76, the ZR-76 takes the concept of a song
composition workstation to the next step.
The ZR-76 offers a comprehensive array of tools for the composer and performer: terrific CD-quality 44kHz
soundsÑincluding The Perfect Pianoª by William CoakleyÑcrystal-clear 18-bit effects, a full-featured 16
Track Recorder, a powerful FX/Mixdown facility, a built-in Drum Machine for jamming, and ENSONIQÕs
revolutionary Idea Padª, a brand-new way to capture inspiration as it strikes. The ZR-76 also features the
latest advances in ENSONIQÕs SoundFinderª technology, as well as onscreen Help. These features, and
more, will be discussed in the overview later in this chapter.
The first thing youÕd probably like to do is check out some of your ZRÕs exciting features.
The simplest way to listen to the ZR-76 is by using stereo headphones. Push the ZRÕs Master Volume slider
all the way down and plug your headphones into the rear-panel Phones jack. The Phones jack output
works with both low and high impedance headphones. Make sure you set the Master Volume slider
carefullyÑhigh-output volume levels could damage your hearing. Play some keys on the keyboard, and
carefully move the Master Volume slider up to a comfortable listening level.
You may also listen using the rear-panel Main Left and Main Right outputs (or the Main Left output only if
you want to listen in mono). If youÕre connecting your ZR-76 to a mixer, lower the mixerÕs input trims and
faders all the way. Move the ZRÕs Master Volume slider all the way up, and then adjust the input trims and
faders on your mixer to set the volume to an appropriate level.
If youÕd like to run the ZRÕs Main outputs through your home stereo, bear in mind that your ZR-76 is
capable of producing a far greater dynamic range than what your system may be used to, and so, a little
care is required. Set the ZRÕs Master Volume slider about halfway up, and operate your stereo at
conservative levels to be on the safe side.
ThereÕs a more detailed description of how to connect the ZR-76 and set appropriate volume levels in
Chapter 2 of the ZR-76 Musician's ManualÑThe ZR-76 Studio.
CCCC hhhh aaaa pppp tttt eeee rrrr 1111
WW eeee llll cccc oooo mmmm eeee
WW
PPPPoooowwwweeeerrrriiiinnnngggg UUUUpp
Once youÕve got a listening method established, you can power up your ZR-76.
In the center of the ZR-76Õs front panel, underneath its display, youÕll find the two rows of SoundFinder
Favorites buttons. These buttons provide instant access to the best of the ZR-76Õs sounds.
Under each Favorites button is a description of the sound that will be selected when you press the button.
1. Press any of the Favorites buttonsÑthe sound assigned to the button will be selected and shown in the
ZRÕs display. For example, if you press the Strings Favorites button, youÕll see:
ss
SoundROM005:040STRGSECT:DynMarcato
ss
i
The name of the sound youÕve just selected
2. Play the ZRÕs keyboard to enjoy this sound.
3. Press the other Favorites buttons and play the keyboard to hear to the sounds they select.
TTTTiiiipppp:::: You can select six additional favorites by holding down an upper button and pressing
the button just beneath it, or vice versa.
You can actually assign any sound you like to any of Favorites button, or upper/lower pair of buttons. To
learn more about the Favorites buttons, see Chapter 4ÑSoundFinder.
SoundFinderª sorts the ZRÕs many onboard sounds into useful categories, so that finding them is a snap!
SoundFinder also allows you to locate sounds by typing their names on the keyboard.
SoundFinder will be described more fully in the conceptual overview later in this chapter, and in full detail
in Chapter 4ÑSoundFinder. You can find a complete list of the ZR-76 sounds in Chapter 13ÑSupplementalInformation.
1. Locate the SoundFinder section on the ZRÕs front panel.
2. Press the Select Sound buttonÑits LED lights and the main SoundFinder display appears:
SoundROM004:000PIANO-A:PerfectPno
yy
i
The sound you see displayed may be different
3. Play the keyboard to hear the selected sound.
4. Turn the left-hand Sound/Rhythm Type knob clockwise and counter-clockwise on the ZRÕs front panel.
As you turn the knob, different sound categories appear in the lower left corner of the display.
SoundROM005:077SAX-SOLO:BreathySopr
i
The currently selected sound type
5. Find a sound type category that interests you.
6. Turn the Sound/Rhythm Name knob in either direction to choose a sound of the selected type.
ENSONIQ ZR-76 Musician's Manual33
Chapter 1ÑWelcome
Sound names appear on the lower right-hand portion of the display.
7. Play some music on the keyboard to hear the sound youÕve selected.
8. To select other sounds, use the same method: turn the Sound/Rhythm Name knob to locate the type of
sound you want to hear, and the Sound/Rhythm Name knob to pick an individual sound.
Working with the ZR-76 sounds, and with SoundFinder, is described fully in Chapter 4ÑSoundFinder.
1. Locate the SoundFinder section on the ZRÕs front panel.
2. Press the Select Sound button, and hold it down.
Each white key on the ZRÕs keyboard from the C two octaves below Middle C to the B nearly three
octaves above has been assigned a number or letter, printed on the ZR just above the key. The G# in
each octave types a blank space.
ee
NNNNooootttteeee:::: The keys outside of the range shown above are not used for the selection of sounds.
3. While continuing to hold the Select sound button down, use the keyboard to type the beginning of the
name of the sound youÕre looking for.
By watching the ZRÕs display, youÕll see SoundFinder continually narrowing the search as you type
each letter. Sometimes just the first few letters are enough to identify a sound if no other sound shares
those letters.
SoundRAM:004:013ALL-SND:RealEl.Pno
i
The name of each sound you find is shown here
ENSONIQ ZR-76 Musician's Manual4
Chapter 1ÑWelcome
If you can only recall the beginning of a soundÕs name, and SoundFinder locates more than one sound
matching what youÕve typed, it will display the alphabetically first sound. To access the other matches,
turn the Sound Name knob clockwise.
1. Locate the Drum Machine on the ZR's front panel.
ee
nn
2. Press the Select Rhythm buttonÑits LED lights up.
The main Drum Machine display appears:
RhythmVAR1™:106ALL-RTHM:PopSoul1
i
The rhythm you see displayed may be different
3. Press the Drum MachineÕs Start/Stop button to hear the selected rhythm. The Start/Stop LED lights,
and the Drum Machine begins to play.
Each rhythm has eight variationsÑlooped patterns that play over and overÑand eight drum fills.
ENSONIQ ZR-76 Musician's Manual5
Chapter 1ÑWelcome
4. Without stopping the Drum Machine, press the Variation Fill button until the LED under the word
ÒVariationÓ lights. When this LED is lit, each time you press a Variations/Fills button, youÕll be
selecting one of the rhythmÕs variations.
5. Try pressing each of the Variations/Fills buttons to hear how the rhythm changes.
6. Press the Variation Fill button until the LED under the word ÒFillÓ lights. When this LED is lit, each
time you press a Variations/Fills button, youÕll be selecting one of the rhythmÕs fills.
7. Press each of the Variations/Fills buttons to hear the rhythmÕs fills . After each fill plays, the Drum
Machine returns to the last-selected variation..
Play along with the rhythm by playing on the keyboardÑthe currently selected SoundFinder sound will
be heard. Feel free to use SoundFinder to select other sounds while the Drum Machine plays.
8. Press the Drum Machine Start/Stop button to stop the Drum Machine. The Start/Stop LED goes out,
and the Drum Machine stops playing.
Certainly one of the most truly exciting innovations in the ZR-76 is the Idea Pad, an ingenious recorder
thatÕs always recording, capturing everything you play. No more grasping at evaporating flashes of
brillianceÑthe Idea Pad catches every one.
1. If youÕve just listened to an idea, the display will show:
RecallYourIdeas:Idea=3of9
dd
ii
The currently selected ideaThe number of ideas in the Idea Pad
If you havenÕt been listening to the Idea Pad, press Recall Idea.
Each idea is assigned a number as itÕs recorded. The higher the number, the more recent the idea is.
You can use the up/down arrow buttons...
...or the Parameter knob to select the idea youÕd like to hear.
If the Idea PadÕs Auto-Play parameter is set to On, selecting an idea with the up or down button will
cause it to automatically begin playing (Chapter 6 describes all of the Idea Pad settings).
2. Use the up/down arrow buttons or the Parameter knob to select an idea.
3. If youÕve selected an idea with the Parameter knob, press the Idea Pad Start/Stop button to begin
playback of the idea.
4. Press the Idea Pad Start/Stop button to end playback of the selected idea.
The Idea Pad is described in detail in Chapter 6ÑThe Idea Pad.
Your ZR-76 comes with a collection of built-in demonstration songs that will give you an idea of how great
it sounds. These demos are easily accessed by pressing the Demo button on the ZRÕs front panel.
The ZR-76 can import Standard MIDI Files (SMFs) created on a computer or some other musical device.
Loadable SMF files can be as large as 215k in size.
1. Insert a DOS-formatted HD or DD disk containing an SMF into the ZRÕs floppy disk drive.
2. Press the Load button.
After a few moments, the ÒLoad from Disk?Ó display will appear.
If your display doesnÕt show Ò1-MIDIFILEÓ in its lower left corner, turn the ZRÕs Parameter knob until it
does.
ee
ENSONIQ ZR-76 Musician's Manual10
Chapter 1ÑWelcome
3. If thereÕs more than one SMF on the floppy, you can turn the Value knob to select the desired file.
4. Press the Yes button.
5. Press the Yes buttonÑthe selected SMF will load into the lowest-numbered empty sequence location.
6. Press the 16 Track Recorder Play button to hear the imported SMF.
7. You can press the Stop button to end playback.
Chapter 7ÑRecording describes converting Standard MIDI Files into ZR sequences, changing its sounds,
adjusting its track settings and recording new tracks.
The ZR-76 offers special informational displays that explain the purposes of each front-panel button.
When youÕd like to learn what a particular button does, youÕll find the answer right in your ZR-76.
SoundFinder, as its name implies, is the place to go for ZR-76 sounds. The ZR-76 contains hundreds of
CD-quality sounds constructed from the many high-quality digital sound waves resident in the each ZR-
76. Typical sounds use up to 16 of these waves.
The ZR-76 also offers a special category of soundsÑdrum and percussion kitsÑwhich can have up to 64
standard sounds assigned to individual keys. Though these are most commonly drum and percussion
sounds, you can use any kind of sound youÕd like in a kit. Each drum or percussion kit key has its own
volume, pan, pitch and effect settings. The drum and percussion kits youÕll find in your ZR-76 were
programmed to work seamlessly with the ZR-76 Drum Machine.
All of the ZR-76 sounds can be customized to suit your needs using the extensive SoundFinder editing
options. In addition, if youÕve got a computer, you can use the supplied Unisyn editing software to build
your own ZR-76 sounds from scratch. Sounds can be saved to high-density and double-density floppy
disks using the ZRÕs disk drive.
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ENSONIQ ZR-76 Musician's Manual12
Chapter 1ÑWelcome
You can add new sounds to your ZR-76 by purchasing ENSONIQ ZRD Series Sound Disks. You may also
install ENSONIQ EXP Series Wave Expansion Boards, which provide completely new sound waves, and
sounds based on them. Additional sounds that take advantage of expansion board waves can be obtained
through the purchase of ENSONIQÕs EXD Series Disks.
In SoundFinder, you can use any sounds to easily create:
¥splitsÑwhere one sound is heard in the lower part of the keyboard and a different sound is heard in
the upper part
¥layersÑwhere two sounds are heard stacked on top of each other
¥combination split/layersÑwhere the lower part of the keyboard plays the split sound, and the upper
area contains two sounds layered on top of each other
Each of these combinations can be saved as a presetÑan ideal tool for performanceÑor as a single sound
that can be used for recording in the ZR-76.
SoundFinder is more than just an area on the front panel of your ZR-76. ItÕs an incredibly simple-to-use
method for finding the sounds you want. Computer users may be familiar with databases, which allow you
to view information in a manner of your choosing. SoundFinder operates in much the same way. Your ZR76 keeps a list of all the sounds available to it at any given time, and shows them to you in logical,
musically convenient categories called sound types.
Sound types show you sounds by instrument familyÑVOCALS or BELLS, for exampleÑor by a number of
other useful criteria, including the location in the ZR's memory where they reside. The ALL-SND category is
especially useful, since it shows all of the ZR's sounds arranged in alphabetical order. The *CUSTOM and
USER-SND categories can be used for storing your own sounds.
If you know the name of the sound youÕre looking for, you can hold down SoundFinderÕs Select Sound
button and spell the soundÕs name using the ZR's keyboard. Each key has been assigned a number or
letter, which is printed above the key. SoundFinder will retrieve the sound you want.
Any sound you select in SoundFinder can be sent to the ZRÕs 16 Track Recorder when it comes time to
develop one of your musical ideas.
The SoundFinder section also unlocks the ZRÕs power as a MIDI keyboard for performance. By setting a
SoundFinder sound, split and/or layer to transmit MIDI, your keyboard can be turned into a three-way
MIDI master controller.
Any sound in SoundFinder can also be selected via MIDI. The sounds are arranged inside the ZR-76 in
groupings called banks. Each bank corresponds to a MIDI Bank Select number, and each sound has its
own MIDI program change.
Sounds, SoundFinder and the customization of sounds are all discussed fully in Chapter 4ÑSoundFinder.
DDDDrrrruuuummmm MMMMaaaacccchhhhiiiinnnnee
The ZR-76 Drum Machine provides highly realistic rhythmic accompaniment for music-making in a wide
variety of styles. Simple to operate, yet packed with editing options, the Drum Machine is perfect for
playing along with in performance, for fun, or while searching for new song ideas.
To operate the Drum Machine, all you need to do is select a rhythm and hit the Start button. The Drum
Machine has its own version of SoundFinderÑcall it RhythmFinder, if you will. Rhythms are divided into
categories that can be selected with the Sound/Rhythm Type knob. The Sound/Rhythm Name knob
chooses individual rhythms from within the selected category. Additional rhythms are available on
ENSONIQÕs ZRD Series Sound Disks.
Each Drum Machine rhythm contains eight variations of the same musical style, as well as eight drum fills
for providing musical punctuation to your beats. Just about everything in a rhythm is customizable: you
can change the drum or percussion kit used by a rhythm, alter the sounds in the kit, or change what each
variation or fill plays. You can change a rhythmÕs tempo by tapping on the Drum MachineÕs Tempo button,
or by dialing it in manually. You can even swap musical phrases between one rhythm and another to
assemble your own rhythms, which can be stored in your ZRÕs memory, and on floppy disk for safekeeping.
You can also save a collection of rhythms to floppy as a rhythm bank. If youÕve got a PC-compatible
computer, you can make your own rhythms using the RhythmBuilder utility you can find at ENSONIQÕs
World Wide Web site at http://www.ensoniq.com.
You can send a Drum Machine rhythm to the 16 Track Recorder, for use as a rhythm track for your music.
The Drum Machine is discussed fully in Chapter 5ÑThe Drum Machine.
The ZR-76 presents ENSONIQÕs innovative Idea Pad. If youÕve ever had fleeting magic slip through your
fingers when your were unable to recreate something youÕve played, youÕll appreciate the Idea Pad.
The Idea Pad is a special recorder thatÕs always running, automatically capturing everything you play.
Since itÕs always active, you can be confident that everything youÕve just played is safely stashed in the
ZR's memory. To retrieve your ideas, simply press the Idea PadÕs Recall Idea and Start/Stop buttons, and
youÕll hear your latest musical discovery intact, just as it sounded the first time. The Idea Pad will have
caught your idea, the sound you used, and the rhythm you were playing along with if you were jamming
with the Drum Machine.
The Idea Pad is also the perfect place to stash those sudden inspirations that send you running for your
keyboard in the middle of the night or day. Simply turn your ZR-76 on, play your new idea on the
keyboard before it evaporates, and the Idea Pad will capture it for you, fresh from your musical
imagination. No more stopping to set tempos, pick tracks or wait for your computer to boot up: the Idea
Pad gets your thoughts down quickly, before that initial spark has a chance to fade.
If the Idea Pad captures something youÕd like to keep, you can send your ideaÑalong with any Drum
Machine rhythm you were usingÑover to the ZR's 16 Track Recorder for further work.
As you perfect tracks in the 16 Track Recorder, the Idea Pad keeps listening to you, capturing take after
take that you can retrieve and audition at will.
The Idea Pad is described more fully in Chapter 6ÑThe Idea Pad.
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The 16 Track Recorder is a digital MIDI sequencer adorned with powerful editing features that will help
you turn your inspirations into full-blown musical arrangements. In addition to standard recording
methods, the 16 Track Recorder offers such treats as looped ADD modeÑwhere the sequence plays over
and over and you can add music each time it cycles around. It includes handy scoop-erase functions. You
can record real-time volume and stereo panning changes on each of its 16 tracks. YouÕll also find several
useful methods for locating to various points within a sequence.
The ZRÕs Undo function allows you to restore any track to the state it was in before the last recording or
editing operation. And when youÕre working with the 16 Track Recorder, the Idea Pad keeps on going,
recording everything you do. As you refine your music take after take, the Idea Pad catches each one and
holds onto it for youÑwith the Idea Pad running, thereÕs no such thing as going a few takes too far. You
can always move an earlier take out of the Idea Pad and right back into the 16 Track Recorder.
The 16 Track Recorder can play Drum Machine rhythms on a special rhythm track. You can record Drum
Machine performancesÑyour inspired selection of variations and fillsÑon this track. You can even record
additional drum notes right on top of the rhythm. The tempo of any sequence can be tapped out or set
manually.
The 16 Track Recorder records each section of musicÑeach sequenceÑas a Standard MIDI file. When
youÕve finished taking advantage of the ZRÕs extensive recording track editing tools, you can save each
sequence to floppy disk and move over to your computer for further work in your favorite software
sequencer. Your computer can send MIDI back to your ZR-76, so that you can continue to use its sounds
and rhythms without missing a beat.
Your ZR-76 loads Standard MIDI Files (SMFs) from DOS-formatted floppies. The 16 Track Recorder can
immediately play SMFs created on a computer or other musical device. SMFs can also be easily converted
to ZR sequences, so that you can customize them to your needs or add new tracks recorded on your ZR-
76.
16 Track Recorder sequences can also be used as set-ups for live performance. By assigning the sounds
you use in a particular song to different tracks in the same sequence, you can use the sequence as a kind
of super-preset containing everything you need for that song. You can set up a whole setÕs worth of sounds
in this manner by creating a sequence for each song youÕll be playing, and saving the whole set as an ZR76 song.
The 16 Track Recorder is described more fully in Chapter 7ÑRecording.
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The Song Editor is the command center for ZR-76 recording operations, providing total control over each
song, from its reference metronome to the manner in which the 16 Track Recorder records, to the lengths
and names of the songÕs component sections . The Song EditorÕs playlist function lets you line up your
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ENSONIQ ZR-76 Musician's Manual14
Chapter 1ÑWelcome
sections in the order youÕd like them to be heard, regardless of the order in which they were recorded.
When youÕre done experimenting with different structures, youÕll have created a new song.
Chapter 7ÑRecording details the workings of the Song Editor.
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The ZR's FX/Mixdown facility allows you to add the final polish to your sounds, sequences and songs with
its comprehensive volume and stereo panning controls, and by providing access to the ZR's powerful 24-bit
effects (or FX). Each sound and sequence can take advantage of three types of effects:
¥the insert effectÑeach sound in SoundFinder or sequence in the 16 Track Recorder can have one of
these exceptional effects; sounds in the 16 Track Recorder use the sequenceÕs insert effect
¥a Global ChorusÑeach song has its own high-quality digital chorus effect that can be used by
SoundFinder sounds, or by 16 Track Recorder sounds
¥a Global ReverbÑeach song has its own high-quality digital reverb effect that can be used by
SoundFinder sounds, or by 16 Track Recorder sounds
¥dryÑmany of the ZR-76 sounds sound terrific without any effect at all
The effects are applied by sending each sound or 16 Track Recorder track to an effect bus, or FX Bus.
There are six effect busses:
¥the Insert FX Bus
¥the Chorus FX Bus
¥the LightReverb FX Bus
¥the MediumReverb FX Bus
¥the WetReverb
¥ the Dry FX Bus (sounds using this bus are un-effected)
Each FX bus has its own settings that determine how it will use the effect (or effects) it can access, as well
as which rear-panel outputs it will ultimately utilize.
The ZRÕs FX/Mixdown section also provides muting and soloing options for isolating individual tracks or
groups of tracks in the 16 Track Recorder.
Chapter 8ÑFX/Mixdown provides a complete description of the ZRÕs FX/Mixdown facility and the ZR-76
effects.
The ZRÕs memory is divided into two general categories:
¥ROM for ÒRead Only MemoryÓÑpermanent, un-erasable memory that holds sounds, rhythms and
presets created by ENSONIQ
¥INT for ÒInternalÓÑwritable memory that you can use to store your own sounds, rhythms, presets,
sequences and songs
The INT memory itself contains two different types of memory:
¥FLASHÑmemory which remains in your ZR-76 even when you power off. In addition to holding all of
your system-wide settings, FLASH makes an ideal place to store sounds, rhythms and presets that
youÕll always want to have on hand as creation and performance tools.
¥RAMÑshort for ÒDRAMÓÑan area of memory useful for holding items that youÕll only need for a
particular work session. When you turn your ZR-76 off, RAM memory is cleared of its contents. The
Idea Pad and the 16 Track Recorder share this type of memory with RAM sound and rhythm banks.
The ZRÕs librarian allows you to perform a number of memory management tasks that allow you to get the
most out of your ZR-76. Using the librarian, you can, among other things, configure your INT memory to
suit your purposes, keep track of your FLASH and RAM memory usage and initiate various kinds of MIDI
System Exclusive data transmissions.
Your ZR-76 has a built-in high-density floppy disk drive (it can also read double-density disks) so you can
save your work to floppy disks. Sounds, rhythms, presets, sequences and songs can be easily saved to
disk.
As a convenience, the ZR-76 Save LED will flash when youÕve got a sound, preset, rhythm or sequence in
RAM that hasnÕt yet been stored on a floppy disk for safekeeping.
ENSONIQ ZR-76 Musician's Manual15
ee
Chapter 1ÑWelcome
If youÕve got a computer, and would like to use your favorite sequencing program to further develop your
sequences, you can pop your ZR-76 floppy into your computerÕs drive and load in your ZR-76 music. Any
computer that can read a DOS-formatted diskÑand that includes just about every recent type of
computerÑcan read the Standard MIDI files on an ZR-76 floppy.
The ZR-76 memory and floppy disk operations are described in Chapter 9ÑMemory and Storage.
The ZR-76 can be expanded with the addition of ENSONIQ EXP Series Wave Expansion Boards and an
MR-FLASH board. The EXP boards provide a wealth of new sound waves and new sounds, while an MRFLASH board adds the ability to load AIF and .wav samples into your ZR. Expansion boards are mounted
inside the ZR's caseÑyou can easily install them yourself! You can also purchase ENSONIQ EXD Series
floppy disks, which contain additional sounds based on expansion board sound waves.
Your ZR-76 already contains one EXP board: EXP-4, The Perfect Pianoª by William Coakley. As its name
implies, this board adds to the ZRÕs built-in sound waves a top-quality set of Steinway D piano waves, as
well as waves sampled from a pair of electric pianos.
For more details about expanding the ZR-76, see Chapter 10ÑExpanding the ZR-76.
The ZR's display has been designed to provide you with all the information youÕll need as you use your ZR-
76. The display will change as you perform different tasks, since what youÕll need to know at any given
time will vary depending on what youÕre doing. The ZR-76 MusicianÕs Manual describes how the display
functions as you use each of the ZRÕs many features.
Many of the ZRÕs begin with turning the two large knobs located under the ZRÕs display.
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When you select sounds, rhythms or presets, the left knob functions as Sound/Rhythm Type selector,
while the right knob chooses individual sounds, rhythms and presets of the selected type.
Your ZR-76 provides many editing options. Each of these options is called a parameter. ItÕs setting is called
its value. When editing, the left knob chooses parameters and the right knob edits their values.
The up/down arrows to the right of the Sound/Rhythm Name-Value knob perform the same functions as
the knob, except as noted during the manual.
Many of the operations you can perform in your ZR-76 are offered as questions posed on the ZRÕs display.
Whenever you see a question, youÕll also find that the red LED in the Exit/No button and the green LED in
the Enter/Yes button are flashing.
The flashing LEDs underscore that an answer to the displayed message is required in order to proceed
with, or cancel, the current procedure. Press the Enter/Yes or Exit/No buttons to answer the displayed
question.
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When using MIDI equipment, there are occasions when your system may get confused. This can cause a
barrage of notes to sound which will continue until you do something to stop them. The ZR-76 provides an
All Notes Off button, which you can double-click (press two times quickly) to silence these unwanted notes.
You'll find it in the upper left area of the ZRÕs front panel (itÕs also the Demo button). Think of the All Notes
Off button as a Òpanic button.Ó
If your ZR-76 is behaving peculiarlyÑfor instance, the display is showing characters that shouldnÕt be
there, or youÕre experiencing Òunexpected eventÓ messagesÑthefollowing procedures may fix your problem,
eliminating the need to call an authorized ENSONIQ repair station or ENSONIQ Customer Service:
¥A soft restartÑa button combination that acts like turning your ZR-76 off and on.
WWWWaaaarrrrnnnniiiinnnngggg:::: Performing a soft restart will result in your ZR-76 clearing its RAM memory, in the
same way that powering off and on would. If you decide to do a soft restart, try saving any
sequences or RAM sounds, presets or rhythms youÕd like to preserve to a floppy disk before
performing the restart. (see Chapter 9 for details).
¥A hard reinitialization procedure performs a very deep-level reinitialization of the ZR-76. This
procedure should be primarily be used only in cases where the ZR's front-panel buttons, for some
reason, donÕt allow you to perform a soft restart, or if a soft restart fails to solve your problem.
WWWWaaaarrrrnnnniiiinnnngggg:::: During a hard reinitialization, any sounds, rhythms or presets in FLASH, as well
as any sounds, rhythms, presets, sequences or songs stored in RAM will be lost. All system
parameters will be reset, as well. If you decide to reinitialize, try saving any items you want
to preserve to a floppy firstÑsee Chapter 9 for details. The sounds and rhythms that were
in FLASH when you first purchased your ZR-76 are safely stored on the ZRD-100 floppy
disk that came with your ZR.
WWWWaaaarrrrnnnniiiinnnngggg:::: Make sure that everything in FLASH or RAM that youÕd like to keep has been
safely stored on floppy disk before you reinitialize, since reinitialization will clear the ZR's
internal entire INT memory (it will also reset all system settings to their default values). The
ZRD-100 floppy disk that shipped with your ZR contains a copy of the sound and rhythm
banks that were in FLASH when your ZR-76 shipped from the factory.
1. Turn your ZR-76 off.
2. Press and hold down the Song Editor Erase button.
3. While still holding Erase, turn your ZR-76 on and allow it to power up fully before letting go of erase.
If reinitializing the ZR-76 fails to correct the problem, contact an Authorized ENSONIQ Repair Station
or ENSONIQ Customer Service at (610) 647-3930.
Whether youÕre an aspiring programmer looking for additional information about basic effect processing
techniques and MIDI theory, or a professional sound engineer working with advanced applications, you
may want more detailed information beyond the scope of this manual. The following books can help
enhance your understanding of effect processing, MIDI, and related topics. These, in addition to the
numerous monthly magazines, provide a wealth of information. While we donÕt endorse any one of these
publications, we offer this partial list as a resource for you to draw on.